DOCSLIB.ORG

Reposition-1.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reposition-1.Pdf Introduction: Is every country too small for big ideas?1 Publication “(Re)positioning the region of Southeast Europe through culture” stems from the research conducted by the Creative Europe Desk Serbia within its Forum in 2017, the topic of which was exactly regional cooperation. Cre- ative Europe Forum 2018 shifts its focus on celebrating European cultural heritage, at the same time being related to the Republic of Bulgaria presiding over the Council of the European Union and dealing with EU integration of the Western Balkans. Due to this, an important segment of the CE Forum 2018 deals with regional cooperation in the feld of culture, and also cooperation of the region with the European Union. Bearing in mind the initiative of presiding over the EU Council has a clear political dimension, the debates during CE Forum 2018 will support future refections on the implementation of cultural strategy of the European Union. Our ambition is for the results presented in the publication “(Re)positioning the region of Southeast Europe through culture” to become a relevant segment in the implementation process of cultural strategy. The research was conducted in order to defne recommendations for the de- velopment of the region of Southeast Europe through culture. The aim was to analyse the presence of regional artists in relevant international manifesta- tions, the most important projects and initiatives from the domain of regional cooperation, strategic documents and legal frameworks of regional coopera- tion, and content of promotional touristic campaigns. The latter is especially important in the context of choosing content and the manner in which we present the region in the European and the international frameworks. The re- search indicates the state of regional cooperation and referential, successful, but also problematic points in existing practices. A set of problematic questions is related to the reputation the region of South- east Europe has associated with instability, disorganized systems, wars and corruption. Thus, 75% of respondents of the online questionnaire believes Europe has a prominently negative image of the region. In addition, Europe- an perception of the region can be seen through processes of “exoticisation”. Probably the most picturesque marker of “otherness” is count Dracula who is “perceived” through the region as a symbol of a dark and dangerous space. However, only 24 cultural professionals out of 184 believe exoticisation and orientalisation are essential traits of the region’s perception. When it comes to presenting the region by actors from Southeast Europe themselves, i.e. the content actors are choosing to present, content related to cultural heritage is still predominant, while potentials and accomplishments of contemporary culture are marginalised. This distinction is also directly re- lated to the insufciently developed “art tourism” relying precisely on con- temporary creativity and also connected with tourism based on promoting lifestyles, popular culture or customs. 1 Excerpt taken from a response of a cultural professional from Serbia who replied to the question on the importance of regional cooperation with “Be- cause all countries are too small for big ideas”. 237 On the other hand, when it comes to the positive image of the region, the larg- est number of respondents believes region is known for competencies and creativity of cultural professionals followed by cultural diversity (multi-eth- nicity and multi-confessionality) and contemporary art. A smaller number of respondents believe the region is recognisable for its food, impetus of life, tourism and nature. The second set of problematic questions is related to fnancial instability and uncertainty of (continuous) regional project funding. Certainly, the pull-back of international funds, such as the Swiss Programme for Culture, negatively infuenced not only fnancing on the national but also on the regional level. In this respect, great expectations of cultural professionals regards the newly formed regional fund in Tirana are justifed. However, what is lacking the most is continuous funding of regional projects on the national level as unam- biguous, strategic choice of regional countries. Together with conficting inter- pretation of history and unequal treatment of conficts, according to by far the largest number of respondents, lack of interest on the part of decision makers is the reason for the weak regional connectedness; fnancial problems are far less important or they are vividly illustrating the primary problem; also, in relation to this is the lack of mechanisms for co-funding of projects (i.e. instru- ments of fnancial support) participating in the Creative Europe programme in some regional countries. The Council of Ministers of Culture of Southeast Europe potentials remain in- sufciently utilised, which is especially visible if we compare the work of this initiative with the functioning of the Visegrad group or with the Nordic Coun- cil the Council of Ministers of Culture of Southeast Europe was modelled after. The Nordic Council is using a shared budget for quite some time to improve the cultural system of Nordic countries and it remains an important instru- ment in positioning artists and other cultural professionals on the interna- tional level. Its contribution is visible in developing the Nordic unity and the recognisability of the Nordic region. An encouraging fact is that 97% of respondents believe stronger regional connectedness would signifcantly contribute to the developing of individual countries and better positioning of the region in Europe and the world, out of which as many as 81% believe this is even a condition for better positioning of the region. Moreover, 73% of respondents believe partnerships and co-pro- ductions based on shared topics, dialogue and mutual understanding, but also improving knowledge and skills through mobility, networking and capacity strengthening are the most meaningful development strategies of the region. The importance of the Creative Europe programme is unambiguous in this context, both for the development of the cultural system in individual coun- tries and for the region as a whole. The essential concepts of the Creative Europe programme are precisely strengthening capacities, mobility, part- nerships and co-operations, coproduction assuming the “philosophy” of Eu- ropean cooperation – joint, non-hierarchical work on content with Europe- an character and importance. Therefore, the programme also envisages the participation and cooperation of organisations wanting to leave their comfort zone of the everyday, the familiar, and the usual activities of organisations 238 and institutions, which precisely means improving knowledge and acquiring new skills. Creative Europe offers a constructive framework for dealing with shared topics of territories, the region and Europe through dialogue and mu- tual understanding, which is very important for our region. Due to this, Cre- ative Europe represents a much more important cooperation platform than the mere possibility of securing fnancial support, which is, of course, also very important for high quality realisation of projects and artistic ideas of authors varied in profle. Connecting and cooperation are keywords not only in understanding the principle of European unity, but also the contemporary moment. Hence, it is necessary to further strengthen capacities of actors so they could fnd their position in new development processes and tendencies. The Creative Europe programme was precisely designed to enable such opportunities for all organ- isations in the feld of culture. Dimitrije Tadić Head of the Creative Europe Desk Serbia 239 240 CREATIVE EUROPE FORUM 2017, Creative Europe Desk Serbia (Re)positioning of the South Eastern European region through culture 18th-21st April 2017 Belgrade Youth Centre, European Centre for Culture and Debate Grad, Ilija M. Kolarac Foundation, Gallery Zvono, Aeroklub, French Cultural Centre in Belgrade, EU Info Centre in Belgrade. 1. Topic of the Creative Europe Forum: macro and micro regional European cooperation Forum Creative Europe 2017 is an international conference of the Creative Europe Desk Serbia dedicated to promoting the Creative Europe programme and the topic of regional cooperation as a strategy of European cultural development. The topic of the Forum will be covered on two levels: cooperation of the region and the territories in Europe on the macro and the micro level; cooperation and repositioning of countries of South Eastern Europe. The programme participants include experts and representatives of Creative Europe Desks from Serbia, Greece, Montenegro, Romania, Albania, Croatia, Cyprus, Macedonia, Slovenia, Bulgaria, Bosnia and Herzegovina, Moldova, Hungary, and also France and Lithuania. 2. Joint debates on (re)positioning of South Eastern Europe Apart from the topic of European regional cooperation, participants of the Forum should recognise the strengths and peculiarities of the cultural and creative sector of the region, answer how can the region develop its cultural recognisability, whether it can use the good and bad experiences of other European regions such as the Scandinavian, Baltic or Central European one, what are the best opportunities for the development of South Eastern Europe and what is the place of the Creative Europe programme in this process. 3. Presentation of the research (Re)positioning of the South Eastern European region through culture With the aim of joint defning
Load more

Recommended publications
  • Snow Man and Bait by David Albahari
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2006 Politics of Representations: Snow Man and Bait by David Albahari Damjana Mraovic University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Mraovic, Damjana, "Politics of Representations: Snow Man and Bait by David Albahari. " Master's Thesis, University of Tennessee, 2006. https://trace.tennessee.edu/utk_gradthes/1746 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Damjana Mraovic entitled "Politics of Representations: Snow Man and Bait by David Albahari." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Amy Elias, Major Professor We have read this thesis and recommend its acceptance: Allen Dunn, Lisi M. Schoenbach Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Damjana Mraović entitled “Politics of Representations: Snow Man and Bait by David Albahari.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Masters of Arts, with a major in English.
    [Show full text]
  • Writing Alberta POD EPDF.Indd
    WRITING ALBERTA: Aberta Building on a Literary Identity Edited by George Melnyk and Donna Coates ISBN 978-1-55238-891-4 THIS BOOK IS AN OPEN ACCESS E-BOOK. It is an electronic version of a book that can be purchased in physical form through any bookseller or on-line retailer, or from our distributors. Please support this open access publication by requesting that your university purchase a print copy of this book, or by purchasing a copy yourself. If you have any questions, please contact us at [email protected] Cover Art: The artwork on the cover of this book is not open access and falls under traditional copyright provisions; it cannot be reproduced in any way without written permission of the artists and their agents. The cover can be displayed as a complete cover image for the purposes of publicizing this work, but the artwork cannot be extracted from the context of the cover of this specific work without breaching the artist’s copyright. COPYRIGHT NOTICE: This open-access work is published under a Creative Commons licence. This means that you are free to copy, distribute, display or perform the work as long as you clearly attribute the work to its authors and publisher, that you do not use this work for any commercial gain in any form, and that you in no way alter, transform, or build on the work outside of its use in normal academic scholarship without our express permission. If you want to reuse or distribute the work, you must inform its new audience of the licence terms of this work.
    [Show full text]
  • VLASTA VELISAVLJEVI]: U Svakoj Drami Ima Malo Komedije
    PONEDELJAK, 20. mart 2017, broj 7112, godina XX cena 40 din, 20 den, 1 KM, 0,7 EUR (CG), 0,7 EUR (SLO), 5 kuna, 1,2 EUR (GR) www.danas.rs lumac Vlasta Velisavljevi} ovogodi{nji je dobitnik nagrade Zlatni }uran za `ivotno delo, najvi{eg priznanja Pozori{nog festivala Dani komedije u Jagodini, koje }e mu biti uru~eno G na zatvaranju manifestacije, 27. marta. „Vlasta Velisavljevi} na{ je rekorder po broju odigranih uloga u pozori{tu, na filmu i televiziji – odigrao je vi{e od 360 uloga! Verujemo, da je po tome bez premca i u svetu. Jo{ kao de~ak daleke 1938. stao je na pozori{nu scenu sa koje ne silazi ni danas. Upravo ga gledamo u Jugoslovenskom dramskom pozori{tu u ulozi Hamletovog oca. Njegove kolege glumci govore o Vlasti kao jednom od najomiljenijih partnera. U svojoj rasko{noj galeriji likova koje je tuma~io Velisavljevi} je izbegao gluma~ki kalup koji bi ga karakterisao. Njegove transformacije su ga u~inile podjednako uspe{nim tuma~em svekolikih ljudskih sudbina. Njegove brojne gluma~ke bravure osta}e u se}anju pozori{nih poslenika. Vlasta Velisavljevi} trajno je urezao svoje ime u pozori{nu umetnost Srbije“, navodi se u obrazlo`enju Upravnog odbora festivala. „Mi glumci `ivimo zbog nagrada i kritika, ali i zbog li~nog zadovoljstva. Bavimo se poslom koji volimo. E sad, em se bavim poslom koji volim, em dobijam za to platu u svom Jugoslovenskom dramskom pozori{tu, em su tu i neke nagrade. Kud }ete vi{e?! Ima li i{ta lep{e i bolje“, ka`e za Danas slavni glumac.
    [Show full text]
  • At the Margins of the Habsburg Civilizing Mission 25
    i CEU Press Studies in the History of Medicine Volume XIII Series Editor:5 Marius Turda Published in the series: Svetla Baloutzova Demography and Nation Social Legislation and Population Policy in Bulgaria, 1918–1944 C Christian Promitzer · Sevasti Trubeta · Marius Turda, eds. Health, Hygiene and Eugenics in Southeastern Europe to 1945 C Francesco Cassata Building the New Man Eugenics, Racial Science and Genetics in Twentieth-Century Italy C Rachel E. Boaz In Search of “Aryan Blood” Serology in Interwar and National Socialist Germany C Richard Cleminson Catholicism, Race and Empire Eugenics in Portugal, 1900–1950 C Maria Zarimis Darwin’s Footprint Cultural Perspectives on Evolution in Greece (1880–1930s) C Tudor Georgescu The Eugenic Fortress The Transylvanian Saxon Experiment in Interwar Romania C Katherina Gardikas Landscapes of Disease Malaria in Modern Greece C Heike Karge · Friederike Kind-Kovács · Sara Bernasconi From the Midwife’s Bag to the Patient’s File Public Health in Eastern Europe C Gregory Sullivan Regenerating Japan Organicism, Modernism and National Destiny in Oka Asajirō’s Evolution and Human Life C Constantin Bărbulescu Physicians, Peasants, and Modern Medicine Imagining Rurality in Romania, 1860–1910 C Vassiliki Theodorou · Despina Karakatsani Strengthening Young Bodies, Building the Nation A Social History of Child Health and Welfare in Greece (1890–1940) C Making Muslim Women European Voluntary Associations, Gender and Islam in Post-Ottoman Bosnia and Yugoslavia (1878–1941) Fabio Giomi Central European University Press Budapest—New York iii © 2021 Fabio Giomi Published in 2021 by Central European University Press Nádor utca 9, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 E-mail: [email protected] Website: www.ceupress.com An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched (KU).
    [Show full text]
  • Serbia Turns Blind Eye to Rare Bird Slaughter
    Issue No. 211 Friday, July 22 - Thursday, September 08, 2016 ORDER DELIVERY TO Belgrade ‘failing to Political Must-see YOUR DOOR +381 11 4030 303 develop satirists eye music [email protected] - - - - - - - ISSN 1820-8339 1 mid-market Belgrade local festivals BELGRADE INSIGHT IS PUBLISHED BY 0 1 tourism’ elections in August Page 5 Page 9 Page 13 9 7 7 1 8 2 0 8 3 3 0 0 0 Even when the Democrats longas continue to likely is This also are negotiations Drawn-out Surely the situation is urgent Many of us who have experi We feel in-the-know because bia has shown us that (a.) no single no (a.) that us shown has bia party or coalition will ever gain the governa form to required majority negotiations political (b.) and ment, will never be quickly concluded. achieved their surprising result at last month’s general election, quickly itbecame clear that the re sult was actually more-or-less the result election other every as same in Serbia, i.e. inconclusive. as Serbia’s politicians form new political parties every time disagree with they their current party reg 342 currently are (there leader political parties in Serbia). istered the norm. One Ambassador Belgrade-based recently told me he was also alarmed by the distinct lack of urgency among politicians. Serbian “The country is standstill at and a I don’t understand their logic. If they are so eager to progress towards the EU and en theycome how investors, courage go home at 5pm sharp and don’t work weekends?” overtime.
    [Show full text]
  • 1 Lenki I Relji, Mojim Unucima
    Lenki i Relji, mojim unucima 1 2 Feliks Pašić MUCI Ljubomir Draškić ili živeti u pozorištu 3 4 Ulaz u vilu »Nada« u Omišlju na ostrvu Krku 5 6 Mladom Svetozaru Cvetkoviću, tek pristiglom u Atelje 212, činio se kao ka- kav veliki lutan, očiju dubokih i crnih, sa podočnjacima koji su s godinama posta- jali sve tamniji i dublji. Mira Stupica pamti jedno štrkljasto i visoko dete, krakato, okato, nosato i pomalo dremljivo, koje je kapke imalo uvek napola spuštene, kao roletne. I u sećanju Aleksandra–Luja Todorovića javlja se u istoj slici: visok, štrkljast, šiljat, neopisivo mršav. Vojislavu Kostiću je, tako visok i mršav, sa šišanom bradom, ličio na Don Kihota. Ivana Dimić je imala dvanaest godina kad ga je prvi put videla, na slavi na koju je došla s roditeljima. Među gostima se izdvajao visok, mršav, duhovit čovek koji je psovao. Ogroman, tamnog lica i brade, izgledao joj je kao neki Azijat. Aleksandar–Saša Gruden seća ga se kao klinca koji je s majkom došao kod očeve rodbine u Užice. Prilog opštem utisku: štkljast, nosat, s ogromnim kolenima. Kad su ga upitali kako je, odgovorio je: »Zaštopal mi se nosek.« Posle je objašnjavao da je imao jezički problem: »Govorio sam hrvatski.« Dolasku u Užice 1941. godine prethodi prva velika životna avantura. Od ranih dana naučio je da svet i ljude vidi u slikama. U slikama Zadra, u koji se porodica 1939. seli iz Zagreba, kada je otac Sreten postavljen za vicekonzula Kraljevskog konzulata, prelamaju se, između ostalih, prizori ogromnog stana u kome, po jednom dugačkom hodniku, vozi bicikl.
    [Show full text]
  • Strategija Razvitka Hercegovačko-Neretvanske Županije Za Period 2021.-2027
    Vlada Hercegovačko- neretvanskog kantona Hercegovačko županije Strategija razvitka Hercegovačko-neretvanske županije za period 2021.-2027. godina - NACRT STRATEŠKE PLATFORME - Sadržaj 1 Uvod ................................................................................................................................................ 5 1.1. Svrha i značaj strateškog dokumenta ..................................................................................... 5 1.2. Regulatorni okvir ..................................................................................................................... 5 1.3. Proces izrade i konsultacija ..................................................................................................... 6 1.4. Usklađenost sa ostalim strateškim dokumentima .................................................................. 7 2.1.1. Usklađenost sa strateškim dokumentima ostalih nivoa vlasti ........................................ 7 2.1.2. Usklađenost sa strateškim dokumentima proizašlim iz procesa evropskih integracija .. 8 2.1.3. Usklađenost sa globalnim ciljevima održivog razvoja ..................................................... 8 2.1.4. Osvrt na izvještaj o evaluaciji Integrirane strategije razvoja HNK 2017. – 2020. ............ 9 2 Strateška platforma ...................................................................................................................... 11 2.2. Geografske, prirodne i kulturno-historijske karakteristike ................................................... 11 2.3. Demografske
    [Show full text]
  • Avg 2016. Broj 4
    ECKERMANN WEB ČASOPIS ZA KNJIŽEVNOST WWW.ECKERMANN.ORG.RS JUL - AVG 2016. BROJ 4 Sva prava zadržana © 2016- Eckermann ISSN 2466-3220 (Online) SADRŽAJ ECKERMANN ........................................................................................................................................ 1 MALO JE OSTALO PRIJATELJA ........................................................................................................ 3 KNJIGA JE DA SE ČITA ....................................................................................................................... 7 INSTANT ECKERMANN .................................................................................................................... 11 POMILOVANJE ................................................................................................................................... 20 DA MI JE NAPISATI KITAB .............................................................................................................. 29 KANYAKUMARI ................................................................................................................................ 32 PISMA POŠTARU................................................................................................................................ 39 KAKO JE SVE POVEZANO U VREMENU ....................................................................................... 44 `85 .........................................................................................................................................................
    [Show full text]
  • Serbia in 2001 Under the Spotlight
    1 Human Rights in Transition – Serbia 2001 Introduction The situation of human rights in Serbia was largely influenced by the foregoing circumstances. Although the severe repression characteristic especially of the last two years of Milosevic’s rule was gone, there were no conditions in place for dealing with the problems accumulated during the previous decade. All the mechanisms necessary to ensure the exercise of human rights - from the judiciary to the police, remained unchanged. However, the major concern of citizens is the mere existential survival and personal security. Furthermore, the general atmosphere in the society was just as xenophobic and intolerant as before. The identity crisis of the Serb people and of all minorities living in Serbia continued. If anything, it deepened and the relationship between the state and its citizens became seriously jeopardized by the problem of Serbia’s undefined borders. The crisis was manifest with regard to certain minorities such as Vlachs who were believed to have been successfully assimilated. This false belief was partly due to the fact that neighbouring Romania had been in a far worse situation than Yugoslavia during the past fifty years. In considerably changed situation in Romania and Serbia Vlachs are now undergoing the process of self identification though still unclear whether they would choose to call themselves Vlachs or Romanians-Vlachs. Considering that the international factor has become the main generator of change in Serbia, the Helsinki Committee for Human Rights in Serbia believes that an accurate picture of the situation in Serbia is absolutely necessary. It is essential to establish the differences between Belgrade and the rest of Serbia, taking into account its internal diversities.
    [Show full text]
  • SPECIJALIZOVANI MAGAZIN ZA TURIZAM, UGOSTITELJSTVO I KULTURU U NOVOM SADU Jun 2019
    ISSN 2620-116X NSugostitelj SPECIJALIZOVANI MAGAZIN ZA TURIZAM, UGOSTITELJSTVO I KULTURU U NOVOM SADU Jun 2019. Godina II www.ugostiteljstvons.rs Broj 8 ® OBEZBEDILI SMO ZA VAS LIZING LINIJU ZA KUPOVINU OPREME NA PERIOD OD 2 DO 5 GODINA SVE NAJBOLJE I NA JEDNOM MESTU SVESVE NAJBOLJE NAJBOLJE I NA I NA JEDNOM JEDNOM MESTU MESTU Zajedno smo s Vama od 14.12.1992. laktom ili rukom i stavljanje posuda godine.ZajednoZajedno smosmo s sVama Vama od od 14.12.1992. 14.12.1992. salaktom hranom ili laktomurukom konvektomat i ilistavljanje rukom ili vađen posudai stavljanje- posuda Zajedno smo s Vama od 14.12.1992. laktom ili rukom i stavljanje posuda godine. jesa iz hranom konvektomata u konvektomat iako su obe ili vađen ruke - godine.godine. sa hranomsa u hranomkonvektomat u konvektomat ili vađen- ili vađen- KONVEKTOMAT SRCE KUHINJE zauzeteje iz konvektomata (banging system iako ),su zatvoren obe ruke je iz konvektomataje iz konvektomata iako su obe iakoruke su obe ruke UređajiKONVEKTOMAT na koje su SRCE u Moneri KUHINJE poseb- sistemzauzete sa (banging direktnim system kapacitivnim), zatvoren KONVEKTOMATKONVEKTOMAT SRCE SRCE KUHINJE KUHINJE zauzete (bangingzauzete system(banging), zatvoren system ), zatvoren noUređaji ponosni na svakakokoje su suu Moneri konvektoma poseb- - očitavanjemsistem sa vlažnostidirektnim unutar kapacitivnim konvek- UređajiUređaji nana koje koje su su u uMoneri Moneri poseb poseb- - sistem sasistem direktnim sa direktnimkapacitivnim kapacitivnim tino Ti ponosni konvektomati, svakako osim su konvektoma sigurnosti - tomata,brzoočitavanjem
    [Show full text]
  • 1. CROSS-BORDER REGION „KRŠ “ (Introductory Remarks)
    KRSH Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION “KRŠ” BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ “This document has been produced with the financial assistance of the European Union. The contents of this document are the sole responsibility of the Regional Rural Development Standing Working Group in South Eastern Europe (SEE) and can under no circumstances be regarded as reflecting the position of the European Union.” This document is output of the IPA II Multi-country action programme 2014 Project ”Fostering regional cooperation and balanced territorial development of Western Balkan countries in the process towards EU integration – Support to the Regional Rural Development Standing Working Group (SWG) in South-East Europe” 2 BASELINE STUDY AND STRATEGIC PLAN FOR DEVELOPMENT OF THE CROSS-BORDER REGION KRŠ Published by: Regional Rural Development Standing Working Group in SEE (SWG) Blvd. Goce Delcev 18, MRTV Building, 12th floor, 1000 Skopje, Macedonia Preparation for implementation of the Area Based Development (ABD) Approach in the Western Balkans Baseline Study and Strategic Plan for development of the cross-border region “Krš” On behalf of SWG: Boban Ilić Authors: Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska, in cooperation with stakeholders from the region “Krš” Editor: Damjan Surlevski Proofreading: Ana Vasileva Design: Filip Filipović Photos: SWG Head Office/Secretariat and Ivica Sivrić CIP - Каталогизација во публикација Национална и универзитетска библиотека "Св. Климент Охридски", Скопје 352(497) DJORDJEVIĆ Milošević, Suzana Preparation for implementation of the area based development (ABD) approach in the Western Balkans : Baseline study and strategic plan for development of the cross-border region "KRŠ" / [authors Suzana Djordjević Milošević, Ivica Sivrić, Irena Djimrevska].
    [Show full text]
  • Disillusioned Serbians Head for China's Promised Land
    Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China.
    [Show full text]