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436320 1 En Bookbackmatter 189..209 BIBLIOGRAPHY Adorno, Theodor & Max Horkheimer. Dialectic of Enlightenment. Translated by E. Jephcott, Stanford University Press, 2002. Allen, Tim & Andrew Duncan (eds.). Don’t Start Me Talking: interviews with contemporary poets. Salt, 2006. Alvarez, Al (ed.). The New Poetry. Penguin, 1966. Allnut, Gillian et al (eds). The New British Poetry. Paladin, 1988. Anderson, Simon. “Fluxus, Fluxion, Fluxshoe: the 1970s”. The Fluxus Reader, edited by Ken Friedman. Academy Editions, 1998, pp. 22–30. Andrews, Malcom. Charles Dickens and his performing selves: Dickens and public readings. Oxford University Press, 2006. Artaud, Antonin. Selected Writings, edited by Susan Sontag. Strauss & Giroux, 1976 Auslander, Philip. “On the Performativity of Performance Documentation”. After the Act—The (Re)Presentation of Performance Art, edited by Barbara Clausen. Museum Moderner Kunt Stiftung Ludwig Wien, 2005, pp. 21–33. Austin, J.L. How to Do Things with Words: the William Harvey James lectures delivered at Harvard University in 1955. Claredon Press, 1975. Badiou, Alain. Being and Event. Translated by O. Feltman, Continuum, 2007. Bakhtin, Mikhail. Rabelais and His World. Translated by L. Burchill, Indiana University Press, 1984. Barry, Peter. “Allen Fisher and ‘content-specific’ poetry”. New British Poetries: The Scope of the Possible, edited by Robert Hampson & Peter Barry. Manchester University Press, 1993, pp. 198–215. ———. Contemporary British Poetry and the City. Manchester University Press, 2000. ———. Poetry Wars: British poetry of the 1970s and the battle for Earl’s Court. Salt, 2006. © The Editor(s) (if applicable) and The Author(s) 2017 189 J. Virtanen, Poetry and Performance During the British Poetry Revival 1960–1980, Modern and Contemporary Poetry and Poetics, DOI 10.1007/978-3-319-58211-5 190 BIBLIOGRAPHY Blanc, Alberto C. “Some Evidence for the Ideologies Early Man”. Social Life of Early Man, edited by Sherwood L. Washburn. Taylor & Francis, 1962, pp. 119–136. Berengarten, Richard. “The Cambridge Poetry Festival 1975”. berengarten, http://www.berengarten.com/site/Cambridge-Poetry-Festival.html. Accessed 30.08.2016. Berghaus, Günter. Avant-garde Performance: live events and electronic technologies. Palgrave Macmillan, 2005. Bergson, Henri. Creative Evolution. Translated by A. Mitchell, Greenwood Press, 1975. Bergvall, Caroline. “In the Place of Writing”. Assembling Alternatives: Reading Postmodern Poetics Transnationally, edited by Romana Huk. Wesleyan University Press, 2003, pp. 327–337. ———. “What Do We Mean By Performance Writing?” Carolinebergvall, http:// www.carolinebergvall.com/content/text/BERGVALL-KEYNOTE.pdf. Accessed 30.08.2016. Bergvall, Caroline & John Stammers. “Speaking in Tongues: Caroline Bergvall in Conversation with John Stammers”. Jacket, No. 22, 2003, http:// jacketmagazine.com/22/bergv-stamm-iv.html. Accessed 30.08.2016. Bernstein, Charles (ed.). Close Listening: poetry and the performed word. Oxford University Press, 1998. Bloomfield, Mandy. “Review: Robert Sheppard, The Poetry of Saying: British Poetry and its Discontents”. Journal of British and Irish Innovative Poetry, Vol. 2, No. 1, 2010, pp. 92–96. Booth, Martin. British Poetry 1964–1984: driving through the barricades. Routledge & Kegan Paul, 1985. Bromige, David. “Allen Fisher by David Bromige”. 80 Langton Street Residency Program 1982, edited by Renny Pritkin & Barrett Watten. Langton Street Publications, 1982, pp. 19–47. Brook, Peter. The Empty Space. Penguin, 1990. Buchloch, Benjamin. “From Faktura to Factography” October, Vol. 30, 1984, pp. 81–119. Buck, Claire. “Poetry and The Women’s Movement in Postwar Britain”. Contemporary British Poetry: Essays in Theory and Criticism, edited by James Acheson & Romana Huk. State University of New York Press, 1996, pp. 81–111. Bush, Clive. Out of Dissent: a study of five contemporary British poets. Talus Editions, 1997. Butler, Judith. “Gender as Performance”. A Critical Sense: interviews with intellectuals, edited by Peter Osborne. Routledge, 1996, pp. 109–125. ———. Gender Trouble: Feminism and the Subversion of Identity. Routledge, 1999. Carlson, Marvin. Performance: a critical introduction. Routledge, 2004. BIBLIOGRAPHY 191 Carpenter, Humphrey. A Serious Character: the life of Ezra Pound. Dell Publishing, 1988. Clausen, Barbara. “After the Act—The (Re)Presentation of Performance Art”. After the Act—The (Re)Presentation of Performance Art, edited by Barbara Clausen. Museum Moderner Kunt Stiftung Ludwig Wien, 2005, pp. 7–20. Clunies-Ross, Pamela. “Promoting Poetry Events”. Poetry Live: British and Irish Poetry, edited by John Medlin. Poetry Society, 1987, p. 30. Cobbing, Bob. Processual: Collected poems 10. New River Project, 1987. Coupe, Laurence. “Tell Me Lies About Vietnam: English Poetry and the American War”. Tell Me Lies About Vietnam, edited by Alf Lowre & Jeffrey Walsh. Open University Press, 1988, pp. 167–180. Davidson, Ian. Ideas of Space in Contemporary Poetry. Palgrave Macmillan, 2007. Davidson, Michael. The San Francisco Renaissance: poetics and community at mid-century. Cambridge University Press, 1989. Dawes, Kwame. “Black British Poetry: Some Considerations”. Write Black Write British: from post colonial to black British literature, edited by Kadija Sesay. Hansib, 2005, pp. 282–299. Debord, Guy. “Theory of the Dérive”. Situationist International Anthology, edited and translated by K. Knabb. Bureau of Public Secrets, 1981, pp. 50–55. Debord, Guy & Gil Wolman. “Methods of Detournement”. Situationist International Anthology, edited and translated by K. Knabb. Bureau of Public Secrets, 1981, pp. 8–14. de Certeau, Michel. The Practice of Everyday Life. Translated by S. Rendall. University of California Press, 1988. Deleuze, Gilles. The Fold: Leibniz and the Baroque. Translated by T. Conley. Continuum, 2006. Deleuze, Gilles & Felix Guattari. A Thousand Plateaus. Translated by B. Massumi, Continuum, 2004. ———. What is Philosophy? Translated by G. Burchell & H. Tomlinson. Verso, 1994. Derrida, Jacques. 2004. Writing and Difference. Translated by A. Bass: Routledge. Dowson, Jane & Alice Entwistle. A History of Twentieth Century British Women’s Poetry. Cambridge University Press, 2005. Doxiades, Constantinos. “The Coming World City: Ecunomenopolis”. Cities of Destiny, edited by Arnold Toynbee. Thames & Hudson, 1967, pp. 345–346. Duncan, Andrew. Centre and Periphery in Modern British Poetry. Liverpool University Press, 2005. ———. The Failure of Conservatism in Modern British Poetry. Salt, 2003. ———. “Irrepressible Creativity of the London Scene”, Angel Exhaust, 28 Mar 2011, http://angelexhaust.blogspot.co.uk/2011_03_01_archive.html. Accessed 30. 08.2016. 192 BIBLIOGRAPHY DuPlessis, Rachel Blau. “Knowing in the Real World: review: Denise Riley, Mop Mop Georgette”. Parataxis, 8/9, 1996, pp. 63–69. Ebeling, Walter. The Fruited Plain: the story of American agriculture. University of California Press, 1979. Edwards, Ken. “Reviews of Mottram/Pryor/Halsey/Reed”. Reality Studios, Vol. 2, No. 1, 1979, pp. 9–11. Emmerling, Leonard. Jackson Pollock: 1912–1956. Taschen, 2003. Fisher, Allen. “Allen Fisher Interview. The Cornerhouse, Manchester, UK: Edited Transcript”. Openned, May 2008, http://static1.1.sqspcdn.com/static/f/ 436447/9439436/1289919246590/allenfisherinterview.pdf?token= mihQ2NcOawJuJYfR86nmOCoCeEA%3D. Accessed 30.08.2016. ———. The Art of Flight/Blood Bone Brain. Balsam Flex, 1981. ———. “Beau Geste Press”. Poetry Information, No. 17, 1977, pp. 74–79. ———. Blood Bone Brain: A Performance 9/6/73. Aloes Books, 1973. ———. Blood Bone Brain Documents 1: Plans. Spanner, 1981. ———. Blood Bone Brain Documents 2: Actions. Spanner, 1981. ———. Blood Bone Brain Documents 3: Musics and Recyclings. Spanner, 1981. ———. Blood Bone Brain Documents 4: Words. Spanner, 1981. ———. Blood Bone Brain Documents 5: Visuals. Spanner, 1981. ———. Blood Bone Brain Documents 6: Books A&B. Spanner, 1981. ———. Blood Bone Brain Documents 7&8: Book C. Spanner, 1981. ———. Creek in the ceiling beam. Aloes Books, 1973. ———. Ffacece. Aloes Books, 1973. ———. “An Interview with Allen Fisher”. Personal Interview. 27.02.2009 & 18.08.2010. ———. “The Mathematics of Rimbaud”. Reality Studios, Vol. 3, No. 1, 1982, pp. 2–6. ———. The Marvels of Lambeth: interviews and statements by Allen Fisher, edited by Andrew Duncan. Shearsman, 2013. ———. Necessary Business. Spanner, 1985. ———. Place. Reality Street, 2005. ———. Place: Book I. Aloes Books, 1974. ———. “RE: af.biblio”. Received by Juha Virtanen. 30.11.2009. ———. “Re: Blood Bone Brain Images”. Received by Juha Virtanen. 11.04.2013. ———. “RE: Edible”. Received by Juha Virtanen. 01.06.2009. ———. “RE: Facture”. Received by Juha Virtanen. 31.05.2012. ———. Sicily. Aloes Books, 1973. ———. Taken the days after we had beef curry between 28.7.72 & 28.10.72. Beau Geste Press, 1974. ———. “Thumbnail Lecture”. Reality Studios, Vol. 2, No. 3 pp. 61–62. Fisher, Allen & Eric Mottram. “Correspondence”. MOTTRAM 5/86/1-90. BIBLIOGRAPHY 193 Fisher, Allen & Drew Milne. “Exchange in Process”. Parataxis, No. 6, 1994, pp. 28– 33. Foucault, Michel. The Archaeology of Knowledge. Translated by A.M. Sheridan Smith. Routledge, 2006. Franssen, Gaston. “Stage Fever and Text Anxiety: The Staging of Poeticity in Dutch Performance Poetry since the Sixties”. Performing Poetry: Body, Place and Rhythm in the Poetry Performance, edited by Cornelia Gräbner & Arturo Casas. Rodopi, 2011, pp. 33–53. Fredman, Stephen. Contextual Practice: assemblage and the erotic in postwar poetry and art. Stanford University Press, 2010. Freud, Sigmund. The
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