IRVING KAYE DAVIS & CO., Book Publishers

Total Page:16

File Type:pdf, Size:1020Kb

IRVING KAYE DAVIS & CO., Book Publishers AUGUST, 1919 20 CENTS ,,/' • I', '.' '" 1" . ' .. " ,',:' ~.::.;:, '~::'.'~'::.: ~:~},:~~<; ~;~,:,:~~ "~. ";' ,! .. Dt'(£wing by Mlt1WWe Stet'ne "Conversations with Lenin," Arthur Ransome - These threoe books have been selected by Miss I Amy Lowell to go on the shelf of modern ~.oetr_yII ? installed in all Doubleday-Page Company's Book- shops. • THE CHARNEL ROSE WRITER By Conrad Aiken The latest and best book of verse bv the autbor of "Tbp AUTHOR Jig of Forslin." "The finest book 'of poetry written in 1\H8."-Chicago Tribune. Contains: "Senlin: a Biography;" "Variations, I-XVIII;" and the symbolic poem, "The Charnel Rose." Blue cloth, uniform with "Earth Triumphant:' .........•••.. Net $1,25 SCHOLAR THE MOUNT AINY SINGER 'P By Seosamh MacCathmhaoil • A pedlar's pack of rllynws hy the Irish. poet and dramatist. wbose uame in the English is .Joseph Campbell. This book bas been out of print for several yeltrs and meanwhile has heen much sought for hy lovers of Irish Pgetry both bere and abroa(I. 1.000 eopies only from hand-set type. Why not have your manuscript Boards and label, gilt tops ....... " ............... Net $1.50 IMAGES By Richard Aldington TYPEWRITTEN Already ~Ir. Aldington's work is in all the important an­ thologies. and this little volume has heeomp one of the You. will receive satisfaction as to accuracy, speed, and landmarks of the "New Poetry." A new volume by ~Ir. especially as to PRICE. I charge the AldIngtoll. entitled "'ar and Love, has just been issued. lowest possible 1'ate. and contains all his works since Images. It was written as a result of his experiene~s as Lieutenant in tlle British Army, (Contemporary Series) Green wrapper over boards, . Net $.75 PUBLIC STENOGRAPHER Stuyvesant 4620 People's House-7 East 15th Street The Four Seas Company, Publishers, Boston THE Pearson's Magazine, SOCIALIZATION ,edited by Frank OF MONEY • BY E. F. MYLIUS Harris, IS the only A treatise presenting a practical solution of the money problem radical Magazine • In America worth CONTENTS What money is I-Utility of paper money­ The so-called "standard of vaIue"-Bank­ while reading. Write ruptcy of commodity-money-How to social­ ize money-What socialized money is. and its problble economic effects. etc. for Free Sample Price. 25 eents. Speeial dis('ount for fJuantities of twenty­ fiYe 01' more. Spnd ordprs to tbf> author. ('are of Copy. THE LIBERATOR, 34 Union Square, New York The.e tbree books have been seleeted by ::Ill •• Amy Lowell to go 011 the shelr or modern poetry ? IOHtaUed In all Doubleday-Page Company's Book­ shups. • Ii I! THE CHARNEL ROSE WRITER By Conrad Aiken The latest anel best book of verse by the author of "Tbt> AUTHOR Jig of l'orsl1n." "'1'h" finest book of poetry written In 1!J18."-Chicngo Tribune. Contain!;: "Senlin: at Biography;" U\'ariatiolls, I-X\' III j" a.nd the HY Ulbolic po~m, wrhe Charnel RDse." Blue c loth, unHonn \\,Uil ·'EBrth Trluillphant.'· .........•.... Net $1.25 SCHOLAR THE MOUNT AINY SINGER ., By Seosamh MacCathmhaoil • A pedlar's pa('k of rl.ymE's Ill' the Irish poet and elramatl~t. whose nUOle in thl' English is .loseph Camphell. This book lUIS bel'n out of print for several yenrs and meanwhile has ueen much sOllght rol' IIY I<",ers or J rish 1'91'1 ry both bere and abroa.l. 1.000 ('ollies only from htlnd-s.. t tYIIl'· Why not have your manuscript Boards and label, gilt top8 .....•...•.............. Net $1.50 IMAGES By Richard Aldington TYPEWRITTEN Already Mr. Aldington's work Is in all tbe Important an­ thologies. unrl this little volume bas hecom.> one of the You Will receive satisfaction as to aclntracy, speed, and landmarks or the "New Poetry." A new volume hy Mr. especially as to PRICE. I ch,a,?'ge the Aldlngtoll. enUtlerl " 'Ilr and LO"e, has just been issul'd. lowest possible ?'ate. and coutains all his works sinc£> ImageR. rt wus written as a result of his experlenCl'S IlS Lieutenant In tile British Army. (Contemporary Serleg) Green wrapper over board •.• Net $.711 PUBLIC STENOGRAPHER Stuyvesant 4620 People's House-7 East 15th Street The Four Seas Company, Publishers, Boston I, THE Pearson's Magazine, SOCIALIZATION ,edited by Frank OF MONEY BY E. F. MYLIUS Harris, is the only A treatise presenting' a practical solution of the money problem radical Magazine Ii in America worth CONTENTS What money is I-Utility of paper money­ The so-called "standard of value"-Bank­ while reading. Write ruptcy of commodity-money-How to social­ ize money-What socialized money is, and its prob:lble economic effects. etc. for Free Sample Prlre. 25 rents. Rlleclnl .1Isrount for Quontltles of twenty­ five 01' more. !':pntl ordl'rs to tbl' author, rort! ot Copy. THE LIBERATOR, 34 Union Square, New York More Secret Diplomacy WE congratulate the Nation on its sensational exposure of one at the BuIIitt express request, reluctantly restrained its desire for of the most startling examples of Allied and American dip­ an immediate pUblication of such terms. lomatic treachery to Soviet Russia. The proof is 'now at hand that "Now, after the resignation of Bullitt from the Peace Delegation the United States and England sent William Bullitt to Russia with at Versailles, and the continued attempts made by the Allied Gov­ a proposal to make peace upon certain conditions. The Soviet· ernments to overthrow the Soviet Power, and in the face of a ful'< G01Jernment accepted the proposal. The American and Allied Gov­ ther shedding of blood, the Soviet Government publishes to the world ernments then refused to carry it out. Lloyd George, who was a those peace conditions. They were drawn up by Wilson, Colonel party to the plan, has with unblushing falsehood denied in the House, and Lloyd George, and were sent to us through Bullitt. House of Commons that he knew anything about it. The authentic "The Allied Governments invited all the governments really ex­ news of the whole affair comes by wireless from Russia, via Buda­ isting in Russia to a new Peace Conference upon a basis agreed Pe.sth. We quote the wireless account: upon by all the Allied Powers, leaving only details to be further . "It is now evident that the Allied Governments-although profes­ arranged. The Soviet Government made some modifications. and SIng to have abandoned the idea of military intervention in. Russia tkese were accepted by Bullitt. The open invitation should have -h~ve, in reality, never changed their policy, and are secretly pre­ been sent out on the 10th of last April. panng, underhand, a new attack on the Russian Soviet Govern­ ment. Under the pressure of working-class opinion, the Allied * * * Powers have in the past made several peace proposals to Russia. "Although the Red Army was then on the eve of taking po!Ses- but they have always formulated impossible terms. When the sion of Odessa, the Crimea, and the Don region, the Soviet Govern­ Soviet Power, to defeat these manreuvres, did finally accept these ment was ready to accept those terms; to accept the status quo; in terms, the Allied Powers then announced to the world that their the certain hope that the inhabitants of those parts of Russia not proposals had been rej ected. This was the policy followed both under the- Soviet regime would, sooner or later, withdraw their sup­ with regard to the invitation to the island of Prinkipo and to the port from their reactionary and monarchic governments. proposal of Nansen. "The publication of th'ese proposals shows once more the hypoc':' "Concerning the third peace offer, the Allied Powers thought it risy of the Allied Governments, and exposes the lie that it was best not to give any public information, because, in this case, the the Soviet Government which refused to cease hostilities. The acceptance of their proposals by the Soviet Government could be double dealing of the Allied Governments has but one result, that proved by documents. _ of closing still further our ranks, to fight to the last, against th. - "This. proposal was brought to Russia by the American, Bullitt, unholy alliance of small and big Imperialist Governments in this . Captain Pettit and the journalist Steffens. The Soviet Government; attempt to enslave the workers and pea8ants of Russia." WITHOUT ADD TO YOUR LIBRARY EXPENSE If you -will send us two new Liberator subscriptions for a year at $2.00 apiece, (or four new six-months subscriptions at $1.00, each) we will send you JOHN REED'S BOOK on the Russian -Revolution "TEN DA YS THA T SHOOK THE WORLI)" I If you would understand the Russian Revolution you can't do without this book. It costs $2.00 at the book store, and $2.10 by mail. We offer it to you free, not even charging you postage. This offer good until September first. Get your friends to ,subscribe. Use this blank. Liberator, 34 Union Square, New York, N. Y. Send me John Reed's book .. Enclosed find $'4.00 for the two new subscribers whose names and addresses are as follows: ' Send the book to: Name .................... Name .................... Name .................. -.. Address. .. Address.................. Address ................. THE LIBERATOR, a monthly magazine. August, 1919. Twenty cents a copy, $2 a year. Vol. 2. No.8. Serial No. 18. Published by The Liberator Publishing Co., 34 Union Square. New York. N. Y. Applic ation pending for entry as second-class matter at the post office at New York, N. Y., under the Act of March 3. 1879. Copyright, 1919. 4 Boardman Robinson They"ve Signed It! THE LIBERATOR Vol. 2" No. 8 (Serial No. 18) August" 1919 In Communist Hungary By Crystal Eastman EFORE the war, they told me, Bela Kun was an bility by handing the government over to the Social B obscure SochiJist secretary in a small city of Hun­ Democrats.
Recommended publications
  • Claude Mckay's a Long Way from Home
    Through a Black Traveler's Eyes: Claude McKay's A Long Way from Home Tuire Valkeakari Yale University Abstract: This essay analyzes Jamaican-born Claude McKay's discussion of racism(s) and nationalism(~) in his travelogue/autobiography A Long Way from Home ( 1937), in which he chronicles his sojourn in Europe and North Africa and addresses his complex relationship to the United States. Much of McKay's social analysis draws, as this essay establishes, on his observation that racism and nationalism tend to be intertwined and feed 011 each othe1: While describing his travels, McKay presents himselfas a bordercrosser who is "a bad nationalist" and an "internationalist" - a cosmopolitan whose home cannot be defined by any fixed national labels or by nationalist or racialist identity politics. This essay's dialogue with McKay's memoir ultimately reconstructs his difficult and of1-frustrated quest for democracy - the political condition that Ralph Ellison once eloquently equated with "man~· being at home in. the world." Key words: Claude McKay - nationalism - transnationalism - cosmopolitanism - race - racism - travel The way home we seek is that condition of man's being at home in the world, which is called love, and which we tenn democracy. - Ralph Elli son, "Brave Words for a Startling Occasion" I said I was born in the West Indies and lived in the United States and that I was an American, even though I was a British subject, but 1 preferred to think of myself as an internationalist. The chaoL1Sh said he didn't understand what was an internationalist. J laughed and said that an internationalist was a bad nationalist.
    [Show full text]
  • Sylvia Pankhurst's Sedition of 1920
    “Upheld by Force” Sylvia Pankhurst’s Sedition of 1920 Edward Crouse Undergraduate Thesis Department of History Columbia University April 4, 2018 Seminar Advisor: Elizabeth Blackmar Second Reader: Susan Pedersen With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardor alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse. – George Eliot, Middlemarch, 1872 Table of Contents Acknowledgements ................................................................................................................... 2 Abbreviations ............................................................................................................................ 3 Introduction .............................................................................................................................. 4 The End of Edwardian England: Pankhurst’s Political Development ................................. 12 After the War: Pankhurst’s Collisions with Communism and the State .............................. 21 Appealing Sedition: Performativity of Communism and Suffrage ....................................... 33 Prison and Release: Attempted Constructions of Martyrology
    [Show full text]
  • D. H. Lawrence and the Harlem Renaissance
    ‘You are white – yet a part of me’: D. H. Lawrence and the Harlem Renaissance A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2019 Laura E. Ryan School of Arts, Languages and Cultures 2 Contents Abstract ...................................................................................................................... 3 Declaration ................................................................................................................. 4 Copyright statement ................................................................................................... 5 Acknowledgements .................................................................................................... 6 Introduction ................................................................................................................ 7 Chapter 1: ‘[G]roping for a way out’: Claude McKay ................................................ 55 Chapter 2: Chaos in Short Fiction: Langston Hughes ............................................ 116 Chapter 3: The Broken Circle: Jean Toomer .......................................................... 171 Chapter 4: ‘Becoming [the superwoman] you are’: Zora Neale Hurston................. 223 Conclusion ............................................................................................................. 267 Bibliography ........................................................................................................... 271 Word Count: 79940 3
    [Show full text]
  • NO TEA, NO SHADE This Page Intentionally Left Blank No Tea, NO SHADE
    NO TEA, NO SHADE This page intentionally left blank No Tea, NO SHADE New Writings in Black Queer Studies EDITED BY E. Patrick Johnson duke university press Durham & London 2016 © 2016 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Typeset in Adobe Caslon by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Johnson, E. Patrick, [date] editor. Title: No tea, no shade : new writings in Black queer studies / edited by E. Patrick Johnson. Description: Durham : Duke University Press, 2016. | Includes bibliographical references and index. Identifiers: lccn 2016022047 (print) lccn 2016023801 (ebook) isbn 9780822362227 (hardcover : alk. paper) isbn 9780822362425 (pbk. : alk. paper) isbn 9780822373711 (e- book) Subjects: lcsh: African American gays. | Gay and lesbian studies. | African Americans in popu lar culture. | Gays in popu lar culture. | Gender identity— Political aspects. | Sex in popu lar culture. Classification: lcc e185.625.n59 2016 (print) | lcc e185.625 (ebook) | ddc 306.76/608996073— dc23 lc rec ord available at https:// lccn . loc . gov / 2016022047 Cover art: Philip P. Thomas, Sharing Tea, 2016. © Philip P. Thomas. FOR ALL THE QUEER FOREMOTHERS AND FOREFATHERS This page intentionally left blank CONTENTS foreword Cathy J. Cohen xi acknowl edgments xv introduction E. Patrick Johnson 1 CHAPTER 1. Black/Queer Rhizomatics Train Up a Child in the Way Ze Should Grow . JAFARI S. ALLEN 27 CHAPTER 2. The Whiter the Bread, the Quicker You’re Dead Spectacular Absence and Post-Racialized Blackness in (White) Queer Theory ALISON REED 48 CHAPTER 3. Troubling the Waters Mobilizing a Trans* Analytic KAI M.
    [Show full text]
  • THE POLITICAL THOUGHT of the THIRD WORLD LEFT in POST-WAR AMERICA a Dissertation Submitted
    LIBERATION FROM THE AFFLUENT SOCIETY: THE POLITICAL THOUGHT OF THE THIRD WORLD LEFT IN POST-WAR AMERICA A Dissertation submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History By Benjamin Feldman, M.A. Washington, DC August 6, 2020 Copyright 2020 by Benjamin Feldman All Rights Reserved ii LIBERATION FROM THE AFFLUENT SOCIETY: THE POLITICAL THOUGHT OF THE THIRD WORLD LEFT IN POST-WAR AMERICA Benjamin Feldman, M.A. Thesis Advisor: Michael Kazin, Ph.D. ABSTRACT This dissertation traces the full intellectual history of the Third World Turn: when theorists and activists in the United States began to look to liberation movements within the colonized and formerly colonized nations of the ‘Third World’ in search of models for political, social, and cultural transformation. I argue that, understood as a critique of the limits of New Deal liberalism rather than just as an offshoot of New Left radicalism, Third Worldism must be placed at the center of the history of the post-war American Left. Rooting the Third World Turn in the work of theorists active in the 1940s, including the economists Paul Sweezy and Paul Baran, the writer Harold Cruse, and the Detroit organizers James and Grace Lee Boggs, my work moves beyond simple binaries of violence vs. non-violence, revolution vs. reform, and utopianism vs. realism, while throwing the political development of groups like the Black Panthers, the Young Lords, the League of Revolutionary Black Workers, and the Third World Women’s Alliance into sharper relief.
    [Show full text]
  • Introduction 1
    Notes Introduction 1 . Similar attempts to link poetry to immediate political occasions have been made by Mark van Wienen in Partisans and Poets: The Political Work of American Poetry in the Great War and by John Marsh’s anthology You Work Tomorrow . See also Nancy Berke’s Women Poets on the Left and John Lowney’s History, Memory, and the Literary Left: Modern American Poetry, 1935–1968 . 2 . Jos é E. Lim ó n discusses the “mixture of poetry and politics” that informed the Chicano movements of the 1960s and 1970s (81). On Vietnam antiwar poetry, see Bibby. There are, of course, countless studies of individual authors that trace their relationships to politics and social movements. I incorporate the relevant studies throughout the chapters. 3 . In analogy to Wallerstein’s model, the literary world has been conceptualized as a largely autonomous cultural space constituted by power struggles between centers, semi-peripheries, and peripheries, most prominently by Franco Moretti and Pascale Casanova (cf. Moretti; Casanova). But since Wallerstein insists that the world-system is concerned with world-economies (global capitalism) and world-empires (nation-states aiming for geopolitical dominance), systems, that is, which cut across cultural and institutional zones, it seems more plausible to posit the modern world-system as the historical horizon of textual production and interpretation. One of the first uses of world-systems analysis for a concep- tualization of postmodernity and postmodern art was Fredric Jameson’s essay “Culture and Finance Capital” ( Cultural Turn 136–61). 4 . Ramazani remains elusive about the extraliterary reference of these poets’ imagination.
    [Show full text]
  • Vol. 40, No. 6, Jul, 1995
    NEWS & LETTERS Theory/Practice 'Human Power is its own end'—Marx Vol. 40 - No. 6 JULY 1995 250 Chinatown a Supreme Court opens new racist era J.S. labor by Michelle Landau The U.S. Supreme Court closed out its 1994-95 term in June with a sweeping, retrograde attack on Black jattlefront America, whose effects will be felt for years to come. The Court ruled against the legality of federal mandates for by John Marcotte affirmative action; against efforts to improve the quality It is a long distance from the Midwest farm country of education in segregated inner-city Black schools; and iround Decatur, 111., where Staley, Caterpillar and Fire­ against initiatives that had succeeded in translating mi­ stone workers have been on strike or locked out, to New nority group voting rights into voting power. fork City's Chinatown. It is a distance of a thousand All three decisions (by the same 5-4 majority of Jus­ niles, and of language and culture. tices Rehnquist, Kennedy, Scalia, O'Connor, and Thom­ But Chinatown is every bit as much a war zone as De- as) represent reversals from the one period in the :atur, and if the Chinese restaurant, garment and con- Court's existence when it responded to the progressive itruction workers could meet the struggling workers thrust of American history, the mid-1950s through the rom Staley and Cat and Firestone, I don't think lan- mid-1970s. All three decisions proclaim a "color-blind so­ fuage would be a big problem between them. They ciety," and insidiously use the 1950s-60s language of vould speak the same language, the language of freedom equality and civil rights to reduce the meaning of rom slave labor.
    [Show full text]
  • The Third International and the Struggle for National Liberation in South Africa
    UCLA Ufahamu: A Journal of African Studies Title The Third International and the Struggle for National Liberation in South Africa Permalink https://escholarship.org/uc/item/6338z55p Journal Ufahamu: A Journal of African Studies, 38(1) ISSN 0041-5715 Author Kelley, Robin D.G. Publication Date 2014 DOI 10.5070/F7381025031 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Third International and the Struggle for National Liberation in South Africa1 Robin D.G. Kelley With few exceptions, historians and activists alike have argued that the 1928 Resolution of the Communist International on the South African Question was little more than an abstract creation “made in Moscow.” The thesis, according to a number of authors, calling for the right of self-determination for African people as well as the wholesale expropriation and redistribution of land to the peas- antry was in no way representative of the demands of Africans in South Africa. The purpose of this paper is to reconstruct the origins of the COMINTERN’s “Resolution on the South African Question” adopted at the Sixth World Congress of the Communist International within the context of South African history. I will concentrate on the impact that African nationalism in general, and African Communists in particular, made on the Communist Party of South Africa as well as the Communist International. My thesis argues that the demands embodied in the COMINTERN Resolu- tion reflected the actual struggles of Africans in South Africa as well as Africans in the United States. Thus, the COMINTERN’s position was not merely a result of Stalinist intrigue: but instead it was a response to the praxis of Africans both within the CPSA as well as the African working-class as a whole.
    [Show full text]
  • The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction
    The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction Aaron W. Winslow Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Aaron Winslow All rights reserved ABSTRACT The Labor of the Avant-Garde: Experimental Form and the Politics of Work in Post-War American Poetry and Fiction Aaron W. Winslow While literary critics have explored the politics of labor in pre-war modernist literature, the post-45 avant-garde has continued to be framed as a depoliticized repetition of previous avant-garde styles. Examining American avant-garde literature in its relation to the political and economic shifts from the 1960s through the late 1980s, my dissertation corrects this narrative to show that labor and labor politics were central categories in post-war experimental poetry and fiction. I argue that writers as disparate as Charles Olson, William S. Burroughs, Samuel R. Delany, and Susan Howe reworked disjunctive modernist forms to cognitively map emergent economic tendencies in the US. Parataxis, collage, surrealist imagery, aleatory compositional methods, non-linear plotting, and metafictional narrative conceits all constitute the stylistic techniques of an avant-garde engaged in an extended dialogue about work and the politics of work. The canon of experimental literature functioned as a counter-discourse that contested and reshaped discourses of labor by considering it alongside categories of race, gender, and sexuality. By using labor as an entry point into the avant-garde, my dissertation reconsiders the post-war literary canon, revealing an avant-garde that includes writers working across modes and genres.
    [Show full text]
  • Recovering the Queer Subtext of Claude Mckay’S Harlem Shadows
    63 “A love so fugitive and so complete”:Recovering the Queer Subtext of Claude McKay’s Harlem Shadows Lindsay Tuggle University of Sydney In spite of its considerable influence on the Harlem Renaissance and the broader fields of African American and Caribbean literatures, Claude McKay’s Harlem Shadows (1922), as a cohesive whole, has remained relatively neglected. While selections of McKay’s so-called “violent sonnets” and nostalgic verse have been reproduced in various anthologies, his homoerotic love poems have been largely excluded.1 Prior to the 2004 publication of The Complete Poems: Claude McKay, edited by William J. Maxwell, much of McKay’s poetry had fallen out of print, while Harlem Shadows had not been widely reprinted in its entirety since the 1920s (Maxwell, Introduction 25). In the context of the Harlem Renaissance, McKay is considered both a forerunner and an outsider. His work significantly influenced a generation of Renaissance writers, most notably Langston Hughes, who wrote to McKay in 1925: “You are still the best of the colored poets and probably will be for the next century and for me you are the one and only.”2 James Weldon Johnson described the publication of Harlem Shadows as “one of the great forces in bringing about . the Negro literary Renaissance” (266).3 Yet McKay was a marginal, radical figure—a “vagabond” poet who could never entirely embrace the literary elite that formed the foundation of the Harlem Renaissance canon (Long Way 4).4 Shortly after the publication of Harlem Shadows, McKay left America, travelling first to Russia and then throughout Europe and northern Africa.
    [Show full text]
  • Report on the Negro Question: Speech to the 4Th Congress of the Comintern, Nov
    McKay: Speech to the 4th Congress of the Communist International 1 Report on the Negro Question: Speech to the 4th Congress of the Comintern, Nov. 1922. by Claude McKay Published in International Press Correspondence, v. 3 (Jan. 5, 1923), pp. 16-17. Comrade McKay: Comrades, I feel that I stands for the emancipation of all the workers of would rather face a lynching stake in civilized the world, regardless of race or color, and this stand America than try to make a speech before the most of the Third International is not merely on paper intellectual and critical audience in the world. I like the Fifteenth Amendment of the Constitu- belong to a race of creators but my public speak- tion of the United States of America. It is a real ing has been so bad that I have been told by my thing. own people that I should never try to make The Negro race in the economic life of the speeches, but stick to writing, and laughing. How- world today occupies a very peculiar position. In ever, when I heard the Negro question was going every country where the Whites and Blacks must to be brought up on the floor of the Congress, I felt it would be an eternal shame if I did not say something on behalf of the members of my race. Especially would I be a disgrace to the American Negroes because, since I published a notorious poem in 1919 [“If We Must Die”], I have been pushed forward as one of the spokesmen of Negro radicalism in America to the detriment of my po- etical temperament.
    [Show full text]
  • Claude Mckay - Poems
    Classic Poetry Series Claude McKay - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Claude McKay(15 September 1889 – 22 May 1948) Claude McKay was a Jamaican-American writer and poet. He was a seminal figure in the Harlem Renaissance and wrote three novels: Home to Harlem (1928), a best-seller which won the Harmon Gold Award for Literature, Banjo (1929), and Banana Bottom (1933). McKay also authored a collection of short stories, Gingertown (1932), and two autobiographical books, A Long Way from Home (1937) and Harlem: Negro Metropolis (1940). His book of poetry, Harlem Shadows (1922) was among the first books published during the Harlem Renaissance. His book of collected poems, Selected Poems (1953), was published posthumously. McKay was attracted to communism in his early life, but he was never a member of the Communist Party. <b>Early life</b> Claude McKay was born Festus Claudius McKay in Nairne Castle near James Hill, Clarendon, Jamaica. He was the youngest child of Thomas Francis McKay and Hannah Ann Elizabeth Edwards, well-to-do peasant farmers who had enough property to qualify to vote. Thomas McKay's father was of Ashanti descent, and Claude recounted that his father would share stories of Ashanti customs with him. Claude's mother was of Malagasy ancestry. At four years old, McKay started basic school at the church that he attended. At age seven, he was sent to live with his oldest brother, a school teacher, to be given the best education available. While living with his oldest brother, Uriah Theodore, McKay became an avid reader of classical and British literature, as well as philosophy, science and theology.
    [Show full text]