A History of Poetics
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Symbolism - the Poetics of Associations and an Artistic Interpretation of the Text in the Works of the Symbolists
Mental Enlightenment Scientific-Methodological Journal Volume 2021 Issue 4 Article 11 8-1-2021 SYMBOLISM - THE POETICS OF ASSOCIATIONS AND AN ARTISTIC INTERPRETATION OF THE TEXT IN THE WORKS OF THE SYMBOLISTS Ulugbek Jabbarov Jizzakh Branch of National University of Uzbekistan, [email protected] Ulugbek Turgunov Jizzakh Branch of National University of Uzbekistan, [email protected] Follow this and additional works at: https://uzjournals.edu.uz/tziuj Part of the Education Commons, English Language and Literature Commons, and the Language Interpretation and Translation Commons Recommended Citation Jabbarov, Ulugbek and Turgunov, Ulugbek (2021) "SYMBOLISM - THE POETICS OF ASSOCIATIONS AND AN ARTISTIC INTERPRETATION OF THE TEXT IN THE WORKS OF THE SYMBOLISTS," Mental Enlightenment Scientific-Methodological Journal: Vol. 2021 : Iss. 4 , Article 11. Available at: https://uzjournals.edu.uz/tziuj/vol2021/iss4/11 This Article is brought to you for free and open access by 2030 Uzbekistan Research Online. It has been accepted for inclusion in Mental Enlightenment Scientific-Methodological Journal by an authorized editor of 2030 Uzbekistan Research Online. For more information, please contact [email protected]. SYMBOLISM - THE POETICS OF ASSOCIATIONS AND AN ARTISTIC INTERPRETATION OF THE TEXT IN THE WORKS OF THE SYMBOLISTS Ulugbek Jabbarov, Jizzakh Branch of National University of Uzbekistan E-mail address: [email protected] Ulugbek Turgunov, Jizzakh Branch of National University of Uzbekistan E-mail address: [email protected] Abstract: This article is about an artistic interpretation of the text in the works of the symbolists. It discusses , the colorful and multifaceted meaning of symbols strengthened in many associations in life and literature. Some artists tried to theoretically substantiate the purely associative connection of this sign with the perception of the viewer, and not with semantics. -
German Literature
309 Gostwick's (J.) German Literature, post 8vo, cloth, 50c, Edinburgh, 1849. \ 1 Ii V GERMAN LITERATUR E. Digitized by the Internet - Archive in 2013 http://archive.org/details/germanliterature01gost GERMAN LITERATUR E. BY JOSEPH GOSTICK. AUTHOR OF "THE SPIRIT OF GERMAN POETRY, &.C. &ZC. EDINBURGH: WILLIAM AND ROBERT CHAMBERS. 1849. EDINBURGH : PEINTED BY W. AND R. CHAMBERS. : PREFACE. The objcct of the present volume is to give, in a concise and populär form, a general view of the Literature of the German people from the earliest to the latest times. Though the study of this literature has rapidly advanced during late years in England and Scotland, it has been confined chiefly to the works of a few modern authors. Many readers may still inquire concerning the characteristics of writers before the time of Herder, Goethe, and Schiller. We em- ploy every day, in our household language, the words of the oldest Teutonic or German ballad-singers who sang of the exploits of Tuisco before the Christian era; the words into which Bishop Ulphilas translated the Bible for the Goths of the fourth Century ; and which were afterwards employed by the writer of the old epic poem, ' The Nibelungen-Lied,' and the minstrels of the time of Frederick II. yet our schoolboys can give a better account of our longest Com- pound words, derived from Greek and Latin roots, than of the most simple and familiär which form the staple of all our ordinary con- versation, and which give energy and beauty to our most populär literature. It is hoped that this little work may serve in some degree to direct attention to the language and other characteristics of our Teutonic forefathers. -
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly M. Kistner A dissertation submitted in partial fulfillment for the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Gary G. Hamilton, Chair Steven Pfaff Katherine Stovel Program Authorized to Offer Degree: Sociology ©Copyright 2014 Kelly M. Kistner University of Washington Abstract Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly Kistner Chair of the Supervisory Committee: Professor Gary G. Hamilton Sociology Between 1838 and 1857 language scholars throughout Europe were inspired to create a new kind of dictionary. Deemed historical dictionaries, their projects took an unprecedented leap in style and scale from earlier forms of lexicography. These lexicographers each sought to compile historical inventories of their national languages and were inspired by the new scientific approach of comparative philology. For them, this science promised a means to illuminate general processes of social change and variation, as well as the linguistic foundations for cultural and national unity. This study examines two such projects: The German Dictionary, Deutsches Worterbuch, of the Grimm Brothers, and what became the Oxford English Dictionary. Both works utilized collaborative models of large-scale, long-term production, yet the content of the dictionaries would differ in remarkable ways. The German dictionary would be characterized by its lack of definitions of meaning, its eclectic treatment of entries, rich analytical prose, and self- referential discourse; whereas the English dictionary would feature succinct, standardized, and impersonal entries. Using primary source materials, this research investigates why the dictionaries came to differ. -
Chapter One Inventing the Linguistic Monuments of Europe1
Chapter One Inventing the Linguistic Monuments of Europe1 No one, professional historian or member of the interested public, comes to the Middle Ages without preconceptions, assumptions, and expectations about this long period of European history. These preconceptions derive not only from popular media including film, fiction, and the internet, but also from centuries of debate and fashioning and refashioning of this long period by scholars who sought not only to understand the past but to mobilize it for debates about their own presents. The Middle Ages have never been merely academic—the continuing fascination with the medieval world has always had implications for the understanding of the present, a search for those models, paradigms, and structures, both social and mental, that define the present. Essential to this process has always been the search for those objects and especially those texts generated during this period, and concomitantly the search for how to understand these documents. The two are intimately interconnected: the selection and privileging of specific documents has always been in relationship to the questions historians have asked, and documents, as they are discovered or rediscovered are made to fit into patterns of meaning by the scholars who have discovered them. While the search for medieval texts has been carried on since the sixteenth century for a spectrum of religious, political, and ideological reasons, the Middle Ages that we study is for better or worse largely a construct of the nineteenth century. Our corpus of sources owe their preservation and publication to the passion of long-forgotten scholars who sought them out because they hoped that they would answer specific questions about the past and the present, questions and interpretations that subsequent generations of scholars and the general public have largely accepted without question. -
Hart Crane's Neo-Symbolist Poetics" (2006)
CORE Metadata, citation and similar papers at core.ac.uk Provided by Scholar Commons | University of South Florida Research University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2006 "Mingling Incantations": Hart Crane's Neo- Symbolist Poetics Christopher A. Tidwell University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Tidwell, Christopher A., ""Mingling Incantations": Hart Crane's Neo-Symbolist Poetics" (2006). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/2727 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. "Mingling Incantations": Hart Crane's Neo-Symbolist Poetics by Christopher A. Tidwell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Richard Dietrich, Ph.D. John Hatcher, Ph.D. Roberta Tucker, Ph.D. Date of Approval: March 31, 2006 Keywords: french symbolism, symbolist poetry, modern poetry, influence, metaphor © Copyright 2006 , Christopher A. Tidwell Table of Contents Abstract ii Introduction: The Symbolist Aesthetic 1 Chapter One: Hart Crane and His Literary Critics 29 Chapter Two: T. S. Eliot, Hart Crane, and Literary Influence 110 Chapter Three: Baudelaire, Rimbaud, Crane 133 Chapter Four: Mallarmé and Crane’s Neo-Symbolist Poetics 148 Works Cited 164 Bibliography 177 About the Author End Page i “Mingling Incantations”: Hart Crane’s Neo-Symbolist Poetics Christopher A. -
The Anxiety of Influence: a Theory of Poetry Free
FREE THE ANXIETY OF INFLUENCE: A THEORY OF POETRY PDF Prof. Harold Bloom | 208 pages | 03 Jul 1997 | Oxford University Press Inc | 9780195112214 | English | New York, United States The Anxiety of Influence: A Theory of Poetry - Harold Bloom - Google книги Professor Bloom Yale; author of Blake's Apocalypse,and Yeats, interprets modern poetic history — the history of poetry in a Cartesian climate — in terms of Freud's "family romance After graduating from Yale, Bloom remained there The Anxiety of Influence: A Theory of Poetry a teacher, and was made Sterling Professor of Humanities in Bloom's theories have changed the way that critics think of literary tradition and has also focused his attentions on history and the Bible. He has written over twenty books and edited countless others. He is one of the most famous critics in the world and considered an expert in many fields. In he became a founding patron of Ralston College, a new institution in Savannah, Georgia, that focuses on primary texts. Harold Bloom. Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work The Anxiety of Influence: A Theory of Poetry criticism for all students of literature and has sold over 17, copies in paperback since Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded-- neither by poets nor by responsible readers and critics. -
7. Goethe, the Brothers Grimm and Academic Freedom1
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Reading for Space an Encounter Between Narratology and New Materialism in the Works of Virginia Woolf and Georges Perec
READING FOR SPACE AN ENCOUNTER BETWEEN NARRATOLOGY AND NEW MATERIALISM IN THE WORKS OF VIRGINIA WOOLF AND GEORGES PEREC Marlene Karlsson Marcussen Ph.D. Thesis, October 2016 Department for the Study of Culture, University of Southern Denmark 1 ‘Quite like old times,’ the room says. ‘Yes? No?’ Jean Rhys Good morning, Midnight (1939) L’espace semble être, ou plus apprivoisé, ou plus inoffensive, que le temps : on rencontre partout des gens qui ont des montres, et très rarement des gens qui ont des boussoles. Georges Perec Espèces d’espaces (1974) Frontpage illustration: Jesper Christiansen: “Well, We Must Wait for the Future to Show” from the exhibition Time Passes for Virginia Woolf (2012). 2 Table of Contents Acknowledgements…………………………………………………...... 5 Introduction 1. Space in the Novel………………………………………………..... 8 2. Rethinking Space in Light of the Material Turn…………………........ 14 3. Overview…………………………………………………………... 20 Chapter 1: Narratology and Space 1. The Role of Space in Classic Narratology 1. Field of Inquiry…………………………………………….. 26 2. Classic Narratology: Genette, Bal and Chatman…………..... 29 2. The Role of Space in Descriptive Theory 1. Field of Inquiry……………………………………………... 37 2. From Representation to Interpretation: Barthes and Hamon………………………………………… 40 3. From Interpretation to Presentation: Casey and Wolf……… 46 3. New Constellations 1. Dynamic Descriptions: Hamon, Sternberg, Mosher………… 50 2. The Inclusion of Space in German Narratology: Hoffmann and Dennerlein……………………………........... 54 Chapter 2: Foregrounding the Spatial Background as Background: New Materialism and Martin Heidegger 1. Setting the Scene – Virginia Woolf and New Materialism…………... 66 2. The Thing in New Materialism……………………………………... 70 3. Heidegger’s Critique of the Thing…………………………………... 77 4. Language, Thing and Space as Events……………………………… 86 1. -
Modern Literary Theory and Ancient Texts : an Introduction / Tomas A
Modern Literary Teory and Ancient Texts An Introduction Tomas A. Schmitz Modern Literary Teory and Ancient Texts Modern Literary Teory and Ancient Texts An Introduction Tomas A. Schmitz ©2002byWissenschaflicheBuchgesellschaf,Darmstadt Translation © 2007 by Tomas A. Schmitz BLACKWELL PUBLISHING 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford OX4 2DQ, UK 550 Swanston Street, Carlton, Victoria 3053, Australia Te right of Tomas A. Schmitz to be identifed as the Author of this Work has been asserted in accordance with the UK Copyright, Designs, and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs, and Patents Act 1988, without the prior permission of the publisher. Te publisher and the author make no representations or warranties with respect to the accuracy or completeness of the contents of this work and specifcally disclaim all warranties, including without limitation warranties of ftness for a particular purpose. No warranty may be created or extended by sales or promotional materials. Te advice and strategies contained herein may not be suitable for every situation. Tis work is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional services. If professional assistance is required, the services of a competent professional person should be sought. Neither the publisher nor the author shall be liable for damages arising herefrom. Te fact that an organization or website is referred to in this work as a citation and/or a potential source of further information does not mean that the author or the publisher endorses the information the organization or website may provide or recommendations it may make. -
HASIFRUT Quarterly for the Study of Literature
HASIFRUT Quarterly for the Study of Literature Vol. I, No. 1, Spring 1968 Tel-Aviv University HASIFRUT, Quarterly for the Study of Literature, Vol. I, No. 1, Spring 1968. Published by Tel-Aviv University, Israel. Editor: Benjamin Hrushovski; Editorial Secretary: Menakhem Perry. Editorial Council: Benzion Benshalom, Daniel A. Fineman, Dov Sadan. HASIFRUT is published quarterly by Tel-Aviv University, Israel. Annual subscription rates: IL 18.— in Israel; $12 abroad. Single numbers: IL6.— in Israel; $3.50 abroad. Address of Administration: Mif'al Hashikhpul, Tel-Aviv University, P.O.B. 17087. CONTENTS ה . (A Quarterly for the Sutdy of Literature in Israel (Editorial On the Main Branches of Literary Study (B. H.) .... I Studies and Essays Shim'on Sandbank The Paradox in Kafka: On the Occasion of the Hebrew Transla- tion of The Castle............................................................................... 11 Gershon Shaked The Narrator as a Writer: The Function of the Narrator in ׳א1רח נטה ללוף) . S. J. Agnon’s Wayfarer Stopped for a Night (17 Dov Sadan The Woods as Holy Sentinel: An Archetypal Image in Poetry . 36 Dan Pagis Theme, Style, and Structure: Genres in Hebrew Secular Poetry in Spain................................................................................................ 43 The 50th Anniversary of the Death of Mendele Mokher Sfarim ... 63 B.H. Drafts and Revisions of Mendele’s Hebrew Text: Pages from the Archives.................................................................................................63 Menakhem Perry Analogy and its Role as a Structural Principle in the Novels of Mendele Moykher-Sforim.......................................................................65 Interpretations a Descriptive — (״מתי מדבר״) ”Joseph Haephrati Bialik’s “The Dead of the Desert Poema............................................................................................... 101 Theory of Literature: Approaches to the Theory of Fiction Meir Sternberg Wayne C. -
Gender, (Anon and Literary History
Ruth Whittle Gender, (anon and Literary History The Changing Place af Nineteenth-Century Gerrnan Warnen Writers OE GRUYTER Contents Introduction -1 1 Discourses of German Femininity in the Long Nineteenth Century-14 1.1 A review of the conceptualization of women's marginalization and agency-14 1.2 The rise of discourses of power and dominance -18 1.3 Ca se Studies: Positioning exercises in the university in Wilhelm Scherer, August Sauer and Ludwig Geiger's writings on women -21 1.3.1 August Sauer, defender of Germanness at the South Eastern margins of the German Empire - 21 1.3.2 An integrative force in the dying Habsburg Empire: Sauer's Marie von Ebner-Eschenbach - 23 1.3.3 Ludwig Geiger, a German scholar of Jewish denomination in Berlin -24 1.3.4 Bettina von Arnim as Geiger's guarantor of German-jewish understanding - 26 1.3.5 Wilhelm Scherer's defence of Germanness on the western margins of the German Empire - 29 1.3.6 Presenting a female model for the German cultured classes: Wilhelm Scherer's "Caroline" - 31 1.4 Anti-Semitism and women: female, siek, mad, dangerous and Jewish vs. strong, male, rational and German - 37 1.5 Marie von Ebner-Eschenbach on woman's otherness - 40 1.6 Conclusion - 42 2 Women's Writing and German Femininity in Literary Histories: Georg Gottfried Gervinus, Rudolph Gottschall and August Vilmar - 44 2.1 Women's position in early Iiterary histories: Gervinus' fear of a female epidemie - 45 2.2 Case Study: absence of gen der stereotyping and the politics of the 1840s in Rudolph Gottschall's early poems - 49 2.3 -
The Proposed Project Requires a Transnational Effort Because The
The proposed project requires a transnational effort because the unpublished letters of Sauer and Seuffert are archived in Austria (Vienna) and Germany (Würzburg) and their edition requires profound contextual knowledge of the scholarly traditions of both countries. The outcome of our research project will be an annotated edition of selected letters as well as electronically accessible transcriptions of the entire correspondence between August Sauer and Bernhard Seuffert, two of the most influential scholars of German Studies in their time. Our research goal in editing the correspondence of these scholars is however not merely philological, but it is of general interest in the history of the humanities. 1. In historical accounts of German Studies it has generally been assumed that the dominating school of thought in the German Reich, whose main representative was Wilhelm Scherer, shaped the development of the field, which emerged and expanded rapidly in the last third of the 19th century, and that German Studies in Austria just followed suit in adopting this school of thought. Our selective edition is a contribution to correcting this view. 2. The correspondence between Sauer and Seuffert provides an invaluable source of continuous information about their lives and careers, goals and plans of scholarly production, assessments of their own accomplishments and that of colleagues, and, last but not least, about matters of professorial appointments. 3. We would like to show that August Sauer was not only an eminent scholar and politician in scholarly and cultural affairs, but, at the same time, an academic leader capable of strategic thinking, for whom journals, bibliographies, handbooks, academic institutions, philological associations and conferences constituted elements of an encompassing system of communication that was in need of perfection.