PDF Gratis German Romance III: Iwein, Or the Knight with the Lion
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Archivi Di Studi Indo-Mediterranei X(2020) Issn 2279-8803
ARCHIVI DI STUDI INDO-MEDITERRANEI X(2020) http://archivindomed.altervista.org/ ISSN 2279-8803 Der Lanzelet des Ulrich von Zatzikhoven im Kontext der zeitgenössischen Artusromane des 13. Jahrhunderts Danielle BUSCHINGER Traditionell gliedert man die Epik des deutschen Mittelalters in (1) „frühhöfische Epik“ (1170-1190), deren Hauptvertreter der Straßburger Alexander, Eilharts von Oberg Tristrant, Graf Rudolf, Heinrichs von Veldeke Eneasroman sind, (2) „hochhöfische Epik“ (1170-1210), mit Hartmann von Aue (Erec, Der Arme Heinrich, Gregorius, Iwein), Gottfried von Straßburg (Tristan und Isolde), Wolfram von Eschenbach (Parzival, Titurel, Willehalm), (3) „späthöfische Epik“ (1210-1300), unter deren Vertretern ich Wigalois des Wirnt von Gravenberg, die Fortsetzungen von Gottfrieds Tristanroman, die Krône des Heinrich von dem Türlin, Rudolf von Ems, den Jüngeren Titurel des Albrecht, der sich die Maske des berühmten Wolfram angelegt hat, Konrad von Würzburg, den Stricker und den Pleier aufzählen möchte, sowie Lanzelet des Ulrich von Zatzikhoven. Während die erstgenannten zum großen Teil und die zweiterwähnten Dichter ausschließlich auf französische Texte zurückgriffen, die sie ins Deutsche übertrugen bzw. adaptierten, knüpften die meisten deutschen Dichter der dritten Generation an Dichtern der ersten oder zweiten Generation an. Aus diesem Grund hat man zuweilen behauptet, es seien Epigonen. Eine 1 Ausnahme bildet jedoch Heinrich von dem Türlin, der direkt Chrétien de Troyes benutzte. Um das schwierige Problem des Epigonentums und des Plagiats, -
Hartmann Von Aue, Michel Foucault, and the Uses of the Past TRANSIT Vol
Schultz: Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the… Thinking Sexuality Differently: Hartmann von Aue, Michel Foucault, and the Uses of the Past TRANSIT vol. 10, no. 1 James A. Schultz The studies that follow . are the record of a long and tentative exercise that needed to be revised and corrected again and again. It was a philosophical exercise. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, and so enable it to think differently. – Michel Foucault, The Use of Pleasure In these words from the introduction to the second volume of his history of sexuality,1 Foucault suggests that a certain kind of engagement with the past might enable us to think differently. The volume that follows, a history of sexuality, would represent then an effort to engage with the past in a way that might enable us to think differently about sexuality. Writing at the end of the twelfth century, Hartmann von Aue does something similar. He uses the Arthurian past to enable him to think differently about what he calls love but which includes much of what we would call sexuality. In an attempt to make this claim plausible, I will first review some medieval views about the use of history and then explore the extent to which Hartmann, in Iwein, claims to be writing a history. Second, I will try to show how, in both Erec and Iwein, Hartmann uses the Arthurian past to think about sexuality in ways that might provoke his readers and auditors to think differently. -
Chretien De Troyes and Arthurian Romance in the Development of the Tournament
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 1993-2002 College Scholars 1995 Chretien de Troyes and Arthurian Romance in the Development of the Tournament Bradford Samuel Follow this and additional works at: https://trace.tennessee.edu/utk_interstp2 Recommended Citation Samuel, Bradford, "Chretien de Troyes and Arthurian Romance in the Development of the Tournament" (1995). Senior Thesis Projects, 1993-2002. https://trace.tennessee.edu/utk_interstp2/3 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 1993-2002 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. - / CHRETIEN DE TROYES AND THE ROLE OF ARTHURIAN ROMANCE IN THE DEVELOPMENT OF THE TOURNAMENT BY SAMUEL E. BRADFORD University of Tennessee: Knoxville College Scholars Program Senior Thesis 24 Aprill 1995 A glossary of terms which may seem unfamiliar to some readers and which are intended to serve as a reference can be found following the endnotes of this paper. INTRODUCTION From life-long medievalists and scholars to those who remember from their childhood the magic of the legends of King Arthur, the first image that instinctively appears in our mind upon mention of the middle ages is the knight in shining armor astride a great warhorse. Images of kings, castles, damsels, and dragons are ingrained into western thought, as is the tournament. Or is it? It is actually the joust, an individual contest between two mounted knights, that joins these other images in our natural reflection upon the middle ages. -
Characters and Narrators As Interpreters of Fidelity Tests in Medieval Arthurian Fiction
Neophilologus (2010) 94:289–299 DOI 10.1007/s11061-009-9193-5 Characters and Narrators as Interpreters of Fidelity Tests in Medieval Arthurian Fiction Bart Besamusca Published online: 9 January 2010 Ó The Author(s) 2010. This article is published with open access at Springerlink.com Abstract This article discusses a number of fidelity-testing tales and episodes, focusing on the function of characters and narrators who provide interpretations of the outcome of the tests. The testing of a series of characters takes place during a social gathering, involves a testing device, most often a mantle or a drinking horn, and discloses infidelity or other shortcomings. In most tales, ethical interpreters confront the spectators with social criticism and moral lessons, either seriously, as in Ulrich’s Lanzelet and Albrecht’s Ju¨ngerer Titurel, or humorously, as in the Manteau mal taille´. In Heinrich von dem Tu¨rlin’s Diu Croˆne, however, the interpreters are innocuous. Kei the seneschal and the narrator participate in an intratextual as well as literary game. Their comments are meant to amuse other characters, and to chal- lenge the literary expertise of the listeners to Heinrich’s romance. Keywords Medieval literature Á Arthurian fiction Á Fidelity-testing motif Á Diu Croˆne Introduction One of the English texts which have come down to us in the famous Percy Folio, the mid-seventeenth century codex acquired by the antiquarian bishop Thomas Percy (1729–1811) and now in the British Library (Additional MS 27879), is the ballad The Boy and the Mantle. In just under two hundred lines, this late-fifteenth-century narrative manages to relate a triple testing of the Arthurian community. -
Violence and Conflict Resolution in Hartmann Von Aue's Erec and Iwein
Violence and Conflict Resolution in Hartmann von Aue’s Erec and Iwein, Wirnt von Grafenberg’s Wigalois, and Wolfram von Eschenbach’s Parzival By Copyright 2014 Melanie Kay Piltingsrud Submitted to the graduate degree program in Department of Germanic Languages and Literatures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson: Dr. William D. Keel _________________________________ Co-Chairperson: Dr. Winder McConnell ________________________________ Dr. Leonie Marx ________________________________ Dr. Caroline Jewers ________________________________ Dr. Anne D. Hedeman Date Defended: May 15, 2014 ii The Dissertation Committee for Melanie Kay Piltingsrud certifies that this is the approved version of the following dissertation: Violence and Conflict Resolution in Hartmann von Aue’s Erec and Iwein, Wirnt von Grafenberg’s Wigalois, and Wolfram von Eschenbach’s Parzival ________________________________ Chairperson: Dr. William D. Keel _______________________________ Co-Chairperson: Dr. Winder McConnell Date approved: May 15, 2014 iii Abstract This dissertation advances research by George Fenwick Jones, Richard Kaeuper, Warren Brown, and Gerd Althoff, analyzing violence and conflict resolution in four Arthurian romances that emerged from a culture that viewed (justified) violence as a legitimate means of attaining and maintaining honor. Using Kaeuper’s analysis of the spiritual valorization of knighthood in Holy Warriors: the Religious Ideology of Chivalry (2009) and Jones’s analysis of honor in Honor in German Literature, I show functions of spirituality and the pursuit of honor in literary conflicts, discussing how virtues such as mâze and êre served as catalysts for violence as an expectation of the unwritten code of knightly virtues. -
Regina Toepfer (Hg.) Klassiker Des Mittelalters
Regina Toepfer (Hg.) Klassiker des Mittelalters Spolia Berolinensia Beiträge zur Literatur- und Kulturgeschichte des Mittelalters und der Neuzeit Herausgegeben von Dorothea Klein und Udo Kühne Band 38 Klassiker des Mittelalters Herausgegeben von Regina Toepfer Weidmann Klassiker des Mittelalters Herausgegeben von Regina Toepfer Weidmann Umschlagmotiv: Ausschnitt aus dem Codex Manesse, Heidelberg UB: Cod. Pal. germ. 848, fol. 11v (https://digi.ub.uni-heidelberg.de/diglit/cpg848/0018/image), bearbeitet von Wiebke Ohlendorf Das Werk ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig. Das gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISO 9706 Gedruckt auf säurefreiem, alterungsbeständigem Papier Umschlaggestaltung: Anna Braungart, Tübingen Herstellung: Hubert & Co., 37079 Göttingen Printed in Germany © Weidmannsche Verlagsbuchhandlung GmbH, Hildesheim 2019 www.olms.de Alle Rechte vorbehalten ISSN 0931-4040 ISBN 978-3-615-00437-3 Danksagung Der Sammelband geht zurück auf eine Ringvorlesung des Instituts für Ger- manistik, die im Sommersemester 2017 an der Technischen Universität Braunschweig stattfand. Die Veranstaltungsreihe verfolgte ein doppeltes Ziel: Zum einen sollten wichtige Werke des Mittelalters vorgestellt werden, die zum impliziten Kanon gehören. Zum anderen lud die Vorlesung dazu ein, grundsätzlich über den Klassikerbegriff nachzudenken und literarische Wer- tungskriterien offenzulegen. Mein erster Dank gilt allen Autorinnen und Autoren, die sich auf dieses Thema eingelassen haben, in ihren Aufsätzen mittelalterliche Werke zur Lek- türe empfehlen und Gründe nennen, warum diese Texte heute noch gelesen werden sollen. -
The Mediation of Emotive Scripts PRINTER
THE MEDIATION OF EMOTIVE SCRIPTS OF THE MEDIATION | Chloé Vondenhoff Chloé Vondenhoff Chloé Vondenhoff THE MEDIATION OF EMOTIVE SCRIPTS A Cross-Cultural Study of Poetic Imagery, Gestures, and Emotion in Chrétien de Troyes’s Yvain and its Medieval Translations THE MEDIATION OF EMOTIVE SCRIPTS A Cross-Cultural Study of Poetic Imagery, Gestures, and Emotion in Chrétien de Troyes’s Yvain and its Medieval Translations Chloé Vondenhoff 1 Copyright © Chloé Vondenhoff, Utrecht, 2021 All rights reserved. No part of this publication may be reproduced in any form without written permission of the author. Cover image: Detail from Iwein fresco, Rodenegg Castle, South Tyrol, early 13th century, depicting Laudîne and her courtiers bewailing their dead lord. Photo by courtesy of Prof. dr. Jozef Janssens. Cover design: Ridderprint | www.ridderprint.nl Printing: Ridderprint | www.ridderprint.nl ISBN: 978-94-6416-625-5 2 THE MEDIATION OF EMOTIVE SCRIPTS A Cross-Cultural Study of Poetic Imagery, Gestures, and Emotion in Chrétien de Troyes’s Yvain and its Medieval Translations De vertaler als bemiddelaar. Een cross-culturele studie naar de weergave van emoties in de verschillende middeleeuwse versies van het Yvain-verhaal (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 11 juni 2021 des middags te 2.15 uur door Chloé Henrica Anna Gerarda Vondenhoff geboren op 19 januari 1988 te Heerlen 3 Promotoren: Prof.dr. A.A.M. -
Masks of the Dark Goddess in Arthurian Literature: Origin and Evolution of Morgan Le Fay John Christopher Shearer Eastern Kentucky University
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship January 2017 Masks of the Dark Goddess in Arthurian Literature: Origin and Evolution of Morgan le Fay John Christopher Shearer Eastern Kentucky University Follow this and additional works at: https://encompass.eku.edu/etd Part of the Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation Shearer, John Christopher, "Masks of the Dark Goddess in Arthurian Literature: Origin and Evolution of Morgan le Fay" (2017). Online Theses and Dissertations. 466. https://encompass.eku.edu/etd/466 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. Dean, Graduate School STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Master of Arts degree at Eastern Kentucky University, I agree that the Library shall make it available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of the source is made. Permission for extensive quotation from or reproduction of this thesis may be granted by my major professor, or in [his/her] absence, by the Head of Interlibrary Services when, in the opinion of either, the proposed use of the material is for scholarly purposes. Any copying or use of the material in this thesis for financial gain shall not be allowed without my written permission. -
It's Only Minnesang
It’s only Minnesang (but I like it) Minnesang, Pop and Rock Peter Christian June 1982 Preface This paper was written as the basis of a briefer exposition on the similarities between the medieval German love lyric (‘Minnesang’) and rock music, given to the German Society, Goldsmiths’ College, London, in the summer term of 1982. The aim was to show how: Rock and Minnesang are based on a similar relation between composition, performance and text Rock and Minnesang depend on a similar relation between artists and audience Rock can help us to appreciate what is missing from Minnesang as it has come down to us. Since it was intended for an audience with a knowledge of German and at least some familiarity with the poetry of medieval Germany, there will be a number of points and quite a few quotations which are not readily comprehensible to those who don’t have this background. But even so, and even without translation of the medieval texts, I think the general argument can be followed by the non‐ specialist. The basic characteristics of Minnesang are more or less covered along the way, but the Wikipedia article on Minnesang summarises the main features of the tradition for those who want initial orientation. Wikipedia also has articles on several of the poets discussed and quoted. Of course, the world of rock music was in many ways very different in 1982 — we were still recovering from Punk. We had yet to experience Live Aid, MTV, and all the other things that helped make Rock mainstream for pretty well everyone under 70. -
Agency and Gender in Medieval German Literature April Lynn Henry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository The Female Lament: Agency and Gender in Medieval German Literature April Lynn Henry A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Germanic Languages. Chapel Hill 2008 Approved by: Advisor: Professor Kathryn Starkey Reader: Professor E. Jane Burns Reader: Professor Jonathan Hess Reader: Professor Clayton Koelb Reader: Professor Ann Marie Rasmussen © 2008 April Lynn Henry ALL RIGHTS RESERVED ii ABSTRACT APRIL LYNN HENRY: The Female Lament: Agency and Gender in Medieval German Literature (Under the direction of Kathryn Starkey) This dissertation examines the conventional motif of the female lament in Hartmann von Aue’s Erec and the anonymous works Nibelungenlied and Nibelungenklage . I explain how these authors use the motif as a space within which fictitious female figures can gain or have access to agency. This dissertation contributes to the larger context of literary and gender studies by demonstrating that literature prescribes behavior and it fulfills a pedagogical function. In the introduction, I set up the theoretical framework for my three chapters. In chapter two, I argue that Hartmann von Aue revises the classical genre of the lament that dates back to antiquity to create a space for a female voice. Chapter three shows that the Nibelungenlied responds to Hartmann’s new gender construct by presenting Kriemhild, a grieving widow, who oversteps gender boundaries by instrumentalizing her grief and using it to legitimize her revenge. -
Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses August 2014 “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied Katherine DeVane Brown University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the German Literature Commons, and the Medieval Studies Commons Recommended Citation DeVane Brown, Katherine, "“Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied" (2014). Masters Theses. 5. https://doi.org/10.7275/5458038 https://scholarworks.umass.edu/masters_theses_2/5 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied A Thesis Presented by KATHERINE ROSE DEVANE BROWN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 German and Scandinavian Studies “Hagene, der vil ungetriuwe man”? Courtly Rivalry, Loyalty Conflict, and the Figure of Hagen in the Nibelungenlied A Thesis Presented by KATHERINE ROSE DEVANE BROWN Approved -
Fritz Lang's Die Nibelungen
The Ambiguity of Otherness in Adaptations of the Nibelungen Myth: Das Nibelungenlied and Fritz Lang's Die Nibelungen by Neale G. Bickert B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Germanic and Slavic Studies Neale G. Bickert, 2012 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Ambiguity of Otherness in Adaptations of the Nibelungen Myth: Das Nibelungenlied and Fritz Lang's Die Nibelungen by Neale G. Bickert B.A., University of Victoria, 2008 Supervisory Committee Dr. Elena Pnevmonidou (Department of Germanic and Slavic Studies) Supervisor Dr. Matthew Pollard (Department of Germanic and Slavic Studies) Departmental Member iii Supervisory Committee Dr. Elena Pnevmonidou (Department of Germanic and Slavic Studies) Supervisor Dr. Matthew Pollard (Department of Germanic and Slavic Studies) Departmental Member Abstract Over eight hundred years ago anonymous poets set the orally transmitted Nibelungen myth to parchment. This action started a trend of adapting the myth for contemporary audiences, a trend that has lasted since the High Middle Ages. Since then, the Nibelungen myth has become a sustaining element of the self-mythologization of German national identity. The problem, however, with adapting the Nibelungen myth for the purpose of creating a German identity, be it in the medieval epic, the Nibelungenlied, or Fritz Lang's 1924 film, Die Nibelungen, is that this model of identification is flawed – flawed because it consists of systematic binary divisions positing self-other dichotomies.