DOCSLIB.ORG

1997 Sundance Film Festival Awards Jurors

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1997 Sundance Film Festival Awards Jurors 1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. FREEMAN, director of Hurricane EXCELLENCE IN CINEMATOGRAPHY AWARD Documentary—Christine Choy for MY AMERICA...OR HONK IF YOU LOVE BUDDHA Dramatic—Enrique Chediak for HURRICANE FREEDOM OF EXPRESSION AWARD HOUSE OF YES actor Parker Posey, FAMILY NAME, directed by Macky Alston; and FEAR AND LEARNING AT HOOVER ELEMENTARY, directed by Laura Angelica Simón (SHARED) PHOTO BY DREW FIGUEROA WALDO SALT SCREENWRITING AWARD James Lasdun and Jonathan Nossiter, screenwriters of SUNDAY SPECIAL JURY PRIZES JURORS Documentary—SICK: THE LIFE AND DEATH OF BOB FLANAGAN, SUPERMASOCHIST, [Documentary Competition] Joe Berlinger, Jerret Engle, Debo- directed by Kirby Dick rah Hoffmann, Michael Lumpkin, Lourdes Portillo [Dramatic Dramatic—Special Jury Prize for Acting to Parker Posey for THE HOUSE OF YES Competition] Patrick Duncan, Giancarlo Esposito, Catherine Dramatic—Special Jury Prize for Production Design to Thérèse DePrez for Keener, Ellen Kuras, John Powers [Latin American] Alfonso GOING ALL THE WAY Cuaron, Ramiro Puerta, Helena Salem [Short] Godfrey Cheshire, Lisa Krueger, Kate Williams 1997 SUNDANCE FILM FESTIVAL FILMS 100 Proof Dream with the Fishes Jimmy Walks Away Nation Is Coming, A Space Truckers 27 East Side Story Joe’s So Mean to Josephine New School Order Star Maps 35 Miles from Normal Effi Briest (Fontane Effi Briest) John Henrik Clarke: A Great and Norma’s Lament Stella Does Tricks “78” Eye of God Mighty Walk Not Love, Just Frenzy (Mas que Story of the Red Rose, The Acne Family Name Killers Amor frenesi) Strays Act of Conscience, An Farewell, My Darling Kiss Me, Guido Nowhere SubUrbia After Fast, Cheap & Out of Control Kissed NY, the Lost Civilization Sunday Ali: Fear Eats the Soul Fear and Learning at Hoover Elementary Kolya Tamaiti Sweet Power (Doces Poderes) All of Them Witches (Sobrenatural) Fifteen-Minute Hamlet, The Landscapes of Memory (O sertao Oedipus Mayor (Edipo alcalde) Swim, Swim... All Over Me Fight in the Fields, Cesar Chavez and das memorias) Out at Work Syphon-Gun Allen Ginsberg’s ‘Ballad of the Skeletons’ the Farmworkers’ Struggle, The Language of Love, The Paul Monette: The Brink of Summer’s End Tao of the Dumpster American Road Finished Last Red Riding Hood, The (Le Pink Flamingos Taste of Earth, A Andre the Giant Has a Posse First Year dernier chaperon rouge) Pool Boy, The Temptress Moon Anita Liberty Fistful of Flies Last Time I Committed Suicide, The POP Thank You for Not Smoking Anna in the Sky Focus Law of Averages Portland The Spirit of Christmas Apartment, The Forgotten Warriors Lewis & Clark & George Poverty Outlaw This World, Then the Fireworks Aristotle’s Plot Franchesca Page Licensed to Kill Power True Story, A (Yek Dastan-e Vaghe’i) Arresting Gena Frantz Fanon: Black Skin, White Mask Lilies Prefontaine Twilight of the Golds, The Banzai Boys Frog Crossing Little Angel (Engelchen) Prisoner of the Mountains (Kavkazski Twin Town Better Late Full Monty, The Little Red Riding Hood plennik) Two or Three Things but Nothing for Sure Birdhouse Gallivant Lola Puddle Cruiser Two People Talking Black Circle Boys Garden for Rio, A Long Way Home, The Querelle Ulee’s Gold Black & White & Red All Over George B. Lost Highway Rainbow Man/John 3:16, The Usual and Accustomed Places Blackrock Gift, The Love and Other Catastrophes Real Indian Waco: The Rules of Engagement Blacks and Jews Girls Like Us Love God Rhinoceros Hunting in Budapest When the Cat’s Away (Chacun cherche Blue City Going All the Way Love Jones Riding the Rails son chat) Boot Camp Green Chimneys Love Serenade Running Against (Correre contro) Wonderland Box of Moonlight Gridlock’d Love! Valour! Compassion! Sad? Words of Our Ancients Box, The Groomed Love Walked In Saint Inspector, The Brassed Off Happy Hour Making Sandwiches Salt in the Wound, The (El dedo en Breezeway Healthy Baby Girl, A Man about Town la llaga) Bremen Freedom (Bremer Freiheit) Hide and Seek Marriage of Maria Braun, The (Die Santa Fe Buddha Bless America His & Hers Ehe der Maria Braun) Seed Central Park House of America Martha Shaft of Light Chasing Amy House of Yes Mary Jane’s Not a Virgin Anymore Shall We Dance? Children of the Revolution How They Get There Marylou Shock Asylum Chronicle of a Disappearance Hozho of Native Women Memory Tricks Shooting the Breeze Clockwatchers, The Hugo Pool Mimi (La bouche de Jean-Pierre) Sick: The Life and Death of Bob Flanagan, Colin Fitz Hunter Called Memory, A Moebius Supermasochist Common Bonds Hurricane Mother Kusters Goes to Heaven (Mutter Six O’Clock News Date, The I Love You . Don’t Touch Me! Kusters Fahrt zum Himmel) Slaves to the Underground Davey and Son of Goliath Ilona Arrives with the Rain (Ilona Mr. Vincent Small Taste of Heaven Deep Crimson llega con la lluvia) My America . or Honk if You Love Snakes & Ladders Delta, The In the Company of Men Buddha So Many Things to Consider Divinity Gratis Inside Out My Pretty Little Girlfriend Someone Else from Queens Is Queer Down Rusty Down Jackpot Myth of Fingerprints, The Sometimes My Feet Go Numb sundance.org/festival For more information on the History of the Sundance Film Festival, contact [email protected]. 1998 SUNDANCE FILM FESTIVAL The shape of the 1998 Sundance Film Festival changed considerably as the Festival headquarters moved from the center of town to the Shadow Ridge Lodge, and a new 1,300 seat theater, the Eccles, opened its doors. 1998 also saw the rise of the actor/director, as such fi gures as Timothy Hutton, Sara Gilbert, Vincent Gallo, Greg German and Saul Rubinek moved behind the camera. PI testifi ed again to the power of imaginative fi lmmaking, and little Christina Ricci grew up with very adult performances in THE OPPOSITE OF SEX and BUFFALO 66. Piper-Heidsieck Tribute to Indepen- dent Vision was awarded to Frances McDormand. AWARDS GRAND JURY PRIZE JURY PRIZE IN SHORT FILMMAKING Documentary—THE FARM, directed by Jonathan Stark and Liz Garbus; and FRAT SNAKE FEED, directed by Debra Granik HOUSE, directed by Todd Phillips and Andrew Gurland (later rescinded) (shared) HONORABLE MENTIONS IN SHORT FILMMAKING Dramatic—SLAM, directed by Marc Levin HUMAN REMAINS, directed by Jay Rosenblatt AUDIENCE AWARD Documentary—OUT OF THE PAST, directed by Jeff Dupre Dramatic—SMOKE SIGNALS, directed by Chris Eyre FILMMAKERS TROPHY Documentary—DIVINE TRASH, directed by Steve Yeager Dramatic—SMOKE SIGNALS, directed by Chris Eyre DIRECTING AWARD Documentary—Julia Loktev, director of MOMENT OF IMPACT Dramatic—Darren Aronofsky, director of PI EXCELLENCE IN CINEMATOGRAPHY AWARD Documentary—Tom Hurwitz for WILD MAN BLUES Dramatic—Declan Quinn for 2BY4 FREEDOM OF EXPRESSION AWARD THE DECLINE OF WESTERN CIVILIZATION, PART III, directed by Penelope Spheeris SLIDING DOORS producer Syndey Pollack. WALDO SALT SCREENWRITING AWARD Lisa Cholodenko, screenwriter of HIGH ART PHOTO BY JOHN DOLAN SPECIAL JURY PRIZES Dramatic—Special Jury Prize for Acting to Andrea Hart for MISS MONDAY JURY PRIZE IN LATIN AMERICAN CINEMA JURORS WHO THE HELL IS JULIETTE?, directed by Carlos Marcovich [Documentary Competition] Steve Ascher, Nick Brommfi eld, Christine Choy, Lisa Leeman, Pamela Yates [Dramatic Com- petition] Kayo Hatta, Owen Gleiberman, Paul Schrader, Chris Sievernich, Alfre Woodard [Latin American Jury] Tata Amaral, Jorge Sanchez, Helga Stephenson [Short Film Jury] Juan Carlos Martinez-Zaldivar, Rachel Rosen, Alex Sichel 1998 SUNDANCE FILM FESTIVAL FILMS 28 Decline of Western Civilization Life According to Muriel (La vida Rocking Horse Winner, The Whatever 2by4 Part III, The segœn Muriel) Rosa’s Time When the Fire Dims A,B,C...Manhattan Digging to China Life During WarTime Safe Men Who the Hell Is Juliette? (¿Quién About Laughter Dirty Lou Reed: Rock and Roll Heart Saltmen of Tibet, The diablos es Juliette?) Absolution of Anthony, The Divine Trash Majorettes in Space Scars Wicked Advice to Adventurous Girls Don’t Run, Johnny Marie Baie
Load more

Recommended publications
  • Copyrighted Material
    9781405170550_6_ind.qxd 16/10/2008 17:02 Page 432 INDEX 4 Little Girls (1997) 93 action-adventure movie 147, 149, 254, 339, 348, 352, 392–3, 396–7, 8 Mile (2002) 396–7 259, 276, 287–8, 298–9, 410 402–3 20th Century-Fox 21, 30, 34, 40–2, 73, actualities 106, 364, 410 Against All Odds (1984) 289 149, 184, 204–5, 281, 335 ACT-UP (AIDS Coalition to Unleash Agar, John 268 25th Hour, The (2002) 98 Power) 337, 410 Aghdashloo, Shohreh 75 27 Dresses (2008) 353 ADA (Americans with Disabilities Act) Ahn, Philip 130 28 Days (2000) 293 398–9, 410 AIDS 99, 329, 334, 336–40 48 Hours (1982) 91 Adachi, Jeff 139 AIDS Coalition to Unleash Power see 100-to-1 Shot, The (1906) 174 Adams, Evan 118–19 ACT-UP 300 (2007) 74, 298, 300 ADC (American-Arab Anti- AIM (American Indian Movement) 111, Discrimination Committee) 73–4, 116–17, 410 Abbott and Costello 268 410 Air Force (1943) 268 ABC 340 Addams Family, The (1991) 156 Akins, Zoe 388–9 Abie’s Irish Rose (stage) 57 Addams Family Values (1993) 156 Aladdin (1992) 73–4, 246 Abilities United Productions 384 Adiarte, Patrick 72 Alba, Jessica 76, 155, 159 ability 359–84, 410 adult Western 111, 410 Albert, Eddie 72 ableism 361, 381, 410 Adventures of Ozzie & Harriet, The (TV) Albert, Edward 375 Abominable Dr Phibes, The (1971) 284 Alexie, Sherman 117–18 365 Adventures of Priscilla, Queen of the Algie, the Miner (1912) 312 Abraham, F. Murray 75, 76 COPYRIGHTEDDesert, The (1994) 348 MATERIALAli (2001) 96 Academy Awards (Oscars) 29, 58, 63, Adventures of Sebastian Cole, The (1998) Alice (1990) 130 67, 72, 75, 83, 92, 93,
    [Show full text]
  • First-Run Smoking Presentations in U.S. Movies 1999-2006
    First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform.
    [Show full text]
  • Tisch School of the Arts
    18 Visible TISCH SCHOOL New York University EOFvidence THE ARTS August 11-14, 2011 NEW YORK, WELCOME EVER VIGILANT, IS THE CITY THAT never sleeps, a perfect setting for an international TO YOU ALL! conference on documentary film. We extend our thanks to Tisch School of the Arts, Cinema Studies Pro- WITHIN THE BROADER CONTEXT fessor, and Visible Evidence 18 Conference Director, Jon- of our Moving Image Archiving and Preservation Program athan Kahana for his energetic efforts to bring the confer- and Certificate Program in Culture and Media, the De- ence to the Big Apple. Professor Kahana has deployed his superb organizational skills to assemble an impressive set of partment of Cinema Studies at NYU is committed to sponsoring institutions and panelists over the four days of the developing both pedagogy and practice in the field conference and we are grateful to him and the legion of vol- of documentary. The fact that this year we are unteers and participating institutions who made hosting Visible Evidence 18 is a demonstra- this event possible. The Visible Evidence 18 Con- ference is a bittersweet occasion: we celebrate a tion of that commitment as well as a validation, great filmmaker, the “dean” of documentary film, as Jonathan Kahana writes, of documentary film-mak- George Stoney, Professor Emeritus in the Tisch ers’ long love affair with New York. I want to congratulate School’s Kanbar Institute of Film and Television, Professor Kahana for putting together this stellar conference and we pay tribute to our school’s beloved and renowned theorist and historian, the late Rob- and mobilizing such a wide range of institutional collabora- ert Sklar, Professor Emeritus in the department tors across the city.
    [Show full text]
  • Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
    Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights.
    [Show full text]
  • Thesis Submitted to the Faculty of Graduate Studies and Research
    University of Alberta The Performance of Identity in Wajdi Mouawad’s Incendies by Nicole Renault A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Drama ©Nicole Renault Fall 2009 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-54187-6 Our file Notre référence ISBN: 978-0-494-54187-6 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]
  • Download Detailseite
    a_f_JahrAnmeldeNr WETTBEWERB VICTORIA Sebastian Schipper Selbstverloren tanzt die junge Spanierin Victoria durch die Berliner Deutschland 2015 Szene. Vor einem Club lernt sie vier Kumpel kennen, die sich als Son- 140 Min. · DCP · Farbe ne, Boxer, Blinker und Fuß vorstellen. Schnell kommt man ins Gespräch. Sonne und Victoria interessieren sich füreinander und setzen sich bei Regie Sebastian Schipper erster Gelegenheit von der Gruppe ab. Ihr zarter Flirt wird jedoch jäh Buch Sebastian Schipper, Olivia Neergaard-Holm, Eike Schulz von den anderen unterbrochen, denn für die Kumpel ist diese Nacht Kamera Sturla Brandth Grøvlen noch lange nicht zu Ende. Um eine alte Schuld zu begleichen, müssen Musik Nils Frahm sie ein krummes Ding durchziehen. Weil einer von ihnen zu betrunken Annika Nagel Foto: Sound Design Fabian Schmidt ist, soll ausgerechnet Victoria die Rolle der Fahrerin übernehmen. Aus Ton Magnus Pflüger Geboren 1968 in Hannover. Spiel wird plötzlich Ernst. Production Design Uli Friedrichs Schauspielausbildung an der Otto Falckenberg Nach eigenem Drehbuch skizziert Schauspieler und Regisseur Kostüm Stefanie Jauss Schule, München, anschließend zwei Jahre Sebastian Schipper die Geschichte einer atemlosen Nacht in den Stra- Maske Fay Hatzius lang Ensemblemitglied bei den Münchner ßen der Metropole. Die Kamera verknüpft die vergehende Zeit und Regieassistenz Ires Jung Kammerspielen. Als Schauspieler trat er in Casting Suse Marquardt, Lucie Lenox Filmen von Sönke Wortmann, Tom Tykwer, die zahlreichen Schauplätze nahtlos miteinander und bezieht den Zu- schauer unmittelbar ins Geschehen ein. Mit der verwegenen Truppe Produktionsleitung Steffen Leiser Romuald Karmakar und Anthony Minghella Produzenten Jan Dressler, blickt man von Hochhausdächern über die Stadt, flaniert über men- auf. Sein Regiedebüt ABSOLUTE GIGANTEN, Sebastian Schipper, David Keitsch, für das er wie bei allen seinen Regiearbeiten, schenleere Bürgersteige und versteckt sich in abgelegenen Hinterhö- Anatol Nitschke, Catherine Baikousis, auch das Drehbuch schrieb, wurde mit dem fen.
    [Show full text]
  • Following Is a List of All 2019 Festival Jurors and Their Respective Categories
    Following is a list of all 2019 Festival jurors and their respective categories: Feature Film Competition Categories The jurors for the 2019 U.S. Narrative Feature Competition section are: Jonathan Ames – Jonathan Ames is the author of nine books and the creator of two television shows, Bored to Death and Blunt Talk His novella, You Were Never Really Here, was recently adapted as a film, directed by Lynne Ramsay and starring Joaquin Phoenix. Cory Hardrict– Cory Hardrict has an impressive film career spanning over 10 years. He currently stars on the series The Oath for Crackle and will next be seen in the film The Outpostwith Scott Eastwood. He will star and produce the film. Dana Harris – Dana Harris is the editor-in-chief of IndieWire. Jenny Lumet – Jenny Lumet is the author of Rachel Getting Married for which she received the 2008 New York Film Critics Circle Award, 2008 Toronto Film Critics Association Award, and 2008 Washington D.C. Film Critics Association Award and NAACP Image Award. The jurors for the 2019 International Narrative Feature Competition section are: Angela Bassett – Actress (What’s Love Got to Do With It, Black Panther), director (Whitney,American Horror Story), executive producer (9-1-1 and Otherhood). Famke Janssen – Famke Janssen is an award-winning Dutch actress, director, screenwriter, and former fashion model, internationally known for her successful career in both feature films and on television. Baltasar Kormákur – Baltasar Kormákur is an Icelandic director and producer. His 2012 filmThe Deep was selected as the Icelandic entry for the Best Foreign Language Oscar at the 85th Academy Awards.
    [Show full text]
  • The Riff Issue
    STOCKHOLM WOW AUTUMN CITIES: LONDON, P The riff issue : COPENHA ARIS, BERLIN, WE ARE ON OUR WAY! T he future of of he future GEN I celandic cinema is in the air THE RIFF ISSUE The future of Icelandic cinema What is RIFF? Learn all there is to know about Reykjavík International Film Festival WOW PICKS The must-see list at RIFF What’s going on? Iceland is happening IS IN THE AIR I ssue five Winter is coming: ISSUE 2013 GET YOUR GEAR READY FOR FIVE 2013 THESE AWESOME PISTES Tax & Duty Free Experience Iceland All of our shops and restaurants offer you Icelandic memories to take home. /SIA.IS/FLE 63311 04/13 ÍSLENSKA One of few airports in the world that is both tax and duty free — meaning up to 50% off city prices. Nearby Landmannalaugar 2 ı WOW is in the air TaxTax && DutyDuty FreeFree ExperienceExperience IcelandIceland AllAll ofof ourour shopsshops andand restaurantsrestaurants offeroffer youyou IcelandicIcelandic memoriesmemories toto taketake home.home. /SIA.IS/FLE 63311 04/13 /SIA.IS/FLE 63311 04/13 ÍSLENSKA ÍSLENSKA OneOne ofof fewfew airportsairports inin thethe worldworld thatthat isis bothboth taxtax andand dutyduty freefree —— meaningmeaning upup toto 50%50% offoff citycity prices.prices. NearbyNearby LandmannalaugarLandmannalaugar Issue five ı 3 Hello darkness my old friend … The fall is a time for contemplation and, at least in my case, a new beginning. It’s about getting the kids back to school, wiping the frost from the car windows, rejoicing in the autumn colors and dreading but still kind of looking forward to the darkest days of winter.
    [Show full text]
  • Baltasar Kormákur
    THE DEEP EEN FILM VAN BALTASAR KORMÁKUR WILD BUNCH WILLEMSSTRAAT 24B – 1015 JD – AMSTERDAM WWW.WILDBUNCH.NL [email protected] WILDBUNCHblx THE DEEP – BALTASAR KORMÁKUR PROJECT SUMMARY EEN PRODUCTIE VAN BLUEEYES PRODUCTIONS, FILMHUSET AS TAAL IJSLANDS LENGTE 95 MINUTEN ORIGINELE TITEL DJUPID GENRE DRAMA LAND VAN HERKOMST IJSLAND FILMMAKER BALTASAR KORMÁKUR HOOFDROLLEN ÓLAFUR DARRI ÓLAFSSON, JÓHANN G. JÓHANNSSON, BJÖRN THORS RELEASEDATUM 25 APRIL 2013 FESTIVALS TORONTO INTERNATIONAL FILMFESTIVAL – SPECIAL PRESENTATION KIJKWIJZER SYNOPSIS Als op een koude nacht in 1984 een vissersboot met zijn gehele bemanning aan boord zinkt, is er slechts één iemand die de schipbreuk op miraculeuze wijze weet te overleven. Het is wetenschappelijk onverklaarbaar aangezien Gulli zes uur in het ijskoude water heeft gelegen. Terwijl zijn bovennatuurlijke wil om te overleven hem tot nationale held van IJsland heeft gebombardeerd, herinnert Gulli de zwarte nacht als het moment waarop hij zijn vrienden en collega’s verloor. Gebaseerd op een waargebeurd verhaal. CAST GULLI ÓLAFUR DARRI ÓLAFSSON PALLI JÓHANN G. JÓHANNSSON HALLA PORBJÖRG HELGA PORGILSDÓTTIR GULLI’S FATHER THEODÓR JÚLÍUSSON GULLI’S MOTHER MARÍA SIGURDARDÓTTIR HANNES BJÖRN THORS LÁRUS PRÖSTUR LEÓ GUNNARSSON ERLINGUR GUDJÓN PEDERSEN RAGGI WALTER GRÍMSSON JÓN STEFÁN HALLUR STEFÁNSON CREW DIRECTOR BALTASAR KORMÁKUR SCREENPLAY BALTASAR KORMÁKUR JÓN ATLI JÓNASSON PRODUCER BALTASAR KORMÁKUR AGNES JOHANSEN EXECUTIVE PRODUCER LILJA PÁLMADÓTTIR DAVID LINDE CINEMATOGRAHER BERGSTEINN BJÖRGÚLFSSON EDITOR SVERRIR KRISTJÁNSSON ELÍSABET RONALDSDÓTTIR SOUND KJARTAN KJARTÁNSSON INGVAR LUNDBERG PRODUCTION DESIGNER ATLI GEIR GRÉTARSSON THE DEEP – BALTASAR KORMÁKUR THE DEEP - DIRECTOR’S NOTES I was just a teenager when this actually happened. Like everyone else in our small country I felt for all the people of the Westmann Islands who again had lost men at sea, but I was also fascinated by the news on the sole survivor.
    [Show full text]
  • Young Adult Realistic Fiction Book List
    Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her.
    [Show full text]
  • Tape ID Title Language Type System
    Tape ID Title Language Type System 1361 10 English 4 PAL 1089D 10 Things I Hate About You (DVD) English 10 DVD 7326D 100 Women (DVD) English 9 DVD KD019 101 Dalmatians (Walt Disney) English 3 PAL 0361sn 101 Dalmatians - Live Action (NTSC) English 6 NTSC 0362sn 101 Dalmatians II (NTSC) English 6 NTSC KD040 101 Dalmations (Live) English 3 PAL KD041 102 Dalmatians English 3 PAL 0665 12 Angry Men English 4 PAL 0044D 12 Angry Men (DVD) English 10 DVD 6826 12 Monkeys (NTSC) English 3 NTSC i031 120 Days Of Sodom - Salo (Not Subtitled) Italian 4 PAL 6016 13 Conversations About One Thing (NTSC) English 1 NTSC 0189DN 13 Going On 30 (DVD 1) English 9 DVD 7080D 13 Going On 30 (DVD) English 9 DVD 0179DN 13 Moons (DVD 1) English 9 DVD 3050D 13th Warrior (DVD) English 10 DVD 6291 13th Warrior (NTSC) English 3 nTSC 5172D 1492 - Conquest Of Paradise (DVD) English 10 DVD 3165D 15 Minutes (DVD) English 10 DVD 6568 15 Minutes (NTSC) English 3 NTSC 7122D 16 Years Of Alcohol (DVD) English 9 DVD 1078 18 Again English 4 Pal 5163a 1900 - Part I English 4 pAL 5163b 1900 - Part II English 4 pAL 1244 1941 English 4 PAL 0072DN 1Love (DVD 1) English 9 DVD 0141DN 2 Days (DVD 1) English 9 DVD 0172sn 2 Days In The Valley (NTSC) English 6 NTSC 3256D 2 Fast 2 Furious (DVD) English 10 DVD 5276D 2 Gs And A Key (DVD) English 4 DVD f085 2 Ou 3 Choses Que Je Sais D Elle (Subtitled) French 4 PAL X059D 20 30 40 (DVD) English 9 DVD 1304 200 Cigarettes English 4 Pal 6474 200 Cigarettes (NTSC) English 3 NTSC 3172D 2001 - A Space Odyssey (DVD) English 10 DVD 3032D 2010 - The Year
    [Show full text]
  • Liste Artistique Liste Technique
    LISTE ARTISTIQUE Lance Emile HIRSCH Alvin Paul RUDD La dame Joyce PAYNE Le conducteur Lance LEGAULT X LISTE TECHNIQUE Scénario et réalisation David Gordon GREEN Adapté de Either Way de Hafsteinn Gunnar SIGURÐSSON Image Tim ORR Montage Colin PATTON Direction artistique Richard A. WRIGHT Costumes Jill NEWELL Musique originale Explosions In The Sky & David WINGO Supervision musicale Devoe YaTES Une production Muskat Filmed Properties & Dogfish Pictures En association avec Lankn Partners, Dreambridge Films, The Bear Media, Rough House Produit par Lisa MUSKAT, Derrick TSENG, Craig ZOBEL, James BELFER, David Gordon GREEN Co-producteurs Berndt MADER, Alexander UHLMANN Producteurs associés Leo JOSEPH, Todd LABAROWSKI Design : E.DOROT Design : Ðavíd ÓSKAR ÓLAFSSON, Árni FILIPPUSSON, Tobias MUNTHE, Theo YOUNGSTEIN, Danny MCBRIDE, Jody HILL, Matthew REILLY © 2012 To Get to the Other Side, LLC Get to the Other Side, To © 2012 Co-producteurs associés Brad COOLIDGE, Melissa COOLIDGE Distribution Memento Films Distribution OURS D’ARGENT MEILLEUR RÉALISATEUR FESTIVAL DE BERLIN PAUL RUDD EMILE HIRSCH ( Prince AValanche ) un film de DAVID GORDON GREEN 1h34 - États-Unis - DCP - 2 : 39 - 5.1 SORTIE LE OCTOBRE photos et dossier de presse téléchargeables sur www.memento-films.com SYNOPSIS distribution presse Eté 1988. David et Lance travaillent ensemble sur les marquages d’une route Laurence Granec endommagée par le feu. Tandis que l’un se languit de sa jeune épouse, l’autre ne Karine Ménard pense qu’aux fêtes et aux filles... t : 01 53 34 90 39 t : 01 47 20 36 66 [email protected] [email protected] ENTRETIEN AVEC DAVID GORDON GREEN film, spécialement lorsque le personnage de Paul Rudd se retrouve seul pour le week-end… J’ai déjà utilisé des morceaux du groupe Explosions in the Sky mais c’est la première fois qu’on a vraiment « collaboré ».
    [Show full text]