Club Listing by Dance Name

Total Page:16

File Type:pdf, Size:1020Kb

Club Listing by Dance Name MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 37- 15 A Na Onej Gorze Polish 37- 11 A Tu Jest Warszawa Polish 95- 4 Aatabspolska och polska fr. Kall Swedish Couple 86- 19 Abdala Bulgarian Line 91- 4 Acano, Mlada Nevesto Macedonian 16- 10 Ad Or Haboker (Harmonica) Israeli Circle, Open 33- 23 Adama Admati Israeli Couple I 64- 17 Adana Oro Macedonian Circle, Open I ö 60- 24 Ada's Kujawiak #1 Polish Couple I 79- 26 Ada's Kujawiak #1 Polish Couple I 79- 27 Ada's Kujawiak #3 Polish Couple 17- 6 Adelita (Corrido) Mexican Couple 32- 18 Adj' Za Milim, Adj' Za Dragim & Drhta Croatian I 61- 8 Adjon Az Isten Hungarian Circle, Open I 69- 27 Adjon Az Isten Hungarian Circle, Open I 718- After Brollopet (Schottische) Swedish Schottische 56- 22 Agar Magar Armenian Line 84- 3 Agchanka Jerazanka Armenian 44- 8 Aguonele Lithuanian Circle 58- 3 Agustina Mexican Couple 39- 20 Ah: Si Mon Moine Voulait Danser Canadian-French 71- 16 Ahavat Chaya'i Israeli Circle I 45- 11 Ahavat Hadassah Israeli Line I 92- 12 Ahavat Hadassah Israeli Line I 37- 1 Aino Kcume (Seikhani) Assyrian Couple I 61- 16 Aird of Coigah Scottish Set 4 Couple I ö 81- 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I 65- 21 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I 84- 22 Airie Bennan Scottish 84- 22 Airie Bennan Scottish ö 31- 7 Ais Giorgis (Saint George) Greek Circle, Open I Sunday, May 08, 2005 Page 1 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 23- 11 Ais Giorgis (Saint George) Greek Circle, Open I 30- 11 Aivaliotiko (Zeimbekiko) Greek Circle, Open 88- 14 Ajde Jano Macedonian Line 91- 25 Ajde Jano (Talitha MacKenzie) Macedonian Line 23- 16 Ajde Lepa Maro Serbian Circle, Open I ö 61- 7 Al Gemali Israeli Solo 50- 2 Al Gemali Israeli Solo 19- 9 Al Kalaa Lebanese Line I 36- 2 Al Sa'Deinu Israeli Circle I 92- 1 Al Sadenu Israeli Circle 93- 14 Al Sadenu Israeli 67- 8 Alaj Smo Se Croatian Circle 48- 11 Albansko Albanian 72- 16 Alemande German 116- Alewander Swiss Couple I 117- Alexandrovsky Russian Couple I 117- Alexandrovsky Russian Couple I 19- 14 Ali Ali Lebanese Line I 14- 21 Ali Paşa Turkish Circle, Open I 59- 7 Alison Rose (4x32 Strathspey) Scottish Set 4 Couple I 22- 8 Allemannsmarsj Norwegian Mixer I 29- 9 Alley Cat USA Couple I 13- 24 All-Purpose Polka USA Couple 12- 26 Alonia (Syrtos Ptlaias) Greek Circle, Open I 36- 15 Alonsito Paragayan 75- 7 Alte Polka S German 410- Alter Tiroler Plattler Austrian Couple ö 25- 5 Alunelul Romanian Circle, Open I 73- 26 Alunelul Romanian Circle, Open I 104- 11 Alunelul ca la Cirna Romanian 42- 9 Alunelul ca la Sadova Romanian Line I Sunday, May 08, 2005 Page 2 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 80- 24 Alunelul de Brau Romanian Line ö 49- 25 Am Segula Israeli Circle I 33- 15 Am Segula Israeli Circle I 70- 16 Aman Aman Turkish Line 56- 13 Ambee Dageets (Armenian Turn) Armenian Line I 19- 16 Ammer Ya Maalem Lebanese 13- 15 Amos Moses USA Solo I 88- 17 An Dro Retourné Brittany Line 21- 7 Ana Lugojana (Haţegana) Romanian Couple I 82- 7 Anderson's Rant (Leith Country Dance, Scottish Set 4 Couple I 76- 19 Andikrystos (To Entheka) Greek Circle, Open I 59- 8 Angus Macleod (2x64 Reel) Scottish Reel 29- 2 Angus Reel (Maine Mixer) USA Couple I 99- 11 Anna's Wedding Cake Scottish Set, 4 Couple 75- 2 Annenpolka German Couple 30- 23 Antiktistos Makedonikos Greek-Macedonia I 78- 23 Aoleanul De La Fundu Paru Romanian 79- 21 Aoleanul de la Petresti Romanian 51- 7 Appelbo Ganglat Swedish March 30- 9 Arahova (Tsamikos) Greek Circle, Open I 13- 6 Araog mond da zoudard (Gavotte des M French Line I 39- 6 Arap (Zajko Kokarajko) Macedonian Circle, Open I ö 17- 4 Arap (Zajko Kokorajko) Macedonian Circle, Open I 36- 14 Araruna Brazilian Couple I 10- 16 Arcadian's Lancers, The (Prairie Queen) USA Square I 104- 21 Arcanul de la Fundul Moldaovei Romanian 103- 16 Arcanul dela Fundul Moldovei Romanian 79- 14 Ard O Focul Dragostea Romanian 75- Ardelanka Romanian Line 42- 19 Ardelean Romanian 80- 26 Ardeleana Romanian Couple Sunday, May 08, 2005 Page 3 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 21- 8 Ardeleana (Invirtita) Romanian Couple 103- 18 Ardeleana dela Recas Romanian 103- 20 Ardeleana din Felnac Romanian 12- 17 Ardeleana Pe Pecior Romanian 67- 20 Arin Arin French Solo 81- 5 Arin Arin French Solo 87- 14 Arkan Ukranian Line 87- 6 Arkan Dribny Ukrainian Line 56- 19 Armenian Miserlou (Eench Eemanaee) Armenian Line I 56- 13 Armenian Turn (Ambee Dageets) Armenian Line I 38- 17 Armstrong's Waltz (4 + 8x32) English Set 4 Couple 16- 9 Artsa Aleenoo (Kuma Echa) Israeli Circle I 70- 19 Artvin Grils' Dance Turkish Line 56- 6 Ashtarakee Par Armenian Line 86- 4 Aston Polka - Extended Play USA Contra I 16- 20 Aston Polka, The, (called) USA Contra I 16- 19 Aston Polka, The, (instrumental) USA Contra I 71- 6 At Adama Israeli Line I 98- 2 Åt Sulhusgubba (reinlender) Norwegian Couple 223- At the Inn German Couple I ö 28- 2 At Va'Ani Israeli Circle I 16- 7 At Va'ani Israeli Circle I 12- 13 Atlantic Mixer Austrian Mixer I 64- 23 Attaman Engel Finnish Square I 94- 20 Åttetur fra Asker Norwegian Couple 98- 20 Åttetur fra Asker (turndans) Norwegian Couple 57- 21 Aurora Mexican Couple 22- 20 Austrian Dreisteyrer Austrian Trio I 66- 14 Austrian Dreisteyrer Austrian Trio I 17- 16 Avant-Deux de Travers French Lines, Short I 90- 2 Avant-Deux du Poitou French Couple, Cont Sunday, May 08, 2005 Page 4 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 57- 8 Ay Giz Heyranin Olam Turkish Line 71- 2 Ayuma Israeli 57- 7 Azgagragan (Daronee Yerker Yev Barer) Armenian Line 101- 19 Ba La Israeli Mixer 92- 2 Ba'ah Menuchah Israeli Circle 47- 10 Baba Djurdja Macedonian Circle, Open I 122- Babeli's Dream ('Strommt Em Babeli) Swiss 69- 3 Bablekan Turkish 101- 16 Bachata (Que Vuelva) Puerto Rican Couple 54- 14 Bagpipe on Violin Scottish 24- 3 Baile Da Camacha Portuguese Set 4 Couple I 13- 8 Bal de Jugon, Le French Couple I 65- 20 Balada Ha Ma'ayan Israeli 86- 18 Baldazka Bulgarian Line 101- 1 Balgeddie Reel (5 x 32 Reel) Scottish Set 5 Couple 73- 15 Ballo Sardo Italian Line I ö 60- 3 Ballos Greek Couple I 30- 21 Ballos Greek Couple I 30- 7 Ballos (Pot-Pourri of Ballos) Greek Couple I 43- 19 Ballos (Psaropoula) Greek Couple I 61- 17 Ballos, Chios Island Greek Couple I 69- 15 Balmoral Strathspey (The Sark Bridge) Scottish Set 4 Couple 59- 11 Balquidder Strathspey (8x32 Strathspey) Scottish Set 4 Couple I 78- 24 Balta De La Fundu Parului Romanian 13- 10 Bannielou Lambaol French Circle I 83- 17 Baonopstecker Netherlands 84- 13 Baonopstecker Netherlands 71- 8 Bapardes Israeli Circle I 87- 13 Bapundak Katan Israeli I 88- 1 Barbatesc Romanian 58- 6 Barinya Russian Sunday, May 08, 2005 Page 5 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 68- 8 Barjace, Atans Macedonian Line 10- 14 Barn Dance English Couple I 29- Baroiges Tanz Jewish Set 4 to 6 Co I 23- 10 Barovka (Paiduska) {Not so good} Macedonian Line I 33- 11 Bat Teiman Israeli Line I 92- 23 Bat Teiman Israeli Line or Circl 16- 26 Bat Tsurim Israeli Couple I 103- 9 Batraneasca dela Ciocanesti Romanian 78- 15 Batrineasca Romanian 41- 24 Bătrîneasca din Vicov Romanian I 98- 11 Båtsmann Däck (polska) Norwegian Couple 80- 12 Batucele Romanian 74- 6 Bătuta Bulgarian Line I 55- 26 Bătuta Munteneasca Romanian Line I 12- 14 Bavarian Waltz German Square I 97- 10 Bavno Horo (Ajde Na Horo) Bulgarian Line ö 320- Bavno Oro Macedonian Circle, Open I 50- 11 Bavno Oro (Snosti Sakav Da Ti Dojdam Macedonian Circle, Open I 20- 10 Bayrisch-Polka German Couple I 14- 25 Bean Setting English Morris 421- Beautiful Ohio USA Waltz I 56- 27 Beejo Armenian Line I 45- 24 Be'er Bassadeh Israeli Circle 64- 20 Bees of Maggie Knorkater Scottish Set 4 Couple I 56- 12 Beet Kroonk Armenian 45- 16 Befat Hakfar Israeli Line 52- 3 Beggar Boy, The English Set 3 Couple 50- 6 Be'ikvota'ich Israeli 45- 5 Bein Nehar Prat Israeli Circle I 49- 14 Bein N'Har Prat Israeli Couple I 71- 18 Bekedorfer German Square I Sunday, May 08, 2005 Page 6 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 23- 22 Bekendorfer Quadrille German Square I 21- 24 Békési Páros Hungarian Couple I 65- Bela Rada Serbian Line I 23- 14 Bela Rada Serbian Line I 49- 9 Bela Rada Serbian Line I 87- 15 Belasicko Oro Macedonian Line 92- 13 Belev Echad Israeli Line I 47- 12 Berance Macedonian 48- 1 Berance Macedonian Circle, Open I 73- 17 Berance Macedonian Circle, Open I 31- 3 Berátis Greek Circle, Open I 76- 16 Berátis Greek Circle, Open I 32- 24 Bercarac 28- 12 Bergslags Polka (Snoa) Swedish Couple I 32- 12 Berovka Oro Macedonian Line I 46- 22 Berovka Oro Macedonian Line I ö 91- 20 Berovka Oro and Ratevka Macedonian Line I 33- 6 Besdot Bet-Lechem Israeli Couple I 71- 9 Bet Avi Israeli Line I 87- 1 Bhangra Indian Solo I 43- 3 Bialy Mazur Polish Couple 62- 11 Bičak Bulgarian Line I 74- 7 Bičak Bulgarian Line I 58- 17 Bielolitza Kruglolitza (Chain Dance) Russian Circle, Open I 36- 28 Bilati (Tanzara) Assyrian Line I 99- 8 Bingsjö Polska Swedish Couple 54- 18 Bird in the Tree Irish 99- 12 Birks of Invermay, The Scottish Set, 4 Couple 78- 18 Birladeanca Romanian 14- 13 Biserka-Bojarka Serbian Circle, Open I 64- 2 Bishop, The English Contra I Sunday, May 08, 2005 Page 7 of 92 MVFD Listing by Dance Name CD Track Dance Name Nationality Type Inst 91- 5 Bistrica Kopanica Bulgarian Line 91- 6 Bitola Macedonian Line 21- 18 Bitola (Lesnoto) Macedonian Line 28- 17 Bitte Mand I Knibe (Little Man In A Fix Danish Set 2 Couple I 28- 20 Bitte
Recommended publications
  • Why Stockton Folk Dance Camp Still Produces a Syllabus
    Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2018 FINAL In Memoriam Rickey Holden – 1926-2017 Rickey was a square and folk dance teacher, researcher, caller, record producer, and author. Rickey was largely responsible for spreading recreational international folk dancing throughout Europe and Asia. Rickey learned ballroom dance in Austin Texas in 1935 and 1936. He started square and contra dancing in Vermont in 1939. He taught international folk dance all over Europe and Asia, eventually making his home base in Brussels. He worked with Folkraft Records in the early years. He taught at Stockton Folk Dance Camp in the 1940s and 50s, plus an additional appearance in 1992. In addition to dozens of books about square dancing, he also authored books on Israeli, Turkish, Bulgarian, Hungarian, Greek, and Macedonian dance. STOCKTON FOLK DANCE CAMP – 2018 FINAL Preface Many of the dance descriptions in the syllabus have been or are being copyrighted. They should not be reproduced in any form without permission. Specific permission of the instructors involved must be secured. Camp is satisfied if a suitable by-line such as “Learned at Folk Dance Camp, University of the Pacific” is included. Loui Tucker served as editor of this syllabus, with valuable assistance from Karen Bennett and Joyce Lissant Uggla. We are indebted to members of the Dance Research Committee of the Folk Dance Federation of California (North and South) for assistance in preparing the Final Syllabus. Cover art copyright © 2018 Susan Gregory. (Thanks, Susan.) Please
    [Show full text]
  • SYRTAKI Greek PRONUNCIATION
    SYRTAKI Greek PRONUNCIATION: seer-TAH-kee TRANSLATION: Little dragging dance SOURCE: Dick Oakes learned this dance in the Greek community of Los Angeles. Athan Karras, a prominent Greek dance researcher, also has taught Syrtaki to folk dancers in the United States, as have many other teachers of Greek dance. BACKGROUND: The Syrtaki, or Sirtaki, was the name given to the combination of various Hasapika (or Hassapika) dances, both in style and the variation of tempo, after its popularization in the motion picture Alexis Zorbas (titled Zorba the Greek in America). The Syrtaki is danced mainly in the taverns of Greece with dances such as the Zeybekiko (Zeimbekiko), the Tsiftetelli, and the Karsilamas. It is a combination of either a slow hasapiko and fast hasapiko, or a slow hasapiko, hasaposerviko, and fast hasapiko. It is typical for the musicians to "wake things up" after a slow or heavy (vari or argo) hasapiko with a medium and / or fast Hasapiko. The name "Syrtaki" is a misnomer in that it is derived from the most common Greek dance "Syrtos" and this name is a recent invention. These "butcher dances" spread throughout the Balkans and the Near East and all across the Aegean islands, and entertained a great popularity. The origins of the dance are traced to Byzantium, but the Argo Hasapiko is an evolved idiom by Aegean fisherman and their languid lifestyle. The name "Syrtaki" is now embedded as a dance form (meaning "little Syrtos," though it is totally unlike any Syrto dance), but its international fame has made it a hallmark of Greek dancing.
    [Show full text]
  • Tom Roby SHORT TUESDAY LIST (Preliminary) 1 May 1996
    Tom Roby SHORT TUESDAY LIST (Preliminary) 1 May 1996 EASY NOT SO EASY INTERMEDIATE HARD COUPLE Core Core Core Core Easy Abdala Adjon az Isten Ajde Jano Biˇcak Albanian #1 Ciganˇcica Ajde Lepa Maro Ali Pa¸sa Ca la Balt˘a Brˆıul de la F˘ag˘ara¸s Gamal Polska Alunelul Bardezuh Mer Ciganski Orijent Brˆıul pe Opt Gamal Schottis Bavno Oro Divˇcibarsko Kolo Buˇcimiˇs Karapjet An Dro Makazice/Bela Rada Cekurjankinoˇ Horo Kevi Cs´ard´as Arap Draganovo Belasiˇcko Oro DrmeˇsizZdenˇcina Cetvornoˇ Sopskoˇ H. Kujawiak Bufˇcansko Dedo Mile Dedo Lepa Anka Kolo Vodi ˇ Fatiˇse Kolo Cimpoi Cereˇsna Devojˇce2 Gencsi Verbunk Marin-Congo ´ Hora from Oltenia Cuperlika Durdevica Hora Spoitorilor Gergebunarsko Norwegian Polka Devetorka Dospatsko Kasapsko Oro Godeˇcki Caˇˇ cak R˘uˇcenica po 3 Eleno Mome Gerakina Katja Jove Maloj Mome Slangpolska Ersko Kolo Hora Fetelor ˇ Stabberinglender ˇ Kulska Sira Kulsko Horo Guhnega Horehronsk´y Card´aˇs Numero Vossarull Mure¸sanca Waltz G¨uzelleme Janino Novo Zagorsko Ovˇcepolsko Oro Karamfil Ol´ahos Pandalaˇs Hanter Dro Katuˇse Mome Hora Mare Ovˇcepolska Potrˇculka Plevensko Dajˇcovo Medium Kjustendilska R˘uˇc. Pajduˇsko (3,2,1,4) R˘uka Hora Pe Gheat¸˘a Lefkaditikos Aino Kchume Pajduˇsko, Jambolsko Ripna Maca Ana Lugojana Ivanica Mariˇcensko Pravo H. Preskaˇcanka Topansko Oro Jovano, Jovanke Moja Diridika B´ek´esi P´aros Radomirsko Horo Trei P˘aze¸ste dl GM ˆInvˆırtita [Yves’s] Kalamatianos Ooska Gookas Rustemul Trile¸se¸sti Orijent ˆInvˆırtita de la Sibiu Kendime Sedi Donka ˆ Koftos Orta Anadolu Sej Sej Bop Invˆırtita din Luna T. Osmica Sepastia Bar Uncore Hambo Kostursko Oro Pinosavka Lipa Ma Mar´yca Kritikos Syrtos Sestorkaˇ Ali, Ali Povrateno Alunelul Schiop Michael’s Cs´ard´as Kukunjeˇs´ce Prekid Kolo Sevdalino Maloj Mome Pr´ıdi, Jan´ık Sˆırba pe Loc Avrameanca Legnala Dana Ratevka Dansul Fetelor Rezijankas Lesnoto Sadilo Mome S¸obolanul Siamse Beirte Tropanka iz Dobrudˇza Daronee Maˆıtre de Maison Sandansko Dobrichka Tropanka Slangpolska fr.
    [Show full text]
  • Round Dances Scot Byars Started Dancing in 1965 in the San Francisco Bay Area
    Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2016 – FINAL 7/31/2016 In Memoriam Floyd Davis 1927 – 2016 Floyd Davis was born and raised in Modesto. He started dancing in the Modesto/Turlock area in 1947, became one of the teachers for the Modesto Folk Dancers in 1955, and was eventually awarded the Lifetime Achievement Award for dance by the Stanislaus Arts Council. Floyd loved to bake and was famous for his Chocolate Kahlua cake, which he made every year to auction off at the Stockton Folk Dance Camp Wednesday auction. Floyd was tireless in promoting folk dancing and usually danced three times a week – with the Del Valle Folk Dancers in Livermore, the Modesto Folk Dancers and the Village Dancers. In his last years, Alzheimer’s disease robbed him of his extensive knowledge and memory of hundreds, if not thousands, of folk dances. A celebration for his 89th birthday was held at the Carnegie Arts Center in Turlock on January 29 and was attended by many of his well-wishers from all over northern California. Although Floyd could not attend, a DVD was made of the event and he was able to view it and he enjoyed seeing familiar faces from his dancing days. He died less than a month later. Floyd missed attending Stockton Folk Dance Camp only once between 1970 and 2013. Sidney Messer 1926 – 2015 Sidney Messer died in November, 2015, at the age of 89. Many California folk dancers will remember his name because theny sent checks for their Federation membership to him for nine years.
    [Show full text]
  • Music and Traditions of Thrace (Greece): a Trans-Cultural Teaching Tool 1
    MUSIC AND TRADITIONS OF THRACE (GREECE): A TRANS-CULTURAL TEACHING TOOL 1 Kalliopi Stiga 2 Evangelia Kopsalidou 3 Abstract: The geopolitical location as well as the historical itinerary of Greece into time turned the country into a meeting place of the European, the Northern African and the Middle-Eastern cultures. Fables, beliefs and religious ceremonies, linguistic elements, traditional dances and music of different regions of Hellenic space testify this cultural convergence. One of these regions is Thrace. The aim of this paper is firstly, to deal with the music and the dances of Thrace and to highlight through them both the Balkan and the middle-eastern influence. Secondly, through a listing of music lessons that we have realized over the last years, in schools and universities of modern Thrace, we are going to prove if music is or not a useful communication tool – an international language – for pupils and students in Thrace. Finally, we will study the influence of these different “traditions” on pupils and students’ behavior. Key words: Thrace; music; dances; multi-cultural influence; national identity; trans-cultural teaching Resumo: A localização geopolítica, bem como o itinerário histórico da Grécia através do tempo, transformou o país num lugar de encontro das culturas europeias, norte-africanas e do Médio Oriente. Fábulas, crenças e cerimónias religiosas, elementos linguísticos, danças tradicionais e a música das diferentes regiões do espaço helénico são testemunho desta convergência cultural. Uma destas regiões é a Trácia. O objectivo deste artigo é, em primeiro lugar, tratar da música e das danças da Trácia e destacar através delas as influências tanto dos Balcãs como do Médio Oriente.
    [Show full text]
  • One the Peculiarities of Modern Musical Folklore of Shirak
    Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak.
    [Show full text]
  • Traditional Dances PARTNERS
    The Treasuere Chest and ICT or ICT in Reading and Writing May 26, 2015 Traditional Dances PARTNERS: BULGARIA The Treasuere Chest and ICT or ICT in Reading and Writing Професионална гимназия по транспорт-РазлогVocational High School of Transport -Razlog Issue 1 LATVIA Rezekne Polish State Gymnasium What is Inside? POLAND This leaflet is designed They visited I ZESPOL SZKOL IM ST.STASZICA WE WSCHOWIE for outputs of the libraries and used TURKEY Project “The treasure catalogues for AVCILAR TICARET MESLEK LISESI Chest and ICT or ICT searching in Reading and information. HUNGARY Writing”. Also they met eldery Hunyadi János Grammar School, Technical School and Students'Hostel In this leaflet, there people to ask for ESTONIA are 3 dances from each infomration. In This Issue: Peetri Lasteaed-Põhikool country , and their In this leaflet, we description. put 3 of them from ROMANIA Students looked for each country. LICEUL TEHNOLOGIC COSTESTI interesting folk dances All the dances and Hungary 2 from the local places their English form 18 or 21 century. description can be Latvia 5 About The Project The treasure chest and ICT and they don’t want to write scenario for Common or ICT in reading and essays or to create their European celebration – the Estonia 8 writing is faced towards the own short texts. They just past and nowadays students aged 16-19. The copy them from Internet. traditions. Students will main purpose of the project use their creativity and ICT communication has is to combine “old – imaginations and new re p la ce d the di re ct Romania 11 fashioned reading and knowledge.
    [Show full text]
  • ACADEMY Music
    January 12, 1954 #32 "' P 27 - ! Ä M ' ¡i Wi7 worn mil lOpp1i 3 1 u11.1 v w " 1111 111i11.. rn Ill I u B R OKflYN ACADEMY Music PANEGYRIS BROOKLYN INSTITUTE OF ARTS AND SCIENCES -------- - - ---- Vmtgtg-hh7zl.oTYm+m7zgTm+m4gTm+gTmTiirimvmTm+z§h+zg+7cYYT`g+mTzgrm-h7h-h7cTT-T7n 7 7cg4r7Y3roggu:3og7cYYuYzgsyoogtgti7g-hu+3g77c7g7wtrmx FIRE NOTICE: The exit indicated by a red light TUESDAY EVENING, JANUARY 12, 1954 and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire please do 7. a) KALAMATIANOS . Popular Greek dance not run -WALK TO THAT EXIT. JACOB GRUMET, Fire Commissioner b) TSAKONIKOS Symbolizing the exodus from the UNDER THE HIGH PATRONAGE OF HER MAJESTY It is urgent for the comfort and safety of all that labyrinth in the Palace of Knossos patrons refrain from lighting matches in this theater. c) TSAMIKOS Popular Greek dance QUEEN FREDERIKA OF THE HELLENES INTERMISSION PAnEGYRIS 8. a) KERKYRA -LEFKAS -KEPHALLONIA- ZAKINTHOS- KYTHIRA Dances and songs from the Ionian Islands recently devasted by earthquakes - THE ROYAL FESTIVAL COMPANY OF GREECE followed by b) MOIROLOGIA Laments for the dead DORA STRATOU ó Dora Stratou Producer and Director The Laments still used in Greece today derive from the ancient dirges of Greek tragedy. YANNIS TSAROUHIS A. FIVOS 9. KYPRIAKOI CHOROI -KARSILAMAS _ Dances from Cyprus Musical Supervisor Costumes 10. TRATA Fishing Song M. SVOLOPOULOU and V. PAPACHRISTOU A. PAPANIKOLAOU Soloist: Afrodifi Papanikolaou Solo Dancers Singer II. a) CHIOTIKOS .. Dances from the island of Chios II;;fli1 ALEKOS KARAVITIS b) KARPATHIOTIKOS ZERVOS Dances from the island of Karpathos The Cretan Soloist (Lyra- Songs) c) CHASSAPIKOS Butchers' dance Originated in Byzantium, as now danced in Salamis.
    [Show full text]
  • Ö 10 - 1 Royal Empress Tango English Couple I A- 5
    MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD
    [Show full text]
  • TX-KF Program Master
    Saturday KF Main Dance Hall Saturday KF Kafana Saturday KF Amphitheatre - All Videos! Subject to change, times are Pacific Time Subject to change, times are Pacific Time Subject to change, times are Pacific Time International Dance and Music 7:00 pm Sonia & Cristian Dance Review 7:00 pm Orkestar Black Wine 1:00 pm Nostalgia Videos American Historical Folk Dance 7:15 pm Joe Dance Review -Karagouna (Greece) 2:00 pm Videos 7:30 pm Cabin 19 -Niska Banja (Serbia/Romani) 3:00 pm Join us in the Main Hall! -Wedding Hora (Moldova) -Konobo Moja (Dalmatia/Croatia) 4:00 pm Nostalgic US Dance Company Show Videos -Doina + Sarba (Moldova) -Slavonija Splet (Croatia) 5:00 pm Comedy Dance Number Videos -Sarba Armeneasca (a.k.a. Tonagan Par) 7:20 pm Kavala 6:00 pm Join us in the Main Hall! -Waves of the Danube (Anniversary Global Professional Dance Company Waltz) -Raikos 7:00 pm Videos Videos of Intl. Dance Community 7:47 pm Zlatne Uste -Patrunino 8:00 pm Performing Groups -Gankino (Kopanitsa) -Levendikos 9:00 pm Nostalgic Documentaries -Sofka -Puče Puška (Teško or Vranjanka) Amphitheatre Closes -Mig Mig (Čoček) 7:40 pm Shirley Johnson (Vjeverica) -Kolo (u šest) -Karamfil (lesnoto) 8:06 pm Danubius Band -Trava Trava Trava - Hungarian Polkas (polkas) -Triti Puti - Hungarian Roma (Gypsy) Songs (Roma free-style dancing) -Waltz 8:23 pm Blato Zlato 7:55 pm Dromeno Set 1 -Miatalo Lenche yabalka (Rŭchenica) -Sta Dhio -Gjura beli belo platno (Pajdushko) -Tsamiko -Gaidine Svirjat (Dajchovo) -Levendikos -Sofka -Shto imala Ksmet Stamena (Chochek) 8:43 pm Da! Mozhem
    [Show full text]
  • Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
    [Show full text]
  • Download Dance in the Schools Presentation
    A Rationale for Offering Ethnic Folk Dance Programs in the School Curriculum Pathways to Health, Teamwork and Multi-Cultural Understanding Programs for Grades 5 through 12 – 2009 Paul Collins Ethnic Dance Connection (Dancing As a Second Language) Mobile: (847)-846-8139 – Office: (773) 463-2288 [email protected] - www.ethnicdance.org Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 1 Photo Gallery - 1 Catholic Central High School (Burlington, WI) – 12th Graders at Diversity Day Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 2 Photo Gallery - 2 Spring Hill Middle School (Wisconsin Dells, WI) – 8th Graders at International Festival Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 3 About Paul Collins Paul Collins is a management consultant, providing high performance techniques and technologies that support collaborative problem solving and decision-making in web-based meetings. His clients, generally Fortune 1000 Companies and Government Agencies, have included, NASA, the US EPA, BP/Amoco and Motorola. He is currently a part-time student in Northwestern University’s Leadership and Organization Behavior program. Paul has had a passion for dance since he started dancing at the age of eight and called his first Square Dance at the age of twelve. He has taught ethnic dance programs at the Old Town School of Folk Music, the University of Chicago and the University of Illinois at Chicago, has been a popular instructor in downtown dance programs at SummerDance in Grant Park, Millennium Park and the Cultural Center, and has taught dance workshops throughout the United States, Canada and Europe. In 1989, Paul founded Ethnic Dance Chicago which now meets weekly at the Chicago Latvian Cultural Center and the S.P.A.C.E.
    [Show full text]