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Trg Nikole Šubića Zrinskog
ISSN 1849-4838 (TISAK) ISSN 1849-6091 (ONLINE) ČASOPIS HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI GODINA IV./ BROJ 6./ ZAGREB, 2017. /CIJENA 25 KN TEMA BROJA Trg Nikole Šubića Zrinskog RAZREDI HAZU V. Razred za filološke znanosti HAZU ZNANSTVENI ZAVODI HAZU Institut za ornitologiju HAZU MUZEJI, GALERIJE I ZBIRKE HAZU Zbirka Baltazara Bogišića u Cavtatu PROJEKTI HAZU Utjecaj endemskog ratovanja na zdravlje kasnosrednjovjekovnih i ranonovovjekovnih populacija Hrvatske BLAGO KNJIŽNICE, ARHIVA I ZBIRKI HAZU Ostavštine hrvatskih nobelovaca u Hrvatskoj akademiji znanosti i umjetnosti IZLOG IZDANJA HAZU Rasprave i građa za povijest znanosti MEĐUNARODNA SURADNJA Znanstveni savjetodavni odbor akademija Europske unije (EASAC) IZJAVA HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U FOKUSU KRONIKA Događanja u HAZU u 2016. Nagrade i priznanja SADRŽAJ / Content GLASNIK HAZU (godište IV., br. 7., srpanj – prosinac 2017.) GLASNIK HAZU 0 Tema broja / Feature ČASOPIS HRVATSKE AKADEMIJE Rad Hrvatske akademije znanosti i umjetnosti / The Rad of the ZNANOSTI I UMJETNOSTI Croatian Academy of Sciences and Art Godina IV., broj 6., Zagreb, 2017. Akademik Zvonko Kusić, predsjednik Hrvatske Nakladnik / Publisher: 0 akademije znanosti i umjetnosti Hrvatska akademija znanosti i umjetnosti Ljetopis Hrvatske akademije znanosti i umjetnosti / The Chronicle Za nakladnika / For the Publisher: of the Croatian Academy of Sciences and Art akademik Pavao Rudan, glavni tajnik HAZU 0 Akademik Pavao Rudan, glavni tajnik Hrvatske Glavni urednik / Editor-in-Chief: akademije znanosti i umjetnosti akademik Ivan Gušić Urednik / Editor: Razredi Hrvatske akademije znanosti i umjetnosti / prof. dr. sc. Tihomil Maštrović Academy Departments Likovni urednik / Design Editor: VI. Razred za književnost / VI. Department for Literature Damir Fabijanić 0 Akademik Pavao Pavličić Uredništvo / Editorial Board: prof. -
Zbornik HIZ 2011.Indd
ISSN 1330-3724 2012 2012 2012 ZBORNIK iseljenički HRVATSKI HRVATSKI Summaries in Español English en Resumenes HRVATSK I iseljeničkiZBORNIK Cijena: 80,00 kn korice04.indd 1 HRVATSKI ISELJENI^KI ZBORNIK 2012. Hrvatska matica iseljenika Zagreb, 2011. Nakladnik/Publisher/Editorial Hrvatska matica iseljenika/Croatian Heritage Foundation/Fundación para la Emigración Croata Zagreb, Trg Stjepana Radića 3 Za nakladnika/For Publisher/Por la editorial Katarina Fuček Urednica/Editor/Editora en jefe Vesna Kukavica Uredništvo/Editorial Board/Consejo Editorial Katarina Fuček, Marija Hećimović, Vesna Kukavica, Srebrenka Šeravić First Prevoditelji/Translators/Traductores Neven Ferenčić - za engleski/for English/croata - inglés Darko Mažuranić - za španjolski/for Spanish/para espańol Lektori/Language Editors/Correctores de estilo Ivana Ujević - za hrvatski/for Croatian/croata Željka Somun - za engleski/for English/inglés Olja Ljubišić - za španjolski/for Spanish/para espańol Tajnica/Secretary/Secretaria Snježana Đuričković Fotografi je/Photographs/Fotografi as Arhiva HMI, FAH, Ratko Mavar, Snježana Radoš Design Luka Gusić & Jasenka Bulj DTP Denona Tiskara/Printing-house/Imprenta Denona Naklada/Print run/Edición 1000 www.matis.hr/zbornik HRVATSKI ISELJENIČKI ZBORNIK 2012. CROATIAN EMIGRANT ALMANAC 2012 ANUARIO PARA LA EMIGRACIÓN CROATA 2012 ISSN 1330-3724 ISBN 978-953-6525-60-7 Naslovnica Maksimilijan Vanka: Portret Dore Pejačević (ulje na platnu, 1917.) • Vlasništvo: Moderna galerija, Zagreb • Snimio: Filip Beusan Cover Maksimilijan Vanka: Portrait of Dora Pejačević (oil on canvas, 1917) • Property of: Modern Gallery, Zagreb • Photo by: Filip Beusan Portada Maksimilijan Vanka: Retrato de Dora Pejačević (óleo sobre tela, 1917.) • Propietario: Galería Moderna, Zagreb • Fotografía: Filip Beusan PREDGOVOR ijepa Naša vratila se političkom i kulturnom prostoru kojem je oduvijek pripadala. -
TEMA BROJA Rad I Ljetopis Hrvatske Akademije Znanosti I Umjetnosti
ISSN 1849-4838 (TISAK) ISSN 1849-6091 (ONLINE) ČASOPIS HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI GODINA IV./ BROJ 7./ ZAGREB, 2018. /CIJENA 25 KN TEMA BROJA Rad i Ljetopis Hrvatske akademije znanosti i umjetnosti RAZREDI HAZU VI. Razred za književnost ZNANSTVENI ZAVODI HAZU Centar za znanstveni rad HAZU u Vinkovcima MUZEJI, GALERIJE I ZBIRKE HAZU Memorijalna zbirka Maksimilijana Vanke u Korčuli PROJEKTI HAZU Općeslavenski lingvistički atlas i Europski lingvistički atlas BLAGO KNJIŽNICE, ARHIVA I ZBIRKI HAZU Isprava o posveti kotorske katedrale iz godine 1166. u Arhivu HAZU IZLOG IZDANJA HAZU Diplomatički zbornik kraljevine Hrvatske, Dalmacije i Slavonije MEĐUNARODNA SURADNJA Transfer kulturnih dobara u regiji Alpe – Jadran tijekom XX. stoljeća IZJAVE HRVATSKE AKADEMIJE ZNANOSTI I UMJETNOSTI U FOKUSU Dani otvorenih vrata HAZU / Slika Susret pape Lava I. Velikog s Atilom KRONIKA Nagrade i priznanja Događanja u drugom polugodištu 2017. SADRŽAJ / Content GLASNIK HAZU (godište IV., br. 7., srpanj – prosinac 2017.) GLASNIK HAZU 3 Tema broja / Feature ČASOPIS HRVATSKE AKADEMIJE Rad Hrvatske akademije znanosti i umjetnosti / ZNANOSTI I UMJETNOSTI The Rad of the Croatian Academy of Sciences and Arts Godina IV., broj 7., Zagreb, 2018. Akademik Zvonko Kusić, predsjednik HAZU Nakladnik / Publisher: Ljetopis Hrvatske akademije znanosti i umjetnosti / Hrvatska akademija znanosti i umjetnosti The Chronicle of the Croatian Academy of Sciences and Arts Za nakladnika / For the Publisher: Akademik Pavao Rudan, glavni tajnik HAZU akademik Pavao Rudan, glavni tajnik HAZU Glavni urednik / Editor-in-Chief: 11 Razredi HAZU / Academy Departments akademik Ivan Gušić VI. Razred za književnost / VI. Department for Literature Urednik / Editor: Akademik Pavao Pavličić prof. dr. sc. Tihomil Maštrović 15 Znanstveni zavodi HAZU / Institutes for Scientific Research Likovni urednik / Design Editor: Centar za znanstveni rad HAZU u Vinkovcima / Damir Fabijanić The Scientific Research Centre in Vinkovci Uredništvo / Editorial Board: Akademik Slavko Matić, Anica Bilić prof. -
Winter Afternoon, N.D
Winter Afternoon, n.d. Maximillian Vanka (Croatian), (1889–1963) oil on academy board H. 20 x W. 24 inches Courtesy of Bucks County Intermediate Unit #22, Pennsylvania Biography Maximillian Vanka was born in Croatia in 1889. Croatia is a Central European and Mediterranean country bordering the Adriatic Sea. He may have been the son Austro-Hungarian nobility, but no one knows for sure. Maxo (his nickname) Vanka was raised by peasants until the age of eight. Maxo felt very connected to the history, mythology and customs of his homeland. Maximilian Vanka studied at the Zagreb Academy of Art in the capitol of Croatia, and the Royal Academy of Beaux Arts in Brussels in Northern Europe. He soon became one of the country's best portrait artists and leading painters, as well as a highly respected teacher at the Academy of Beaux Arts in Zagreb. He was celebrated as the finest Yugoslavian portraitist in the 1920's and 1930's. He exhibited throughout Europe, receiving such honors as the 'Palme Academique' of the French Legion of Honor, before moving to the United States in 1934. When Vanka came to America, he first settled in New York City. This was during a very difficult time in American history known as the Depression. He wore old clothes and traveled through the city painting homeless people and laborers. His paintings show the sad lives of these people, yet his style makes them look important in the paintings. In doing this he wanted to show that all people have something to contribute to the world. -
Crna Korčula – Zeleni Otok
broj no. 7 srpanj july 2019. MJESEČNA REVIJA HRVATSKE MATICE ISELJENIKA MONTHLY MAGAZINE OF THE CROATIAN HERITAGE FOUNDATION ISSN 1330-2140 ISSN Crna Korčula – zeleni otok Mjesečna revija Hrvatske matice Poštovani čitatelji, pretplatnici Matice i Zbornika! iseljenika / Monthly magazine of the Obavještavamo Vas da od 1. srpnja 2019. godine Hrvatska matica iseljenika neće moći Croatian Heritage Foundation primati čekove kao sredstvo plaćanja. Privredna banka Zagreb kod koje Hrvatska matica Godište / Volume LXIX iseljenika ima otvoren devizni račun s tim danom prestaje pružati usluge vezane za Broj / No. 7/2019 zaprimanje i unovčavanje čekova koji glase na stranu valutu. Lijepo molimo da nakon Nakladnik / Publisher 1.7.2019. godine više ne šaljete čekove za pretplatu jer se neće moći naplatiti. Hrvatska matica iseljenika / Pretplatu za časopis Matica i godišnjak Zbornik možete izvršiti uplatom na devizni račun Croatian Heritage Foundation Hrvatske matice iseljenika: Privredna banka Zagreb (za Hrvatsku maticu iseljenika) Radnička cesta 50, 10000 Zagreb, Za nakladnika / For Publisher Mijo Marić IBAN HR06 2340 0091 5102 96717 Swift Code: PBZGHR2X Zahvaljujemo na razumijevanju i srdačno pozdravljamo! Rukovoditeljica Odjela nakladništva / Hrvatska matica iseljenika Head of Publishing Department Vesna Kukavica Odjel za nakladništvo Uredništvo / Editorial Staff Ljerka Galic, Željko Rupić, Hrvoje Salopek Tajnica / Secretary Snježana Radoš Dear readers, subscribers to Matica magazine and the Dizajn i priprema / Layout & Design Croatian Emigrant Almanac! Krunoslav Vilček Please be notified that as of 1 July 2019 the Croatian Heritage Foundation will no longer Tisak / Print accept cheques as a means of payment. Privredna banka Zagreb, where the Croatian Heritage Foundation has its foreign currency account, will no longer provide services related to the VJESNIK GG receipt and cashing of foreign currency cheques as of that date. -
Izvje. MDC-MG Final Za 2018
MODERNA GALERIJA, Andrije Hebranga 1, Zagreb Tel: 6041040; fax: 6041044 www.moderna-galerija.hr e-mail: [email protected] 1. SKUPLJANJE GRAĐE 1.2. Terensko istraživanje: Dajana Vlaisavljević, obilazak privatnih i javnih zbirki u svrhu istraživanja slikarskog opusa Nikole Mašića 1.3. Darovanje Tijekom 2018. godine Modernoj galeriji darovana su ukupno 84 muzejska predmeta: - Zbirka slikarstva od 1898. do 1918.: 2 muzejska predmeta - Zbirka slikarstva od 1918. do 1945.: 6 muzejskih predmeta - Zbirka slikarstva od 1945.: 25 muzejskih predmeta - Zbirka akvarela, crteža i grafike 19., 20. i 21. stoljeća: 9 muzejskih predmeta - Zbirka kiparstva 19., 20. i 21. stoljeća: 3 muzejska predmeta - Zbirka plaketa i medalja 19., 20. i 21. stoljeća: 21 muzejski predmet - Zbirka novih medija: 18 muzejskih predmeta 1.7. Ostalo MG je u pohranu tijekom 2018. godine s obvezom čuvanja i izlaganja preuzela 6 muzejskih predmeta: - Zbirka slikarstva od 1945.: 1 muzejski predmet - Zbirka slikarstva od 1918. do 1945.: 1 muzejski predmet - Zbirka slikarstva od 1898. do 1918.: 4 muzejska predmeta 2. ZAŠTITA 2. 1. Preventivna zaštita Restauratori i preparatori MG tijekom 2018. preventivno su zaštitili i opremili građu sukladno prioritetima, izložbenom programu MG i raspoloživim sredstvima te susljedno ustupanju muzejske građe iz fundusa MG srodnim ustanovama. Slike i crteži opremani su muzejskim staklima, beskiselinskim paspartuima, kutićima i trakama, beskiselinskim poleđinskim zaštitama te su – prema potrebama – i adekvatno pre-uokvireni. Učinkovitoj zaštiti umjetnina u MG se pridaje velika pozornost kako bi se mogućnost oštećenja svela na minimum, jer brojnost posudbi građe srodnim ustanovama na jednogodišnjoj razini premašuje troznamenkasti broj, a intenzivni ritam izmjena povremenih retrospektivnih i studijskih izložbi MG (v. -
Reading a Painting: Maxo Vanka's Collage
READING A PAINTING: MAXO VANKA’S COLLAGE »WORLD WAR II« Henry A. Christian Tine T. K urent Only within the last few years has there begun a measurement of the quantity and quality of theoeuvre of the Croatian artist Maksimilian - usually called Maxo - Vanka (1889-1963). That assessment-in-progress now makes possible the determination of several geographical and chronological categories of Vanka’s production. The Ilegitimate child of Austro-Hungarian nobility, Vanka was educated in Zagreb and Brussels, gained the protection of Queen Elizabeth of the Belgians, served in the Belgian Red Cross as a stretcher bearer, and finished the Great War as a pacifist in Zagreb. The subject today of a second look in his native land, the artist’s Croatian work - known in the United States to a few of Croatian descent - represents a primary category of Vanka materials. A professor at the Academy of Art in Zagreb, under the directorship of the famous sculptor Ivan Mestrovic, Vanka became known throughout Western Europe for precise and distinctive portraits, landscapes - especially scenes on the island of Korčula - and accurate renderings of various regional peasant dress and symbols, such as the religious procession presentation in the Modem Gallery in Zagreb, the wedding scene now in the upper hall of the Zagreb Old Town Hall, or the stunning lone, standing woman in white in the small gallery adjoining the monument to the Peasant Revolts at Gornja Stubica. A second category has its origin in 1934 when Vanka and his American wife Margaret (nee Stetten) and their daughter Peggy visited the United States and a year later decided to take permanent residence in America despite Vanka’s reluctance to be within the strong financial and social aura of his wife’s family. -
Croat Ethnography and Nationalism in the Work of Maksimilijan Vanka
Peasants and Politics: Croat Ethnography and Nationalism in the Work of Maksimilijan Vanka Heidi A. Cook Throughout the end of the nineteenth and beginning of refusal to embrace avant-garde style.2 It would be a mistake, the twentieth centuries, images of folk culture linked with however, to assume that these peasant images were simple burgeoning nationalisms were a ubiquitous part of the visual or that Croat nationalist imagery was homogeneous. Quite in culture of Central and Eastern Europe. By the 1920s and contrast to these generalizations of Vanka’s work, the artist’s 1930s, driven by increasing nationalism, new commoditiza- images of folk culture produced during the interwar period in tion, and ethnographic preservation, peasant imagery took the Kingdom of Yugoslavia played a decisive role in shaping on a life quite its own, far from the rural countryside where the shifting imagery of a new Croat national identity. it originated. In the Croat visual culture within the Kingdom The Croatian land in which Vanka was born and lived of Yugoslavia, peasants and their rural villages popped up on until his immigration to the United States in 1934 was a di- the stage of the national theater in a new, thoroughly modern vided and disputed nation that had not existed as a unified style. They graced the covers of the most fashionable middle- territory for almost a thousand years. Present-day Croatia was class illustrated magazines in their brightly colored folk dress, incorporated into Austria-Hungary in the late nineteenth and and these locally circulating folk motifs were picked up by early twentieth centuries, and then between the two World academic and avant-garde artists alike in their work. -
Art and the State in Modern Central Europe
Art and the State in Modern Central Europe 30 June – 3 July 2021, Zagreb, Croatia Faculty of Humanities and Social Sciences, University of Zagreb INTERNATIONAL CONFERENCE ART AND THE STATE IN MODERN CENTRAL EUROPE 18TH – 21ST CENTURY Faculty of Humanities and Social Sciences, University of Zagreb Ivana Lučića 3, Zagreb, Croatia 30 June – 3 July 2021 ORGANIZER Faculty of Humanities and Social Sciences, University of Zagreb SCIENTIFIC COMMITTEE Igor Borozan, Faculty of Philosophy, University of Belgrade Frano Dulibić, Faculty of Humanities and Social Sciences, University of Zagreb Ana Ereš, Faculty of Philosophy, University of Belgrade Maximilian Hartmuth, Institute of Art History, University of Vienna Franci Lazarini, Faculty of Arts, University of Maribor / Research Centre of Slovenian Academy of Sciences and Arts, France Stele Institute of Art History, Ljubljana Maximilian Sternberg, Department of Architecture, University of Cambridge Jeremy F. Walton, Max Planck Institute for Th e Study of Religious and Ethnic Diversity, Göttingen ORGANIZING COMMITTEE Josipa Alviž, Faculty of Humanities and Social Sciences, University of Zagreb Dragan Damjanović, Faculty of Humanities and Social Sciences, University of Zagreb Ivan Kokeza, Croatian History Museum, Zagreb Lovorka Magaš Bilandžić, Faculty of Humanities and Social Sciences, University of Zagreb Željka Miklošević, Faculty of Humanities and Social Sciences, University of Zagreb Jasmina Nestić, Faculty of Humanities and Social Sciences, University of Zagreb Patricia Počanić, Faculty of Humanities -
Grey) (Area ... Discourses from a Periphery
grey) (area ... Discourses From a Periphery grey) (area – space for contemporary and media art Korčula 2021 Impressum Content grey) (area ... Discourses From a Periphery 004 Jadranka Vinterhalter Grey) (area: Black and White Reflection of Art 010 Darko Fritz Discourses From a Periphery Editor: Darko Fritz 028 Sonja Leboš Island Networks and Local Politics Authors of the texts: Irena Bekić, Marija Borovičkić, Sarah Cook, Bronaċ Ferran, Darko Fritz, 034 NEW MATERIALISMS Sonja Leboš, Tonka Maleković, Ivana Meštrov, Manja Ristić, Sani Sardelić, Jadranka Vinterhalter, 044 Sarah Cook Concretely Immaterial Lea Vene 058 Bronaċ Ferran Strange Loops in the Binary – Neither High Road nor Low Publisher: grey) (area – space for contemporary and media art 074 CRITICAL TOURISM Siva zona - prostor suvremene i medijske umjetnosti 080 Irena Bekić Andreja Kulunčić: Commercialisation of History 092 Critical Tourism 1: Focus the Adriatic www.sivazona.hr 094 POLITICS OF GREEN SPACES 098 Darko Fritz Politics of Green Spaces For the publisher: Darko Fritz 106 Sani Sardelić Wild Edible Herbs – Parapač, Mišanca, Gruda – Possibility and Challenge 122 Manja Ristić Sounds of Time and Place Design: Darko Fritz 138 HISTORY OF CONTEMPORANEITY Translation: Darko Fritz (p. 207, 208), Sonja Leboš, Graham McMaster (Andreja Kulunčić: 144 Cinematography of the Adriatic Islands Commercialisation of History, The History of Screening on the Island of Korčula, intro), Aleksandra 146 Ivan Ramljak The History of Screening on the Island of Korčula Sekulić (Video, Television, Anticipation)