Visual Epistemologies of Resistance: Imaging Virgins and Saints in Contemporary Cusco
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Galápagos: + Peru's Land of the Inca
voyaging to galápagos voyaging to galápagos Galápagos: + Peru’s Land of the Inca > ITINERARY – 16 DAYS/15 NIGHTS, Departing EVery Friday ABOARD POLARIS Thematically, one might ask why Day 1 through Day 8: The afternoon is free to explore the Val- connect a visit to Peru with an expe- As per the Galápagos itinerary. ley on your own. (B,L,D) dition to Galápagos? We have two answers: as magnificent as Galápagos Day 9: Galápagos/Guayaquil/ Day 11: Sacred Valley of the Inca is for nature, so is Peru from an histori- Lima, Peru Visit the town and important archaeo- cal and archaeological perspective; and Disembark Polaris this morning and fly logical site of Pisac. Gateway to the second, Lima — Peru’s capital is less to Lima, Peru via Guayaquil, arriving in Sacred Valley, Pisac has an “old town” than two hours away by air from Guaya- the early evening. Spend the night at (one of the most beautiful Inca complex- quil, roughly the distance from New the gracious Orient Express Miraflores es) and a “new town” from the Colonial York City to Chicago. So, if you have Park Hotel. Tomorrow you’ll be getting era. There will be a late lunch at the the time, you’re almost there anyway. up early, so you are on your own for Hacienda Orihuela. Here the Orihuela A couple of key issues to point out. dinner. (B,L) family continues a 350-year-old tradition We spend a week in Peru. Occasion- of farming. In addition, they have gath- ally people ask, “why so long when the Day 10: Lima/Cusco/Sacred Valley ered a valuable collection of Colonial art highlight is Machu Picchu?” The fact of the Inca housed in their country mansion. -
The Metropolitan Museum of Art's Our Lady of Cocharcas
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-1-2020 Performance, Ritual, and Procession: The Metropolitan Museum of Art’s Our Lady of Cocharcas Evelin M. Chabot CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/576 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Performance, Ritual, and Procession: The Metropolitan Museum of Art’s Our Lady of Cocharcas by Evelin Chabot Griffin Submitted in partial fulfillment of the requirements for the degree of Master of Arts in the History of Art, Hunter College The City University of New York 2020 4/27/2020 Professor Tara Zanardi Date Thesis Sponsor 4/26/2020 Professor Maria Loh Date Second Reader Contents Acknowledgements…………………………………………………………………………..……ii List of Images…………………………………………………………………….………...…iii, iv Introduction…………………………………………………………………………………..……1 Chapter One: Power, Proselytism, and Purpose……………………………………………..……8 Chapter Two: The Metropolitan Museum of Art’s Our Lady of Cocharcas…………………….34 Conclusion……………………………………………………………………………………….51 Bibliography……………………………………………………………………………………..54 Images……………………………………………………………………………………………57 i Acknowledgements Professor Tara Zanardi has my deepest gratitude for her patience and wisdom, which helped guide this thesis from its very early stages to where it is now. I am also grateful to Professor Maria Loh for her thorough review of the thesis in its final form and incredibly helpful and incisive input. I want to thank Ronda Kasl, Curator of Latin American Art at The Metropolitan Museum of Art, for inspiring me to work on these enchanting statue paintings and for her insight and guidance that spring-boarded my research at the beginning of this process. -
Inca Statehood on the Huchuy Qosqo Roads Advisor
Silva Collins, Gabriel 2019 Anthropology Thesis Title: Making the Mountains: Inca Statehood on the Huchuy Qosqo Roads Advisor: Antonia Foias Advisor is Co-author: None of the above Second Advisor: Released: release now Authenticated User Access: No Contains Copyrighted Material: No MAKING THE MOUNTAINS: Inca Statehood on the Huchuy Qosqo Roads by GABRIEL SILVA COLLINS Antonia Foias, Advisor A thesis submitted in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Honors in Anthropology WILLIAMS COLLEGE Williamstown, Massachusetts May 19, 2019 Introduction Peru is famous for its Pre-Hispanic archaeological sites: places like Machu Picchu, the Nazca lines, and the city of Chan Chan. Ranging from the earliest cities in the Americas to Inca metropolises, millennia of urban human history along the Andes have left large and striking sites scattered across the country. But cities and monuments do not exist in solitude. Peru’s ancient sites are connected by a vast circulatory system of roads that connected every corner of the country, and thousands of square miles beyond its current borders. The Inca road system, or Qhapaq Ñan, is particularly famous; thousands of miles of trails linked the empire from modern- day Colombia to central Chile, crossing some of the world’s tallest mountain ranges and driest deserts. The Inca state recognized the importance of its road system, and dotted the trails with rest stops, granaries, and religious shrines. Inca roads even served directly religious purposes in pilgrimages and a system of ritual pathways that divided the empire (Ogburn 2010). This project contributes to scholarly knowledge about the Inca and Pre-Hispanic Andean civilizations by studying the roads which stitched together the Inca state. -
El Ushnu Y La Organización Espacial Astronómica En La Sierra Central Del Chinchaysuyu Estudios Atacameños, Núm
Estudios Atacameños ISSN: 0716-0925 [email protected] Universidad Católica del Norte Chile Pino M., José Luis El ushnu y la organización espacial astronómica en la sierra central del Chinchaysuyu Estudios Atacameños, núm. 29, 2005, pp. 143-161 Universidad Católica del Norte San Pedro de Atacama, Chile Disponible en: http://www.redalyc.org/articulo.oa?id=31502906 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Estudios Atacameños N° 29, pp.EL 143-161 USHNU (2005) Y LA ORGANIZACION ESPACIAL ASTRONOMICA… El ushnu y la organización espacial astronómica en la sierra central del Chinchaysuyu JOSÉ LUIS PINO M.1 RESUMEN “Pacha Cuti Ynga dio orden muy mucha hazienda para sacrificar a las uacas y de las casas del so El ushnu inca tuvo gran importancia en la dominación y tenplo de Curi Cancha; el trono y aciento de los ideológica en los wamani del Chinchaysuyu. Este artícu- Yngas llamado usno en cada wamani señaló” lo ofrece nuevas interpretaciones basadas principalmente (Guamán Poma 1980 [1615]: 265 [267]). en evidencias encontradas en Huánuco Pampa y otros tampus de la sierra central. Se propone que el ushnu en los Andes sólo tuvo funciones de recepción de ofrendas, Introducción especialmente líquidos, en ceremonias programadas de acuerdo a un calendario instituido, y que posteriormente los incas superponen funciones de observación La sociedad inca en su política imperial utilizó astronómica. -
Orgues Historiques D'andahuaylillas
ORGUES HISTORIquES D’ANDAHUAYLILLAS (PÉROU) Fiesta andina Aux orgues historiques : Juan Capistrano Percca Francis Chapelet – Uriel Valadeau Avec la participation de : El Coro de Niños y la Danza Cápac Qolla de Andahuaylillas, Les jeunes musiciens baroques du ”Conservatoire Itinérant” Préparation et direction : Judith Pacquier, Jennifer Vera & Fabio Pérez Avec la contribution d’Éric Samson, journaliste, pour Radio France Internationale Photos intérieures : Ferrante Ferranti 1 Les circonstances de l’enregistrement À l’exception de sa première plage, qui fait appel à un document sonore d’archive (capté en août1965) le présent enregistrement a été réalisé pour une partie par la captation « in vivo » du concert inaugural des orgues historiques de l’église Saint Pierre d’Andahuaylillas, au Pérou, le samedi 31 octobre. Cependant toutes les œuvres pour orgues ont été enregistrées au cours des nuits qui suivirent cet événement. Présenté avec le concours de plus de quatre-vingt musiciens – enfants d’Andahuaylillas, jeunes musiciens en provenance du Chili, Cuba, Colombie, Paraguay et Pérou, et de France, ce concert placé sous la haute présidence de Madame Cécile Pozzo di Borgo, ambassadeur de France au Pérou, marquait également la conclusion du premier sommet panaméricain des jeunes musiciens baroques organisé simultanément à Andahuaylillas. On pourra s’étonner de la présence, ici, d’un reportage effectué pour Radio France Internationale à l’issue de ce concert. Mais il nous a semblé que ce « bonus » pouvait contribuer de façon très significative à restituer aussi bien l’ambiance qui régnait ce jour là à Andahuaylillas, qu’à témoigner de l’action des Chemins du Baroque en Amérique Latine. -
Viewees Who Donated Their Time and Knowledge to the Dissertation Research
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru A Dissertation Presented by Mark Charles Rice to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2014 Copyright by Mark Rice 2014 Stony Brook University The Graduate School Mark Charles Rice We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Paul Gootenberg – Dissertation Advisor SUNY Distinguished Professor, History, Stony Brook University Eric Zolov – Chairperson of Defense Associate Professor, History, Stony Brook University Brooke Larson Professor, History, Stony Brook University Deborah Poole Professor, Anthropology, Johns Hopkins University This dissertation is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Dissertation Selling Sacred Cities: Tourism, Region, and Nation in Cusco, Peru by Mark Charles Rice Doctor of Philosophy in History Stony Brook University 2014 It is hard to imagine a more iconic representation of Peru than the Inca archeological complex of Machu Picchu located in the Cusco region. However, when US explorer, Hiram Bingham, announced that he had discovered the “lost city” in 1911, few would have predicted Machu Picchu’s rise to fame during the twentieth century. My dissertation traces the unlikely transformation of Machu Picchu into its present-day role as a modern tourism destination and a representation of Peruvian national identity. -
HISP-225 Hispanic Civilization 1 (Fall 2021) 1
HISP-225 Hispanic Civilization 1 (Fall 2021) 1 HISP 225: Hispanic Civilization 1 Fall 2021 Tuesdays & Thursdays @ 2:35-3:55 pm (Montreal Time) There is no document of civilization which is not at the same time a document of barbarism Walter Benjamin Instructor: Prof. José Ramón Jouve Martín Office Hours: By email/by appointment Email: [email protected] Teaching Assistant: Julio Meza Office Hours: By email/ by appointment E-mail: [email protected] Table of Contents I. Course Overview (3 credits; no prerequisite; lectures given in English) ............................ 1 II. Learning Outcomes ......................................................................................................... 1 III. Instructional Method and Content Delivery ................................................................. 2 IV. Evaluation ................................................................................................................... 2 V. Online Exams: Rules and Structure .................................................................................. 2 VI. Discussion Board: Rules and Structure ......................................................................... 4 VII. Course materials ......................................................................................................... 6 VIII. Policy Statements ........................................................................................................ 7 IX. General Course Outline ............................................................................................... -
Machu Picchu Was Rediscovered by MACHU PICCHU Hiram Bingham in 1911
Inca-6 Back Cover-Q8__- 22/9/17 10:13 AM Page 1 TRAILBLAZER Inca Trail High Inca Trail, Salkantay, Lares, Choquequirao & Ausangate Treks + Lima Lares, Choquequirao & Ausangate Treks Salkantay, High Inca Trail, THETHE 6 EDN ‘...the Trailblazer series stands head, shoulders, waist and ankles above the rest. Inca Trail They are particularly strong on mapping...’ Inca Trail THE SUNDAY TIMES CUSCOCUSCO && Lost to the jungle for centuries, the Inca city of Machu Picchu was rediscovered by MACHU PICCHU Hiram Bingham in 1911. It’s now probably MACHU PICCHU the most famous sight in South America – includesincludes and justifiably so. Perched high above the river on a knife-edge ridge, the ruins are High Inca Trail, Salkantay Trek Cusco & Machu Picchu truly spectacular. The best way to reach Lares, Choquequirao & Ausangate Treks them is on foot, following parts of the original paved Inca Trail over passes of Lima City Guide 4200m (13,500ft). © Henry Stedman ❏ Choosing and booking a trek – When Includes hiking options from ALEXANDER STEWART & to go; recommended agencies in Peru and two days to three weeks with abroad; porters, arrieros and guides 35 detailed hiking maps HENRY STEDMAN showing walking times, camp- ❏ Peru background – history, people, ing places & points of interest: food, festivals, flora & fauna ● Classic Inca Trail ● High Inca Trail ❏ – a reading of The Imperial Landscape ● Salkantay Trek Inca history in the Sacred Valley, by ● Choquequirao Trek explorer and historian, Hugh Thomson Plus – new for this edition: ❏ Lima & Cusco – hotels, -
ARH3665 Colonial Andean Art 2
UCC2: Course Change Transmittal Form Department Name and Number Current SCNS Course Identication Prex Level Course Number Lab Code Course Title Eective Term and Year Terminate Current Course Other Changes (specify below ) Change Course Identication to: Prex Level Course Number Lab Code Full Course Title Transcript Title (please limit to 21 characters) Credit Hours: From To Contact Hours: Base or Headcount From To yes yes yes yes Rotating Topic: From To S/U Only: From To no no no no yes yes yes yes Variable Credit: From To Repeatable Credit: From To no no no no If yes, minimum and maximum credits/semester If yes, total repeatable credit allowed Prerequisites Co-requisites From From To To Course Description (50 words or less; if requesting a change, please attach a syllabus) From To Rationale /Place in Curriculum/Impact on Program Department Contact Name Phone Email College Contact Name Phone Email Rev. 10/10 Art History 3665 Colonial Andean Art Syllabus Maya Stanfield-Mazzi, Ph.D., Assistant Professor University of Florida, Spring Semester, January 7–April 24, 2013 (3 credit hours) Mondays Periods 6–7 (12:50–2:45) and Wednesdays Period 7 (1:55–2:45) in Fine Arts C 201 Final exam: Tuesday, April 30, 10:00 am to 12:00 pm Email address: [email protected] Office telephone: 352-273-3070 Office location: Fine Arts C 123 Office hours: Mondays Periods 8–9 (3:00–4:55) Course Description This course will examine the colonial art of Peru, Ecuador, Bolivia, and other territories within the Spanish Viceroyalty of Peru. -
HEMISPHERE Visual Cultures of the Americas 2013
Americas 2013 of the of VOLUME VI, Visual Cultures Visual HEMISPHERE HEMISPHERE visual cultures of the americas VOLUME VI, 2013 131–0001 87 Mexico New Albuquerque, University of New Mexico New of University 1 msc04 2560 msc04 Department of Art & Art Hist Art & Art of Department ory Hemisphere Journal Hemisphere The University of New Mexico New of University The HEMISPHERE Visual Cultures of the Americas VOLUME VI, 2013 EDITOR-IN-CHIEF: India Young, Ph.D. Student EDITORIAL COMMITTEE: Willow Grace, M.A. Student HEMISPHERE Kathryn Manis, M.A. Student Rebekah Bellum, M.A. Student Visual Cultures of the Americas Leslie Woolson, M.A. Student Mariah Carrillo, M.A. Student FACULTY ADVISOR: VOLUME VI, 2013 Justine Andrews, Ph.D., Associate Professor All members of the Editorial Committee are affiliated with the Department of Art and Art Hemisphere is an annual publication produced by History at the University of New Mexico. graduate students affiliated with the Department of Art ADVISORY BOARD: and Art History at the University of New Mexico (UNM). Susanne Anderson-Riedel, Ph.D., Associate Professor, Department of Art and Art History, UNM Hemisphere provides a forum for graduate students to Kirsten Pai Buick, Ph.D., Associate Professor, Department of Art and Art History, UNM present scholarship and studio practice pertaining to all Aaron Fry, ABD, Instructor, Department of Art and Art History, UNM Ray Hernández-Durán, Ph.D., Associate Professor, Department of Art and Art History, UNM aspects and time periods of the visual and material cultures Margaret A. Jackson, Ph.D., Assistant Professor, Department of Art and Art History, UNM of North, Central, and South America, and related world Libby Lumpkin, Ph.D., Professor, Department of Art and Art History, UNM contexts. -
The Chincha Kingdom: the Archaeology and Ethnohistory of the Late Intermediate Period South Coast, Peru
FEATURE The Chincha Kingdom: The Archaeology and Ethnohistory of the Late Intermediate Period South Coast, Peru Ben Nigra1, Terrah Jones2, Jacob Bongers3, Charles Stanish4, Henry Tantaleán5, and Kelita Pérez6 It Is unclear exactly when the German Shortly after his arrival at the Chincha port of naturalist and medical doctor Ernst Middendorf first Tambo de Mora, a guide escorted Middendorf by mule heard of the monumental ruins in the lower Chincha to an area of what appeared to be a series of sandy Valley, but by the mid-1880s, he had determined to hills rising out of the valley bottom. It was here that see them for himself. Middendorf became an early Middendorf made the first modern description of authority on pre-Hispanic cultures during his 25 years Chincha material culture: of work and travel across the Andes. Apart from ama- teur archaeology and ethnography, he had a penchant A half-kilometer north of the port begin the for linguistics and published volumes on Quechua, ruins of an ancient city, which consist of temples Aymara, and Mochica—the three major indigenous in the form of pyramids, great patios and small dwellings, all quite deteriorated and crumbling. languages in western South America (Reina 2008). The greater part of the existing walls and slopes His travels in the Quechua-speaking regions outside are constructed of compressed mud and not with of Lima exposed him to a host of archaeological sites adobes, and therefore belong to more ancient that were previously unknown to European scholars. times like the constructions of Cañete and of the At the same time, his appetite for Peruvian prehistory Rimac Valley, which are materially similar. -
Handouts for Andes in AP Art History
Handout 1: Teaching the Andes - Contextual Background AP Art History Content Area 5 – Works from Americas Before European Contact (14 works) • South America (Andean): Chavín, Inka (5 works) • North America: Ancestral Pueblo & San Idelfonso Pueblo--SW US, NW Coast—Canada & US, Lenape/Eastern Woodlands, Eastern Shoshone/Wind River, Mississippian--Eastern Woodlands (6 works) • Mesoamerica: (pre-classic) Olmec, (classic) Maya, Yaxchilán, (post-classic) Aztec—Tenochtitlan (3 works) Andean/ South American Works (APAH 250 Content Area 5) • 153. Chavín de Huántar. Northern highlands, Peru. Chavín. 900–200 B.C.E. Stone (architectural complex); granite (Lanzón & sculpture); hammered gold alloy (jewelry). (4 images) • 159. City of Cusco (Cuzco). Central highlands, Peru. Inka. c. 1440 C.E.; convent added 1550–1650 C.E. Andesite. (3 images) … o City of Cusco Plan o Qorikancha (Inka main temple) / Santo Domingo (Spanish convent) o Walls at Saqsa Waman (Sacsayhuaman). • 160. Maize cobs. Inka. c. 1440–1533 C.E. Sheet metal/repoussé, metal alloys. • 161. City of Machu Picchu. Central highlands, Peru. Inka. c. 1450–1540 C.E. Granite (archit. complex). (3 images) • 162. All-T’oqapu tunic. Inka. 1450–1540 C.E. Camelid fiber and cotton. (Map credit: Google Earth) Vocabulary and Concepts for APAH Andean Works El Cusco/ Qusqu / Qosqo = (Cuzco) The Land of the Four Quarters; often referred to as the “navel” or axis mundi of the Inka world where the Four Regions meet within this capital city that is arguably puma-shaped* *(For another perspective, read Carolyn