Experiences of Women Engaged in a Japanese Tea Ceremony
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LOT TYPESET LOW HIGH 7000 German Porcelain Figural Group
LOT TYPESET LOW HIGH 7000 German porcelain figural group, depicting a pianist and dancers, each dressed in classical $ 500 $ 700 attire with crinoline accents, marked with underglaze blue mark, 11.5"h x 16"w x 9"d 7001 Framed group of 32 Wedgwood jasperware medallions, each depicting British royalty, $ 300 $ 500 overall 17.5"h x 33"w 7002 (lot of 2) Continental polychrome decorated pill boxes, including a Meissen example, $ 300 $ 500 largest 1"h x 2.5"w 7003 (lot of 2) Meissen figural candlestick group 19th century, each depicted holding a child, one $ 1,200 $ 1,500 figure in the Bacchanalian taste, having a grape cluster wreath, each depicted in Classical attire, and rising on a Rococco style base with bird form reserves, underside with underglaze blue cross sword mark, 13,5"h 7004 Continental style gilt bronze footed compote, having a garland swag decorated frieze $ 600 $ 900 flanking the ebonized bowl, above the fish form gilt bronze standard, and rising on a circular marble base, 8.5"h x 8"w 7005 (lot of 8) French hand painted porcelain miniature portraits; each depicting French royalty $ 800 $ 1,200 including Napoleon, and numerous ladies, largest 4"h x 3"w Provenance: from the Holman Estate in Pacific Grove. The Holman family were early residents of the Monterey Peninsula and established Holman's Department Store in the center of Pacific Grove, thence by family descent 7006 French Grand Tour style silver gilt mythological figure, depicting Bacchus or Dionysus, $ 1,500 $ 2,000 modeled as standing on a mound of grapes and leaves holding -
Notes Toward a Study of Neighborhood Festivals in Modern Tokyo
The Shrine : Notes toward a Study of Neighborhood Festivals in Modern Tokyo By A.W. S a d l e r Sarah Lawrence College When I arrived in Japan in the autumn of 1965, I settled my family into our home-away-from-home in a remote comer of Bunkyo-ku3 in Tokyo, and went to call upon an old timer,a man who had spent most of his adult life in Tokyo. I told him of my intention to carry out an exhaustive study of the annual festivals (taisai) of a typical neighbor hood shrine (jinja) in my area of residence,and I told him I had a full year at my disposal for the task. “Start on the grounds of the shrine/,was his solid advice; “go over every tsubo '(every square foot3 we might say),take note of every stone, investigate every marker.” And that is how I began. I worked with the shrines closest to home so that shrine and people would be part of my everyday life. When my wife and I went for an evening stroll, we invariably happened upon the grounds of one of our shrines; when we went to the market for fish or pencils or raaisnes we found ourselves visiting with the ujiko (parishioners; literally,children of the god of the shrine, who is guardian spirit of the neighborhood) of the shrine. I started with five shrines. I had great difficulty arranging for interviews with the priests of two of the five (the reasons for their reluc tance to visit with me will be discussed below) ; one was a little too large and famous for my purposes,and another was a little too far from home for really careful scrutiny. -
The Superlative Artistry of Japan
The Superlative Artistry of Japan gikou_fix.indd 1 2018/02/28 21:41 Foreword The Japan Foundation is a specialized public agency, which was established in 1972 with the goal of promoting international understanding through cultural exchange. The foundation organizes a variety of projects in three primary areas of activity: arts and cultural exchange, Japanese-language education abroad, and Japanese studies and intellectual exchange. In the field of visual arts, part of our arts and cultural exchange program, we strive to introduce Japanese art through reciprocal exchanges between Japan and other countries. As part of these activities, we have regularly organized traveling exhibitions, which tour the world. These events are made up of works from the foundation’s own collection and deal with a diverse range of subjects including crafts, painting, photography, architecture, and design. Some 20 exhibitions are constantly underway and are held at some 100 cities every year. On this occasion we are pleased to present “The Superlative Artistry of Japan”, a traveling exhibition that presents a cohesive collection of works and materials from various different genres that each place great emphasis on highly skilled techniques, ingenious expressions and concepts, and a high level of perfection that take viewers by surprise. Introducing elaborate Meiji era (1868 – 1912) kogei works that played a significant role in initiating the Japonism trend in 19th century Europe as a starting point, the exhibition in addition to numerous contemporary works of superlative artistry, also comprises capsule toy figures and food samples that illustrate a strong commitment to craftsmanship. Through this exhibition we intend to introduce the outstanding techniques of each work as well as the worlds of expression that even serve to surpass such skill and finesse, in hopes that viewers will be able to appreciate this specific part of Japan’s creative culture that honors craftsmanship and has constantly shown a thorough sense of meticulousness and devotion towards production processes. -
Japanese Garden
満開 IN BLOOM A PUBLICATION FROM WATERFRONT BOTANICAL GARDENS SPRING 2021 A LETTER FROM OUR 理事長からの PRESIDENT メッセージ An opportunity was afforded to WBG and this region Japanese Gardens were often built with tall walls or when the stars aligned exactly two years ago! We found hedges so that when you entered the garden you were out we were receiving a donation of 24 bonsai trees, the whisked away into a place of peace and tranquility, away Graeser family stepped up with a $500,000 match grant from the worries of the world. A peaceful, meditative to get the Japanese Garden going, and internationally garden space can teach us much about ourselves and renowned traditional Japanese landscape designer, our world. Shiro Nakane, visited Louisville and agreed to design a two-acre, authentic Japanese Garden for us. With the building of this authentic Japanese Garden we will learn many 花鳥風月 From the beginning, this project has been about people, new things, both during the process “Kachou Fuugetsu” serendipity, our community, and unexpected alignments. and after it is completed. We will –Japanese Proverb Mr. Nakane first visited in September 2019, three weeks enjoy peaceful, quiet times in the before the opening of the Waterfront Botanical Gardens. garden, social times, moments of Literally translates to Flower, Bird, Wind, Moon. He could sense the excitement for what was happening learning and inspiration, and moments Meaning experience on this 23-acre site in Louisville, KY. He made his of deep emotion as we witness the the beauties of nature, commitment on the spot. impact of this beautiful place on our and in doing so, learn children and grandchildren who visit about yourself. -
Newsletter 13 (June 2014)
June 2014 - Volume 6 - Issue 2 June 2014 - Volume 6 - Issue 2 国際基督教大学ロータリー平和センター ニューズレター ICU Rotary Peace Center Newsletter Rotary Peace Center Staff Director: Masaki Ina Associate Director: Giorgio Shani G.S. Office Manager: Masako Mitsunaga Coordinator: Satoko Ohno Contact Information: Rotary Peace Center International Christian University 3-10-2 Osawa, Mitaka, Tokyo 181-8585 Tel: +81 422 33 3681 Fax: +81 422 33 3688 [email protected] http://subsite.icu.ac.jp/rotary/ Index In this issue: 2 - Trailblazing Events 4 - Preparing For Peace 5 - Experiential Learning Reflections 7 - Meet The Families of Class XII Fellows 10 - Class XI Thesis Summaries 15 - Class XII AFE Placements 16 - Gratitude and Appreciation from Class XII 1 Trailblazing Events ICU Celebrates First Ever Black History Month by Nixon Nembaware Being an International University, ICU brings together students and Faculty members of various backgrounds and races. It is thus a suitable place to cultivate understanding of different cultures and heritages. This was the thinking that Rotary Peace Fellow Class XII had in mind when they partnered with the Social Science Research Institute to celebrate the first ever Black History Month commemoration at ICU. Two main events were lined up, first was a dialogue with Dr. Mohau Pheko, Ambassador of the Republic of South Africa to Japan who visited our campus to give an open lecture on the legacy of ‘Nelson Mandela’ and the history of black people in South Africa. Second was a dialogue with Ms. Judith Exavier, Ambassador of the Republic of Haiti to Japan. She talked of the history of the black people in the Caribbean Island and linked the history of slavery to what prospects lie ahead for black people the world over. -
Amagase Dam in Uji City, Kyoto Prefecture Attractiveness Boosting Project
MLIT Japan Infrastructure Tourism Attractiveness Boosting Project Transform the public infrastructures into new tourism resources Initiatives for Infrastructure Tourism in Japan In addition to Amagase Dam, the Ministry of Land, Infrastructure, Transport, and Tourism is making a progressive approach toward developing more attractive internal tours of infrastructure facilities and construction sites throughout Japan. For more information, please visit the Infrastructure Tourism Portal Website…Search by “infrastructure tourism” ■ Metropolitan Area Outer ■ Yanba Dam Gunma Underground Discharge Channel Saitama Amagase Suspension Bridge Amagase Dam in Uji City, Kyoto Prefecture (Under construction view) ©Byodoin Yanba Dam is the latest dam that started operation in April, 2020. Amphibious Three types of courses are available to see the interior of the gigantic buses, sightseeing boats, canoes, and SUP will be in service in the future. “Disaster Prevention Underground Temple.” (Contact) (Contact) Attractiveness Naganohara Town Hall: 0279-82-2244 Tour Reception at Metropolitan Area Outer Underground Discharge Channel: 048-747-0281 Boosting Project Ujikami Shrine ■ Akashi Kaikyo Bridge Hyogo ■ Yunishigawa Dam Amphibian Bus Tochigi m m is is ur ur to to e e ur ur ct ct ru ru st st fra fra in in by by for Touris to to tion m i o o da n J y y en ap K K m an m in in o c e K m m y R s s o i i r r t w u u o e o o t t T N w w o e e u n n r f f The Tale of Genji Museum i o o s ion ion m t t Photo by Honshu-Shikoku Bridge Expressway Company Limited za za f ali ali o it it r ev ev R R F u Experience a 360º panorama view of the world’s longest suspension bridge The open-air bus dives directly into the dam lake for sightseeing. -
The Tree Peonies
TI-IE NA.TIONA.L ~GA.rz J INE THE AMERICAN HORTICULTURAL SOCIETY, INC. 1600 Bladensburg Road, Northeast Washington 2, D. C. OFFICERS Presidellt: Dr. John L. Creech, Glenn Dale, :Ma ryland First Vice-Prcsidellt: Dr. Ezra ]. K raus, Corvalli s, Oregon Secolld Vice-Presiden t: I1{rs. Robert \"Toods Bli ss, vVashington, D. C. Secretary: Dr. Francis de Vos, Washington, D. C. Treasllrer: Miss Olive E. Vveatherell, Olean, New York Editor: Mr. B. Y. Morrison, Pass Christian, Mississipp i J1[ allagillg Editor: M r. James R. Harlow, Takoma Park, Maryland Editorial S tall : Miss May M. Blaine, Washington, D. C. Mr. Bernard T. Bridgers, Washington, D. C. Art Editor: Mr. Charl es C. Dickson, Kensington, Maryland DIRECTORS TerlJl s E xpirillg 1955 TerlJls E.,pir'ing 1956 Mrs. 'Mortim er J. Fox. Mount K isco, New Mr. Stuart Armstrong, Silver Spring, IVIa ry- Yo rk land lv[r. Frederic P. Lee, Bethesda, Maryland Dr. Fred O. Coe, Bethesda, Maryland Dr. Brian O. Mulligan, Seattl e, vVashington Mrs. Walter Douglas, Chauncey, New York Dr. F reeman A. vVeiss, Washington, D. C. Mrs. ]. Norman Henry, Gladwy ne, Penn- Dr. Donald vVyman, Jamaica P lain , Massa- sy lvania chusetts M rs. Arthur Hoyt Scott, Media, Pennsy l vallla HONORARY VICE-PRESIDENTS M r. James B. Craig Mr. George W. Peyton American Forestry Association American Peony Society 919 Seventee nth Street, Northwest Box No.1 \>\Tash in gton 6, D. C. Rapid an, V irgi ni a 'M r. Harry \ >\T . Dengler Mrs. Hermann G. P lace Holl y Society of America The Garden Club of America Maryland Extension Service 45 East 62nd Street Co ll ege Park, Maryland New York 21, New York Mr. -
The Abode of Fancy, of Vacancy, and of the Unsymmetrical
The University of Iceland School of Humanities Japanese Language and Culture The Abode of Fancy, of Vacancy, and of the Unsymmetrical How Shinto, Daoism, Confucianism, and Zen Buddhism Interplay in the Ritual Space of Japanese Tea Ceremony BA Essay in Japanese Language and Culture Francesca Di Berardino Id no.: 220584-3059 Supervisor: Gunnella Þorgeirsdóttir September 2018 Abstract Japanese tea ceremony extends beyond the mere act of tea drinking: it is also known as chadō, or “the Way of Tea”, as it is one of the artistic disciplines conceived as paths of religious awakening through lifelong effort. One of the elements that shaped its multifaceted identity through history is the evolution of the physical space where the ritual takes place. This essay approaches Japanese tea ceremony from a point of view that is architectural and anthropological rather than merely aesthetic, in order to trace the influence of Shinto, Confucianism, Daoism, and Zen Buddhism on both the architectural elements of the tea room and the different aspects of the ritual. The structure of the essay follows the structure of the space where the ritual itself is performed: the first chapter describes the tea garden where guests stop before entering the ritual space of the tea room; it also provides an overview of the history of tea in Japan. The second chapter figuratively enters the ritual space of the tea room, discussing how Shinto, Confucianism, Daoism, and Zen Buddhism merged into the architecture of the ritual space. Finally, the third chapter looks at the preparation room, presenting the interplay of the four cognitive systems within the ritual of making and serving tea. -
Design Examples Informational Handouts Check Online for Available Templates –
BRAND BOOK Design Examples Informational Handouts Check online for available templates – www.csus.edu/brand 2.18 HEADLINE OR EVENT HEADLINE OR NAME OF NAME GOES HERE YOUR EVENT GOES HERE This is where your event subhead goes. This is where your event subhead goes. SIDE MARGIN SUBHEAD SUBHEAD Side margin is body text. Use this text Second Subhead style for your side margin. Side margin Body text goes here. Body text goes here. Body text goes here. Body text SIDE MARGIN SUBHEAD SUBHEAD is body text. Use this text style for your goes here. Body text goes here. Body text goes here. Body text goes here. Side margin is body text. Use the Second Subhead side margin. Side margin is body text. body text style for your side margin. Body text goes here. Body text goes here. Body text goes here. Body text This is the body text style. Use this style for body text. This is the body text style. Use this text style for your side margin. goes here. Body text goes here. Body text goes here. Side margin is body text. Use this text Use this style for body text. This is the body text style. Use this style for body text. Side margin is body text. Use this text style for your side margin. Side This is the body text style. This is the body text style. Use this style for body text. Here is a bullet style. Use this style for your bullet points. Here is the style for your side margin. • margin is body text. -
WINTER 2018 Harmony with Nature.Indd
Harmony with Nature: Home Design in Japan by Laura Esculcas 60 Fine Homes & Design | Winter 2018 Japan is a mountainous archipelago located nearly the Japanese aesthetic of wabi sabi, which is based on 1900 miles off the eastern shore of the Asian continent. the acceptance of transience and imperfection. In home It is made up of four main islands and several hundred design, this translates to an appreciation of the imper- smaller ones. Japan stands at the convergence of four fect, weathered, natural, simple and austere. Arising tectonic plates, and is therefore a geologically active from this awareness is a flexible and impermanent phi- zone that has nearly forty active volcanoes and expe- losophy of home design, incorporating natural materi- riences about 1,000 earthquakes a year, making it a als, gardens and outdoor spaces whenever possible, and place where one is always aware of the power of nature. reminding inhabitants of the natural world by enhanc- Japan’s earliest signs of agriculture date back to 5000 ing natural light and inviting harmony with nature. BCE, but the relationship between the people of the Japanese archipelago and the natural world surrounding them dates backs much earlier to when ritual structures Transitional Spaces: Gates, Doors, Entryways, of stone circles and standing stones were erected across and Hallways the archipelago. Gates stand at places of transition, offering passage The peoples of ancient Japan attributed geograph- from one state to another, as well as separating outside ical features, especially mountains and rivers, with from inside. Gates may be welcoming but also offer divinity. -
Japanese Exhibition House, the Museum of Modern Art, Summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan S
Japanese exhibition house, the Museum of Modern Art, summer, 1954. Designed by Junzo Yoshimura. Sponsored by the America-Japan society (Tokyo) and private citizens in Japan and the United States, and the Museum of Modern Art Author Museum of Modern Art (New York, N.Y.) Date 1954 Publisher [publisher not identified] Exhibition URL www.moma.org/calendar/exhibitions/2711 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art ArcA/ViZ, 553 Japanese Exhibition House THE MUSEUM OF MODERN ART, SUMMER I954 Designed by Junzo Yoshimura Sponsored by the America-Japan Society (Tokyo) and private citizens in Japan and the United States, and The Museum of Modern Art, New York. The Museum has chosen a Japanese building for its third House in the Garden because of the unique relevance to modern Western architecture of traditional Japanese design. The characteristics which give Japanese architecture this interest are post and lintel skeleton frame construction; flexibility of plan; close relation of indoor and outdoor areas; and the ornamental quality of the structural system. Modern Western practice, with its general use of the steel skeleton frame, has developed many effects known to Japanese architecture since the eighth century. For example, walls which do not support a roof, but are instead hung like curtains on the structural framework, are today a com monplace of Western architecture. Before 1900 Frank Lloyd Wright made fundamental to his work the Japanese respect for the beauty of natural materials, as well as the massive, hovering, insistently horizontal roofs essential to the Japanese conception of a house. -
CRM Advisors and Consultants, Or the National Park Service
CULTURAL RESOURCE MANAGEMENT Information for Parks, Federal Agencies, Indian Tribes, States, Local Governments, |Ul and the Private Sector VOLUME 19 NO. 3 1996 Preservation in the Pacific Basin U.S. DEPARTMENT OFTHE INTERIOR National Park Service Cultural Resources PUBLISHED BY THE VOLUME 19 NO. 3 1996 NATIONAL PARK SERVICE Contents ISSN 1068-4999 To promote and maintain high standards for preserving and managing cultural resources Preservation in the Pacific Basin DIRECTOR Roger G. Kennedy ASSOCIATE DIRECTOR Asia and the Pacific Honolulu's Chinatown 30 Katherine H. Stevenson A Big Area to Cover! 3 Gregory Yee Mark William Chapman EDITOR Japanese-American Cultural Resources Ronald M. Greenberg "The Future of Asia's Past"—An in Western Washington 33 International Conference on the Gail Lee Dubrow PRODUCTION MANAGER Preservation of Asia's Architectural Karlota M. Koester Heritage 6 Research, Education, and Cultural GUEST EDITOR Jennifer Malin Resource Management at William Chapman Angkor Borei, Cambodia 37 Jennifer Malin, Assistant Historic Preservation Programs and P. Bion Griffin the Community Miriam T. Stark ADVISORS The Example of HawaEi 7 David Andrews Judy Ledgerwood Editor, NPS Lowell Angell Joan Bacharach Rose Mary Ruhr Angkor Borei 38 Museum Registrar. NPS Randall I. Biallas Michael Dega Historical Architect, NPS Historic Preservation Training in Susan Buggey Micronesia The World Monuments Fund and Director, Historical Services Branch An Assessment of Needs 11 Parks Cartada Training at Angkor/University of John A. Bums William Chapman Phnom Penh 42 Architect NPS Delta Lightner John H. Stubbs Harry A. Butowsky Historian, NPS Pratt Cassity Learning from Levuka, Fiji— Valuing the Ordinary— Executive Director, Preservation in the First an Australian Perspective 45 National Alliance of Preservation Commissions Colonial Capital 15 Ken Taylor Muriel Crespi Cultural Anthropologist, NPS Gerald T.