Pedagogy and Poetics Nicky Marsh
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A History of Poetics
A HISTORY OF POETICS German Scholarly Poetics and Aesthetics in International Context, 1770-1960 Sandra Richter With a Bibliography of Poetics by Anja Hill-Zenk, Jasmin Azazmah, Eva Jost and Sandra Richter 1 To Jörg Schönert 2 Table of Contents Preface 5 I. Introduction 9 1. Poetics as Field of Knowledge 11 2. Periods and Text Types 21 3. Methodology 26 II. Aesthetics and Academic Poetics in Germany 32 1. Eclectic Poetics: Popular Philosophy (1770í 36 (a) The Moralizing Standard Work: Johann Georg Sulzer (1771í 39 (b) Popular Aesthetics as a Part of ‘Erfahrungsseelenlehre’ in 1783: Johann Joachim Eschenburg, Johann August Eberhard, Johann Jacob Engel 44 2. Transcendental Poetics and Beyond: Immanuel Kant’s Critical Successors (1790í1800) 55 (a) Critical Poetics and Popular Critique: Johann Heinrich Gottlob Heusinger (1797) 57 (b) Systematical and Empirical Poetics on a Cosmological Basis: Christian A.H. Clodius (1804) 59 (c) Towards a Realistic Poetics: Joseph Hillebrand (1827) 63 3. Historical and Genetic Poetics: Johann Justus Herwig (1774), August Wilhelm Schlegel (1801í1803/1809í1811) and Johann Gottfried Herder’s Heritage 66 4. Logostheological Poetics after Friedrich Wilhelm Joseph Schelling: Friedrich Ast (1805) and Joseph Loreye (1801/2, ²1820) 77 5. Post-idealist Poetics 86 (a) An Empirical Idealist Poetics: Friedrich Bouterwek (1806) 86 (b) Religious Poetics: Wilhelm Wackernagel’s Lectures (1836/7) and the Catholics 90 (c) The Turning Point after Hegel and Beyond: Friedrich Theodor Vischer (1846í DQGWKH1HZ&KDOOHQJHV (Johann Friedrich Herbart, Robert Zimmermann) 96 (d) Literary Poetics: Rudolph Gottschall (1858) 103 6. Pre-Empirical and Empirical Poetics since 1820 111 (a) Poetics as Life Science: Moriz Carriere (1854/²1884) and (1859) 113 (b) Psychological Poetics: From Gustav Theodor Fechner (1871/1876), 3 Heinrich Viehoff (1820) and Rudolph Hermann Lotze (1884) to Wilhelm Dilthey (1887) to Richard Müller-Freienfels (1914/²1921) 117 (c) Processual Poetics: Wilhelm Scherer (1888) 142 (d) Evolutionary Poetics: Eugen Wolff (1899) 149 7. -
Still Not a British Subject: Race and UK Poetry
Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness. -
Claude Mckay's a Long Way from Home
Through a Black Traveler's Eyes: Claude McKay's A Long Way from Home Tuire Valkeakari Yale University Abstract: This essay analyzes Jamaican-born Claude McKay's discussion of racism(s) and nationalism(~) in his travelogue/autobiography A Long Way from Home ( 1937), in which he chronicles his sojourn in Europe and North Africa and addresses his complex relationship to the United States. Much of McKay's social analysis draws, as this essay establishes, on his observation that racism and nationalism tend to be intertwined and feed 011 each othe1: While describing his travels, McKay presents himselfas a bordercrosser who is "a bad nationalist" and an "internationalist" - a cosmopolitan whose home cannot be defined by any fixed national labels or by nationalist or racialist identity politics. This essay's dialogue with McKay's memoir ultimately reconstructs his difficult and of1-frustrated quest for democracy - the political condition that Ralph Ellison once eloquently equated with "man~· being at home in. the world." Key words: Claude McKay - nationalism - transnationalism - cosmopolitanism - race - racism - travel The way home we seek is that condition of man's being at home in the world, which is called love, and which we tenn democracy. - Ralph Elli son, "Brave Words for a Startling Occasion" I said I was born in the West Indies and lived in the United States and that I was an American, even though I was a British subject, but 1 preferred to think of myself as an internationalist. The chaoL1Sh said he didn't understand what was an internationalist. J laughed and said that an internationalist was a bad nationalist. -
Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
Sylvia Pankhurst's Sedition of 1920
“Upheld by Force” Sylvia Pankhurst’s Sedition of 1920 Edward Crouse Undergraduate Thesis Department of History Columbia University April 4, 2018 Seminar Advisor: Elizabeth Blackmar Second Reader: Susan Pedersen With dim lights and tangled circumstance they tried to shape their thought and deed in noble agreement; but after all, to common eyes their struggles seemed mere inconsistency and formlessness; for these later-born Theresas were helped by no coherent social faith and order which could perform the function of knowledge for the ardently willing soul. Their ardor alternated between a vague ideal and the common yearning of womanhood; so that the one was disapproved as extravagance, and the other condemned as a lapse. – George Eliot, Middlemarch, 1872 Table of Contents Acknowledgements ................................................................................................................... 2 Abbreviations ............................................................................................................................ 3 Introduction .............................................................................................................................. 4 The End of Edwardian England: Pankhurst’s Political Development ................................. 12 After the War: Pankhurst’s Collisions with Communism and the State .............................. 21 Appealing Sedition: Performativity of Communism and Suffrage ....................................... 33 Prison and Release: Attempted Constructions of Martyrology -
Gary Snyder's Ecological Vision
Quest Journals Journal of Research in Humanities and Social Science Volume1 ~ Issue 3 (2013) pp: 25-31 ISSN(Online) :2321-9467 www.questjournals.org Research Paper Gary Snyder’s Ecological Vision: A Study of Selective Poetic Works Firas A. Nsaif Al Jumaili Department of English,Al Buraimi University College, Oman Received 20 November, 2013; Accepted 02 December, 2013© The author(s) 2013. Published with open access at www.questjournal.org ABSTRACT: Gary Snyder, born in 1930, is one of the most significant American environmentalist-poets in the second half of the twentieth century. The present article deals with the ecological issues in the poetic works of Gary Snyder. It tries to explore the ecological implications in selected poems from three of Snyder’s major works of poetry, Riprap and Cold Mountain Poems (1959), Turtle Island (1974) and Mountains and Rivers without End (1996). The article presents an ecological reading of the selected poems which draws the attention of people to the ecological matters of the world. People‟s awareness of the ecological aspect of the universe may go back more than five centuries, specifically to the rise of western civilization in the seventeenth century. Technological inventions and scientific discoveries were all directed towards achieving human control over the natural environment. It is the German scientist Ernst Haeckel who first coined the term "ecology" ("Ökologie") in 1866.Ecology deals with organisms and their environment. It consists of all living beings, the natural surroundings in which they live, and their relationship to it. Haeckel defined it as “the study of all environmental conditions of existence” (Worster, 1977, p. -
Bernadette Mayer - Poems
Classic Poetry Series Bernadette Mayer - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Bernadette Mayer(12 May 1945 -) An avant-garde writer associated with the New York School of poets, Bernadette Mayer was born in Brooklyn, New York, and has spent most of her life in New York City. Her collections of poetry include Midwinter Day (1982, 1999), A Bernadette Mayer Reader (1992), The Desire of Mothers to Please Others in Letters (1994), Another Smashed Pinecone (1998), and Poetry State Forest (2008). Known for her innovative use of language, Mayer first won critical acclaim for the exhibit Memory, which combined photography and narration. Mayer took one roll of film shot each day during July 1971, arranging the photographs and text in what Village Voice critic A.D. Coleman described as “a unique and deeply exciting document.” Mayer’s poetry often challenges poetic conventions by experimenting with form and stream-of-consciousness; readers have compared her to Gertrude Stein, Dadaist writers, and James Joyce. Poet Fanny Howe commented in the American Poetry Review on Midwinter Day, a book-length poem written during a single day in Lenox, Massachusetts: “In a language made up of idiom and lyricism, Mayer cancels the boundaries between prose and poetry, . Her search for patterns woven out of small actions confirms the notion that seeing what is is a radical human gesture.” The Desire of Mothers to Please Others in Letters consists of prose poems Mayer wrote during her third pregnancy. She also combined poetry and prose in Proper Name and Other Stories (1996). -
Essay by Doug Jones on Bill Griffiths' Poetry
DOUG JONES “I ain’t anyone but you”: On Bill Griffths Bill Griffiths was found dead in bed, aged 59, on September 13, 2007. He had discharged himself from hospital a few days earlier after argu- ing with his doctors. I knew Griffiths from about 1997 to around 2002, a period where I was trying to write a dissertation on his poetry. I spent a lot of time with him then, corresponding and talking to him at length, always keen and pushing to get him to tell me what his poems were about. Of course, he never did. Don’ t think I ever got to know him, really. All this seems a lifetime ago. I’ m now a family physician (a general practitioner in the UK) in a coastal town in England. I’ ve taken a few days off from the COVID calamity and have some time to review the three-volume collection of his work published by Reality Street a few years ago. Volume 1 covers the early years, Volume 2 the 80s, and Volume 3 the period from his move to Seaham, County Durham in northeast England until his death. Here I should attempt do his work some justice, and give an idea, for an American readership, of its worth. Working up to this, I reread much of his poetry, works I hadn’ t properly touched in fifteen years. Going through it again after all that time, I was gobsmacked by its beauty, complexity, and how it continued to burn through a compla- cent and sequestered English poetry scene. -
Word Is Seeking Poetry, Prose, Poetics, Criticism, Reviews, and Visuals for Upcoming Issues
Word For/ Word is seeking poetry, prose, poetics, criticism, reviews, and visuals for upcoming issues. We read submissions year-round. Issue #30 is scheduled for September 2017. Please direct queries and submissions to: Word For/ Word c/o Jonathan Minton 546 Center Avenue Weston, WV 26452 Submissions should be a reasonable length (i.e., 3 to 6 poems, or prose between 50 and 2000 words) and include a biographical note and publication history (or at least a friendly introduction), plus an SASE with appropriate postage for a reply. A brief statement regarding the process, praxis or parole of the submitted work is encouraged, but not required. Please allow one to three months for a response. We will consider simultaneous submissions, but please let us know if any portion of it is accepted elsewhere. We do not consider previously published work. Email queries and submissions may be sent to: [email protected]. Email submissions should be attached as a single .doc, .rtf, .pdf or .txt file. Visuals should be attached individually as .jpg, .png, .gif, or .bmp files. Please include the word "submission" in the subject line of your email. Word For/ Word acquires exclusive first-time printing rights (online or otherwise) for all published works, which are also archived online and may be featured in special print editions of Word For/Word. All rights revert to the authors after publication in Word For/ Word; however, we ask that we be acknowledged if the work is republished elsewhere. Word For/ Word is open to all types of poetry, prose and visual art, but prefers innovative and post-avant work with an astute awareness of the materials, rhythms, trajectories and emerging forms of the contemporary. -
March 17, 2015, Vol. 61 No. 26
UNIVERSITY OF PENNSYLVANIA Tuesday March 24, 2015 Volume 61 Number 27 www.upenn.edu/almanac Three Endowed Assistant Professors Appointed in Penn Arts & Sciences Dean Steven J. Fluharty is pleased to an- Vanessa Ogle has Mallesh Pai, assis- nounce the appointment of three faculty mem- been appointed the Ju- tant professor of eco- bers to named chairs in the School of Arts & lie and Martin Frank- nomics, has been ap- Sciences. lin Assistant Professor pointed the Janice and Rahul Mukherjee of History. Specializ- Julian Bers Assistant has been appointed the ing in modern Euro- Professor in the So- Dick Wolf Assistant pean and global histo- cial Sciences. Dr. Pai Professor of Television ry, Dr. Ogle researches is an economic theorist and New Media Stud- themes of globaliza- specializing in mech- ies in the department of tion, capitalism and the anism design, which English. He is also af- circulation of knowl- addresses problems of filiated with the cine- edge. Her first book, how mechanisms such ma studies program. Dr. Contesting Time: The as auctions, school lot- Mukherjee joins Penn Global Struggle for teries and political in- from the University of Uniformity and its Un- Vanessa Ogle stitutions can better California, Santa Bar- intended Consequenc- achieve desired out- Mallesh Pai bara, where he recent- es, 1870s-1950s, investigates the paradoxical comes. His work has called into question long- ly completed his PhD. Rahul Mukherjee effects of standardizing time reckonings across held assumptions about fairness and predictabili- In his research, Dr. cultures and will be published by Harvard Uni- ty of outcomes in auctions. -
Rereading Bernadette Mayer's Midwinter Day and Lyn Hejinian's
WOMEN'S STUDIES 2017, VOL. 46, NO. 6, 525–540 https://doi.org/10.1080/00497878.2017.1356301 Experimental Poetry from the Disputed Territory: Rereading Bernadette Mayer’s Midwinter Day and Lyn Hejinian’s My Life Lucy Biederman Case Western Reserve University, Cleveland When asked, at the start of a 2011 interview for the Poetry Foundation, whether she was born in Brooklyn or Queens, the poet Bernadette Mayer gives a neither/both answer. “The Disputed Territory,” she says, “Brooklyn/ Queens, New York,” adding, “I’m honored to be part of the Disputed Territory.” Perhaps Mayer’s early geographical designation—or non- designation—influenced her later attitude toward poetic allegiances and groupings. In anthologies and critical studies, Mayer has been variously placed with New York School, Language, and conceptual writers, a variety that in itself suggests the unclassifiable nature of her work.1 Mayer conveys something of the discomfort with which she approaches poetic classification when, later in the same interview, she answers an inquiry about Language poetry: “I like it now that they—I shouldn’t say ‘they’—that they’ve developed a sense of humor. For a long time it was in abeyance; now it’s back—well, I don’t think it ever existed, but now it does” (Interview). That cryptic response, jammed with strong proclamations quickly half-retracted, is char- acteristic of Mayer. Writing on this moment elsewhere, I have noted that Mayer’s “self-admonishing ‘I shouldn’t say “they”’ is followed almost imme- diately—and humorously—by another ‘they’” (Biederman). Had she not mentioned her origins in the Disputed Territory, one might know that Mayer was a native, anyway, by how skillfully she eludes apprehension (Biederman). -
Chris Mustazza Presentation Slides
Dialectical Materialities: PennSound, Early Poetry Recordings, and Disc-to-Disk Translations Chris Mustazza Digital Dialogue Maryland Institute for Technology in the Humanities April 3, 2018 http://writing.upenn.edu/pennsound World’s largest archive of recordings of poets reading their work, founded by Professors Charles Bernstein and Al Filreis in 2003. Recordings range from 1913 through the current month. Apollinaire Nathaniel Mackey PennSound by the numbers 2,500,000 downloads per year 1,000,000 unique visitors per year 55,000 mp3 files 1,000 video files Always downloadable. Never just s- ~6,000 hours of audio T R E A M I N G Global distribution of PennSound users 27 April 2016 - 15 April 2017 Accessible Poetry Interface (API): PennSound & the Archaeo-Platform I. Archive Meta-Archive: Phonotextual Bibliography Reconstructing earlier attempts to record poetry & poetry audio archives Who were the archivists of the earlier archives, and what were their politics & poetics? What were the politics and poetics, both of the archival containers, as well as the physical media? How can we (re)present these archives within PennSound with respect for their prior materilaities ? 1913: “Modernism meets the phonograph” Ezra Pound traveled to the speech lab of Jean Pierre Rousselot to be “recorded” using Rousselot’s phonoscope. Richard Sieburth: “The ardent vers libristes were presumably eager to find out whether Rousselot’s modern recording devices (which produced what look like intricate seismographs of vowels, consonants, pitch, and tempo) could provide scientific proof that free verse was, in its own way, just as ‘regular’ or ‘formal’ (in terms of the patternings of accents or quantities) as, say, the traditional alexandrine.” Images from Richard Sieburth’s “The Sound of Pound: A Listener’s Guide” 1913: “La parole au timbre juste” The linguist Ferdinand Brunot partners with Disque Pathé, the largest record label in France, to release recordings of Apollinaire and other poets.