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Bibliography BIBLIOGRAPHY Acobas, Patrizia, “Elsa Morante.” Jewish Women Archive . Web. 10 April 2015. Adler, Peter. “Beyond Cultural Identity: Refl ections on Multiculturalism.” Culture Learning . Ed. Richard Brislin. Manoa: East-West Center Press, 1977. 24–41. Print. Agamben, Giorgio. “What Is a Destituent Power?” Trans. Stephanie Wakefi eld. Environment and Planning D: Society and Space 32.1 (2010): 65–74. Print. Aiello, Lucia. “‘Looking at the ‘Crack’d Mirror’: Narratives of Restoration and Anticipation in Grazia Deledda’s La madre and Anna Banti’s Artemisia .” Journal of Narrative Theory 42.1 (2012): 21–45. Print. Aly, Gotz, and Susanne Heim. Architects of Annihilation: Auschwitz and the Logic of Distruction . London: Weidenfeld & Nicolson, 2002. Print. Amoia, Alba Della Fazia. 20th-century Italian Women Writers the Feminine Experience . Carbondale: Southern Illinois UP, 1996. Print. Antelme, Robert. The Human Race . Trans. Jeffrey Haight and Annie Mahler. 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Morality and the Emotions . Oxford: Oxford U P, 2011. Print. Baldassaro, Larry. “Pasolini: Revolutionary without an Audience?” Film Studies Annual 1(1976): 207–10. Print. Banti, Anna. Artemisia . Lincoln: U of Nebraska P, 1988. Print. Barberi Squarotti, Giorgio. La narrativa Italiana del dopoguerra . Bologna: Cappelli, 1965. Print. Bassnett, Susan. Feminist Experiences the Women’s Movement in Four Cultures . London: Routledge, 2013. Print. Battistini, Andrea. Le parole in guerra. Lingua e ideologia dell’Agnese va a morire . Ferrara: Benevolenta, 1982. Print. Baum, Rachel N. “Ethics in the Face of Auschwitz: The Emotional and Pedagogical Responsibility of Holocaust Remembrance.” Diss. U of Wisconsin-Milwaukee, 1997. Print. Bawden, Liz. The Oxford Companion to Film . New York: Oxford UP, 1976. Print. Bayman, Louis. The Operatic and the Everyday in Post-war Italian Film Melodrama . Print. Bazin, André. “ Umberto D : A Great Work.” What is Cinema? Trans. Hugh Gray. 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Histories of the Aftermath: The Legacies of the Second World War in Europe . New York: Berghahn, 2010. Print. Blasetti, Alessandro, dir. Quattro passi fra le nuvole . Perf. Gino Cervi and Adriana Benetti. Italy, 1942. Film. Block, Gisela. “Racism and Sexism.” The Holocaust: Theoretical Readings . Eds. Neil Levi and Michael Rothberg. Edinburgh: Edinburgh UP, 2003. Print. Blum, Lawrence. “Compassion.” Explaining Emotions . Ed. Amelie Rorthy. Berkeley: U of California P, 1980. Print. Bobbio, Norberto. Ideological Profi le of Twentieth-Century Italy . Trans. Cochrane Lydia. Princeton: Princeton UP, 1995. Print. Bobbio, Norberto, and Viroli Maurizio. The Idea of the Republic . Trans. Cameron Allan. Bari: La Terza, 2003. Print. Boccaccio, Giovanni. Il Decamerone . Milano: U. Hoepli, 1965. Print. Bonavita, Riccardo. Storia Della Letteratura Italiana . Bologna: Soc. Ed. Il Mulino, 2005. Print. Bondanella, Peter. Italian Cinema: From Neorealism to the Present . New York: Frederick Ungar, 1983. 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The Cambridge History of Italian Literature . Cambridge: Cambridge UP, 1996. Print. Bravo, Anna, and Anna Maria Bruzzone. In guerra senza armi. Storie di donne 1943–1945 . Roma: Laterza, 1995. Print. 246 BIBLIOGRAPHY Brenner, Rachel Feldhay. Writing as Resistance: Four Women Confronting the Holocaust . University Park: Pennsylvania State UP, 1997. Print. Browning, Christopher R. The Origins of the Final Solution: The Evolution of Nazi Jewish Policy . Lincoln: U of Nebraska P, 2004. Print. Brunetta, Gian Piero. Cent’anni di cinema italiano . 1st ed. Roma: Laterza, 1991. Print. ---. Storia del cinema italiano . Roma: Editori Riuniti, 1993. Print. ---. Storia del cinema italiano: Il cinema del regime, 1929–1945 . Roma: Editori Riuniti, 2001. Print. Bruzzone, Anna Maria, and Farina Rachele. La Resistenza taciuta. Dodici vite di partigiane piemontesi . Torino: Boringheri, 2003. Print. Bullock, Alan. Natalia Ginzburg . Oxford: Berg, 1991. Print. Butler, Judith and Elizabeth, Weed. The Question of Gender Joan W. Scott’s Critical Feminism . Bloomington: Indiana UP, 2011. Print. Calvino, Italo. Il sentiero dei nidi di ragno . Torino: Einaudi, 1972. Print. ---. Italian Folktales Selected and Retold by Italo Calvino . Torino: Einaudi, 1956. Print. Camerini, Mario, dir. Come le foglie . Perf. Albino Principe. Italia, 1934. Film. Camon, Ferdinando. Conversation with Primo Levi . Trans. John Shepley. Marlboro, VT: Marlboro, 1989. Print. Campisciano, Antonina. “L’Agnese va a morire come romanzo di formazione.” Tropos 25 (1999): 61–71. Print. Cannistraro, Philip. La fabbrica del consenso . Roma: La Terza, 1975. Print. Cannon, Joann. “Memory and Testimony in Primo Levi and Giorgio Bassani.” The Cambridge Companion to the Italian Novel . Eds. Peter Bondanella and Andrea Ciccarelli. Cambridge: Cambridge UP, 2003, 125–35. Print. ---. “Resistance Heroes and Resisting Spectators: Refl ections on Rossellini’s Roma città aperta.” The Italianist 17 (1997): 145–57. Print. Caprotti, F. “Scipio Africanus: Film, Internal Colonization and Empire.” Cultural Geographies (2009): 381–401. Print. Caracciolo, Nicola. Uncertain Refuge: Italy and Jews During the Holocaust . Chicago: U of Illinois P, 1986. Print. Cardullo, Bert. After Neorealism: Italian Filmmakers and Their Films: Essays and Interviews . Newcastle upon Tyne, UK: Cambridge Scholars Pub., 2009. Print. ---. Neorealism, History, and the Children’s Film: Vittorio de Sica’s The Children Are Watching Us Reconsidered.” Filmhistoria online 25.1 (2015). 6–17. Web. Casadei, Alberto. Il Novecento . 2nd ed. Bologna: Il Mulino, 2013. Print. Cavani, Liliana, dir. La donna nella Resistenza . Italia, 1965. Film. Celli, Carlo. “Italian Neorealism’s Wartime Legacy: Roberto Rossellini’s Roma città aperta/Rome Open
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