2012 Door County Folk Festival Syllabus.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

2012 Door County Folk Festival Syllabus.Pdf 33rd Annual Door County Folk Festival Get Your Foot in the Door! Wednesday – Sunday, July 11 – 15, 2012 Sister Bay, Ephraim, and Baileys Harbor, Wisconsin Website: www.dcff.net E-mail: [email protected] Facebook Group: www.facebook.com/groups/dcffmail Facebook Fan Page: www.facebook.com/dcff.fan.page Dance Syllabus Advance Regular Discount Price Paper $22.00 $24.00 CD $14.00 $24.00 Flash Drive $12.00 $24.00 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival (DCFF), Wisconsin 2012 Door County Folk Festival Schedule v02 NOTE: Schedule Subject to Change Get Your Foot in the Door! Wednesday - Sunday, July 11-15, 2012 - Baileys Harbor, Sister Bay, Ephraim and Fish Creek, Wisconsin DCFF Home Phone: (847)-846-8139 [email protected] Wednesday Start End Where Event Who Morning 10:00am 12:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 10:00am 12:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller 12:00pm 2:00pm SBSC Northern Door YMCA Youth Dance Program Paul Collins & Patti Cohen 12:00pm 2:00pm SBSC Northern Door YMCA Youth Activity Program Miriam & Dick Miller Afternoon 12:00pm BHTH Staff Arrives Staff & Volunteers 3:00pm BHTH Setup Begins Staff & Volunteers Evening 6:00pm BHTH Registration Begins Staff & Volunteers 8:00pm 1:00am BHTH Opening Night Party with Recorded Music Forrest Johnson & Other Regional Leaders 1:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Thursday Start End Where Event Who Morning 9:45am SBVH Setup & Registration Continues Staff & Volunteers 10:00am 11:45am SBVH Fascinating Rhythms of Balkan Dance Workshop Michael Kuharski, Daniel Wells, Mary Garvin Michael: Svornato Horo (Bulgarian) Daniel W: Krivo Horo (Bulgarian) Mary: Piyan Ot Merak (Bulgarian) 9:30am 10:00am SCA Setup For Mini-Concert Staff 10:00am 11:00am SCA Mini-Concert @ Scandia Retirement Community Shelley Orbach Shelley Orbach Northern Door YMCA Youth Program Dancers Nick Bratkovich Ethnic Dance Chicago Afternoon 11:45am 1:15pm Lunch Break Dance Challenge Workshop: 1:15pm 3:00pm SBVH Paul Collins & George Davis Dances of Increasing Complexity Paul C: Stankino (Greek Macedonian), U Sest Koraka (Serbian) Ludo Kopano (Bulgarian), Ardelean (Romanian) Trite Puti (Bulgarian) George: Kapuvari Verbunk (Hungarian), Forgatos (Hungarian) 3:00pm 3:15pm Break Dance Challenge Workshop: 3:15pm 5:00pm SBVH George Davis & Paul Collins Dances Requiring Teamwork George: Hit and Miss (English), Dorset Reel (English) Grimtock (English), Bourree Pastourelle (French) Greensleeves and Yellow Lace (English) Paul C: Tai Tai (Greek), Rutchenitza Po Troiki (Bulgarian) Evening 8:00pm 11:00pm SBVH Ethnic Dance Party - with Recorded & Live Music Forrest Johnson & Other Regional Leaders 9:00pm BHTH Silent Auction Begins Mercedes Dzindzeleta & Company 11:00pm until AC Tap Late Night After Party Hwy 57, between Sister Bay & Baileys Harbor Friday Start End Where Event Who Morning 7:45am SBVH Setup & Registration Continues Staff & Volunteers 8:00am 9:45am SBVH Contra/Square Dance Workshop Roger Diggle & Paul Collins - Music by Last Gaspé 9:45am 10:00am Break 9:45am EVH Setup & Registration Continues Staff & Volunteers 10:00am 11:45am SBVH Israeli Dances - Old and New Workshop Penny Brichta Penny: Rachamim (Israeli), Sheli Shelcha (Israeli) Siasamba (Israeli), Horati (Israeli) 10:00am 11:45am EVH Fascinating Rhythms of Balkan Dance Workshop Michael Kuharski, Rick King, Dan Garvin Michael: Paidusca (Romanian) Rick: Devollice (Albanian) Dan G: Barbatesc (Romanian) 10:00am 11:45am FBC Singing Workshop Impromptu Festival Chorale by Shelley Orbach TBD 10:00am 11:45am SBWP Youth Activities Dick & Miriam Miller Afternoon 11:45am 1:15pm Lunch Break 12:00pm 1:00pm SBVH Culture Session - "New Traditions in the Balkans" Daniel Wells 12:00pm 1:00pm FBC Dance & Stress Relief Mercedes Dzindzeleta 12:00pm 12:30pm BHTH Setup For Concert Staff 1 2012 Door County Folk Festival (DCFF), Wisconsin 12:30pm 2:30pm BHTH DCFF Concert At Baileys Harbor Town Hall Shelley Orbach Shelley Orbach Northern Door YMCA Youth Program Dancers Last Gaspe Nick Bratkovich Orkestar Sloboda Ethnic Dance Chicago 1:15pm 3:00pm SBVH Beginning/Intermediate Ethnic Dance Workshop Leslie Hyll, Daniel Wells, Nancy Jo Lame Leslie: Ajde Jano (Serbian), Ya Da Kalinushku Lomala (Russian) Daniel W: Sarajevka Kolo (Bosnian), Starobosansko Kolo (Bosnian) Nancy Jo: Snoshti Vecher Rade (Bulgarian), Hora Banaţeana (Romanian) 1:15pm 3:00pm EVH Intermediate/Advanced Ethnic Dance Workshop Rick King & Patti Cohen Rick: Dzhinguritsa (Bulgarian), Gaida (Macedonian) Patti: Koulouriastos (Greek), Letsi/Letsina (Pontian) 1:15pm 3:00pm SBWP Youth Activities Dick & Miriam Miller 1:15pm 3:00pm FBC Singing Workshop Tri Bratovchedki TBD 3:00pm 3:15pm Break 3:15pm 5:00pm SBVH Beginning/Intermediate Ethnic Dance Workshop Caren Grantz Keljik, Ellen Rice, Dit Olshan Caren: Hora Veche (Romanian), Podaraki (Greek - Pontos) Ellen: Kostursko (Macedonian), Kune (Bulgarian) Laz Bar (Armenian) Dit: Lazarska Racenica (Bulgarian), Turning by Threes (English) 3:15pm 5:00pm EVH Intermediate/Advanced Ethnic Dance Workshop Mary Garvin & Paul Wagner Mary: Kojcovata (Bulgarian), Radomirsko Horo (Bulgarian) Paul W: Chef (Gypsy/Roma) 3:15pm 5:00pm SBWP Musicians & Singers Informal Jam Session Shelley Orbach Musicians, singers & observers are welcome to meet @ the Gazebo in Sister Bay Waterfront Park for an informal jam session Mara Kins, Janet Higgs & Team Evening 5:45pm 8:00pm VIM Pot-Luck Picnic @ Voyager Inn - BYO Voyager Inn Motel in Sister Bay Bring food and beverages to share and bring your appetite for good eating and a good time. This group picnic includes grilling, eating, drinking, singing, dancing, playing music, and access to the Motel's swimming pool and hot tub. Reservations & Food/Beverage Contribution Required! Forrest Johnson - Live Music by Orkestar Sloboda & Nick 8:30pm 1:00am BHTH "Friday the 13th" Ethnic Folk Dance Party Bratkovich 8:30pm 11:00pm EVH Contra & Square Dance Party Roger Diggle & Paul Collins - Music by Last Gaspé 1:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Saturday Start End Where Event Who Morning 7:45am SBVH Setup & Registration Continues Staff & Volunteers 8:00am 9:45am SBVH Contra/Square Dance Workshop Roger Diggle & Paul Collins - Music by Last Gaspé 9:30am GAMS Setup & Registration Continues Staff & Volunteers 9:45am 10:00am Break 9:45am EVH Setup & Registration Continues Staff & Volunteers 10:00am 11:45am SBVH Israeli Dances - Old and New Workshop Penny Brichta & Phil Moss Penny: Shanti (Israeli), Darkenu (Israeli) Phil: Hanigun (Israeli), Lecha Karati (Israeli) Penny & Phil: Sheyavo (Israeli), Mei Nahar (Israeli) 10:00am 11:45am EVH Fascinating Rhythms of Balkan Dance Workshop Michael Kuharski, Paul Wagner, Mary Garvin Michael: Trakiiski (Bulgarian) Paul W: Bistriska Kopanica (Bulgarian) Mary: Krivo Ihtimansko Horo (Bulgarian) 10:00am 11:45am FBC Singing Workshop Impromptu Festival Chorale by Shelley Orbach TBD 10:00am 11:45am SBWP Youth Activities Dick & Miriam Miller, Patti Cohen, Marsha Swenson 10:00am 11:45am GAMS TBA TBA Afternoon 11:45am 1:15pm Lunch Break 12:00pm 1:00pm SBVH Culture Session - "New Traditions in the Balkans" Daniel Wells 12:00pm GAMS Cleanup Staff & Volunteers 12:00pm 1:00pm FBC Dance & Stress Relief Mercedes Dzindzeleta 2 2012 Door County Folk Festival (DCFF), Wisconsin 1:15pm 3:00pm SBVH Beginning/Intermediate Ethnic Dance Workshop Leslie Hyll, Daniel Wells, Nancy Jo Lame Leslie: Ajde Jano (Serbian), Ya Da Kalinushku Lomala (Russian) Daniel W: Sarajevka Kolo (Bosnian), Starobosansko Kolo (Bosnian) Nancy Jo: Snoshti Vecher Rade (Bulgarian), Hora Banaţeana (Romanian) 1:15pm 3:00pm EVH Intermediate/Advanced Ethnic Dance Workshop Rick King & Patti Cohen Rick: Dzhinguritsa (Bulgarian), Gaida (Macedonian) Patti: Koulouriastos (Greek), Letsi/Letsina (Pontian) 1:15pm 3:00pm SBWP Youth Activities Dick & Miriam Miller 1:15pm 3:00pm FBC Singing Workshop Tri Bratovchedki TBD 3:00pm 3:15pm Break 3:15pm 5:00pm SBVH Beginning/Intermediate Ethnic Dance Workshop Caren Grantz Keljik, Ellen Rice, Dit Olshan Caren: Hora Veche (Romanian), Podaraki (Greek - Pontos) Ellen: Kostursko (Macedonian). Kune (Bulgarian) Laz Bar (Armenian) Dit: Lazarska Racenica (Bulgarian), Turning by Threes (English) 3:15pm 5:00pm EVH Intermediate/Advanced Ethnic Dance Workshop Mary Garvin & Paul Wagner Mary: Kojcovata (Bulgarian), Radomirsko Horo (Bulgarian) Paul W: Chef (Gypsy/Roma) 3:15pm 5:00pm SBWP Musicians & Singers Informal Jam Session Shelley Orbach Musicians, singers & observers are welcome to meet @ the Gazebo in Sister Bay Waterfront Park for an informal jam session 5:00pm SBVH Cleanup Staff & Volunteers 5:00pm EVH Cleanup Staff & Volunteers 5:00pm FBC Cleanup Staff & Volunteers 6:00pm Fish Boil Dinner - Seating 1 Evening 6:30pm BHP Fish Boil Dinner - Seating 2 Kim Caisse & Team - Baileys Harbor Park 7:00pm Fish Boil Dinner - Seating 3 7:00pm Sunset BHP Dancing, Music & Singing in the Park and Pier Baileys Harbor Park & Waterfront Forrest Johnson - Live Music by Orkestar Sloboda & Nick 8:30pm 1:00am BHTH Ethnic Folk Dance Party Bratkovich 11:45pm BHTH Silent Auction Ends Mercedes Dzindzeleta & Company 1:00am 2:00am BHTH Larry Hoey Memorial Folk Dance Olympics 2:00am 2:30am BHTH Late Night Party Paul Collins & Rick King Sunday Start End Where Event Who Morning 9:00am 11:00am BHTH Contra/Square Dance Workshop Roger Diggle & Paul Collins - Music by Last Gaspé 11:00am 11:15pm Break 11:15am 12:30pm BHTH Review Workshop 1 Karen Tutkowski Organizes
Recommended publications
  • Europeanfolkdanc006971mbp.Pdf
    CZ 107911 EUROPEAN FOLK DANCE EUROPEAN FOLK DANCE .-<:, t "* ,,-SS.fc' HUNGARIAN COSTUME most elaborate costume in Europe EUROPEAN FOLK DANCE ITS NATIONAL AND MUSICAL CHARACTERISTICS By JOAN LAWSON Published under the auspices of The Teachers Imperial Society of of Dancing Incorporated WITH ILLUSTKATIONS BY IRIS BROOKE PITMAN PUBLISHING CORPORATION NEW YORK TORONTO LONDON First published 1953 AHSOOrATKI) SIR ISAAC PITMAN & SONS. I/TT>. London Mblbourne Johannesburg SIR ISAAC PITMAN & SONS (CANADA), LTD. Toronto MADB IN QIUtAT DRTTACN AT TTIK riTMAN PRBSB^ BATH For DAME NZNETH DB VALOIS With Gratitude and Admiration Hoping it will answer in some part Iter a the request for classification of historical and musical foundation of National Dance Preface MrlHE famous Russian writer has said: and warlike Gogol "People living proud lives I that same in their a free life that express pride dances; people living show same unbounded will and of a diniate A poetic self-oblivion; people fiery express in their national dance that same and passion, languor jealousy," There is no such as a national folk dance that a dance thing is, performed solely within the boundaries as are known political they to-day. Folk dances, like all other folk arts, follow it would be to define ethnological boundaries; perhaps possible the limits of a nation from a of the dances the and the arts study people perform they practise. The African native of the Bantu tribe who asks the do great stranger "What you dance?" does so because he that the dance will knows, perhaps instinctively, stranger's him to understand of that man's life.
    [Show full text]
  • Teaching English Through Body Movement a Pa
    AMERICAN UNIVERSITY OF ARMENIA College of Humanities and Social Sciences Dancing – Teaching English through Body Movement A paper is submitted in partial fulfillment of the requirements for the degree Master of Arts in Teaching English as a Foreign Language By Ninel Gasparyan Adviser: Raichle Farrelly Reader: Rubina Gasparyan Yerevan, Armenia May 7, 2014 We hereby approve that this design project By Ninel Gasparyan Entitled Dancing – Teaching English through Body Movement Be accepted in partial fulfillment for the requirements of the degree Master of Arts in Teaching English as a Foreign Language Committee on the MA Design Project ………..………………………… Raichle Farrelly ………..………………………… Rubina Gasparyan ………..………………………… Dr. Irshat Madyarov MA TEFL Program Chair Yerevan, Armenia May 7, 2014 ii TABLE OF CONTENTS Abstract ….....….………………………………………..………………………… v Chapter One: Introduction …………...….………………………………………… 1 Chapter Two: Literature Review ……..…………………………………………… 3 2.1. Content-Based Instruction Models ……..……………..……………………… 5 2.1.1. The use of Dance in an EFL Classroom ………...…..……………………… 11 Chapter Three: Proposed Plan and Deliverables…………………..……………… 15 3.1. Course Description ..………………………………………………………….. 15 3.1.1. Needs and Environment Analysis ……………………..…………………… 15 3.1.2. Goals and Objectives ……………………………………………….………. 16 3.1.3. Assessment Plan …………………………………………………….…….... 17 3.1.4. Learning Plan ……..…………………………………………….…..……… 19 3.1.5. Deliverables …………………………………………………………....…… 24 Chapter Four: Reflection and Recommendations ……………………..……...…… 27 4.1. Reflection
    [Show full text]
  • Folk Dance in Bulgaria Today
    „Този проект е финансиран с подкрепата на Европейската комисия. Публикацията отразява само личните виждания на автора и от Комисията не може да бъде търсена отговорност за използването на съдържащата се в нея информация.” 2 3 Short Bulgarian History The oldest traces of human presence in our land are from Paleolithic Age –before 1.6 million years. Archaeological finds in the ―Kozarnika‖ cave, near the town of Belogradchik, testify to the life of the first inhabitants of southeastern Europe. With the emergence of agriculture (VII-VI millennium BC) in the valleys of Struma and Mesta rivers, the live of people here is transformed. Dwellings of stone and wood, permanent settlements and tribes appeared. The discovery of copper noted a peak in the agriculture in our land. Open in 1972, Varna treasure is evidence of advanced human relationships - property differentiation. In the III-II millennium BC, with the arrival of the nomadic tribes of the north and merging them with the local farmers, formed a large tribal community - the Thracians. Their culture is described by the ancient Greeks. The largest Thracian tribe- Odrysaeans, founded in V century BC their country, between the Maritsa River and Black Sea, led by king Teres. Thracians established a rich culture, although they have no script. Many lavish tombs in our lands reveal the sacraments of faith in the afterlife. Top of the art of the ancient Thracian is tomb of Kazanlak . 4 Since 1979, Kazanlak Tomb is in the List of World Heritage of UNESCO. Thracians demonstrated exceptional craft skills in the processing of gold and silver.
    [Show full text]
  • Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
    [Show full text]
  • Download Dance in the Schools Presentation
    A Rationale for Offering Ethnic Folk Dance Programs in the School Curriculum Pathways to Health, Teamwork and Multi-Cultural Understanding Programs for Grades 5 through 12 – 2009 Paul Collins Ethnic Dance Connection (Dancing As a Second Language) Mobile: (847)-846-8139 – Office: (773) 463-2288 [email protected] - www.ethnicdance.org Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 1 Photo Gallery - 1 Catholic Central High School (Burlington, WI) – 12th Graders at Diversity Day Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 2 Photo Gallery - 2 Spring Hill Middle School (Wisconsin Dells, WI) – 8th Graders at International Festival Ethnic Dance Connection – All Rights Reserved – v21 - 1991-2009 Page 3 About Paul Collins Paul Collins is a management consultant, providing high performance techniques and technologies that support collaborative problem solving and decision-making in web-based meetings. His clients, generally Fortune 1000 Companies and Government Agencies, have included, NASA, the US EPA, BP/Amoco and Motorola. He is currently a part-time student in Northwestern University’s Leadership and Organization Behavior program. Paul has had a passion for dance since he started dancing at the age of eight and called his first Square Dance at the age of twelve. He has taught ethnic dance programs at the Old Town School of Folk Music, the University of Chicago and the University of Illinois at Chicago, has been a popular instructor in downtown dance programs at SummerDance in Grant Park, Millennium Park and the Cultural Center, and has taught dance workshops throughout the United States, Canada and Europe. In 1989, Paul founded Ethnic Dance Chicago which now meets weekly at the Chicago Latvian Cultural Center and the S.P.A.C.E.
    [Show full text]
  • Stockton Index by Instructor
    LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56, 57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 STOCKTON FOLK DANCE CAMP INDEX 1948-2019 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G.
    [Show full text]
  • FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No
    FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p.
    [Show full text]
  • The Influence of Bulgarian Folk Music on Petar Christoskov's Suites And
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Major Papers Graduate School 2004 The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin Blagomira Paskaleva Lipari Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_majorpapers Part of the Music Commons Recommended Citation Lipari, Blagomira Paskaleva, "The influence of Bulgarian folk music on Petar Christoskov's Suites and Rhapsodies for solo violin" (2004). LSU Major Papers. 47. https://digitalcommons.lsu.edu/gradschool_majorpapers/47 This Major Paper is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Major Papers by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE INFLUENCE OF BULGARIAN FOLK MUSIC ON PETAR CHRISTOSKOV’S SUITES AND RHAPSODIES FOR SOLO VIOLIN Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The Department of Music by Blagomira Paskaleva Lipari B. M., State Academy of Music, Sofia, Bulgaria, June 1996 M. M., Louisiana State University, May 1998 August, 2004 ACKNOWLEDGMENTS This project could not have been possible without the support and encouragement of several people. Thanks to my violin professor Kevork Mardirossian for providing the initial inspiration for this project and for his steady guidance throughout the course of its completion.
    [Show full text]
  • Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No
    FOLK DANCE SCENE First Class Mail 4362 Coolidge Ave. U.S. POSTAGE Los Angeles CA, 90066 PAID Los Angeles, CA Permit No. 573 ORDER FORM Please enter my subscription to FOLK DANCE SCENE for one year, beginning with the next published issue. Subscription rate: $15.00/year U.S.A., $20.00/year Canada or Mexico, $25.00/year other countries. Published monthly except for June/July and December/January issues. NAME _________________________________________ ADDRESS _________________________________________ PHONE (_____)_____–________ CITY _________________________________________ STATE __________________ E-MAIL _________________________________________ ZIP __________–________ Please mail subscription orders to the Subscription Office: 19 Village Park Way Santa Monica, CA 90405 (Allow 6-8 weeks for subscription to start if order is mailed after the 10th of the month.) First Class Mail Dick Crum (1928-2005) Dated Material Published by the Folk Dance Federation of California, South Volume 42, No. 1 February 2006 Folk Dance Scene Committee Club Directory Coordinators Jay Michtom [email protected] (818) 368-1957 SKANDIA FOLK DANCE DUNAJ INT’L Jill Michtom [email protected] (818) 368-1957 Beginner’s Classes Mon 7:00-10:00 Wed 7:00-10:00 FOLK ENSEMBLE Calendar Jay Michtom [email protected] (818) 368-1957 CABRILLO INT’L (714) 893-8888 Ted Martin FOLK DANCERS Wed 7:00-10 On the Scene Jill Michtom [email protected] (818) 368-1957 (310) 827-3618 Sparky Sotcher (714) 641-7450 Richard Duree Club Directory Steve Himel [email protected] (949) 646-7082 Tue 7:00-8:00 ANAHEIM, Community Ctr, SANTA ANA, WISEPlace, Contributing Editor Richard Duree [email protected] (714) 641-7450 (858) 459-1336 Georgina 250 E Center (Mon) 1414 N.
    [Show full text]
  • Announcing the 7Th International Hilandar Conference
    CYRILLIC MANUSCRIPT HERITAGE HILANDAR RESEARCH LIBRARY RESOURCE CENTER FOR MEDIEVAL SLAVIC STUDIES VOL. 40 August 2017 August 2017 Vol. 40 Cyrillic Manuscript Heritage 1 UNIVERSITY LIBRARIES COLLEGE OF ARTS AND SCIENCES Cyrillic Manuscript Table of Heritage Contents August 2017 Director’s Desk 3 Director/Curator RCMSS/HRL: Predrag Matejic Curator of Slavic Early Printed Books & Manuscripts: M.A. Johnson * RCMSS Program Coordinator: Jessi Jones RCMSS Graduate Associate: Hope Wilson Staff Update 4 Hilandar Research Library Resource Center for Medieval Slavic Studies The Ohio State University * 119 Thompson Library 1858 Neil Avenue Mall 2018 International Hilandar Columbus, Ohio 43210-1286 Conference 5 Telephone: 614-292-0634 Email: [email protected] Websites: rcmss.osu.edu go.osu.edu/Hilandar * Blog: http://library.osu.edu/blogs/medieval-slavic Facebook: facebook.com/pages/Hilandar-Research- 2017 Medieval Slavic Library/165154496972380 Summer Institute 6-7 Founded in 1984, the Resource Center for Medieval Slavic Studies (RCMSS), a center of the College of Arts and Sciences, is dedicated to the promotion of medieval Slavic studies. It is associated with the Department of Slavic and * East European Languages and Cultures, and it provides broad interdisciplinary research and academic opportuni- HRL/RCMSS Impact ties for students, graduate students, faculty, and visiting researchers. Statement 8-12 The RCMSS has close ties and shares space with the Hilandar Research Library (HRL). Both developed as * an outgrowth of the original Hilandar Research Project (1969-1984). RCMSS is a non-national oriented center that Naylor Symposium & MSSI promotes Cyrillic-based research. The Center strives to ac- complish its goals through the support of HRL preservation Alumni News 13 and access activities, research stipends and travel, occa- sional acquisitions of HRL materials, publication support, and sponsoring conferences, lectures, workshops, etc.
    [Show full text]
  • YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F
    LISTING BY INSTRUCTOR DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Buzdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56,57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56.57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 El Diablo Chingo Costa Rica Amaya, N. 68 EI Xuc El Salvador Amaya, N. 68 El Carbonero El Salvador Amaya, N. 68 Las Cortadoras El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Dansul Tiganilor Basarabeni Moldova Arabagi, G & I 14 Hora Dragostei Moldova Arabagi, G & I 14 Poama Moldova Arabagi, G & I 14 Sirba Moldovenilor Moldova Arabagi, G & I 14 Bereznianka - Березнянка Ukraine Arabagi, G & I 14 Horlitsya – Горлиця Ukraine Arabagi, G & I 14 Pleskach - Плескач Ukraine Arabagi, G & I 14 Tropotianka - Тропотянка Ukraine Arabagi, G & I 14 Vesnianka - Веснянка Ukraine Arabagi, G & I 14 Hora din Giurgiuleşti Moldavia Arabagi, G. & I. 12 Joc Mare Moldavia Arabagi, G. & I. 12 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2014 PAGE 1 LISTING BY INSTRUCTOR DANCE NAME COUNTRY INSTRUCTOR(S) YEAR(S) Hutsulka Ukraine Arabagi, G. & I. 12 Kievskii Hopak Ukraine Arabagi, G. & I. 12 Kolomiyka Ukraine Arabagi, G. & I. 12 Resheto Ukraine Arabagi, G. & I. 12 Volynska Polka Ukraine Arabagi, G.
    [Show full text]
  • A 'Balkan Folk Dance'
    DANS ÇALIŞMALARI ÖZEL SAYI a ‘Balkan folk danCe’ Daniela Ivanova-Nyberg phenomenon ın The unıTed sTaTes: a feW analyTıCal oBseRvaTıons1 The purpose of this paper is to share some analytical observations on Balkan folk dance2 activities in the United States. It is to present, together with documentary data, data from my experience as a folk dance researcher and dance teacher. It raises questions about the situation today in terms of participants, dance instructors and repertoire in comparison to the peak of Balkan folk dancing in the 1960s and ‘70s. It argues that the American Balkan folk dance phenomenon—a complex American cultural phenomenon—relates to factors like fashion. The repertoire today is also influenced by recent immigrants from the Balkans, among whom there are many professional musicians and choreographers, introducing sometimes neo-folk music and newly created choreographies. Background of This Paper It took several years and thousands of miles of travel before reaching the point when I could draw conclusions with self-confidence. Besides observations, notes, audio and video documents and active participation in a variety of music and dance events since 2003, I was asking people— folk dance lovers who were my hosts, drivers, food-providers, supporters (many of them, I am happy to say, became my friends later)—a variety of questions related to the American Balkan phenomenon. In parallel to informal conversations and formal interviews, in the period 2004- 2008 I collected data through a ‘Balkan Dance Questionnaire’. In the
    [Show full text]