Hartmann Von Aue, Michel Foucault, and the Uses of the Past TRANSIT Vol
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Abstracts Massimiliano Bampi
3 (2011) (Poesia del Medioevo Tedesco / Medieval German Poetry) Comitato di Redazione / Editorial Board Fabrizio D. Raschellà (Università di Siena) – Direttore responsabile / Editor-in-chief Fulvio Ferrari (Università di Trento) – Presidente dell’AIFG Lucia Sinisi (Università di Bari) – Consigliere dell’AIFG Alessandro Zironi (Università di Bologna) – Consigliere dell’AIFG Comitato Scientifico / Scientific Committee Maria Grazia Saibene (Università di Pavia) – Coordinatore / Coordinator Maria Grazia Cammarota (Università di Bergamo) Christoph Huber (Eberhard-Karls-Universität Tübingen) Maria Vittoria Molinari (Università di Bergamo) Verio Santoro (Università di Salerno) ABSTRACTS MASSIMILIANO BAMPI, ‘Ein heiden was der erste man / den got machen began: der narrative Aufbau des Toleranz-Begriffs im Willehalm Wolframs von Eschenbach’, Filologia Germanica – Germanic Philology 3 (2011), pp. 1-22. ‘EIN HEIDEN WAS DER ERSTE MAN / DEN GOT MACHEN BEGAN’: THE NARRATIVE CONSTRUCTION OF THE CONCEPT OF TOLERANCE IN WOLFRAM VON ESCHENBACH’S ‘WILLEHALM’. Over the past few years, scholars have been devoting increasingly more attention to Wolfram’s Willehalm, primarily because of Gyburg’s so-called Toleranzrede and its theological implications. The aim of the present paper is to analyse the narrative construction of the concept of tolerance by examining how the figure of Gyburg and its interaction with other narrative instances (i.e. the narrator and other characters) in Wolfram’s work are constructed on the diegetic level to articulate a complex discourse on religious alterity from different standpoints, both within and outside the Christian world. MARIA GRAZIA CAMMAROTA, ‘L’alterità religiosa in Die Heidin’, Filologia Germanica – Germanic Philology 3 (2011), pp. 23-46. RELIGIOUS OTHERNESS IN ‘DIE HEIDIN’. In the age of the Crusades the antagonistic encounter between Christian Europe and the Muslim Near East gave rise to a wealth of literary production in which the image of the ‘pagans’ oscillates from demonization to idealization. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
The Portrayal of Zorn in Hartmann Von Aue's
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Regulski, Carol Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Author: Carol Regulski The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. -
Archivi Di Studi Indo-Mediterranei X(2020) Issn 2279-8803
ARCHIVI DI STUDI INDO-MEDITERRANEI X(2020) http://archivindomed.altervista.org/ ISSN 2279-8803 Der Lanzelet des Ulrich von Zatzikhoven im Kontext der zeitgenössischen Artusromane des 13. Jahrhunderts Danielle BUSCHINGER Traditionell gliedert man die Epik des deutschen Mittelalters in (1) „frühhöfische Epik“ (1170-1190), deren Hauptvertreter der Straßburger Alexander, Eilharts von Oberg Tristrant, Graf Rudolf, Heinrichs von Veldeke Eneasroman sind, (2) „hochhöfische Epik“ (1170-1210), mit Hartmann von Aue (Erec, Der Arme Heinrich, Gregorius, Iwein), Gottfried von Straßburg (Tristan und Isolde), Wolfram von Eschenbach (Parzival, Titurel, Willehalm), (3) „späthöfische Epik“ (1210-1300), unter deren Vertretern ich Wigalois des Wirnt von Gravenberg, die Fortsetzungen von Gottfrieds Tristanroman, die Krône des Heinrich von dem Türlin, Rudolf von Ems, den Jüngeren Titurel des Albrecht, der sich die Maske des berühmten Wolfram angelegt hat, Konrad von Würzburg, den Stricker und den Pleier aufzählen möchte, sowie Lanzelet des Ulrich von Zatzikhoven. Während die erstgenannten zum großen Teil und die zweiterwähnten Dichter ausschließlich auf französische Texte zurückgriffen, die sie ins Deutsche übertrugen bzw. adaptierten, knüpften die meisten deutschen Dichter der dritten Generation an Dichtern der ersten oder zweiten Generation an. Aus diesem Grund hat man zuweilen behauptet, es seien Epigonen. Eine 1 Ausnahme bildet jedoch Heinrich von dem Türlin, der direkt Chrétien de Troyes benutzte. Um das schwierige Problem des Epigonentums und des Plagiats, -
Reclams Buch Der Deutschen Gedichte
1 Reclams Buch der deutschen Gedichte Vom Mittelalter bis ins 21. Jahrhundert Ausgewählt und herausgegeben von Heinrich Detering Reclam 2 3 Reclams Buch der deutschen Gedichte Band i 4 4., durchgesehene und erweiterte Auflage Alle Rechte vorbehalten © 2007, 2017 Philipp Reclam jun. GmbH & Co. KG, Stuttgart Gestaltung bis S. 851: Friedrich Forssman, Kassel Gestaltung des Schubers: Rosa Loy, Leipzig Satz: Reclam, Ditzingen Druck und buchbinderische Verarbeitung: GGP Media GmbH, Pößneck Printed in Germany 2017 reclam ist eine eingetragene Marke der Philipp Reclam jun. GmbH & Co. KG, Stuttgart isbn 978-3-15-011090-4 www.reclam.de Inhalt 5 Vorwort 9 [Merseburger Zaubersprüche] 19 • [Lorscher Bienensegen] 19 • Notker iii. von St. Gallen 20 • Der von Kürenberg 20 • Albrecht von Johansdorf 21 • Dietmar von Aist 23 • Friedrich von Hausen 24 • Heinrich von Morungen 25 • Heinrich von Veldeke 28 • [Du bist mîn, ich bin dîn] 29 • Hartmann von Aue 30 • Reinmar 30 • Walther von der Vogelweide 34 • Wolfram von Eschenbach 46 • Der Tannhäuser 48 • Neidhart 52 • Ulrich von Lichtenstein 55 • Mechthild von Magdeburg 57 • Konrad von Würzburg 59 • Frauenlob 61 • Johannes Hadloub 62 • Mönch von Salzburg 63 • Oswald von Wolkenstein 65 • Hans Rosenplüt 71 • Martin Luther 71 • Ulrich von Hutten 74 • Hans Sachs 77 • Philipp Nicolai 79 • Georg Rodolf Weckherlin 81 • Martin Opitz 83 • Simon Dach 85 • Johann Rist 91 • Friedrich Spee von Lan- genfeld 93 • Paul Gerhardt 96 • Paul Fleming 104 • Johann Klaj 110 • Andreas Gryphius 111 • Christian Hoffmann von Hoffmannswaldau -
Yvain-Corpus
‘Cuer me rendés…’ THE EMOTIONAL INVOLVEMENT OF THE CONTEMPORARY AUDIENCE IN THE YVAIN-CORPUS Master thesis RMA Medieval Studies by Chloé Vondenhoff Utrecht University, 08-02-2013 Student number: 3168662 Supervisor, first reader: Dr. F.P.C. Brandsma Second reader: Dr. A. Auer Word count: 35263 2 Table of Contents 1 INTRODUCTION .............................................................................................................. 3 1.1 EMOTION RESEARCH ....................................................................................................... 5 1.2 RESEARCH QUESTION .................................................................................................... 12 2 METHODOLOGY ........................................................................................................... 14 2.1 APPROACH .................................................................................................................... 14 2.2 METHODOLOGICAL COMMENTS .................................................................................... 16 2.3 YVAIN–CORPUS ............................................................................................................ 23 3 EPISODE I: THE PRELUDE ......................................................................................... 40 3.1 PROLOGUE .................................................................................................................... 40 3.2 CALOGRENANT’S TALE ................................................................................................ -
IV. Allgemeine Und Indogermanische Sprachwissenschaft
Inhalt V Inhalt I. Verzeichnis der ausgewerteten Periodika ............ 477 II. Allgemeines .......................... 485 Allgemeines – Grundlagen 485. Organisation, Institute, Gesellschaften, Kongresse 485. Bibliographien 488. Handschriftenverzeichnisse, Be‐ standsverzeichnisse 489. Sammelwerke, Festschriften 489. Wissen‐ schafts- und Gelehrtengeschichte 490 III. Germanische Altertumskunde .................. 492 IV. Allgemeine und indogermanische Sprachwissenschaft ..... 495 Sprachphilosophie 495. Allgemeine Sprachwissenschaft 496. Kontrastive Sprachwissenschaft 499. Indogermanische Sprachwissenschaft 508 V. Germanische Sprachen ..................... 508 VI. Ostgermanische Sprachen ................... 510 VII. Nordgermanische Sprachen .................. 511 VIII. Westgermanische Sprachen .................. 511 IX. Altniederländisch und Mittelniederländisch .......... 511 X. Deutsch in seiner Gesamtentwicklung ............. 512 XI. Althochdeutsch (8. Jh.–1050) und Altniederdeutsch (9.–12. Jh.) 513 XII. Mittelhochdeutsch (1050–1350) und Mittelniederdeutsch (13. Jh. – 1650) ......................... 514 XIII. Frühneuhochdeutsch (1350–1650) ............... 515 XIV. Neuhochdeutsch (1650–1945) ................. 516 XV. Deutsche Sprache nach 1945 bis zur Gegenwart ........ 516 Allgemeines 516. Phonetik – Phonologie – Graphemik – Orthogra‐ phie 517. Morphologie – Syntax 518. Semantik – Semiotik 520. Wortbil‐ dung – Phraseologie 521. Pragmalinguistik – Textlinguistik – Gesprächs‐ forschung 523. Soziolinguistik – Sprachkritik – Sprachpolitik -
Hartmann Von Aue's Religious Attitude and Didacticism In
HARTMANN VON AUE'S RELIGIOUS ATTITUDE AND DIDACTICISM IN HIS GREGORIUS 0 APPRECIATE Hartmann von Aue's moral precept Tand his attitude toward Christianity, it is necessary first to review briefly Hartmam's own character, so far as we can glimpse it from internal evidence in his works. He was Herr Hartmann, a member of the courtly circle; he shows, accord- ingly, in his Erec and Iwein a familiarity with, and apprecia- tion of, the courtly life and tone, His protected life, devoid of hardship or struggle, reflects itself in a kindly and generous attitude, permeated with a sense of Treue as the word is used in the courtly epic, Treue is a funadmental trait of Hart- mann's character, implying a reciprocal loyalty to his over- lord, as evidenced by the poet's sincere lyrical laments over his loss. Treue of wife to husband in Erec, of husband to wife in Iwein, Treue as devotion of serf to superior in Der arme Heinrich-all these evidence the importance Hartmann attached to that quality. Such recognition shows Hartmann as a true and typical member of a courtly society that ac- cepted Treue in its various meanings as a required part of the economic and social make-up. Loyalty, fidelity, allegiance -however one may interpret the term-assured a fairly se- cure and smoothly running society, without any great one- sided struggle for existence. The serf provided the means of living in return for the responsibility which the aristocrat assumed on his behalf. Hartrnam as an aristocrat shows, accordingly, no great inner struggle and relatively little depth of philosophic insight. -
Erec, Iwein, Parzival, Tristan
Anette Sosna FIKTIONALEIDENTITÄT IM HÖFISCHEN ROMAN UM 1200: Erec, Iwein, Parzival, Tristan S. Hirzel Verlag 2003 INHALT I . Zur Interpretation mittelalterlicher Texte aus identitätsanalytischer Perspektive: Konzepte ................................................................................ 11 1. Einleitende Überlegungen, geistes- und sozialgeschichtlicher Kon- text ......................................................................................................... 11 2 . Identität und Individualität ................................................................... 16 3 . Fiktionale Identität ............................................................................... 28 4 . Perspektiven der Forschung ................................................................. 36 I1. Hartmann von Aue: Erec ............................................................................ 55 1. Erec ....................................................................................................... 55 1.1. Der Artushof (I) ........................................................................... 56 1.2. Koralus ......................................................................................... 60 1.3. Iders .............................................................................................. 65 1.4. Der Artushof (11) .......................................................................... 66 Zusammenfassung ....................................................................................... 70 2 . Erec und Enite -
Literaturwissenschaft)
Technische Universität Braunschweig Seminar für deutsche Sprache und Literatur BA Germanistik Leseliste (Literaturwissenschaft) I. Deutsche Literatur vom Mittelalter bis zum Barock 1. Hildebrandslied 2. Pfaffe Konrad: Rolandslied 3. Heinrich von Morungen: Minnesang 4. Hartmann von Aue: Erec 5. Hartmann von Aue: Iwein 6. Nibelungenlied 7. Wolfram von Eschenbach: Parzival 8. Gottfried von Straßburg: Tristan 9. Walther von der Vogelweide: Minnesang 10. Walther von der Vogelweide: Politische Spruchdichtung 11. Neidhart: Minnesang 12. Johannes von Tepl: Der Ackermann aus Böhmen 13. Sebastian Brant: Das Narrenschiff 14. Thüring von Ringoltingen: Melusine 15. Hermann Bote: Till Eulenspiegel 16. Hans Sachs: Meisterlieder 17. Hans Sachs: Fastnachtspiele 18. Martin Luther: Von der Freiheit eines Christenmenschen 19. Faustbuch 20. Grimmelshausen: Der abentheuerliche Simplicissimus Teutsch 21. Volker Meid (Hg.): Lyrik des Barock 22. Andreas Gryphius: Papinian II. Deutsche Literatur von der Aufklärung bis zur Klassik 23. Johann Gottfried Schnabel: Die Insel Felsenburg 24. Christian Fürchtegott Gellert: Leben der Schwedischen Gräfin von G. 25. Friedrich Gottlieb Klopstock: Oden 26. Christoph Martin Wieland: Geschichte des Agathon 27. Gotthold Ephraim Lessing: Minna von Barnhelm 28. Gotthold Ephraim Lessing: Emilia Galotti 29. Gotthold Ephraim Lessing: Nathan der Weise 30. Gotthold Ephraim Lessing: Hamburgische Dramaturgie 31. Johann Joachim Winckelmann: Gedanken über die Nachahmung der griechischen Original-Werke 32. Johann Gottfried Herder: Kritische Wälder 33. Johann Gottfried Herder: Journal meiner Reise 1769 34. Jakob Michael Reinhold Lenz: Der Hofmeister 35. Jakob Michael Reinhold Lenz: Die Soldaten 36. Karl Philipp Moritz: Anton Reiser 37. Johann Wolfgang Goethe: Die Leiden des jungen Werthers 38. Johann Wolfgang Goethe: Götz von Berlichingen 39. Johann Wolfgang Goethe: Wilhelm Meisters Lehrjahre 40. -
PDF Gratis German Romance III: Iwein, Or the Knight with the Lion
Register Free To Download Files | File Name : German Romance Iii: Iwein, Or The Knight With The Lion (Arthurian Archives) (Volume 16) PDF GERMAN ROMANCE III: IWEIN, OR THE KNIGHT WITH THE LION (ARTHURIAN ARCHIVES) (VOLUME 16) Hardcover November 15, 2007 Author : Editorial ReviewsReviewAn excellent translation (which) keeps readers close to the mentality of the original author. MODERN LANGUAGE REVIEW An excellent translation by an experienced scholar. MEDIUM AEVUM A superb translation and edition of arguably the most important Iwein manuscript.(...)Edward's translation represents the greatest contribution to scholars and, especially, to the many non-Germanists who are dependent on reliable English translations. (This) very fine English rendering is, in terms of scientific quality, superior to all other Iwein translations into modern English or German.(...)Edwards' quite exceptional translation and careful edition of MS B make this volume essential for all serious scholars of Hartmann's Iwein and the medieval Ywain tradition. ARTHURIANA, A stunning translation that somehow manages to achieve the impossible: it sounds both medieval and contemporary. TLSAbout the AuthorDr CYRIL EDWARDS is Lecturer in German at St Peter's College and Senior Research Fellow of the Faculty of Medieval and Modern Languages, University of Oxford. German Romance III: Iwein, or The Knight with the Lion (Arthurian Archives) (Volume 16) Bilingual Edition by Hartmann von Aue (Author), Cyril Edwards (Author) ISBN-13: 978- 1843840848 Iwein, or The Knight with the Lion, is a free Middle High German adaptation of Chr\u00e9tien de Troyes' Old French Arthurian romance, Yvain. Written c.1200 by a Swabian knight, Hartmann von Aue, Iwein charts the development towards maturity of a young knight who falls into error, neglecting his hard-won wife by devoting himself excessively to .. -
Chretien De Troyes and Arthurian Romance in the Development of the Tournament
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 1993-2002 College Scholars 1995 Chretien de Troyes and Arthurian Romance in the Development of the Tournament Bradford Samuel Follow this and additional works at: https://trace.tennessee.edu/utk_interstp2 Recommended Citation Samuel, Bradford, "Chretien de Troyes and Arthurian Romance in the Development of the Tournament" (1995). Senior Thesis Projects, 1993-2002. https://trace.tennessee.edu/utk_interstp2/3 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 1993-2002 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. - / CHRETIEN DE TROYES AND THE ROLE OF ARTHURIAN ROMANCE IN THE DEVELOPMENT OF THE TOURNAMENT BY SAMUEL E. BRADFORD University of Tennessee: Knoxville College Scholars Program Senior Thesis 24 Aprill 1995 A glossary of terms which may seem unfamiliar to some readers and which are intended to serve as a reference can be found following the endnotes of this paper. INTRODUCTION From life-long medievalists and scholars to those who remember from their childhood the magic of the legends of King Arthur, the first image that instinctively appears in our mind upon mention of the middle ages is the knight in shining armor astride a great warhorse. Images of kings, castles, damsels, and dragons are ingrained into western thought, as is the tournament. Or is it? It is actually the joust, an individual contest between two mounted knights, that joins these other images in our natural reflection upon the middle ages.