Octobre 2015 October 2015 Parallèles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Translating' Emotions: Nationalism in Contemporary Greek Cinema
‘Reading’ and ‘Translating’ Emotions: Nationalism in Contemporary Greek Cinema by Sophia Sakellis A thesis submitted in fulfilment of the requirements for the degree of Master of Arts (Research) Department of Modern Greek and Byzantine Studies The Faculty of Arts and Social Sciences University of Sydney October 2016 ABSTRACT This study explores emotions related to nationalism, and their manifestations in contemporary Greek cinema. It also investigates the reasons and mechanisms giving rise to nationalism, and how it is perceived, expressed and ‘translated’ into other cultures. A core focus within the nationalist paradigm is the theme of national identity, with social exclusion ideologies such as racism operating in the background. Two contemporary Greek films have been chosen, which deal with themes of identity, nationalism, xenophobia, anger and fear in different contexts. The study is carried out by drawing on the theories of emotion, language, translation and cinema, to analyse the visual and audio components of the two films and ascertain their translatability to an Australian audience. Both films depict a similar milieu to each other, which is plagued by the lingering nature of all the unresolved political and national issues faced by the Greek nation, in addition to the economic crisis, a severe refugee crisis, and externally imposed policy issues, as well as numerous other social problems stemming from bureaucracy, red tape and widespread state-led corruption, which have resulted in massive rates of unemployment and financial hardship that have befallen a major part of the population. In spite of their topicality, the themes are universal and prevalent in a number of countries to varying degrees, as cultural borders become increasingly integrated, both socially and economically. -
English and Translation in the European Union
English and Translation in the European Union This book explores the growing tension between multilingualism and mono- lingualism in the European Union in the wake of Brexit, underpinned by the interplay between the rise of English as a lingua franca and the effacement of translations in EU institutions, bodies and agencies. English and Translation in the European Union draws on an interdisciplinary approach, highlighting insights from applied linguistics and sociolinguistics, translation studies, philosophy of language and political theory, while also look- ing at official documents and online resources, most of which are increasingly produced in English and not translated at all – and the ones which are translated into other languages are not labelled as translations. In analysing this data, Alice Leal explores issues around language hierarchy and the growing difficulty in reconciling the EU’s approach to promoting multilingualism while fostering monolingualism in practice through the diffusion of English as a lingua franca, as well as questions around authenticity in the translation process and the bound- aries between source and target texts. The volume also looks ahead to the impli- cations of Brexit for this tension, while proposing potential ways forward, encapsulated in the language turn, the translation turn and the transcultural turn for the EU. Offering unique insights into contemporary debates in the humanities, this book will be of interest to scholars in translation studies, applied linguistics and sociolinguistics, philosophy and political theory. Alice Leal is Senior Lecturer at the Centre for Translation Studies of the Uni- versity of Vienna, Austria. Routledge Advances in Translation and Interpreting Studies Titles in this series include: 63 English and Translation in the European Union Unity and Multiplicity in the Wake of Brexit Alice Leal 64 The (Un)Translatability of Qur’anic Idiomatic Phrasal Verbs A Contrastive Linguistic Study Ali Yunis Aldahesh 65 The Qur’an, Translation and the Media A Narrative Account Ahmed S. -
A Dictionary of Translation and Interpreting
1 A DICTIONARY OF TRANSLATION AND INTERPRETING John Laver and Ian Mason 1 2 This dictionary began life as part of a much larger project: The Encyclopaedic Dictionary of Speech and Language (General Editors John Laver and Ron Asher), involving nearly 40 authors and covering all fields in any way related to speech or language. The project, which from conception to completion lasted some 25 years, was finally delivered to the publisher in 2013. A contract had been signed but unfortunately, during a period of ill health of editor-in- chief John Laver, the publisher withdrew from the contract and copyright reverted to each individual contributor. Translation Studies does not lack encyclopaedic information. Dictionaries, encyclopaedias, handbooks and readers abound, offering full coverage of the field. Nevertheless, it did seem that it would be a pity that the vast array of scholarship that went into The Encyclopaedic Dictionary of Speech and Language should come to nought. Consequently, we offer this small sub-part of the entire project as a free-to-use online resource in the hope that it will prove to be of some use, at least to undergraduate and postgraduate students of translation studies – and perhaps to others too. Each entry consists of a headword, followed by a grammatical categoriser and then a first sentence that is a definition of the headword. Entries are of variable length but an attempt is made to cover all areas of Translation Studies. At the end of many entries, cross-references (in SMALL CAPITALS) direct the reader to other, related entries. Clicking on these cross- references (highlight them and then use Control and right click) sends the reader directly to the corresponding headword. -
Engaged in Translation: Fandom Production in the Latin America's Anime Community of Syncrajo
Engaged in Translation: Fandom Production in The Latin America’s Anime Community of Syncrajo. MKVM13: Media and Communication Studies: Master’s Thesis. 2021 Faculty of Social Science, Lund University Author – Emilio González González Pliego Supervisor: Tobias Linne Examiner: Annette Hill [email protected] Word Count (21,187) Abstract Fansub (Fan-subtitled) is the term coined after the action of subtitling a foreign audio-visual production. Fansubs started being studied after the phenomenon started gaining popularity within communities of anime fans. That used them as a way of access to the products they desire to consume. Creating different opinions that range as a way of going against the “top- down corporate-driven process (using) a bottom-up consumer-driven process” (Jenkins, 2004, p.37) to remarks against their legality, as they modify and distribute a copyrighted work for free. The majority of the studies made around fansub culture revolve around the experience of anime, and until recently started researching different kinds of media, like videogames, news videos, webpages and more. Even with the existence of these studies, few researchers focus on the motifs of the fansubbers (fans that do subtitles) to start doing them. This thesis will focus on studying how the members of these groups get engaged with a product to start doing free labour using the theory of Spectrum of engagement of Hill (2019). Also interesting to this thesis. Will be the idea of appropriation to understand if the fansub does something beyond the translation to take ownership of the product fansubs re-distribute. In the last years, there has been a decrease of active fansubs, as new legal and accessible ways to get the content had been made available. -
Cce Departamento De Língua E Literatura Estrangeiras – Dlle
UNIVERSIDADE FEDERAL DE SANTA CATARINA CENTRO DE COMUNICAÇÃO E EXPRESSÃO – CCE DEPARTAMENTO DE LÍNGUA E LITERATURA ESTRANGEIRAS – DLLE THE FANSUB ACTIVITY IN THE LEGEND OF THE SEEKER: RHYMES AS A CASE IN POINT ALISSANDER BALEMBERG Trabalho de Conclusão de Curso Florianópolis December, 2011 THE FANSUB ACTIVITY IN THE LEGEND OF THE SEEKER: RHYMES AS A CASE IN POINT Trabalho de Conclusão de Curso (TCC) para a disciplina LLE7462 do Departamento de Língua e Literatura Estrangeiras do Centro de Comunicação e Expressão da Universidade Federal de Santa Catarina – Curso de Letras – Língua Inglesa e Literaturas, como requisito parcial para a obtenção do título de Bacharel em Letras – Língua Inglesa e Literaturas. Orientador: Dr. Lincoln Paulo Fernandes BANCA EXAMINADORA ________________________________________ Prof. Dr. Lincoln Paulo Fernandes Orientador ________ ________________________________ Prof.ª Dr.ª Meta Elisabeth Zipser Florianópolis December, 2011 iii ACKNOWLEDGEMENTS These five years I have spent in the undergraduate program provided me with the most incredible and rewarding experiences in my life. However, without the support I had I would not be able to arrive at this point. Therefore, I would like to take this opportunity to thank some people that somehow helped me in this achievement: My mom Sueli Sander Balemberg and my dad Ezequiel Balemberg for supporting me emotionally and financially during these years in college; My boyfriend Henrique Salvático Barbosa for the emotional support and affection even during the late nights, weekends, and holidays. My former colleague in Dark Side Lucas de Ávila Martins, also known as deGroote, for providing me with all the details concerning the fansub activity within the Dark Side group; My advisor Prof. -
Multiple Causality of Differences in Taboo Translation of Blockbuster Films by Chinese Fansubbers and Professionals
Multiple Causality of Differences in Taboo Translation of Blockbuster Films by Chinese Fansubbers and Professionals Zhengguo He Thesis submitted in fulfilment of the regulations for the degree of Doctor of Philosophy Newcastle University School of Modern Languages June 2018 Acknowledgement This thesis owes its existence to the expert supervision and encouragement of my first supervisor, Dr Ya-yun Chen, who always inspired me with her insightful feedback, and my second supervisor, Dr Valerie Pellatt, whose rigorous and holistic academic thinking had a profound influence on the structure of my thesis. It has been both a privilege and a pleasure to have the opportunity to be supervised by two supportive and inspiring scholars. I am also indebted to my Annual Panel Reviewers Professor Qian Jun, Dr Michael Jin, and Dr Francis Jones for their insightful review and advice. I would also like to express my deep gratitude to my viva examiners Drs Yvonne Lee and Pauline Henry-Tierney, for their very detailed and valuable critique. My sincere thanks must go to my family and friends during my PhD studies. Special thanks should be given to my family, especially my father, Qingxiang He, for his unfailing support throughout my years in the UK and Dr Mark James for his moral support and encouragement. I would also like to extend my sincere gratitude to Dr Joseph Banks and Karen Blacker, who offered me advice regarding my English composition; and Drs Peter Avery and Damien Hall for their valuable comments on my statistical analysis. i Note on Translation and Transliteration All translations from Chinese in this thesis are mine, unless otherwise noted. -
The Italian Fansubbing Phenomenon
Università degli Studi di Sassari Dipartimento di Teorie e Ricerche dei Sistemi Culturali A thesis submitted in partial fulfillment for the degree of PhD in Theory and Practice of Translation CICLO XXV THE ITALIAN FANSUBBING PHENOMENON Supervisor: Prof. Antonio Pinna Candidate: Serenella Massidda ANNO ACCADEMICO 2011 - 2012 CONTENTS CONTENTS p. 2 LIST OF FIGURES p. 6 LIST OF TABLES p. 6 LIST OF SCREENSHOTS p. 7 CHAPTER 1 INTRODUCTION p.9 1.1 RESEARCH CONTEXT p. 18 1.2 REFLECTIONS ON THEORY AND METHODOLOGY p. 21 CHAPTER 2 THE STATE OF THE ART OF ITALIAN AVT: DUBBING VIS-À-VIS SUBTITLING p. 29 2.1 A BRIEF HISTORY OF DUBBING p. 31 2.2 THE SUBTITLING INDUSTRY IN ITALY p. 35 The Italian Fansubbing Phenomenon Serenella Massidda PhD in Theory and Practice of Translation Università degli Studi di Sassari 2 CHAPTER 3 FANSUBBING p. 39 3.1 THE HISTORY OF FANSUBBING: JAPANESE ANIME FROM SASE TO DIGISUBS p. 41 3.2 CO-CREATIVE LABOUR: THE ORGANISED FAN INDUSTRY p.44 3.3 THE ITALIAN FANSUBBING PHENOMENON p. 48 3.4 ORIGINS OF ITASA AND SUBSFACTORY p. 53 3.5 THE FANSUBBING MACHINE p. 55 3.6 PIRACY OR PROMOTION? p. 58 CHAPTER 4 SUBTITLING AND FANSUBBING STANDARDS: A HYBRID PROPOSAL p. 61 4.1 STANDARS IN PROFESSIONAL SUBTITLING p. 62 4.1.1 SUBTITLING CODES OF CONDUCT p. 64 4.2 FANSUBBING GUIDELINES p. 70 4.2.1 THE ITASA METHOD p. 71 4.2.2 SUBSFACTORY‘S MODUS OPERANDI p. 75 4.3 A HYBRID PROPOSAL p. 82 The Italian Fansubbing Phenomenon Serenella Massidda PhD in Theory and Practice of Translation Università degli Studi di Sassari 3 CHAPTER 5 EVOLUTION OF ITALIAN FANSUBBING COMMUNITIES p. -
A Critical Analysis of the Subculture of Fan Subbing and Scanlation of Japanese Media and Copyright Law
2017 HNLU STUDENT BAR JOURNAL VOLUME III A CRITICAL ANALYSIS OF THE SUBCULTURE OF FAN SUBBING AND SCANLATION OF JAPANESE MEDIA AND COPYRIGHT LAW * - Govind Abhijith ABSTRACT This paper seeks to address the phenomenon of fan subbing and scanlation of online media notably of Japanese Anime and Manga, the unique sub-culture that has developed around it and the interrelationship of these aesthetics with our understanding of intellectual property laws. The advent of digital technology and increased global connectivity has, created a predicament for the entertainment industry specifically and copyright law generally. To some, the anime industry and its fans offer examples of how an industry can benefit and even grow from allowing copyright infringement. This lacuna if addressed properly could benefit the globalisation of the anime and Japanese entertainment industry and must not be clubbed together under a formulaic approach as is done with various other P2P file sharing data. The Author suggests ways to take a pragmatic approach while examining the moral standpoint of fansub groups, the marketing strategy for publishers and the various legal approaches that have been previously made against this often touted grey area of the copyright system. * Graduate, B.A.LL.B (Hons.), National University of Advanced Legal Studies (NUALS), Kochi. 51 | P a g e 2017 HNLU STUDENT BAR JOURNAL VOLUME III I. INTRODUCTION Fan culture appears in different mediums of expression. Among the most noted and recognized in fan culture is fan-fiction. At the opposing end of the fan culture genre is fansubbing 1 Fansubbing, otherwise known as fan-subtitled, 2 is defined primarily as “an unauthorized translation in the form of subtitles.”3 The definition, however, as it appears on many websites of fansub groups is “a video subtitled by fans.”4 There are two main styles of fansub translations: softsubs and hardsubs. -
Ali Darwish Thesis
Queensland University of Technology Translation and News Making: A Study of Contemporary Arabic Television Aljazeera Case Study By Ali Darwish A Thesis Submitted In Fulfilment of the Requirements for the Degree of Doctor of Philosophy The Creative Industries Faculty Queensland University of Technology March, 2009 Queensland University of Technology Candidate’s Certificate I certify that the thesis entitled Translation and News Making: A Study of Contemporary Arabic Television submitted for the degree of Doctor of Philosophy is the result of my own research, conducted during the period 2005-2008, except where otherwise acknowledged. Signed ________________________________________________ Name Ali Darwish ___ ______ Date 21 March 2009________ ___ © Copyright by Ali Darwish, 2009 All Rights Reserved. iii Contents Tables and Figures viii Acknowledgements x Abstract xi Notes on Illustrations, Translations and Typographical Conventions xiii Abbreviations xiv Publications from the Research xv Preface Mediated Realities: The Twilight Zone 16 Chapter 1 Why Contemporary Arabic Television? 20 Overview ........................................................................... 20 Media effects .............................................................. 21 Mediated reality in Arab satellite television .............. 23 The case of Aljazeera ................................................. 26 Statement of the Problem .................................................. 28 Language choices ....................................................... 29 -
Translating with “Differance”: the Old Testament As a Case Study
An-Najah National University Faculty of Graduate Studies Translating with “Differance”: The Old Testament as a Case Study By Mufeed A. H. Sheikha Supervisor Dr. Nabil Alawi This Thesis is Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Applied Linguistics and Translation, Faculty of Graduate Studies, An-Najah National University, Nablus, Palestine . 2014 III Dedication To my companions, SHAM ARIAZS who always sustained me being present or absent and who deferred my retentive world into making protentive difference. To whom my gratitude and indebtedness never suffice, and for whom the words fail to express their real contribution to the birth of this structure. To their persistent traces, this work is dedicated. IV Acknowledgment I should express my gratitude to those who made this thesis possible, especially my supervisor, Dr. Nabil Alawi, whose quick feedback, guidance and support from the initiation to finalization enabled me to develop an analytical body of deconstructive strategies in textual reading. He was always ready to answer my inquiries and all means of contact with him were available 24/7 to listen and give advice. I am also heartily thankful to Dr. Abdel KarimDaraghmeh and NizarAsad, who are considered the pioneers for a Palestinian reading of deconstruction, and whose work Translating English Occurrences of Deconstruction Terminology into Arabic supported me in many respects during working on this project. I am also greatly indebted to Dr. Sufyan Abu Arrah, Dr. OdehOdeh, Dr. AymanNazzal, Dr. Sameer Al-Isa and Dr. RuqayaHirzallah whose encouragement empowered me with the will of success. I would also express my appreciation for the efforts of Dr. -
What Is Truth in Translation?: the Issue of Accuracy in Translating the Bible
What Is Truth in Translation?: The Issue of Accuracy in Translating the Bible William D. Barrick, Th.D. Professor of Old Testament The Master’s Seminary ETS Annual Meeting November 18, 2004 Introduction What good is a Bible translation that conveys no meaning—or, worse yet, that conveys wrong meaning? Erroneous translation can hinder the divinely intended effect of God’s Word upon the recipient. In order to achieve accuracy and clarity translators wrestle with different ways to express the text’s meaning. Translating the Bible accurately requires careful attention to meaning rather than form alone. A good Bible translation conveys truth without confusion. Few translators would dispute this point. However, agreement over the necessity for accuracy has sometimes taken second place to political, social, or religious influences that can dominate the final readings in a Bible version. Ideally, truth (or, true meaning) should be the ultimate standard in Bible translation. Translators have employed expanded translation, idiomatic translation, and ambiguous translation in various passages in an attempt to be truthful in translation. Each methodology has its benefits and its problems. All three are open to abuse. All three overlap from time to time, as the chosen examples for each will show. Expanded Translation Natural expression in Hebrew, Aramaic, or Greek may look and sound very different from natural expression in English, French, German, or Bengali. Such differences bring the Bible translator face to face with a major problem. What if the correct meaning of the Hebrew text cannot be conveyed by natural expression in a receptor language like English without adding words or phrases that would not represent anything present in the original form? An example occurs in various English version expansions of Psalm 69:22 [Heb 23]. -
The Case for a Mediating Approach to Bible Translation Eric G Fields, SIL International1
GIALens 2018 Volume 12, No. 2 The case for a mediating approach to Bible translation Eric G Fields, SIL International1 Abstract According to Beekman and Callow, Bible translation styles range from the overly literal and literal to the idiomatic and unduly free (1974, 19-32). In a very broad way, these various categories help us to better understand the linguistic choices that are available when handling form and meaning in translation, but they don’t really get at the complexities that are involved when a translator must deal with translation principles that often contrast and contradict each other. This paper and presentation will present various aspects of a mediating approach to Bible translation, showing how various translations define a mediating position, and explaining how the natural tension between form and meaning in translation can be used as a strength, rather than as a weakness, in the translation process. Translating the Bible: The case for a mediating approach is the title of my recent MA thesis, published by Reformed Theological Seminary at Charlotte, North Carolina, July 2016. The paper and presentation at BT2017 will present a synopsis of the ideas found in the thesis, as well as present relevant examples that will be helpful to other translators interested in understanding more about a mediating approach to Bible translation. Introduction My interest in mediating approaches to Bible translation comes from an actual translation team experience where one party on the team was strongly for a more literal translation approach and another party was just as strongly for a dynamic or functional equivalence approach.