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Holland America's Shore Excursion Brochure
Continental Capers Travel and Cruises ms Westerdam November 27, 2020 shore excursions Page 1 of 51 Welcome to Explorations Central™ Why book your shore excursions with Holland America Line? Experts in Each Destination n Working with local tour operators, we have carefully curated a collection of enriching adventures. These offer in-depth travel for first- Which Shore Excursions Are Right for You? timers and immersive experiences for seasoned Choose the tours that interest you by using the icons as a general guide to the level of activity alumni. involved, and select the tours best suited to your physical capabilities. These icons will help you to interpret this brochure. Seamless Travel Easy Activity: Very light activity including short distances to walk; may include some steps. n Pre-cruise, on board the ship, and after your cruise, you are in the best of hands. With the assistance Moderate Activity: Requires intermittent effort throughout, including walking medium distances over uneven surfaces and/or steps. of our dedicated call center, the attention of our Strenuous Activity: Requires active participation, walking long distances over uneven and steep terrain or on on-board team, and trustworthy service at every steps. In certain instances, paddling or other non-walking activity is required and guests must be able to stage of your journey, you can truly travel without participate without discomfort or difficulty breathing. a care. Panoramic Tours: Specially designed for guests who enjoy a slower pace, these tourss offer sightseeing mainly from the transportation vehicle, with few or no stops, and no mandatory disembarkation from the vehicle Our Best Price Guarantee during the tour. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Pluto and Doubling"
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Column -- "Pluto And Doubling" By: Craig Fischer Abstract Welcome to the first installment of “Monsters Eat Critics,” a monthly column I’ll be writing for TCJ.com. I hope that “Monsters Eat Critics” sounds like the title of a Z-grade science-fiction movie, because I plan to write about genre comics, including science-fiction comics, rather than the alt-, art- and mini-comics so ably covered by other TCJ critics. Let me make clear, though, that I’ll be saying little about contemporary superhero comics, because I’m bored by the ones I’ve read and have nothing to express about them beyond a shrug and an annoyance that hype like “The New 52” gets so much attention, even negative attention, on comics blogs. Even though future columns will discuss creators who simultaneously labored in and transcended the superhero genre—we’ll trot Kirby out for obligatory analysis, if only to rile Pat Ford—I don’t care about superheroes or the superhero-driven business of American mainstream comics. I’m looking for art in other genres, and I’ll begin with one of the most artistically accomplished genre comics of the last ten years, Naoki Urasawa’s Pluto (2003-2009). Specifically, my argument is that Urasawa builds Pluto on overlapping, complex systems of doubling, and in reading closely to uncover these systems, I’ll be giving away all of Pluto’s major plot points, so beware. We spoil to dissect here. Fischer, C. (2011). "Pluto And Doubling" The Comics Journal (TCJ), October 3, 2011. -
LA RICERCA STORICA SULLA PRESENZA DEL III REICH in ARGENTINA (Pier Luigi Guiducci)
LA RICERCA STORICA SULLA PRESENZA DEL III REICH IN ARGENTINA (Pier Luigi Guiducci) Per un non breve periodo di tempo, diversi storici hanno descritto l’interazione che avvenne tra il III Reich e l’Argentina focalizzando in prevalenza gli anni della seconda guerra mondiale, e il periodo immediatamente successivo (quando molti ex-nazisti fuggirono dall’Europa per raggiungere le terre dell’America meridionale). In realtà, la costruzione di stabili canali tra tedeschi e argentini precedette di diversi anni il 1939.1 Si tratta di una storia che è importante da ricordare. Serve infatti a spiegare la presenza di consolidate comunità tedesche, e l’organizzazione di un sistema produttivo locale, ancor oggi esistente, riconducibile a investimenti che provennero da fondi della Germania.2 La Nazi Landesgruppe Argentinien (1931) Il movimento nazista in Argentina, e a Buenos Aires in particolare, ricevette un primo sostegno dai tedeschi che operavano nelle Compagnie di navigazione ‘Hamburg-Süd’3 e ‘Hapag-Lloyd’4. Le navi di queste società salpavano dal porto di Hamburg (Amburgo). Qui, dalla metà del 1930, i membri del partito nazionalsocialista cominciarono ad attivarsi per istituire un proprio ufficio a Buenos Aires. L’obiettivo era di attivare contatti permanenti con i tedeschi che vivevano all'estero, e di raccogliere fondi per il movimento hitleriano.5 Il 7 aprile 1931 venne fondata la Nazi Landesgruppe Argentinien6. Era composta da cinquantanove membri. L’organismo costituì un gruppo estero dipendente da una sezione speciale del partito nazista (Auslandsabteilung der Reichsleitung der NSDAP7). Due mesi dopo, il capitano Rudolf Seyd condusse la Landesgruppe argentina in Germania. Quest’ultima, partecipò pure a una cerimonia che si svolse a Berlino, presso il Memoriale dei caduti della I guerra modiale8. -
IHP News 560 : a Clash of Flawed Governance “Models”
IHP news 560 : A clash of flawed governance “models” ( 21 Feb 2020) The weekly International Health Policies (IHP) newsletter is an initiative of the Health Policy unit at the Institute of Tropical Medicine in Antwerp, Belgium. Dear Colleagues, Some terms seem to be a lot less in vogue these days than just a few years ago (like ‘Grand Convergence’ or ‘Cosmopolitan moment’) whereas others are rapidly gaining momentum - say, 'Age of extinction' or ‘The Great Unraveling’. Against an increasingly dire planetary backdrop, the new WHO-UNICEF-Lancet Commission, A future for the world's children? comes not a day too soon, in other words. Let’s hope the SDG agenda gets a much needed shot in the arm “by placing children, aged 0–18 years, at the centre of the SDGs: at the heart of the concept of sustainability and our shared human endeavour.” The report repositions every aspect of child health through the lens of our rapidly changing climate and other existential threats. Which seems damned right. Back in the real world, however, quite a few billionaires still think they can promise to ‘Save the World’ while standing at the same time for a very harsh model of neoliberal globalization and economic system (which includes for them, more often than not, top-notch “tax optimization”). Jeff Bezos is no doubt one of the worst examples of this, but there are a few others as well, well versed in “tactical philantropy”, who think they can just buy the world (and elections). The prospect of a US presidential race between 2 oligarchs makes my stomach turn - and I’m being diplomatic here. -
Robots: Everywhere Around Us [A Dream Coming True]
Institute of Electrical and Electronics Engineers (IEEE) Robotics & Automation Society Egypt Chapter Robots: Everywhere around us [A Dream Coming True] Prepared by: Dr. Alaa Khamis, Egypt Chapter Chair Presented by: Eng. Omar Mahmoud http://www.ras-egypt.org/ MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 1/221 Outline • IEEE RAS – Egypt Chapter MUSES_SECRET:• What ORFis- REa Project Robot? - © PAMI Research Group – University of Waterloo • What is Robotics? • Science Fiction • Science Facts • Robots Today • Robots’ Future MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 2/222 Outline • IEEE RAS – Egypt Chapter MUSES_SECRET:• What ORFis- REa Project Robot? - © PAMI Research Group – University of Waterloo • What is Robotics? • Science Fiction • Science Facts • Robots Today • Robots’ Future MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 3/223 IEEE RAS – Egypt Chapter Established in Sept. 2011 to become the meeting place of choice for the robotics and automation community in Egypt. MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 4/224 IEEE RAS – Egypt Chapter • Conferences & Workshops • Seminars & Webinars • Free Courses • Robotic Competitions MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 5/225 Conferences & Workshops MUSES_SECRET:© Dr. Alaa Khamis, ORF IEEE-RE RAS Project – Egypt - Chapter© PAMI – Research Robots: Around Group –us University Everywhere of Waterloo 6/226 ICET 2012 http://landminefree.org/ http://www.icet-guc.org/2012/ MUSES_SECRET:© Dr. -
Cybernetic Human HRP-4C: a Humanoid Robot with Human-Like Proportions
Cybernetic Human HRP-4C: A humanoid robot with human-like proportions Shuuji KAJITA, Kenji KANEKO, Fumio KANEIRO, Kensuke HARADA, Mitsuharu MORISAWA, Shin’ichiro NAKAOKA, Kanako MIURA, Kiyoshi FUJIWARA, Ee Sian NEO, Isao HARA, Kazuhito YOKOI, Hirohisa HIRUKAWA Abstract Cybernetic human HRP-4C is a humanoid robot whose body dimensions were designed to match the average Japanese young female. In this paper, we ex- plain the aim of the development, realization of human-like shape and dimensions, research to realize human-like motion and interactions using speech recognition. 1 Introduction Cybernetics studies the dynamics of information as a common principle of com- plex systems which have goals or purposes. The systems can be machines, animals or a social systems, therefore, cybernetics is multidiciplinary from its nature. Since Norbert Wiener advocated the concept in his book in 1948[1], the term has widely spreaded into academic and pop culture. At present, cybernetics has diverged into robotics, control theory, artificial intelligence and many other research fields, how- ever, the original unified concept has not yet lost its glory. Robotics is one of the biggest streams that branched out from cybernetics, and its goal is to create a useful system by combining mechanical devices with information technology. From a practical point of view, a robot does not have to be humanoid; nevertheless we believe the concept of cybernetics can justify the research of hu- manoid robots for it can be an effective hub of multidiciplinary research. WABOT-1, -
El Extraño Mundo De Silvina Ocampo
El extraño mundo de Silvina Ocampo A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures of the Collage of Arts and Sciences by María Rebeca Deibel M.A University of Northern Iowa November 2012 Comittee Chair: Enrique A. Giordano, Ph.D. Abstract This dissertation brings a new approach to Silvina Ocampo studies by using the theory of uncanny and fantastic fields. It has been a great contribution the theoretical foundations of psychoanalyst Sigmund Freud The Uncanny and Irène Bessière Le récit fantastique. The main book is titled Fantasy: The Literature of Subversion by Rosemary Jackson as it integrates the notions raised by Tzvetan Todorov and Irène Bessière. Jackson's contribution has allowed me to clarify the definition of the fantastic and the uncanny to the development of this dissertation. I think the term paraxial deserves special mention because it reaffirms the fantastic not categorically defined within the real or unreal, but rather is considered as an ambiguity. Some short stories of the writer show signs of ambiguity, a characteristic of the fantastic, but this does not classify all her works within this category. I do not intend to place it within a literary genre because it’s narrative is presented in influence of various literary forms. I proved, however, that it leans more toward the uncanny rather than other narrative categories. Silvina Ocampo is an Argentina writer who seduces readers with an approach contrary to convention. -
Religion & Spirituality in Society Religión Y Espiritualidad En La
IX Congreso Internacional sobre Ninth International Conference on Religión y Religion & Espiritualidad en Spirituality in la Sociedad Society Símbolos religiosos universales: Universal Religious Symbols: Influencias mutuas y relaciones Mutual Influences and Specific específicas Relationships 25–26 de abril de 2019 25–26 April 2019 Universidad de Granada University of Granada Granada, España Granada, Spain La-Religion.com ReligionInSociety.com Centro de Estudios Bizantinos, Neogriegos y Chipriotas Ninth International Conference on Religion & Spirituality in Society “Universal Religious Symbols: Mutual Influences and Specific Relationships” 25–26 April 2019 | University of Granada | Granada, Spain www.ReligionInSociety.com www.facebook.com/ReligionInSociety @religionsociety | #ReligionConference19 IX Congreso Internacional sobre Religión y Espiritualidad en la Sociedad “Símbolos religiosos universales: Influencias mutuas y relaciones específicas” 25–26 de abril de 2019 | Universidad de Granada | Granada, España www.La-Religion.com www.facebook.com/ReligionSociedad @religionsociety | #ReligionConference19 Centro de Estudios Bizantinos, Neogriegos y Chipriotas Ninth International Conference on Religion & Spirituality in Society www.religioninsociety.com First published in 2019 in Champaign, Illinois, USA by Common Ground Research Networks, NFP www.cgnetworks.org © 2019 Common Ground Research Networks All rights reserved. Apart from fair dealing for the purpose of study, research, criticism or review as permitted under the applicable copyright legislation, no part of this work may be reproduced by any process without written permission from the publisher. For permissions and other inquiries, please contact [email protected]. Common Ground Research Networks may at times take pictures of plenary sessions, presentation rooms, and conference activities which may be used on Common Ground’s various social media sites or websites. -
El Espacio Como Espejo Cultural. Reflexiones Ecocríticas En América Latina a Principios Del Nuevo Milenio
El Espacio Como Espejo Cultural. Reflexiones Ecocríticas en América Latina a Principios del Nuevo Milenio Item Type text; Electronic Dissertation Authors Woolson, Maria Alessandra Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 20:19:47 Link to Item http://hdl.handle.net/10150/333210 EL ESPACIO COMO ESPEJO CULTURAL. REFLEXIONES ECOCRÍTICAS EN AMÉRICA LATINA A PRINCIPIOS DEL NUEVO MILENIO by Maria Alessandra Woolson __________________________ Copyright © Maria Alessandra Woolson 2014 A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH & PORTUGUESE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2014 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Maria Alessandra Woolson, titled “El espacio, un espejo cultural. Reflexiones ecocríticas en América latina a principios del nuevo milenio” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: August 1, 2014 Dr. Malcolm A. Compitello _______________________________________________________________________ Date: August 1, 2014 Dr. Laura Gutiérrez-Escarpita _______________________________________________________________________ Date: August 1, 2014 Dr. Abraham I. Acosta _______________________________________________________________________ Date: August 1, 2014 Dr. Carl J. Bauer Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models
Further Considerations of the Continuous ^5 with an Introduction and Explanation of Schenker's Five Interruption Models By: Irna Priore ―Further Considerations about the Continuous ^5 with an Introduction and Explanation of Schenker’s Five Interruption Models.‖ Indiana Theory Review, Volume 25, Spring-Fall 2004 (spring 2007). Made available courtesy of Indiana University School of Music: http://www.music.indiana.edu/ *** Note: Figures may be missing from this format of the document Article: Schenker’s works span about thirty years, from his early performance editions in the first decade of the twentieth century to Free Composition in 1935.1 Nevertheless, the focus of modern scholarship has most often been on the ideas contained in this last work. Although Free Composition is indeed a monumental accomplishment, Schenker's early ideas are insightful and merit further study. Not everything in these early essays was incorporated into Free Composition and some ideas that appear in their final form in Free Composition can be traced back to his previous writings. This is the case with the discussion of interruption, a term coined only in Free Composition. After the idea of the chord of nature and its unfolding, interruption is probably the most important concept in Free Composition. In this work Schenker studied the implications of melodic descent, referring to the momentary pause of this descent prior to the achievement of tonal closure as interruption. In his earlier works he focused more on the continuity of the line itself rather than its tonal closure, and used the notion of melodic line or melodic continuity to address long-range connections. -
“War of the Worlds Special!” Summer 2011
“WAR OF THE WORLDS SPECIAL!” SUMMER 2011 ® WPS36587 WORLD'S FOREMOST ADULT ILLUSTRATED MAGAZINE RETAILER: DISPLAY UNTIL JULY 25, 2011 SUMMER 2011 $6.95 HM0811_C001.indd 1 5/3/11 2:38 PM www.wotw-goliath.com © 2011 Tripod Entertainment Sdn Bhd. All rights reserved. HM0811_C004_WotW.indd 4 4/29/11 11:04 AM 08/11 HM0811_C002-P001_Zenescope-Ad.indd 3 4/29/11 10:56 AM war of the worlds special summER 2011 VOlumE 35 • nO. 5 COVER BY studiO ClimB 5 Gallery on War of the Worlds 9 st. PEtERsBuRg stORY: JOE PEaRsOn, sCRiPt: daVid aBRamOWitz & gaVin YaP, lEttERing: REmY "Eisu" mOkhtaR, aRt: PuPPEtEER lEE 25 lEgaCY WRitER: Chi-REn ChOOng, aRt: WankOk lEOng 59 diVinE Wind aRt BY kROmOsOmlaB, COlOR BY maYalOCa, WRittEn BY lEOn tan 73 thE Oath WRitER: JOE PEaRsOn, aRtist: Oh Wang Jing, lEttERER: ChEng ChEE siOng, COlORist: POPia 100 thE PatiEnt WRitER: gaVin YaP, aRt: REmY "Eisu" mOkhtaR, COlORs: ammaR "gECkO" Jamal 113 thE CaPtain sCRiPt: na'a muRad & gaVin YaP, aRt: slaium 9. st. PEtERsBuRg publisher & editor-in-chief warehouse manager kEVin Eastman JOhn maRtin vice president/executive director web development hOWaRd JuROFskY Right anglE, inC. managing editor translators dEBRa YanOVER miguEl guERRa, designers miChaEl giORdani, andRiJ BORYs assOCiatEs & JaCinthE lEClERC customer service manager website FiOna RussEll WWW.hEaVYmEtal.COm 413-527-7481 advertising assistant to the publisher hEaVY mEtal PamEla aRVanEtEs (516) 594-2130 Heavy Metal is published nine times per year by Metal Mammoth, Inc. Retailer Display Allowances: A retailer display allowance is authorized to all retailers with an existing Heavy Metal Authorization agreement.