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A Short Course in International Folk Dance, Harry Khamis, 1994
Table of Contents Preface .......................................... i Recommended Reading/Music ........................iii Terminology and Abbreviations .................... iv Basic Ethnic Dance Steps ......................... v Dances Page At Va'ani ........................................ 1 Ba'pardess Leyad Hoshoket ........................ 1 Biserka .......................................... 2 Black Earth Circle ............................... 2 Christchurch Bells ............................... 3 Cocek ............................................ 3 For a Birthday ................................... 3 Hora (Romanian) .................................. 4 Hora ca la Caval ................................. 4 Hora de la Botosani .............................. 4 Hora de la Munte ................................. 5 Hora Dreapta ..................................... 6 Hora Fetalor ..................................... 6 Horehronsky Czardas .............................. 6 Horovod .......................................... 7 Ivanica .......................................... 8 Konyali .......................................... 8 Lesnoto Medley ................................... 8 Mari Mariiko ..................................... 9 Miserlou ......................................... 9 Pata Pata ........................................ 9 Pinosavka ........................................ 10 Setnja ........................................... 10 Sev Acherov Aghcheek ............................. 10 Sitno Zensko Horo ............................... -
Types of Dance Styles
Types of Dance Styles International Standard Ballroom Dances Ballroom Dance: Ballroom dancing is one of the most entertaining and elite styles of dancing. In the earlier days, ballroom dancewas only for the privileged class of people, the socialites if you must. This style of dancing with a partner, originated in Germany, but is now a popular act followed in varied dance styles. Today, the popularity of ballroom dance is evident, given the innumerable shows and competitions worldwide that revere dance, in all its form. This dance includes many other styles sub-categorized under this. There are many dance techniques that have been developed especially in America. The International Standard recognizes around 10 styles that belong to the category of ballroom dancing, whereas the American style has few forms that are different from those included under the International Standard. Tango: It definitely does take two to tango and this dance also belongs to the American Style category. Like all ballroom dancers, the male has to lead the female partner. The choreography of this dance is what sets it apart from other styles, varying between the International Standard, and that which is American. Waltz: The waltz is danced to melodic, slow music and is an equally beautiful dance form. The waltz is a graceful form of dance, that requires fluidity and delicate movement. When danced by the International Standard norms, this dance is performed more closely towards each other as compared to the American Style. Foxtrot: Foxtrot, as a dance style, gives a dancer flexibility to combine slow and fast dance steps together. -
Miami Valley Folk Dance/~S Bull Etin
MIAMI VALLEY FOLK DANCE/~S BULL ETIN APRIL 1978 G?JlliK vmEKEl'TD PRm~ISES TO BE GREAT - John and Carole Pappas have been working hard in making final arrangements for the Greek . Weekend this Sat. & Sun., April 29 t. 30. Through the cooperation of the entire club and ." , David Henry, the leader for the weekend, every thing is falling into place. At least 125 will be attending. The Program will be at the Bomberger Recreation Center, 1306 E. Fifth St., Dayton. The Schedule for Saturday is as follows I Registration and Request Dancing 1100 - 2.00; Teaching Session 2100 - 5100; Request Dancing 5.00 - 6.00; Dinner 6130 - 7130, Kulture Korner 7.30 - 8100; Party and Review 8'30 - 11100. Sundays Program will be. Request Dancing 1100 - 2.00; Teaching 2.00 - 5.00, Request Dancing 5100 - 6.00 Some of the regions of Greece along with some dances are as follows with the area or city within the region shown in parentheses. EPIRUS: Beratis (Albanian), Gramrnendchoritkos (Ioannina), Iatros (Pogoni), Pogonisious (Pogoni); WACEDONIA. Gaida Gidhas (Thessaloniki) Leventikos (Florina), Leoto (Florina), Nizamikos, Syrtos, pylaias (Thessaloniki),. REBETIC. Kainourious Argos Hasapikos; THRACE. Zonaradhikos. COW~ITTEE FOR GREEK ti.EE~ND GENERAL CHAIRPERSONS. John & Carole Pappas, TREASURER: Sam Ballinger An~ FORK: Adelle Nellis NAtm TAGS I Vera Fisher SYLLABUS: Typing - Karjorie Darragh; Collating - Charles & Ella Ingraham; Cover Color - Lenny and Betty ~olnar. TABLE DECOP~TIONSI Bessie Shopshire, Jewell Steed, Grace Wol OTHEll DECORATIONS: Ann Ballinger, Vera Fisher, Leona Lybarge Dorothy Santi. CATERING: Lebanese Delicatessen. CATERING }lliLPERS. Roki Jackson, Sara Fleisher. BAKLAVA: Bruce Cantrell REGISTRATION': Sam Ballinger, ~.cadge Hart, Ken Steed EQUIPTh~NT: P.A. -
Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI
DOCUMENT RESUME ED 429 050 SP 038 379 AUTHOR Weikart, Phyllis S. TITLE Teaching Folk Dance. Successful Steps. INSTITUTION High/Scope Educational Research Foundation, Ypsilanti, MI. ISBN ISBN-1-57379-008-7 PUB DATE 1997-00-00 NOTE 674p.; Accompanying recorded music not available from EDRS. AVAILABLE FROM High/Scope Press, High/Scope Educational Research Foundation, 600 North River Street, Ypsilanti, MI 48198-2898; Tel: 313-485-2000; Fax: 313-485-0704. PUB TYPE Books (010)-- Guides - Non-Classroom (055) EDRS PRICE EDRS Price MF04 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Aesthetic Education; Cultural Activities; Cultural Education; *Dance Education; Elementary Secondary Education; *Folk Culture; Music Education IDENTIFIERS *Folk Dance ABSTRACT This book is intended for all folk dancers and teachers of folk dance who wish to have a library of beginning and intermediatefolk dance. Rhythmic box notations And teaching suggestionsaccompany all of the beginning and intermediate folk dances in the book. Many choreographieshave been added to give beginning dancers more experience with basicdance movements. Along with each dance title is the pronunciation and translation of the dance title, the country of origin, and the "Rhythmically Moving"or "Changing Directions" recording on which the selectioncan be found. The dance descriptions in this book provide a quick recall of dances and suggested teaching strategies for those who wish to expand their repertoire of dances. The eight chapters include: (1) "Beginning and Intermediate Folk Dance: An Educational Experience"; (2) "Introducing Folk Dance to Beginners"; (3) "Introducing Even and Uneven Folk Dance Steps";(4) "Intermediate Folk Dance Steps"; (5) "Folk Dance--The Delivery System"; (6) "Folk Dance Descriptions"; (7) "Beginning Folk Dances"; and (8)"Intermediate Folk Dances." Six appendixes conclude the volume. -
Levendikos (Greece)
69 Levendikos (Greece) Levendikos is perhaps the most characteristic dance of Greek Macedonia. (It is also well-known in the former Yugoslavian republic of Macedonia and can also be called either Pousténo or Berance.)v Leader variations are an integral part of the dance, and leading this dance well is considered an honor and a challenge. Pronunciation: Leh-VEHN-dee-kohs Music: “Leventikos” on “Songs of Western Macedonia” (SDNM 109), or any other Levendikos melody. Rhythm: 12/8 meter (3+2+2+3+2/8), counted either as S,Q,Q,S,Q or 1 2 3 4 5. Formation: Open circle of M and W. High handhold (W-pos), handkerchief between leader (the person farthest to the R) and second dancer. Styling: Individual. (See “style variations.”) Meas Pattern BASIC FIGURES 1 Turning to face ctr, hop on L and lift R leg twd ctr (ct 1); turning to face slightly R, hop again on L while bringing R leg to R (ct 2); step on R to R (ct 3); step on L across behind R (ct 4); step on R to R (ct 5). 2 Turning even more to the R, take a long skipping step onto the L across in front of R, that is: hop slightly on the R on the upbeat before stepping on the L (ct 1); turning to face ctr, hop on L (ct 2); step on R to R (ct 3); step on L across in front of R (ct 4); step on R in place (ct 5). 3 Dancing in place, hop on R (ct 1); hop again on R while bringing L ft around behind the R ft (ct 2); step on L behind R (ct 3); step on ball of R ft beside or slightly behind L (ct 4); turning to face diag R, step on L across in front of R (ct 5). -
Published by the Folkdance Federation of California, South Volume 52, No
Published by the Folkdance Federation of California, South Volume 52, No. 4 May 2016 Folk Dance Scene Committee Coordinator Jay Michtom [email protected] (818) 368-1957 Calendar Gerri Alexander [email protected] (818) 363-3761 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor Jan Rayman [email protected] (818) 790-8523 Carl Pilsecker [email protected] (562) 865-0873 Design and Layout Editors Pat Cross, Don Krotser [email protected] (323) 255-3809 Business Managers Gerda Ben-Zeev [email protected] (310) 399-2321 Nancy Bott Circulation Sandy Helperin [email protected] (310) 391-7382 Subscriptions Gerda Ben-Zeev [email protected] (310) 399 2321 Advertising Steve Himel [email protected] Printing Coordinator Irwin Barr (310) 202-6166 Marketing Bob, Gerri Alexander [email protected] (818) 363-3761 Gerda Ben-Zeev Jill and Jay Michtom 19 Village Park Way Sandy Helperin 10824 Crebs Ave. Santa Monica, CA 90405 4362 Coolidge Ave. Northridge, CA 91326 Los Angeles, CA 90066 Folk Dance Scene Copyright 2016 by the Folk Dance Federation of California, South, Inc., of which this is the official publication. All rights reserved. Folk Dance Scene is published ten times per year on a monthly basis except for combined issues in June/July and December/January. First class postage is paid in Los Angeles, CA, ISSN 0430-8751. Folk Dance Scene is published to educate its readers concerning the folk dance, music, costumes, lore and culture of the peoples of the world. -
Our Thanks to Dennis Boxell for These Photos from His 1964 Research in Bulgaria (See Article on Page 7)
T)< THE MAGAZINE OF INTERNATIONAL FOLK DANCING **> July/August EOO5 Our thanks to Dennis Boxell for these photos from his 1964 research in Bulgaria (See article on page 7) Dancing in Ihtiman Belogradchik dance OFFICIAL PUBLICATION OF THG FOLK DANCG FGD6RATION OF CALIFORNIA, INC. Volume 62, No. 6 July/August 2OO5 Editor: Gary Anderson TABLE OF CONTENTS AND CONTRIBUTORS [email protected] PO Box 548, Woodacre, CA, 94973 An Interview With Frank Bacher, Laila Messer, page 14 415-488-9197—9:00 am to A Shakespearean Dance, page 15 3:00pm weekdays Beginner Dance Listings Needed, page 15 Council Clips: Contributions from clubs Address change and membership: Calendar of Events, Dance List, pages 4-6 Sidney Messer, [email protected] Changs Family Night a Success!, Laila Messer, page 11 Calendar: Gary Anderson, editor Council and Club Clips, Barbara Malakoff, Naomi Lidicker, page 20 Proofreader: Irene Croft Cruise Tour—Up the Mekong, Mel Mann, page 24 Federation Website: www.folkdance.com Dance Descriptions: Joyce Lissant Uggla, The Breakdown, page 25 Federation Officers, North Koga Me Mama Rodila, page 23 President: B.C. "Vick" Vickland Vice President: Marion Earl Dancing For Sanity, Sylvia Stachura, page 16 Treasurer: Louise Lidicker Errata, page 3 Recording Secretary: Ann Brown How I Annoyed Bulgarian Communists and Found Folklore, Editor: Gary Anderson Dennis Boxell, page 7 Membership: Sidney Messer In Memoriam—Louis Haynick, page 20 Public Relations: Donna Frankel Letter, Jean Rosen, page 27 Historian: Vacant Insurance: Elsa Bacher Letters, Al Lisin, Robert Roelofsen, page 3 Publications: Joel Bruxvoort Little Festival of the Redwoods, page 13 Website: www.folkdance.com Looking Back—July, 1955, page 12 Looking Back—Who is this?, page 15 Federation Officers, South New Home for Fresno International Dancers, Marty Torbit, page 22 President: Karen Wilson-Bell President's Message, E.G. -
FEET FIRST:An Invitation to Dance
QPAC PRESENTS FEET FIRST: an invitation to dance Dance Genres Learn more about each of the genres and presenters on show at Feet First. This culture represents a living heritage left by the African slaves in Brazil, in which context Capoeira and Afro-Brazilian dances constitute a whole. For this reason, the pratice of Capoeira Afro-Brazilian always comes together with Afro-Brazilian dances such as Maculelê, Samba de Roda and Puxada de Rede. Presented by: http://www.xangocapoeira.com.au/ Creative movement and dance for 3-8 year olds. Designed specifi cally for young children, baby ballet introduces the foundations of dance through movement, rhythm, imagination and Baby Ballet creative play. Presented by: http://www.brisbanedancetheatre.com.au/tipoe-dance/ Ballet is a type of performance dance that originated in the Italian Renaissance courts of the 15th century and later developed into a concert dance form in France and Russia. It has since Ballet become a widespread, highly technical form of dance with its own vocabulary. Presented by: http://www.vaganova.com.au/classes/http://www.2ballerinas.com/ Ballroom dance is a set of partner dances, which are enjoyed both socially and competitively around the world. Because of its performance and entertainment aspects, ballroom dance is also widely enjoyed on stage, fi lm, and television. Ballroom dance may refer, at its widest, to almost any type of social dancing as recreation. Ballroom Dance However, with the emergence of dancesport in modern times, the term has become narrower in scope. It usually refers to the International Standard and International Latin style dances. -
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S
FOLK DANCE SCENE First Class Mail 19 Village Park Way U.S. POSTAGE Santa Monica, CA 90405 PAID Los Angeles, CA Permit No. 573 First Class Mail Dated Material ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year beginning with the next published issue. Subscription rate: $18/year U.S.A., $20/year Canada or Mexico,. $25/year other countries Published monthly except for June/July and December/January issues. NAME ___________________________________________ E-MAIL ______________________________________________ PHONE _____________________________ ADDRESS _________________________________________________ STATE ________________________ CITY _____________________________________________________ ZIP _____________ - ___________ Please mail subscription orders to the address at the top left corner of this page. (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) Published by the Folkdance Federation of California, South Volume 50, No. 2 March 2014 Folk Dance Scene Committee Coordinator Jay Michtom [email protected] (818) 368-1957 Calendar Gerri Alexander [email protected] (818) 363-3761 On the Scene Jill Michtom [email protected] (818) 368-1957 Club Directory Steve Himel [email protected] (949) 646-7082 Dancers Speak Sandy Helperin [email protected] (310) 391-7382 Federation Corner Beverly Barr [email protected] (310) 202-6166 Proofreading Editor H. Barbara Cutler [email protected] (818) 782-6715 Design and Layout Editors Pat Cross, -
Official Publication of the Folk Dance Federation of California, Inc. VOLUME 48, NO
JULY/AUGUST 1991 • $1.50 THE MAGAZINE OF INTERNATIONAL FOLK DANCING Official Publication of the Folk Dance Federation of California, Inc. VOLUME 48, NO. 6 JULY/AUGUST 1991 EDITOR Jeanne Bertolina TABLE OF CONTENTS CO-EDITOR AND BUSINESS MGR Genevieve Pereira PRESIDENT' S MESSAGE 3 FIESTA DE SONOMA 4 JULY/AUGUST CONTRIBUTORS: GOLDEN ANNIVERSARY 5 Philomena Pavelka Lloyd Day Ed Kremers Charlotte Weber FUN IN '91 6 Marjorie Heeley Vera Musser Jean Williams Ruth Ruling CLASSIFIED ADS 7 Vi Dexheimer Miriam Lidster Lupie Barton Vi Williams INTERNATIONAL CUISINE 8 Elsa Bacher Claire George Max Horn Ann Garabedian DANCE DESCRIPTIONS: BOHEMIAN NATIONAL POLKA (Bohemia) 9 FEDERATION OFFICERS - NORTH IN MEMORIAM. .13 PRESIDENT Lupie Barton VICE PRESIDENT Frances Ajoian COUNCIL CLIPS . 14 TREASURER. Page Mas son REC. SECRETARY. Erika Ray EVENTS SOUTH.. 15 PUBLICATIONS Ellie Wiener MEMBERSHIP Melvin Mann FOLK DANCE NEWS. 16 PUB. RELATIONS Michael Norris HISTORIAN Jimmy McCoy CALENDAR OF EVENTS 18 ON OUR COVER: FEDERATION OFFICERS - SOUTH NEVA- Russian PRESIDENT . .Beverly Barr Dance Ensemble VICE PRESIDENT. Eunice Udelf TREASURER Bill Campbell Photo: Jeff Reinking REC. SECRETARY.......Julith Plenas COR. SECRETARY ....Rudy Beldner MEMBERSHIP Marcia Lechtick PUBLICITY Beverly Weiss HISTORIAN....... Therese Scholin SUBMISSION DEADLINE FOR THE SEPTEMBER ISSUE: SUBSCRIPTION RATE: Wednesday, July 31 $15 per year $20 foreign & Canada SUBMISSION DEADLINE BUSINESS OFFICE: FOR THE OCTOBER ISSUE: Wednesdays, 10 AM - 4 PM Wednesday, September 4 415-581-6000 Let's Dance (ISSN #0024-1253) is published monthly by the Folk Dance Federation of California, Inc., with the exception of the May/June and July/August issues, which are released each two-month period. -
First Class Mail PAID
FOLK DANCE SCENE First Class Mail 4362 COOLIDGE AVE. U.S. POSTAGE LOS ANGELES, CA 90066 PAID Los Angeles, CA Permit No. 573 ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 2010 Parnell Avenue Los Angeles, CA 90025 (Allow 6-8 weeks for subscription to go into effect if order is mailed after the 10th of the month.) First Class Mail Dated Material Published by the Folk Dance Federation of California, South Volume 41, No. 9 November 2005 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 Beginner’s Classes SAN DIEGO CLAN MACLEOD DANCERS Jill Michtom [email protected] (818) 368-1957 INTERNATIONAL Calendar Jay Michtom [email protected] (818) 368-1957 FOLK DANCERS Mon 7:30-9:30 (818) 761-4750 Deanna St Amand On the Scene Jill Michtom [email protected] (818) 368-1957 CABRILLO Wed 7:00-9:30 EAGLE ROCK, Women’s 20th Club Directory Steve Himel [email protected] (949) 646-7082 INTERNATIONAL (619) 463-0434 Rodney -
Traditional Greek Dance and Theatre1
TRADITIONAL GREEK DANCE AND THEATRE1 I R E N E L OUTZAKI Abstract In modern Greece staged folk dance performances focus on the representation of a scenario. The outcome of aesthetic experience depends on the narrative forwarded by the organizers of the event. By comparing the master narratives of three dance groups – more specifically, a “national” example, an experienced “traditional” example from one site, and a third example of “historic” evolution – the paper proposes a framework for understanding staged folk dance in Greece. It juxtaposes issues such as: dance movements, dancer’s body, costumes, staging approaches, and the audience. The paper concludes with suggestions of starting a critical dialogue with dance teachers/choreographers in the hope of creating alternative approaches to staged performances of Greek folk dances. Keywords Greece; narrative analysis; staging; performances; folk dances It is an established fact that over the past twenty years a significant growth is observed in the scholarship on traditional dance in Greece. Meanwhile, most publications are preoccupied with the potential benefits of traditional dance in education. And to a great extent this may be justified. From 1980 onward, when Greek dances are established as a discipline2 and their instruction is in- tegrated into the school curriculum, a similar interest is observed among other educational institu- tions (e.g. cultural organizations, dance groups, and various dance schools that integrated teaching into their educational programs); traditional Greek dances are now regarded as a cherished form of educational material, and there is an intention to teach all interested pupils to dance, while also acquiring knowledge with regard to the origin, history and function of these dances.