Andean Mesas and Cosmologies* Douglas Sharon
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Apus De Los Cuatro Suyos
! " " !# "$ ! %&' ()* ) "# + , - .//0 María Cleofé que es sangre, tierra y lenguaje. Silvia, Rodolfo, Hamilton Ernesto y Livia Rosa. A ÍNDICE Pág. Sumario 5 Introducción 7 I. PLANTEAMIENTO Y DISEÑO METODOLÓGICO 13 1.1 Aproximación al estado del arte 1.2 Planteamiento del problema 1.3 Propuesta metodológica para un nuevo acercamiento y análisis II. UN MODELO EXPLICATIVO SOBRE LA COSMOVISIÓN ANDINA 29 2.1 El ritmo cósmico o los ritmos de la naturaleza 2.2 La configuración del cosmos 2.3 El dominio del espacio 2.4 El ciclo productivo y el calendario festivo en los Andes 2.5 Los dioses montaña: intermediarios andinos III. LAS IDENTIDADES EN LOS MITOS DE APU AWSANGATE 57 3.1 Al pie del Awsangate 3.2 Awsangate refugio de wakas 3.3 De Awsangate a Qhoropuna: De los apus de origen al mundo de los muertos IV. PITUSIRAY Y EL TINKU SEXUAL: UNA CONJUNCIÓN SIMBÓLICA CON EL MUNDO DE LOS MUERTOS 93 4.1 El mito de las wakas Sawasiray y Pitusiray 4.2 El mito de Aqoytapia y Chukillanto 4.3 Los distintos modelos de la relación Sawasiray-Pitusiray 4.4 Pitusiray/ Chukillanto y los rituales del agua 4.5 Las relaciones urko-uma en el ciclo de Sawasiray-Pitusiray 4.6 Una homologación con el mito de Los Hermanos Ayar Anexos: El pastor Aqoytapia y la ñusta Chukillanto según Murúa El festival contemporáneo del Unu Urco o Unu Horqoy V. EL PODEROSO MALLMANYA DE LOS YANAWARAS Y QOTANIRAS 143 5.1 En los dominios de Mallmanya 5.2 Los atributos de Apu Mallmanya 5.3 Rivales y enemigos 5.4 Redes de solidaridad y alianzas VI. -
Viracocha 1 Viracocha
ווירָאקוצֱ'ה http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=37&ved=0COYCEBYwJA&url=http %3A%2F%2Fxa.yimg.com%2Fkq%2Fgroups%2F35127479%2F1278251593%2Fname%2F14_Ollantaytam bo_South_Peru.ppsx&ei=TZQaVK- 1HpavyASW14IY&usg=AFQjCNEHlXgmJslFl2wTClYsRMKzECmYCQ&sig2=rgfzPgv5EqG-IYhL5ZNvDA ויראקוצ'ה http://klasky-csupo.livejournal.com/354414.html https://he.wikipedia.org/wiki/%D7%A7%D7%95%D7%9F_%D7%98%D7%99%D7%A7%D7%99 ווירקוצ'ה فيراكوتشا http://www.startimes.com/?t=20560975 Viracocha 1 Viracocha Viracocha Great creator god in Inca mythology Offspring (according to some legends) Inti, Killa, Pachamama This article is about the Andean deity. For other uses, see Wiraqucha (disambiguation). Viracocha is the great creator god in the pre-Inca and Inca mythology in the Andes region of South America. Full name and some spelling alternatives are Wiracocha, Apu Qun Tiqsi Wiraqutra, and Con-Tici (also spelled Kon-Tiki) Viracocha. Viracocha was one of the most important deities in the Inca pantheon and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea.[1] Viracocha created the universe, sun, moon, and stars, time (by commanding the sun to move over the sky) and civilization itself. Viracocha was worshipped as god of the sun and of storms. He was represented as wearing the sun for a crown, with thunderbolts in his hands, and tears descending from his eyes as rain. Cosmogony according to Spanish accounts According to a myth recorded by Juan de Betanzos,[2] Viracocha rose from Lake Titicaca (or sometimes the cave of Paqariq Tampu) during the time of darkness to bring forth light. -
New Age Tourism and Evangelicalism in the 'Last
NEGOTIATING EVANGELICALISM AND NEW AGE TOURISM THROUGH QUECHUA ONTOLOGIES IN CUZCO, PERU by Guillermo Salas Carreño A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2012 Doctoral Committee: Professor Bruce Mannheim, Chair Professor Judith T. Irvine Professor Paul C. Johnson Professor Webb Keane Professor Marisol de la Cadena, University of California Davis © Guillermo Salas Carreño All rights reserved 2012 To Stéphanie ii ACKNOWLEDGMENTS This dissertation was able to arrive to its final shape thanks to the support of many throughout its development. First of all I would like to thank the people of the community of Hapu (Paucartambo, Cuzco) who allowed me to stay at their community, participate in their daily life and in their festivities. Many thanks also to those who showed notable patience as well as engagement with a visitor who asked strange and absurd questions in a far from perfect Quechua. Because of the University of Michigan’s Institutional Review Board’s regulations I find myself unable to fully disclose their names. Given their public position of authority that allows me to mention them directly, I deeply thank the directive board of the community through its then president Francisco Apasa and the vice president José Machacca. Beyond the authorities, I particularly want to thank my compadres don Luis and doña Martina, Fabian and Viviana, José and María, Tomas and Florencia, and Francisco and Epifania for the many hours spent in their homes and their fields, sharing their food and daily tasks, and for their kindness in guiding me in Hapu, allowing me to participate in their daily life and answering my many questions. -
Visual Epistemologies of Resistance: Imaging Virgins and Saints in Contemporary Cusco
Revista de Estudios Globales y Arte Contemporáneo| Vol. 7 | Núm. 1| 2020 | 237-266 Omar Rivera, Patrick Hajovsky Southwestern University, VISUAL EPISTEMOLOGIES OF Texas, US RESISTANCE: IMAGING VIRGINS AND SAINTS IN CONTEMPORARY CUSCO The project of indigenous modernity can emerge from the present in a spiral whose movement is a continuous feedback from the past to the future—a “principle of hope” or “anticipatory cons- ciousness”—that both discerns and realizes decolonization at the same time. -Silvia Rivera Cusicanqui (citing Ernst Bloch)1 In Andean aesthetics, visuality is a site of epistemic tension and a continual reverberation of colonialism. Through art that aligns with pre- 1 Ch’ixinakax utxiwa: A Reflection on the Practices and Discourses of Decolonization, The South Atlantic Quarterly 111:1 (Winter 2012): 95-109, 96. Revista de Estudios Globales y Arte Contemporáneo ISSN: 2013-8652 online http://revistes.ub.edu/index.php/REGAC/index http://creativecommons.org/licenses/by/3.0/es/ colonial indigenous epistemologies, contemporary Andean artists resist colonial and post-colonial cultural domination. In particular, they resist viewers’ designation of “syncretic” or “hybrid” to produce knowledge about art that has been fashioned by indigenous hands. Epistemological claims of “syncretism” and “hybridity” may be intended to transcend the borders between “us” and “them,” between West and non-West, or between eras in Latin America that depend on the presence or absence of Spanish colonists, but such iterations can reinvest viewers in a history of misrecognition. Nevertheless, such terms are not sedimented, for indigenous artists continue to reclaim visuality as they steadfastly hold a mirror toward artistic and epistemic paradigms that attempt to translate, erase, or manage localized colonial differences. -
Pscde3 - the Four Sides of the Inca Empire
CUSCO LAMBAYEQUE Email: [email protected] Av. Manco Cápac 515 – Wanchaq Ca. M. M. Izaga 740 Of. 207 - Chiclayo www.chaskiventura.com T: 51+ 84 233952 T: 51 +74 221282 PSCDE3 - THE FOUR SIDES OF THE INCA EMPIRE SUMMARY DURATION AND SEASON 15 Days/ 14 Nights LOCATION Department of Arequipa, Puno, Cusco, Raqchi community ATRACTIONS Tourism: Archaeological, Ethno tourism, Gastronomic and landscapes. ATRACTIVOS Archaeological and Historical complexes: Machu Picchu, Tipón, Pisac, Pikillaqta, Ollantaytambo, Moray, Maras, Chinchero, Saqsayhuaman, Catedral, Qoricancha, Cusco city, Inca and pre-Inca archaeological complexes, Temple of Wiracocha, Arequipa and Puno. Living culture: traditional weaving techniques and weaving in the Communities of Chinchero, Sibayo, , Raqchi, Uros Museum: in Lima, Arequipa, Cusco. Natural areas: of Titicaca, highlands, Colca canyon, local fauna and flora. TYPE OF SERVICE Private GUIDE – TOUR LEADER English, French, or Spanish. Its presence is important because it allows to incorporate your journey in the thematic offered, getting closer to the economic, institutional, and historic culture and the ecosystems of the circuit for a better understanding. RESUME This circuit offers to get closer to the Andean culture and to understand its world view, its focus, its technologies, its mixture with the Hispanic culture, and the fact that it remains present in Indigenous Communities today. In this way, by bus, small boat, plane or walking, we will visit Archaeological and Historical Complexes, Communities, Museums & Natural Environments that will enable us to know the heart of the Inca Empire - the last heir of the Andean independent culture and predecessor of the mixed world of nowadays. CUSCO LAMBAYEQUE Email: [email protected] Av. -
Final Copy 2021 03 23 Ituarte
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Ituarte, Lia S Title: Exploring differential erosion patterns using volcanic edifices as a proxy in South America General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Exploring differential erosion patterns using volcanic edifices as a proxy in South America Lia S. Ituarte A dissertation submitted to the University of Bristol in accordance with the requirements for award of the degree of Master by Research in the Faculty of Science, School of Earth Sciences, October 2020. -
Inca Statehood on the Huchuy Qosqo Roads Advisor
Silva Collins, Gabriel 2019 Anthropology Thesis Title: Making the Mountains: Inca Statehood on the Huchuy Qosqo Roads Advisor: Antonia Foias Advisor is Co-author: None of the above Second Advisor: Released: release now Authenticated User Access: No Contains Copyrighted Material: No MAKING THE MOUNTAINS: Inca Statehood on the Huchuy Qosqo Roads by GABRIEL SILVA COLLINS Antonia Foias, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in Anthropology WILLIAMS COLLEGE Williamstown, Massachusetts May 19, 2019 Introduction Peru is famous for its Pre-Hispanic archaeological sites: places like Machu Picchu, the Nazca lines, and the city of Chan Chan. Ranging from the earliest cities in the Americas to Inca metropolises, millennia of urban human history along the Andes have left large and striking sites scattered across the country. But cities and monuments do not exist in solitude. Peru’s ancient sites are connected by a vast circulatory system of roads that connected every corner of the country, and thousands of square miles beyond its current borders. The Inca road system, or Qhapaq Ñan, is particularly famous; thousands of miles of trails linked the empire from modern- day Colombia to central Chile, crossing some of the world’s tallest mountain ranges and driest deserts. The Inca state recognized the importance of its road system, and dotted the trails with rest stops, granaries, and religious shrines. Inca roads even served directly religious purposes in pilgrimages and a system of ritual pathways that divided the empire (Ogburn 2010). This project contributes to scholarly knowledge about the Inca and Pre-Hispanic Andean civilizations by studying the roads which stitched together the Inca state. -
El Ushnu Y La Organización Espacial Astronómica En La Sierra Central Del Chinchaysuyu Estudios Atacameños, Núm
Estudios Atacameños ISSN: 0716-0925 [email protected] Universidad Católica del Norte Chile Pino M., José Luis El ushnu y la organización espacial astronómica en la sierra central del Chinchaysuyu Estudios Atacameños, núm. 29, 2005, pp. 143-161 Universidad Católica del Norte San Pedro de Atacama, Chile Disponible en: http://www.redalyc.org/articulo.oa?id=31502906 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Estudios Atacameños N° 29, pp.EL 143-161 USHNU (2005) Y LA ORGANIZACION ESPACIAL ASTRONOMICA… El ushnu y la organización espacial astronómica en la sierra central del Chinchaysuyu JOSÉ LUIS PINO M.1 RESUMEN “Pacha Cuti Ynga dio orden muy mucha hazienda para sacrificar a las uacas y de las casas del so El ushnu inca tuvo gran importancia en la dominación y tenplo de Curi Cancha; el trono y aciento de los ideológica en los wamani del Chinchaysuyu. Este artícu- Yngas llamado usno en cada wamani señaló” lo ofrece nuevas interpretaciones basadas principalmente (Guamán Poma 1980 [1615]: 265 [267]). en evidencias encontradas en Huánuco Pampa y otros tampus de la sierra central. Se propone que el ushnu en los Andes sólo tuvo funciones de recepción de ofrendas, Introducción especialmente líquidos, en ceremonias programadas de acuerdo a un calendario instituido, y que posteriormente los incas superponen funciones de observación La sociedad inca en su política imperial utilizó astronómica. -
The Origin and Emplacement of Domo Tinto, Guallatiri Volcano, Northern Chile Andean Geology, Vol
Andean Geology ISSN: 0718-7092 [email protected] Servicio Nacional de Geología y Minería Chile Watts, Robert B.; Clavero Ribes, Jorge; J. Sparks, R. Stephen The origin and emplacement of Domo Tinto, Guallatiri volcano, Northern Chile Andean Geology, vol. 41, núm. 3, septiembre, 2014, pp. 558-588 Servicio Nacional de Geología y Minería Santiago, Chile Available in: http://www.redalyc.org/articulo.oa?id=173932124004 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative Andean Geology 41 (3): 558-588. September, 2014 Andean Geology doi: 10.5027/andgeoV41n3-a0410.5027/andgeoV40n2-a?? formerly Revista Geológica de Chile www.andeangeology.cl The origin and emplacement of Domo Tinto, Guallatiri volcano, Northern Chile Robert B. Watts1, Jorge Clavero Ribes2, R. Stephen J. Sparks3 1 Office of Disaster Management, Jimmit, Roseau, Commonwealth of Dominica. [email protected] 2 Escuela de Geología, Universidad Mayor, Manuel Montt 367, Providencia, Santiago, Chile. [email protected] 3 Department of Earth Sciences, University of Bristol, Wills Memorial Building, Queens Road, Bristol. BS8 1RJ. United Kingdom. [email protected] ABSTRACT. Guallatiri Volcano (18°25’S, 69°05’W) is a large edifice located on the Chilean Altiplano near the Bo- livia/Chile border. This Pleistocene-Holocene construct, situated at the southern end of the Nevados de Quimsachata chain, is an andesitic/dacitic complex formed of early stage lava flows and later stage coulées and lava domes. -
Translating Quechua Poetic Expression in the Andes: Literature, the Social Body, and Indigenous Movements by Maria Elizabeth
Translating Quechua Poetic Expression in the Andes: Literature, the Social Body, and Indigenous Movements by Maria Elizabeth Gonzalez A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in The University of Michigan 2010 Doctoral Committee: Professor Philip J. Deloria, Co-Chair Associate Professor Santiago Colas, Co-Chair Professor Bruce Mannheim Professor Javier Sanjines Associate Professor Gustavo Verdesio © Maria Elizabeth Gonzalez 2010 To my inspiration, my son, the shining and brilliant Miguel, to my best friend and mother, a shining star, Leonor, to the shining pillar of stalwart principle, my father Ignacio, to my brothers in every path, Gonzalo and Ricardo, always, to my criollo Conservative Colombian ruling class grandparents whose code of conduct and its core of kindness led my mother, and then me, down all the right paths, Carlos and Elvira the eternal lovers of more than sixty years, to Faustina, my grandmother who minced no words and to whom I gave the gift of lecto-scripted literacy when I was a girl, while she taught me how to know goodness when I see it without erring, sunqulla, and to all my polyglot kin, my allies and friends. ii Acknowledgments To María Eugenia Choque, Ramón Conde, and Carlos Mamani I owe my gratitude for sharing with me what it all meant to them, for inviting me to share in all their THOA activities during my fieldwork, their ground breaking meetings among Indigenous Peoples of the Andean region and beyond; to all the CONAMAQ Mallkus whose presence inspired, and to all the Quechua and Aymara women who shared with good humor sunqulla. -
DICCIONARIO BILINGÜE, Iskay Simipi Yuyayk'ancha
DICCIONARIO BILINGÜE Iskay simipi yuyayk’ancha Quechua – Castellano Castellano – Quechua Teofilo Laime Ajacopa Segunda edición mejorada1 Ñawpa yanapaqkuna: Efraín Cazazola Félix Layme Pairumani Juk ñiqi p’anqata ñawirispa allinchaq: Pedro Plaza Martínez La Paz - Bolivia Enero, 2007 1 Ésta es la version preliminar de la segunda edición. Su mejoramiento todavía está en curso, realizando inclusión de otros detalles lexicográficos y su revisión. 1 DICCIONARIO BILINGÜE CONTENIDO Presentación por Xavier Albo 2 Introducción 5 Diccionarios quechuas 5 Este diccionario 5 Breve historia del alfabeto 6 Posiciones de consonantes en el plano fonológico del quechua 7 Las vocales quechuas y aimaras 7 Para terminar 8 Bibliografía 8 Nota sobre la normalización de las entradas léxicas 9 Abreviaturas y símbolos usados 9 Diccionario quechua - castellano 10 A 10 KH 47 P 75 S 104 CH 18 K' 50 PH 81 T 112 CHH 24 L 55 P' 84 TH 117 CH' 26 LL 57 Q 86 T' 119 I 31 M 62 QH 91 U 123 J 34 N 72 Q' 96 W 127 K 41 Ñ 73 R 99 Y 137 Sufijos quechuas 142 Diccionario castellano - quechua 145 A 145 I 181 O 191 V 208 B 154 J 183 P 193 W 209 C 156 K 184 Q 197 X 210 D 164 L 184 R 198 Y 210 E 169 LL 186 RR 202 Z 211 F 175 M 187 S 202 G 177 N 190 T 205 H 179 Ñ 191 U 207 Sufijos quechuas 213 Bibliografía 215 Datos biográficos del autor 215 LICENCIA Se puede copiar y distribuir este libro bajo los términos de la licencia Creative Commons Atribución-LicenciarIgual 2.5 con atribución a Teofilo Laime Ajacopa, Efraín Cazazola, Félix Layme Pairumani y Pedro Plaza Martínez. -
Convergent Margin Magmatism in the Central Andes and Its Near Antipodes in Western Indonesia: Spatiotemporal and Geochemical Considerations
AN ABSTRACT OF THE DISSERTATION OF Morgan J. Salisbury for the degree of Doctor of Philosophy in Geology presented on June 3, 2011. Title: Convergent Margin Magmatism in the Central Andes and its Near Antipodes in Western Indonesia: Spatiotemporal and Geochemical Considerations Abstract approved: ________________________________________________________________________ Adam J.R. Kent This dissertation combines volcanological research of three convergent continental margins. Chapters 1 and 5 are general introductions and conclusions, respectively. Chapter 2 examines the spatiotemporal development of the Altiplano-Puna volcanic complex in the Lípez region of southwest Bolivia, a locus of a major Neogene ignimbrite flare- up, yet the least studied portion of the Altiplano-Puna volcanic complex of the Central Andes. New mapping and laser-fusion 40Ar/39Ar dating of sanidine and biotite from 56 locations, coupled with paleomagnetic data, refine the timing and volumes of ignimbrite emplacement in Bolivia and northern Chile to reveal that monotonous intermediate volcanism was prodigious and episodic throughout the complex. 40Ar/39Ar age determinations of 13 ignimbrites from northern Chile previously dated by the K-Ar method improve the overall temporal resolution of Altiplano-Puna volcanic complex development. Together with new and updated volume estimates, the new age determinations demonstrate a distinct onset of Altiplano-Puna volcanic complex ignimbrite volcanism with modest output rates beginning ~11 Ma, an episodic middle phase with the highest eruption rates between 8 and 3 Ma, followed by a general decline in volcanic output. The cyclic nature of individual caldera complexes and the spatiotemporal pattern of the volcanic field as a whole are consistent with both incremental construction of plutons as well as a composite Cordilleran batholith.