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LOT TYPESET LOW HIGH 7000 German Porcelain Figural Group

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  • LOT
  • TYPESET
  • LOW
  • HIGH

7000 German porcelain figural group, depicting a pianist and dancers, each dressed in classical attire with crinoline accents, marked with underglaze blue mark, 11.5"h x 16"w x 9"d

  • $
  • 500
  • $
  • 700

7001 Framed group of 32 Wedgwood jasperware medallions, each depicting British royalty, overall 17.5"h x 33"w
7002 (lot of 2) Continental polychrome decorated pill boxes, including a Meissen example, largest 1"h x 2.5"w
$$
300 300
$$
500 500
7003 (lot of 2) Meissen figural candlestick group 19th century, each depicted holding a child, one $ 1,200 $ 1,500 figure in the Bacchanalian taste, having a grape cluster wreath, each depicted in Classical attire, and rising on a Rococco style base with bird form reserves, underside with underglaze blue cross sword mark, 13,5"h
7004 Continental style gilt bronze footed compote, having a garland swag decorated frieze flanking the ebonized bowl, above the fish form gilt bronze standard, and rising on a circular marble base, 8.5"h x 8"w

  • $
  • 600
  • $
  • 900

7005 (lot of 8) French hand painted porcelain miniature portraits; each depicting French royalty including Napoleon, and numerous ladies, largest 4"h x 3"w Provenance: from the Holman Estate in Pacific Grove. The Holman family were early residents of the Monterey Peninsula and established Holman's Department Store in the center of Pacific Grove, thence by family descent

  • $
  • 800 $ 1,200

7006 French Grand Tour style silver gilt mythological figure, depicting Bacchus or Dionysus, modeled as standing on a mound of grapes and leaves holding a wide mouthed cup in his proper right hand, the other hand holding a thyrsus or fennel staff, rising on a black marble plinth, bears the French "weevil" mark on the base and body, 18"h
$ 1,500 $ 2,000
7007 (lot of 2) French hand painted miniature portraits, second half 19th century, one depicting a nobleman in dress robe and his crown at his side, the second, a lady in formal gown, each in an oval frame, each overall 3.5"h x 2.75"w
7008 French scenic decorated jewelry casket, having a hand painted porcelain scenic top depicting a beauty, surmounting the gilt metal lined box, 1.5"h x 3"w Provenance: Property from the Holman Estate, Pacific Grove. CA. The Holman family were early residents of the Monterey Peninsula, thence by family descent
$$
400 400
$$
600 600

7009 (lot of 4) Royal Crown Derby porcelain group, consisting of a large potpourri vase in the
Japanese taste, with raised gilt and enamel floral detail 13.5"h x 9"w, together with (3) vases, each with gilt accents, and marked with underglaze red mark

  • $
  • 300
  • $
  • 500

7010 German Manivelle musical automaton circa 1890, depicting a school room scene with five $ 1,500 $ 2,500 porcelain figures, each with period attire, the whole rising on a polychrome decorated base with crank, 11"h x 17"w x 10.5"d Provenance: D Hagenmeyer collection

  • LOT
  • TYPESET
  • LOW
  • HIGH

7011 Collection of letters from noted entertainment personalities and journalists to Mr Gerald
Nachman (1938-2018), letters include celebrities such as Frank Sinatra, George Burns, Herb Caen, Larry Hagman,Rosemary Clooney, Barbara Walters, Lawrence Welk, Merv Griffin, Mel Torme, Carol Channing, Ted Koppel, Tennessee Ernie ford and many others, Nachman was a feature writer for the New York Post from 1964-66, feature writer and TV critic for New York Daily News from 1972-79, with a stop in the middle as columnist and film critic for the Oakland Tribune, from 1979–1993 entertainment and theater writer for the San Francisco Chronicle

  • $
  • 400
  • $
  • 600

7012 Amphora vase depicting a shepherd and his horse, having a green ground with tree form reserves, underside with Amphora mark, 18.5"h
7013 Continental style bronze mounted vase, the shouldered form having a pink ground with floral reserves, and rising on a bronze footed base, 16"h x 9"w
$$
800 $ 1,200

  • 300
  • $
  • 500

7014 (lot of 111) Herend hand painted Yellow Dynasty table service, each having hand painted floral and geometric reserves on an alternating yellow and cream ground, consisting of (11) luncheon plates, (14) salad plates, (4) dinner plates, large tureen with undertray, a dessert tray, (13) consomme with (13) underplates, (11) demitasse cups with (11) saucers, (12) coffee cups with (12) saucers, and a large ice bucket
$ 2,000 $ 4,000
7015 (lot of 2) Herend hand painted porcelain rabbits, each decorated in light blue in the Fish
Net pattern, with a gilt nose and paws, the seated example resting on a naturalistic base painted with pink and green paisleys, with Herend mark, 11.5"h
$$
800 $ 1,200
7016 (lot of 4) Herend hand painted porcelain rabbits, each decorated in pink in the Fish Net pattern with gilt nose and paws, underside with Herend mark, 3"h

  • 300
  • $
  • 500

7017 Royal Copenhagen Flora Danica lidded tureen, the lid having a stylized floral encrusted branch form handle above the body, having polychrome floral and gilt accents, marked on underside, 7.5"h x 15"w
$ 1,500 $ 2,000
7018 (lot of 3) Herend hand painted porcelain group, consisting of a figural candelabra, having two lights above a dolphin form standard, together with two dolphin figurines, each executed in brown with orange accents, marked on underside, largest: 7"h
$$
400 400

  • $
  • 600

7019 (lot of 6) Herend hand painted porcelain rabbits, each decorated in light blue in the Fish
Net pattern, with gilt nose and paws, in various poses, two depicting a pair of rabbits, each marked on underside, 6"h
7020 Herend hand painted porcelain compote, having a pierced bowl with gilt accents, above the $ 500 stylized standard in the form of a tree trunk, marked on underside, 10.5"h
$$$
600 700

  • 600
  • 7021 (lot of 5) Herend hand painted porcelain figurines, consisting of a kangaroo in green, an

elephant in blue, a pair of ducks in green, a shell in green, and a lidded box having a figural finial of an elephant in yellow, each marked on underside, largest: 5.5"h

  • $
  • 400

7022 (lot of 37) Herend hand painted partial table service, in the Rothschild Bird pattern, consisting of (12) demitasse cups with textured rim, and saucers, a single demitasse cup with a ruffled rim, and (6) demitasse cups with (5) saucers having a plain rim, together with an associated sugar, largest: 4.5"h

  • $
  • 800 $ 1,200

  • LOT
  • TYPESET
  • LOW
  • HIGH

7023 (lot of 2) Herend hand painted porcelain figural sculptures of turkeys, each executed in cream, and rising on a naturalistic base, 4.5"h

  • $
  • 300
  • $
  • 500

7024 (lot of 2) Herend hand painted porcelain figurines, one depicting a pheasant with polychrome decoration, the other a goose, each marked on underside, largest: 9.5"h

  • $
  • 400
  • $
  • 600

7025 (lot of 29) Herend assembled partial hand painted porcelain table service, in the Chinese
Bouquet pattern, including (13) demitasse cups and (14) saucers, (2) cache pots, executed in green, together with a tureen, a waste bowl, and undertray, executed in orange, largest: 5.5"h

  • $
  • 800 $ 1,200

7026 Patinated bronze figural sculpture of a Shar Pei, depicted seated with even original patina,
8"h
7029 Classical style patinated bronze relief panel, having a giltwood frame surrounding a scene of a mother and child, 8.5"h x 7.5"w
$$
400 300
$$
600 500
7030 Egyptian style bronze sculpture of the God Osiris, depicted wrapped in a close fitting cloak, $ 1,000 $ 2,000 wearing an engraved divine beard and the crown of Upper Egypt, with a Uraeus, holding the crook in the right hand, 21"h, copy of bill of sale from Egyptian Antiques and Gifts, Los Angeles, CA and dated 1979, together with a copy of COA from Mohamed Mohamed AbdelRahim El-Shaer, Antiquity Merchant, Cairo Egypt

7031 Pair of French Empire style bronze and brass candelabra, each having three lights, above a reeded standard and rising on a tripod base, 24"h
7032 (lot of 4) Lundberg Studios group, each having a tapered form with cased decoration, two accented with flowers, and one having a swirled design on a magenta ground, together with a floral decorated example by Doug Merritt/Stephen Smarr, each marked on underside, largest: 11"h
$$
500 400
$$
700 600

7033 (lot of 3) Blown molded glass inkwell group, each in dark olive green, one darker than the others, each having a rough pontil mark, attributed to Keene, NH, 1815-1840, 1.5"h
$$$
300 300 400
$$$
500 500 600
7034 (lot of 2) Modern case glass vases, one having a tear drop form in clear, orange green and blue, together with another having a tapered form in clear, purple and blue glass largest: 7.5"h
7035 (lot of 6) Lundberg Studios art glass group, consisting of (5) paperweights, three decorated with cased fish, another decorated with a butterfly, the last with a millefiori pattern, and a paperweight vase decorated with cased fish, four by Daniel Salazar, each marked on underside, largest: 3.5"h
7036 Murano glass clown, in the manner of Salviati, depicted wearing a black top hat, above a clown suit, unsigned, 7.5"h
7037 (lot of 5) Lundberg Studios group, consisting of a trumpet form vase with floral decoration on a gold aurene ground, another in blue aurene having a tapered form, another smaller having a swirled design in iridescent glass, and the last a lidded jar in gold aurene, each marked on underside, largest: 9.5"h
$$
150 300
$$
250 500

  • 7038 Arts and Crafts Harry Dixon hammered copper bookend, marked on underside, 4"h
  • $

$
200 200
$$
400

  • 400
  • 7039 Arts and Crafts hammered copper vessel, having a tapered form, and marked H M D 1912

to underside, 8.5"h

  • LOT
  • TYPESET
  • LOW

300
HIGH

  • $ 500
  • 7040 Tiffany Studios New York gilt bronze compote, the bowl having geometric banding, and

rising on a circular base, marked on underside: 3.5"h
$
7041 (lot of 11) Tiffany Studios New York patinated bronze assembled desk accessories, in the
"Grapevine" and "Pine needle" patterns, consisting of two frames, a lidded box, a stamp box, a paperclip, each marked Tiffany Studios New York and numbered, together with four blotter corners and a letter rack attributed to Tiffany Studios, each marked Tiffany Studios New York, unnumbered, and a Tiffany style lidded box, unmarked and unnumbered, largest: 9.5"h
$ 2,000 $ 4,000
7042 Tiffany Studios New York patinated bronze desk set, in the "Bookmark" pattern, consisting $ 2,000 $ 4,000 of a letter rack, an inkwell, blotter ends, and a pen tray, each marked Tiffany Studios New York and numbered on underside, largest: 5.5"h
7048 Hawaiian Koa wood presentation calabash with plaque inscribed "Calabash presented to
Co. L. 1st Regent N.Y. Vol's by Joseph A. Maguire at Camp McKinley Waikiki, Honolulu, HI, Oct. 16th 1898," the bowl above the body having inlaid banding, and rising on boar's tooth legs, 9"h
$ 1,000 $ 2,000
7049 American Studio rosewood turned vessel circa 1970, having a tapered form, unmarked, 4"h $ 150 x 10"w
$$$
250 500 500
7050 (lot of 3) Russian brass oklad icon group, consisting of polychrome decorated panels, with two depicting the Mother and Child, largest, 5.5" x 4.5"

  • $
  • 300

7051 (lot of 3) Eastern Orthodox icon group, all painted on a wooden panel and polychrome decorated, one example with gilt accents depicting St. Nicholas, largest, 7" x 5.5

  • $
  • 300

7052 Russian brass oklad icon on wood panel, depicting various polychrome hand painted figures $ 300 framing a centered Christ Pantocrator, 10.5" x 9"
$$$
500 500 500
7053 Russian brass oklad icon on wooden panel, depicting a polychrome hand painted Christ
Pantocrator, 10.5" x 9"

  • $
  • 300

7054 Russian .84 silver oklad icon Moscow 1881, depicting two Saints or Apostles, one to the proper left is shown as holding a chalice in one hand, the other hand holding up a cross, the back lined in red velvet, 5" x 4"

  • $
  • 300

7055 Russian .84 silver and gilt oklad traveling icon, depicting St. George the Dragon Slayer, with a black velvet lined back, 3.5" x 3"
7056 (lot of 3) Russian .84 silver traveling oklad icons, consisting of one depicting St. George the
Dragon Slayer, another depicting Christ Pantocrator, and the last depicting Saint Panteleimon, each with a velvet lined back, 2"x 2"
$$
250 250
$$
450 450

7057 (lot of 3) Russian .84 silver oklad traveling icons, each with a velvet lined back, comprising one depicting Archangel Michael, another depicting the Mother and Child, together with one depicting St. Nicholas, 2"x 2"
7058 Russian .84 silver and enamel traveling triptych icon, executed in three parts, the middle depicting the passing of Mary, flanked on either by polychrome enameled Saints, 1" x 2.5" (open)
7059 (lot of 3) Russian .84 silver and gilt oklad traveling icon group, consisting of an example depicting Saint Panteleimon, a silver and gilt example depicting a female Saint or Apostle, together with another all silver example depicting a male Apostle or Saint, largest, 3.25" x 2.5"
$$$
250 500 300
$$$
450 700 500

  • LOT
  • TYPESET
  • LOW

300
HIGH
7060 (lot of 2) Russian .84 silver oklad traveling icons, each of circular form, consisting of one depicting the Mother and Child together with one depicting Christ Pantocrator, 2.5"dia.

  • $
  • $
  • 500

7061 (lot of 2) Russian travelling icons, both gilt oklads marked 84, one depicting the Mother and $ 250
Child, and one depicting a Saint with a three bar cross, 1.75" diameter

  • $
  • 450

7062 (lot of 2) Russian travelling icons, each oklad marked 84, one depicting Michael, and one of a female Saint bearing an open box, 2" diameter
7063 (lot of 2) Russian travelling icons, each oklad marked 84, one depicting St. Nicholas, one depicting Mother of God, softener of evil hearts, 2"h
7064 (lot of 2) Russian icon wedding pair, each having a brass oklad, one depicting Christ
Pantocrater, the other the Mother of God, each: 5.5"h
$$$
300 300 300
$$$
500 500 500
7065 Russian icon, having a brass oklad and depicting Christ Pantocrator, 14"h x 12"w 7066 (lot of 3) Russian icon group, each having a brass oklad, consisting of two depicting the
Mother of God, and one depicting Saint Nicholas, largest: 7"h x 5.5"w
$$
400 250
$$
600 450

7067 Russian icon, having a silver oklad and depicting Christ Pantocrator, 10"h x 8"w 7068 Russian icon, depicting the Mother of God, 8"h x 7"w
$$
600 400
$$
900 600
7069 Russian Imperial eagle badge, decorated with a double eagle and a hammer and sickle, 2"h $ 1,000 $ 1,500

7070 Russian style silvered metal traveling icon, the square form icon depicting Saint Gabriel slaying the dragon, mounted on a chain, icon 2" x 2"
7071 Southwest Native American Apache coiled basket, having continuous stepped geometric patterning, 15"dia.
$$

  • 250
  • $
  • 450

800 $ 1,200
7072 Southwest Native American Apache coiled basket, having continuous stepped geometric patterning, 15"dia.
$ 1,000 $ 2,000
7073 Southwest Native American Apache coiled basket, having a continuous diamond/floral patterning, 15"dia.

  • $
  • 800 $ 1,200

7075 Native American Salish coiled pedestal basket with footed base, 9"h x 11"dia. 7076 Native American Hupa twined basket, Lower Klamath, Northwest California, the three color $ 600 basket with a continuous geometric pattern, 5"h x 8.5"dia.

  • $
  • 500
  • $

$
700 900

7077 (lot of 2) North Central California Native American basket group, consisting two Klamath tule sifting or winnowing trays, largest: 14.5"dia.
7079 Native American Salish/Chehalis lidded storage basket, circa 1900, Thompson River, British
Columbia, fully imbricated, 7"h x 14.5"w x 7.5"d
7080 Native American South Eastern Louisiana "Coshatta" handled woven basket, 14"h x 14"w x
10"d.
7081 Native American Hupa twined mush bowl, Trinity River, Northwest California, the two color $ 400 basket with a continuous geometric pattern, 6"h x 9.5"dia.
$$$
800 $ 1,200 400 200
$$$
600 400 600
7082 Southwest Native American Apache coiled basket, with animal and human motifs flanked by five diamond or feather elements, 16 3/4"dia.
$ 1,000 $ 2,000
7083 Native American Tlingit spruce root twined basket, Southeast Alaska, having bold geometric designs in red, yellow, and brown elements, 9"h x 10"dia.
7085 Northwest California Native American Pomo coiled basket, having a continuous geometric pattern throughout, 3"h x 9"dia.
$$
800 $ 1,200

  • 200 400
  • $

  • LOT
  • TYPESET
  • LOW
  • HIGH

7086 Native American Salish/Chehalis lidded storage suitcase basket, circa 1900, Thompson
River, British Columbia, fully imbricated, 15"h x 28"w x 14.5"d
$ 2,000 $ 4,000
7087 Angela Baca Santa Clara melon jar, the squat form with alternating polished body, underside signed Angela Baca, 4"h x 6"w

  • $
  • 400
  • $
  • 600

7088 Native American Mono monochrome decorated basket, 2"h x 7"w 7089 Casa Grandes blackware vessel, 7"h x 13"w 7090 Native American Pima basket, the monochrome body with figural detail, 5"h x 10.5"w
$$$
200 200 200
$$$
400 400 400

7090A Navajo Germantown "Eyedazzler" Sunday single saddle blanket, late 19th Century, finely executed in red, blue, yellow, teal, black and white, 32"l x 25.5"w
$ 1,500 $ 2,500

  • 7090B Southwest Native American Navajo regional pictorial Red Mesa rug, 66.5"l x 46.5"w
  • $

$
800 $ 1,200

  • 500 700
  • 7091 Eskimo baleen basket by Andrew Oenga, having a polar bear finial above the baleen body

with a central medallion to underside marked A. Oenga Barrow AK. 1980, 3.5"h x 4"w
$
7092 English George III tall case clock circa 1780, having a reticulated bonnet housing the brass floral decorated dial having Roman markers with date window, seconds hand, and silent / strike dial, also marked James Fenton, London, having a highly figured mahogany case with fluted quarter columns, and rising on square feet, 93"h x 19"w x 9"d Provenance: Estate of Ann Landers
$ 1,500 $ 2,500
7093 French Provincial chest of drawers 18th century, having a serpentine top above the conforming case with four drawers, each with carved fronts, 32"h x 48"w x 24"d

  • $
  • 800 $ 1,200

7094 Continental Louis XVI style candelabra, after Clodion, each executed in gilt and patinated bronze, each having three lights with figural supports continuing to the gilt and fluted plinth terminating on the marble base, 25"h x 12"w
$ 1,500 $ 2,000
7095 Louis XV style gilt bronze wall sconces, the two light fixtures with acanthus and floral scrolls $ 700 $ 1,000 supporting the two lights, 21"h x 16"w

  • 7096 William Morris Arts and Crafts style carpet, 8' x 9'10"
  • $

$
500 700 $ 1,000

  • $
  • 700

7097 Louis XV style marquetry decorated games table, having a hinged floral decorated top opening to the felt playing surface, with chess board inside, the case with a single lined side drawer, and rising on cabriole legs terminating on sabots, 31"h x 32"w x 21.5"d

7098 Continental oak blanket circa 1800, having a hinged top with original hardware, the sides with original wrought straps fronting the exposed dovetails, 13"h x 31"w x 14"d
$$$$
300 400 400 400
$$$$
500 600 600 600
7099 English papier mache tray on stand, the floral decorated top with mother of pearl reserves centering the scalloped border and rising on faux bamboo decorated legs, 18.5"h x 32"w x 15"d
7099A (Lot of 4) French partial gilt and polychrome decorated fauteuils c. 1860, each having a shell carved crest with a green polychrome decorated frame with scroll decorated floral sprays, and rising on cabriole legs
7100 (lot of 34) Baccarat stemware group, in the Embassy pattern, consisting of (3) champagne bowls, (13) port wine glasses, and (18) water goblets, largest: 6"h

  • LOT
  • TYPESET
  • LOW
  • HIGH

7102 Chippendale style walnut plant stand, having a circular dish top above the turned standard, $ 300 and rising on a tripod base terminating on pad feet, 45"h x 12"w
$$$
500
7103 (lot of 2) Ralph Lauren Jacobean style chests, each having a rectangular top above the four drawer case with paneled fronts, and rising on square feet, 48"h x 51.5"w x 23"d
$$$
400 300
600

  • 500
  • 7104 St. Louis crystal stemware group, consisting of (12) champagne bowls, (11) cordials, and

(12) white wine glasses, each with etched mark on underside, largest: 5"h

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    BRAND BOOK Design Examples Informational Handouts Check online for available templates – www.csus.edu/brand 2.18 HEADLINE OR EVENT HEADLINE OR NAME OF NAME GOES HERE YOUR EVENT GOES HERE This is where your event subhead goes. This is where your event subhead goes. SIDE MARGIN SUBHEAD SUBHEAD Side margin is body text. Use this text Second Subhead style for your side margin. Side margin Body text goes here. Body text goes here. Body text goes here. Body text SIDE MARGIN SUBHEAD SUBHEAD is body text. Use this text style for your goes here. Body text goes here. Body text goes here. Body text goes here. Side margin is body text. Use the Second Subhead side margin. Side margin is body text. body text style for your side margin. Body text goes here. Body text goes here. Body text goes here. Body text This is the body text style. Use this style for body text. This is the body text style. Use this text style for your side margin. goes here. Body text goes here. Body text goes here. Side margin is body text. Use this text Use this style for body text. This is the body text style. Use this style for body text. Side margin is body text. Use this text style for your side margin. Side This is the body text style. This is the body text style. Use this style for body text. Here is a bullet style. Use this style for your bullet points. Here is the style for your side margin. • margin is body text.
  • A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)

    A Performer's Guide to Minoru Miki's Sohmon III for Soprano, Marimba and Piano (1988)

    University of Cincinnati Date: 4/22/2011 I, Margaret T Ozaki-Graves , hereby submit this original work as part of the requirements for the degree of Doctor of Musical Arts in Voice. It is entitled: A Performer’s Guide to Minoru Miki’s _Sohmon III for Soprano, Marimba and Piano_ (1988) Student's name: Margaret T Ozaki-Graves This work and its defense approved by: Committee chair: Jeongwon Joe, PhD Committee member: William McGraw, MM Committee member: Barbara Paver, MM 1581 Last Printed:4/29/2011 Document Of Defense Form A Performer’s Guide to Minoru Miki’s Sohmon III for Soprano, Marimba and Piano (1988) A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Performance Studies Division of the College-Conservatory of Music by Margaret Ozaki-Graves B.M., Lawrence University, 2003 M.M., University of Cincinnati, 2007 April 22, 2011 Committee Chair: Jeongwon Joe, Ph.D. ABSTRACT Japanese composer Minoru Miki (b. 1930) uses his music as a vehicle to promote cross- cultural awareness and world peace, while displaying a self-proclaimed preoccupation with ethnic mixture, which he calls konketsu. This document intends to be a performance guide to Miki’s Sohmon III: for Soprano, Marimba and Piano (1988). The first chapter provides an introduction to the composer and his work. It also introduces methods of intercultural and artistic borrowing in the Japanese arts, and it defines the four basic principles of Japanese aesthetics. The second chapter focuses on the interpretation and pronunciation of Sohmon III’s song text.
  • Winter Delights

    Winter Delights

    WINTER DEC–MAR 2018/19 No. 220 Free WESTERN JAPAN’S PREMIER VISITOR’S GUIDE Winter Delights Sake, skiing, spas and snowcrab Plus Inside… WHAT’S ON Explore Sights Food & Drink Discover EAT & DRINK A PERFECT LONG BEST SPOTS HOW SAKE IS KINOSAKI’S SEVEN SIGHTSEEING WEEKEND IN NARA FOR WINTER MAKING ITS HEALING SPRINGS SNOWSCAPES COMEBACK MAPS Discover Hiroshima’s Scenic Beauty YOICHI SHIDAREZAKURA CHERRY BLOSSOM A stunning 12m tall weeping cherry sitting atop a small in Akiota-cho hillock is lit up during its brief, but spectacular spring bloom OSORAKAN SNOW PARK Japan’s southernmost ski resort, offering long runs for all Breathtaking views, fabulous levels of skiers and snowboarders, as well as snow trekking and igloo building hiking, exciting snow sports and relaxing hot spring accommodation await SANDANKYO GORGE A stunning 13km river gorge, awarded 3 stars by the French travel guide Blue Guide and selected as one of the top 100 scenic beauty spots in Japan INI TANADA Picture-perfect terraced paddy fi elds, offering stunning photo opportunities year-round Nukui Springs Hotel Offers traditional outdoor hot spring baths overlooking Lake Ryuki in Kyoto Hiroshima’s Akiota-cho. Relax in comfortable western style or Japanese Himeji Okayama Osaka tatami mat rooms and enjoy our award-winning French dining. Akiota-cho Kobe Hiroshima Address: 4692-7, Kake, Akiotacho, Yamgatagun, Hiroshima 731-3501, Japan Tel: +81 (0)826-22-1200 Access: 1 hour by car from Hiroshima IC RESERVATIONS www.nukui-sp.com CONTENTS 26 Winter Dec / Jan / Feb 10 30 Features KANSAI FINDER 08 23 32 Events & Festivals Kansai’s Snowy Vistas Nara’s Cocktail Kings Where to experience the best of the region’s RASTA MUSICK winter snowscapes.
  • Japanese Exhibition House, the Museum of Modern Art, Summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan S

    Japanese Exhibition House, the Museum of Modern Art, Summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan S

    Japanese exhibition house, the Museum of Modern Art, summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan society (Tokyo) and private citizens in Japan and the United States, and the Museum of Modern Art Author Museum of Modern Art (New York, N.Y.) Date 1954 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/2711 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ArcA/ViZ, 553 Japanese Exhibition House THE MUSEUM OF MODERN ART, SUMMER I954 Designed by Junzo Yoshimura Sponsored by the America-Japan Society (Tokyo) and private citizens in Japan and the United States, and The Museum of Modern Art, New York. The Museum has chosen a Japanese building for its third House in the Garden because of the unique relevance to modern Western architecture of traditional Japanese design. The characteristics which give Japanese architecture this interest are post and lintel skeleton frame construction; flexibility of plan; close relation of indoor and outdoor areas; and the ornamental quality of the structural system. Modern Western practice, with its general use of the steel skeleton frame, has developed many effects known to Japanese architecture since the eighth century. For example, walls which do not support a roof, but are instead hung like curtains on the structural framework, are today a com monplace of Western architecture. Before 1900 Frank Lloyd Wright made fundamental to his work the Japanese respect for the beauty of natural materials, as well as the massive, hovering, insistently horizontal roofs essential to the Japanese conception of a house.
  • The Vitality and Resilience of Inherited Japanese Houses －100 Years of Shimizu-Gumi Houses－

    The Vitality and Resilience of Inherited Japanese Houses －100 Years of Shimizu-Gumi Houses－

    The Vitality and Resilience of Inherited Japanese Houses －100 Years of Shimizu-gumi Houses－ Preface Since its foundation in 1804, residential architecture had been one of the primary business focuses for Shimizu-gumi, the present Shimizu Corporation. Many books have been published to showcase its works, such as Sekkei zushū, jūtaku no maki, ji 1907 nen shi 1923 nen (Drawing collection: house, from 1907 to 1923) and Sekkei zushū, shitsunai narabini kagu dentō no maki, ji 1909 nen shi 1913 nen (Drawing collection: interior, furniture and lighting, from 1909 to 1913). These books feature painted drawings of large houses, which could be considered mansions in the Western sense, designed and built by Shimizu-gumi, and include plans, elevations, development plans, and illustrations of furniture. The books enable the reader to visualize many aspects of mansions in the Meiji era (1868-1912) and Taisho era (1912-1926,) and to understand how these mansions were significant as elements of urban culture. Additionally, an academic work based on these earlier texts was published to commemorate the 60th anniversary of the Housing Research Foundation JUSOKEN: Meiji/Taisho no teitaku, Shimizu-gumi sakusei saishiki-zu no sekai (Mansions in Meiji and Taisho, the world of colored drawings created by Shimizu-gumi, Kashiwashobo, 2009, currently unavailable). This book is the product of joint research by “Shimizu Kensetsu Teitaku Shiryō Kenkyūkai” (Shimizu Corporation Mansion Document Study Group, 2004 to 2009) in the “Jūtaku Shiryō Iinkai” (Committee for historical materials about houses) of Jusoken. For the next phase of study, surveys and research on Jūtaku kenchiku zushū (Residential architecture catalog, 1st volume: 1935, 2nd volume: 1939) should be conducted.
  • Japan Studies Association Journal, 2001. INSTITUTION Japan Studies Association, Inc

    Japan Studies Association Journal, 2001. INSTITUTION Japan Studies Association, Inc

    DOCUMENT RESUME ED 453 097 SO 032 583 AUTHOR Reichel, Philip L., Ed. TITLE Japan Studies Association Journal, 2001. INSTITUTION Japan Studies Association, Inc. SPONS AGENCY University of Northern Colorado, Greeley. ISSN ISSN-1530-3527 PUB DATE 2001-00-00 NOTE 95p.; The Jonathan Goldstein article "Missionary versus Atheist: James Curtis Hepburn and Edward Sylvester Morse as Foreign Technical Experts in Meiji Japan" included here is a corrected version of the article that appears in the Japan Studies Association Journal, Volume 3, 2001. Published biennially. AVAILABLE FROM Japan Studies Association, Department of History, Northwest Missouri State University, Maryville, MO 64468 ($75 per volume); Web site: http://ed.uno.edu/faculty/rspeaker/JSA/JSAWebIndex.html. PUB TYPE Collected Works Serials (022) JOURNAL CIT Japan Studies Association Journal; v3 2001 EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS Area Studies; Asian History; *Asian Studies; *Conflict; Foreign Countries; Higher Education; *Interdisciplinary Approach; *Japanese Culture; Minority Groups; *Religious Factors IDENTIFIERS *Japan; *Japanese Studies ABSTRACT This journal presents new perspectives and materials on Japan that are engaging, relatively jargon-free, and shaped so that their usefulness in a college classroom is readily apparent. The journal represents an example of the potential for genuine scholarship that lies within interdisciplinary studies. Articles grouped under the topic of "Minority Issues" are: "White and Yellow in California: Race Hatred and the Issei" (Michael Steiner); and "The Jewish Factor in Relations between the United States and Japan" (Naoki Maruyama). Articles grouped under "Religious Issues" are: "Mahikari beyond Japan" (W. Sanborn Pfeiffer); and "Missionary versus Atheist: James Curtis Hepburn and Edward Sylvester Morse as Foreign Technical Experts in Meiji Japan" (Jonathan Goldstein).
  • The Book of Tea, by Kakuzō Okakura

    The Book of Tea, by Kakuzō Okakura

    The Book of Tea by Kakuzō Okakura 1 Contents I. The Cup of Humanity II. The Schools of Tea. III. Taoism and Zennism IV. The Tea-Room V. Art Appreciation VI. Flowers VII. Tea-Masters 1 1 I. The Cup of Humanity Tea began as a medicine and grew into a beverage. In China, in the eighth centu- ry, it entered the realm of poetry as one of the polite amusements. The fifteenth century saw Japan ennoble it into a religion of æstheticism—Teaism. Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the ro- manticism of the social order. It is essentially a worship of the Imperfect, as it is a tender attempt to accomplish something possible in this impossible thing we know as life. The Philosophy of Tea is not mere æstheticism in the ordinary acceptance of the term, for it expresses conjointly with ethics and religion our whole point of view about man and nature. It is hygiene, for it enforces cleanliness; it is econom- ics, for it shows comfort in simplicity rather than in the complex and costly; it is moral geometry, inasmuch as it defines our sense of proportion to the universe. It represents the true spirit of Eastern democracy by making all its votaries aristo- crats in taste. The long isolation of Japan from the rest of the world, so conducive to intro- spection, has been highly favourable to the development of Teaism. Our home and habits, costume and cuisine, porcelain, lacquer, painting—our very litera- ture—all have been subject to its influence.
  • Download PDF Catalogue

    Download PDF Catalogue

    67 NEW COLLECTORS ART / MODERN DESIGN / NEW ZEALAND & INTERNATIONAL STUDIO POTTERY ART TRIBAL & ARTEFACTS ZEALAND NEW / ART 67 ASIAN Asian Art / New Zealand Artefacts & Tribal Art Tuesday 9 July 2013 at 6.00pm The Asian catalogue is our finest to date and reflects growing local and international collector interest in this genre. This catalogue, our third specialist sale is distinguished by rare offerings of mark and period porcelain from the collection of Dr. John and Louise Gray, carefully assembled over many decades and the finest offering of Satsuma pottery to be offered in New Zealand including examples by Yabu Meizan, Hankinzan, Fujisan and Kinkozan. Japanese Satsuma lobed bowl, signed Fujisan, Meiji period (1868-1912), lot 1226 Cover: Fine Chinese yellow ground dragon dish, Guangxu aubergine six-character mark and of the period (1875-1908), lot 1299 ASIAN ART INC. THE GRAEME STORM COLLECTION OF CHINESE AND SOUTH EAST ASIAN POTTERY OCTOBER 2013 ENTRIES INVITED The October catalogue will feature as a centrepiece an interesting collection assembled by the well known New Zealand potter Graeme Storm. Travelling regularly into South East Asia Storm searched for pieces which developed into the unique reference collection offered in this catalogue. The catalogue will also include a fine gilt Maitreya Buddha as well as an offering of Tibetan items and a large collection of Japanese ceramics and bronzes. Further entries are invited Contact: James Parkinson [email protected] 09 354 4646 021 222 8184 A selection of pieces from the Graeme Storm collection. Asian Art Tuesday 9 July at 5pm 3 Abbey Street, Newton, Auckland Note: at 5pm approximately 130 uncatalogued lots will be offered at no reserve.