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Megaliths and the Early Mezcala Urban Tradition of Mexico
ICDIGITAL Separata 44-45/5 ALMOGAREN 44-45/2013-2014MM131 ICDIGITAL Eine PDF-Serie des Institutum Canarium herausgegeben von Hans-Joachim Ulbrich Technische Hinweise für den Leser: Die vorliegende Datei ist die digitale Version eines im Jahrbuch "Almogaren" ge- druckten Aufsatzes. Aus technischen Gründen konnte – nur bei Aufsätzen vor 1990 – der originale Zeilenfall nicht beibehalten werden. Das bedeutet, dass Zeilen- nummern hier nicht unbedingt jenen im Original entsprechen. Nach wie vor un- verändert ist jedoch der Text pro Seite, so dass Zitate von Textstellen in der ge- druckten wie in der digitalen Version identisch sind, d.h. gleiche Seitenzahlen (Pa- ginierung) aufweisen. Der im Aufsatzkopf erwähnte Erscheinungsort kann vom Sitz der Gesellschaft abweichen, wenn die Publikation nicht im Selbstverlag er- schienen ist (z.B. Vereinssitz = Hallein, Verlagsort = Graz wie bei Almogaren III). Die deutsche Rechtschreibung wurde – mit Ausnahme von Literaturzitaten – den aktuellen Regeln angepasst. Englischsprachige Keywords wurden zum Teil nach- träglich ergänzt. PDF-Dokumente des IC lassen sich mit dem kostenlosen Adobe Acrobat Reader (Version 7.0 oder höher) lesen. Für den Inhalt der Aufsätze sind allein die Autoren verantwortlich. Dunkelrot gefärbter Text kennzeichnet spätere Einfügungen der Redaktion. Alle Vervielfältigungs- und Medien-Rechte dieses Beitrags liegen beim Institutum Canarium Hauslabgasse 31/6 A-1050 Wien IC-Separatas werden für den privaten bzw. wissenschaftlichen Bereich kostenlos zur Verfügung gestellt. Digitale oder gedruckte Kopien von diesen PDFs herzu- stellen und gegen Gebühr zu verbreiten, ist jedoch strengstens untersagt und be- deutet eine schwerwiegende Verletzung der Urheberrechte. Weitere Informationen und Kontaktmöglichkeiten: institutum-canarium.org almogaren.org Abbildung Titelseite: Original-Umschlag des gedruckten Jahrbuches. -
Bibliography
Bibliography Many books were read and researched in the compilation of Binford, L. R, 1983, Working at Archaeology. Academic Press, The Encyclopedic Dictionary of Archaeology: New York. Binford, L. R, and Binford, S. R (eds.), 1968, New Perspectives in American Museum of Natural History, 1993, The First Humans. Archaeology. Aldine, Chicago. HarperSanFrancisco, San Francisco. Braidwood, R 1.,1960, Archaeologists and What They Do. Franklin American Museum of Natural History, 1993, People of the Stone Watts, New York. Age. HarperSanFrancisco, San Francisco. Branigan, Keith (ed.), 1982, The Atlas ofArchaeology. St. Martin's, American Museum of Natural History, 1994, New World and Pacific New York. Civilizations. HarperSanFrancisco, San Francisco. Bray, w., and Tump, D., 1972, Penguin Dictionary ofArchaeology. American Museum of Natural History, 1994, Old World Civiliza Penguin, New York. tions. HarperSanFrancisco, San Francisco. Brennan, L., 1973, Beginner's Guide to Archaeology. Stackpole Ashmore, w., and Sharer, R. J., 1988, Discovering Our Past: A Brief Books, Harrisburg, PA. Introduction to Archaeology. Mayfield, Mountain View, CA. Broderick, M., and Morton, A. A., 1924, A Concise Dictionary of Atkinson, R J. C., 1985, Field Archaeology, 2d ed. Hyperion, New Egyptian Archaeology. Ares Publishers, Chicago. York. Brothwell, D., 1963, Digging Up Bones: The Excavation, Treatment Bacon, E. (ed.), 1976, The Great Archaeologists. Bobbs-Merrill, and Study ofHuman Skeletal Remains. British Museum, London. New York. Brothwell, D., and Higgs, E. (eds.), 1969, Science in Archaeology, Bahn, P., 1993, Collins Dictionary of Archaeology. ABC-CLIO, 2d ed. Thames and Hudson, London. Santa Barbara, CA. Budge, E. A. Wallis, 1929, The Rosetta Stone. Dover, New York. Bahn, P. -
Encounter with the Plumed Serpent
Maarten Jansen and Gabina Aurora Pérez Jiménez ENCOUNTENCOUNTEERR withwith thethe Drama and Power in the Heart of Mesoamerica Preface Encounter WITH THE plumed serpent i Mesoamerican Worlds From the Olmecs to the Danzantes GENERAL EDITORS: DAVÍD CARRASCO AND EDUARDO MATOS MOCTEZUMA The Apotheosis of Janaab’ Pakal: Science, History, and Religion at Classic Maya Palenque, GERARDO ALDANA Commoner Ritual and Ideology in Ancient Mesoamerica, NANCY GONLIN AND JON C. LOHSE, EDITORS Eating Landscape: Aztec and European Occupation of Tlalocan, PHILIP P. ARNOLD Empires of Time: Calendars, Clocks, and Cultures, Revised Edition, ANTHONY AVENI Encounter with the Plumed Serpent: Drama and Power in the Heart of Mesoamerica, MAARTEN JANSEN AND GABINA AURORA PÉREZ JIMÉNEZ In the Realm of Nachan Kan: Postclassic Maya Archaeology at Laguna de On, Belize, MARILYN A. MASSON Life and Death in the Templo Mayor, EDUARDO MATOS MOCTEZUMA The Madrid Codex: New Approaches to Understanding an Ancient Maya Manuscript, GABRIELLE VAIL AND ANTHONY AVENI, EDITORS Mesoamerican Ritual Economy: Archaeological and Ethnological Perspectives, E. CHRISTIAN WELLS AND KARLA L. DAVIS-SALAZAR, EDITORS Mesoamerica’s Classic Heritage: Teotihuacan to the Aztecs, DAVÍD CARRASCO, LINDSAY JONES, AND SCOTT SESSIONS Mockeries and Metamorphoses of an Aztec God: Tezcatlipoca, “Lord of the Smoking Mirror,” GUILHEM OLIVIER, TRANSLATED BY MICHEL BESSON Rabinal Achi: A Fifteenth-Century Maya Dynastic Drama, ALAIN BRETON, EDITOR; TRANSLATED BY TERESA LAVENDER FAGAN AND ROBERT SCHNEIDER Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún, ELOISE QUIÑONES KEBER, EDITOR The Social Experience of Childhood in Mesoamerica, TRACI ARDREN AND SCOTT R. HUTSON, EDITORS Stone Houses and Earth Lords: Maya Religion in the Cave Context, KEITH M. -
Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2005 Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Latin American History Commons Recommended Citation Benson, Jeffrey, "Olmecs: Where the Sidewalk Begins" (2005). Student Theses, Papers and Projects (History). 126. https://digitalcommons.wou.edu/his/126 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica. -
Formative Mexican Chiefdoms and the Myth of the "Mother Culture"
Journal of Anthropological Archaeology 19, 1–37 (2000) doi:10.1006/jaar.1999.0359, available online at http://www.idealibrary.com on Formative Mexican Chiefdoms and the Myth of the “Mother Culture” Kent V. Flannery and Joyce Marcus Museum of Anthropology, University of Michigan, Ann Arbor, Michigan 48109-1079 Most scholars agree that the urban states of Classic Mexico developed from Formative chiefdoms which preceded them. They disagree over whether that development (1) took place over the whole area from the Basin of Mexico to Chiapas, or (2) emanated entirely from one unique culture on the Gulf Coast. Recently Diehl and Coe (1996) put forth 11 assertions in defense of the second scenario, which assumes an Olmec “Mother Culture.” This paper disputes those assertions. It suggests that a model for rapid evolution, originally presented by biologist Sewall Wright, provides a better explanation for the explosive development of For- mative Mexican society. © 2000 Academic Press INTRODUCTION to be civilized. Five decades of subsequent excavation have shown the situation to be On occasion, archaeologists revive ideas more complex than that, but old ideas die so anachronistic as to have been declared hard. dead. The most recent attempt came when In “Olmec Archaeology” (hereafter ab- Richard Diehl and Michael Coe (1996) breviated OA), Diehl and Coe (1996:11) parted the icy lips of the Olmec “Mother propose that there are two contrasting Culture” and gave it mouth-to-mouth re- “schools of thought” on the relationship 1 suscitation. between the Olmec and the rest of Me- The notion that the Olmec of the Gulf soamerica. -
Mesoamerican Figurines: the Cholula Perspective
Mesoamerican Figurines: The Cholula Perspective Chantelle Hug University of Calgary BA Archaeology Honours Thesis: Spring 2007 Supervisor: Dr. Geoffrey McCafferty 1 Background Geography The present day city and archaeological site of Cholula is located in the state of Puebla, Mexico. Puebla is situated in the center of the Mesoamerican culture area, making it an important area for exchange and interaction between the north and south, and the east and west (Plunket and Uruñuela 2005:90). There are several areas with which it could have easily interacted, these include; the Basin of Mexico, the Gulf Coast, the Tehuacán Valley and the Mixteca Baja (McCafferty 2000: 342), all important culture areas. It is located a mere 100 km from the site of Teotihuacán (McCafferty 2001: 281). Situated in the Puebla/ Tlaxcala valley, east of the Basin of Mexico, Cholula is located on a fertile alluvial plain (McCafferty 2000A: 342), which would have been ideal for agricultural pursuits. In the past the area would have supported harvests of maguey, chillies, and most importantly beans and maize. The area and its people enjoyed an abundance of water due to the snow-capped mountains surrounding the valley. This in turn allowed for irrigation of crops, even during the dry season (McCafferty 2001: 282). In pre-contact times there appears to have once been a marshy area that may have supported chinampa style agriculture. The marsh would have most likely attracted waterfowl (McCafferty 2000A: 342), that could then have been exploited by the local people. The site was also located on a bed of clay (Bonfil Batalla 1973 cited in McCafferty 2000A:342), which enabled ceramic production and was also used in modern brick production. -
Substantive Degree Program Proposal
Texas Higher Education Coordinating Board Proposal for a Doctoral Program Directions: This form requires signatures of (1) the Chief Executive Officer, certifying adequacy of funding for the new program; (2) the Chief Executive Officer, acknowledging agreement to reimburse consultants’ costs; (3) a member of the Board of Regents (or designee), certifying Board of Regents approval for Coordinating Board consideration; or, if applicable, (4) a member of the Board of Regents (or designee), certifying that criteria have been met for Commissioner consideration. Additional information and instructions are available in the Guidelines for Institutions Submitting Proposals for New Doctoral Programs found on the Coordinating Board web site, www.thecb.state.tx.us/newprogramscertificates. Institution officials should also refer to Texas Administrative Code (TAC) 5.46, Criteria for New Doctoral Programs. Note: Institutions should first notify the Coordinating Board of their intent to request the proposed doctoral program before submitting a proposal. Notification may consist of a letter sent to the Assistant Commissioner of Academic Quality and Workforce, stating the title, CIP code, and degree designation of the doctoral program, and the anticipated date of submission of the proposal. Information: Contact the Division of Academic Quality and Workforce at (512) 427-6200. Administrative Information 1. Institution Name and Accountability Group: Texas State University, Doctoral University-Higher Research Activity 2. Program Name: Doctor of Philosophy (PhD) major in Applied Anthropology 3. Proposed CIP Code: CIP Code: 45020100 CIP Code Title: Anthropology CIP Code Definition: A program that focuses on the systematic study of human beings, their antecedents and related primates, and their cultural behavior and institutions, in comparative perspective. -
Olmecs: Where the Sidewalk Begins by Jeffrey Benson Western Oregon University
Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica. The data collected links the Olmecs to other cultures in several areas such as writing, pottery and art. With this new found data two main theories have evolved. The first is that the Olmecs were the mother culture. This theory states that writing, the calendar and types of art originated under Olmec rule and later were spread to future generational tribes of Mesoamerica. The second main theory proposes that the Olmecs were one of many contemporary cultures all which acted sister cultures. The thought is that it was not the Olmecs who were the first to introduce writing or the calendar to Mesoamerica but that various indigenous surrounding tribes influenced and helped establish forms of writing, a calendar system and common types of art. -
Olmec Bloodletting: an Iconographic Study
Olmec Bloodletting: An Iconographic Study ROSEMARY A. JOYCE Peabody Museum, Harvard University RICHARD EDGING and KARL LORENZ University of Illinois, Urbana SUSAN D. GILLESPIE Illinois State University One of the most important of all Maya rituals was ceremonial bloodletting, either by drawing a cord through a hole in the tongue or by passing a stingray spine, pointed bone, or maguey thorn through the penis. Stingray spines used in the rite have often been found in Maya caches; in fact, so significant was this act among the Classic Maya that the perforator itself was worshipped as a god. This ritual must also have been frequently practiced among the earlier Olmec... Michael D. Coe in The Origins of Maya Civilization The iconography of bloodletting in the Early iconographic elements indicating autosacrifice, and Middle Formative (ca. 1200-500 B.C.) Olmec and glyphs referring to bloodletting. Most scenes symbol system is the focus of the present study.1 shown take place after the act of bloodletting and We have identified a series of symbols in large- include holding paraphernalia of autosacrifice, and small-scale stone objects and ceramics repre- visions of blood serpents enclosing ancestors, and senting perforators and a zoomorphic supernatural scattering blood in a ritual gesture. The parapher- associated with bloodletting. While aspects of nalia of bloodletting may also be held, not simply this iconography are comparable to later Classic as indications that an act of autosacrifice has Lowland Maya iconography of bloodletting, its taken place, but as royal regalia. Two elements deployment in public and private contexts dif- are common both in scenes of bloodletting and as fers, suggesting fundamental variation in the way royal regalia: the personified bloodletter, which bloodletting was related to political legitimation Coe (1977a:188) referred to as a god, and bands in the Formative Olmec and Classic Maya cases. -
University of Florida Thesis Or
SOCIAL COMPLEXITY IN FORMATIVE MESOAMERICA: A HOUSE-CENTERED APPROACH By CHIKAOMI TAKAHASHI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Chikaomi Takahashi 2 To my parents 3 ACKNOWLEDGMENTS This study would not have been possible without the support and encouragement of many people. In particular, I would like to thank the members of my doctoral committee for their advice and guidance throughout this process of learning. I am very grateful to my advisor, Dr. Susan Gillespie, for all of her valuable guidance and encouragement to complete my study. She profoundly shaped my development as an anthropologist and an archaeologist, and reflective discussions with her influenced the directions I took in this research project. Dr. David Grove has been a fundamental influence in my intellectual development during my graduate study, especially in relation to my understanding of Formative Mesoamerica. Without his encouragement, ideas, and suggestions this dissertation would certainly not be what it is. The thoughtful reviews, comments and encouragements of Dr. Kenneth Sassaman and Dr. Mark Brenner are greatly appreciated. I am also very grateful to Dr. Andrew Balkansky who allowed me to join his Santa Cruz Tayata project and use necessary data for my dissertation. Without his generous support and thoughtful advice in the filed and the lab, I could not complete my research. I’m grateful to my friends in the Mixteca Alta whose support made my fieldwork enriching. Among the people of Tlaxiaco, I would like to specifically thank Mr. -
Interpreting Olmec Style Symbolism at the Formative
THE DAWNING OF CREATION IN THE CENTRAL MEXICAN HIGHLANDS: INTERPRETING OLMEC STYLE SYMBOLISM AT THE FORMATIVE PERIOD SITES OF CHALCATZINGO, OXTOTITLÁN, AND JUXTLAHUACA by Brendan C. Stanley, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Anthropology August 2020 Committee Members F. Kent Reilly III, Chair David A. Freidel Jim F. Garber COPYRIGHT by Brendan C. Stanley 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-533, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Brendan C. Stanley, authorize duplication of this work, in whole or in part, for education or scholarly purposes only. ACKNOWLEDEGEMENTS I would like to express my gratitude towards my committee members, David A. Freidel and Jim F. Garber, for their guidance and support throughout the writing process. I would especially like to thank my committee chair, long time mentor, and friend, F. Kent Reilly III, for all the support and assistance throughout the past years. This thesis would not have been possible without all your help. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ............................................................................................. -
Olmec Art at Dumbarton Oaks
Pre-Columbian Art at Dumbarton Oaks, No. 2 OLMEC ART AT DUMBARTON OAKS OLMEC ART AT DUMBARTON OAKS Karl A. Taube Dumbarton Oaks Research Library and Collection Washington, D.C. Copyright © 2004 by Dumbarton Oaks Trustees for Harvard University, Washington, D.C. Library of Congress Cataloging-in Publication Data to come To the memory of Carol Callaway, Alba Guadalupe Mastache, Linda Schele, and my sister, Marianna Taube—four who fought the good fight CONTENTS PREFACE Jeffrey Quilter ix ACKNOWLEDGMENTS xi List of Plates xii List of Figures xiii Chronological Chart of Mesoamerica xv Maps xvi INTRODUCTION: THE ORIGIN AND DEVELOPMENT OF OLMEC RESEARCH 1 THE DUMBARTON OAKS COLLECTION 49 BIBLIOGRAPHY 185 APPENDIX 203 INDEX 221 Preface lmec art held a special place in the heart of Robert Woods Bliss, who built the collection now housed at Dumbarton Oaks and who, with his wife, Mildred, conveyed the gar- Odens, grounds, buildings, library, and collections to Harvard University. The first object he purchased, in 1912, was an Olmec statuette (Pl. 8); he commonly carried a carved jade in his pocket; and, during his final illness, it was an Olmec mask (Pl. 30) that he asked to be hung on the wall of his sick room. It is easy to understand Bliss’s predilection for Olmec art. With his strong preference for metals and polished stone, the Olmec jades were particularly appealing to him. Although the finest Olmec ceramics are masterpieces in their own right, he preferred to concen- trate his collecting on jades. As Karl Taube discusses in detail in this volume of Pre-Columbian Art at Dumbarton Oaks, Olmec jades are the most beautiful stones worked in Mesoamerica.