Goethe and Rousseau: Resonances of the Mind
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THE TOWN HALL Station on the Route Charlemagne Table of Contents
THE TOWN HALL Station on the Route Charlemagne Table of contents Route Charlemagne 3 Palace of Charlemagne 4 History of the Building 6 Gothic Town Hall 6 Baroque period 7 Neo-Gothic restoration 8 Destruction and rebuilding 9 Tour 10 Foyer 10 Council Hall 11 White Hall 12 Master Craftsmen‘s Court 13 Master Craftsmen‘s Kitchen 14 “Peace Hall“ (Red Hall) 15 Ark Staircase 16 Charlemagne Prize 17 Coronation Hall 18 Service 22 Information 23 Imprint 23 7 6 5 1 2 3 4 Plan of the ground floor 2 The Town Hall Route Charlemagne Aachen‘s Route Charlemagne connects significant locations around the city to create a path through history – one that leads from the past into the future. At the centre of the Route Charlemagne is the former palace complex of Charlemagne, with the Katschhof, the Town Hall and the Cathedral still bearing witness today of a site that formed the focal point of the first empire of truly European proportions. Aachen is a historical town, a centre of science and learning, and a European city whose story can be seen as a history of Europe. This story, along with other major themes like religion, power, economy and media, are all reflected and explored in places like the Cathedral and the Town Hall, the International Newspaper Museum, the Grashaus, Haus Löwenstein, the Couven-Museum, the Axis of Science, the SuperC of the RWTH Aachen University and the Elisenbrunnen. The central starting point of the Route Charlemagne is the Centre Charlemagne, the new city museum located on the Katschhof between the Town Hall and the Cathedral. -
Goethes Und Hofmannsthals Singspiele Und Opern
HENDRIK BIRUS Bedeutende Situationen, in einer künstlichen Folge. Goethes und Hofmannsthals Singspiele und Opern Vorblatt Publikation Erstpublikation: Jahrbuch des Freien Deutschen Hochstifts 2002, S.270-295. Neupublikation im Goethezeitportal in veränderter Fassung Vorlage: Datei des Autors URL: <http://www.goethezeitportal.de/db/wiss/goethe/birus_singspiele.pdf> Eingestellt am 23.01.2004 Autor Prof. Dr. Hendrik Birus Ludwig-Maximilians-Universität München Institut für Allgemeine und Vergleichende Literaturwissenschaft (Komparatistik) Schellingstr. 3 80799 München Emailadresse: <[email protected]> Empfohlene Zitierweise Beim Zitieren empfehlen wir hinter den Titel das Datum der Einstellung oder des letzten Updates und nach der URL-Angabe das Datum Ihres letzten Be- suchs dieser Online-Adresse anzugeben: Hendrik Birus: Bedeutende Situationen, in einer künstlichen Folge. Goethes und Hofmannsthals Singspiele und Opern (23.01.2004). In: Goethezeitportal. URL: <http://www.goethezeitportal.de/db/wiss/goethe/birus_singspiele.pdf> (Datum Ihres letzten Besuches). Birus: Goethes und Hofmannsthals Singspiele und Opern, S.1 HENDRIK BIRUS Bedeutende Situationen, in einer künstlichen Folge. Goethes und Hofmannsthals Singspiele und Opern ...es ist nun einmal das Libretto, das auf dem Theater entscheidet. Hofmannsthal an Strauss, 18. 10. 1928 Goethes Texte zu Singspielen und Opern werden wie seine gesellige Dichtung überhaupt weithin mißachtet, ja kaum auch nur gekannt. Wie aber Stammbuch- und Widmungsgedichte – im umgekehrten Verhältnis zu -
Augustine and Rousseau on the Politics of Confession
Augustine and Rousseau on the Politics of Confession by Taylor Putnam A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Political Science Carleton University Ottawa, Ontario © 2014, Taylor Putnam Abstract This thesis looks at the widely acknowledged but largely unexplored relationship between Augustine’s Confessions and Rousseau’s Confessions. In particular, it argues that Rousseau’s text demonstrates an indebtedness to both Augustine’s treatment of time within eternity and the political figure of the Christian preacher. By first comparing their competing interpretations of original sin as told in Genesis and then tracing those interpretations through the autobiographical narratives of each text, it is argued that Augustine and Rousseau both offer their lives as examples of their respective understandings of human nature. Further still, Rousseau’s attempt to supplant Augustine’s autobiography with his own sees the Augustinian preacher reformulated into the figure of the solitary walker. As a result, what was a politics of the will restrained by the temporal horizon of man becomes unleashed as the imposition of the timeless imagination. i Acknowledgments I would like to express my sincere gratitude to Professor Newell for his willingness to have me as a graduate student and for supervising my thesis. He generously provided me with the opportunity to pursue this education and I will be forever thankful for it. I would also like to thank Professor Darby for being my second reader and, more importantly, for his unwavering support throughout my degree. Lastly, I would like to thank my parents who in their wisdom gave me the freedom to fail and demystified what is required to learn. -
BULLETIN No, 48
TEXAS AGRICULTURAL EXPERIMENT STATIONS. BULLETIN No, 48 . t h e : i POSTOFFICE: COLLEGE STATION, BRAZOS CO., T E X A S. AUSTIN: BEN C. JONES & CO., STATE PRINTERS 1 8 9 8 [ 1145 ] TEXAS AGRICULTURAL EXPERIMENT STATIONS. OFFICERS. GOVERNING BOARD. (BOARD OF DIRECTORS A. & M. COLLEGE.) HON. F. A. REICHARDT, President..................................................................Houston. HON. W . R. CAvITT.................................................................................................. Bryan. HON. F. P. HOLLAND............................................................................................... Dallas. HON. CHAS. ROGAN .......... ............................................................................Brown wood. HON. JEFF. JOHNSON............................................................................................... Austin. HON. MARION SANSOM................................•.......................................................Alvarado. STATION STAFF. THE PRESIDENT OF THE COLLEGE. J. H. CONNELL, M. SC......................................................................................... Director. H. II. HARRINGTON, M . SC'..................................................................................Chemist. M. FRANCIS, D. V . M ...................................................................................Veterinarian . R. H. PRICE, B. S ....................................................................................... Horticulturist. B. C. PITTuCK. B. S. A..................................................................................Agriculturist. -
Wallace Stegner and the De-Mythologizing of the American West" (2004)
Digital Commons @ George Fox University Faculty Publications - Department of Professional Department of Professional Studies Studies 2004 Angling for Repose: Wallace Stegner and the De- Mythologizing of the American West Jennie A. Harrop George Fox University, [email protected] Follow this and additional works at: http://digitalcommons.georgefox.edu/dps_fac Recommended Citation Harrop, Jennie A., "Angling for Repose: Wallace Stegner and the De-Mythologizing of the American West" (2004). Faculty Publications - Department of Professional Studies. Paper 5. http://digitalcommons.georgefox.edu/dps_fac/5 This Dissertation is brought to you for free and open access by the Department of Professional Studies at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of Professional Studies by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. ANGLING FOR REPOSE: WALLACE STEGNER AND THE DE-MYTHOLOGIZING OF THE AMERICAN WEST A Dissertation Presented to The Faculty of Arts and Humanities University of Denver In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by Jennie A. Camp June 2004 Advisor: Dr. Margaret Earley Whitt Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ©Copyright by Jennie A. Camp 2004 All Rights Reserved Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. GRADUATE STUDIES AT THE UNIVERSITY OF DENVER Upon the recommendation of the chairperson of the Department of English this dissertation is hereby accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Profess^inJ charge of dissertation Vice Provost for Graduate Studies / if H Date Reproduced with permission of the copyright owner. -
The Novels of Edouard Rod (1857-1910)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 1938 The Novels of Edouard Rod (1857-1910) James Raymond Wadsworth University of Nebraska Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Comparative Literature Commons, and the French and Francophone Language and Literature Commons Wadsworth, James Raymond, "The Novels of Edouard Rod (1857-1910)" (1938). Papers from the University Studies series (The University of Nebraska). 117. https://digitalcommons.unl.edu/univstudiespapers/117 This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VoL. XXXVIII-Nos. 3-4 1938 UNIVERSITY STUDIES PUBLISHED BY THE UNIVERSITY OF NEBRASKA COMMITTEE ON PUBLICATIONS M.A. BASOCO J. E. KIRSHMAN G. W. ROSENLOF HARRY KURZ FRED W. UPSON H. H. MARVIN D. D. WHITNEY LOUISE POUND R. A. MILLER THE NOVELS OF EDOUARD ROD (1857-1910) BY JAMES RAYMOND WADSWORTH ASSISTANT PROFESSOR OF ROMANCE LANGUAGES UNIVERSITY OF NEBRASKA LINCOLN, NEBRASKA 1938 THE UNIVERSITY STUDIES OF THE UNIVERSITY OF NEBRASKA VOLUME XXXVIII LINCOLN PUBLISHED BY THE UNIVERSITY 1938 CONTENTS 1-2-FRYE, PROSSER HALL. Plato .............. 1-113 3--4-WAoswoRTH, JAMES RAYMOND. The Novels of Edouard Rod (1857-1910) ............. 115-173 ii UNIVERSITY STUDIES VoL. XXXVIII-Nos. 3--4 1938 THE NOVELS OF EDOUARD ROD (1857-1910) BY JAMES RAYMOND WADSWORTH ASSISTANT PROFESSOR OF ROMANCE LANGUAGES UNIVERSITY OF NEBRASKA TABLE OF CONTENTS Chapter Page PREFACE \' I. -
Rousseau and the Social Contract
In Dialogue with Humanity Rousseau and The Social Contract by Leung Mei Yee Ho Wai Ming Yeung Yang Part I Rousseau‟s life and works Part II The Discourses – Critique of society and civilization Part III The Social Contract Part 1 Rousseau‟s life and works… and the people who influenced him 3 Jean-Jacques Rousseau (1712-1778) One of the most influential yet controversial figures of the Enlightenment 4 He was the most portrayed character of the 18th century apart from Napoleon. (Jean-Jacques Monney) 5 Best known to the world by his political theory, he was also a well admired composer, and author of important works in very different fields. 6 Major works Novels Julie: or the New Héloïse (1761) Emile: or, on Education (1762) Autobiographical works The Reveries of the Solitary Walker (1782) The Confessions (1782-89) Essays Discourse on the Sciences and Arts (1750) Discourse on Inequality (1755) Discourse on Political Economy (1755-56) The Social Contract (1762) 7 Major Works Letters Letters on French Music (1753) Letters on the Elements of Botany (1780) Letter to M. d’Alembert on the Theatre (1758) Letters written from the Mountain (1764) Music Opera: Le devin du village (1752) Dictionary of Music (1767) 8 Born in 1712 in Geneva Small Calvinist city-state surrounded by large, predominately Catholic nations; Republic in the midst of duchies and monarchies Was brought up by his father The house where Rousseau since his mother died in was born at number 40, place du Bourg-de-Four childbirth 9 Left Geneva at the -
"The Specular Moment" in Goethe's "Willkommen Und Abschied": David Wellbery's Interpretation
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2001 "The Specular Moment" in Goethe's "Willkommen und Abschied": David Wellbery's Interpretation Stephen Franklin Poe University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the German Language and Literature Commons Recommended Citation Poe, Stephen Franklin, ""The Specular Moment" in Goethe's "Willkommen und Abschied": David Wellbery's Interpretation. " Master's Thesis, University of Tennessee, 2001. https://trace.tennessee.edu/utk_gradthes/2671 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Stephen Franklin Poe entitled ""The Specular Moment" in Goethe's "Willkommen und Abschied": David Wellbery's Interpretation." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Arts, with a major in German. David E. Lee, Major Professor We have read this thesis and recommend its acceptance: Peter Hoyng, Stefanie Ohnesorg, Hiram Maxim Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Stephen Franklin Poe entitled "The Specular Moment in Goethe's 'Willkommen und Abschied': David Wellbery's Interpretation." I have examined the final copy ofthis thesis fo r fo rm and content and recommend that it be accepted in partial fu lfillment of the requirements for the degree of Master of Arts, with a major in Gem1an. -
Isabelle Dolezalek Arabic Script on Christian Kings Das Mittelalter Perspektiven Mediävistischer Forschung
Isabelle Dolezalek Arabic Script on Christian Kings Das Mittelalter Perspektiven mediävistischer Forschung Beihefte Herausgegeben von Ingrid Baumgärtner, Stephan Conermann und Thomas Honegger Band 5 Isabelle Dolezalek Arabic Script on Christian Kings Textile Inscriptions on Royal Garments from Norman Sicily Gedruckt mit freundlicher Unterstützung der Deutschen Forschungsgemeinschaft (DFG) ISBN 978-3-11-053202-9 e-ISBN (PDF) 978-3-11-053387-3 e-ISBN (EPUB) 978-3-11-053212-8 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliografische Information der Deutschen Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Typesetting: Satzstudio Borngräber, Dessau-Roßlau Printing and binding: CPI books GmbH, Leck ♾ Gedruckt auf säurefreiem Papier Printed in Germany www.degruyter.com Contents Preface — IX Introduction — XI Chapter I Shaping Perceptions: Reading and Interpreting the Norman Arabic Textile Inscriptions — 1 1 Arabic-Inscribed Textiles from Norman and Hohenstaufen Sicily — 2 2 Inscribed Textiles and Arabic Inscriptions in European Medieval Arts — 43 3 Historical Receptions of the Ceremonial Garments from Norman Sicily — 51 4 Approaches to Arabic Inscriptions in European Medieval Arts: Methodological Considerations — 64 Chapter II An Imported Ornament? Comparing the Functions -
Erwin Und Elmire 1776 (70’)
Sound Reseach of Women Composers: Music of the Classical Period (CP 1) Anna Amalia Herzogin von Sachsen-Weimar-Eisenach 1739–1807 Erwin und Elmire 1776 (70’) Schauspiel mit Gesang nach einem Text von Johann Wolfgang von Goethe Erstveröffentlichung/First Publication erste vollständige szenische Aufführung am 25. Juni 2009 im Ekhof-Theater Gotha first complete scenic performance on June 25th 2009 at Ekhof-Theatre Gotha hrsg. von /edited by Peter Tregear Aufführungsmaterial leihweise / Performance material available for hire Personen Olympia: Sopran/Soprano Elmire: Sopran/Soprano Bernardo: Tenor oder/or Sopran/Soprano Erwin: Tenor oder/or Sopran/Soprano Orchesterbesetzung/Instrumentation 2 Flöten/2 Flutes 2 Oboen/2 Oboes Fagott/Bassoon 2 Hörner/2 Horns Violine 1/2 Viola Kontrabass Quelle: Anna Amalia Bibliothek, Weimar, Mus II a:98 (Partitur), Mus II c:1 (Vokalstimmen) © 2011 Furore Verlag, Naumburger Str. 40, D-34127 Kassel, www.furore-verlag.de Alle Rechte vorbehalten / Das widerrechtliche Kopieren von Noten wird privat- und strafrechtlich geahndet Printed in Germany / All rights reserved / Any unauthorized reproduction is prohibited by law Dieses Werk ist als Erstveröffentlichung nach §71 UrhG urheberrechtlich geschützt. Alle Aufführungen sind genehmigungs- und gebührenpflichtig. Furore Edition 2568 • ISMN: 979-0-50182-383-5 Inhalt/Contents Seite / Page Dr. Peter Tregear Erwin und Elmire – Eine Einführung 3 Professor Nicolas Boyle Goethes Erwin und Elmire in seiner Zeit 4 Dr. Lorraine Byrne Bodley Die Tücken des Musiktheaters: Anna Amalias -
Albert Schweitzer: a Man Between Two Cultures
, .' UNIVERSITY OF HAWAI'I LIBRARY ALBERT SCHWEITZER: A MAN BETWEEN TWO CULTURES A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LANGUAGES AND LITERATURES OF • EUROPE AND THE AMERICAS (GERMAN) MAY 2007 By Marie-Therese, Lawen Thesis Committee: Niklaus Schweizer Maryann Overstreet David Stampe We certify that we have read this thesis and that, in our opinion, it is satisfactory in scope and quality as a thesis for the degree of Master of Arts in Languages and Literatures of Europe and the Americas (German). THESIS COMMITIEE --~ \ Ii \ n\.llm~~~il\I~lmll:i~~~10 004226205 ~. , L U::;~F H~' _'\ CB5 .H3 II no. 3Y 35 -- ,. Copyright 2007 by Marie-Therese Lawen 1II "..-. ACKNOWLEDGMENTS T I would like to express my deepest gratitude to a great number of people, without whose assistance, advice, and friendship this thesis w0l!'d not have been completed: Prof. Niklaus Schweizer has been an invaluable mentor and his constant support have contributed to the completion of this work; Prof. Maryann Overstreet made important suggestions about the form of the text and gave constructive criticism; Prof. David Stampe read the manuscript at different stages of its development and provided corrective feedback. 'My sincere gratitude to Prof. Jean-Paul Sorg for the the most interesting • conversations and the warmest welcome each time I visited him in Strasbourg. His advice and encouragement were highly appreciated. Further, I am deeply grateful for the help and advice of all who were of assistance along the way: Miriam Rappolt lent her editorial talents to finalize the text; Lynne Johnson made helpful suggestions about the chapter on Bach; John Holzman suggested beneficial clarifications. -
Schiller and Music COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
Schiller and Music COLLEGE OF ARTS AND SCIENCES ImUNCI Germanic and Slavic Languages and Literatures From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Schiller and Music r.m. longyear UNC Studies in the Germanic Languages and Literatures Number 54 Copyright © 1966 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Longyear, R. M. Schiller and Music. Chapel Hill: University of North Carolina Press, 1966. doi: https://doi.org/ 10.5149/9781469657820_Longyear Library of Congress Cataloging-in-Publication Data Names: Longyear, R. M. Title: Schiller and music / by R. M. Longyear. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 54. Description: Chapel Hill : University of North Carolina Press, [1966] Series: University of North Carolina Studies in the Germanic Languages and Literatures. | Includes bibliographical references. Identifiers: lccn 66064498 | isbn 978-1-4696-5781-3 (pbk: alk. paper) | isbn 978-1-4696-5782-0 (ebook) Subjects: Schiller, Friedrich, 1759-1805 — Criticism and interpretation.