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The Fruits of Empire: Contextualizing Food in Post-Civil War American Art and Culture
University of New Mexico UNM Digital Repository Art & Art History ETDs Electronic Theses and Dissertations 5-1-2015 The rF uits of Empire: Contextualizing Food in Post-Civil War American Art and Culture Shana Klein Follow this and additional works at: https://digitalrepository.unm.edu/arth_etds Recommended Citation Klein, Shana. "The rF uits of Empire: Contextualizing Food in Post-Civil War American Art and Culture." (2015). https://digitalrepository.unm.edu/arth_etds/6 This Dissertation is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Art & Art History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. i Shana Klein Candidate Art and Art History Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Kirsten Buick , Chairperson Dr. Catherine Zuromskis Dr. Kymberly Pinder Dr. Katharina Vester ii The Fruits of Empire: Contextualizing Food in Post-Civil War American Art and Culture by Shana Klein B.A., Art History, Washington University in Saint Louis M.A., Art History, University of New Mexico, Albuquerque Ph.D., Art History, University of New Mexico, Albuquerque DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Art History The University of New Mexico Albuquerque, New Mexico May, 2015 iii ACKNOWLEDGEMENTS I would first like to acknowledge the bottomless amounts of support I received from my advisor, Dr. Kirsten Buick. Dr. Buick gave me the confidence to pursue the subject of food in art, which at first seemed quirky and unusual to many. -
Trg Nikole Šubića Zrinskog
ISSN 1849-4838 (TISAK) ISSN 1849-6091 (ONLINE) ČASOPIS HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI GODINA IV./ BROJ 6./ ZAGREB, 2017. /CIJENA 25 KN TEMA BROJA Trg Nikole Šubića Zrinskog RAZREDI HAZU V. Razred za filološke znanosti HAZU ZNANSTVENI ZAVODI HAZU Institut za ornitologiju HAZU MUZEJI, GALERIJE I ZBIRKE HAZU Zbirka Baltazara Bogišića u Cavtatu PROJEKTI HAZU Utjecaj endemskog ratovanja na zdravlje kasnosrednjovjekovnih i ranonovovjekovnih populacija Hrvatske BLAGO KNJIŽNICE, ARHIVA I ZBIRKI HAZU Ostavštine hrvatskih nobelovaca u Hrvatskoj akademiji znanosti i umjetnosti IZLOG IZDANJA HAZU Rasprave i građa za povijest znanosti MEĐUNARODNA SURADNJA Znanstveni savjetodavni odbor akademija Europske unije (EASAC) IZJAVA HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U FOKUSU KRONIKA Događanja u HAZU u 2016. Nagrade i priznanja SADRŽAJ / Content GLASNIK HAZU (godište IV., br. 7., srpanj – prosinac 2017.) GLASNIK HAZU 0 Tema broja / Feature ČASOPIS HRVATSKE AKADEMIJE Rad Hrvatske akademije znanosti i umjetnosti / The Rad of the ZNANOSTI I UMJETNOSTI Croatian Academy of Sciences and Art Godina IV., broj 6., Zagreb, 2017. Akademik Zvonko Kusić, predsjednik Hrvatske Nakladnik / Publisher: 0 akademije znanosti i umjetnosti Hrvatska akademija znanosti i umjetnosti Ljetopis Hrvatske akademije znanosti i umjetnosti / The Chronicle Za nakladnika / For the Publisher: of the Croatian Academy of Sciences and Art akademik Pavao Rudan, glavni tajnik HAZU 0 Akademik Pavao Rudan, glavni tajnik Hrvatske Glavni urednik / Editor-in-Chief: akademije znanosti i umjetnosti akademik Ivan Gušić Urednik / Editor: Razredi Hrvatske akademije znanosti i umjetnosti / prof. dr. sc. Tihomil Maštrović Academy Departments Likovni urednik / Design Editor: VI. Razred za književnost / VI. Department for Literature Damir Fabijanić 0 Akademik Pavao Pavličić Uredništvo / Editorial Board: prof. -
(212)879-5500 Monographic Exhibition Of
The Metropolitan Museum of Art 82nd Street and Fifth Avenue New York, New York 10028 (212)879-5500 MONOGRAPHIC EXHIBITION OF WORKS OF WILLIAM HARNETT TO BE SHOWN AT METROPOLITAN MUSEUM OF ART PRESS PREVIEW • TUESDAY, MARCH 10, 1992 • 10:00 a.m. - noon Exhibition dates • March 14 - June 14, 1992 Exhibition location • The Erving and Joyce Wolf Galleries, The American Wing, first floor William M. Harnett, the first comprehensive exhibition of this 19th-century still-life painter's work, will open at The Metropolitan Museum of Art on March 14. Harnett popularized the use of man-made objects as still-life models and worked in a remarkably realistic style that fostered the late-19th-century American school of trompe-l'oeil painting—quite literally painting that "fooled the eye." The exhibition of about 50 of Harnett's most accomplished pictures will continue at the Metropolitan Museum through June 14 and then travel to the Amon Carter Museum, Fort Worth, The Fine Arts Museums of San Francisco, and the National Gallery of Art, Washington, D.C. The exhibition is made possible by Alamo Rent A Car, Inc. It was organized by The Metropolitan Museum of Art, New York, the Amon Carter Museum, Fort Worth, and The Fine Arts Museums of San Francisco. Additional support was provided by the National Endowment for the Humanities and the National Endowment for the Arts. William M. Harnett (1848-92) was born in Ireland and immigrated to Philadelphia as a child. For nearly a decade he worked as an engraver while pursuing art studies both in Philadelphia and in New York. -
Encyklopédia Kresťanského Umenia
Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day -
Zbornik HIZ 2011.Indd
ISSN 1330-3724 2012 2012 2012 ZBORNIK iseljenički HRVATSKI HRVATSKI Summaries in Español English en Resumenes HRVATSK I iseljeničkiZBORNIK Cijena: 80,00 kn korice04.indd 1 HRVATSKI ISELJENI^KI ZBORNIK 2012. Hrvatska matica iseljenika Zagreb, 2011. Nakladnik/Publisher/Editorial Hrvatska matica iseljenika/Croatian Heritage Foundation/Fundación para la Emigración Croata Zagreb, Trg Stjepana Radića 3 Za nakladnika/For Publisher/Por la editorial Katarina Fuček Urednica/Editor/Editora en jefe Vesna Kukavica Uredništvo/Editorial Board/Consejo Editorial Katarina Fuček, Marija Hećimović, Vesna Kukavica, Srebrenka Šeravić First Prevoditelji/Translators/Traductores Neven Ferenčić - za engleski/for English/croata - inglés Darko Mažuranić - za španjolski/for Spanish/para espańol Lektori/Language Editors/Correctores de estilo Ivana Ujević - za hrvatski/for Croatian/croata Željka Somun - za engleski/for English/inglés Olja Ljubišić - za španjolski/for Spanish/para espańol Tajnica/Secretary/Secretaria Snježana Đuričković Fotografi je/Photographs/Fotografi as Arhiva HMI, FAH, Ratko Mavar, Snježana Radoš Design Luka Gusić & Jasenka Bulj DTP Denona Tiskara/Printing-house/Imprenta Denona Naklada/Print run/Edición 1000 www.matis.hr/zbornik HRVATSKI ISELJENIČKI ZBORNIK 2012. CROATIAN EMIGRANT ALMANAC 2012 ANUARIO PARA LA EMIGRACIÓN CROATA 2012 ISSN 1330-3724 ISBN 978-953-6525-60-7 Naslovnica Maksimilijan Vanka: Portret Dore Pejačević (ulje na platnu, 1917.) • Vlasništvo: Moderna galerija, Zagreb • Snimio: Filip Beusan Cover Maksimilijan Vanka: Portrait of Dora Pejačević (oil on canvas, 1917) • Property of: Modern Gallery, Zagreb • Photo by: Filip Beusan Portada Maksimilijan Vanka: Retrato de Dora Pejačević (óleo sobre tela, 1917.) • Propietario: Galería Moderna, Zagreb • Fotografía: Filip Beusan PREDGOVOR ijepa Naša vratila se političkom i kulturnom prostoru kojem je oduvijek pripadala. -
TEMA BROJA Rad I Ljetopis Hrvatske Akademije Znanosti I Umjetnosti
ISSN 1849-4838 (TISAK) ISSN 1849-6091 (ONLINE) ČASOPIS HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI GODINA IV./ BROJ 7./ ZAGREB, 2018. /CIJENA 25 KN TEMA BROJA Rad i Ljetopis Hrvatske akademije znanosti i umjetnosti RAZREDI HAZU VI. Razred za književnost ZNANSTVENI ZAVODI HAZU Centar za znanstveni rad HAZU u Vinkovcima MUZEJI, GALERIJE I ZBIRKE HAZU Memorijalna zbirka Maksimilijana Vanke u Korčuli PROJEKTI HAZU Općeslavenski lingvistički atlas i Europski lingvistički atlas BLAGO KNJIŽNICE, ARHIVA I ZBIRKI HAZU Isprava o posveti kotorske katedrale iz godine 1166. u Arhivu HAZU IZLOG IZDANJA HAZU Diplomatički zbornik kraljevine Hrvatske, Dalmacije i Slavonije MEĐUNARODNA SURADNJA Transfer kulturnih dobara u regiji Alpe – Jadran tijekom XX. stoljeća IZJAVE HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U FOKUSU Dani otvorenih vrata HAZU / Slika Susret pape Lava I. Velikog s Atilom KRONIKA Nagrade i priznanja Događanja u drugom polugodištu 2017. SADRŽAJ / Content GLASNIK HAZU (godište IV., br. 7., srpanj – prosinac 2017.) GLASNIK HAZU 3 Tema broja / Feature ČASOPIS HRVATSKE AKADEMIJE Rad Hrvatske akademije znanosti i umjetnosti / ZNANOSTI I UMJETNOSTI The Rad of the Croatian Academy of Sciences and Arts Godina IV., broj 7., Zagreb, 2018. Akademik Zvonko Kusić, predsjednik HAZU Nakladnik / Publisher: Ljetopis Hrvatske akademije znanosti i umjetnosti / Hrvatska akademija znanosti i umjetnosti The Chronicle of the Croatian Academy of Sciences and Arts Za nakladnika / For the Publisher: Akademik Pavao Rudan, glavni tajnik HAZU akademik Pavao Rudan, glavni tajnik HAZU Glavni urednik / Editor-in-Chief: 11 Razredi HAZU / Academy Departments akademik Ivan Gušić VI. Razred za književnost / VI. Department for Literature Urednik / Editor: Akademik Pavao Pavličić prof. dr. sc. Tihomil Maštrović 15 Znanstveni zavodi HAZU / Institutes for Scientific Research Likovni urednik / Design Editor: Centar za znanstveni rad HAZU u Vinkovcima / Damir Fabijanić The Scientific Research Centre in Vinkovci Uredništvo / Editorial Board: Akademik Slavko Matić, Anica Bilić prof. -
Wallsjasper Johns and Roy Lichtenstein
WALLSJASPER JOHNS AND ROY LICHTENSTEIN 1 2 JASPER JOHNS AND ROY LICHTENSTEIN WALLSAPRIL 25 – JUNE 27 2014 CASTELLI Kenneth E. Silver WALLS: Johns, Lichtenstein, trompe l’oeil, and Art History Big abstract paintings turn out to be astonishingly easy to live with. Representational, illusionistic pictures of the same size, though presumably opening up the walls behind them, would eat up a lot more of the surrounding space; their contents have a way of coming forward as well as receding. Abstract painting, especially of the postwar American variety, tends to hold the wall more the way that Far Eastern painting does. Clement Greenberg, “A Famous Art Critic’s Collection,” Vogue (15 January 1964) In memory of Bob Rosenblum The spring before I began graduate school in art history, in 1973, I was more or less forced into a confrontation with Clement Greenberg. It took place at a party in painter Kenneth Noland’s huge loft building on the Bowery. Although I knew Ken Noland a bit through a mutual friend, Margo Greene, I had never met Greenberg. Ken and I, and one or two other people, as well as the esteemed critic, were standing in Ken’s bedroom, looking at a long horizontal stripe painting by him on the wall over the bed. “Hey Clem, did I tell you that Ken Silver’s a big Warhol fan,” Ken Noland asserted provocatively, knowing that this would ruffle his friend’s feathers and wanting to see how I would respond. “Oh yeah? You are? Tell me, then,” Greenberg asked me, “whom do you expect to care about Andy Warhol when everyone’s forgotten who Marilyn -
Crna Korčula – Zeleni Otok
broj no. 7 srpanj july 2019. MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION ISSN 1330-2140 ISSN Crna Korčula – zeleni otok Mjesečna revija Hrvatske matice Poštovani čitatelji, pretplatnici Matice i Zbornika! iseljenika / Monthly magazine of the Obavještavamo Vas da od 1. srpnja 2019. godine Hrvatska matica iseljenika neće moći Croatian Heritage Foundation primati čekove kao sredstvo plaćanja. Privredna banka Zagreb kod koje Hrvatska matica Godište / Volume LXIX iseljenika ima otvoren devizni račun s tim danom prestaje pružati usluge vezane za Broj / No. 7/2019 zaprimanje i unovčavanje čekova koji glase na stranu valutu. Lijepo molimo da nakon Nakladnik / Publisher 1.7.2019. godine više ne šaljete čekove za pretplatu jer se neće moći naplatiti. Hrvatska matica iseljenika / Pretplatu za časopis Matica i godišnjak Zbornik možete izvršiti uplatom na devizni račun Croatian Heritage Foundation Hrvatske matice iseljenika: Privredna banka Zagreb (za Hrvatsku maticu iseljenika) Radnička cesta 50, 10000 Zagreb, Za nakladnika / For Publisher Mijo Marić IBAN HR06 2340 0091 5102 96717 Swift Code: PBZGHR2X Zahvaljujemo na razumijevanju i srdačno pozdravljamo! Rukovoditeljica Odjela nakladništva / Hrvatska matica iseljenika Head of Publishing Department Vesna Kukavica Odjel za nakladništvo Uredništvo / Editorial Staff Ljerka Galic, Željko Rupić, Hrvoje Salopek Tajnica / Secretary Snježana Radoš Dear readers, subscribers to Matica magazine and the Dizajn i priprema / Layout & Design Croatian Emigrant Almanac! Krunoslav Vilček Please be notified that as of 1 July 2019 the Croatian Heritage Foundation will no longer Tisak / Print accept cheques as a means of payment. Privredna banka Zagreb, where the Croatian Heritage Foundation has its foreign currency account, will no longer provide services related to the VJESNIK GG receipt and cashing of foreign currency cheques as of that date. -
Izvje. MDC-MG Final Za 2018
MODERNA GALERIJA, Andrije Hebranga 1, Zagreb Tel: 6041040; fax: 6041044 www.moderna-galerija.hr e-mail: [email protected] 1. SKUPLJANJE GRAĐE 1.2. Terensko istraživanje: Dajana Vlaisavljević, obilazak privatnih i javnih zbirki u svrhu istraživanja slikarskog opusa Nikole Mašića 1.3. Darovanje Tijekom 2018. godine Modernoj galeriji darovana su ukupno 84 muzejska predmeta: - Zbirka slikarstva od 1898. do 1918.: 2 muzejska predmeta - Zbirka slikarstva od 1918. do 1945.: 6 muzejskih predmeta - Zbirka slikarstva od 1945.: 25 muzejskih predmeta - Zbirka akvarela, crteža i grafike 19., 20. i 21. stoljeća: 9 muzejskih predmeta - Zbirka kiparstva 19., 20. i 21. stoljeća: 3 muzejska predmeta - Zbirka plaketa i medalja 19., 20. i 21. stoljeća: 21 muzejski predmet - Zbirka novih medija: 18 muzejskih predmeta 1.7. Ostalo MG je u pohranu tijekom 2018. godine s obvezom čuvanja i izlaganja preuzela 6 muzejskih predmeta: - Zbirka slikarstva od 1945.: 1 muzejski predmet - Zbirka slikarstva od 1918. do 1945.: 1 muzejski predmet - Zbirka slikarstva od 1898. do 1918.: 4 muzejska predmeta 2. ZAŠTITA 2. 1. Preventivna zaštita Restauratori i preparatori MG tijekom 2018. preventivno su zaštitili i opremili građu sukladno prioritetima, izložbenom programu MG i raspoloživim sredstvima te susljedno ustupanju muzejske građe iz fundusa MG srodnim ustanovama. Slike i crteži opremani su muzejskim staklima, beskiselinskim paspartuima, kutićima i trakama, beskiselinskim poleđinskim zaštitama te su – prema potrebama – i adekvatno pre-uokvireni. Učinkovitoj zaštiti umjetnina u MG se pridaje velika pozornost kako bi se mogućnost oštećenja svela na minimum, jer brojnost posudbi građe srodnim ustanovama na jednogodišnjoj razini premašuje troznamenkasti broj, a intenzivni ritam izmjena povremenih retrospektivnih i studijskih izložbi MG (v. -
Travel Planning Guide
TRAVEL PLANNING GUIDE Cruising the Adriatic: Croatia, Montenegro, Bosnia & Herzegovina 2020 Small Groups: 20-25 travelers—guaranteed! (average of 22) Overseas Adventure Travel ® Small Ships, Smaller Groups, Undiscovered Ports 1 Overseas Adventure Travel ® 347 Congress Street, Boston, MA 02210 Dear Traveler, For centuries, history's most intrepid explorers have gazed upon the horizon in search of life- changing discoveries. We invite to you to join their ranks—and seek out unforgettable experiences aboard our 16- to 210-passenger small ships, in groups of 20-25 travelers (with an average of 22). In the following pages, you'll find detailed information on this special Small Ship Adventure. We know that you have numerous options available to you as you make your travel plans, but only O.A.T. offers you the most immersive, authentic travel experience. Plus, with the lowest prices in small ship travel, and FREE or low-cost Single Supplements on all of our trips, you won't find a better value—guaranteed. We believe that travel is about immersion—and our small groups and smaller ships are key to making travel dreams a reality. Aboard a member of our award-winning small ship fleet—recently ranked #2 on Travel + Leisure's Top 10 "World's Best" Small Ship Ocean Cruise Lines for 2018—you'll embark on an active exploration of your dream destination with like-minded American travelers who share your passion for discovery. With your small ship's easy access to intimate, off-the-beaten-path destinations, you'll explore the highlights and hidden gems of each port of call—all while gaining even richer insights from the people who know your destination best. -
American Art & Pennsylvania Impressionists (1634) Lot 18
American Art & Pennsylvania Impressionists (1634) June 9, 2019 EDT Lot 18 Estimate: $8000 - $12000 (plus Buyer's Premium) JOHN FREDERICK PETO (AMERICAN 1854–1907) "STILL-LIFE WITH SALT-GLAZED MUG, BOOK, PIPE AND MATCH" Signed 'J.F. Peto' upper left, oil on artist's board 6 x 9 in. (15.2 x 22.9cm) Executed in the 1880s. Provenance: Howard Keyser, Philadelphia, Pennsylvania. Collection of Mr. and Mrs. Alfred Frankenstein, San Francisco, California. Acquired directly from the above in 1971. Hirschl & Adler Galleries, Inc., New York, New York. Acquired directly from the above in 1975. Craig & Tarlton Gallery, Raleigh, North Carolina. Collection of Charles Lee Smith III, Raleigh, North Carolina. Collection of Robert P. Coggins, Marietta, Georgia. Berry-Hill Galleries, Inc., New York. Acquired directly from the above in 1983. Private Collection, New York. Christie's, New York, sale of December 5, 2013, lot 163. Acquired directly from the above sale. Private Collection, Pennsylvania. EXHIBITED: "American Still Lifes of the Nineteenth Century," Hirschl & Adler Galleries, Inc., New York, New York, December 1-31, 1971, no. 35. LITERATURE: American Still Lifes of the Nineteenth Century, an exhibition catalogue, Hirschl & Adler Galleries, Inc., New York, New York, 1971, p. 27, no. 35 (illustrated). J. Wilmerding, Important Information Inside: The Art of John F. Peto and the Idea of Still-Life Painting in Nineteenth- Century America, Washington, D.C., 1983, fig. 40, pp. 62-63 (illustrated). NOTE: Painting in the tradition of fellow artists Charles Willson Peale and his son Raphaelle, John Haberle and William Harnett (the latter with whom he was closely associated) Philadelphia born and New Jersey raised John Frederick Peto was a master of trompe l'oeil painting in the second half of the 19th century. -
Trompe L'oeil and Vik Muniz's Verso Series: the Back of the Canvas As an Original
Trompe l’Oeil and Vik Muniz’s Verso Series: The Back of the Canvas as an Original Copy A Thesis submitted in partial fulfillment of the requirements for the degree of aster of Art at George Mason University by Greta Kuriger Suiter Master of Library and Information Science University of Washington, 2010 Director: Angela Ho, Professor Department of Art History Spring Semester 2014 George Mason University Fairfax, VA This work is licensed under a creative commons attribution-noderivs 3.0 unported license. ii DEDICATION This is dedicated to my husband Tad and my parents Bill and Sigrid. iii ACKNOWLEDGEMENTS I would like to thank my thesis committee for all the support and good advice when it came to my writing and my family for all the personal support. I would also like to thank my classmates, especially Kristen and Masha, without whom graduate school would not have been as much fun. iv TABLE OF CONTENTS Page List of Figures .................................................................................................................... vi Abstract ............................................................................................................................. vii Introduction ......................................................................................................................... 1 Trompe l’oeil and the back of the canvas ........................................................................... 8 Origins of trompe l’oeil to Gijsbrecht’s Back of a Canvas ............................................. 9 Trompe