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ISSN 1330-3724 2012 2012 2012 ZBORNIK iseljenički HRVATSKI HRVATSKI Summaries in Español English en Resumenes HRVATSK I iseljeničkiZBORNIK Cijena: 80,00 kn korice04.indd 1 HRVATSKI ISELJENI^KI ZBORNIK 2012. Hrvatska matica iseljenika Zagreb, 2011. Nakladnik/Publisher/Editorial Hrvatska matica iseljenika/Croatian Heritage Foundation/Fundación para la Emigración Croata Zagreb, Trg Stjepana Radića 3 Za nakladnika/For Publisher/Por la editorial Katarina Fuček Urednica/Editor/Editora en jefe Vesna Kukavica Uredništvo/Editorial Board/Consejo Editorial Katarina Fuček, Marija Hećimović, Vesna Kukavica, Srebrenka Šeravić First Prevoditelji/Translators/Traductores Neven Ferenčić - za engleski/for English/croata - inglés Darko Mažuranić - za španjolski/for Spanish/para espańol Lektori/Language Editors/Correctores de estilo Ivana Ujević - za hrvatski/for Croatian/croata Željka Somun - za engleski/for English/inglés Olja Ljubišić - za španjolski/for Spanish/para espańol Tajnica/Secretary/Secretaria Snježana Đuričković Fotografi je/Photographs/Fotografi as Arhiva HMI, FAH, Ratko Mavar, Snježana Radoš Design Luka Gusić & Jasenka Bulj DTP Denona Tiskara/Printing-house/Imprenta Denona Naklada/Print run/Edición 1000 www.matis.hr/zbornik HRVATSKI ISELJENIČKI ZBORNIK 2012. CROATIAN EMIGRANT ALMANAC 2012 ANUARIO PARA LA EMIGRACIÓN CROATA 2012 ISSN 1330-3724 ISBN 978-953-6525-60-7 Naslovnica Maksimilijan Vanka: Portret Dore Pejačević (ulje na platnu, 1917.) • Vlasništvo: Moderna galerija, Zagreb • Snimio: Filip Beusan Cover Maksimilijan Vanka: Portrait of Dora Pejačević (oil on canvas, 1917) • Property of: Modern Gallery, Zagreb • Photo by: Filip Beusan Portada Maksimilijan Vanka: Retrato de Dora Pejačević (óleo sobre tela, 1917.) • Propietario: Galería Moderna, Zagreb • Fotografía: Filip Beusan PREDGOVOR ijepa Naša vratila se političkom i kulturnom prostoru kojem je oduvijek pripadala. Hrvatska je u Bruxellesu 9. prosinca 2011. potpisala Ugovor o pristupanju Europskoj uniji, čijom će članicom postati 1. srpnja 2013. Potpis na pristupni ugovor stavili Lsu predsjednik Ivo Josipović i predsjednica Vlade Jadranka Kosor. Uz Ugovor o pristupanju, potpisan je i Završni akt kao politički dokument Međuvladine konferencije u kojem se navodi sve što je usklađeno tijekom šestogodišnjih pregovora. Završetkom svečanog potpisivanja ugovora, na koji su potpise stavili čelnici 27 zemalja EU te naši najviši dužnosnici, RH je promijenila status iz zemlje kandidatkinje za Unijino članstvo u zemlju pristupnicu. Riječ je o povijesnom činu koji po svojoj važnosti odgovara odluci Hrvatskog sabora o neovisnosti. Na temelju tih činjenica izazovi članstva u EU, nasljeđe hrvatskih velikana i novo ozračje domovine glavna su tema Matičina godišnjaka, koju na zanimljiv način oblikuje politolog Božo Skoko. Jezična politika i praksa u višejezičnoj Europi, u kojoj je hrvatski jezik postao 24. službeni jezik, predmet su studije australskoga jezikoslovca hrvatskoga podrijetla Jima Hlavača. Mnogobrojni su govornici hrvatskoga jezika izvan RH, budući da u svijetu u tridesetak država živi približno jednak broj Hrvata i građana hrvatskoga podrijetla kao i u matičnoj zemlji. Koliko je zaklinjanje u jezičnu raznolikost stvarno, a koliko deklarativno osjetljivo je pitanje u jednoj iseljeničkoj zemlji s nevelikom jezičnom zajednicom. Jezici su nužni za ostvarivanje strateških ciljeva obrazovanja za sve i za ostvarenje razvojnih ciljeva hrvatskoga naroda. Trenutačno hrvatski jezik i kulturu u iseljeništvu diljem planeta uči 13.325 učenika te znatno veći broj mladih iz naših manjinskih zajednica srednje i jugoistočne Europe. Kakvo je stanje s udžbenicima i programima opisuje voditeljica Matičina Odjela za školstvo, znanost i šport Lada Kanajet Šimić, koja je ove godine afi rmirala Hrvatski internetski tečaj. Hrvatska matica iseljenika s partnerima uspjela je za svoj šezdeseti jubilej uspješnoga djelovanja uhvatiti korak s najsuvremenijim informacijskim tehnologijama u poučavanju materinskoga jezika. Uz europske krajobraze i jezično pitanje među Hrvatima u inozemstvu, godišnjak donosi mnoge aktualne priče iz kulturnoga i društvenoga života iseljenika diljem planeta, koje su pisali većinom ugledni sveučilišni profesori od Zagreba, Rijeke i Pečuha do Melbournea poput Hlavača, Val Colic-Peisker i dr. Tako Hrvatski iseljenički zbornik 2012. donosi pravu riznicu stvaralaštva našijenaca iz raznih područja ljudske djelatnosti, koju će Hrvatska i dalje njegovati na temelju novodonesenog Zakona o odnosima RH s Hrvatima izvan RH. Tematske cjeline Znaci vremena, Kroatistički obzori, Mostovi, Povjesnica, Baština, Duhovnost, Znanost te Nove knjige obiluju prilozima vrsnih publicista. Među 34 uvrštenih autorskih radova skrećemo vam pozornost na priloge stalnih suradnika poput LJ. Antića, S. Vulić, J. Čapo, S. Blažetina, M. Perić, M. Sopte, T. Nuić i D. Barača. Ljetošnja umjetnička donacija iz Beča zagrebačkoj Modernoj galeriji jedinoga portreta najstarije hrvatske skladateljice Dore Pejačević, koji je naslikao znameniti M. Vanka, potaknula nas je za izgled naslovnice. INTRODUCTION ur Beautiful Homeland has returned to the political and cultural milieu it has always been a part of. On December 9th of this year Croatia signed the EU Accession Treaty in Brussels and is set to join on July 1st, 2013. President Josipović and Prime Minister OKosor signed the Treaty and the Final Act, an Intergovernmental Conference document detailing everything agreed upon over six years of negotiation. The ceremony at which the treaty was signed by the heads of 27 EU countries and top Croatian offi cials shifted Croatia from candidate to acceding country status. It is a historic act, similar in importance to Parliament’s decision to proclaim independence. This year’s CHF Almanac is, as a result, focused on the challenges of EU membership, the legacies of great Croatians and the new homeland environment, with an interesting take on these topics by political scientist B. Skoko. Language policy and practice in a multilingual Europe, where ours is now the 24th offi cial language, is the subject of a study by Australian linguist of Croatian heritage Jim Hlavač. There are many Croatian-speaking people abroad — about as many Croatians and people of Croatian heritage live in some thirty countries around the world as do in the country of origin. The sincerity or lack thereof of appeals for linguistic equality is a sensitive issue for an emigrant country forming a small linguistic community. Languages are essential to achieving the strategic goals of education for all and to achieve Croatian development goals. There are currently 13.325 pupils learning our language and culture in the emigrant communities abroad and a signifi cantly larger number in our minority communities in Central and Southeast Europe. The current situation with textbooks and programmes is detailed by Lada Kanajet Šimić, who heads the CHF education department and who has affi rmed the Croatian Internet Course this year. On its sixtieth anniversary the Croatian Heritage Foundation and its partners have taken a step forward implementing the latest information technology in Croatian language instruction. Along with European landscapes and the topic of language in the Croatian communities abroad, this year’s almanac also features a number of articles on the cultural and social life of our emigrants around the world, penned by prominent university professors from Zagreb, Rijeka and Pécs to Melbourne, including authors Hlavač and Colic-Peisker. The 2012 Croatian Emigrant Almanac features a wealth of creative work by our people from various walks of life that will be nurtured in the future on the basis of a newly adopted Act on Croatia’s relations with Croatians abroad. The thematic sections Signs Of The Times, Croatian Philological Horizons, Bridges, A History, Heritage, Spirituality, Science and New Books offer a wealth of contributions by leading writers. Among the thirty-four articles are those by long-time contributing authors Lj. Antić, S. Vulić, J. Čapo, S. Blažetin, M. Perić, M. Sopta, T. Nuić and D. Barač. The cover of this year’s almanac is inspired by a donation made this summer from Vienna to Zagreb’s Modern Gallery of the only portrait of Dora Pejačević, the fi rst Croatian woman composer, painted by the famed M. Vanka. INTRODUCCIÓN uestra hermosa Patria retornó al espacio político y cultural que le perteneció desde siempre. El 9 de diciembre de 2011 Croacia fi rmó en Bruselas el Acuerdo de Admisión en la UE, cuya membresía obtendrá el 1ro. de julio de 2013. Rubricaron Nel Acuerdo el presidente Ivo Josipović y la premier Jadranka Kosor. Junto con dicho Acuerdo, también fue fi rmada el Acta fi nal, un documento político conclusivo de la Conferencia Intergubernamental en el cual consta todo lo armonizado durante los 6 años de negociaciones. Tras ser fi rmado ofi cialmente el Acuerdo por los líderes de los 27 países de la UE y por el presidente y la premier croata, Croacia cambió su status de país candidato por el de país entrante en la UE. Por su importancia, este hecho histórico equivale a la decisión del Parlamento Croata sobre la independencia. Los desafíos de la membresía en la UE, el legado de los prohombres croatas y el nuevo clima en la Patria, son los principales temas del presente Anuario, analizados de un modo ameno por el politólogo Božo Skoko. La política y la práctica lingüística en la Europa multilingüe, en la que el croata se convirtió en el 24 idioma ofi cial, son analizadas por el lingüista australiano de raíces croatas Jim Hlavač. Muchas personas hablan
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    MODERNA GALERIJA, Andrije Hebranga 1, Zagreb Tel: 6041040; fax: 6041044 www.moderna-galerija.hr e-mail: [email protected] 1. SKUPLJANJE GRAĐE 1.2. Terensko istraživanje: Dajana Vlaisavljević, obilazak privatnih i javnih zbirki u svrhu istraživanja slikarskog opusa Nikole Mašića 1.3. Darovanje Tijekom 2018. godine Modernoj galeriji darovana su ukupno 84 muzejska predmeta: - Zbirka slikarstva od 1898. do 1918.: 2 muzejska predmeta - Zbirka slikarstva od 1918. do 1945.: 6 muzejskih predmeta - Zbirka slikarstva od 1945.: 25 muzejskih predmeta - Zbirka akvarela, crteža i grafike 19., 20. i 21. stoljeća: 9 muzejskih predmeta - Zbirka kiparstva 19., 20. i 21. stoljeća: 3 muzejska predmeta - Zbirka plaketa i medalja 19., 20. i 21. stoljeća: 21 muzejski predmet - Zbirka novih medija: 18 muzejskih predmeta 1.7. Ostalo MG je u pohranu tijekom 2018. godine s obvezom čuvanja i izlaganja preuzela 6 muzejskih predmeta: - Zbirka slikarstva od 1945.: 1 muzejski predmet - Zbirka slikarstva od 1918. do 1945.: 1 muzejski predmet - Zbirka slikarstva od 1898. do 1918.: 4 muzejska predmeta 2. ZAŠTITA 2. 1. Preventivna zaštita Restauratori i preparatori MG tijekom 2018. preventivno su zaštitili i opremili građu sukladno prioritetima, izložbenom programu MG i raspoloživim sredstvima te susljedno ustupanju muzejske građe iz fundusa MG srodnim ustanovama. Slike i crteži opremani su muzejskim staklima, beskiselinskim paspartuima, kutićima i trakama, beskiselinskim poleđinskim zaštitama te su – prema potrebama – i adekvatno pre-uokvireni. Učinkovitoj zaštiti umjetnina u MG se pridaje velika pozornost kako bi se mogućnost oštećenja svela na minimum, jer brojnost posudbi građe srodnim ustanovama na jednogodišnjoj razini premašuje troznamenkasti broj, a intenzivni ritam izmjena povremenih retrospektivnih i studijskih izložbi MG (v.
  • Travel Planning Guide

    Travel Planning Guide

    TRAVEL PLANNING GUIDE Cruising the Adriatic: Croatia, Montenegro, Bosnia & Herzegovina 2020 Small Groups: 20-25 travelers—guaranteed! (average of 22) Overseas Adventure Travel ® Small Ships, Smaller Groups, Undiscovered Ports 1 Overseas Adventure Travel ® 347 Congress Street, Boston, MA 02210 Dear Traveler, For centuries, history's most intrepid explorers have gazed upon the horizon in search of life- changing discoveries. We invite to you to join their ranks—and seek out unforgettable experiences aboard our 16- to 210-passenger small ships, in groups of 20-25 travelers (with an average of 22). In the following pages, you'll find detailed information on this special Small Ship Adventure. We know that you have numerous options available to you as you make your travel plans, but only O.A.T. offers you the most immersive, authentic travel experience. Plus, with the lowest prices in small ship travel, and FREE or low-cost Single Supplements on all of our trips, you won't find a better value—guaranteed. We believe that travel is about immersion—and our small groups and smaller ships are key to making travel dreams a reality. Aboard a member of our award-winning small ship fleet—recently ranked #2 on Travel + Leisure's Top 10 "World's Best" Small Ship Ocean Cruise Lines for 2018—you'll embark on an active exploration of your dream destination with like-minded American travelers who share your passion for discovery. With your small ship's easy access to intimate, off-the-beaten-path destinations, you'll explore the highlights and hidden gems of each port of call—all while gaining even richer insights from the people who know your destination best.
  • Reading a Painting: Maxo Vanka's Collage

    Reading a Painting: Maxo Vanka's Collage

    READING A PAINTING: MAXO VANKA’S COLLAGE »WORLD WAR II« Henry A. Christian Tine T. K urent Only within the last few years has there begun a measurement of the quantity and quality of theoeuvre of the Croatian artist Maksimilian - usually called Maxo - Vanka (1889-1963). That assessment-in-progress now makes possible the determination of several geographical and chronological categories of Vanka’s production. The Ilegitimate child of Austro-Hungarian nobility, Vanka was educated in Zagreb and Brussels, gained the protection of Queen Elizabeth of the Belgians, served in the Belgian Red Cross as a stretcher bearer, and finished the Great War as a pacifist in Zagreb. The subject today of a second look in his native land, the artist’s Croatian work - known in the United States to a few of Croatian descent - represents a primary category of Vanka materials. A professor at the Academy of Art in Zagreb, under the directorship of the famous sculptor Ivan Mestrovic, Vanka became known throughout Western Europe for precise and distinctive portraits, landscapes - especially scenes on the island of Korčula - and accurate renderings of various regional peasant dress and symbols, such as the religious procession presentation in the Modem Gallery in Zagreb, the wedding scene now in the upper hall of the Zagreb Old Town Hall, or the stunning lone, standing woman in white in the small gallery adjoining the monument to the Peasant Revolts at Gornja Stubica. A second category has its origin in 1934 when Vanka and his American wife Margaret (nee Stetten) and their daughter Peggy visited the United States and a year later decided to take permanent residence in America despite Vanka’s reluctance to be within the strong financial and social aura of his wife’s family.
  • Croat Ethnography and Nationalism in the Work of Maksimilijan Vanka

    Croat Ethnography and Nationalism in the Work of Maksimilijan Vanka

    Peasants and Politics: Croat Ethnography and Nationalism in the Work of Maksimilijan Vanka Heidi A. Cook Throughout the end of the nineteenth and beginning of refusal to embrace avant-garde style.2 It would be a mistake, the twentieth centuries, images of folk culture linked with however, to assume that these peasant images were simple burgeoning nationalisms were a ubiquitous part of the visual or that Croat nationalist imagery was homogeneous. Quite in culture of Central and Eastern Europe. By the 1920s and contrast to these generalizations of Vanka’s work, the artist’s 1930s, driven by increasing nationalism, new commoditiza- images of folk culture produced during the interwar period in tion, and ethnographic preservation, peasant imagery took the Kingdom of Yugoslavia played a decisive role in shaping on a life quite its own, far from the rural countryside where the shifting imagery of a new Croat national identity. it originated. In the Croat visual culture within the Kingdom The Croatian land in which Vanka was born and lived of Yugoslavia, peasants and their rural villages popped up on until his immigration to the United States in 1934 was a di- the stage of the national theater in a new, thoroughly modern vided and disputed nation that had not existed as a unified style. They graced the covers of the most fashionable middle- territory for almost a thousand years. Present-day Croatia was class illustrated magazines in their brightly colored folk dress, incorporated into Austria-Hungary in the late nineteenth and and these locally circulating folk motifs were picked up by early twentieth centuries, and then between the two World academic and avant-garde artists alike in their work.
  • INTERMEDIJ HEP-A, Protiv Tvrtke Koja Ih Hrani

    INTERMEDIJ HEP-A, Protiv Tvrtke Koja Ih Hrani

    28, 29 ponašanjem rade protiv interesa INTERMEDIJ HEP-a, protiv tvrtke koja ih hrani. Osje}a se to i vidi posebno u Evo nas u prvom broju HEP Vjesnika posljednje vrijeme. u 2001. godini. Kao što vidite, pro- Dopu{teno je imati svoje mi{ljelje, ne mijenili smo “glavu”, redizajnirali slagati se s odlukama svojih rukovo- smo prijelom. Cilj je da rasteretimo ditelja, kritizirati poteze na pravi na~in i tekst od ponekad razvu~enih cjelina, na pravom mjestu. Kritika, me|utim, jer dinami~no vrijeme u kojem `ivimo mo`e biti dobronamjerna s nastojanjem mnogima ograni~ava vrijeme i kon- da se nešto mijenja na bolje, a mo`e Ður|a Sušec, centraciju potrebnu za takav posao. biti zlonamjerna s potrebom da se kom- Glavni i odgovorni Osim toga, `elimo osvje`iti naš list urednik HEP Vjesnika promitira pojedinac, skupina ili - tvrtka. I elementima suvremenog dizajna. zla namjera bi se mo`da mogla HEP Vjesnik æe i dalje pratiti `ivot, opravdati kada ne bi bila motivirana svjedo~iti povijest HEP-a, promicati ci- isklju~ivo nemogu}no{}u ostvarenja ljeve koji su pred nama. ^ovjek }e i osobnih ambicija takvih kriti~ara, koji dalje ostati sredi{te na{e pozornosti, zbog vlastitog dovode u pitanje interes jer od njega u HEP-u – kao i drugdje skupine kojoj pripadaju. – sve po~inje. Svi smo mi jedan tim, tim HEP-a, koji Naš je cilj da s najva`nijim doga|ajima usmjerava energiju u pravcu ostvare- u HEP-u i za HEP upoznamo osobito nja cilja zbog kojeg postojimo. Uz vas, kojima je HEP Vjesnik zna~ajna i, organizacijske i druge ~imbenike, mo`da, jedina spona s ostalim dijelom takav proces mo`e biti potican i ot- 41 tvrtke.