The Loft Cinema Film Guide
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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
Songs About Joni
Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow -
Doc Nyc Announces Final Titles Including
DOC NYC ANNOUNCES FINAL TITLES INCLUDING WORLD PREMIERE OF BRUCE SPRINGSTREEN & THE E STREET BAND’S “DARKNESS ON THE EDGE OF TOWN” CONCERT FILM AT ZIEGFELD THEATER ON NOVEMBER 4TH AND “MOMENTS OF TRUTH” FEATURING ALEC BALDWIN AND OTHER FAMOUS FIGURES DISCUSSING THEIR FAVORITE DOC MOMENTS New York, NY, October 19th 2010 - DOC NYC, New York’s Documentary Festival, announced its final slate of titles including the world premiere of “Darkness on the Edge of Town,” a new concert film with Bruce Springsteen & the E Street Band performing their classic album. The film will screen at the Ziegfeld Theatre on November 4. Directed by the Grammy and Emmy award winner Thom Zimny, the film was shot last year at the Paramount Theatre in Asbury Park, NJ in an unconventional manner without any audience in attendance. Springsteen’s manager Jon Landau has said this presentation “best captures the starkness of the original album.” The film will be released on DVD as part of the box set “The Promise: The Darkness on the Edge of Town Story” later in November. “We wanted to give fans a one night only opportunity to see this spectacular performance on the Ziegfeld’s big screen,” said DOC NYC Artistic Director Thom Powers. A portion of the proceeds from this screening will be donated to the Danny Fund/Melanoma Research Alliance – a non-profit foundation devoted to advancing melanoma research and awareness set up after the 2008 passing of Danny Federici, longtime Springsteen friend and E-Street Band member. DOC NYC will help launch a new promo campaign of shorts called “Moments of Truth,” in which noteworthy figures (actors, politicians, musicians, etc) describe particular documentary moments that moved them. -
The Tragedy of 3D Cinema
Film History, Volume 16, pp. 208–215, 2004. Copyright © John Libbey Publishing ISSN: 0892-2160. Printed in United States of America The tragedy of 3-D cinema The tragedy of 3-D cinema Rick Mitchell lmost overlooked in the bicoastal celebrations The reason most commonly given was that of the 50th anniversary of the introduction of audiences hated to wear the glasses, a necessity for ACinemaScope and the West Coast revivals of 3-D viewing by most large groups. A little research Cinerama was the third technological up- reveals that this was not totally true. According to heaval that occurred fifty years ago, the first serious articles that appeared in exhibitor magazines in attempt to add real depth to the pallet of narrative 1953, most of the objections to the glasses stemmed techniques available to filmmakers. from the initial use of cheap cardboard ones that Such attempts go back to 1915. Most used the were hard to keep on and hurt the bridge of the nose. anaglyph system, in which one eye view was dyed or Audiences were more receptive to plastic rim projected through red or orange filters and the other glasses that were like traditional eyeglasses. (The through green or blue, with the results viewed cardboard glasses are still used for anaglyph pres- through glasses with corresponding colour filters. entations.) The views were not totally discrete but depending on Another problem cited at the time and usually the quality of the filters and the original photography, blamed on the glasses was actually poor projection. this system could be quite effective. -
Bl4s, Or How Cern Sets the Stage for Teenage Scientists
Issue No. 41-42/2015 - Monday 5 October 2015 CERN Bulletin More articles at: http://bulletin.cern.ch BL4S, OR HOW CERN SETS THE STAGE FOR TEENAGE SCIENTISTS Launched in 2014, the Beamline for Schools (BL4S) competition allows high-school students BREAKING THE RULES between 16 and 18 years old to run a real experiment at CERN’s PS accelerator (go to: http:// cern.ch/go/6xts). For two years, students and schools worldwide have risen to the challenge This week it’s the turn of heavy-ion physics to and taken part enthusiastically in the competition. To ensure that it runs smoothly and take the spotlight as the Quark Matter 2015 enjoyably, over 100 CERN people work behind the scenes. The Bulletin lifts the curtain. conference takes place in Kobe, Japan. This is the year’s most important conference for the ALICE collaboration, but there have also been many results presented by ATLAS, CMS and LHCb. (Continued on page 2) In this issue NEWS BL4S, or how CERN sets the stage for teenage scientists 1 Student teams from Greece and the Netherlands – the winners of CERN’s frst Beamline for schools competition – came to CERN Breaking the Rules 1 to work on their experiments using a test beam. Guido Altarelli (1941 - 2015) 3 LHC Report: Cloudy with sunny spells 3 Turning young high-school students into University (Turkey), worked on preparing the ENLIGHT envisions its future 4 real physicists who use a high-energy beam, experimental environment for the students. “It Monitoring underground movements 4 set up an experiment and deal with data was a fantastic opportunity, getting hands-on Two generations of klystrons reunited 5 acquisition and analysis, is no game. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
Finalists Announced for the 2007 Sundance/Nhk International Filmmakers Awards
FOR IMMEDIATE RELEASE For More Information Contact: November 17, 2006 Patrick Hubley, 435.658.3456 [email protected] FINALISTS ANNOUNCED FOR THE 2007 SUNDANCE/NHK INTERNATIONAL FILMMAKERS AWARDS New Projects from Emerging Filmmakers from Europe, Latin America, the United States and Japan Selected Los Angeles, CA–Sundance Institute and NHK (Japan Broadcasting Corporation) announced today the 12 finalists for the 2007 Sundance/NHK International Filmmakers Awards. These annual awards recognize emerging artists in international cinema and are presented to film directors from four global regions (Europe, Latin America, the United States, and Japan) to support them in realizing their next projects. The four winners, selected by members of an international jury, will be announced during the 2007 Sundance Film Festival at Park City, Utah, which runs January 18-28. The awards will be presented at the Festival Awards Ceremony on Saturday, January 27. The 12 finalists for the 2007 Sundance/NHK International Filmmakers Awards are: EUROPE LATIN AMERICA • Jens Jonsson / THE PING-PONG KING (Sweden) • Lucía Cedrón / AGNUS DEI (Argentina) • Dagur Kári / THE GOOD HEART (Iceland) • Jorge Gaggero / DOG SECURITY (Argentina) • Ursula Meier / HOME (Switzerland) • Josué Méndez / DIOSES (Peru) JAPAN UNITED STATES • Isamu Hirabayashi / THE CARE AND FEEDING OF • Caran Hartsfield / BURY ME STANDING INSECTS • Jake Mahaffy / FREE IN DEED • Tomoko Kana / TWO BY THE RIVER • Kazuo Ohno / MR. CRUMPACKER AND THE MAN FROM • Yoshinori Saitou / CHICKEN CHOICE THE LETTER The winning director from each region will receive a $10,000 award and a guarantee from NHK to purchase the Japanese television broadcast rights upon completion of their project. In addition, Sundance Institute will work closely with the award recipients throughout the year, providing ongoing resources and support in seeking out opportunities to finance and distribute their projects. -
Martel's Aquatic Zoopoetics
The Cine-Files, Issue 14 (spring 2019) Martel’s Aquatic Zoopoetics Lucy Bollington In his monograph Formas comunes: animalidad, cultura, biopolítica, Argentine animal theorist Gabriel Giorgi suggests that a change is underway in the deployment of the nonhuman animal figure within Latin American literature and installation art. Whereas historically, Giorgi contends, the animal functioned as a separate sign that denoted barbarity, different categories of alterity, and the “failure” of civilization, from the 1960s onwards there has been an increasing “destabilisation of the distance […] holding apart the human and the animal,” with cultural texts frequently articulating a “new proximity” between the two “that is at once an area of ethical interrogation and a horizon of politicisation.”1 In the contemporary period, the figure of the animal erupts into the internal spaces “of the home, prisons and cities,” writes Giorgi, and is often bound up with intimate explorations of the body, with its “desires, illnesses, passions and affects.”2 Giorgi charges that this human-nonhuman entanglement calls into question existing ontological definitions of the “human” and often challenges the destructive biopolitics that posit certain lives as more liveable than others.3 Internationally-acclaimed New Argentine Cinema director Lucrecia Martel stages such a coming home of the animal, in the sense meant by Giorgi. Animals proliferate in and around the domestic spaces Martel frames, provoke significant multifurcations in narrative meaning, and appear in relation to the movements, characteristics, affects and sociopolitical status of a variety of human bodies. Martel’s rich zoopoetical imaginary has attracted critical attention previously, particularly in relation to the ways in which the animals the director frames enter into symbolic exchange with her child and adolescent protagonists. -
Catalogue Festival International Ciné
sommaire / summary PRÉSENTATION GÉNÉRALE PRESENTATION GENERALE 48 Monstres / Monsters 3 Sommaire / Summary 51 Soirée courts métrages « Attaque des PsychoZombies » / 4 Editos / Forewords "PsychoZombies’ Attack" short films night 12 Jurys officiels / Official juries 16 Invités / Guests 18 Cérémonies d'ouverture et de palmarès / Opening and HOMMAGE ANIME AU STUDIO GHIBLI palmares ceremonies 52 Conférence / Conference 20 Fête des enfants / Kids party 52 Rétrospective Studio Ghibli / Retrospective 55 Exposition - « Hayao Miyazaki en presse » / Exhibition COMPETITIONS INTERNATIONALES 22 Longs métrages inédits / Unreleased feature films AUTOUR DES FILMS 32 Courts métrages ados / Teenager short films 56 Séminaire « Les outils numériques dans l’éducation à 34 Courts métrages d'animation / Short animated films l’image » / Seminar 57 Ateliers et animations / Workshops and activities 60 Rencontres et actions éducatives / Meetings and educational INEDITS ET AVANT-PREMIERES HORS actions COMPETITION 65 Décentralisation / Decentralization 38 Ciné-bambin / Toddlers film 38 Séances scolaires et familles / School and family screenings 43 Séances scolaires et ado-adultes / Youth and adults screenings INFOS PRATIQUES 66 Equipe et remerciements / Team and thanks 68 Contacts / Print sources THEMATIQUE «CINEMA FANTASTIQUE» 70 Lieux du festival / Venues 44 Ciné-concert / Concert film 72 Réservations et tarifs / Booking and prices 45 Robots et mondes futuristes / Robots and futuristic worlds 74 Grille programme à Saint-Quentin / Schedule in Saint-Quentin 46 Magie, contes et mondes imaginaires / Magic, tales and 78 Index / Index imaginary worlds 79 Partenaires / Partnerships and sponsors éditos / foreword Une 33ème édition sous le Haut-Patronage de Madame Najat VALLAUD- BELKACEM, Ministre de l'éducation nationale, de l'enseignement supérieur et de la recherche. Ciné-Jeune est fantastique ! L’édition 2015 du Festival s’est donné pour thème le « Cinéma fantastique ». -
Sasquatch and the Law: the Implications of Bigfoot Preservation Laws in Washington State
Ilacqua 1 Joan Ilacqua HGSA Conference Paper Sasquatch and the Law: The Implications of Bigfoot Preservation Laws in Washington State The American Pacific Northwest is characterized and recognized by its lush wilderness, mountain ranges, salmon, Starbucks coffee, and most recently, by “Portlandia”esque hipsters. The Pacific Northwest is also the home of the elusive, and presumed bogus, Sasquatch. Although the Sasquatch has its roots in Native American lore, the word “Sasquatch” is an anglicized Salish word, the first Bigfoot story was published by pioneer missionary Elkanah Walker in 1840 and a long tradition of publishing Bigfoot stories has proliferated since. Bigfoot searches and stories culminated in the 1967 PattersonGimlin film of a supposed female Sasquatch, although the myth has found resurgence in modern Bigfoot hunting television shows. Whether or not the elusive Sasquatch exists, ultimately the stories serve as a cautionary tale to act pragmatically in the wilderness. The myth and subsequent stories have become a symbol of the Pacific Northwest region. Bigfoot fervor also resulted in two Sasquatch preservation laws: the 1969 Skamania County Ordinance no. 6901, later amended in 1984, and the 1991 Whatcom County Resolution No. 92043. Each law purports to protect a creature that, if it does exist, is obviously endangered. The laws have a secondary purpose of protecting unsuspecting wilderness seekers from Bigfoot hunters, on their own the laws seem superfluous but they fit into a larger narrative about wilderness conservation and preservation in Washington state. Skamania County is in southeastern Washington state, just south of Mount Rainier, Ilacqua 2 and includes Gifford Pinchot National Forest and Mount Saint Helens. -
October 2016
October 2016 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 11:15 PM ET/8:15 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 10:15 PM CT/9:15 PM MT Guns of the Magnificent Seven The Forgotten I.Q. 10:35 PM ET/7:35 PM PT 9:00 PM ET/6:00 PM PT SATURDAY, OCTOBER 1 9:35 PM CT/8:35 PM MT 8:00 PM CT/7:00 PM MT SUNDAY, OCTOBER 2 12:20 AM ET/9:20 PM PT The X-Files Great Balls Of Fire 11:20 PM CT/10:20 PM MT 1:05 AM ET/10:05 PM PT 12:05 AM CT/11:05 PM MT 10:50 PM ET/7:50 PM PT 9:50 PM CT/8:50 PM MT Die Hard The Magnificent Seven MONDAY, OCTOBER 3 2:40 AM ET/11:40 PM PT 12:40 AM ET/9:40 PM PT Sixteen Candles 1:40 AM CT/12:40 AM MT 3:15 AM ET/12:15 AM PT 11:40 PM CT/10:40 PM MT 2:15 AM CT/1:15 AM MT The Deer Hunter Guns of the Magnificent Seven The Forgotten TUESDAY, OCTOBER 4 5:50 AM ET/2:50 AM PT 2:15 AM ET/11:15 PM PT 12:25 AM ET/9:25 PM PT 4:50 AM CT/3:50 AM MT 5:05 AM ET/2:05 AM PT 1:15 AM CT/12:15 AM MT 11:25 PM CT/10:25 PM MT 4:05 AM CT/3:05 AM MT The Trailer Show Ravenous The X-Files Great Balls Of Fire 6:00 AM ET/3:00 AM PT 4:25 AM ET/1:25 AM PT 2:15 AM ET/11:15 PM PT 5:00 AM CT/4:00 AM MT 6:50 AM ET/3:50 AM PT 3:25 AM CT/2:25 AM MT 1:15 AM CT/12:15 AM MT 5:50 AM CT/4:50 AM MT Harry and the Hendersons Arthur and the Invisibles 2: The Legend Sixteen Candles 7:55 AM ET/4:55 AM PT 6:00 AM ET/3:00 AM PT 3:50 AM ET/12:50 AM PT 6:55 AM CT/5:55 AM MT Revenge of Maltazard 5:00 AM CT/4:00 AM MT 2:50 AM CT/1:50 AM MT 8:30 AM ET/5:30 AM PT The Magnificent Seven 7:30 AM CT/6:30 AM MT The Legend of Zorro Dazed and Confused 10:10 AM ET/7:10 AM PT 8:15 AM ET/5:15 AM PT 5:35 AM ET/2:35 AM PT 9:10 AM CT/8:10 AM MT The Trailer Show 7:15 AM CT/6:15 AM MT 4:35 AM CT/3:35 AM MT 8:40 AM ET/5:40 AM PT Guns of the Magnificent Seven 7:40 AM CT/6:40 AM MT The Mask of Zorro Robots 12:00 PM ET/9:00 AM PT 10:40 AM ET/7:40 AM PT 7:10 AM ET/4:10 AM PT 11:00 AM CT/10:00 AM MT Reservoir Dogs 9:40 AM CT/8:40 AM MT 6:10 AM CT/5:10 AM MT 10:25 AM ET/7:25 AM PT Harry and the Hendersons 9:25 AM CT/8:25 AM MT E.T. -
COMMUNITY PROGRAMS JANUARY 2020 All Programs Are Open to the Public at No Charge, Unless Otherwise Noted
9 READING BOULEVARD WYOMISSING, PA 19610 610-374-2385 www.wyopublib.org COMMUNITY PROGRAMS JANUARY 2020 All programs are open to the public at no charge, unless otherwise noted. WED., 1/1 NEW YEAR’S DAY—The library will be closed all day. Happy New Year to you and yours! THURS., 1/2 ****6 PM—YOGA FOR EVERYONE—Unwind your body and your mind with Vinyassa yoga, led by Instructor Amy Sharkey. $12/class or 10 classes for $100. ****every Thursday MON., 1/6 6 PM—MONDAY NIGHT AT THE MOVIES—”ECHO IN THE CANYON” - A documentary about the roots of the music scene in California, featuring the music of The Byrds, The Beach Boys, Buffalo Springfield, and The Mamas and the Papas. Rated PG-13; 82 minutes WED., 1/8 ***11:30 AM—Meet new friends, sharpen your mind and join in the fun of MAH JONGG, the ancient Chinese tile game. ***every Wednesday WED., 1/15 6 PM—WPL BOOK CLUB—This month’s selection is CLIMATE OF HOPE: HOW CITIES, BUSINESSES & CITIZENS CAN SAVE THE PLANET, by Michael Bloomberg and Carl Pope. If you’ve read the book, come to the library and join the discussion. SAT., 1/18 1 PM—THE 1619 PROJECT—The Berks InterCultural Alliance hosts a discussion of the landmark study by The New York Times and the Pulitzer Organizaion about the arrival of the first slaves in the Colony of Virginia in 1619, and what that has meant to every aspect of the history of this country. John Morgan, President of BICA, will be the moderator.