Welcome to Cine-Lit 9 Dedicated to the critical analysis of the relationship between Hispanic culture, cinematography,and fiction. Message from the Producers Es un placer volver a recibiros en esta novena entrega de Cine-Lit, dedicada a la producción y representación de la mujer en el mundo de la cine- matografía. Un año más os agradecemos vuestro apoyo y participación, sin los cuales Cine-Lit no podría existir. Este 2019 contamos con la presencia de tres directoras cuyo trabajo nos abre nuevas perspectivas con las que examinar dinámicas hu- manas, a la vez que nos recuerda que aún queda mucho camino por recorrer en nuestros esfuerzos por alcanzar la igualdad, la justicia y la empatía entre todxs los que habitamos este planeta. Un fuerte abrazo y gracias por hacer realidad este Cine-Lit 9. Os esperamos en Portland con mucho cariño. Isabel Jaén
Cine-liter@s! We are thrilled to gather together again in the city of wine, rain and roses. Nearly 30 years after its inception, Cine-Lit continues to bring together scholars and filmmakers from all over the globe to discuss and revel in Hispanic filmmaking and exciting new scholarship about the intersections of film, literature and culture from the Spanish-speaking world. For Cine-Lit 9 Isa and I have proudly and humbly taken the baton from the wise hands of Guy H. Wood, who for so many years cultivated and grew this conference to make it the premier gathering on Hispanic Cinemas in the US. It is poignant and appropriate then that, with woman organizers now at the helm, we celebrate women filmmakers in this 2019 edition of Cine-Lit. Welcome! Gina Herrmann Friends and sponsors UO Office of the President Office of the Provost University of Oregon, Portland, White Stag Block College of Arts and Sciences The Graduate School Romance Languages and Literatures Oregon Humanities Center The School of Journalism Cinema Studies Center for Latino/a and Latin American Studies Comparative Literature Ethnic Studies The Honors College Latin American Studies Center for the Study of Women in Society OSU School of Language, Culture and Society, Susan Bernardin, Director School of Writing, Literature and Film, Peter Betjemann, Director Center for the Humanities, Christopher McKnight Nichols, Director PSU Department of World Languages and Literatures English Department School of Film Department of History 5th Avenue Cinema Foundation PIFF Morgen Ruff Rebeca Gutiérrez Rivilla Kathleen Hampton Rachel Record German Hita Barrenechea Hannah Holstein EQUIPO LUCRECIA MARTEL Andrea Janda Santiago M. Gallelli Susan Jeffords Brenda Erdei Linda Leon Dario Bordin Brian Lord Diana Marín Durán Deborah Martin NW. Film Center Kelli Martin Portland International Film Festival Pamela Minty Instituto Cervantes Ariana Montoya Oregon Film Pepe Moscoso Dzuan (John) Nguyen Oregon Community Foundation Tim Nidever Eva Núñez Special Thank You To Brendan O’Guinn Diego Alonso DeLys Ostlund Mark Berrettini Jennifer Perlmutter Robert Brooks Jorge Porrata Jeff Brown Bethany Robinson John Cardenas Allison Rollinson Jenny Ceciliano Fernando Fabio Sánchez Michael Clark Robert Sanders Malcolm Compitello Patricia A. Schechter Phil Scher Tim Alan Garrison Melissa Scholl Carrie Collenberg-Gonzalez Deborah Shaw Paul Collins Rahmat Shoureshi Enrique Cortez Julien J. Simon ZoeAnn Dimond Shayna Snyder Annabelle Dolidon Cynthia Sloan Zeami Eccles-Irwin Constance Van Flandern Craig Epplin Katy Vernon Óscar Fernández David Wacks Karen Ford Inés Warnock Bill Foster Suwako Watanabe Pedro García Caro Mike Westlund Jane Gordon Guy H Wood Gina Greco Mark Wubbold Makaveli Gresham 3 Keynote Speakers and Invited Scholars
working on a new monograph Barbara Zecchi tentatively entitled The Gender of Professor and Director of Film Genres, and on a co-edited volume Studies at the University of Massa- Gender and Violence in Iberian and chusetts Amherst. Her research and Latin American Cinemas(forthcoming, teaching interests include Spanish, Routledge 2020). Zecchi is the Catalan and Latin American cinemas, co-founder and vice-president of feminist film theory, film adaptation the international research network theory, gender studies and aging CinemAGEnder and the founder and studies and the use of technolgy director of the Digital Humanities in the humanities. In addition to Project Gynocine. about a dozen video-graphic essays, and about 50 articles and book chapters, she is the author of La pantalla sexuada (The Gendered Ana M. López Screen, Cátedra, 2015) and Ana M. López is the director of the Desenfocadas: Cineastas españolas y Cuban and Caribbean Studies discursos de género (Out of Focus: Institute at Tulane University where Spanish Women Filmmakers and she is also a Professor in the Gender Discourses, Icaria, 2014), Communication Department and and of the edited volumes Tras Associate Provost of the university. las lentes de Isabel Coixet: Cine, Her scholarship and publications are feminismo y compromiso (PUZ, focused on Latin American film, 2017), Gynocine: Teoría de género, media, television, and popular culture. filmología y práxis cinematográfica She has also worked extensively (Univ. Zaragoza, 2013), Teoría y with Latino cultural production in práctica de la adaptación fílmica the U.S. She is the author of Holly- (Complutense, 2011), La mujer wood, Nuestra América y los Latinos en la España actual, ¿evolución o (Havana, Cuba: Ediciones Unión, involución? (co-edited, Icaria, 2004), 2012), and edited volumes including among others. She is currently The Routledge Companion to Latin
4 American Cinema, co-edited with The Three Amigos: The Transnational Marvin D’Lugo (Clark University) Filmmaking of Guillermo del Toro, and Laura Podalasky (Ohio State Alejandro González Iñárritu, and University), 2016; Encyclopedia of Alfonso Cuarón, Manchester University Latin American Culture, a 3-volume, Press (2013), The Transnational co-edited with Daniel Balderston Fantasies of Guillermo del Toro. (University of Iowa) and Mike Palgrave Macmillan, co-edited with Gonzalez (University of Glasgow). Ann Davies and Dolores Tierney London: Routledge, 2000; The Ethnic (2014), and Latin American Women Eye: Latino Media Arts, co-edited Filmmakers: Production, Politics, with Chon Noriega (UCLA). Poetics, co-edited with Deborah Minneapolis: University of Minnesota Martin for the World Cinema Series Press, 1996; and Mediating Two with I.B.Tauris (2017). Worlds: Cinematic Encounters in the Americas, co-edited with John King (University of Warwick) and Manuel Alvarado (BFI). London: Deborah Martin British Film Institute, 1993. is Senior Lecturer in Latin American Film and Culture at University College London, UK. She is author of Painting, Literature and Film in Deborah Shaw Colombian Feminine Culture (2012), Dr Deborah Shaw is Reader in The Cinema of Lucrecia Martel Film Studies at the University of (2016) and The Child in Contemporary Portsmouth. Her research interests Latin American Cinema (2019), and include transnational film theory, editor of Latin American Women Latin American cinema, Latin Filmmakers: Production, Politics, American women filmmakers, film Poetics(with Deborah Shaw, 2017). and migration, and she has published widely in these areas. She is the founding co-editor of the Routledge journal Transnational Cinemas (Now Transnational Screens), and her books include Contemporary Latin American Cinema: Ten Key Films, (Continuum Publishers, 2003),
5 CONFERENCE HIGHLIGHTS
Saturday March 9 7:30 am KMC 350 Registration & Breakfast (Karl Miller Center) 615 SW Harrison St, Portland, OR 97201 8:10-9:20 Welcome ASRC 001 ASRC (Academic and Student Recreation Center) 1800 SW 6th Avenue, Portland, Oregon 97201 & Keynote Address BARBARA ZECCHI University of Massachusetts, Amherst “Jóvenes cineastas y sororidad intergeneracional: empoderando el envejecimiento femenino”
• Sunday March 10 8:10-9:40 am Fields (Sunken) Ballroom, Portland Art Museum Breakfast & Roundtable Gynocine: A Digital Humanities Initiative Project
9:50-11:00 am Fields (Sunken) Ballroom, Portland Art Museum DIRECTORS ROUNDTABLE Lucrecia Martel Almudena Carracedo Natalia Cabral
6 6:00 - 7:15 pm Fields (Sunken) Ballroom, Portland Art Museum Roundtable The Cinema of Lucrecia Martel 7:15 pm Fields (Sunken) Ballroom, Portland Art Museum Vino de honor • Monday March 11 White Stag Block University of Oregon, Portland 70 NW Couch St, Portland, OR 97209
9:00-10:50 White Stag 142/44 Breakfast & Keynote Addresses ANA M. LÓPEZ Tulane University “Rethinking ‘Women’ in Latin American Cinema: Productoras -- Women who make a difference.” DEBORAH SHAW University of Portsmouth, UK “Approaches to Studying (Latin American) Women’s Filmmaking: a manifesto”
13:30 pm-14:30 Light Court Commons, White Stag Tentempié & Closing Remarks
7 Cine-Lit 9 Invited Directors
Almudena Carracedo Natalia Cabral
Lucrecia Martel Table of Contents Saturday Schedule Sunday Schedule Group A Breakfast & Page 27 Session 1-3 Page 11 Roundtable Session 4-6 Page 12 Group F Session 1-2 Page 28 Group B Session 3-4 Page 29 Session 1 Page 13 Session 5-6 Page 30 Session 2-3 Page 14 Session 4-5 Page 15 Group G Session 6 Page 16 Session 1-2 Page 31 Session 3-4 Page 32 Session 5-6 Page 33 Group C Session 1-3 Page 17 Roundtable Page 34 Session 4-5 Page 18 PIFF Screenings Page 35 Session 6 Page 19 Monday Schedule Group D Breakfast & Page 36 Session 1-2 Page 20 Keynote Session 3-4 Page 21 Session 5-6 Page 22 Group H Session 1 Page 36 Session 2-3 Page 37 Group E Session 4-5 Page 38 Session 1-2 Page 23 Session 6 Page 39 Session 3-4 Page 24 Session 5-6 Page 25 Group I Session 1 Page 39 PIFF Screenings Page 26 Session 2-3 Page 40 Session 4 Page 41
PIFF Screenings Page 42 Index Page 43-44 Friday, March 8th Friday Night Screenings
8:30pm Cinemagic TARDE PARA MORIR JOVEN (Too late to die young), Dominga Sotomayor
5:45pm Cinema 21 PÁJAROS DE VERANO (Birds of Passage), Cristina Gallego y Ciro Guerra
Saturday, March 9 KMC (Karl Miller Center) | Portland State University Campus 615 SW Harrison St, Portland, OR 97201 & ASRC (Academic and Student Recreation Center) 1800 SW 6th Avenue, Portland, Oregon 97201
7:30 am Registration & Breakfast: KMC 350
8:10-9:20 Welcome & Keynote Address: ASRC 001 BARBARA ZECCHI University of Massachusetts, Amherst “Jóvenes cineastas y sororidad intergeneracional: empoderando el envejecimiento femenino”
10 GROUP A Sessions | 9:30 am – 10:30 am
Session A. 1. Luis Buñuel: Anthropologies and Affinities (Session in Honor of Guy H. Wood, Co-founder of Cine-Lit) KMC 495 Moderator: Juli Highfill, University of Michigan
Cristina Martínez-Carazo, University of California, Davis “Buñuel e Iris Barry: Cartas y afinidades” Guy H. Wood, Oregon State University “Los orígenes etno-expedicionarios de Tierra sin pan” Session A. 2. Sonic Cinema: Rock & Roll, Thrill, and Terrify KMC 380 Moderator: Fernando Fabio Sánchez, California Polytechnic State University
Cheri Robinson, Dickinson State University “Refugees and the Terror Factor in Residente’s ‘Guerra’”
Elizabeth Sotelo, University of Oregon “Avenida Larco (2017): Lo (no)político de Rancière en el rock subterráneo y la cumbia de los 80s-90s”
Vanessa Ceia, McGill University “Audial Violations: Gender, Power, and Sound in the Contemporary Spanish Thriller” Session A. 3. Spectacles of Violence in Mexican Cinema KMC 480 Moderator: Analisa Taylor, University of Oregon
José Adrián Badillo Carlos, Michigan State University “Camuflando la corrupción: Los mecanismos de la violencia en La dictadura perfecta de Luis Estrada”
Magdalena Maiz-Peña y Luis H. Peña, Davidson College “Subjetividades situadas, género y ciudadanías íntimas: Ausencias de Tatiana Huezo” 11 Miguel A. Cabañas, Michigan State University “Non-Realist Documentaries: The Perspective of Wom en Film Directors on the Mexican War on Drugs”
Session A. 4. Spanish Screens in Transition KMC 390 Moderator: Luis Guadaño, Old Dominion University
José Aguirre Pombo, University of Minnesota “Arrebato (Iván Zulueta, 1979, Spain). La revancha de las imágenes”
Erma Nezirevic, University of Minnesota “Pedir un café puede costarte la vida”: Phobias of Democracy in El bar by Álex de la Iglesia”
Zaya Rustamova, Kennesaw State University “Fuera del nido familiar: la búsqueda existencial de ‘los hijos de la Transición’ en Cuéntame cómo pasó”
Session A. 5. Hispanic “He”: Masculinities in Latin American Cinema KMC 580 Moderator: Jon D. Jaramillo, University of Oregon
Arno J Argueta, California State University, Bakersfield “Pero Bien Machito te Quiero (¿o no?): Masculinidades Alternas en la Literatura y Cine Guatemalteco”
Sarah Anderson, California State University, Chico “Race, Class, Gender and Politics inPelo Malo”
Camila Torres-Castro, The University of Texas at Austin “Jabón de olor: Género, espacio público y ciudad en Los Caifanes”
Session A. 6. Voicing Trauma and Healing in Filmic Narratives by Women KMC 590 Moderator: Marta Boris Tarré, The University of Idaho
12 Yanire Márquez Etxabe, Dominican University “Retratos en blanco y negro y a color: La (no) representación de la violación y el trauma femenino en Elisa K”
Jessica Rodrigues Poletti, University of California, Davis “El documental autorreferencial femenino: memoria transgeneracional y genealogías familiares en Nedar (2008) de Carla Subirana”
Giovanna Urdangarain, Pacific Lutheran University “Migas de pan de Manane Rodríguez (Uruguay, 2016): memoria, mujeres y barbarie”
GROUP B Sessions | 10:40 am – 12:00 pm
Session B. 1: Animal Actors and Symbolisms KMC 380 Moderator: Rachel Linville, The College at Brockport
Michael Paul Abeyta, University of Colorado Denver “Daemonic Animals in Three Films by Alejandro González Iñárritu: Amores perros (2000), Birdman (2014) and The Revenant (2015)”
M. Eugenia Sileoni, Washington State University “El simbolismo animal para la reafirmación intersexual en XXY de Lucía Puenzo”
Maribel Rams, University of Massachusetts Amherst / Western Washington University “Toros, fluidez de género y mujeres objeto enHable con ella y Blancanieves”
Janis Breckenridge, Whitman College “Not Just a Major Motion Picture: Adapting an Oscar Winning Animation to Storybook Form”
13 Session B. 2. Respuestas Cinematográficas a la Crisis Española del Siglo XXI (Roundatble) KMC 495 Moderator/Coordinator: Helena Talaya Manso, Simmons University
Fátima Serra, Salem State University “Inconformismo, resistencia en el siglo XXI”: El olivo (2016) de Icíar Bollaín.
Luis Guadaño, Old Dominion University “Frustración, resistencia y cambio”: Paco León Carmina o revienta (2012) y Carmina y amén (2014)
Mar Inestrillas, University of Nevada, Reno “Biutiful de Alejando Gonzalez Iñárritu (2010): órbita trágico-redentora de la belleza”
JM Persanch, Western Oregon University “Ngutu, lo que realmente la gente no quiere es tener que mirarte a la cara: Ngutu (2012), por Felipe del Olmo y Daniel Valledor”
Amparo Alpañés, Washington and Jefferson “La España oculta: una mirada honesta a las penurias actuales de España: Techo y comida (2015) de Juan Miguel del Castillo”
Session B. 3. Modes of Trauma and Grief in Argentine Cinema KMC 480 Moderator: Mayra Bottaro, University of Oregon
Natalia Ruiz Rubio, University of Eastern Washington “A la búsqueda del padre: olvido y autoficción en dos documentales argentinosEl (im)posible olvido (2016) de Andrés Habbeger y El padre (2016) de Mariana Arruti”
María Clark, Carson-Newman University “When the Woman looks in Las vidas posibles: Strategies of the cine-fantastic in Argentine film”
14 Carolina P. Vittor, Stony Brook University “El otro entre nosotros. Narrativas de la crisis enUna semana solos, de Celina Murga”
Fabrício Silva, Lebanon Valley College “Voces del inconsciente: Dictadura y disidencia cultural en la Argentina deDos veces junio”
Session B. 4. Queer, Trans, and Functional Diversities in Hispanic Cinemas KMC 290 Moderator: Cecilia Enjuto Rangel, University of Oregon
Jon D. Jaramillo, University of Oregon “Memorializing AIDS bodies while “queering” Chilean cultural history: Las yeguas del apocalipsis, Lemebel’s “Hablo por mi diferencia” and Loco afán”
Montserrat Fuente-Camacho, University of Nebraska-Lincoln “La subversión de la sexualidad desde la diversidad funcional/discapacidad en Yes, we fuck!”
Ana Almar Liante, University of Texas at Austin “Campos de Castilla”: Postporno transfeminista en la España queer del siglo XXI”
Session B. 5. Humanizing the Other: Migration, Mindfulness, and Empathy KMC 590 Moderator: Isabel Jaén Portillo, Portland State University
Julien Simon, Indiana University East “Humanización del otro y procesos afectivo-empáticos en el cine español sobre inmigración”
Eli Sears, Portland State University “Film for communicative and cultural competence: a pedagogical approach to cultural mindfulness on race, gender, and class”
15 Jenny Alexandra Rodríguez-Peña, Universidad Autónoma de Madrid “Las transformaciones de la mirada audiovisual en la inmigración: Inmigrantes latinoamericanos como público de las artes audiovisuales en Madrid”
Luis García-Torvisco, Gonzaga University “El documental como lugar para la esperanza: Club Amazonas (Roberto Fiesco, 2016)”
Session B. 6. Performances en tensión: representaciones de la disidencia en el cine luso-hispano (Roundtable) KMC 390 Moderator: Sarah Anderson, California State University, Chico
Britta Anderson, University of Maryland “Mothering Monsters: Intimacies Beyond the Human in As Boas Maneiras”
Irene Domingo, University of St. Thomas, MN “Prodesse et delectare: Julita and the Search of the Lost Vertebra”
Almudena Marín Cobos, Columbia University “Who owns Ocaña? Resisting appropriation and challenging the memory of the Spanish transition”
Carmen Moreno-Díaz, St. Olaf College “Queering Blancanieves: Carmencita or the Torero-bailaora-flamenco-andaluza”
16 GROUP C Sessions | 12:30 pm – 13:50 pm
Session C. 1. (Begins at 12:10 pm, Tapas Served) Psychocinematics: PSU Student Research Showcase / Roundtable KMC 580 Coordinator: Isabel Jaén Portillo, Portland State University Participants: Steven Adams, Andrea Barrios Rosas, Grazina Braciuliene, Jared De Guzman, Sarah Kermoyan, Pablo Klanian, Katherine Lupton, Elvira Martínez Rueda, Andrew O’Brien, Nathalie Quiroga, Jared Molyneaux, Georgina Young-Ellis, Robert Brooks.
Session C. 2. Monsters, Corpses, and Ghosts in Iberian Cinema KMC 390 Moderator: Ofelia Ferrán, University of Minnesota
Alberto Mira, Oxford Brookes University “Who is the Monster?: Queer Childhoods, Queer Monsters in the Cinema of Agustí Villaronga”
Cecilia Enjuto Rangel, University of Oregon “The Balcony and the Beehive, Girls and Ghosts in En el balcón vacío (1962) and El espíritu de la colmena (1973)”
Steven Marsh, University of Illinois-Chicago “Clinicians, Corpses, Cadavers: Medical discourse in documentary films of the Transition”
Session C. 3. Mirada Femenina de las Cineastas Españolas: Infancia, Folclore, Ritmo, Poética, Diversidad KMC 380 Moderator: Guy H. Wood, Oregon State University
Carla Suárez Vega, UMass Amherst “La mantilla empodera: folklore y feminismo enMi querida cofradía (2018)”
17 Elisabet Pallas, UMass Amherst “De fideos y supermercados: cadencia, temporalidad, y ritmo(s) en la filmografía de Isabel Coixet”
Alfonso Bartolomé, University of Nebraska-Lincoln “Los otros: empoderamiento en grupos minoritarios en Spain in a Day (2016) de Isabel Coixet”
Celia Sainz, UMass Amherst “El género del género: el cine poético de la escuela Pompeu Fabra”
Session C. 4. Women in Spanish Television Costume Dramas since 2000 (Roundtable) KMC 480 Moderator: David R. George, Jr., Bates College Moderator: Wan Sonya Tang, Boston College
Elena Cueto Asín, Bowdoin College Francisca López, Bates College Linda Willem, Butler University Nicholas Wolters, Wake Forest University
Session C. 5. Cine desde los márgenes: México y Argentina KMC 495 Moderator: Michael Paul Abeyta, University of Colorado Denver
Thomas J. Shalloe, Arizona State University “Diagnóstico esperanza: el cine de la villa, sobre la villa y por los villeros”
Pedro García-Caro, University of Oregon Patricia Riggen’s The 33 (2017) and Hollywood’s Disaster Movie and Latin American Extraction
Alfredo Hernández, Arizona State University “El lente crítico de Luis Estrada, en su filmeLa ley de Herodes”
Jesús Galán, Arizona State University “Géneros transitorios en las comunidades indígenas zapotecas, análisis cinematográfico deAtempa: Sueños a orillas del río”
18 Session C. 6. Memoria, Familias Rotas y Compuestas KMC 590 Moderator: Marta Boris Tarré, The University of Idaho
Kimberle López, University of New Mexico “Guerras Sucias and Adoption Ethics in Film:La historia oficial (1985), Cautiva (2003), Casa de los Babys (2003), Ixcanul (2015) and Finding Oscar (2016)”
Magdalena Olivares, University of Maryland, University College “Rara (2016): Nothing Weird from the Standpoint of Children”
Lisa Notman, Portland State University “Es mi bebé: Viewing social inequality through the lens of adoption inLa historia oficial and Una especie de familia”
Nélida Devesa-Gómez, University of Maryland, College Park “Espacios fantasmales de memoria en El Sur de Víctor Erice”
19 GROUP D Sessions | 14:00 pm – 15:00 pm
Session D. 1. Spaniards in Mauthausen: Cinema, Photography, Graphic Novel, Theater KMC 495 Moderator: Vanessa Ceia, McGill University
Sara J. Brenneis, Amherst College “The Spanish Mauthausen Legacy: From Page to Screen”
Gina Herrmann, University of Oregon “‘Francesc Boix, Hero’: From Graphic Novel to Netflix”
Marilén Loyola, Rockford University “Picturing Mauthausen: A comparison of the play El Triángulo azul (M. Llorente and L. Ripoll, 2014) and the filmEl fotógrafo de Mauthausen (M. Targarona, Spain, 2018)”
Session D. 2. Literatura y Cine I: Poetry and Pathos KMC 380 Moderator: John Gardner, Rose-Hulman Institute of Technology
Ana Álvarez Guillén, University of Kentucky “Reescribiendo a la mujer desde la tragedia: La Novia de Paula Ortiz”
Alyssa Holan, University of Wisconsin-Platteville “Penetrating the Big Screen: Vamp Identity in the Poetry of Eduardo Haro Ibars”
Enid Valle, Kalamazoo College “Una mirada inconclusa: María Elena Wood y el archivo de Gabriela Mistral”
20 Session D. 3. Still Frames: Photography in Mexican and Spanish Film KMC 390 Moderator: Alice McAdams, University of Michigan
Dan Russek, University of Victoria “The Ethics of Representation in the Documentaries of Trisha Ziff”
Traci Schick, University of Chicago “Exposing the Negative: Photography and the Recovery of Historical Memory in Jaume Cabré’s Les veus del Pamano (2004)”
Martín Camps, University of the Pacific “‘Cien años con Juan Rulfo’: Miradas rulfianas”
Session D. 4. Cine Chileno: Memoria, Movimientos Sociales e Identidades KMC 580 Moderator: Yosa Vidal, University of Oregon
Susana Domingo Amestoy, University of Massachusetts Boston “Documentalistas chilenas: Entre movimientos sociales y memoria”
Arturo Márquez Gómez, Sewanee, The University of the South “Conversaciones pendientes: Cineastas chilenas y sus contextos culturales”
Eduardo Ledesma, University of Illinois at Urbana-Champaign “Blind Cinema: Reframing Visual Impairment in La niña sombra (Chile 2016)”
21 Session D. 5. Indigenous Perspectives I: Land, Exploitation, and Rebellion KMC 480 Moderator: Melissa June Frost, University of Virginia
Marie-Eve Monette, The University of Alabama “Bartolina Sisa: Negotiating Between Colonial Commerce and Aymara Communitarian Logic”
Roselia Ekhause, Portland State University “Ixcanul: Representación de la mujer maya kaqchikel”
Stephen McNabb, Northwestern University “Extraction and Displacement: Female Labor inIracema, Uma Transa-Amazônica (1974)”
Session D.6. Spanish TV, Globalized KMC 590 Moderator: Jaume Martí-Olivella, University of New Hampshire
Hugo Pascual Bordón, University of North Carolina at Charlotte “From Almodóvar to Netflix: the expansion and dispersion of Spanish-Language film in the U.S.”
Luis Guadaño, Old Dominion University “Taking the Quantum Leap or How to Link 21st Century with Its Past: The Case of Victor Ros”
Alejandro Rodríguez de Jesús, Purdue University “La casa de papel: Sergio Marquina as an Organic Intellectual”
22 GROUP E Sessions | 15:10 pm – 16:10 pm
Session E. 1. Mujeres en Estado de Excepción KMC 480 Moderator: Sarah Thomas, Brown University
Vania Barraza, University of Memphis “De cómplices, víctimas y encubridoras en el cine de Marcela Said”
Carl Fischer, Fordham University “El juicio legal y estético: Cuestionamientos de perspectivas fascistas por Diamela Eltit y Lucía Puenzo”
María Helena Rueda, Smith College “Mirada femenina en situación de crisis: Matar a Jesús (2017) y los sentidos de la justicia en el cine colombiano de mujeres”
Session E. 2. Literatura y Cine II: Cinema as Narrative Subject, Narrative as Subject of Cinema KMC 380 Moderator: Dean Allbritton, Colby College
Alice McAdams, University of Michigan “Todo está en la superficie”: Film and Physiognomy in Ramón Gómez de la Serna’s Cinelandia (1923)
Álvaro Fernández, Queens College, CUNY “Borges en la pantalla. La mejor adaptación”
John Gardner, Rose-Hulman Institute of Technology “Daughters, Swords and Celluloid: History and Agency in Miguel Iglesias’ Las hijas del Cid”
23 Session E. 3. Women Filmmakers and Questions of Produc- tion and Power (Session in Honor of Jaume Martí-Olivella, Co-founder of Cine-Lit) KMC 495) Moderator: Barbara Zecchi, University of Massachusetts, Amherst
Erin K. Hogan, University of Maryland Baltimore County “La noche que mi madre mató a mi padre (Inés París 2016), Women and Spanish Cinema’s Patriarchy”
Kate Good, Grinnell College “Visualizing Women in Film and Filmmaking in the Contemporary Catalan Curtmetratge”
Jaume Martí-Olivella, University of New Hampshire “La Triple Mirada Femenina sobre lo Real en el Nuevo Cine Catalán”
Session E. 4. Women’s Ipseity, Women’s Bodies: Age and Youth KMC 580 Moderator: Sara J. Brenneis, Amherst College
Eva Serfozo, University of Oregon “How to Marry off Your Daughters in an Era of Unfolding? Belle Epoque (1992, Spain) and Fiddler on the Roof (1971, US)”
Gabrielle Miller, Baylor University “Aging and Elderly Women in Gonzalo Suárez’s Los pazos de Ulloa (1886)”
Marcela Garcés, Siena College “Women of a Certain Age: Female Spaces in Thi Mai: Rumbo a Vietnam”
24 Session E. 5. Intermedialidad en el cine del Cono Sur KMC 390 Moderator: Doralba Pérez Ibáñez, University of Oregon
Cynthia Tompkins, Arizona State University “Intermedialidad en Ejercicios de memoria (Paz Encina, Paraguay, 2016)”
Gabriela Copertari, Case Western Reserve University “Intermedialidad y autoreferencia en el ‘metacine’ argentino”
Traci Roberts-Camps, University of the Pacific “Intermedialidad en los documentales de la cineasta uruguaya Virginia Martínez”
Session E. 6. Nobody’s Chicas: Female Stars in Contemporary Spanish Cinema KMC 590 Moderator: Zaya Rustamova, Kennesaw State University
Jorge Pérez, University of Texas at Austin “The Politics of Looking Fabulous: Fashion and Gender Identity in Almodóvar’sAll About My Mother”
Santiago Fouz Hernández, Durham University, UK “Penélope Cruz and Bigas Luna: from Los Monegros to Hollywood”
Alfredo Martínez-Expósito, The University of Melbourne, Australia “Ventura Pons: Actresses and the Nation”
Carolina Sanabria, University of Costa Rica “Carmina and Julita: All About Mothers”
25 SATURDAY PIFF SCREENINGS
11:30am Fox Tower NUESTRO TIEMPO (OUR TIME) Carlos Reygadas
3:00pm Whitsell MIRIAM MIENTE (MIRIAM LIES) Natalia Cabral y Oriol Estrada (w/ Q&A)
3:00 pm Cinemagic VIRUS TROPICAL Santiago Caicedo y Paola Gaviria
5:45pm Whitsell LA CIENAGA Lucrecia Martel (w/ Q&A)
8:45pm Whitsell LA NIÑA SANTA (HOLY GIRL) Lucrecia Martel (w/ Q&A)
8:30pm Fox Tower FAMILIA SUMERGIDA (A FAMILY SUBMERGED) María Alché
26 SUNDAY, March 10 Fields (Sunken) Ballroom | Portland Art Museum 1119 SW Park Ave., Portland OR, 97205
KMC (Karl Miller Center) | Portland State University Campus 615 SW Harrison St, Portland, OR 97201
8:10-9:40 am Fields (Sunken) Ballroom, Portland Art Museum Breakfast & Roundtable Gynocine: A Digital Humanities Initiative Project Moderator/Coordinator: Barbara Zecchi, Professor, UMass Amherst Eva Paris-Huesca, Assistant Professor, Wesleyan Ohio University Erin K. Hogan, Assistant Professor, University of Maryland Baltimore County Maribel Rams, Visiting Assistant Professor at Western Washington University Christina Beaubien, Graduate Student, ABD, UMass Amherst Elisabet Pallas, ABD, UMass Amherst Celia Sainz, Graduate Student, ABD, UMass Amherst Carla Suarez, ABD, UMass Amherst
9:50 am - 11:00 am Fields (Sunken) Ballroom, Portland Art Museum DIRECTORS ROUNDTABLE Lucrecia Martel Almudena Carracedo Natalia Cabral
27 GROUP F Sessions | 12:00 pm – 13:20 pm
Session F. 1. Ethnicity and Ethnography KMC 380 Moderator: Cheri Robinson, Dickinson State University
Jason E. Klodt, University of Mississippi “Transvestitism and Patriarchy in Spain’s Gypsy Exploitation Cinema”
Dosinda Alvite, Denison University “Localizing Flamenco: Space and Ethnicity in Sacromonte: Los sabios de la tribu (2014) by Chus Gutiérrez”
Jordan Clementi, University of Oregon “Isaura and Álvaro make the perfect Brazilian couple”
Session F. 2. Almodóvar I: Body and Mobility KMC 495 Moderator: Jesse Barker, University of Aberdeen
Christina Beaubien, UMass, Amherst “Analyzing Almodóvar: Contextualizing the Male Gaze”
Luke Bowe, NYU “Static Mobility: Mothers, Children, and the Automobile in Almodóvar’s Spain”
Scott Boehm, Michigan State University “Bodily Allegories of Impunity in Postdictatorship Spanish Cinema: Los ojos de Julia & La piel que habito”
Salvador Gómez Barranco, The Graduate Center, CUNY “Contra(n)sexualidad y xaternidad en Todo sobre mi madre de Almodóvar”
28 Session F. 3. Las miradas de Icíar Bollaín (Roundtable) KMC 480 Moderator: Matthew J. Marr, The Pennsylvania State University
Joanne E. Britland, University of Virginia “Icíar Bollaín: Giving Voice to the Marginalized in the Aftermath of the 2008 Social and Financial Crisis in Spain”
Gema Vela, Texas Tech University “Desestabilizadores de la domesticidad tradicional: género y espacio en Hola, ¿estás sola? de Icíar Bollaín”
Marilyn G Miller, Tulane University “Transatlantic Bollaín: Reflexivity and Layering in Her Latin American Films”
Miriam Navas-Hernández, The Graduate Center, CUNY “El posicionamiento de la mujer en el plano espacial urbano heteropatriarcal en Te doy mis ojos de Icíar Bollaín”
Colleen Culleton, University at Buffalo, SUNY “Envisioning Global Citizenship inTambién la lluvia and El padre de Blancanieves”
Session F. 4. Film Noir and Violence Against Women KMC 590 Moderator: Gina Herrmann, University of Oregon
Sohyun Lee, Texas Christian University “Articulación cinematográfica del género negro en Palabras encadenadas (2003) de Laura Maña”
Miguel López-Lozano, University of New Mexico “Ghosts of Gendered Violence in Spanish Film”
Eva Paris Huesca, Ohio Wesleyan University “Género y violencia en la ficción ginocriminal”
Marina Bettaglio, University of Victoria “Inspectoras de policía y madres: nuevos roles de género en las series policiacas españolas”
29 Session F. 5. Transoceanic Cross-pollinations KMC 580 Moderator: Mónica López Lerma, Reed College
Sangita Gopal, University of Oregon “Cinema as Action: Mrinal Sen’s Calcutta Trilogy and the Third Cinema Manifesto”
Thomas Deveny, McDaniel College “Recent Crime Thrillers, Corruption and the Current Spanish zeitgeist”
Virginia Arreola, Hartwick College “From King Kong to Richard Gere: How Contemporary Dominican Literature Queers Heteronormative Gender”
Loredana Comparone, Ph.D., Independent Scholar “Crossroads: Women and Documentary Film Beyond the Mediterranean”
Session F. 6. Filmic Francoisms KMC 390 Moderator: Priscila Calatayud Fernández, University of Michigan
Dinorah Cossío, Universidad de Texas at Austin “Proceso a Jesús: modernización y antisemitismo en la Iglesia española de los 70”
Macarena Tejada López, University of Oregon “La mujer de la ‘Nueva España’ según el NO-DO (1943)”
Silvia Encinas, University of Kentucky “Rojo y negro: feminismo con disimulo en las filas de Falange Española”
Luis Rodríguez Chaves, Stony Brook University “The discrimination of the non-normative family during the Franco regime”
30 GROUP G Sessions | 13:30 am – 14:30 pm
Session G. 1: Rural and Urban Modernities and Materialities in Contemporary Spanish Cinema KMC 580 Moderator: Jaume Martí-Olivella, University of New Hampshire
Matthew J. Marr, The Pennsylvania State University “Arboreal Estate: Of Trees, Bienes Raíces, and Rural Homeplaces in El olivo (Icíar Bollaín, 2016) and Amama (Asier Altuna, 2015)”
Samuel Amago, University of Virginia “Materiality and Memory in Spanish Documentary Film”
Jacqueline Sheean, University of Southern California “A Materialist History: Observational Documentary and the Crisis in Madrid”
Session G. 2. Almodóvar II: Self, Skins, Specters, Screams KMC 480 Moderator: Luke Bowe, NYU
Katherine O. Stafford, Lafayette College “Munro in Almodóvar; Almodóvar in Munro?: Specters in Pedro Almodóvar’s Julieta (2016)”
Eric M. Thau, University of Hawaii at Manoa “Eyes, Skin, Screams: Cinematic Variations on a Theme: Franjú, Franco, Almodóvar”
Jesse Barker, University of Aberdeen “Sculpting Women: How Almodóvar Reworks the Pygmalian Archetype in La piel que habito”
31 Session G. 3. The Feminist/Feminine Other as Anti-Hegemonic Discourse KMC 390 Moderator: Rachel ten Haaf, University of Arkansas
Priscila Calatayud Fernandez, University of Michigan “Viridiana: la reapropiación de la mirada de la mujer endeudada en la refundación de la economía patriarcal del Segundo franquismo”
Raquel Vieira Parrine Sant’Ana, University of Michigan “Cannibal Metaphysics as a Feminist Refutation of Logos”
Rachel ten Haaf, University of Arkansas “Capitalizing on Difference: The Spectacle of the Other in Pablo Berger’s Blancanieves”
Session G. 4. La Nación: Constructo de Deseo, Cuerpo y Rebeldía en el Cine Mexicano KMC 380 Moderator: Martín Camps, University of the Pacific
Ana Gabriela Hernández, Emory University “El deseo femenino como representación de la nación en Deseada (1951)”
Cynthia Meléndrez, Cal. State University San Marcos “Cárcel de mujeres (1951) y Ellas también son rebeldes (1959) discursos femeninos fuera de la nación”
Iliana Alcántar, Reed College “La trilogía del terror de Carlos Enrique Taboada: Del protagonismo trágico al empoderamiento femenino”
32 Session G. 5. Domestic Servitude in Cuarón’s Roma and Silva’s La nana KMC 495 Moderator: Magdalena Maiz-Peña, Davidson College
Analisa Taylor, University of Oregon “State Violence and Bourgeoise Silence through Cleo’s Eyes in Alfonso Cuarón’s Roma”
Vania Fenner, Oregon State University “Roma y representación del sujeto femenino y la poética de lo cotidiano”
Sandra V. Navarro, Western New England University “There are Ghosts in this House: Domestic Labor and Representation in Silva’sLa nana”
Session G. 6. La Habana: Protagonists, Origins, Transformations KMC 590 Moderator: Ana M. López, Tulane University
Hugo García, Western Washington University “La Habana: personaje en transformación en la filmografía cubana”
Cecelia Lawless, Cornell University “Outsiders Looking In: La Habana Through the Female Gaze”
Dolores Alcaide Ramírez, University of Washington, Tacoma “Jewish Identity and Female Agency in Ruth Behar and Guita Schyffer’s films”
33 6:00 - 7:15 pm Fields (Sunken) Ballroom, Portland Art Museum Roundtable The Cinema of Lucrecia Martel Chair: Deborah Martin, University College London, UK
Catherine Grant The Haunting of the Headless Woman (video-essay)
Natalia Brizuela, UC Berkeley “Time Run Amok: Lucrecia Martel’s Films”
Mayra Bottaro, University of Oregon “Sounding out Martel”
7:15 pm Fields (Sunken) Ballroom, Portland Art Museum Vino de honor
34 SUNDAY PIFF SCREENINGS
12:15pm Whitsell LA MUJER SIN CABEZA (HEADLESS WOMAN) Lucrecia Martel w/Q&A
1:00pm Cinemagic LA CASA LOBO (THE WOLF HOUSE) Joaquín Cociña y Cristóbal León
3:15pm Whitsell MIRIAM MIENTE (MIRIAM LIES) Natalia Cabral y Oriol Estrada w/ Q&A
6:00pm Whitsell LA CAMARISTA (THE CHAMBERMAID) Lila Avilés
8:45pm Whitsell EL SILENCIO DE OTROS (THE SILENCE OF OTHERS) Almudena Carracedo w/ Q&A
35 MONDAY, March 11 White Stag Block | University of Oregon, Portland 70 NW Couch St, Portland, OR 97209 9:00-10:50 White Stag 142/44 Breakfast & Keynote Addresses ANA M. LÓPEZ Tulane University “Rethinking ‘Women’ in Latin American Cinema: Productoras -- Women who make a difference.” DEBORAH SHAW University of Portsmouth, UK “Approaches to Studying (Latin American) Women’s Filmmaking: a manifesto”
GROUP H Sessions | 11:00 am – 12:00 pm
Session H.1. Women, Capitalism, and Crisis WS 150 Moderator: Iliana Alcántar, Reed College
Rachel Linville, The College at Brockport “A Biutiful Worldview: Alternatives to a Society Pervaded by Capitalist Values”
Pedro Aguilera-Mellado, University of Notre Dame du Lac “El No-Dios de lo Moderno”: Cuestión Feminista, Culpa y Religión Capitalista. Una lectura de Tres mujeres (Alexis Delgado Burdalo, 2014)
36 Reyes Caballo-Márquez, University of Pennsylvania “La Otra España: Imaginarios femeninos en el cine andaluz contemporáneo”
Session H. 2. Indigenous Perspectives II: Consciousness, Affect, and Justice WS 152 Moderator: Marie-Eve Monette, The University of Alabama
Milvet Alonso, University of Georgia “La tirisia: un acercamiento al dolor espiritual y emocional de las mujeres por medio de la cosmovisión indígena”
Melissa June Frost, University of Virginia “Representations of Indigenous Medicine and Hallucinogenic Rituals in Nicolás Echevarría’s Cabeza de Vaca”
Amanda Hussein, Washington State University “Salvar a Doña Marina”
Session H. 3. The Body in Crisis in Spanish Film Wayne Morse Suite Moderator: Patty Keller, Cornell University
Dean Allbritton, Colby College “Toxic Femininity and Tainted Oil in Neumonía erótica y pasota (Jaime Bayarri, 1981)”
Sarah Thomas, Brown University “Primed for Suffering: Gender, Subjectivity, and the Body in Spanish Crisis Cinema”
Tom Whittaker, University of Warwick “Sound, Sensation and Syringes in Eloy de la Iglesia’s El pico”
37 Session H. 4. Mujer, Voz y Silencio en el Cine Latinoamericano Actual WS 148 Moderator: Alexandra Rodríguez Sabogal, Texas A&M University San Antonio
María Serenella Previto, Washington State University “Hablar en el silencio: The Shape of Water (2017) de Guillermo del Toro”
Marta Boris Tarré, The University of Idaho “Conversión, identidad y ciudadanía en la mujer argentina: Habi, la extranjera (2013) de María Florencia Álvarez”
Vilma Navarro-Daniels, Washington State University “Transgender-Transgenre: Mutaciones de las voces olvidadas en Una mujer fantástica (2017) de Sebastián Lelio”
Session H. 5. Spaces of Our Own: Bodies, Violence, Care WS White Box Moderator: Leigh Mercer, University of Washington
Mónica López Lerma, Reed College “Policing the City”
Christian Kroll-Bryce, Reed College “Caring at the Border”
Ofelia Ferrán, University of Minnesota “On the Threshold: Subversive Liminality in El espíritu de la colmena”
38 Session H. 6. Migration, City, Space, and Crisis in Spanish Cinema WS 149 Moderator: Maureen Tobin Stanley, University of Minnesota Duluth
David Foshee, Texas Tech University “Madrid’s Children of the Chabolas: Urban Space and Childhood in Cerca de la ciudad (1952) and Mi tío Jacinto (1956)”
Adam L. Winkel, High Point University “No Limits! The City in Surcos and Los golfos”
Abraham Prades, University of Kentucky “La crisis española en el cine: el ‘no lugar’ en Ayer no termina nunca (2013)”
GROUP I Sessions | 12:10 am – 13:30 pm
Session I. 1: Guerra Civil Española y Postguerra: Represión, Exilio y Memoria WS 142/144 Moderator: Julien Simon, Indiana University East
Isabel Jaén Portillo, Portland State University “Can Cinema of Empathy Advance the Cause of the Victims of Fascism?”
Darryl Dedelow Jr. , University of Kentucky “Afflictions of marginalized voices Ispansi!in ”
Nancy Membrez, University of Texas, San Antonio “Apostillas aMuerte de un ciclista (Bardem, 1955)”
Ivano Fulgaro, University of Alabama “Natàlias y Colometas en La Plaza del Diamante: Mujeres Españolas en los Años del Franquismo”
39 Session I. 2. El Cine Latinoamericano y las Estéticas de lo Real WS 152 Moderator: Dan Russek, University of Victoria
Doralba Pérez Ibáñez, University of Oregon “Pájaros de verano: Reconfiguración de la estética del cine gangster”
Yosa Vidal, University of Oregon “Colaborar, entregar, confesar: la traición de Marcia Merino en el documental La flaca Alejandra de Carmen Castillo (1994)”
Mariko Plescia, University of Oregon “An Epistemology of Doubt in Con mi corazón en Yambo (2011)”
Alexandra Rodríguez Sabogal, Texas A&M University San Antonio “La ausencia de la mujer en el cine de Ciro Guerra: La sombra del caminante, Los viajes del viento, El abrazo de la serpiente”
Session I. 3. Transformative Perspectives: Women in/and Film WS White Box Moderator / Commentator: Meredith L. Jeffers, Metropolitan State University of Denve
Maureen Tobin Stanley, University of Minnesota Duluth “El poder transformativo de la hapticidad en el cine de inmigración: la mujer—de objeto racializado a co-sujeto agencial”
Jennifer Brady, University of Minnesota at Duluth “Temporality/Sexuality: The Filmic Adaptation of Almudena Grandes’s Castillos de cartón”
Meredith Lyn Jeffers, Metropolitan State University of Denver “Women as Transformative Agents of Socioecological Systems in Icíar Bollaín’s El olivo and También la lluvia”
40 Roberto Forns-Broggi, Metropolitan State University of Denver “Conciencia ecológica en el corto de animación experimental Extraterrestre de Victoria Karmín”
Session I. 4. Architecture and The Urban in Spanish Film (WS Wayne Morse Suite) Moderator / Commentator: Susan Larson, Texas Tech University
Juli Highfill, University of Michigan “An Archi-texture of Pleasure: The Street-Fairs of Madrid in Rosa de Madrid and Esencia de verbena”
Patty Keller, Cornell University “Surface Tension and Utopian Underworlds: Orpheus and the Executioner in Berlanga’sEl Verdugo”
Leigh Mercer, University of Washington “Uncanny Urbanism and Generational Shifts in Carlos Marques Marcet’s Anchor and Hope and 10.000 km”
13:30 pm-14:30 Light Court Commons, White Stag Tentempié & Closing Remarks
41 MONDAY PIFF SCREENINGS
5:30pm Whitsell ZAMA w/ Q&A
8:45pm Whitsell EL SILENCIO DE OTROS (THE SILENCE OF OTHERS) Almudena Carracedo w/ Q&A
42 Index Abeyta, Michael Paul B1, (C5) Devesa-Gómez, Nélida C6 Adams, Steven C1 Domingo Amestoy, Susana D4 Aguilera-Mellado, Pedro H1 Domingo, Irene B6 Alcaide Ramírez, Dolores G6 Ekhause, Roselia D5 Alcántar, Iliana G4 (H1) Encinas, Silvia F6 Allbritton, Dean (E2) H3, Enjuto Rangel, Cecilia Almar Liante, Ana B4 Enjuto Rangel, Cecilia (B4), C2 Alonso, Milvet H2 Fenner, Vania G5 Alpañés, Amparo B2 Fernández, Álvaro E2 Álvarez Guillén, Ana D2 Ferrán, Ofelia (C2), H5 Alvite, Dosinda F1 Fischer, Carl E1 Amago, Samuel G1 Forns-Broggi, Roberto I3 Anderson, Britta B6 Foshee, David H6 Anderson, Sarah A5 (B6) Fouz Hernández, Santiago E6 Argueta, Arno J A5 Frost, Melissa June (D5), H2, Arreola, Virginia F5 Fuente-Camacho, Montserrat B4 Badillo Carlos, José Adrián A3 Fulgaro, Ivano I1 Barker, Jesse (F2), G2 Galán, Jesús C5 Barraza, Vania E1 Garcés, Marcela E4 Barrios Rosas, Andrea C1 García-Caro, Pedro C5 Bartolomé, Alfonso C3 García-Torvisco, Luis B5 Beaubien Christina F2, Gynocine roundtable García, Hugo G6 Bermúdez Barrios, Nayibe Martel roundtable Gardner, John (D2), E2 Bettaglio, Marina F4 George, David R. C4 Boehm, Scott F2 Good, Kate E3 Boris Tarré, Marta (A6), (C6), H4, Gopal, Sangita F5 Bottaro, Mayra (B3), Martel roundtable Grant, Catherine Martel roundtable Bowe, Luke F2, (G2) Guadaño, Luis (A4), B2, D6 Braciuliene, Grazina C1 Hernández, Alfredo C5 Brady, Jennifer I3 Hernández, Ana Gabriela G4 Breckenridge, Janis B1 Herrmann, Gina D1, (F4) Brenneis, Sara J. D1, (E4) Highfill, Juli (A1), I4 Britland, Joanne E. F3 Hogan, Erin K. E3, Gynocine roundtable Brizuela, Natalia Martel roundtable Holan, Alyssa D2 Brooks, Robert C1 Hussein, Amanda H2 Caballo-Márquez, Reyes H1 Inestrillas, Mar B2 Cabañas, Miguel A. A3 Jaén Portillo, Isabel (B5), (C1), I1 Calatayud Fernandez, Priscila (F6), G3 Jaramillo, Jon D. (A5), B4 Camps, Martín D3, (G4) Jeffers, Meredith Lyn I3 Ceia, Vanessa A2, (D1) Keller, Patty (H3), I4 Clark, María B3 Kermoyan, Sarah C1 Clementi, Jordan F1 Klanian, Pablo C1 Comparone, Loredana F5 Klodt, Jason E. F1 Copertari, Gabriela E5 Kroll-Bryce, Christian H5 Cossío, Dinorah F6 Larson, Susan (I4) Cueto Asín, Elena C4 Lawless, Cecelia G6 Culleton, Colleen F3 Ledesma, Eduardo D4 De Guzman, Jared C1 Lee, Sohyun F4 Dedelow Jr. , Darryl I1 Linville, Rachel (B1), H1 Deveny, Thomas F5 López, Francisca C4
43 López Lerma, Mónica (F5), H5 Rodríguez Chaves, Luis F6 López-Lozano, Miguel (F4) Rodríguez de Jesús, Alejandro D6 López, Ana M. Keynote, (G6) Rodríguez Sabogal, Alexandra (H4), I2 López, Kimberle C6 Rodríguez-Peña, Jenny Alexandra B5 Loyola, Marilén D1 Rueda, María Helena E1 Lupton, Katherine C1 Ruiz Rubio, Natalia B3 M. Thau, Eric G2 Russek, Dan D3, (I2) Maiz-Peña, Magdalena (G5), A3 Rustamova, Zaya A4, (E6) Marín Cobos, Almudena B6 Sánchez, Fernando Fabio (A2) Márquez Etxabe, Yanire A6 Sainz, Celia C3, Gynocine roundtable Márquez Gómez, Arturo D4 Sanabria, Carolina E6 Marr, Matthew J. (F3), G1 Schick, Traci D3 Marsh, Steven C2 Sears, Eli B5 Martí-Olivella, Jaume (D6), E3 Serenella Previto, María H4 Martin, Deborah Martel roundtable Serfozo, Eva E4 Martínez Rueda, Elvira C1 Serra, Fátima B2 Martínez-Carazo, Cristina A1 Shalloe, Thomas J. C5 Martínez-Expósito, Alfredo E6 Shaw, Deborah Keynote McAdams, Alice (D3), E2 Sheean, Jacqueline G1 McNabb, Stephen D5 Sileoni, M. Eugenia B1 Meléndrez, Cynthia G4 Silva, Fabrício B3 Membrez, Nancy I1 Simon, Julien Jacques B5, (I1) Mercer, Leigh (H5), I4 Sotelo, Elizabeth A2 Miller, Gabrielle E4 Stafford, Katherine O. G2 Miller, Marilyn G F3 Suárez Vega, Carla C3, Gynocine roundtable Mira, Alberto C2 Tang, Wan Sonya C4 Molyneaux, Jared C1 Taylor, Analisa (A3), G5 Monette, Marie-Eve D5, (H2) Tejada López, Macarena F6 Moreno-Díaz, Carmen B6 Ten Haaf, Rachel G3 Navarro-Daniels, Vilma H4 Thomas, Sarah (E1), H3 Navarro, Sandra V. G5 Tobin Stanley, Maureen (H6), I3 Navas-Hernández, Miriam F3 Tompkins, Cynthia E5 Nezirevic, Erma A4 Torres-Castro, Camila A5 Notman, Lisa C6 Urdangarain, Giovanna A6 O’Brien, Andrew C1 Valle, Enid D2 Olivares, Magdalena C6 Vela, Gema F3 Pallas, Elisabet Gynocine roundtable, C3 Vidal, Yosa (D4), I2 Paris-Huesca, Eva Gynocine roundtable, F4 Vieira Parrine Sant’Ana, Raquel G3 Pascual Bordón, Hugo D6 Vittor, Carolina P. B3 Peña, Luis H. A3 Whittaker, Tom H3 Pérez Ibáñez, Doralba (E5), I2 Willem, Linda C4 Pérez, Jorge E6 Winkel, Adam L. H6 Persanch, JM B2 Wolters Nicholas, C4 Plescia, Mariko I2 Wood, Guy H. A1, (C3) Pombo, José Aguirre A4 Young-Ellis, Georgina C1 Prades, Abraham H6 Zecchi, Barbara (E3), Gynocine roundtable Quiroga, Nathalie C1 Rams, Maribel B1, Gynocine roundtable In parenthesis: moderator role Roberts-Camps, Traci E5 Robinson, Cheri A2, (F1) Rodrigues Poletti, Jessica A6
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