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Megaliths and the Early Mezcala Urban Tradition of Mexico
ICDIGITAL Separata 44-45/5 ALMOGAREN 44-45/2013-2014MM131 ICDIGITAL Eine PDF-Serie des Institutum Canarium herausgegeben von Hans-Joachim Ulbrich Technische Hinweise für den Leser: Die vorliegende Datei ist die digitale Version eines im Jahrbuch "Almogaren" ge- druckten Aufsatzes. Aus technischen Gründen konnte – nur bei Aufsätzen vor 1990 – der originale Zeilenfall nicht beibehalten werden. Das bedeutet, dass Zeilen- nummern hier nicht unbedingt jenen im Original entsprechen. Nach wie vor un- verändert ist jedoch der Text pro Seite, so dass Zitate von Textstellen in der ge- druckten wie in der digitalen Version identisch sind, d.h. gleiche Seitenzahlen (Pa- ginierung) aufweisen. Der im Aufsatzkopf erwähnte Erscheinungsort kann vom Sitz der Gesellschaft abweichen, wenn die Publikation nicht im Selbstverlag er- schienen ist (z.B. Vereinssitz = Hallein, Verlagsort = Graz wie bei Almogaren III). Die deutsche Rechtschreibung wurde – mit Ausnahme von Literaturzitaten – den aktuellen Regeln angepasst. Englischsprachige Keywords wurden zum Teil nach- träglich ergänzt. PDF-Dokumente des IC lassen sich mit dem kostenlosen Adobe Acrobat Reader (Version 7.0 oder höher) lesen. Für den Inhalt der Aufsätze sind allein die Autoren verantwortlich. Dunkelrot gefärbter Text kennzeichnet spätere Einfügungen der Redaktion. Alle Vervielfältigungs- und Medien-Rechte dieses Beitrags liegen beim Institutum Canarium Hauslabgasse 31/6 A-1050 Wien IC-Separatas werden für den privaten bzw. wissenschaftlichen Bereich kostenlos zur Verfügung gestellt. Digitale oder gedruckte Kopien von diesen PDFs herzu- stellen und gegen Gebühr zu verbreiten, ist jedoch strengstens untersagt und be- deutet eine schwerwiegende Verletzung der Urheberrechte. Weitere Informationen und Kontaktmöglichkeiten: institutum-canarium.org almogaren.org Abbildung Titelseite: Original-Umschlag des gedruckten Jahrbuches. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Guerrero En Movimiento
..._------------_..- TRACE Travaux et Recherches dans les Amériques du Centre TRACE est une revue consacrée aux travaux et recherches dans les Amé riques du Centre. Elle est publiée semestriellement par le Centre Français d'Études Mexicaines et Centraméricaines Sierra Leona 330 11000 México DF 'Zr 5405921/5405922 FAX 5405923 [email protected] Conseil de rédaction Claude Baudez, Georges Baudot, Michel Bertrand, Patricia Carot, Georges Couffignal, Olivier Dabène, Danièle Dehouve, Olivier Dollfus, Henri Favre, François-Xavier Guerra, Marc Humbert, Yvon Le Bot, Véronique Gervais, Dominique Michelet, Aurore Monod-Becquelin, Pierre Ragon et Alain Vanneph Comité de lecture Martine Dauzier, Danièle Dehouve, Roberto Diego Quintana, Esther Katz, Jean·Yves Marchal, Guilhem Olivier, Juan M. Pérez Zevallos et Charles-Édouard de Suremain Coordination de la revue Martine Dauzier Maquette de la couverture Stéphen Rostain Coordination du numéro Aline Hémond et Marguerite Bey Composition de la couverture Montage réalisé par Rodolfo Avila à partir des photos de lui-même, d'A. Hémond et Direction éditoriale de S. Villela. Joëlle Gaillac Édition du numéro Impression Concepci6n Asuar Impresi6n y DiselÏo Suiza 23 bis, colonia Portales Composition et mise en page México DF Concepci6n Asuar et Rodolfo Avila Révision des textes Le présent numéro de Trace a été coédité Concepci6n Asuar par l'a RS TOM et par le C E MCA Dessins et photos ISSN 0185-6286. Année 1998. Rodolfo Avila / 80mmaire / Indice PROLOGUE/PRÓLOGO Aline Hémond et Marguerite Bey 3 Guerrero: modelo para armar Armando Bartra 9 Espacios de poder y reproducción social en la Montaña de Guerrero Joaquín Flores y Beatriz Canabal 20 Simbolismo y ritual en la Montaña de Guerrero Samuel L. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Mesoamerican Figurines: the Cholula Perspective
Mesoamerican Figurines: The Cholula Perspective Chantelle Hug University of Calgary BA Archaeology Honours Thesis: Spring 2007 Supervisor: Dr. Geoffrey McCafferty 1 Background Geography The present day city and archaeological site of Cholula is located in the state of Puebla, Mexico. Puebla is situated in the center of the Mesoamerican culture area, making it an important area for exchange and interaction between the north and south, and the east and west (Plunket and Uruñuela 2005:90). There are several areas with which it could have easily interacted, these include; the Basin of Mexico, the Gulf Coast, the Tehuacán Valley and the Mixteca Baja (McCafferty 2000: 342), all important culture areas. It is located a mere 100 km from the site of Teotihuacán (McCafferty 2001: 281). Situated in the Puebla/ Tlaxcala valley, east of the Basin of Mexico, Cholula is located on a fertile alluvial plain (McCafferty 2000A: 342), which would have been ideal for agricultural pursuits. In the past the area would have supported harvests of maguey, chillies, and most importantly beans and maize. The area and its people enjoyed an abundance of water due to the snow-capped mountains surrounding the valley. This in turn allowed for irrigation of crops, even during the dry season (McCafferty 2001: 282). In pre-contact times there appears to have once been a marshy area that may have supported chinampa style agriculture. The marsh would have most likely attracted waterfowl (McCafferty 2000A: 342), that could then have been exploited by the local people. The site was also located on a bed of clay (Bonfil Batalla 1973 cited in McCafferty 2000A:342), which enabled ceramic production and was also used in modern brick production. -
Substantive Degree Program Proposal
Texas Higher Education Coordinating Board Proposal for a Doctoral Program Directions: This form requires signatures of (1) the Chief Executive Officer, certifying adequacy of funding for the new program; (2) the Chief Executive Officer, acknowledging agreement to reimburse consultants’ costs; (3) a member of the Board of Regents (or designee), certifying Board of Regents approval for Coordinating Board consideration; or, if applicable, (4) a member of the Board of Regents (or designee), certifying that criteria have been met for Commissioner consideration. Additional information and instructions are available in the Guidelines for Institutions Submitting Proposals for New Doctoral Programs found on the Coordinating Board web site, www.thecb.state.tx.us/newprogramscertificates. Institution officials should also refer to Texas Administrative Code (TAC) 5.46, Criteria for New Doctoral Programs. Note: Institutions should first notify the Coordinating Board of their intent to request the proposed doctoral program before submitting a proposal. Notification may consist of a letter sent to the Assistant Commissioner of Academic Quality and Workforce, stating the title, CIP code, and degree designation of the doctoral program, and the anticipated date of submission of the proposal. Information: Contact the Division of Academic Quality and Workforce at (512) 427-6200. Administrative Information 1. Institution Name and Accountability Group: Texas State University, Doctoral University-Higher Research Activity 2. Program Name: Doctor of Philosophy (PhD) major in Applied Anthropology 3. Proposed CIP Code: CIP Code: 45020100 CIP Code Title: Anthropology CIP Code Definition: A program that focuses on the systematic study of human beings, their antecedents and related primates, and their cultural behavior and institutions, in comparative perspective. -
Interpreting Olmec Style Symbolism at the Formative
THE DAWNING OF CREATION IN THE CENTRAL MEXICAN HIGHLANDS: INTERPRETING OLMEC STYLE SYMBOLISM AT THE FORMATIVE PERIOD SITES OF CHALCATZINGO, OXTOTITLÁN, AND JUXTLAHUACA by Brendan C. Stanley, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Anthropology August 2020 Committee Members F. Kent Reilly III, Chair David A. Freidel Jim F. Garber COPYRIGHT by Brendan C. Stanley 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-533, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Brendan C. Stanley, authorize duplication of this work, in whole or in part, for education or scholarly purposes only. ACKNOWLEDEGEMENTS I would like to express my gratitude towards my committee members, David A. Freidel and Jim F. Garber, for their guidance and support throughout the writing process. I would especially like to thank my committee chair, long time mentor, and friend, F. Kent Reilly III, for all the support and assistance throughout the past years. This thesis would not have been possible without all your help. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ............................................................................................. -
Olmec Art at Dumbarton Oaks
Pre-Columbian Art at Dumbarton Oaks, No. 2 OLMEC ART AT DUMBARTON OAKS OLMEC ART AT DUMBARTON OAKS Karl A. Taube Dumbarton Oaks Research Library and Collection Washington, D.C. Copyright © 2004 by Dumbarton Oaks Trustees for Harvard University, Washington, D.C. Library of Congress Cataloging-in Publication Data to come To the memory of Carol Callaway, Alba Guadalupe Mastache, Linda Schele, and my sister, Marianna Taube—four who fought the good fight CONTENTS PREFACE Jeffrey Quilter ix ACKNOWLEDGMENTS xi List of Plates xii List of Figures xiii Chronological Chart of Mesoamerica xv Maps xvi INTRODUCTION: THE ORIGIN AND DEVELOPMENT OF OLMEC RESEARCH 1 THE DUMBARTON OAKS COLLECTION 49 BIBLIOGRAPHY 185 APPENDIX 203 INDEX 221 Preface lmec art held a special place in the heart of Robert Woods Bliss, who built the collection now housed at Dumbarton Oaks and who, with his wife, Mildred, conveyed the gar- Odens, grounds, buildings, library, and collections to Harvard University. The first object he purchased, in 1912, was an Olmec statuette (Pl. 8); he commonly carried a carved jade in his pocket; and, during his final illness, it was an Olmec mask (Pl. 30) that he asked to be hung on the wall of his sick room. It is easy to understand Bliss’s predilection for Olmec art. With his strong preference for metals and polished stone, the Olmec jades were particularly appealing to him. Although the finest Olmec ceramics are masterpieces in their own right, he preferred to concen- trate his collecting on jades. As Karl Taube discusses in detail in this volume of Pre-Columbian Art at Dumbarton Oaks, Olmec jades are the most beautiful stones worked in Mesoamerica. -
Specialized Shell Object Production at Teopantecuanitlan Site, Guerrero, México
Specialized Shell Object Production at Teopantecuanitlan Site, Guerrero, México Reyna Beatríz SOLÍS CIRIACO & Guadalupe MARTÍNEZ DONJUAN MUNIBE (Suplemento/Gehigarria)Suplemento - Gehigarria nº nºXX 00 XX-XX 000-000 DONOSTIA-SAN DONOSTIA-SAN SEBASTIÁN SEBASTIÁN 2010 2003 D.L. ISSN SS-XXX-201 XXXX-XXX0X Specialized Shell Object Production at Teopantecuanitlan Site, Guerrero, México Specialized Shell Object Production at Teopantecuanitlan Site, Guerrero, México KEY WORDS: Mexico, Teopantecuanitlan, shell, production, manufacture. PALABRAS CLAVES: Mexico, Teopantecuanitlan, shell, production, manufacture. GAKO-HITZAK: Mexico, Teopantecuanitlan, shell, production, manufacture. Reyna Beatríz SOLÍS CIRIACO(1) & Guadalupe MARTÍNEZ DONJUAN(2) ABSTRACT In the area of Teopantecuanitlan, located in the east-central region of Guerrero, the most ancient and abundant shell collection corresponding to the Mesoamerican formative period (1200-600 BC) has been recovered. Most of this material derives from the Pacific Ocean shores, and in less quantity from the Mexican Gulf and from rivers on the slope of the Pacific Ocean. Un-modified molluscs, pieces in process of work and finished objects have been identified. Through the use of experimental archaeology and the observation of the various modifications with optical microscopy (OM) and scanning electron microscopy (SEM), it was possible to deduce the techniques and tools used for its production, which should have been concentrated in one or in a few workshops controlled by the rulers of the site. RESUMEN En el sitio de Teopantecuanitlan, ubicado en la región centro-este del estado de Guerrero, se ha recuperado la colección de concha más abun- dante y antigua de Mesoamérica correspondiente al Periodo Formativo (1200-600 a.C.). Dicho material procede en su mayoría de las costas del Océano Pacífico, en menor cantidad del Golfo de México y de ríos de la vertiente del Pacífico. -
Mesoamerican Ballcourt
Mesoamerican ballgame The Mesoamerican ballgame or Ōllamaliztli Nahuatl pronunciation: [oːlːamaˈlistɬi] in Nahuatl was a sport with ritual associations played since 1,400 B.C.[1] by the pre-Columbian peoples of Ancient Mexico and Central America. The sport had different versions in different places during the millennia, and a newer more modern version of the game, ulama, is still played in a few places by the indigenous population.[2] The rules of Ōllamaliztli are not known, but judging from its descendant, ulama, they were probably similar to racquetball,[3] where the aim is to keep the ball in play. The stone ballcourt goals (see photo to right) are a late addition to the game. In the most widespread version of the game, the players struck the ball with their hips, although some versions allowed the use of forearms, rackets, bats, or handstones. The ball was made of solid rubber and weighed as much as 4 kg (9 lbs), and sizes differed greatly over time or according to the version played. The game had important ritual aspects, and major formal ballgames were held as ritual events, often featuring human sacrifice. The sport was also played casually for recreation by children and perhaps even women.[4] Pre-Columbian ballcourts have been found throughout Mesoamerica, as far south as Nicaragua, and possibly as far north as what is now the U.S. state of Arizona.[5] These ballcourts vary considerably in size, but all have long narrow alleys with side-walls against which the balls could bounce. Origins Map showing sites where early ballcourts, -
Whose Identity? the Responsibilities of Museums in the Representation of the Past and Present Stephanie Allen Trinity University, [email protected]
Trinity University Digital Commons @ Trinity Sociology and Anthropology Honors Theses Sociology and Anthropology Department 4-21-2010 Whose Identity? The Responsibilities of Museums in the Representation of the Past and Present Stephanie Allen Trinity University, [email protected] Follow this and additional works at: http://digitalcommons.trinity.edu/socanthro_honors Part of the Anthropology Commons Recommended Citation Allen, Stephanie, "Whose Identity? The Responsibilities of Museums in the Representation of the Past and Present" (2010). Sociology and Anthropology Honors Theses. 2. http://digitalcommons.trinity.edu/socanthro_honors/2 This Thesis open access is brought to you for free and open access by the Sociology and Anthropology Department at Digital Commons @ Trinity. It has been accepted for inclusion in Sociology and Anthropology Honors Theses by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Whose Identity? The Responsibilities of Museums in the Representation of the Past and Present Stephanie Allen A DEPARTMENT HONORS THESIS SUBMITTED TO THE DEPARTMENT OF ANTHROPOLOGY AT TRINITY UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR GRADUATION WITH DEPARTMENTAL HONORS DATE ______ _______________________________ ________________________________ PRIMARY THESIS ADVISOR DEPARTMENT CHAIR _______________________________ SECONDARY THESIS ADVISOR _________________________________________________ ASSOCIATE VICE PRESIDENT FOR ACADEMIC AFFAIRS, CURRICULUM AND STUDENT ISSUES Student Copyright Declaration: the author has selected the following copyright provision (select only one): [√] This thesis is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License, which allows some noncommercial copying and distribution of the thesis, given proper attribution. To view a copy of this license, visit http://creativecommons.org/licenses/ or send a letter to Creative Commons, 559 Nathan Abbott Way, Stanford, California 94305, USA. -
Sculpture and Social Dynamics in Preclassic Mesoamerica Julia Guernsey Index More Information
Cambridge University Press 978-1-107-01246-2 - Sculpture and Social Dynamics in Preclassic Mesoamerica Julia Guernsey Index More information Index Agua Escondida Monument 1, 82 Bell, Catherine, 155 Cabrera Castro, Rubén, 142 Fig. 4.33c, 82 Bell, Ellen, 52, 87, 137 Cacaxtla, 87 Aguateca, 126, 138, 168 Benson, Elizabeth, 15 Cahal Pech, 102, 103 ajaw title, associated with emanation of Benson, Larry, 7, 8 Cakchiquel Maya, 155 sound, 134 Berger, Rainer, 56 camahuiles, 80–81 Fig. 7.3b, 134 Bernal, Ignacio, 20, 54 Campbell, Lyle, 23, 30 Akkeren, Ruud van, 173 Beyer, Hermann, 13, 24, 123, 138 candeleros, 174 Alcock, Susan, 159 Bilbao, 93 Cantón Corralito, 33, 35 Alta Verapaz, 132 Monument 58, 66, 87, 99, 136, 164 Canuto, Marcello, 52, 87, 154 Alvarado, Carlos, 50, 75, 142 Fig. 4.12a, 69 Caso, Alfonso, 17, 19 Alvaro Obregón, 33, 35, 46 Bilbao/Concepción Ceiba, Tabasco figurine, 110 potbelly, 95 Monument 46, 66, 99 celts, 80 Fig. 4.49, 95 Fig. 4.11c, 69 Central Mexican figurines.See Teotihuacan sculpture of standing figure Monument 47, 66, 99 Cerro de las Mesas, 51, 162 Fig. 3.3b, 33 Fig. 4.11d, 69 Monument 5, 99 Amaroli, Paul, 85, 86, 111 Blackman Eddy, 102, 107, 169 Chahk, 47, 52, 58, 85, 173 ancestors, 13, 116, 117, 118, 144–45, 160, Bloch, Maurice, 159 Chalcatzingo, 42, 103, 107, 112–13, 117, 175, See also potbelly sculpture as Blom, Frans, 15, 17 120, 126, 173 ancestors Blomster, Jeffrey, 157, 175 figurines at, 102, 134 archaeological evidence for potbellies as, Boas, Franz, 31 issues of public vs.