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Imputan Por Lavado De Dinero Al Ministro De Cultura De Macri
El día que Con la nueva Orson Welles General Paz se enojó se ahorrará con Borges un 35% El director de El de tiempo Ciudadano ironizó sobre el gusto del argentino Con una inversión porque había criticado de $ 1200 millones, su película. Hoy se se amplió un sector cumplen 30 años a cuatro carriles y se Tócala de nuevo, Mex de la muerte sumaron siete puentes. Entrevista a Urtizberea sobre su regreso a del maestro del Beneficiará a dos la música en formato disco. La historia de cine mundial. millones de personas. «Wormo». Por Marcelo Fernández Bitar Sábado 10.10.2015 BUENOS AIRES MIN MÁX AÑO 6 Nº 1949 8º 16º EDICIÓN NACIONAL PRONÓSTICO PRECIO $ 14,50 CAPITAL FEDERAL ENVÍO AL INTERIOR + $ 1,50 [3-5] POLÍTICA OTRO ESCÁNDALO DE CORRUPCIÓN SALPICA AL MACRISMO Imputan por lavado de dinero SÁB10 al ministro de Cultura de Macri » Una fiscal federal acusó a Hernán Lombardi y a otros dos » En la maniobra irregular, descubierta por la Procelac, se funcionarios macristas por el desvío de fondos de actividades usaron fondos de empresas del Grupo Techint y Ledesma, artísticas a la Fundación Pensar, «la usina de ideas del PRO». entre otras firmas. Por Néstor Espósito y Leandro Renou PRESIDENCIA VÍA TÉLAM [10] POLÍTICA Daniel Scioli sumó el apoyo de radicales y recordó a Alfonsín [24-25] MUNDO [16] ECONOMÍA Premio Nobel Nuevo super de la Paz para pozo de YPF en tunecinos Vaca Muerta La distinción fue La producción diaria para el Cuarteto de alcanza los 1630 Diálogo Nacional. barriles de crudo. Selección: llegó la hora de Tevez «Las transformaciones son irreversibles» Sin Messi ni Agüero, Martino deberá apelar a su eterno Desde Río Gallegos, Cristina afirmó que en 12 años se logró construir «la conciencia suplente. -
Science Fiction in Argentina: Technologies of the Text in A
Revised Pages Science Fiction in Argentina Revised Pages DIGITALCULTUREBOOKS, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. Revised Pages Science Fiction in Argentina Technologies of the Text in a Material Multiverse Joanna Page University of Michigan Press Ann Arbor Revised Pages Copyright © 2016 by Joanna Page Some rights reserved This work is licensed under the Creative Commons Attribution- Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2019 2018 2017 2016 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Page, Joanna, 1974– author. Title: Science fiction in Argentina : technologies of the text in a material multiverse / Joanna Page. Description: Ann Arbor : University of Michigan Press, [2016] | Includes bibliographical references and index. Identifiers: LCCN 2015044531| ISBN 9780472073108 (hardback : acid- free paper) | ISBN 9780472053100 (paperback : acid- free paper) | ISBN 9780472121878 (e- book) Subjects: LCSH: Science fiction, Argentine— History and criticism. | Literature and technology— Argentina. | Fantasy fiction, Argentine— History and criticism. | BISAC: LITERARY CRITICISM / Science Fiction & Fantasy. | LITERARY CRITICISM / Caribbean & Latin American. Classification: LCC PQ7707.S34 P34 2016 | DDC 860.9/35882— dc23 LC record available at http://lccn.loc.gov/2015044531 http://dx.doi.org/10.3998/dcbooks.13607062.0001.001 Revised Pages To my brother, who came into this world to disrupt my neat ordering of it, a talent I now admire. -
Finalists Announced for the 2007 Sundance/Nhk International Filmmakers Awards
FOR IMMEDIATE RELEASE For More Information Contact: November 17, 2006 Patrick Hubley, 435.658.3456 [email protected] FINALISTS ANNOUNCED FOR THE 2007 SUNDANCE/NHK INTERNATIONAL FILMMAKERS AWARDS New Projects from Emerging Filmmakers from Europe, Latin America, the United States and Japan Selected Los Angeles, CA–Sundance Institute and NHK (Japan Broadcasting Corporation) announced today the 12 finalists for the 2007 Sundance/NHK International Filmmakers Awards. These annual awards recognize emerging artists in international cinema and are presented to film directors from four global regions (Europe, Latin America, the United States, and Japan) to support them in realizing their next projects. The four winners, selected by members of an international jury, will be announced during the 2007 Sundance Film Festival at Park City, Utah, which runs January 18-28. The awards will be presented at the Festival Awards Ceremony on Saturday, January 27. The 12 finalists for the 2007 Sundance/NHK International Filmmakers Awards are: EUROPE LATIN AMERICA • Jens Jonsson / THE PING-PONG KING (Sweden) • Lucía Cedrón / AGNUS DEI (Argentina) • Dagur Kári / THE GOOD HEART (Iceland) • Jorge Gaggero / DOG SECURITY (Argentina) • Ursula Meier / HOME (Switzerland) • Josué Méndez / DIOSES (Peru) JAPAN UNITED STATES • Isamu Hirabayashi / THE CARE AND FEEDING OF • Caran Hartsfield / BURY ME STANDING INSECTS • Jake Mahaffy / FREE IN DEED • Tomoko Kana / TWO BY THE RIVER • Kazuo Ohno / MR. CRUMPACKER AND THE MAN FROM • Yoshinori Saitou / CHICKEN CHOICE THE LETTER The winning director from each region will receive a $10,000 award and a guarantee from NHK to purchase the Japanese television broadcast rights upon completion of their project. In addition, Sundance Institute will work closely with the award recipients throughout the year, providing ongoing resources and support in seeking out opportunities to finance and distribute their projects. -
Martel's Aquatic Zoopoetics
The Cine-Files, Issue 14 (spring 2019) Martel’s Aquatic Zoopoetics Lucy Bollington In his monograph Formas comunes: animalidad, cultura, biopolítica, Argentine animal theorist Gabriel Giorgi suggests that a change is underway in the deployment of the nonhuman animal figure within Latin American literature and installation art. Whereas historically, Giorgi contends, the animal functioned as a separate sign that denoted barbarity, different categories of alterity, and the “failure” of civilization, from the 1960s onwards there has been an increasing “destabilisation of the distance […] holding apart the human and the animal,” with cultural texts frequently articulating a “new proximity” between the two “that is at once an area of ethical interrogation and a horizon of politicisation.”1 In the contemporary period, the figure of the animal erupts into the internal spaces “of the home, prisons and cities,” writes Giorgi, and is often bound up with intimate explorations of the body, with its “desires, illnesses, passions and affects.”2 Giorgi charges that this human-nonhuman entanglement calls into question existing ontological definitions of the “human” and often challenges the destructive biopolitics that posit certain lives as more liveable than others.3 Internationally-acclaimed New Argentine Cinema director Lucrecia Martel stages such a coming home of the animal, in the sense meant by Giorgi. Animals proliferate in and around the domestic spaces Martel frames, provoke significant multifurcations in narrative meaning, and appear in relation to the movements, characteristics, affects and sociopolitical status of a variety of human bodies. Martel’s rich zoopoetical imaginary has attracted critical attention previously, particularly in relation to the ways in which the animals the director frames enter into symbolic exchange with her child and adolescent protagonists. -
El Extraño Mundo De Silvina Ocampo
El extraño mundo de Silvina Ocampo A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures of the Collage of Arts and Sciences by María Rebeca Deibel M.A University of Northern Iowa November 2012 Comittee Chair: Enrique A. Giordano, Ph.D. Abstract This dissertation brings a new approach to Silvina Ocampo studies by using the theory of uncanny and fantastic fields. It has been a great contribution the theoretical foundations of psychoanalyst Sigmund Freud The Uncanny and Irène Bessière Le récit fantastique. The main book is titled Fantasy: The Literature of Subversion by Rosemary Jackson as it integrates the notions raised by Tzvetan Todorov and Irène Bessière. Jackson's contribution has allowed me to clarify the definition of the fantastic and the uncanny to the development of this dissertation. I think the term paraxial deserves special mention because it reaffirms the fantastic not categorically defined within the real or unreal, but rather is considered as an ambiguity. Some short stories of the writer show signs of ambiguity, a characteristic of the fantastic, but this does not classify all her works within this category. I do not intend to place it within a literary genre because it’s narrative is presented in influence of various literary forms. I proved, however, that it leans more toward the uncanny rather than other narrative categories. Silvina Ocampo is an Argentina writer who seduces readers with an approach contrary to convention. -
El Espacio Como Espejo Cultural. Reflexiones Ecocríticas En América Latina a Principios Del Nuevo Milenio
El Espacio Como Espejo Cultural. Reflexiones Ecocríticas en América Latina a Principios del Nuevo Milenio Item Type text; Electronic Dissertation Authors Woolson, Maria Alessandra Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 20:19:47 Link to Item http://hdl.handle.net/10150/333210 EL ESPACIO COMO ESPEJO CULTURAL. REFLEXIONES ECOCRÍTICAS EN AMÉRICA LATINA A PRINCIPIOS DEL NUEVO MILENIO by Maria Alessandra Woolson __________________________ Copyright © Maria Alessandra Woolson 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH & PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2014 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Maria Alessandra Woolson, titled “El espacio, un espejo cultural. Reflexiones ecocríticas en América latina a principios del nuevo milenio” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: August 1, 2014 Dr. Malcolm A. Compitello _______________________________________________________________________ Date: August 1, 2014 Dr. Laura Gutiérrez-Escarpita _______________________________________________________________________ Date: August 1, 2014 Dr. Abraham I. Acosta _______________________________________________________________________ Date: August 1, 2014 Dr. Carl J. Bauer Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Course Catalog 2013-2014
CATALOGUE 2013-2014 1 2 Table of Contents The Evolution of an Educational Innovation 5 Political Studies 173 Learning at Simon’s Rock 6 Psychology 178 The Goals of the Academic Program 6 Social Sciences 181 Degree Requirements 7 Sociology 183 The Lower College Program 8 Courses in the Interdivisional Studies 185 Sophomore Planning: Moderation or Transfer 11 African American and African Studies 186 The Upper College Program 12 Asian Studies 187 Signature Programs 13 Communication 188 International 13 Environmental Studies/Ecology 189 Domestic 14 Gender Studies 190 In-House 15 Intercultural Studies 192 Special Study Opportunities 16 Learning Resources 193 Study at Bard’s Other Campuses 18 Off-Campus Program 194 Academic Policies 20 Young Writers Workshop 195 Upper College Concentrations 27 Faculty 196 Courses 82 Faculty 196 General Education Seminars 82 Adjunct Faculty 215 The Senior Thesis 83 Faculty Emeritus 218 Courses in the Division of the Arts 84 Community Music Program Faculty 222 Art History 85 Boards Arts 89 Board of Trustees 225 Dance 90 Board of Overseers 225 Music 94 Our Location 226 Studio Arts 100 Campus Map 227 Theater 106 Index 228 Courses in the Division of Languages & Literature 114 Academic Calendar 232 World Languages, Cultures, and Literatures 115 Linguistics 121 Literature and Creative Writing 122 Courses in the Division of Science, Mathematics, and Computing 137 Biology 138 Chemistry 142 Computer Science 144 Mathematics 146 Natural Sciences 149 Physics 151 Courses in the Division of Social Studies 154 Anthropology 155 Economics 158 Geography 161 History 165 Philosophy 168 3 Bard College at Simon’s Rock is the nation’s only four- year residential college specifically designed to provide bright, highly motivated students with the opportunity to begin college after the tenth or eleventh grade. -
MARUJA BUSTAMANTE IMDB: IG: @Yosoymaruja TW: @Yosoymaruja
MARUJA BUSTAMANTE IMDB: https://www.imdb.com/name/nm1885362/ IG: @yosoymaruja TW: @yosoymaruja TELEVISIÓN • Encerrados. Serie Netflix. 2018 • Cien días para enamorarse. Underground Producciones. 2018 • Tiempos Compulsivos. Pol-ka. 2012 • Los únicos. Pol-ka. 2012 • El Paraíso. De Sabrina Farji. 2011 • Un Año Para Recordar. Underground Producciones. Telefe. 2011 • Para Vestir Santos. Pol.ka. 2010 TEATRO • Todo tendría sentido ni no existiera la muerte. Dirección Mariano Tenconi Blanco. Teatro Metropolitan Citi. 2019 • La reunificación de las dos Coreas. Dirección Helena Triteck. Teatro San Martín. 2018 • No me pienso morir. Dirección Mariana Chaud. Teatro Cervantes.2017 • Oso. Timbre 4. 2016 • Tribus de Nina Raine. Dirección: Claudio Tolcachir. Sala Pablo Picasso. Paseo La Plaza. 2016- 2015. • Maruja Enamorada. Canal Siete. Casa Nacional del Bicentenario. 2015 • El Jardín de los Cerezos. Dirección: Helena Tritek. Teatro General San Martín. 2014 • Maruja Enamorada. De Vivi Tellas. Biodrama amoroso. Teatro El Extranjero. Teatro El estepario. Centro Cultural Gabriela Mistral (Chile) 2013 • Doberman. De Azul Lombardia. Ciclo Operas Primas Centro Cultural Rojas. 2013 • La más fuerte. De August Strindberg. Dirección: Srta Bimbo Godoy. 2012 • Feizbuk. De José María Muscari. 2010 • Urdinarrain. Dramaturgia y Dirección Hernán Moran. 2009 • Mother. De Mariela Asensio. 2008 • Laboratorio Teatro Laboratorio Muscari. Dirección: Jose Maria Muscari. Centro Cultural Rojas. 2008 • Cosméticos. Dirección Mariela Asensio. 2007 • Sensibilidad. De José María Muscari. CCBorges. Teatro del Pueblo. 2006 • Poesías de Roberta Iannamico. CCEBA. (Los Rincones de la Feria del Libro). 2005 • Madre de Lobo Entrerriano. De Julio Molina. Dirección: Ana Katz. Centro Cultural Rojas Ricardo Rojas. 2005 • Sensibilidad. Work in Progress. De José María Muscari. Centro Cultural Adán Buenos Aires. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7. -
EL CINCO (Original Title: El 5 De Talleres) Written and Directed: Adrián Biniez
EL CINCO (Original Title: El 5 de Talleres) Written and Directed: Adrián Biniez Gender Drama Duration 100’ Final Format DCP Aspect Ratio 2.35 Sound 5.1 Fps 24 PRODUCERS MUTANTE CINE - FERNANDO EPSTEIN, AGUSTINA CHIARINO MOROCHA FILMS - GONZALO RODRÍGUEZ BUBIS CO-PRODUCERS: PANDORA FILM - CHRISTOPH FRIEDEL / PETIT FILM - JEAN DES FORÊTS / TOPKAPI FILMS - FRANS VAN GESTEL, ARNOLD HESLENFELD, LAURETTE SCHILLINGS / CTB FILM COMPANY - SERGEY SELYANOV, DANIEL GOROSHKO WITH THE SUPPORT OF: ZDF - ARTE / MOVIECITY / INCAA / ICAU / AIDE AUX CINÉMAS DU MONDE / HUBERT BALS FUND (IFFR) / FILM-UND MEDIENSTIFTUNG NRW / MEDIA PROGRAM OF THE EUROPEAN UNION ASSOCIATE PRODUCER: ARAMOS CINE WORLD SALES Films Boutique Köpenicker Strasse 184 10997 Berlin, Germany Tel: +49 30 69537850 [email protected] TAGLINE Patón Bonassiolle, captain of a C division football club, realizes that his football career has come to an end. At age 35, without fame or fortune, he must face the real world. SYNOPSIS After being expelled during a C division match, Patón Bonassiolle, the captain and midfielder of Talleres de Escalada, realizes his career as a footballer has come to an end. He has played his whole life for his team, but he hasn’t met neither fame nor fortune. Together with his wife Ale, he looks for a fresh new start. But Patón needs to come to terms with the fact that it is not only the end of his football career, but also the farewell to youth and the beginning of adulthood. ADRIAN BINIEZ BIO/FILMOGRAPHY Adrián Biniez was born in Remedios de Escalada, Argentina on August 28, 1974. He now lives in Montevideo, Uruguay. -
Norah Borges and Silvina Ocampo Collaborate’, Romance Studies, 22:2 (2004), 149-63
Edinburgh Research Explorer Tales eran sus rostros Citation for published version: Mackintosh, F 2009, 'Tales eran sus rostros: Silvina Ocampo and Norah Borges', Romance Studies, vol. 27, no. 1, pp. 59-71. https://doi.org/10.1179/174581509X398028 Digital Object Identifier (DOI): 10.1179/174581509X398028 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Romance Studies Publisher Rights Statement: © Mackintosh, F. (2009). Tales eran sus rostros: Silvina Ocampo and Norah Borges. Romance Studies, 27(1), 59-71doi: 10.1179/174581509X398028 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 ‘Tales eran sus rostros’: Silvina Ocampo and Norah Borges Fiona J. Mackintosh, University of Edinburgh Abbreviated title for running headings: ‘Tales eran sus rostros’ Address for correspondence and proofs: Dr Fiona J. Mackintosh Hispanic Studies (School of Literatures, Languages and Cultures) University of Edinburgh David Hume Tower, George Square Edinburgh. EH8 9JX 2 ‘Tales eran sus rostros’: Silvina Ocampo and Norah Borges Fiona J. Mackintosh, University of Edinburgh Abstract: This article explores the overlap in themes but divergence in aesthetic between the prose and poetry of Silvina Ocampo (1903-1993) and the art works of Norah Borges (1901-1998). -
Spanish Videos Use the Find Function to Search This List
Spanish Videos Use the Find function to search this list Velázquez: The Nobleman of Painting 60 minutes, English. A compelling study of the Spanish artist and his relationship with King Philip IV, a patron of the arts who served as Velazquez’ sponsor. LLC Library – Call Number: SP 070 CALL NO. SP 070 Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness. LLC Library CALL NO. Look in German All About My Mother Director: Pedro Almodovar with Cecilia Roth, Penélope Cruz, Marisa Perdes, Candela Peña, Antonia San Juan. 1999, 102 minutes, Spanish with English subtitles. Pedro Almodovar delivers his finest film yet, a poignant masterpiece of unconditional love, survival and redemption. Manuela is the perfect mother. A hard-working nurse, she’s built a comfortable life for herself and her teenage son, an aspiring writer. But when tragedy strikes and her beloved only child is killed in a car accident, her world crumbles. The heartbroken woman learns her son’s final wish was to know of his father – the man she abandoned when she was pregnant 18 years earlier. Returning to Barcelona in search on him, Manuela overcomes her grief and becomes caregiver to a colorful extended family; a pregnant nun, a transvestite prostitute and two troubled actresses. With riveting performances, unforgettable characters and creative plot twists, this touching screwball melodrama is ‘an absolute stunner.