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featuring Ásgeir and Alberto Seveso amazing works by Sven Sauer, Atsushi Koyama, Beau Saunders and more Fluid Motion FALL 2014 ISSUE From The Letter Editor Hello Hayden’s readers, This issue of Hayden’s, “Fluid Motion” is special for have also put together a a few reasons. It’s our seventh issue in our sev- contributor list of all the enth year at Elf. We also introduce music into our many wonderful contrib- magazine through our feature interview with Ásgeir, utors we have had over an incredibly talented Icelandic musician who has the years. Thank you already achieved so much at the age of 23. Fluid everyone! Motion has two feature artists, Ásgeir, musician and Alberto Seveso, ink and water artist extraordinaire. While we have only one This issue also showcases the works of 11 talented issue this year, it’s worth artists, whose works range from mixed media to pho- the wait. It has been a tography, illustration, film, poetry and graphic art. pleasure to put togeth- From music or what we like to call poetry in motion, er. We hope you enjoy to Alberto’s fluid explorations of ink and water and it and it inspires you to Beau’s moving dance imagery, our theme of “Fluid create, explore and love. Motion” flows effortlessly through this issue. Thank you. Hayden’s explores the creative We are now in the App store! Issuu has also All the best, impulse through visual stories. launched new apps for iTunes http://bit.ly/1wee- We hope to inspire you. VVx and Android http://bit.ly/1lpvlpJ. Just search Jan Manon for “haydens” and scroll down to our issue. You can peruse any magazine. All of our magazines are avail- able for free. Hayden’s is now optimized for any mo- bile device. On our website www.haydensmagazine.com, you can also access all of our previous issues in our archive and read about the evolution of the magazine. We 06 07 08 40 50 52 Macoto Murayama Ellyn Maybe featured artist Sven Sauer Yukio Takemari Ellyn Maybe Ásgeir & Igor Prosavec 22 24 26 53 54 56 Atsushi Koyama Arndt Dehnert Beau Saunders Cousteau Tazuke Jose A. Garrido Jeff Scher 29 30 38 58 60 Allan Banford featured artist Arndt Dehnert Arndt Dehnert Contributors Index Alberto Seveso I FEEL LIKE A PIECE OF SEA GLASS ~ Poetry by Ellyn Maybe ~ I feel like a piece of sea glass in a snow dome. Changing color with every heel on the ocean floor. We polish each shell, we glisten each story. Or we don’t 7 I feel like a calendar missing a month. A country once known for spelling bees barely can whisper its name. We become astronauts for each other. Gravity. Or we don’t Time dances the tango with the waltz. Someone is going to dip the other, someone is going to catch their breath. The history of the world tilts from moment to moment, we feel dizzy, frenzied, loved. Or we don’t. ◊ 03 MM_Narcissus tazetta L. var. chinensis M.Roem Macoto Murayama Digital C-Print, 150x100cm (2014), Ed. 8 website 01 − www.ellynmaybe.com | website 02 − www.ellynandrobbie.com website − www.frantic.jp/en facebook − www.facebook.com/EllynandRobbie ◊ 01 ÁSGEIR Photo by Jonatan Gretarsson featured artist — ÁSGEIR website − www.asgeirmusic.com | twitter − @AsgeirMusic soundcloud − AsgeirMusic | facebook − Asgeir Music youtube − asgeirtrausti | record label − One Little Indian Records 9 sgeir www.asgeirmusic.com At 23 years of age, Ásgeir has released Á 11 2 albums and led 2 global tours. His debut album Dýrð í dauðaþögn (2012) at the age of 21 was Iceland’s biggest selling debut album by a ◊ 02 domestic artist, winning 4 Icelandic ÁSGEIR Music Awards and nominated for the Photo by Vera Palsdottir prestigious Nordic Music Prize. Can you tell us a little about yourself - your childhood and early interest in music? Born on 1 July 1992 and raised in Our editor Jan Laugarbakki, a small town in northern interviewed Ásgeir for Ásgeir: I was born in Iceland on an island on the north side. Both my parents Iceland, Ásgeir has traveled to major cities our 7th issue in the are teachers and they were teaching there till I was six. We moved a lot when performing in front of large audiences summer with Sony & One I was growing up, about five different places. We moved to a small town called worldwide. He is currently on tour in the Little Indian Records. Laugarbakki where we settled. I got my interest in music there. I started playing United States and Europe. In the Silence guitar then. Everything in terms of music began there. I lived there till I was (2013) is available in iTunes and also at 16 and I moved to Reyjkavik where I lived with my sister. We lived together www.asgeirmusic.com. for a few years. I have been in Reykjavik for about five years now. For the last two and a half years, I have just been making music and released the album in It helped in bringing out the variety, then? Icelandic and English and traveled two years. That’s where I am now. Á: Yes and not getting stuck in one style only or one genre. Maybe it is because I have limits of how I play these instruments. But the instruments then help shape the songs and style. Yes. Do you play with the same musicians or band. Does it vary depending on the song and style? Quite an amazing variety. Á: In most of the recording process and how we arranged the songs, I was working with a producer. His name is Kristinn (Gudmundur Kristinn Jonsson, guitarist in the Icelandic reggae band Hjálmar). He had a lot to do with how the album came out. Before I met him and began making the album, I had not experimented with synthesizers and electronic elements in my songs. Most of the songs were folk songs before we came into the studio and arranged them differently. He has all these connections here with musicians in Iceland. We had eight people come and play different roles. The brass section was one of the ◊ 03 13 LUPIN INTRIGUE main things that did something for the sound of the album. http://bit.ly/104dPlK ◊ 04 ÁSGEIR Photo by Jonatan Gretarsson You play guitar. You also play a few instruments, right? Á: I started playing guitar when I was seven. I started playing classical guitar when I was seven in school. I just taught myself how to play the piano when I was like 14. I got tired of playing just one instrument all the time so I turned to piano. My mom is a pianist and works as an organist in the church with the choirs. The piano and organ have always been around. I just thought why not try it? It was not too much trouble and I just kept on teaching myself. My own style of doing it. I got kind of stuck as I did it in my own style without knowing the basic rules and where your fingers are supposed to be. I just do it my own way. I do the same thing with drums. I did that too at the same time when I got tired of playing guitar (laughs). But a lot of the songs I have are based on powerful drum beats and also the piano. It shows on the album (In the Silence) what I was trying to do. Most of the songs were folk songs before we came into the studio and arranged them differently. He has all these connections here with musicians in Iceland. We had eight people come and play different roles. The brass section was one of the main things that did something for the sound of the album. It’s amazing! Á: Yes. I did not expect it but they started playing over the synthesizers and in- stantly sounded so good. We wanted it to be in the sound and it was a big deal. That’s wonderful. Some of it he was bringing in and then also experimenting. It came together. Á: Yes! It was so great when he called me and wanted to record a song. It is the most legendary studio in Iceland. It was overwhelming. Just being able to work here. I was able to use all these instruments and he owns them. Some of the songs were written on the instruments here. 15 What’s the studio called? Á: Hoodriti. It basically means ‘recording sound.’ Very good for recording strings and bass. An ambient kind of sound. Yes, I like to read about these things too where people record. I was in Reyjkavik last year and went to the airwaves. Really great to see and hear so much music. Your show was fabulous. Á: Yes. (laughing).The Airwaves can be tricky because of the weather. We were ◊ 05 like playing fifteen times all over town. The wind was howling. Cold. It was hell KING AND CROSS http://n.pr/1swUanF really. We have a question for you from our frequent contributor Ellyn Maybe, a poet from LA who has also helped in shaping our magazine. She asks, “what is the inspiration behind your music?” Is it people, other musicians? It is a big question but we’d love to know. Á: It is a big question. Everything. I find everything inspiring. With this particular album, the songs were written over a four-year period. Some songs were written when I was 16. I have always been inspired by nature and feel this connection to it.

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