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I MIEI 40 ANNI Di Progettazione Alla Fiat I Miei 40 Anni Di Progettazione Alla Fiat DANTE GIACOSA
DANTE GIACOSA I MIEI 40 ANNI di progettazione alla Fiat I miei 40 anni di progettazione alla Fiat DANTE GIACOSA I MIEI 40 ANNI di progettazione alla Fiat Editing e apparati a cura di: Angelo Tito Anselmi Progettazione grafica e impaginazione: Fregi e Majuscole, Torino Due precedenti edizioni di questo volume, I miei 40 anni di progettazione alla Fiat e Progetti alla Fiat prima del computer, sono state pubblicate da Automobilia rispettivamente nel 1979 e nel 1988. Per volere della signora Mariella Zanon di Valgiurata, figlia di Dante Giacosa, questa pubblicazione ricalca fedelmente la prima edizione del 1979, anche per quanto riguarda le biografie dei protagonisti di questa storia (in cui l’unico aggiornamento è quello fornito tra parentesi quadre con la data della scomparsa laddove avve- nuta dopo il 1979). © Mariella Giacosa Zanon di Valgiurata, 1979 Ristampato nell’anno 2014 a cura di Fiat Group Marketing & Corporate Communication S.p.A. Logo di prima copertina: courtesy di Fiat Group Marketing & Corporate Communication S.p.A. … ”Noi siamo ciò di cui ci inebriamo” dice Jerry Rubin in Do it! “In ogni caso nulla ci fa più felici che parlare di noi stessi, in bene o in male. La nostra esperienza, la nostra memoria è divenuta fonte di estasi. Ed eccomi qua, io pure” Saul Bellow, Gerusalemme andata e ritorno Desidero esprimere la mia gratitudine alle persone che mi hanno incoraggiato a scrivere questo libro della mia vita di lavoro e a quelle che con il loro aiuto ne hanno reso possibile la pubblicazione. Per la sua previdente iniziativa di prender nota di incontri e fatti significativi e conservare documenti, Wanda Vigliano Mundula che mi fu vicina come segretaria dal 1946 al 1975. -
RAPID Ceirano & C., Welleyes, F.Lli Ceirano
RAPID Ceirano & C., Welleyes, F.lli Ceirano, STAR Rapid, Matteo C. & C., Itala, Ceirano-Ansaldo, SPA, Junior, SCAT, S.A.Giovanni Ceirano: sono undici aziende, accomunate da due denominatori, sono tutte nate a Torino e sono tutte sorte per iniziativa di uno o dell'altro dei fratelli Ceirano. Addentrarsi nelle vite e nelle frenetiche attività dei quattro fratelli, distinguendo l'apporto di ciascuno, non è facile. I Ceirano sono una famiglia piemontese, originaria di Cuneo, composta da padre, madre e quattro fratelli: Giovanni Battista, nato nel 1860, Giovanni, nato nel 1865, Matteo, il viveur della famiglia, di cinque anni più giovane, ed Ernesto, nato dopo altri cinque anni. A questi si aggiunge in un secondo tempo il figlio di Giovanni che, con una certa mancanza di fantasia, è battezzato Giovanni e chiamato Ernesto. Come si vede, ci sono già i presupposti per una bella confusione, anche a prescindere dai rispettivi caratteri, che sicuramente devono essere stati piuttosto determinati, per non dire litigiosi e testardi, anche perché uno dopo l'altro si consacrano al medesimo mestiere: fondare aziende automobilistiche. Fondare, per poi andarsene, o fonderle con altre, o scioglierle, o rilevarle, in un caleidoscopio di società che vivacizzarono ed arricchirono molto il panorama industriale torinese ed italiano. Il primo a muoversi è naturalmente Giovanni Battista, il più anziano. Fonda la Ceirano & C. nel 1898 e la Welleyes nel 1899; quindi nel 1901, insieme a Matteo, la F.lli Ceirano, in corso Vittorio Emanuele 9. Liquidata questa nel 1903, nel 1904 trasforma la Ceirano & C. in STAR, Società Torinese Automobili Rapid, oggetto di questa breve indagine. -
Jarocińskanr 1 ( 275) 5 Stycznia 1996 R
co o N JarocińskaNr 1 ( 275) 5 stycznia 1996 r. co TYGODNIK ZIEMI JAROCIŃSKIEJ ISSN 1230-851X O Cena 90 gr/ 9 000 zł W numerze: Z hukiem w Nowy Rok Już 13 stycznia Strumieniami szampana i feerią sztucznych ogni przywitali jarociniacy finał Nowy Rok 1996. Pomimo kilkunastostopniowego mrozu na jarocińskim rynku zjawiło Dziewczyny się ponad tysiąc ludzi. Większość zao patrzona była w butelki z szampanem oraz najróżniejsze petardy i sztuczne Roku; ognie, które często odpalano jeszcze przed dwunastą. O północy nad ryn kiem rozbłysnęły również ognie przy □Jakie podatki sg gotowane przez jarociński samorząd. Przed ratuszem pojawił się tradycyjnie □Szansa dla burmistrz Paweł Jachowski z małżon ką Danutą. Wspólnie z mieszkańcami Żerkowa miasta Nowy Rok witali: przewod niczący rady Marian Sikorski, wice co dalej z niszczejącym burmistrz Henryk Kowalski i szef re ośrodkiem s.10-11 jonu Henryk Szymczak. FOTO Stachowiak □Szok Dokończenie na str. 5 po wyborach Jarocin Największe dochody budżetu rozmowa z postem - 13.708.245 zł będą pochodziły z po Andrzejem Grzybem s.12 datków od osób prawnych i fizycz nych - (w tym: od osób prawnych □Podsumowanie - 4.658.010 zł z podatku od nierucho Budżet już uchwalony mości; od osób fizycznych - 4.625.116 zł z podatku dochodowego, 1.075.384 roku s.13 zł z podatku od środków transpor nowy rok kalendarzowy jeszcze przed Pierwszy raz w pięcioletnim okresie towych i 945.000 zł z podatku od jego rozpoczęciem. W piątek 29 grud Redaktor prowadzący: działalności jarocińskiego samorządu nieruchomości). Ponad 8,3 min zł nia Rada Miejska przyjęłą uchwałę w planie dochodów pokryje subwen Aleksandra Pilarczyk radnym udało się uchwalić budżet na budżetową na 1996 rok. -
TORINO E LE FABBRICHE Percorsi Multimediali Sulla Storia Industriale Della Città
CENTRO ON LINE STORIA E CULTURA DELL’INDUSTRIA il Nord Oves t dal 1850 PROPOSTE DIDATTICHE PER LE SCUOLE TORINO E LE FABBRICHE Percorsi multimediali sulla storia industriale della città 1 Con il sostegno di Con la collaborazione di 2 Indice Percorso storico L’INDUSTRIA TORINESE SUL FINIRE DEL XIX SECOLO ...................................5 LA NASCITA DELLE BARRIERE OPERAIE .....................................................5 BARRIERA DI MILANO ..............................................................................6 BORGO SAN PAOLO .................................................................................6 BORGO VITTORIA ....................................................................................7 BORGO REGIO PARCO ..............................................................................8 PRIMA GUERRA MONDIALE .......................................................................9 LA SECONDA GUERRA MONDIALE ............................................................ 10 I BOMBARDAMENTI ............................................................................... 10 DALLA RICOSTRUZIONE AL BOOM ECONOMICO ..........................................11 DA SUD A NORD: LA CITTÀ E I MOVIMENTI MIGRATORI ...............................11 LE FABBRICHE...................................................................................... 13 Le fonti e il loro uso nella ricerca .............................................................. 19 Per saperne di più… ............................................................................ -
He History of W F U V | –
he History of W F U V | – he History of W F U V | – by Edwin Graves Wilson -, W F U C © E G W, A F , , : L D , W F U, P.O. B , W-S, NC . J D U. T M P S. P -, U S A. L C C N: ISBN ---- F N A E W, E G, - T H W F U. In Grateful Memory R H B (-) R A D (-) M H R (-) J R S (-) W G S (-) So many friends and colleagues—from the faculty, from the sta, from the ranks of the alumni—have helped me during the writing of this History that I dare not even begin to list them all. I hope that they will forgive me if I do not mention them, one by one, but instead single out a few people whose contributions have been necessary and continuing. First, I want to acknowledge the authors of the een “In Retrospect” essays, all of them students during the Scales presidency. I hope that readers of this History will appreciate, as much as I do, their memories and observations as providing a perspective on campus life that I would not have been qualied to give. Members of the sta of the Z. Smith Reynolds Library have been unfailingly ready to assist me, but I must name, as having been particu- larly helpful, Julia Bradford from the University archives. I don’t know how many times she has opened the locked door of the sixth oor stacks so that I could explore papers and documents that I needed to consult. -
WNET Licensing (A's)
The “A’s” (Source: NET microfiche, unless listed) Aaron Copland Meets the Soviet Composers (1959) Initial Broadcast: N/A Number of programs: 1 Origin Format: Undetermined Running time: 30 minutes AARON COPLAND MEETS THE SOVIET COMPOSERS is a half-hour studio production kinescope of an interview between Copland and six Soviet musicians, musicologists and/or composers who were travelling in the US. My impression is that this was a visit in return for one made to the USSR by an American group earlier that included Menned (?), Sessions, Harris and Kay (?). The setting for the interview is a recreated concert hall stage with the guests sitting in players’ chairs and Copland and his translator located where a solo instrumentalist would be seated. The questions appear to have been scripted in advance – and scripts placed on the music stands. The responses from the Soviets appear to have been ad lib. Copland’s questions were translated into Russian by an American (?) of Russian origins, Nicholas Slonimsky, himself a musician. The Soviets spoke in Russian and were heard through simultaneous translation. The translator was unseen and uncredited. The Soviet guests include (in order of answering questions): Dmitri Kabalevsky, Boris Yarustovsky, Tikhon Khrennikov, Dmitri Shostakovich, Konstantin Dankevich and Fikret Amirov. Kabalevsky was asked about the knowledge of American music in the USSR; Yarustovsky on the influence of American music on Russian music; Khrennikov on the reactions of Soviet musicians to the visit of four American musicians earlier (in the exchange program?); Shostakovich on American jaZZ and its influence; Dankevich on younger Soviet composers and Amirov on the adaption of native musical types to series music. -
“In Una Rete Di Linee Che Si Intersecano”
Viana Conti “In una rete di linee che si intersecano” user Viana Conti 0 1 La maggior parte degli intervistatori ritengono che il pensiero dell’intervistatore sia più importante di quello dell’intervistato. L’intervista è un male del giornalismo, perché evita di pronunciare giudizi, evita di fare articoli critici. L’intervista è un fatto di grande immoralità e pigrizia da parte dei giornali. Ha senso quando per la prima volta riesce a far parlare un personaggio che non si è mai espresso e allora riesce a bloccarlo in un dialogo, cosa che avviene ogni tanto. I giornali devono dare i fatti e poi dei commenti. Umberto Eco, intervistato da Gianni Riotta in L’eco della storia, 2015 (https://www.raicultura.it/storia/articoli/2018/12/-Incontro-con-Umberto-Eco-790a9d6b-da2f- 4d63-9c48-956de0585f76.html) 2 3 Indice Alcune Note Introduttive 8 1. From Viana to Viana: Becoming 10 Documento 1 – Edoardo Manzoni - Come lo ricorda Viana Conti 11 Documento 2 - Viana Conti, Quattro momenti di un’azione 16 2. Collaborazione con il Comune di Genova 17 Documento 3 – Pamela Pastori, Situazioni 18 2.1 Claudio Costa, Antropologia e Controculture 19 Documento 4 – Genova: mostre e notizie – Ottobre/Dicembre 1976 24 2.2 Intervista a John Cage 29 Documento 5 – Lasciar essere i suoni. Incontro con John Cage 33 2.3 L’Arte e la Città 35 2.3.1 Il Gergo Inquieto 36 Documento 6 – Uno spazio per la città – 43 2.3.2 Sapere e Potere 47 2.3.2.1 Rassegna stampa 63 2.3.2.2 Gli Atti del Convegno 65 2.3.3 Cinema Off e Jack Smith 69 2.3.4 “L’Unità” – Arte e Città – Genova negli anni ’80 75 Documento 7 – Arte e città – Inchiesta 76 2.4 Pittura di Corta Memoria 91 2.5 Uno sguardo sul mondo 96 2.6 Giappone Avanguardia del Futuro 100 Documento 8 – L’impero dei segni ha invaso Genova 103 2.7 Pittura in Liguria 116 2.7.1 Giovani pittori in Liguria al Museo di Villa Croce 119 Documento 9 – Nel giorno dopo il dibattito 121 3. -
Table of Contents
TABLE OF CONTENTS NON-FICTION.................................................................................. 3 HIGHLIGHT.................................................................................................3 SOCIETY, POLITICS, ECONOMY ...........................................................3 HISTORY ......................................................................................................9 BIOGRAPHY ..............................................................................................19 MEMOIRS & TRUE STORIES.................................................................27 SCIENCES...................................................................................................33 CULTURAL ESSAYS.................................................................................36 PHILOSOPHY & RELIGION & SPIRITUAL LIFE...............................40 PSYCHOLOGY & MEDECINE & SELF-HELP.....................................44 TRAVEL GUIDES & GASTRONOMY ....................................................51 REFERENCE BOOKS ...............................................................................55 ILLUSTRATED BOOKS ...........................................................................55 ATLAS .........................................................................................................56 ALL TITLES .................................................................................... 59 Contact: Mrs Anastasia Lester ; Email: [email protected] 1 NON-FICTION NON-FICTION HIGHLIGHT -
Gretchen Cryer and Nancy Ford
GRETCHEN CRYER AND NANCY FORD: ELEVATING THE FEMALE VOICE IN AMERICAN MUSICAL THEATER A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC DECEMBER 2018 By Nancy Jane Kerns Thesis Committee: Katherine McQuiston, Chairperson Abigail Fine Laurence Paxton DEDICATION For my parents, Ellen Louise (Denzer) Kerns and Charles Fredric Kerns i ACKNOWLEDGMENTS I am grateful for the support of so many people as I wrote my thesis. My Ohio visits with my sister, Pat, and my brother, Mike, and their families were filled with days of research, writing, and editing. They understood, and have continuously nurtured and cheered me on. My friends (and I wish I could name them all) have listened to, consoled, and encouraged me through many challenging moments, and celebrated with me in the happiest ones. My thesis committee generously provided the guidance I needed to see this project through. My patient and compassionate advisor, Dr. Kate McQuiston, spent countless hours wading through drafts, and consulting in person. Through her wisdom and writing expertise I was able to achieve far better results than I could have accomplished on my own. Dr. Abigail Fine provided perspectives, from the initial proposal through the final product, which changed the nature of my thesis, and greatly aided my writing process in general. In addition to his assistance with this project, Professor Laurence Paxton has guided me through two vocal performance degrees, and, as department chairperson, constantly looked after me during my thirteen years of learning. -
Annual Report 1991
National Gallery of Art 1991 ANNUAL REPORT IB 1991 ANNUAL REPORT 1991 ANNUAL REPORT National Gallery of Art Copyright © 1992. Board of Trustees, National Gallery of Art All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D.C. 20565 Photographs on p. 33, © August Sander Archive; p. 46, © Robert Frank; and p. Ill, © Estate of Walker Evans This publication was produced by the Editors Office, National Gallery of Art Edited by Tarn L. Curry Designed by Susan Lehmann, Washington, D.C. Printed by Schneidereith & Sons, Baltimore, Maryland The type is Bodoni Book, set by BG Composition, Baltimore, Maryland Photo credits: Dean A. Beasom, this page and pp. 19, 20, 23, 25, 26, 29, 31, 33, 42, 46, 69, 71, 73, 78, 92,97, 111, 128 Dennis Brack, Black Star, p. 100 Kathleen Buckalew, pp. 2-3, 50, 75 Richard A. Carafelli, pp. 7, 36, 40, 57, 83, 88, 95 Jacques-Louis David, Thirius de Pautrizel, c. 1795 Philip A. Charles, pp. 8, 17, 37, 41, 48, 55, Gift of Walter H. and Leonore Annenberg, in Honor of the 86, 109 Fiftieth Anniversary of the National Gallery of Art, Jose Naranjo, p. 11 1990.47.2 James Pipkin, cover William D. Wilson, p. 106 ISBN 0-89468-174-5 Pages 2-3: Installation of "animobiles" by Alexander Calder, 1970-1976 Gift of Mrs. Paul Mellon, 1991.7.6-15 Contents President's Preface 6 Administration Director's Report 9 Protection Services 87 Publication Sales 88 Art Programs Gallery Architect 90 Acquisitions 15 Facilities Management 91 Renaissance Paintings -
Analyse De La Longévité De L'alliance
Quand l’alliance résiste aux périls de l’instabilité : Analyse de la longévité de l’alliance PSA - FIAT Nicolosi Alessandro Doctorant en Sciences de Gestion – Université de Montpellier Montpellier Recherche en Management [email protected] Mione Anne Professeur des Universités – Université de Montpellier Montpellier Recherche en Management [email protected] Résumé : Une alliance sur deux se termine de manière précoce. La longévité des alliances au moins jusqu’à ce qu’elles atteignent leur objectif semble donc bien constituer un défi du management stratégique. Dans cette contribution, nous tentons de tirer les leçons d’une alliance de nature symétrique qui a particulièrement duré. Il s’agit de l’alliance entre PSA et FIAT ayant donné lieu à la coentreprise Sevel, dont l’objectif est la conception et la construction de véhicules utilitaires légers et de monospaces qui sont ensuite commercialisés sous les marques propres PSA et FIAT. Pour tirer les leçons de cette expérience qui s’est écoulée sur une trentaine d’années, nous tentons de comprendre comment l’alliance a surmonté les facteurs d’instabilité qui se sont présentés. Nous réalisons tout d’abord une recension des facteurs identifiés dans la littérature. Nous recherchons ensuite ceux qui ont concerné Sevel pour tenter de comprendre comment ils ont été dépassés. Pour ce faire, nous adoptons une méthodologie qualitative. Nous réalisons une revue de documents que nous analysons dans une perspective historique d’identification de séquences stratégiques et d’événements clé. Nous étudions les rapports d’activité des partenaires PSA et FIAT en notant les ruptures remarquables notamment de leur stratégie partenariale depuis leur création et tout au long des années. -
Alfa Occidentale #43 December 2020
ALFA OCCIDENTALE Issue 43, December 2020 Photo by Remi Dargegen. 1 Alfa Occidentale is the electronic magazine of the Alfa Romeo Owners Club of Australia (Western Australian Division) ALFA OCCIDENTALE Issue 43, December 2020 This is the 43rd edition of ALFA OCCIDENTALE, the electronic magazine of the Alfa Romeo Owners Club of Australia (Western Australian Division). It includes the latest updates to the WA Alfa Club’s upcoming program for late November and for December 2020. CONTENTS OF ALFA OCCIDENTALE #4 3 Contents and 2020/21 Committee contact details. Page 2 December 2020 update on AROCA WA’s activities. Page 3 Bella Italia and the Italian Car Day held on Sunday 15th November. Page 4 FCA’s South West Tour of 26th to 28th October. Page 12 Italian Car Show held at Trinity College on 5th November. Page 15 Clarkson’s review of the Alcoholics GTA-R in the London Sunday Times. Page 17 Electric Car Trends Survey published by Castrol. Page 20 Alphabetical Listing of all the Italian Car Marques – Oct. Quiz Results. Page 22 Keeping the Seat Warm – the Alfa 90. Page 26 Two Alfa Giulias Meet. Page 29 On the benefits of AROCA. Page 31 Overseas Alfa (etc.) Auctions. Page 32 US $14.8M sale achieved for unique B.A.T. trio at Sotheby’s auction. Page 33 Announcement of Official Upcoming AROCA WA events. Page 37 Regular WA Alfa Club Monthly Events Listed. Page 38 National Pasta Run Rally on November 22nd. Page 40 Celebration of the Motor Car at Cottesloe Civic Centre on Nov 29th.