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1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Geologic Map of the Victoria Quadrangle (H02), Mercury
H01 - Borealis Geologic Map of the Victoria Quadrangle (H02), Mercury 60° Geologic Units Borea 65° Smooth plains material 1 1 2 3 4 1,5 sp H05 - Hokusai H04 - Raditladi H03 - Shakespeare H02 - Victoria Smooth and sparsely cratered planar surfaces confined to pools found within crater materials. Galluzzi V. , Guzzetta L. , Ferranti L. , Di Achille G. , Rothery D. A. , Palumbo P. 30° Apollonia Liguria Caduceata Aurora Smooth plains material–northern spn Smooth and sparsely cratered planar surfaces confined to the high-northern latitudes. 1 INAF, Istituto di Astrofisica e Planetologia Spaziali, Rome, Italy; 22.5° Intermediate plains material 2 H10 - Derain H09 - Eminescu H08 - Tolstoj H07 - Beethoven H06 - Kuiper imp DiSTAR, Università degli Studi di Napoli "Federico II", Naples, Italy; 0° Pieria Solitudo Criophori Phoethontas Solitudo Lycaonis Tricrena Smooth undulating to planar surfaces, more densely cratered than the smooth plains. 3 INAF, Osservatorio Astronomico di Teramo, Teramo, Italy; -22.5° Intercrater plains material 4 72° 144° 216° 288° icp 2 Department of Physical Sciences, The Open University, Milton Keynes, UK; ° Rough or gently rolling, densely cratered surfaces, encompassing also distal crater materials. 70 60 H14 - Debussy H13 - Neruda H12 - Michelangelo H11 - Discovery ° 5 3 270° 300° 330° 0° 30° spn Dipartimento di Scienze e Tecnologie, Università degli Studi di Napoli "Parthenope", Naples, Italy. Cyllene Solitudo Persephones Solitudo Promethei Solitudo Hermae -30° Trismegisti -65° 90° 270° Crater Materials icp H15 - Bach Australia Crater material–well preserved cfs -60° c3 180° Fresh craters with a sharp rim, textured ejecta blanket and pristine or sparsely cratered floor. 2 1:3,000,000 ° c2 80° 350 Crater material–degraded c2 spn M c3 Degraded craters with a subdued rim and a moderately cratered smooth to hummocky floor. -
JREV3.6FULL.Pdf
KNO ED YOUNG FM98 MONDAY thru FRIDAY 11 am to 3 pm: CHARLES M. WEISENBERG SLEEPY I STEVENSON SUNDAY 8 to 9 pm: EVERYDAY 12 midnite to 2 am: STEIN MONDAY thru SATURDAY 7 to 11 pm: KNOBVT THE CENTER OF 'He THt fM DIAL FM 98 KNOB Los Angeles F as a composite contribution of Dom Cerulli, Jack Tynan and others. What LETTERS actually happened was that Jack Tracy, then editor of Down Beat, decided the magazine needed some humor and cre• ated Out of My Head by George Crater, which he wrote himself. After several issues, he welcomed contributions from the staff, and Don Gold and I began. to contribute regularly. After Jack left, I inherited Crater's column and wrote it, with occasional contributions from Don and Jack Tynan, until I found that the well was running dry. Don and I wrote it some more and then Crater sort of passed from the scene, much like last year's favorite soloist. One other thing: I think Bill Crow will be delighted to learn that the picture of Billie Holiday he so admired on the cover of the Decca Billie Holiday memo• rial album was taken by Tony Scott. Dom Cerulli New York City PRAISE FAMOUS MEN Orville K. "Bud" Jacobson died in West Palm Beach, Florida on April 12, 1960 of a heart attack. He had been there for his heart since 1956. It was Bud who gave Frank Teschemacher his first clarinet lessons, weaning him away from violin. He was directly responsible for the Okeh recording date of Louis' Hot 5. -
Emily Alves Is a Brazilian-American Cellist from New Orleans. She
CollabFest 2019 Performer Bios and Headshots Emily Alves is a Brazilian-American cellist from New Orleans. She began playing violin under the Suzuki method when she was four years old, and switched to cello when she was ten. Emily received her Bachelor’s in Music Performance from Loyola University New Orleans this past Spring, and is now a Master’s of Music Performance student here at UNT. An avid chamber musician, she has played in many different chamber groups, receiving coaching from Nadja Salerno-Sonnenberg for the past two years and playing for groups such as the Miró Quartet and the Goldstein-Peled-Fiterstein trio. Last year, she was featured as a soloist alongside Philip von Maltzahn with the Loyola Strings, and was Loyola’s 2018 Presser Scholar. She has spent her summers doing studio recording and working with young musicians in the Greater New Orleans Youth Orchestras. Ina Apostolova Ina Petkova-Apostolova began her professional musical education at the age of 6 years. With 13 years she won her first prize from an international competition “Young musical talents”- Sofia (Bulgaria). Ina Petkova graduated the National High School of Music in Sofia (Bulgaria) and continued her Bachelor and Master studies at the Vienna Conservatory Private University (Austria) with Walther Schulz and Lilia Schulz-Bayrova. She studied as well at “Concervatoire a rayonnement deparemental”- L’hay les roses – Paris (France) with Romain Garioud. Ina Petkova-Apostolova received Master Interpretation at Haute Ecole de Musique – Lausanne (Switzerland) with Xavier Phillips and a certificate for Artist Diploma program at Schwob School of Music at Columbus State University - Columbus (USA) with Wendy Warner. -
BRAVES' BOOKS EXAMINED in B O S M PROBE Wirch SLAYER
■'O NET PRESS RUN THE'WEATHER AVERAGE DAILY CIRCULATION Foveeaat br U. «. Weatlte, Oareaa, «e«« Mated for the month of December, 1028 5,209 Clearing and slightly colder ^ to Member of the Andit BnreaB of vCoRtt. night; Friday fair and colder. Clrcnlatlona . , t *r VOL. XLII., NO. 74. (Classified AdViMising on Page 10) SOUTH MANCHESTER, CONN., THURSDAY, JANUARY 10, 1929. (TWELVE PAGES) PRICE THREE CENTS -<s> BRAVES’ BOOKS WirCH SLAYER Meeting the “News Boys” BAHLEOVER Husband Kills Bandit HOOVER MUM EXAMINED IN GETS LIFE; PAL ■w':- KELLOGG P A a Hired To Murder Him ON MEMBERS B O S m PROBE N O r a TRIAL NEAWEND Detroit, Mich., Jan. 10.— Mrs. ^ The officers, after notifying OFJABINET Grace Wood, estranged wife of Wood to be on the lookout, secret Ralph A. Wood, president of a con ed themselves about Wood’s office struction company bearing his in Wyandotte, Detroit suburb. Reports Around State House John Curry Next to Get Hear By Agreement Between Fac naipe, was under arrest today in When the thugs drove up in an President-Elect Listens to a connection with a plot to kill her automobile, the officers and Wood ing— Hess Another One wealthy husband. fired from ambush. Score of Job Seekers But Say Special Grand Jury tions Final Vote on Anti- One of the four would-be assas Deputy Sheriff Thomas Dunnigaa sins, said to have been hired to dis was seriously wounded in the ex Will Be Called to Investi of Trio to Get a Separate War Treaty Will Be Tak pose of Wood, was killed last nignt change of shots with the gunmen. -
17-06-27 Full Stock List Drone
DRONE RECORDS FULL STOCK LIST - JUNE 2017 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13 PM Anus Dei (CD, 2012, 213Records 213cd07, €10) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat STCD 187, €8) @C 0° - 100° (CD, 2010, Monochrome -
Adapting a Literary Nation to Film: National Identity, Neoromanticism and the Anxiety of Influence
Adapting a Literary Nation to Film: National Identity, Neoromanticism and the Anxiety of Influence BJÖRN ÆGIR NORÐFJÖRÐ ABSTRACT: This essay addresses the interrelations of film and literature in the Icelandic context by focusing primarily on two case studies. The first regards an early twentieth-century group of Neoromantic writers, commonly known as the Varangians, whose plays and novels provided the narrative material for the first fiction features set in Iceland. The second addresses the conspicuous lack of adaptations made from either the medieval sagas or the work of Iceland’s most celebrated novelist, Halldór Laxness. It is argued that this lack stems from the high regard in which literature, and these works in particular, is held in Iceland—suggestive of a certain anxiety in tackling its literary heritage. Ultimately, the two case studies point towards the strong ties between literature and national identity. As a result Icelandic cinema has swayed aberrantly from an overt reliance on literature to attempts at distancing itself from it. According to the essay, both strategies are characteristic of filmmaking in a nation whose national identity privileges language and literature. RÉSUMÉ: Cet essai s’intéresse aux interrelations du film et de la littérature dans le contexte islandais en se concentrant d’abord sur deux études de cas. La première étude concerne un groupe d’auteurs néoromantiques du début du vingtième siècle, les Varègues, dont les pièces et les romans ont fourni le matériel narratif des premiers longs-métrages islandais. La deuxième s’intéresse au manque évident d’adaptations inspirées de sagas médiévales ou de l’oeuvre du plus célèbre romancier islandais, Halldór Laxness. -
Literary Fiction KOLBRUN THORA EIRIKSDOTTIR [email protected]
Please note that a fund for the promotion of Icelandic literature operates under the auspices of the Icelandic Ministry Forlagid of Education and Culture and subsidizes translations of literature. Rights For further information please write to: Icelandic Literature Center Hverfisgata 54 | 101 Reykjavik Agency Iceland Phone +354 552 8500 [email protected] | www.islit.is BACKLIST literary fiction KOLBRUN THORA EIRIKSDOTTIR [email protected] VALGERDUR BENEDIKTSDOTTIR [email protected] literary fiction rights-agency Andri Snaer Magnason Kristin Helga Gunnarsdottir Alfrun Gunnlaugsdottir Kristin Marja Baldursdottir Ari Johannesson Kristin Steinsdottir Armann Jakobsson Ofeigur Sigurdsson Arni Thorarinsson Olafur Gunnarsson Audur Jonsdottir Oskar Magnusson Bjorg Magnusdottir Dagur Hjartarson Petur Gunnarsson Einar Karason Ragna Sigurdardottir Einar Mar Gudmundsson Sigurbjorg Thrastardottir Eirikur Orn Norddahl Sigurdur Palsson Elisabet Jokulsdottir Sjón Frida A. Sigurdardottir Solveig Jonsdottir Gerdur Kristny Steinunn G. Helgadottir Gudbergur Bergsson Steinunn Johannesdottir Gudmundur Oskarsson Gudmundur Andri Thorsson Svava Jakobsdottir Gudrun fra Lundi Sverrir Norland Halldor Laxness Solvi Bjorn Sigurdsson Haukur Ingvarsson Thorbergur Thordarson Hjörtur Marteinsson Thor Vilhjalmsson Indridi G. Thorsteinsson Thorarinn Eldjarn Jakobina Sigurdardottir Thorarinn Leifsson Jon Atli Jonasson Thorunn Valdimarsdottir Jon Gnarr Jonina Leosdottir Tryggvi Emilsson Kari Tulinius Valur Gunnarsson Kristin Eiriksdottir Vilborg Davidsdottir └ Index LITERARY FICTION ANDRI SNAER MAGNASON (b.1973) has won the Icelandic Literary Prize for both fiction, children’s book and non-fiction. His work has been published or performed in over thirty countries and has received numerous international awards, amongst them the Janusz Korczak Honorary Award, the French Grand Prix de l’Imaginire and the Kairos prize awarded by the Alfred To- epfer Foundation to outstanding individuals. Magnason has been active in the fight against the destruction of the Icelan- dic Highlands. -
Powers of Divergence Emphasises Its Potential for the Emergence of the New and for the Problematisation of the Limits of Musical Semiotics
ORPHEUS What does it mean to produce resemblance in the performance of written ORPHEUS music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions, and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts, and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. This approach is based on divergence, on the difference produced by intensifying Powers of the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction, and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics. Divergence Lucia D’Errico is a musician and artistic researcher. A research fellow at the Orpheus Institute (Ghent, Belgium), she has been part of the research project MusicExperiment21, exploring notions of experimentation in the performance of Western notated art music. An Experimental Approach She holds a PhD from KU Leuven (docARTES programme) and a master’s degree in English literature, and is also active as a guitarist, graphic artist, and video performer. to Music Performance P “‘Woe to those who do not have a problem,’ Gilles Deleuze exhorts his audience owers of Divergence during one of his seminars. And a ‘problem’ in this philosophical sense is not something to dispense with, a difficulty to resolve, an obstacle to eliminate; nor is it something one inherits ready-made. -
Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Between Music
Numanities - Arts and Humanities in Progress 7 Rūta Stanevičiūtė Nick Zangwill Rima Povilionienė Editors Of Essence and Context Between Music and Philosophy Numanities - Arts and Humanities in Progress Volume 7 Series Editor Dario Martinelli, Faculty of Creative Industries, Vilnius Gediminas Technical University, Vilnius, Lithuania [email protected] The series originates from the need to create a more proactive platform in the form of monographs and edited volumes in thematic collections, to discuss the current crisis of the humanities and its possible solutions, in a spirit that should be both critical and self-critical. “Numanities” (New Humanities) aim to unify the various approaches and potentials of the humanities in the context, dynamics and problems of current societies, and in the attempt to overcome the crisis. The series is intended to target an academic audience interested in the following areas: – Traditional fields of humanities whose research paths are focused on issues of current concern; – New fields of humanities emerged to meet the demands of societal changes; – Multi/Inter/Cross/Transdisciplinary dialogues between humanities and social and/or natural sciences; – Humanities “in disguise”, that is, those fields (currently belonging to other spheres), that remain rooted in a humanistic vision of the world; – Forms of investigations and reflections, in which the humanities monitor and critically assess their scientific status and social condition; – Forms of research animated by creative and innovative humanities-based -
Yeats As Playwright
THE RICE INSTITUTE YEATS AS PLAYWRIGHT by ERVIN JAMES KORGES A THESIS SUBMITTED TO THE FACULTY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Houston, Tezas May, 1955 CONTENTS Introduction i Chapter I Background, historic and dramatic 1. The political and literary revival...*. 1 2. Irish drama before the revival... 14 3. Belated movements. 17 Chapter II Dramatic theory and practice, 1884-1906 1. The 1884 plays 25 2. Changing ideals. S3 3. Plays of the 1890*s and revision 41 Chapter III Formation of a public theatre 1. The Irish Literary Theatre. ...••• 56 2. Interim....... 61 3* The Irish National Theatre................... 64 4. Beform of the theatre 69 Chapter 17 Dramatic theory and practice, 1902-1912 1* Theories. « 81 2. Flays. * • *.. 99 Chapter 7 Formation of a private theatre 1. Withdrawal.. 116 2. Discovery of the Noh 122 3. Myth and philosophy. 129 Chapter VI Dramatic theory and practice, 1912-1939 1. The theory extended .......... 133 2. Plays 141 Conclusion. 163 Appendix A Mari tain on myth 175 Appendix B Yeats as translator........................ 177 Appendix C Publication dates of Yeats*s plays......... 179 Notes 180 Bibliography. 207 Introduction The poetry of William Butler Yeats is accorded a very high place in contemporary English literature; yet his other work has been neglected. The plays are customarily passed over as an appendage to his poetry, and the prose works are almost entirely neglected, except as philosophical documents. Though the poems are constantly being examined and explicat¬ ed, the prose style is mentioned only incidentally: "one may observe in passing that the section on history in A Vision includes the finest 1 rhythmic prose written in English since that of Sir Thomas Browne." The paradox is that though Yeats* s dramatic movement, in the form of the Abbey Theatre, exerted great influence on English and American drama, his plays themselves remain outside the realm of influence and have not passed into the tradition of English drama. -
Polygonal Impact Craters on Mercury G
43rd Lunar and Planetary Science Conference (2012) 1083.pdf POLYGONAL IMPACT CRATERS ON MERCURY G. T. Weihs1, J. J. Leitner1;2 and M. G. Firneis1;2, 1Institute of Astronomy, University of Vienna, Tuerkenschanzstrasse 17, A-1180 Vienna, Austria; 2Research Platform: ExoLife, University of Vienna, Austria; [email protected] Introduction: A polygonal impact crater (PIC) is a Table 1: List of PICs found on Mercury crater, which shape in plan view is more or less angular, and the rims are composed of several straight segments Quadr.Crater Diameter [km]Latitude [◦]Longitude [◦] [1]. Analyzing the images transmitted back to Earth by H01 Nizami 76.88 70.38 167.12 the spacecrafts Mariner 10 and MESSENGER, polyg- H01 Saikaku 64.06 71.89 178 onal impact craters with at least two straight rim seg- H01 Van Dijck 101.23 75.48 166.89 H02 Monteverdi 133.57 64.5 80.88 ments, were detected on Mercury. H02 Rubens 158.79 60.81 78.27 PICs on Mercury: The search for polygonal impact H02 Stravinsky 129.07 51.97 78.91 craters was carried out, using the database in [2]: In a H03 Verdi 144.55 64.25 169.62 H05 Hokusai 114.03 57.76 343.1 first step each of the 15 quadrangle-maps was optically H06 Al-jahiz 82.86 1.42 21.66 scanned for impact craters with at least two straight H06 Chaikovskij 171.02 7.9 50.87 rims. In a second step the data preparation was resulting H06 Hiroshige 138.42 -13.33 26.97 in a set of two images per PIC, one with marked straight H06 Kuiper 62.32 -11.32 31.4 H06 Lermontov 165.82 15.27 48.91 rims and an original one for the purpose of comparison.