Sockless in Sandals: Collected Poems of Bob Cobbing, Vol 6
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Still Not a British Subject: Race and UK Poetry
Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness. -
MACBA Coll Artworks English RZ.Indd
of these posters carry the titles of Georges Perec’s novels, but Ignasi Aballí very few were actually made into Flms. We might, however, Desapariciones II (1 of 24), 2005 seem to remember some of these as Flms, or perhaps simply imagine we remember them. A cinema poster, aker it has accomplished its function of announcing a Flm, is all that’s lek of the Flm: an objective, material trace of its existence. Yet it also holds a subjective trace. It carries something of our own personal history, of our involvement with the cinema, making us remember certain aspects of Flms, maybe even their storylines. As we look at these posters we begin to create our own storylines, the images, text and design suggesting di©erent possibilities to us. By fabricating a tangible trace of Flms that were never made, Desaparicions II brings the Flms into existence and it is the viewer who begins to create, even remember these movies. The images that appear in the posters have all been taken from artworks made by Aballí. As the artist has commented: ‘In the case of Perec, I carried out a process of investigation to construct a Fction that enabled me to relate my work to his and generate a hybrid, which is something directly constructed by me, though it includes real elements I found during the documentation stage.’ 3 Absence, is not only evident in the novel La Disparition, but is also persistent in the work Aballí; mirrors obliterated with Tipp-Ex, photographs of the trace paintings have lek once they have been taken down. -
Word Is Seeking Poetry, Prose, Poetics, Criticism, Reviews, and Visuals for Upcoming Issues
Word For/ Word is seeking poetry, prose, poetics, criticism, reviews, and visuals for upcoming issues. We read submissions year-round. Issue #30 is scheduled for September 2017. Please direct queries and submissions to: Word For/ Word c/o Jonathan Minton 546 Center Avenue Weston, WV 26452 Submissions should be a reasonable length (i.e., 3 to 6 poems, or prose between 50 and 2000 words) and include a biographical note and publication history (or at least a friendly introduction), plus an SASE with appropriate postage for a reply. A brief statement regarding the process, praxis or parole of the submitted work is encouraged, but not required. Please allow one to three months for a response. We will consider simultaneous submissions, but please let us know if any portion of it is accepted elsewhere. We do not consider previously published work. Email queries and submissions may be sent to: [email protected]. Email submissions should be attached as a single .doc, .rtf, .pdf or .txt file. Visuals should be attached individually as .jpg, .png, .gif, or .bmp files. Please include the word "submission" in the subject line of your email. Word For/ Word acquires exclusive first-time printing rights (online or otherwise) for all published works, which are also archived online and may be featured in special print editions of Word For/Word. All rights revert to the authors after publication in Word For/ Word; however, we ask that we be acknowledged if the work is republished elsewhere. Word For/ Word is open to all types of poetry, prose and visual art, but prefers innovative and post-avant work with an astute awareness of the materials, rhythms, trajectories and emerging forms of the contemporary. -
Friends, 2020 Catalog
FRIENDS, 2020 KATARZYNA KOZYRA FOUNDATION SUPPORT PROGRAM the present times are challenging for everybody. Even more so for women. The spread of the coronavirus and the worldwide economic crisis will make our work more difficult still. But we don’t give up. We will continue to fight in defence of the freedom of thought and gender equality. The Katarzyna Kozyra Foundation, as you know, has been created to support the work of female artists. Its many initiatives included, for example, a series of exhibitions of Women Commentators – a project which gave voice to young Russian and Ukrainian artists who live in countries where freedom of expression is not always allowed. One of the most recent investigations that the Foundation carried out, Little Chance to Advance, has revealed the huge underrepresentation of female teachers in Polish Art Academies. The Foundation is also currently working on numerous projects, which include an exhibition of Urszula Broll, a recently deceased artist who unfortunately did not live to see sufficient recognition for the important work of her life, as well as an archive of statements and works by female artists from the Visegrad Group. The recent cuts in the financing of NGO’s providing social and cultural support for women, make the raison d’ être of the Katarzyna Kozyra Foundation even more justified. It is why I ask you to join the group of the Foundation’s Friends and support us with a financial contribution so as to help the Foundation implement its program in support for women artists, consisting of research projects, exhibitions, book publications, seminars… I do not ask you for this commitment in exchange for nothing. -
Gabor G Gyukics (B. 1958) Poet, Jazz Poet, Literary Translator Born in Budapest
gabor g gyukics (b. 1958) poet, jazz poet, literary translator born in Budapest. He is the author of 1 book of original prose, 9 books of original poetry, 6 in Hungarian, 2 in English, 1 in Arabic, 1 in Bulgarian, 1 in Czech, and 13 books of translations including A Transparent Lion, selected poetry of Attila József and Swimming in the Ground a Contemporary Hungarian Poetry (in English, both with co-translator Michael Castro) and an anthology of North American Indigenous poets in Hungarian titled Medvefelhő a város felett. He writes his poems in English (which is his second language) and Hungarian. He had lived in Holland for two years before moving to the US where he'd lived between 1988-2002, at present he resides in Szeged, Hungary. His poetic works and translations have been published in over 200 magazines and anthologies in English, Hungarian and other languages worldwide. He is a recipient of the Banff International Literary Translation Centre (BILTC) residency in Canada in 2011. His latest book in English titled a hermit has no plural was published by Singing Bone Press in the fall of 2015. His latest book in Hungarian was published by Lector Press in May 2018. In 2018 he published his first jazz poetry CD in English titled Vibration of Words with three amazing Hungarian jazz musicians. He received the Poesis 25 Prize for Poetry in Satu Mare Romania in 2015, the Salvatore Quasimodo special prize for poetry in 2012, a National Cultural Foundation grant in 2007 and a Füst Milan translator prize in 1999 and in 2017. -
Pure Psychic Chance Radio: 2016 Jim Leftwich
Pure Psychic Chance Radio: 2016 Jim Leftwich Table of Contents Pure Psychic Chance Radio: Essays 2016 1. Permission slips: Thinking and breathing among John Crouse's UNFORBIDDENS 2. ACTs (improvised moderate militiamen: "Makeshift merger provost!") 3. Applied Experimental Sdvigology / Theoretical and Historical Sdvigology 4. HOW DO YOU THINK IT FEELS: On The Memorial Edition of Frank O’Hara’s In Memory of My Feelings 5. mirror lungeyser: On Cy Twombly, Poems to the Sea XIX 6. My Own Crude Rituals 7. A Preliminary Historiography of an Imagined Ongoing: 1830, 1896, 1962, 2028... 8. In The Recombinative Syntax Zone. Two Bennett poems partially erased by Lucien Suel. In the Recombinative Grammar Zone. 9. Three In The Morning: Reading 2 Poems By Bay Kelley from LAFT 35 10. The Glue Is On The Sausage: Reading A Poem by Crag Hill in LAFT 32 11. My Wrong Notes: On Joe Maneri, Microtones, Asemic Writing, The Iskra, and The Unnecessary Neurosis of Influence 12. Noisic Elements: Micro-tours, The Stool Sample Ensemble, Speaking Zaum To Power 13. TOTAL ASSAULT ON THE CULTURE: The Fuck You APO-33, Fantasy Politics, Mis-hearing the MC5... 14. DIRTY VISPO: Da Vinci To Pollock To d.a.levy 15. WHERE DO THEY LEARN THIS STUFF? An email exchange with John Crouse 16. FURTHER SUBVERSION SEEMS IN ORDER: Reading Poems by Basinski, Ackerman and Surllama in LAFT 33 17. A Collage by Tom Cassidy, Sent With The MinneDaDa 1984 Mail Art Show Doc, Postmarked Minneapolis MN 07 Sep '16 18. DIRTY VISPO II (Henri Michaux, Christian Dotremont, derek beaulieu, Scott MacLeod, Joel Lipman on d.a.levy, Lori Emerson on the history of the term "dirty concrete poetry", Albert Ayler, Jungian mandalas) 19. -
Experiments in Art and Music in Eastern Europe 1957-1984
Experiments in Ar t and Music in Eastern Eu rope 1957-19 84 26 June – 25 August 2013 Curated by David Crowley and Daniel Muzyczuk Cover: Drawing of the Foksal Gallery, action entitled 5x , published in Program Galerii Foksal PSP, courtesy of Foksal Gallery and Visual Arts Studio. Our purpose was to create an apparatus rather than a finite work. The apparatus’s functioning depended on the participation of the viewer (‘this entrance card authorises participation and co creation’, the invitation said). By integrating visual and aural action and encouraging their manipulation by the participant, we wanted to produce unexpected situations and emotions. 1. 19 September 1966 The invited artists – Cornelius Cardew, David Bedford, John Tilbury – performed Le Monte Young’s Poem . Additional instruments: cello, contact microphone, accordion, transistor radio. 2. 20 September Additional instruments: contact microphone, zither. 3. 21 September Additional instruments: metronome, zither (amplified). A photographic flash lamp was also used. 4. 22 September Additional instruments: music box, amplified metronome (the background formed by the metronome’s rhythm being occasionally interrupted by the music box). A gas gun was also used. 5. 23 September Additional instruments: amplified music box. Shepherd’s bells and trumpets were also used. Each performance had an audience of forty to seventy people. Starting from 21.00, visitors were let in, in groups of ten, at fifteen -minute intervals. From start to end, each performance was different for each participant. The start began at the moment of entry when the installation was set in motion and the moment of departure was dependent on the decision of the individual. -
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The Music That Time Forgot Further Perspectives & Distortions (3CD box set, Cherry Red) In an interview I undertook for Punk and Post-Punk journal, Dick Witts of The Passage (a band surprisingly missing from this compilation), stated that 'You might say that post-punk existed before punk. It was submerged during the punk days, and re-emerged touched by punk but not imbricated with it'. Post-punk is notoriously difficult to define, but for me it would include much of the experimental music gathered together in this box set, which has the awkward – if accurate – subtitle 'An Encylopaedia Of British Experimental and Avant-Garde Music 1976-1984'. Here, says the press release, post-punk has been used as a 'paradigm-shifting lens' to bring together 'disparate names from across the experimental spectrum'. I guess that means musicians who carried on doing what they were doing outside post-punk but influenced those within, as well as the more experimental music being produced by post-punk bands themselves. I say 'I guess', but that's basically what we've got here. That includes synthesizer music from the likes of Blancmange, Chris & Cosey and Robert Rental; what became known as industrial music from the likes of Nurse With Wound, Test Department and Throbbing Gristle; improvised jazz or systems music from from David Toop & Paul Burwell, Stinky Winkles, Lindsay Cooper, AMM III, Lol Coxhill & Morgan Fisher, as well as David Cunningham; harsh subverted funk from Hula, 23 Skidoo and The Pop Group; spoken word or sound poetry from George Melly and from Bob Cobbing; and awkward pop and rock music from Eyeless in Gaza, Swell Maps and Robert Wyatt. -
Punk · Film RARE PERIODICALS RARE
We specialize in RARE JOURNALS, PERIODICALS and MAGAZINES Please ask for our Catalogues and come to visit us at: rare PERIODIcAlS http://antiq.benjamins.com music · pop · beat · PUNk · fIlM RARE PERIODICALS Search from our Website for Unusual, Rare, Obscure - complete sets and special issues of journals, in the best possible condition. Avant Garde Art Documentation Concrete Art Fluxus Visual Poetry Small Press Publications Little Magazines Artist Periodicals De-Luxe editions CAT. Beat Periodicals 296 Underground and Counterculture and much more Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT Visiting address: Klaprozenweg 75G · 1033 NN Amsterdam · The Netherlands Postal address: P.O. BOX 36224 · 1020 ME Amsterdam · The Netherlands tel +31 20 630 4747 · fax +31 20 673 9773 · [email protected] JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM cat.296.cover.indd 1 05/10/2016 12:39:06 antiquarian PERIODIcAlS MUSIC · POP · BEAT · PUNK · FILM Cover illustrations: DOWN BEAT ROLLING STONE [#19111] page 13 [#18885] page 62 BOSTON ROCK FLIPSIDE [#18939] page 7 [#18941] page 18 MAXIMUM ROCKNROLL HEAVEN [#16254] page 36 [#18606] page 24 Conditions of sale see inside back-cover Catalogue No. 296 (2016) JOHN BENJAMINS ANTIQUARIAT B.V. AMSTERDAM 111111111111111 [#18466] DE L’AME POUR L’AME. The Patti Smith Fan Club Journal Numbers 5 and 6 (out of 8 published). October 1977 [With Related Ephemera]. - July 1978. [Richmond Center, WI]: (The Patti Smith Fan Club), (1978). Both first editions. 4to., 28x21,5 cm. side-stapled wraps. Photo-offset duplicated. Both fine, in original mailing envelopes (both opened a bit rough but otherwise good condition). EUR 1,200.00 Fanzine published in Wisconsin by Nanalee Berry with help from Patti’s mom Beverly. -
A Modern Filológiai És Társadalomtudományi Kar 25 Éve Tudományos Művek Bibliográfiája
A modern Filológiai és Társadalomtudományi Kar 25 éve Tudományos művek bibliográfiája Veszprém 2018 Pannon Egyetem A modern Filológiai és Társadalomtudományi Kar 25 éve Tudományos művek bibliográfiája Pannon Egyetem A modern Filológiai és Társadalomtudományi Kar 25 éve Tudományos művek bibliográfiája Az Intézetek adatközlése alapján összeállította: Györe Géza Veszprém 2018 Készült az EFOP-3.6.1-16-2016-00015 azonosító számú „A Pannon Egyetem átfogó intézményfejlesztése az intelligens szakosodás elősegítése érdekében” című projekt keretében Kiadja a Pannon Egyetemi Kiadó 8200 Veszprém, Egyetem u. 10. Telefon: 88/624-000 A kiadásért felel az Egyetem rektora ISBN 978-963-396-123-0 elektronikus kiadás Útmutató a bibliográfia használatához Kötetünk a Kar munkatársai által 1990 és 2017 között készített és megjelentetett tudományos publikációinak bibliográfiai leírását közli. A rendező elv első szinten a Kar jelenlegi Intézeti struktúrája volt, ezen belül a munkatársak ábécé rendben sorolva jelennek meg a jegyzékben. Az egyes tételek fordított kronológikus sorrendben szerepelnek az egyes szerzők neve alatt. A munkatársak publikációs adatait arra az időszakra vettük fel, amikor a Kar munkatársai voltak. Az adatgyűjtést elsősorban a Magyar Tudományos Művek Tára (mtmt.hu) adatbázisból és az Egyetem által megjelentetett évkönyvek, értesítők stb. felhasználásával végezték az Intéze- tek munkatársai. Köszönet illeti őket munkájukért, kitartásukért. Egy-egy szerző adatai új oldalon kezdődnek. A tételeket szerzőnként a következő alfejeze- tekre osztottuk: 1. Könyv; 2. Jegyzet, tankönyv, taneszköz; 3. Könyvfejezet; 4. Szócikk; 5. Ta- nulmány, cikk; 6. Szerkesztés; 7. Fordítás. A tételek a pontos beazonosításhoz szükséges ada- tokat tartalmazza. A tételek sorszámozása szerzőnként újraindul és egy-egy alfejezeten belül is újrakezdődik. Tisztában vagyunk vele, hogy a munka nem teljes, egyes tételek felvételén is lehet vitat- kozni, annak tudományossága okán. -
436320 1 En Bookbackmatter 189..209
BIBLIOGRAPHY Adorno, Theodor & Max Horkheimer. Dialectic of Enlightenment. Translated by E. Jephcott, Stanford University Press, 2002. Allen, Tim & Andrew Duncan (eds.). Don’t Start Me Talking: interviews with contemporary poets. Salt, 2006. Alvarez, Al (ed.). The New Poetry. Penguin, 1966. Allnut, Gillian et al (eds). The New British Poetry. Paladin, 1988. Anderson, Simon. “Fluxus, Fluxion, Fluxshoe: the 1970s”. The Fluxus Reader, edited by Ken Friedman. Academy Editions, 1998, pp. 22–30. Andrews, Malcom. Charles Dickens and his performing selves: Dickens and public readings. Oxford University Press, 2006. Artaud, Antonin. Selected Writings, edited by Susan Sontag. Strauss & Giroux, 1976 Auslander, Philip. “On the Performativity of Performance Documentation”. After the Act—The (Re)Presentation of Performance Art, edited by Barbara Clausen. Museum Moderner Kunt Stiftung Ludwig Wien, 2005, pp. 21–33. Austin, J.L. How to Do Things with Words: the William Harvey James lectures delivered at Harvard University in 1955. Claredon Press, 1975. Badiou, Alain. Being and Event. Translated by O. Feltman, Continuum, 2007. Bakhtin, Mikhail. Rabelais and His World. Translated by L. Burchill, Indiana University Press, 1984. Barry, Peter. “Allen Fisher and ‘content-specific’ poetry”. New British Poetries: The Scope of the Possible, edited by Robert Hampson & Peter Barry. Manchester University Press, 1993, pp. 198–215. ———. Contemporary British Poetry and the City. Manchester University Press, 2000. ———. Poetry Wars: British poetry of the 1970s and the battle for Earl’s Court. Salt, 2006. © The Editor(s) (if applicable) and The Author(s) 2017 189 J. Virtanen, Poetry and Performance During the British Poetry Revival 1960–1980, Modern and Contemporary Poetry and Poetics, DOI 10.1007/978-3-319-58211-5 190 BIBLIOGRAPHY Blanc, Alberto C. -
Abigail Thomas Al-Mutanabbi Street Starts Here Alice Maude
100+ Elaine Knight Linda Landers SketchLook Abigail Thomas Ellen McMahon Liz Workman Somayeh Al-Mutanabbi Encyclopaedia Lizanne van Essen Farzaneh Street Starts Here Britannica Looks@books Sons of the Sea Alice Maude- Challenge Loretta Cappanera Sophie Loss Roxby Erin K. Schmidt Luci Gorell Barnes Stacey Wilding AMBruno Faction Lucy Harrington State University of Amy Davies Field Study Lucy May Santa Catarina Andi McGarry Fluxjob Schofield Stephen Fowler Andrew Eason Francis Elliott Maureen Gamble Stephen LeWinter Andrew Norris Grahame Galleries Media and Design Steve McPherson Angie Butler + Editions Academy, Genk Stevie Ronnie Arcadia id est Guy Begbie Meir Agassi Stroud College Artist’s Book Club Guy Bigland Museum Sumi Perera Artists’ Publishing Hazel Grainger Mette-Sofie D. Susan Part I & II Heather Hunter Ambeck Johanknecht Barbara Barnes Heidy Micro-Pages The Art of the Allen Hollemweguer Mike Brunwin Book: Journals Barbara Sykes Campos Mike Nicholson Then and Now Batool Showghi Helen Allsebrook Mikhail Pogarsky The Caseroom Baysan Yüksel Helga Kos Minnesota Center Press Beatrice Coron Herefordshire for Book Arts The Daily Twit Benedict Philips College of Art & Nancy Campbell The Sunderland Benjamin Prosser Design Natalie McGrorty Book Project Black/White [and Hibrida Neil Bousfield Theresa Easton Read] Bookworks Noëlle Griffiths Thy Bottle -Top Bob Cobbing Hibrida III Norske bøker Badge Project Boccaccio and the Ian Tyson O Pão Nosso - Tizzi Fib Artist’s Book Invisible Cities Livros de Artista to be done Book Art Object and Hidden