DOCSLIB.ORG

LOT TYPESET LOW HIGH 7000 German Porcelain Figural Group

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LOT TYPESET LOW HIGH 7000 German Porcelain Figural Group LOT TYPESET LOW HIGH 7000 German porcelain figural group, depicting a pianist and dancers, each dressed in classical $ 500 $ 700 attire with crinoline accents, marked with underglaze blue mark, 11.5"h x 16"w x 9"d 7001 Framed group of 32 Wedgwood jasperware medallions, each depicting British royalty, $ 300 $ 500 overall 17.5"h x 33"w 7002 (lot of 2) Continental polychrome decorated pill boxes, including a Meissen example, $ 300 $ 500 largest 1"h x 2.5"w 7003 (lot of 2) Meissen figural candlestick group 19th century, each depicted holding a child, one $ 1,200 $ 1,500 figure in the Bacchanalian taste, having a grape cluster wreath, each depicted in Classical attire, and rising on a Rococco style base with bird form reserves, underside with underglaze blue cross sword mark, 13,5"h 7004 Continental style gilt bronze footed compote, having a garland swag decorated frieze $ 600 $ 900 flanking the ebonized bowl, above the fish form gilt bronze standard, and rising on a circular marble base, 8.5"h x 8"w 7005 (lot of 8) French hand painted porcelain miniature portraits; each depicting French royalty $ 800 $ 1,200 including Napoleon, and numerous ladies, largest 4"h x 3"w Provenance: from the Holman Estate in Pacific Grove. The Holman family were early residents of the Monterey Peninsula and established Holman's Department Store in the center of Pacific Grove, thence by family descent 7006 French Grand Tour style silver gilt mythological figure, depicting Bacchus or Dionysus, $ 1,500 $ 2,000 modeled as standing on a mound of grapes and leaves holding a wide mouthed cup in his proper right hand, the other hand holding a thyrsus or fennel staff, rising on a black marble plinth, bears the French "weevil" mark on the base and body, 18"h 7007 (lot of 2) French hand painted miniature portraits, second half 19th century, one depicting $ 400 $ 600 a nobleman in dress robe and his crown at his side, the second, a lady in formal gown, each in an oval frame, each overall 3.5"h x 2.75"w 7008 French scenic decorated jewelry casket, having a hand painted porcelain scenic top $ 400 $ 600 depicting a beauty, surmounting the gilt metal lined box, 1.5"h x 3"w Provenance: Property from the Holman Estate, Pacific Grove. CA. The Holman family were early residents of the Monterey Peninsula, thence by family descent 7009 (lot of 4) Royal Crown Derby porcelain group, consisting of a large potpourri vase in the $ 300 $ 500 Japanese taste, with raised gilt and enamel floral detail 13.5"h x 9"w, together with (3) vases, each with gilt accents, and marked with underglaze red mark 7010 German Manivelle musical automaton circa 1890, depicting a school room scene with five $ 1,500 $ 2,500 porcelain figures, each with period attire, the whole rising on a polychrome decorated base with crank, 11"h x 17"w x 10.5"d Provenance: D Hagenmeyer collection LOT TYPESET LOW HIGH 7011 Collection of letters from noted entertainment personalities and journalists to Mr Gerald $ 400 $ 600 Nachman (1938-2018), letters include celebrities such as Frank Sinatra, George Burns, Herb Caen, Larry Hagman,Rosemary Clooney, Barbara Walters, Lawrence Welk, Merv Griffin, Mel Torme, Carol Channing, Ted Koppel, Tennessee Ernie ford and many others, Nachman was a feature writer for the New York Post from 1964-66, feature writer and TV critic for New York Daily News from 1972-79, with a stop in the middle as columnist and film critic for the Oakland Tribune, from 1979–1993 entertainment and theater writer for the San Francisco Chronicle 7012 Amphora vase depicting a shepherd and his horse, having a green ground with tree form $ 800 $ 1,200 reserves, underside with Amphora mark, 18.5"h 7013 Continental style bronze mounted vase, the shouldered form having a pink ground with $ 300 $ 500 floral reserves, and rising on a bronze footed base, 16"h x 9"w 7014 (lot of 111) Herend hand painted Yellow Dynasty table service, each having hand painted $ 2,000 $ 4,000 floral and geometric reserves on an alternating yellow and cream ground, consisting of (11) luncheon plates, (14) salad plates, (4) dinner plates, large tureen with undertray, a dessert tray, (13) consomme with (13) underplates, (11) demitasse cups with (11) saucers, (12) coffee cups with (12) saucers, and a large ice bucket 7015 (lot of 2) Herend hand painted porcelain rabbits, each decorated in light blue in the Fish $ 800 $ 1,200 Net pattern, with a gilt nose and paws, the seated example resting on a naturalistic base painted with pink and green paisleys, with Herend mark, 11.5"h 7016 (lot of 4) Herend hand painted porcelain rabbits, each decorated in pink in the Fish Net $ 300 $ 500 pattern with gilt nose and paws, underside with Herend mark, 3"h 7017 Royal Copenhagen Flora Danica lidded tureen, the lid having a stylized floral encrusted $ 1,500 $ 2,000 branch form handle above the body, having polychrome floral and gilt accents, marked on underside, 7.5"h x 15"w 7018 (lot of 3) Herend hand painted porcelain group, consisting of a figural candelabra, having $ 400 $ 600 two lights above a dolphin form standard, together with two dolphin figurines, each executed in brown with orange accents, marked on underside, largest: 7"h 7019 (lot of 6) Herend hand painted porcelain rabbits, each decorated in light blue in the Fish $ 400 $ 600 Net pattern, with gilt nose and paws, in various poses, two depicting a pair of rabbits, each marked on underside, 6"h 7020 Herend hand painted porcelain compote, having a pierced bowl with gilt accents, above the $ 500 $ 700 stylized standard in the form of a tree trunk, marked on underside, 10.5"h 7021 (lot of 5) Herend hand painted porcelain figurines, consisting of a kangaroo in green, an $ 400 $ 600 elephant in blue, a pair of ducks in green, a shell in green, and a lidded box having a figural finial of an elephant in yellow, each marked on underside, largest: 5.5"h 7022 (lot of 37) Herend hand painted partial table service, in the Rothschild Bird pattern, $ 800 $ 1,200 consisting of (12) demitasse cups with textured rim, and saucers, a single demitasse cup with a ruffled rim, and (6) demitasse cups with (5) saucers having a plain rim, together with an associated sugar, largest: 4.5"h LOT TYPESET LOW HIGH 7023 (lot of 2) Herend hand painted porcelain figural sculptures of turkeys, each executed in $ 300 $ 500 cream, and rising on a naturalistic base, 4.5"h 7024 (lot of 2) Herend hand painted porcelain figurines, one depicting a pheasant with $ 400 $ 600 polychrome decoration, the other a goose, each marked on underside, largest: 9.5"h 7025 (lot of 29) Herend assembled partial hand painted porcelain table service, in the Chinese $ 800 $ 1,200 Bouquet pattern, including (13) demitasse cups and (14) saucers, (2) cache pots, executed in green, together with a tureen, a waste bowl, and undertray, executed in orange, largest: 5.5"h 7026 Patinated bronze figural sculpture of a Shar Pei, depicted seated with even original patina, $ 400 $ 600 8"h 7029 Classical style patinated bronze relief panel, having a giltwood frame surrounding a scene $ 300 $ 500 of a mother and child, 8.5"h x 7.5"w 7030 Egyptian style bronze sculpture of the God Osiris, depicted wrapped in a close fitting cloak, $ 1,000 $ 2,000 wearing an engraved divine beard and the crown of Upper Egypt, with a Uraeus, holding the crook in the right hand, 21"h, copy of bill of sale from Egyptian Antiques and Gifts, Los Angeles, CA and dated 1979, together with a copy of COA from Mohamed Mohamed Abdel- Rahim El-Shaer, Antiquity Merchant, Cairo Egypt 7031 Pair of French Empire style bronze and brass candelabra, each having three lights, above a $ 500 $ 700 reeded standard and rising on a tripod base, 24"h 7032 (lot of 4) Lundberg Studios group, each having a tapered form with cased decoration, two $ 400 $ 600 accented with flowers, and one having a swirled design on a magenta ground, together with a floral decorated example by Doug Merritt/Stephen Smarr, each marked on underside, largest: 11"h 7033 (lot of 3) Blown molded glass inkwell group, each in dark olive green, one darker than the $ 300 $ 500 others, each having a rough pontil mark, attributed to Keene, NH, 1815-1840, 1.5"h 7034 (lot of 2) Modern case glass vases, one having a tear drop form in clear, orange green and $ 300 $ 500 blue, together with another having a tapered form in clear, purple and blue glass largest: 7.5"h 7035 (lot of 6) Lundberg Studios art glass group, consisting of (5) paperweights, three decorated $ 400 $ 600 with cased fish, another decorated with a butterfly, the last with a millefiori pattern, and a paperweight vase decorated with cased fish, four by Daniel Salazar, each marked on underside, largest: 3.5"h 7036 Murano glass clown, in the manner of Salviati, depicted wearing a black top hat, above a $ 150 $ 250 clown suit, unsigned, 7.5"h 7037 (lot of 5) Lundberg Studios group, consisting of a trumpet form vase with floral decoration $ 300 $ 500 on a gold aurene ground, another in blue aurene having a tapered form, another smaller having a swirled design in iridescent glass, and the last a lidded jar in gold aurene, each marked on underside, largest: 9.5"h 7038 Arts and Crafts Harry Dixon hammered copper bookend, marked on underside, 4"h $ 200 $ 400 7039 Arts and Crafts hammered copper vessel, having a tapered form, and marked H M D 1912 $ 200 $ 400 to underside, 8.5"h LOT TYPESET LOW HIGH 7040 Tiffany Studios New York gilt bronze compote, the bowl having geometric banding, and $ 300 $ 500 rising on a circular base, marked on underside: 3.5"h 7041 (lot of 11) Tiffany Studios New
Load more

Recommended publications
  • Notes Toward a Study of Neighborhood Festivals in Modern Tokyo
    The Shrine : Notes toward a Study of Neighborhood Festivals in Modern Tokyo By A.W. S a d l e r Sarah Lawrence College When I arrived in Japan in the autumn of 1965, I settled my family into our home-away-from-home in a remote comer of Bunkyo-ku3 in Tokyo, and went to call upon an old timer，a man who had spent most of his adult life in Tokyo. I told him of my intention to carry out an exhaustive study of the annual festivals (taisai) of a typical neighbor­ hood shrine (jinja) in my area of residence，and I told him I had a full year at my disposal for the task. “Start on the grounds of the shrine/，was his solid advice; “go over every tsubo '(every square foot3 we might say)，take note of every stone, investigate every marker.” And that is how I began. I worked with the shrines closest to home so that shrine and people would be part of my everyday life. When my wife and I went for an evening stroll, we invariably happened upon the grounds of one of our shrines; when we went to the market for fish or pencils or raaisnes we found ourselves visiting with the ujiko (parishioners; literally，children of the god of the shrine, who is guardian spirit of the neighborhood) of the shrine. I started with five shrines. I had great difficulty arranging for interviews with the priests of two of the five (the reasons for their reluc­ tance to visit with me will be discussed below) ; one was a little too large and famous for my purposes，and another was a little too far from home for really careful scrutiny.
    [Show full text]
  • Japanese Garden
    満開 IN BLOOM A PUBLICATION FROM WATERFRONT BOTANICAL GARDENS SPRING 2021 A LETTER FROM OUR 理事長からの PRESIDENT メッセージ An opportunity was afforded to WBG and this region Japanese Gardens were often built with tall walls or when the stars aligned exactly two years ago! We found hedges so that when you entered the garden you were out we were receiving a donation of 24 bonsai trees, the whisked away into a place of peace and tranquility, away Graeser family stepped up with a $500,000 match grant from the worries of the world. A peaceful, meditative to get the Japanese Garden going, and internationally garden space can teach us much about ourselves and renowned traditional Japanese landscape designer, our world. Shiro Nakane, visited Louisville and agreed to design a two-acre, authentic Japanese Garden for us. With the building of this authentic Japanese Garden we will learn many 花鳥風月 From the beginning, this project has been about people, new things, both during the process “Kachou Fuugetsu” serendipity, our community, and unexpected alignments. and after it is completed. We will –Japanese Proverb Mr. Nakane first visited in September 2019, three weeks enjoy peaceful, quiet times in the before the opening of the Waterfront Botanical Gardens. garden, social times, moments of Literally translates to Flower, Bird, Wind, Moon. He could sense the excitement for what was happening learning and inspiration, and moments Meaning experience on this 23-acre site in Louisville, KY. He made his of deep emotion as we witness the the beauties of nature, commitment on the spot. impact of this beautiful place on our and in doing so, learn children and grandchildren who visit about yourself.
    [Show full text]
  • Newsletter 13 (June 2014)
    June 2014 - Volume 6 - Issue 2 June 2014 - Volume 6 - Issue 2 国際基督教大学ロータリー平和センター ニューズレター ICU Rotary Peace Center Newsletter Rotary Peace Center Staff Director: Masaki Ina Associate Director: Giorgio Shani G.S. Office Manager: Masako Mitsunaga Coordinator: Satoko Ohno Contact Information: Rotary Peace Center International Christian University 3-10-2 Osawa, Mitaka, Tokyo 181-8585 Tel: +81 422 33 3681 Fax: +81 422 33 3688 [email protected] http://subsite.icu.ac.jp/rotary/ Index In this issue: 2 - Trailblazing Events 4 - Preparing For Peace 5 - Experiential Learning Reflections 7 - Meet The Families of Class XII Fellows 10 - Class XI Thesis Summaries 15 - Class XII AFE Placements 16 - Gratitude and Appreciation from Class XII 1 Trailblazing Events ICU Celebrates First Ever Black History Month by Nixon Nembaware Being an International University, ICU brings together students and Faculty members of various backgrounds and races. It is thus a suitable place to cultivate understanding of different cultures and heritages. This was the thinking that Rotary Peace Fellow Class XII had in mind when they partnered with the Social Science Research Institute to celebrate the first ever Black History Month commemoration at ICU. Two main events were lined up, first was a dialogue with Dr. Mohau Pheko, Ambassador of the Republic of South Africa to Japan who visited our campus to give an open lecture on the legacy of ‘Nelson Mandela’ and the history of black people in South Africa. Second was a dialogue with Ms. Judith Exavier, Ambassador of the Republic of Haiti to Japan. She talked of the history of the black people in the Caribbean Island and linked the history of slavery to what prospects lie ahead for black people the world over.
    [Show full text]
  • The Abode of Fancy, of Vacancy, and of the Unsymmetrical
    The University of Iceland School of Humanities Japanese Language and Culture The Abode of Fancy, of Vacancy, and of the Unsymmetrical How Shinto, Daoism, Confucianism, and Zen Buddhism Interplay in the Ritual Space of Japanese Tea Ceremony BA Essay in Japanese Language and Culture Francesca Di Berardino Id no.: 220584-3059 Supervisor: Gunnella Þorgeirsdóttir September 2018 Abstract Japanese tea ceremony extends beyond the mere act of tea drinking: it is also known as chadō, or “the Way of Tea”, as it is one of the artistic disciplines conceived as paths of religious awakening through lifelong effort. One of the elements that shaped its multifaceted identity through history is the evolution of the physical space where the ritual takes place. This essay approaches Japanese tea ceremony from a point of view that is architectural and anthropological rather than merely aesthetic, in order to trace the influence of Shinto, Confucianism, Daoism, and Zen Buddhism on both the architectural elements of the tea room and the different aspects of the ritual. The structure of the essay follows the structure of the space where the ritual itself is performed: the first chapter describes the tea garden where guests stop before entering the ritual space of the tea room; it also provides an overview of the history of tea in Japan. The second chapter figuratively enters the ritual space of the tea room, discussing how Shinto, Confucianism, Daoism, and Zen Buddhism merged into the architecture of the ritual space. Finally, the third chapter looks at the preparation room, presenting the interplay of the four cognitive systems within the ritual of making and serving tea.
    [Show full text]
  • Design Examples Informational Handouts Check Online for Available Templates –
    BRAND BOOK Design Examples Informational Handouts Check online for available templates – www.csus.edu/brand 2.18 HEADLINE OR EVENT HEADLINE OR NAME OF NAME GOES HERE YOUR EVENT GOES HERE This is where your event subhead goes. This is where your event subhead goes. SIDE MARGIN SUBHEAD SUBHEAD Side margin is body text. Use this text Second Subhead style for your side margin. Side margin Body text goes here. Body text goes here. Body text goes here. Body text SIDE MARGIN SUBHEAD SUBHEAD is body text. Use this text style for your goes here. Body text goes here. Body text goes here. Body text goes here. Side margin is body text. Use the Second Subhead side margin. Side margin is body text. body text style for your side margin. Body text goes here. Body text goes here. Body text goes here. Body text This is the body text style. Use this style for body text. This is the body text style. Use this text style for your side margin. goes here. Body text goes here. Body text goes here. Side margin is body text. Use this text Use this style for body text. This is the body text style. Use this style for body text. Side margin is body text. Use this text style for your side margin. Side This is the body text style. This is the body text style. Use this style for body text. Here is a bullet style. Use this style for your bullet points. Here is the style for your side margin. • margin is body text.
    [Show full text]
  • A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)
    University of Cincinnati Date: 4/22/2011 I, Margaret T Ozaki-Graves , hereby submit this original work as part of the requirements for the degree of Doctor of Musical Arts in Voice. It is entitled: A Performer’s Guide to Minoru Miki’s _Sohmon III for Soprano, Marimba and Piano_ (1988) Student's name: Margaret T Ozaki-Graves This work and its defense approved by: Committee chair: Jeongwon Joe, PhD Committee member: William McGraw, MM Committee member: Barbara Paver, MM 1581 Last Printed:4/29/2011 Document Of Defense Form A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988) A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by Margaret Ozaki-Graves B.M., Lawrence University, 2003 M.M., University of Cincinnati, 2007 April 22, 2011 Committee Chair: Jeongwon Joe, Ph.D. ABSTRACT Japanese composer Minoru Miki (b. 1930) uses his music as a vehicle to promote cross- cultural awareness and world peace, while displaying a self-proclaimed preoccupation with ethnic mixture, which he calls konketsu. This document intends to be a performance guide to Miki’s Sohmon III: for Soprano, Marimba and Piano (1988). The first chapter provides an introduction to the composer and his work. It also introduces methods of intercultural and artistic borrowing in the Japanese arts, and it defines the four basic principles of Japanese aesthetics. The second chapter focuses on the interpretation and pronunciation of Sohmon III’s song text.
    [Show full text]
  • Winter Delights
    WINTER DEC–MAR 2018/19 No. 220 Free WESTERN JAPAN’S PREMIER VISITOR’S GUIDE Winter Delights Sake, skiing, spas and snowcrab Plus Inside… WHAT’S ON Explore Sights Food & Drink Discover EAT & DRINK A PERFECT LONG BEST SPOTS HOW SAKE IS KINOSAKI’S SEVEN SIGHTSEEING WEEKEND IN NARA FOR WINTER MAKING ITS HEALING SPRINGS SNOWSCAPES COMEBACK MAPS Discover Hiroshima’s Scenic Beauty YOICHI SHIDAREZAKURA CHERRY BLOSSOM A stunning 12m tall weeping cherry sitting atop a small in Akiota-cho hillock is lit up during its brief, but spectacular spring bloom OSORAKAN SNOW PARK Japan’s southernmost ski resort, offering long runs for all Breathtaking views, fabulous levels of skiers and snowboarders, as well as snow trekking and igloo building hiking, exciting snow sports and relaxing hot spring accommodation await SANDANKYO GORGE A stunning 13km river gorge, awarded 3 stars by the French travel guide Blue Guide and selected as one of the top 100 scenic beauty spots in Japan INI TANADA Picture-perfect terraced paddy fi elds, offering stunning photo opportunities year-round Nukui Springs Hotel Offers traditional outdoor hot spring baths overlooking Lake Ryuki in Kyoto Hiroshima’s Akiota-cho. Relax in comfortable western style or Japanese Himeji Okayama Osaka tatami mat rooms and enjoy our award-winning French dining. Akiota-cho Kobe Hiroshima Address: 4692-7, Kake, Akiotacho, Yamgatagun, Hiroshima 731-3501, Japan Tel: +81 (0)826-22-1200 Access: 1 hour by car from Hiroshima IC RESERVATIONS www.nukui-sp.com CONTENTS 26 Winter Dec / Jan / Feb 10 30 Features KANSAI FINDER 08 23 32 Events & Festivals Kansai’s Snowy Vistas Nara’s Cocktail Kings Where to experience the best of the region’s RASTA MUSICK winter snowscapes.
    [Show full text]
  • Japanese Exhibition House, the Museum of Modern Art, Summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan S
    Japanese exhibition house, the Museum of Modern Art, summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan society (Tokyo) and private citizens in Japan and the United States, and the Museum of Modern Art Author Museum of Modern Art (New York, N.Y.) Date 1954 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/2711 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ArcA/ViZ, 553 Japanese Exhibition House THE MUSEUM OF MODERN ART, SUMMER I954 Designed by Junzo Yoshimura Sponsored by the America-Japan Society (Tokyo) and private citizens in Japan and the United States, and The Museum of Modern Art, New York. The Museum has chosen a Japanese building for its third House in the Garden because of the unique relevance to modern Western architecture of traditional Japanese design. The characteristics which give Japanese architecture this interest are post and lintel skeleton frame construction; flexibility of plan; close relation of indoor and outdoor areas; and the ornamental quality of the structural system. Modern Western practice, with its general use of the steel skeleton frame, has developed many effects known to Japanese architecture since the eighth century. For example, walls which do not support a roof, but are instead hung like curtains on the structural framework, are today a com monplace of Western architecture. Before 1900 Frank Lloyd Wright made fundamental to his work the Japanese respect for the beauty of natural materials, as well as the massive, hovering, insistently horizontal roofs essential to the Japanese conception of a house.
    [Show full text]
  • The Vitality and Resilience of Inherited Japanese Houses －100 Years of Shimizu-Gumi Houses－
    The Vitality and Resilience of Inherited Japanese Houses －100 Years of Shimizu-gumi Houses－ Preface Since its foundation in 1804, residential architecture had been one of the primary business focuses for Shimizu-gumi, the present Shimizu Corporation. Many books have been published to showcase its works, such as Sekkei zushū, jūtaku no maki, ji 1907 nen shi 1923 nen (Drawing collection: house, from 1907 to 1923) and Sekkei zushū, shitsunai narabini kagu dentō no maki, ji 1909 nen shi 1913 nen (Drawing collection: interior, furniture and lighting, from 1909 to 1913). These books feature painted drawings of large houses, which could be considered mansions in the Western sense, designed and built by Shimizu-gumi, and include plans, elevations, development plans, and illustrations of furniture. The books enable the reader to visualize many aspects of mansions in the Meiji era (1868-1912) and Taisho era (1912-1926,) and to understand how these mansions were significant as elements of urban culture. Additionally, an academic work based on these earlier texts was published to commemorate the 60th anniversary of the Housing Research Foundation JUSOKEN: Meiji/Taisho no teitaku, Shimizu-gumi sakusei saishiki-zu no sekai (Mansions in Meiji and Taisho, the world of colored drawings created by Shimizu-gumi, Kashiwashobo, 2009, currently unavailable). This book is the product of joint research by “Shimizu Kensetsu Teitaku Shiryō Kenkyūkai” (Shimizu Corporation Mansion Document Study Group, 2004 to 2009) in the “Jūtaku Shiryō Iinkai” (Committee for historical materials about houses) of Jusoken. For the next phase of study, surveys and research on Jūtaku kenchiku zushū (Residential architecture catalog, 1st volume: 1935, 2nd volume: 1939) should be conducted.
    [Show full text]
  • Japan Studies Association Journal, 2001. INSTITUTION Japan Studies Association, Inc
    DOCUMENT RESUME ED 453 097 SO 032 583 AUTHOR Reichel, Philip L., Ed. TITLE Japan Studies Association Journal, 2001. INSTITUTION Japan Studies Association, Inc. SPONS AGENCY University of Northern Colorado, Greeley. ISSN ISSN-1530-3527 PUB DATE 2001-00-00 NOTE 95p.; The Jonathan Goldstein article "Missionary versus Atheist: James Curtis Hepburn and Edward Sylvester Morse as Foreign Technical Experts in Meiji Japan" included here is a corrected version of the article that appears in the Japan Studies Association Journal, Volume 3, 2001. Published biennially. AVAILABLE FROM Japan Studies Association, Department of History, Northwest Missouri State University, Maryville, MO 64468 ($75 per volume); Web site: http://ed.uno.edu/faculty/rspeaker/JSA/JSAWebIndex.html. PUB TYPE Collected Works Serials (022) JOURNAL CIT Japan Studies Association Journal; v3 2001 EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Area Studies; Asian History; *Asian Studies; *Conflict; Foreign Countries; Higher Education; *Interdisciplinary Approach; *Japanese Culture; Minority Groups; *Religious Factors IDENTIFIERS *Japan; *Japanese Studies ABSTRACT This journal presents new perspectives and materials on Japan that are engaging, relatively jargon-free, and shaped so that their usefulness in a college classroom is readily apparent. The journal represents an example of the potential for genuine scholarship that lies within interdisciplinary studies. Articles grouped under the topic of "Minority Issues" are: "White and Yellow in California: Race Hatred and the Issei" (Michael Steiner); and "The Jewish Factor in Relations between the United States and Japan" (Naoki Maruyama). Articles grouped under "Religious Issues" are: "Mahikari beyond Japan" (W. Sanborn Pfeiffer); and "Missionary versus Atheist: James Curtis Hepburn and Edward Sylvester Morse as Foreign Technical Experts in Meiji Japan" (Jonathan Goldstein).
    [Show full text]
  • The Book of Tea, by Kakuzō Okakura
    The Book of Tea by Kakuzō Okakura 1 Contents I. The Cup of Humanity II. The Schools of Tea. III. Taoism and Zennism IV. The Tea-Room V. Art Appreciation VI. Flowers VII. Tea-Masters 1 1 I. The Cup of Humanity Tea began as a medicine and grew into a beverage. In China, in the eighth centu- ry, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of æstheticism—Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the ro- manticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life. The Philosophy of Tea is not mere æstheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is econom- ics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristo- crats in taste. The long isolation of Japan from the rest of the world, so conducive to intro- spection, has been highly favourable to the development of Teaism. Our home and habits, costume and cuisine, porcelain, lacquer, painting—our very litera- ture—all have been subject to its influence.
    [Show full text]
  • Download PDF Catalogue
    67 NEW COLLECTORS ART / MODERN DESIGN / NEW ZEALAND & INTERNATIONAL STUDIO POTTERY ART TRIBAL & ARTEFACTS ZEALAND NEW / ART 67 ASIAN Asian Art / New Zealand Artefacts & Tribal Art Tuesday 9 July 2013 at 6.00pm The Asian catalogue is our finest to date and reflects growing local and international collector interest in this genre. This catalogue, our third specialist sale is distinguished by rare offerings of mark and period porcelain from the collection of Dr. John and Louise Gray, carefully assembled over many decades and the finest offering of Satsuma pottery to be offered in New Zealand including examples by Yabu Meizan, Hankinzan, Fujisan and Kinkozan. Japanese Satsuma lobed bowl, signed Fujisan, Meiji period (1868-1912), lot 1226 Cover: Fine Chinese yellow ground dragon dish, Guangxu aubergine six-character mark and of the period (1875-1908), lot 1299 ASIAN ART INC. THE GRAEME STORM COLLECTION OF CHINESE AND SOUTH EAST ASIAN POTTERY OCTOBER 2013 ENTRIES INVITED The October catalogue will feature as a centrepiece an interesting collection assembled by the well known New Zealand potter Graeme Storm. Travelling regularly into South East Asia Storm searched for pieces which developed into the unique reference collection offered in this catalogue. The catalogue will also include a fine gilt Maitreya Buddha as well as an offering of Tibetan items and a large collection of Japanese ceramics and bronzes. Further entries are invited Contact: James Parkinson [email protected] 09 354 4646 021 222 8184 A selection of pieces from the Graeme Storm collection. Asian Art Tuesday 9 July at 5pm 3 Abbey Street, Newton, Auckland Note: at 5pm approximately 130 uncatalogued lots will be offered at no reserve.
    [Show full text]