View of Time?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
In Plain Sight: Aspects of Developmental Process in Sally Beamish’S Seafarer Trilogy
In Plain Sight: Aspects of Developmental Process in Sally Beamish’s Seafarer Trilogy Richard E. McGregor University of Cumbria For a composer who has been described as being ‘at the top of her game and the pinnacle of her profession’, there is currently a complete lack of critical anal- ysis of Sally Beamish’s compositional style and technique.1 Interviews and re- views content themselves with a more or less descriptive approach, while prais- ing her ear for orchestral colour, particularly her affinity with string instruments or with voices. The former is usually explained by reference to her years as an ensemble player with, for example, Lontano and the Raphael Ensemble, while the latter is related back to the fact that her father was an amateur singer, and an aunt had a number of professional singing engagements. There are only so many times that a biography can be repeated, and Beamish is in good company with other well-respected composers such as James MacMillan who suffered for many years from the curse of the biography without analytical content. Interviewed by the author on two occasions, Beamish gave some tentative clues as to the origins of her compositional technique. In 2000 she responded to a question about pre-planning of composition with a hint of late-Stravinskian procedure: I do use [motifs] in a serial type of way with a series of transpositions so that I do make a note square with a 5 note motif and I transpose it and put them all on top of each other and then I have harmonies as well going down.2 Interviewed again during the 2012 Musica Scotica conference in Glasgow, she was somewhat more forthcoming as to the origin and nature of this working method: [Oliver Knussen] showed me a way of manipulating notes. -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
A Modern Tragedy
“WONDER. GO ON AND WONDER”: QUENTIN’S TRAGEDY FROM THE SOCIOLOGICAL PERSPECTIVE by Huang Min 黄 敏 A Dissertation Presented to The Graduate School of Language, Communication, and Culture Kwansei Gakuin University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy March 2013 Doctor of Philosophy Dissertation “Wonder. Go on and wonder”: Quentin’s Tragedy from the Sociological Perspective by Huang Min Members of Evaluation Committee Major Advisor: Associate Advisor: Associate Advisor: Associate Advisor: i ABSTRACT “Wonder. Go on and wonder”: Quentin’s Tragedy from the Sociological Perspective by Huang Min A major hero in the works of William Faulkner, Quentin Compson used to be one of the most frequently commented characters. Regarding his death, there are a variety of critical opinions. Yet very few critical works have devoted to a thorough study of Quentin’s tragedy. The result is that voices on this issue are presented within the different concerns of critics and tend to overstress one aspect of the problem. The diversified opinions contribute much to the unsettled argument and the complexity of Quentin’s death itself. For want of a better argument, the critical world has paid considerably less attention to Quentin’s suicide over the last 30 years. My dissertation has tried to approach Quentin’s tragedy in a more systematic and consistent way by the adaptation of a sociological perspective, which has seen the accumulation of well-defined studies on ii the problem of suicide since Sociologist Durkheim’s monumental book Suicides published well over a century ago. It is from this discipline of social science that the present paper gains a theoretical framework for laying down the fundamental questions regarding Quentin’s death, in an attempt to objectively define and examine the development of his character and suicidal mentality. -
An Annotated Bibliography of William Faulkner, 1967-1970
Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date. -
Aspects of Developmental Process in Sally Beamish's Seafarer Trilogy
McGregor, Richard (2020) In plain sight: aspects of developmental process in Sally Beamish's Seafarer trilogy. Scottish Music Review, 5 . pp. 87-111. Downloaded from: http://insight.cumbria.ac.uk/id/eprint/5167/ Usage of any items from the University of Cumbria’s institutional repository ‘Insight’ must conform to the following fair usage guidelines. Any item and its associated metadata held in the University of Cumbria’s institutional repository Insight (unless stated otherwise on the metadata record) may be copied, displayed or performed, and stored in line with the JISC fair dealing guidelines (available here) for educational and not-for-profit activities provided that • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. The full policy can be found here. Alternatively contact the University of Cumbria Repository Editor by emailing [email protected]. In Plain Sight: Aspects of Developmental Process in Sally Beamish’s Seafarer Trilogy Richard E. McGregor University of Cumbria For a composer who has been described as being ‘at the top of her game and the pinnacle of her profession’, there is currently a complete lack of critical anal- ysis of Sally Beamish’s compositional style and technique.1 Interviews and re- views content themselves with a more or less descriptive approach, while prais- ing her ear for orchestral colour, particularly her affinity with string instruments or with voices. -
Unit 4 Teachers Guide Skills Strand Skills Core Knowledge Language Arts® • • Arts® Language Knowledge Core
Grade 2 Core Knowledge Language Arts® • Skills Strand Teacher Guide Teacher Unit 4 Unit S Unit 4 Teacher Guide Skills Strand Grade 2 Core Knowledge Language Arts® Creative Commons Licensing This work is licensed under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. You are free: to Share — to copy, distribute and transmit the work to Remix — to adapt the work Under the following conditions: Attribution — You must attribute the work in the following manner: This work is based on an original work of the Core Knowledge® Foundation made available through licensing under a Creative Commons Attribution- NonCommercial-ShareAlike 3.0 Unported License. This does not in any way imply that the Core Knowledge Foundation endorses this work. Noncommercial — You may not use this work for commercial purposes. Share Alike — If you alter, transform, or build upon this work, you may distribute the resulting work only under the same or similar license to this one. With the understanding that: For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page: http://creativecommons.org/licenses/by-nc-sa/3.0/ Copyright © 2013 Core Knowledge Foundation www.coreknowledge.org All Rights Reserved. Core Knowledge Language Arts, Listening & Learning, and Tell It Again! are trademarks of the Core Knowledge Foundation. Trademarks and trade names are shown in this book strictly for illustrative and educational purposes and are the property of their respective owners. References herein should not be regarded as affecting the validity of said trademarks and trade names. -
Faulkner's Ethics
Faulkner’s Ethics “Michael Wainwright’s reassessment of William Faulkner’s major works in relation to the ethics of Henry Sidgwick and Jacques Derrida—with support from game theory and psychoanalysis—is original, perceptive, and timely. Wainwright pro- vocatively refgures Faulkner’s corpus in the light of these hitherto disparate philo- sophical trajectories, and in doing so acquaints the philosophers with one another in ways which are lucid and suggestive. Faulkner’s Ethics: An Intense Struggle rep- resents a serious challenge to extant Faulkner scholarship.” —Niall Gildea, Author of Jacques Derrida’s Cambridge Affair: Deconstruction, Philosophy and Institutionality (2019) “Early Faulkner criticism often followed the trajectory of Faulkner’s life, some- times simply assuming that life had a moral compass. Later schools, for example historical materialism, sought the ‘substratum’ of material reality that underpinned the narrative, again only assuming that issues, such as the nature and economics of labor, had moral implications. Psychology, anthropology, mythology—all have had their day, often very useful days, often touching on ethical issues—but what has been lacking is ethics itself. Michael Wainwright’s Faulkner’s Ethics: An Intense Struggle will end that neglect and, I believe, spur a new interest in moral struggle, moral direction as it can be found in Faulkner’s life and literature.” —Charles A. Peek, Professor Emeritus, Department of English, University of Nebraska Kearney Michael Wainwright Faulkner’s Ethics An Intense Struggle Michael Wainwright Department of English Royal Holloway University of London Egham, UK ISBN 978-3-030-68871-4 ISBN 978-3-030-68872-1 (eBook) https://doi.org/10.1007/978-3-030-68872-1 © The Editor(s) (if applicable) and The Author(s), under exclusive licence to Springer Nature Switzerland AG 2021 This work is subject to copyright. -
Don't Do It on My Carpet: the Humor of William Faulkner's “Barn Burning”
Don’t Do It on My Carpet: The Humor of William Faulkner’s “Barn Burning” Ulf Kirchdorfer Darton State College Abstract: William Faulkner’s “Barn Burning” has been appreciated critically in just about every way but for its humor. While appreciations not concerned with humor are crucial to understanding the work, they can also be limiting. This discussion of Faulkner and humor in “Barn Burning” will acknowledge that humor stoops to low levels and crudity. But it also soars to great heights, with Faulkner’s command of the English language and ability to draw allusions effortlessly into the fabric of his story. Keywords: William Faulkner, humor, the South, “Barn Burning” There is no denying that William Faulkner’s “Barn Burning” is not perme- ated by a sense of tragedy and worse. If one focuses on the childhood of Sarty, who lives in an infernal parenting situation dominated by a mean- spirited, outrightly abusive father who is a pyromaniac, accompanied in strange concert by a loving but ineffectual mother with a bullying older brother, and two sisters who could be poster children for inertia, with a tag-along aunt, tears could flow from the reader and even anger could be expressed at the situation depicted. I would like to propose another reading of “Barn Burning,” in which any moisture from the tear ducts and surge of energy expended comes from readers responding to its humor.1 1 I wish to thank Mark Shackleton for his sympathetic reading of the manuscript-in-progress. His detailed commen- tary anticipated and encouraged more exploration in the direction I wanted to undertake my study of Faulkner. -
Paul Mccartney MP3 Коллекция. Часть 1 Mp3, Flac, Wma
Paul McCartney MP3 Коллекция. Часть 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: MP3 Коллекция. Часть 1 Country: Russia Released: 2005 Style: Soft Rock, Pop Rock MP3 version RAR size: 1575 mb FLAC version RAR size: 1605 mb WMA version RAR size: 1274 mb Rating: 4.4 Votes: 936 Other Formats: DTS MMF AIFF MIDI AA MOD WMA Tracklist McCartney 1 –Paul McCartney The Lovely Linda 2 –Paul McCartney That Would Be Something 3 –Paul McCartney Valentine Day 4 –Paul McCartney Every Night 5 –Paul McCartney Hot As Sun Glasses Soicide 6 –Paul McCartney Junk 7 –Paul McCartney Man We Was Lonely 8 –Paul McCartney Oo You 9 –Paul McCartney Momma Miss America 10 –Paul McCartney Teddy Boy 11 –Paul McCartney Singalong Junk 12 –Paul McCartney Maybe I'm Amazed 13 –Paul McCartney Kreen - Akrore Ram 14 –Paul & Linda McCartney Too Many People 15 –Paul & Linda McCartney 3 Legs 16 –Paul & Linda McCartney Ram On 17 –Paul & Linda McCartney Dear Boy 18 –Paul & Linda McCartney Uncle Albert - Admiral Halsey 19 –Paul & Linda McCartney Smile Away 20 –Paul & Linda McCartney Heart Of The Country 21 –Paul & Linda McCartney Monkberry Moon Delight 22 –Paul & Linda McCartney Eat At Home 23 –Paul & Linda McCartney Long Haired Lady 24 –Paul & Linda McCartney Ram On 25 –Paul & Linda McCartney The Back Seat Of My Car 26 –Paul & Linda McCartney Another Day 27 –Paul & Linda McCartney Oh Woman, Oh Why Wild Life 28 –Wings Mumbo 29 –Wings Bip Bop 30 –Wings Love Is Strange 31 –Wings Wild Life 32 –Wings Some People Never Know 33 –Wings I Am Your Singer 34 –Wings Bip Bop Link -
Finding Aid for the Rowan Oak Papers (MUM00172)
University of Mississippi eGrove Archives & Special Collections: Finding Aids Library November 2020 Finding Aid for the Rowan Oak Papers (MUM00172) Follow this and additional works at: https://egrove.olemiss.edu/finding_aids Recommended Citation Rowan Oak Papers, Archives and Special Collections, J.D. Williams Library, The University of Mississippi This Finding Aid is brought to you for free and open access by the Library at eGrove. It has been accepted for inclusion in Archives & Special Collections: Finding Aids by an authorized administrator of eGrove. For more information, please contact [email protected]. Finding Aid for the Rowan Oak Papers (MUM00172) Questions? Contact us! The Rowan Oak Papers are open for research. Visiting scholars, graduate students, and qualified researchers are requested to complete a form (.pdf) governing the use of the Rowan Oak Papers before their visit to the University of Mississippi. Finding Aid for the Rowan Oak Papers Table of Contents Descriptive Summary Administrative Information Subject Terms Historical Note Scope and Content Note User Information Related Material Arrangement Container List Descriptive Summary Title: Rowan Oak Papers Dates: 1927-1938 Collector: Faulkner, William, 1897-1962 Physical Extent: 4 boxes (1.668 linear feet) Repository: University of Mississippi. Department of Archives and Special Collections. University, MS 38677, USA Identification: MUM00172 Language of Material: English Abstract: Several thousand sheets of autograph and typescript drafts of poems, short stories, film scripts and novels written by Faulkner in some of his most creative years, between 1925 and 1939. Administrative Information Acquisition Information Manuscripts acquired by the University of Mississippi from Mrs. Estelle Oldham Faulkner. Processing Information Collection processed by Archives and Special Collections staff. -
Imagery and the Making of the Hamlet: of Snopeses and Cows Jacques Pothier
Imagery and the Making of The Hamlet: Of Snopeses and Cows Jacques Pothier To cite this version: Jacques Pothier. Imagery and the Making of The Hamlet: Of Snopeses and Cows. Rosella Mamoli Zorzi; Pia Masiero Marcolin. William Faulkner in Venice, Marsilio, 2000, 978-8831776264. hal- 02490988 HAL Id: hal-02490988 https://hal.archives-ouvertes.fr/hal-02490988 Submitted on 25 Feb 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Imagery and the Making of The Hamlet: Of Snopeses and Cows Jacques Pothier Université Versailles Saint-Quentin-en-Yvelines In 1962 at West Point Faulkner makes a rare comment on his process of writing. He is answering the question of a student about how he "goes about writing": "The stories with me begin with an anecdote or a sentence or an expression, and I’ll start from there and sometimes I write the thing backwards — I myself don’t know where any story is going. I write — I’m dealing simply with people who suddenly have got up and have gotten into motion — men and women who are moving, who are involved in the universal -
ANALYSIS Light in August (1932) William Faulkner (1897-1962)
ANALYSIS Light in August (1932) William Faulkner (1897-1962) “The book might be considered as an allegory based upon Mr. Faulkner’s usual theme, with the clergyman, Hightower, standing for the Formalized Tradition. The simple-hearted Byron Bunch corresponds with the naïve traditionalist, Anse Bundren; Christmas, the mulatto, is a Snopes character, as is his partner, Lucas Burch, the seducer of Lena Grove. And the pregnant Lena might represent, vaguely, life itself, which Byron and Hightower are futilely attempting to protect from Lucas Burch and Christmas and their kind. But the book is not so transparently allegorical as Sanctuary; indeed, it is a confused allegory in which realism is present as well….” [confused critic] George Marion O’Donnell “Faulkner’s Mythology” The Kenyon Review I.3 (1939) “Joe Christmas is the son of Milly Hines and a traveling circus man, who is murdered by Milly’s father, Eupheus Hines is fanatically convinced of the man’s Negro blood. When Milly dies in childbirth, Hines leaves the infant on the steps of a white orphanage on Christmas night (the source of Joe’s surname) and takes a job there to watch, with mingled hatred and religious fervor, the working out of God’s will. When he is five, Joe innocently surprises Miss Atkins, the dietician, and an intern making love, and, convinced that Joe will tell on her, she informs the matron that he is a black. Accordingly he is sent away to be adopted by Simon McEachern, a puritanical farmer who believes only in hard work and austere religion. Stoically enduring McEachern’s whippings, Joe does not rebel until he is 18 and has his first romantic experience with a waitress, but when they are pursued by the suspicious McEachern, Joe strikes and perhaps kills him.