Hupa Language Dictionary Second Edition
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In Plain Sight: Aspects of Developmental Process in Sally Beamish’S Seafarer Trilogy
In Plain Sight: Aspects of Developmental Process in Sally Beamish’s Seafarer Trilogy Richard E. McGregor University of Cumbria For a composer who has been described as being ‘at the top of her game and the pinnacle of her profession’, there is currently a complete lack of critical anal- ysis of Sally Beamish’s compositional style and technique.1 Interviews and re- views content themselves with a more or less descriptive approach, while prais- ing her ear for orchestral colour, particularly her affinity with string instruments or with voices. The former is usually explained by reference to her years as an ensemble player with, for example, Lontano and the Raphael Ensemble, while the latter is related back to the fact that her father was an amateur singer, and an aunt had a number of professional singing engagements. There are only so many times that a biography can be repeated, and Beamish is in good company with other well-respected composers such as James MacMillan who suffered for many years from the curse of the biography without analytical content. Interviewed by the author on two occasions, Beamish gave some tentative clues as to the origins of her compositional technique. In 2000 she responded to a question about pre-planning of composition with a hint of late-Stravinskian procedure: I do use [motifs] in a serial type of way with a series of transpositions so that I do make a note square with a 5 note motif and I transpose it and put them all on top of each other and then I have harmonies as well going down.2 Interviewed again during the 2012 Musica Scotica conference in Glasgow, she was somewhat more forthcoming as to the origin and nature of this working method: [Oliver Knussen] showed me a way of manipulating notes. -
Inglish Dikshineri = English
Kriol – Inglish Dikshineri English – Kriol Dictionary Compiled and edited by Yvette Herrera Myrna Manzanares Silvana Woods Cynthia Crosbie Ken Decker Editor-in-Chief Paul Crosbie Belize Kriol Project Cover design: Adapted from Yasser Musa Cover photo: Courtesy Robert Spain at 2008 Crooked Tree Cashew Fest Illustrations in the Introduction are from The Art of Reading, SIL International Literacy Department SIL International provided linguistic consultancy to this publication of the Belize Kriol Project. The Belize Kriol Project is the language development arm of The National Kriol Council. www.sil.org The National Kriol Council House of Culture, Regent Street P.O. Box 2447 Belize City Belize www.kriol.org.bz Belize Kriol Project P.O. Box 2120 Office: 33 Central American Blvd. Belize City, Belize The first printing of this dictionary was in 2007 and was funded by The Ministry of Education and The National Institute of Culture and History House of Culture, Regent Street Belize City, Belize First Edition Copyright © 2007 Belize Kriol Project Second Printing 2009 ISBN # 978-976-95165-1-9 Printed by Print Belize Belmopan, Belize CONTENTS List of Abbreviations .......................................... iv Foreword by Sir Colville Young.............................v Preface ..................................................................... ix Acknowledgements.............................................. xi Introduction.............................................................1 Guide to Using the Dictionary...........................3 The -
Brock, Lowry, Leon, Bailey, Woodward, Maple, Brett, Cripe and Cooper Families Susie Van Kirk
Humboldt State University Digital Commons @ Humboldt State University Susie Van Kirk Papers Special Collections 1-2013 Brock, Lowry, Leon, Bailey, Woodward, Maple, Brett, Cripe and Cooper Families Susie Van Kirk Follow this and additional works at: https://digitalcommons.humboldt.edu/svk Part of the Genomics Commons Recommended Citation Van Kirk, Susie, "Brock, Lowry, Leon, Bailey, Woodward, Maple, Brett, Cripe and Cooper Families" (2013). Susie Van Kirk Papers. 8. https://digitalcommons.humboldt.edu/svk/8 This Article is brought to you for free and open access by the Special Collections at Digital Commons @ Humboldt State University. It has been accepted for inclusion in Susie Van Kirk Papers by an authorized administrator of Digital Commons @ Humboldt State University. For more information, please contact [email protected]. Susie Van Kirk Historic Resources Consultant P.O Box 568 Bayside, CA 95524 [email protected] 707-822-6066 January 2013 BROCK, LOWRY, LEON, BAILEY, WOODWARD, MAPLE, BRETT, CRIPE AND COOPER FAMILIES Addendum, Feb. 2013 FE (16 Feb. 1894) Erick Thorsen and Yarnell Cooper have been brought from Orleans to Eureka charged with grand larceny in having killed a beef belonging to C.S. Hoffman and used it for food. FE (9 March 1894) Yarnell Cooper has been held to answer to charge of grand larceny [Thorsen released] FE (3 May 1895) Mrs. Thos. Brett, aged 21 years, died at Hoopa a few days since, of consumption. 1880 U.S. Census, Humboldt county, Redwood; Willow Creek precinct [Indian residents] 8. Jim, Capt., 40, Calif. 9. Mary, 30, wife 10. George, 12, son 11. Mary, 30 sister 12. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
Mattole River Cumulative Effects
Mattole River Watershed Analysis Cumulative Watershed Effects Public Review Draft September 2011 Cumulative Watershed Effects TABLE OF CONTENTS LIST OF TABLES ...................................................................................................................... iii LIST OF FIGURES .................................................................................................................... iv LIST OF PHOTOGRAPHS ........................................................................................................ vi LIST OF APPENDICES ............................................................................................................ vii LIST OF MAPS ........................................................................................................................ viii LIST OF ATTACHMENTS .......................................................................................................... x LIST OF ACRONYMS ............................................................................................................... xi 1.0 ABSTRACT .......................................................................................................................... 1 2.0 INTRODUCTION ................................................................................................................... 5 2.1 OVERVIEW OF WATERSHED ANALYSIS PROCESS .................................................................. 6 2.2 PURPOSE AND ORGANIZATION OF REPORT ....................................................................... -
The Right Thing to Do: Returning Land to the Wiyot Tribe
THE RIGHT THING TO DO: RETURNING LAND TO THE WIYOT TRIBE by Karen Elizabeth Nelson A Thesis Presented to The Faculty of Humboldt State University In Partial Fulfillment of the Requirements for the Degree Master of Arts In Sociology May, 2008 THE RIGHT THING TO DO: RETURNING LAND TO THE WIYOT TRIBE by Karen Elizabeth Nelson Approved by the Master’s Thesis Committee: Jennifer Eichstedt, Committee Chair Date Elizabeth Watson, Committee Member Date Judith Little, Committee Member Date Jennifer Eichstedt, Graduate Coordinator Date Chris Hopper, Interim Dean for Research and Graduate Studies Date ABSTRACT THE RIGHT THING TO DO: RETURNING LAND TO THE WIYOT TRIBE Karen Elizabeth Nelson In 2004, the Eureka City Council legally returned forty acres of Indian Island to the Wiyot tribe. This return occurred one hundred and forty four years after the Indian Island massacre. This research explores the returning of sacred tribal land in the context of collective apologies and reconciliations after generations of Native genocide. The significance of this case study includes a detailed narration of how the land transfer occurred and more importantly why it was labeled “the right thing to do” by Eureka City Council members and staff. This case study was examined with a grounded theory methodology. Using no hypotheses, the research and the research methodology unfolded in a non-linear process, letting the research speak for itself. Detailed interviews and a review of documents were used to qualify and quantify this unique community based social act. The results of this case study include how and why the Eureka City Council returned forty acres of Indian Island to the Wiyot people. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
LUMBE NEW MILLINERY. Jtjsti*' SALES
a m B errien Co. R ecord. Model W orks, A BEPUBLICAN .NEWSPAPEE. Manufacturers o f all kinds o ij PUBLISHED EVERY THURSDAY. — BT— JO H V G-. BLOIiMES. Call or Writs for Estimates.! T jrm si-SLSO per Ye^r. Furniture & Sewing Machines TiTABtE IX TDVANCR. REPAIRED TO ORDER. VOLUME xvn . BUCHAMN, BERRIEN COUNTY, MICHIGAN, THURSDAY, MARCH 1, 1888. N U M B E R 4 OFFICE—In, Record Building, Oak Street. MAIN ST., BUCHANAN, MIOH. GEKERAILY PERSONA!,. Theological Mathematics. F or Dyspepsia, “That’s easy enough,” said Bawshay. '*■ Pictures b y the Mile. VERSCHIEDENHEIT. “ You keep a fancy store, don’t you ? Business Directory. B usiness Directory* C os tiTen.es Si DECLINED WITH THANKS. Those who have recently had experi A subscriber who has read the Bible Sick Headache, “ Come, while the dew on the meadow, glitters, ‘Well, open up an artificial flower de There is a bill' before the New York IjIARMElis & MANUFACTUREKb BANK, Bu* Come where fhe starlight amiles on the lake." partment; ask the proprietor to let this ence with venders of cheap oiLpaint- more in'seeking a solution of the fol Legislature prohibiting the giving of SOCIETIES. JD chauau, Mich. All butifnesa eiiirusiuu to Cais Chronic Diar Bank will receive prompt aud personal attention. rhoea, Jaundice, “Not mnoh,” she said, “for I don’t like bitters, beauty wait on you; improve the ac ings, who have visited Buchanan, will lowing than ever before, contributes chromos and other presents-to the cus 0 . O. F.—Bnchanan Lodge No. 75 bolds It* And the dew and miasma compel m eto take. -
Falls Around Her
Baswewe Films and The Film Farm Present FALLS AROUND HER Starring Tantoo Cardinal Written and Directed by Darlene Naponse PRESS KIT SYNOPSIS Falls Around Her follows Mary Birchbark (Tantoo Cardinal), a legendary singer who returns to the vast wilderness of her reserve to reconnect with the land and her community. Mary begins to sense that someone might be watching her. Unsure of what is real and what is imagined, Mary embraces isolation as she explores the psychological impact of her past and present. PRODUCTION NOTES Work and Walk in a Good Way Honour the Seven Grandfathers teachings: Honesty – Wisdom – Respect – Bravery – Humility – Truth – Love Those words and several others would accompany Falls Around Her’s first callsheet and would be included in every callsheet during the shoot. For the Anishinaabe people, the Teachings of the Seven Grandfathers is a set of teachings on human conduct toward others. As film crews employ many people from several different backgrounds, it’s a daily reminder to treat all creation with respect. And cast and crew took those words to heart every day and it contributed to a joyful set. Even more amazing given that there was a mix of crew of indigenous and non-indigenous people. The crew for Falls Around Her became an amalgamation of Toronto and Atikameksheng Anishnawbek/Sudbury/North Bay crews along with many indigenous locals. For the locals, it was the biggest production to ever have its home base on the reservation, and they were prepared for the challenge and the collective hard work of all is reflected on-screen. -
Drought and Equity in California
Drought and Equity in California Laura Feinstein, Rapichan Phurisamban, Amanda Ford, Christine Tyler, Ayana Crawford January 2017 Drought and Equity in California January 2017 Lead Authors Laura Feinstein, Senior Research Associate, Pacific Institute Rapichan Phurisamban, Research Associate, Pacific Institute Amanda Ford, Coalition Coordinator, Environmental Justice Coalition for Water Christine Tyler, Water Policy Leadership Intern, Pacific Institute Ayana Crawford, Water Policy Leadership Intern, Pacific Institute Drought and Equity Advisory Committee and Contributing Authors The Drought and Equity Advisory Committee members acted as contributing authors, but all final editorial decisions were made by lead authors. Sara Aminzadeh, Executive Director, California Coastkeeper Alliance Colin Bailey, Executive Director, Environmental Justice Coalition for Water Carolina Balazs, Visiting Scholar, University of California, Berkeley Wendy Broley, Staff Engineer, California Urban Water Agencies Amanda Fencl, PhD Student, University of California, Davis Center for Environmental Policy and Behavior Kelsey Hinton, Program Associate, Community Water Center Gita Kapahi, Director, Office of Public Participation, State Water Resources Control Board Brittani Orona, Environmental Justice and Tribal Affairs Specialist and Native American Studies Doctoral Student, University of California, Davis Brian Pompeii, Lecturer, California Polytechnic State University, San Luis Obispo Tim Sloane, Executive Director, Institute for Fisheries Resources ISBN-978-1-893790-76-6 © 2017 Pacific Institute. All rights reserved. Pacific Institute 654 13th Street, Preservation Park Oakland, California 94612 Phone: 510.251.1600 | Facsimile: 510.251.2203 www.pacinst.org Cover Photos: Clockwise from top left: NNehring, Debargh, Yykkaa, Marilyn Nieves Designer: Bryan Kring, Kring Design Studio Drought and Equity in California I ABOUT THE PACIFIC INSTITUTE The Pacific Institute envisions a world in which society, the economy, and the environment have the water they need to thrive now and in the future. -
Fluid Motion FALL 2014 ISSUE from the Letter Editor Hello Hayden’S Readers
featuring Ásgeir and Alberto Seveso amazing works by Sven Sauer, Atsushi Koyama, Beau Saunders and more Fluid Motion FALL 2014 ISSUE From The Letter Editor Hello Hayden’s readers, This issue of Hayden’s, “Fluid Motion” is special for have also put together a a few reasons. It’s our seventh issue in our sev- contributor list of all the enth year at Elf. We also introduce music into our many wonderful contrib- magazine through our feature interview with Ásgeir, utors we have had over an incredibly talented Icelandic musician who has the years. Thank you already achieved so much at the age of 23. Fluid everyone! Motion has two feature artists, Ásgeir, musician and Alberto Seveso, ink and water artist extraordinaire. While we have only one This issue also showcases the works of 11 talented issue this year, it’s worth artists, whose works range from mixed media to pho- the wait. It has been a tography, illustration, film, poetry and graphic art. pleasure to put togeth- From music or what we like to call poetry in motion, er. We hope you enjoy to Alberto’s fluid explorations of ink and water and it and it inspires you to Beau’s moving dance imagery, our theme of “Fluid create, explore and love. Motion” flows effortlessly through this issue. Thank you. Hayden’s explores the creative We are now in the App store! Issuu has also All the best, impulse through visual stories. launched new apps for iTunes http://bit.ly/1wee- We hope to inspire you. VVx and Android http://bit.ly/1lpvlpJ. -
A Guide to Source Material on Extinct North American Indian Languages Author(S): Kenneth Croft Source: International Journal of American Linguistics, Vol
A Guide to Source Material on Extinct North American Indian Languages Author(s): Kenneth Croft Source: International Journal of American Linguistics, Vol. 14, No. 4 (Oct., 1948), pp. 260-268 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1262881 . Accessed: 22/03/2011 08:07 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to International Journal of American Linguistics. http://www.jstor.org A GUIDE TO SOURCE MATERIAL ON EXTINCT NORTH AMERICAN INDIAN LANGUAGES KENNETHCROFT INDIANAUNIVERSITY 0.