DOCSLIB.ORG

ASIAN ART 27.5.2020 Auktionen Frühjahr 2020 Classic Week Asian Art 27

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ASIAN ART 27.5.2020 Auktionen Frühjahr 2020 Classic Week Asian Art 27 ASIAN ART 27.5.2020 Auktionen Frühjahr 2020 Classic Week Asian Art 27. Mai 2020 Asian Art Decorative Art 27. Mai 2020 Fine Jewels & Watches 28. Mai 2020 Fine Art 28. Mai 2020 SØR Rusche Collection – Auktion/auction: Old Masters meet Contemporaries 28. Mai 2020 Vorbesichtigung: 22. – 25. Mai 2020 27. Mai 2020 Modern Times Modern 10. Juni 2020 Vorbesichtigung/preview: Post War 10. Juni 2020 Contemporary 10. Juni 2020 22.–25. Mai 2020 Prof. Dr. Christian Eggers Collection 10. Juni 2020 Vorbesichtigung: 5. – 8. Juni 2020 Discoveries 17. Juni 2020 亚洲古董珍玩 Vorbesichtigung: 13. – 15. Juni 2020 第446屆拍卖会 ONLINE ONLY-Auktionen 2020年5月27日 Frühjahr 2020 SØR Rusche Collection – Passion 預展時間 6. – 19. Mai 2020 2020年5月22–25日 GOLD 20. Mai 2020 – 2. Juni 2020 Art after 45 22. Mai 2020 – 4. Juni 2020 Eggers’ Collection 5. – 22. Juni 2020 SØR Rusche Collection – Faces 12. – 25. Juni 2020 Belle Èpoque – Fine Jewels 18. Juni 2020 – 29. Juni 2020 HERMÈS – Classics from Rue du Faubourg 18. Juni 2020 – 30. Juni 2020 Einlieferungen von Sammlungen, Nach- Auktionen lässen und Einzel stücken sind bis zwei Herbst 2020 Monate vor den Auktionen möglich. SØR Rusche Collection – Unsere Experten informieren Sie gerne Part VII 30. Sept. 2020 über die aktuelle Marktsituation und geben Adresse Vorbesichtigung: 25. – 28. Sept. 2020 Ihnen kostenlose Einschätzungen für Ihre address VAN HAM Kunstauktionen Classic Week Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre E-Mail bzw. Ihre Post. Hitzelerstraße 2 Asian Art 11. Nov. 2020 50968 Köln/Cologne Decorative Art 11. Nov. 2020 Tel.: +49 (221) 925862-0 Fine Jewels & Watches 12. Nov. 2020 Abbildungen Fax: +49 (221) 925862-199 Fine Art 12. Nov. 2020 Titel [email protected] Vorbesichtigung: 6. – 9. Nov. 2020 Nr. 1 SELTENE IMPERIALE OFFIZIELLE www.van-ham.com Modern Times LONGGUA-ÜBERROBE MIT DRACHEN- Modern 25. Nov. 2020 MEDAILLONS FÜR EINE DAME. 德國科隆 VAN HAM（範漢姆） Post War 25. Nov. 2020 China 藝術拍賣公司 Contemporary 25. Nov. 2020 Hitzelerstr. 2, Cologne, Germany Vorbesichtigung: 20. – 23. Nov. 2020 Rückseite: 電話：+49(221)925862-0 Nr. 25 SELTENER UND BEDEUTENDER 傳真：+49(221)925862-199 Discoveries 2. Dez. 2020 TELLER MIT LILIEN UND SINGVOGEL 郵箱：[email protected] Vorbesichtigung: 28. – 30. Nov. 2020 China 網址：www.van-ham.com Our Specialists Unser Service Auktionen Termine Unsere Experten Our Service im Internet Dates Sales on the Internet ! Christoph Bouillon Schriftliche Gebote Registrierung und Anmeldung Auktion Vorbesichtigung Wir freuen uns Sie zu unserer Vor- Katalogredaktion absentee bids für das Live Online Bieten Sale Preview besichtigung in Köln begrüßen zu Tel. +49 (221) 925862-400 Sebastian Himmes Registration for live online bidding dürfen. Selbstverständlich werden [email protected] Tel. +49 (221) 925862-153 Mittwoch, Classic Week wir auch weiterhin die geltenden [email protected] 27. Mai 2020 22. – 25. Mai 2020 Hygienevorschriften und Distanz- Hua Yan ab 10.00 Uhr Freitag 10 bis 18 Uhr regelungen beachten: Ein Lächeln Tel. +49 (221) 925862-402 Telefonische Gebote Asian Art Samstag 10 bis 18 Uhr ersetzt das Händeschütteln und wir [email protected] telephone bids Part I Nr. 1 – 127 Sonntag 10 bis 18 Uhr beraten Sie gerne aus der momentan Anja Bongartz Part II Nr. 128 – 303 Montag 10 bis 18 Uhr angebrachten Distanz. Aus gege- Walter Bruno Brix Tel. +49 (221) 925862-150 benem Anlass haben wir unsere Tel. +49 (221) 925862-410 [email protected] ab 14.30 Uhr Preview of selected Asian Art Öffnungs zeiten verlängert, um [email protected] Auktion nur live verfolgen Decorative Art Asian Art in Auswahl Wartezeiten zu vermeiden. Versand Follow live sale only Part I Nr. 400 – 447 26. Mai 2020 Auf www.van-ham.com halten Maria Miltschitzky shipping Part II Nr. 448 – 594 Dienstag 10 bis 17 Uhr wir Sie über aktuelle Änderungen Volontärin Diana Breit auf dem Laufenden. Tel. +49 (221) 925862-429 Tel. +49 (221) 925862-802 Donnerstag, [email protected] [email protected] 28. Mai 2020 預展時間： We look forward to welcoming ab 10.00 Uhr 2020年5月22日-25日 you to our preview in Cologne. Olaf Schneemann Abholung Fine Jewels & Watches 5月22日星期五 10-18時 Of course, we will continue to Tel. +49 (221) 925862-402 pick-up Part I Nr. 600 – 759 5月23日星期六 10-18時 observe the applicable hygiene and [email protected] Tobias May Online Katalog mit großen Part II Nr. 760 – 883 5月24日星期日 11-18時 distance regulations: A smile replaces Tel. +49 (221) 925862-800 Abbildungen 5月25日星期一 10-18時 shaking hands and we will be happy [email protected] Online-catalogue with ab 14.30 Uhr to advise you from the distance that high resolution images Fine Art Nr. 1000 – 1099 亞洲藝術專場預展延長至 is currently appropriate. Buchhaltung 5月26日星期二 10-17時 In order to avoid waiting times, Auktionatoren accounting im Anschluss we have extended our opening Markus Eisenbeis, öffentl. best. Birgit Uttendörfer SØR Rusche Collection – hours. We will keep you informed und vereidigter Kunst versteigerer Tel. +49 (221) 925862-120 Old Masters meet about current changes at Robert van den Valentyn, [email protected] Contemporaries Nr. 1500 – 1581 www.van-ham.com Kunstversteigerer Christoph Bouillon, Katalogbestellungen 熱情歡迎您蒞臨我們在科隆的預展現 Kunstversteigerer catalogue order 經典藝術周 場！我們將繼續遵守衛生條例，並執 Hannah von Sigriz 2020年5月27日星期三 行保持社交距離的措施：以微笑代替 Tel. +49 (221) 925862-104 上午10時開始 握手。對此，我們願意為您提供相關 [email protected] 亞洲藝術專場 規定的諮詢。 第一部分 1-127號 為減少您等待的時間，我們特意延長 第二部分 128-303號 了週末預展的開放時間。請訪問我們 Geschäftszeiten nach der Auktion 下午14:30時開始 的官方網站www.van-ham.com獲悉 Business hours after the sale 歐洲裝飾藝術專場 最新動態信息。 Montag bis Freitag 10 bis 17 Uhr 第一部分 400-447號 Samstag 10 bis 13 Uhr 第二部分 448-594號 2020年5月28日星期四 Am Ende des Kataloges finden Sie 上午10時開始 You will find at the end of the catalogue 首飾名表專場 Erläuterungen zum Katalog 第一部分 600-759號 Einliefererverzeichnis 第二部分 760-883號 Geschäftsbedingungen 下午14:30時開始 Impressum 古典油畫專場 1000-1099號 Explanations to the catalogue 下場拍賣： List of Consignors SØR Rusche Conditions of sale 古典和現代藝術專場 1500-1581號 Legal notice Lot 84 Goldener Bauhelm London | 1988 | Asprey & Co. Ltd. Silber, vergoldet Ca. 1176g. Höhe 14,5 cm ONLINE-AUKTIONEN Schätzpreis: € 1.200 – 1.500 Stefan Stößel (1970) Aus: GOLD Ohne Titel (2 Möhren) | 2012 Acryl auf Hartfaserplatte | 30 x 50 cm Schätzpreis: € 600 – 800 FRÜHJAHR 2020 Aus: SØR Rusche Collection – Realities „Der Pionier Imi Knoebel (1950) der Onlineauktionen.“ „Face C“ | 2004 Capital Acryl auf Kunst stoff - folien, collagiert 36 x 36 cm Schätzpreis: € 4.000 – 6.000 Das erfolgreiche Konzept der ONLINE SØR Rusche Collection – Passion SO BIETEN SIE MIT Aus: Post War ONLY-Auktionen geht auch im neuen Jahr 6. – 19. Mai 2020 spannend weiter. Den Auftakt ins Jahr Online-Katalog ansehen HERMÈS GOLD 2020 machte die epochenspezifische Besuchen Sie unsere Website auf Aus: HERMÈS – 20. Mai 2020 – 2. Juni 2020 Auktion „Modern Art“, der sich im www.van-ham.com und öffnen Sie Classics from Frühjahr noch drei Auktionen aus der Art after 45 unseren Online-Katalog. Rue du Faubourg SØR Rusche Collection anschließen. 22. Mai 2020 – 4. Juni 2020 Dieser herausragenden Sammlung, Einloggen oder registrieren Eggers’ Collection die über 4.000 Werke umfasst, Loggen Sie sich in Ihrem Benutzerkonto 5. – 22. Juni 2020 wurden bereits 2019 vier Auktionen ein oder registrieren Sie sich. VAN HAM gewidmet. SØR Rusche Collection – Faces benötigt für Neukunden Ihren Ausweis 12. – 25. Juni 2020 und Ihre komplette Rechnungsanschrift. Belle Èpoque – Fine Jewels Zum Bieten anmelden 18. Juni 2020 – 29. Juni 2020 Um ein Gebot in der Auktion abgeben Anhängerkette HERMÈS – Classics from zu können, melden Sie sich im Katalog Deutschland. Um 1900 Rue du Faubourg zum Bieten an. Nach Prüfung Ihrer Daten 585/- Gelbgold, 18. Juni 2020 – 30. Juni 2020 werden Sie zum Bieten freigeschaltet. Besatzdiamanten, Süßwasser-Zuchtperle Gebotsabgabe & Ende der Auktion Schätzpreis: € 300 – 400 Weitere Themen 2020 aus der Geben Sie Ihre Gebote ab. Die Auktion Aus: Belle Èpoque – Fine Jewels SØR Rusche Colection: endet ab 18 Uhr, die Lose laufen nach- Nature einander im 1-Minuten-Takt ab. Sollte Everyday life jedoch ein Gebot bis 3 Minuten vor Ende Colour der Ablaufzeit abgegeben werden, wird sich die Ablauf-Zeit um weitere 3 Minu- ten erhöhen. Katrin Heichel (1972) „November / Sie“ (Selbstportrait) 2013 | Öl auf Leinwand Bezahlung und Versand 50 x 40 cm Am Folgetag der Auktion erhalten Sie Schätzpreis: € 700 – 900 die Rechnung zu Ihren Käufen, in der alle Aus: SØR Rusche Collection – Kosten, Hinweise zur Bezahlung und zum Faces Versand aufgeführt sind. Our Specialists Unsere Experten v.r.n.l. Christoph Bouillon Hua Yan Walter Bruno Brix Nesbitt Collection Magicians in Chinese imperial robes The Chinese "Ching Ling Foo" (Zhu robes as well, which probably came from Liankui, 1854-1922), a court magician Robinson's estate. One of these robes from Beijing, was the first conjurer from is said to have been worn by Emperor East Asia to make a career in the West. Xianfeng (r. 1850-1861) when he fled From 1898, he toured the USA for three Beijing in 1860. years. He offered the high reward of In the auction, we are honored to 1,000 dollars, if someone could copy one offer two robes from Nesbitt's former of his illusions. The American conjurer possession, which he may had acquired William Ellsworth Robinson (1861-1918), from Robinson's estate. One of them is a who knew his show, wanted to accept summer over robe (long gua) with dragon the challenge, but Ching Ling Foo refused medallions of a high-ranking lady of the to meet him. This led to a pronounced imperial court (cat. no. 1). The other one rivalry between the two men and later a dragon robe for the Chinese opera (cat. Robinson even developed a Chinese no. 6). Furthermore, we offer a group of stage character under the name "Chung Chinese and Western fans (cat.
Load more

Recommended publications
  • LOT TYPESET LOW HIGH 7000 German Porcelain Figural Group
    LOT TYPESET LOW HIGH 7000 German porcelain figural group, depicting a pianist and dancers, each dressed in classical $ 500 $ 700 attire with crinoline accents, marked with underglaze blue mark, 11.5"h x 16"w x 9"d 7001 Framed group of 32 Wedgwood jasperware medallions, each depicting British royalty, $ 300 $ 500 overall 17.5"h x 33"w 7002 (lot of 2) Continental polychrome decorated pill boxes, including a Meissen example, $ 300 $ 500 largest 1"h x 2.5"w 7003 (lot of 2) Meissen figural candlestick group 19th century, each depicted holding a child, one $ 1,200 $ 1,500 figure in the Bacchanalian taste, having a grape cluster wreath, each depicted in Classical attire, and rising on a Rococco style base with bird form reserves, underside with underglaze blue cross sword mark, 13,5"h 7004 Continental style gilt bronze footed compote, having a garland swag decorated frieze $ 600 $ 900 flanking the ebonized bowl, above the fish form gilt bronze standard, and rising on a circular marble base, 8.5"h x 8"w 7005 (lot of 8) French hand painted porcelain miniature portraits; each depicting French royalty $ 800 $ 1,200 including Napoleon, and numerous ladies, largest 4"h x 3"w Provenance: from the Holman Estate in Pacific Grove. The Holman family were early residents of the Monterey Peninsula and established Holman's Department Store in the center of Pacific Grove, thence by family descent 7006 French Grand Tour style silver gilt mythological figure, depicting Bacchus or Dionysus, $ 1,500 $ 2,000 modeled as standing on a mound of grapes and leaves holding
    [Show full text]
  • The Qing Challenge in Chosŏn Korea
    Readings from Asia The Qing Challenge in Chosŏn Korea Yuanchong Wang, University of Delaware Wang, Yuanchong. 2019. “The Qing Challenge in Chosŏn Korea.” Cross-Currents: East Asian History and Culture Review 33: 253–260. https://cross-currents.berkeley.edu/e-journal/issue- 33/readings-asia. Sun Weiguo 孫衛國 . Cong “zun Ming” dao “feng Qing”: Chaoxian wangchao dui Qing yishi de shanbian, 1627–1910 從 “ 尊明 ” 到 “ 奉清 ” : 朝鮮王朝對清意識的嬗變 , 1627–1910 [From “honoring the Ming” to “submitting to the Qing”: The transformation of Chosŏn Korea’s attitude toward Qing China, 1627–1910]. Taipei: Taida chuban zhongxin, 2018. 580 pp. ISBN: 9789863503088. In 1637, the Manchu-ruled Great Qing Country (Manchu Daicing gurun, Ch. Da Qing guo 大清國 ), founded in 1636, invaded and conquered its neighboring country, the Chosŏn kingdom of Korea. After Chosŏn then changed from being a tributary state of the Ming dynasty of China (1368–1644), a bilateral relationship officially established in 1401, to a tributary state of the Great Qing. The relationship between the Qing and Chosŏn lasted for 258 years until it was terminated by the Sino-Japanese Treaty of Shimonoseki in 1895. Within the hierarchical Sinocentric framework, to which scholars generally refer in English as the “tributary system,” Koreans had regarded Chosŏn as “Little China” (Xiao Zhonghua 小中華 ) since the Ming period and treated the Jurchens (who changed their name to “Manchu” in the early 1630s) in Manchuria as barbarians. The Sinocentric framework determined that the political legitimacy of Chosŏn, in particular the kingship, came from the imperial acknowledgment by the Chinese court conspicuously represented by the Chinese emperor’s investiture of the Korean king.
    [Show full text]
  • Records of the Medieval Sword Free
    FREE RECORDS OF THE MEDIEVAL SWORD PDF Ewart Oakeshott | 316 pages | 15 May 2015 | Boydell & Brewer Ltd | 9780851155661 | English | Woodbridge, United Kingdom Records of the Medieval Sword by Ewart Oakeshott, Paperback | Barnes & Noble® I would consider this the definitive work on the development of the form, design, and construction of the medieval sword. Oakeshott was the foremost authority on the subject, and this work formed the capstone of his career. Anyone with a serious interest in European swords should own this book. Records of the Medieval Sword. Ewart Oakeshott. Forty years of intensive research into the specialised subject of the straight two- edged knightly sword of the European middle ages are contained in this classic study. Spanning the period from the great migrations to the Renaissance, Ewart Oakeshott emphasises the original purpose of the sword as an intensely intimate accessory of great significance and mystique. There are over photographs and drawings, each fully annotated and described in detail, supported by a long introductory chapter with diagrams of the typological framework first presented in The Archaeology of Weapons and further elaborated in The Sword in the Age of Chivalry. There are appendices on inlaid blade inscriptions, scientific dating, the swordsmith's art, and a sword of Edward Records of the Medieval Sword. Reprinted as part Records of the Medieval Sword Boydell's History of the Sword series. Records of the Medieval Sword - Ewart Oakeshott - Google книги Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser.
    [Show full text]
  • Biradli-2021-Catalog.Pdf
    2021 www.biradli.com.tr 1 İçindekiler Contents DEZENFEKTAN STANDI / DISINFECTANT STAND .............................................................3 DONDURMA KEPÇELERI /ICE-CREAM SCOOPS ..........................................................167 ÇELIK ŞERIT BARIYER / STAINLESS STEEL STRIP BARRIER .............................................4 POLIKARBON SERVIS KAŞIKLAR/POLICARBON SERVICE SPOONS ..........................168-169 PLASTIK SERVIS ARABALARI / PLASTIC SERVICE TROLLEYS ....................................... 5-6 POLIKOARBON SERVIS SOS KEPÇELERI/POLİKOARBON SERVICE SAUCE LADLES .......... 170 KAŞIK&ÇÖP APARATI/SPOON&TRASH APPARATUS ........................................................7 POLIKARBON SERVIS MAŞALARI/POLICARBON SERVICE LADLES .................................171 DEKORATIF ÜRÜNLER / DECORATIVE PRODUCTS ......................................................8-19 POL.SERVIS ZEYTIN KAŞIK/KETÇAPLIK/POL.SERVICE OLIVE SPOON/KETCHUP CASE.......172 MAMA SANDALYESI/BABY FEEDING CHAIR ..................................................................20 BAR KONTEYNERLERI/BAR CONTAINERS ...................................................................173 AÇIK BÜFE RENKLI MELAMINLER/OPEN BUFFET COLOURED MELAMINES .................. 21-23 SOS VE KOKTEYL DÖKÜCÜLER/SAUCE AND COCKTAIL POURERS ..................................174 ISITICILI SERVIS ÜRÜNLERI/SERVICE PRODUCTS WITH HEATER .....................................24 BAMBU STEAK TAHTA&STEAK BIÇAKLAR/BAMBOO STEAK BOARD&STEAK KNIVES .........175 CAM DEMLIKLER /GLASS TEAPOTS
    [Show full text]
  • Notes Toward a Study of Neighborhood Festivals in Modern Tokyo
    The Shrine : Notes toward a Study of Neighborhood Festivals in Modern Tokyo By A.W. S a d l e r Sarah Lawrence College When I arrived in Japan in the autumn of 1965, I settled my family into our home-away-from-home in a remote comer of Bunkyo-ku3 in Tokyo, and went to call upon an old timer，a man who had spent most of his adult life in Tokyo. I told him of my intention to carry out an exhaustive study of the annual festivals (taisai) of a typical neighbor­ hood shrine (jinja) in my area of residence，and I told him I had a full year at my disposal for the task. “Start on the grounds of the shrine/，was his solid advice; “go over every tsubo '(every square foot3 we might say)，take note of every stone, investigate every marker.” And that is how I began. I worked with the shrines closest to home so that shrine and people would be part of my everyday life. When my wife and I went for an evening stroll, we invariably happened upon the grounds of one of our shrines; when we went to the market for fish or pencils or raaisnes we found ourselves visiting with the ujiko (parishioners; literally，children of the god of the shrine, who is guardian spirit of the neighborhood) of the shrine. I started with five shrines. I had great difficulty arranging for interviews with the priests of two of the five (the reasons for their reluc­ tance to visit with me will be discussed below) ; one was a little too large and famous for my purposes，and another was a little too far from home for really careful scrutiny.
    [Show full text]
  • China in 50 Dishes
    C H I N A I N 5 0 D I S H E S CHINA IN 50 DISHES Brought to you by CHINA IN 50 DISHES A 5,000 year-old food culture To declare a love of ‘Chinese food’ is a bit like remarking Chinese food Imported spices are generously used in the western areas you enjoy European cuisine. What does the latter mean? It experts have of Xinjiang and Gansu that sit on China’s ancient trade encompasses the pickle and rye diet of Scandinavia, the identified four routes with Europe, while yak fat and iron-rich offal are sauce-driven indulgences of French cuisine, the pastas of main schools of favoured by the nomadic farmers facing harsh climes on Italy, the pork heavy dishes of Bavaria as well as Irish stew Chinese cooking the Tibetan plains. and Spanish paella. Chinese cuisine is every bit as diverse termed the Four For a more handy simplification, Chinese food experts as the list above. “Great” Cuisines have identified four main schools of Chinese cooking of China – China, with its 1.4 billion people, has a topography as termed the Four “Great” Cuisines of China. They are Shandong, varied as the entire European continent and a comparable delineated by geographical location and comprise Sichuan, Jiangsu geographical scale. Its provinces and other administrative and Cantonese Shandong cuisine or lu cai , to represent northern cooking areas (together totalling more than 30) rival the European styles; Sichuan cuisine or chuan cai for the western Union’s membership in numerical terms. regions; Huaiyang cuisine to represent China’s eastern China’s current ‘continental’ scale was slowly pieced coast; and Cantonese cuisine or yue cai to represent the together through more than 5,000 years of feudal culinary traditions of the south.
    [Show full text]
  • Wikipedia, the Free Encyclopedia 03-11-09 12:04
    Tea - Wikipedia, the free encyclopedia 03-11-09 12:04 Tea From Wikipedia, the free encyclopedia Tea is the agricultural product of the leaves, leaf buds, and internodes of the Camellia sinensis plant, prepared and cured by various methods. "Tea" also refers to the aromatic beverage prepared from the cured leaves by combination with hot or boiling water,[1] and is the common name for the Camellia sinensis plant itself. After water, tea is the most widely-consumed beverage in the world.[2] It has a cooling, slightly bitter, astringent flavour which many enjoy.[3] The four types of tea most commonly found on the market are black tea, oolong tea, green tea and white tea,[4] all of which can be made from the same bushes, processed differently, and in the case of fine white tea grown differently. Pu-erh tea, a post-fermented tea, is also often classified as amongst the most popular types of tea.[5] Green Tea leaves in a Chinese The term "herbal tea" usually refers to an infusion or tisane of gaiwan. leaves, flowers, fruit, herbs or other plant material that contains no Camellia sinensis.[6] The term "red tea" either refers to an infusion made from the South African rooibos plant, also containing no Camellia sinensis, or, in Chinese, Korean, Japanese and other East Asian languages, refers to black tea. Contents 1 Traditional Chinese Tea Cultivation and Technologies 2 Processing and classification A tea bush. 3 Blending and additives 4 Content 5 Origin and history 5.1 Origin myths 5.2 China 5.3 Japan 5.4 Korea 5.5 Taiwan 5.6 Thailand 5.7 Vietnam 5.8 Tea spreads to the world 5.9 United Kingdom Plantation workers picking tea in 5.10 United States of America Tanzania.
    [Show full text]
  • Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
    Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade.
    [Show full text]
  • Catazacke 20200425 Bd.Pdf
    Provenances Museum Deaccessions The National Museum of the Philippines The Herbert F. Johnson Museum of Art, Cornell University New York, USA The Monterey Museum of Art, USA The Abrons Arts Center, New York, USA Private Estate and Collection Provenances Justus Blank, Dutch East India Company Georg Weifert (1850-1937), Federal Bank of the Kingdom of Serbia, Croatia and Slovenia Sir William Roy Hodgson (1892-1958), Lieutenant Colonel, CMG, OBE Jerrold Schecter, The Wall Street Journal Anne Marie Wood (1931-2019), Warwickshire, United Kingdom Brian Lister (19262014), Widdington, United Kingdom Léonce Filatriau (*1875), France S. X. Constantinidi, London, United Kingdom James Henry Taylor, Royal Navy Sub-Lieutenant, HM Naval Base Tamar, Hong Kong Alexandre Iolas (19071987), Greece Anthony du Boulay, Honorary Adviser on Ceramics to the National Trust, United Kingdom, Chairman of the French Porcelain Society Robert Bob Mayer and Beatrice Buddy Cummings Mayer, The Museum of Contemporary Art (MCA), Chicago Leslie Gifford Kilborn (18951972), The University of Hong Kong Traudi and Peter Plesch, United Kingdom Reinhold Hofstätter, Vienna, Austria Sir Thomas Jackson (1841-1915), 1st Baronet, United Kingdom Richard Nathanson (d. 2018), United Kingdom Dr. W. D. Franz (1915-2005), North Rhine-Westphalia, Germany Josette and Théo Schulmann, Paris, France Neil Cole, Toronto, Canada Gustav Heinrich Ralph von Koenigswald (19021982) Arthur Huc (1854-1932), La Dépêche du Midi, Toulouse, France Dame Eva Turner (18921990), DBE Sir Jeremy Lever KCMG, University
    [Show full text]
  • Cup of Solid Gold) Words By: Yan Fu Music By: Bo Tong in Use: 1911-1912 China's First Official Anthem Was Used in the Last Months of the Qing Dynasty
    CHINA-NATIONALANTHEMS – 1911-1912 – INFO Die offiziellen Links von „nationalanthems“ (.htm und .mid) funktionieren leider nicht hier auf dem PDF – 18. MÄRZ 2012 Ruth Kissling de Bâle-Suisse Malerin – Anthems of China 鞏金甌 " " "Gong Jin'ou" (Cup of Solid Gold) Words by: Yan Fu Music by: Bo Tong In use: 1911-1912 China's first official anthem was used in the last months of the Qing dynasty. The anthem was by Bo Tong, a high-ranking officer of the Imperial Guard and Yan Fu, commander of the Qing Navy. Guo Cengxin, Master of Ceremonies, made some minor adjustments and arranged the music. The anthem was officially adopted on October 4, 1911, but was used for centuries beforehand in official Qing dyansty functions, going back to when Emperor Kang Xi was crowned in 1675. It's official use as China's royal anthem was shortlived, as the Wuchang Uprising, meant to end China's imperial era, started six days after the anthem was officially adopted. The Republic of China was created on January 1, 1912 and the emporer abdicated on February 12. As such, the anthem did not gain much notoriety in China. The primary purpose of the anthem was to advocate the Qing Dynasty and create a sense of well-being among the Chinese. This song was banned in Communist China, but the ban is now lifted (probably after 1978). "Gong Jin'ou" was made the anthem again in 1917 for 12 days when a former Qing general started a coup and reinstated Qing Dynasty. Since this was used as a praise to the emporer, this is also a royal anthem.
    [Show full text]
  • He Noble Path
    HE NOBLE PATH THE NOBLE PATH TREASURES OF BUDDHISM AT THE CHESTER BEATTY LIBRARY AND GALLERY OF ORIENTAL ART DUBLIN, IRELAND MARCH 1991 Published by the Trustees of the Chester Beatty Library and Gallery of Oriental Art, Dublin. 1991 ISBN:0 9517380 0 3 Printed in Ireland by The Criterion Press Photographic Credits: Pieterse Davison International Ltd: Cat. Nos. 5, 9, 12, 16, 17, 18, 21, 22, 25, 26, 27, 29, 32, 36, 37, 43 (cover), 46, 50, 54, 58, 59, 63, 64, 65, 70, 72, 75, 78. Courtesy of the National Museum of Ireland: Cat. Nos. 1, 2 (cover), 52, 81, 83. Front cover reproduced by kind permission of the National Museum of Ireland © Back cover reproduced by courtesy of the Trustees of the Chester Beatty Library © Copyright © Trustees of the Chester Beatty Library and Gallery of Oriental Art, Dublin. Chester Beatty Library 10002780 10002780 Contents Introduction Page 1-3 Buddhism in Burma and Thailand Essay 4 Burma Cat. Nos. 1-14 Cases A B C D 5 - 11 Thailand Cat. Nos. 15 - 18 Case E 12 - 14 Buddhism in China Essay 15 China Cat. Nos. 19-27 Cases F G H I 16 - 19 Buddhism in Tibet and Mongolia Essay 20 Tibet Cat. Nos. 28 - 57 Cases J K L 21 - 30 Mongolia Cat. No. 58 Case L 30 Buddhism in Japan Essay 31 Japan Cat. Nos. 59 - 79 Cases M N O P Q 32 - 39 India Cat. Nos. 80 - 83 Case R 40 Glossary 41 - 48 Suggestions for Further Reading 49 Map 50 ■ '-ie?;- ' . , ^ . h ':'m' ':4^n *r-,:«.ria-,'.:: M.,, i Acknowledgments Much credit for this exhibition goes to the Far Eastern and Japanese Curators at the Chester Beatty Library, who selected the exhibits and collaborated in the design and mounting of the exhibition, and who wrote the text and entries for the catalogue.
    [Show full text]
  • National Museum, New Delhi
    TREASURES The National Culture Fund (NCF) was The Treasures series brings to you objects of great aesthetic quality and National Museum This volume highlights the treasures of established by the Ministry of Culture in historic significance from collections of major Indian museums. Each the National Museum—New Delhi. 1996 and is a Trust under the Charitable book has an introduction to the particular museum, set in broad thematic NEW DELHI The museum has over 2,10,000 works Endowments Act of 1890. It is governed sections. Several significant treasures have been selected and presented of art representing 5,000 years of Indian by a Council with the Hon’ble Minister with an introduction by the Director and staff of the museum. art and craftsmanship. The collection for Culture as its chairperson and includes sculptures in stone, bronze, managed by an Executive Committee This Treasures series is an initiative of the Ministry of Culture, terracotta and wood, miniature paintings chaired by the Secretary, Ministry of Government of India, in collaboration with major Indian museums, and manuscripts, coins, arms and armour, Culture, Government of India. and the National Culture Fund (NCF) has been entrusted with the Museum National jewellery and anthropological objects. Antiquities from Central Asia and pre- The primary mandate of the NCF responsibility for its production. Columbian artefacts form the two non- is to nurture Public Private Partnerships Indian collections in the museum. The (PPP), to mobilise resources from The aim of the Treasures series is to create a lasting interest in Indian museum is the custodian of this treasure the public and private sector for the art and inspire more visitors to enjoy the wonders of India’s great trove of our multilayered history and restoration, conservation, protection cultural legacy.
    [Show full text]