May 2020 | Issue 36-5 It Takes 10 Minutes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Summer Session
General Studio Policies Mission Statement Tuition We are dedicated to share the love of dance Tuition is payable by the first class. 160 Tyler Road N, Box 11 with students, to develop pride and confidence in self Red Wing, MN 55066 Competition Students and to help students grow and develop to the best of 6513859389 Competition students have requirements for their abilities with dance and within themselves. [email protected] summer dance. Please refer to the handout for requirements for each team. Inform the studio We will commit ourselves to in writing if you are unable to attend required quality instruction and excellence in dance. classes and also submit your plan for classes to take to make up the summer requirements. Summer Session Dance Dress Code Ballet Intensive June 17 – 20 Any color or style of leotards and tights, unitard, Studio Etiquette & Rules or dance clothing may be worn to most classes. Technique Intensive Boys may wear shorts and a t-shirt. Hip-hop RESPECT OTHERS. July 8 - 11 dress may be more casual wear. No loose Please arrive for class ready and on July 15 – 18 clothing. time. July 22 – 25 Dress code in ballet intensive classes must be Dress codes must be followed. pink ballet shoes, pink tights, black leotard, and Workshop July 27 no jewelry. Hair must be in a bun with a hairnet Label all shoes, equipment, and around the bun. In ballet class, boys wear shorts sportswear with name. Auditions July 28 (above the knee) and a tank shirt. This dress code allows the instructors to see body lines to Food and drink must be kept in the help with corrections and to prevent injury. -
Fluid Motion FALL 2014 ISSUE from the Letter Editor Hello Hayden’S Readers
featuring Ásgeir and Alberto Seveso amazing works by Sven Sauer, Atsushi Koyama, Beau Saunders and more Fluid Motion FALL 2014 ISSUE From The Letter Editor Hello Hayden’s readers, This issue of Hayden’s, “Fluid Motion” is special for have also put together a a few reasons. It’s our seventh issue in our sev- contributor list of all the enth year at Elf. We also introduce music into our many wonderful contrib- magazine through our feature interview with Ásgeir, utors we have had over an incredibly talented Icelandic musician who has the years. Thank you already achieved so much at the age of 23. Fluid everyone! Motion has two feature artists, Ásgeir, musician and Alberto Seveso, ink and water artist extraordinaire. While we have only one This issue also showcases the works of 11 talented issue this year, it’s worth artists, whose works range from mixed media to pho- the wait. It has been a tography, illustration, film, poetry and graphic art. pleasure to put togeth- From music or what we like to call poetry in motion, er. We hope you enjoy to Alberto’s fluid explorations of ink and water and it and it inspires you to Beau’s moving dance imagery, our theme of “Fluid create, explore and love. Motion” flows effortlessly through this issue. Thank you. Hayden’s explores the creative We are now in the App store! Issuu has also All the best, impulse through visual stories. launched new apps for iTunes http://bit.ly/1wee- We hope to inspire you. VVx and Android http://bit.ly/1lpvlpJ. -
Purple Snow: Forecasting the Minneapolis
Numero group Purple Snow: Forecasting The Minneapolis Sound Catalog Number: NUM050 Artist: V/A Title: Forecasting the Minneapolis Sound Release Date: 11/12/13 UPC: 825764105019 (lp) UPC: 825764105026 (cd) Available formats: 4lp+book / 2cd+book Genre: Funk Vinyl is not returnable In the late 1970s, a peculiar sound began bubbling up from the land of 10,000 lakes. Buried beneath 50 solid inches of annual snow, Minneapolis made a Sound quite different than what the pop world foresaw. It issued forth as a slick, black, technologically advanced fusion, poised to storm the charts. Never known for sizable African-American populations, the Twin Cities of Minneapolis and St. Paul in fact harbored a tight-knit community of musicians working feverishly through the late ’70s and early ’80s toward a radical manipulation of American dance music, coating futuristic funk with the glamorous sheen of guitar rock. Synthetic ebony and ivory met Track Listing electricity, with sexed-up results sent shockingly across the pop heavens like violet lightning. 1. 94 East If You See Me 2. Aura Taste Of Love On 4 LPs or 2 CDs, Purple Snow: Forecasting the Minneapolis Sound—the 3. Herman Jones I Love You Oh Lover Numero Group’s breathlessly anticipated 50th mainline release—chronicles 4. Orville Shannon the scene’s first steps, false starts, and follow-throughs, sourcing the life’s 5. Mind & Matter I’m Under Your Spell work of known quantities and shadowy figures alike. In the beginning, there 6. Haze Waiting For The Moment 7. Prophets Of Peace Get It On was Purple Haze, whose billing as Haze on two obscure albums left the color 8. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
October 15, 2013 5% DISCOUNT on New Release Items Through Oct 22
OCTOBER NEW RELEASE GUIDE STREET DATE: October 15, 2013 5% DISCOUNT on New Release Items through Oct 22 Burnside Distribution Corp, 6635 N. Baltimore Ave, Suite 285, Portland, OR, 97203 phone (503) 231-0876 / fax (503) 231-0420 / www.bdcdistribution.com BDC New Releases Oct 2013 (503) 231-0876 / www.bdcdistribution.com 2 Oct 2013 Welcome!!BDC Welcome!! New Releases Augie Meyers - often imitated; never duplicated. A legend whose 50+ year career has resulted in Sean Chambers has not been in a hurry - he knows that patience is a virtue, good things come to those who wait, you can’t hurry love and a half-dozen other aphorisms. He spent five years with Grammys, chart hits and 17 solo albums. Here is the latest; a Texas-centric Country album with Hubert Sumlin before going solo and has only now released his fifth album in a decade and a nods toward Harlan Howard and Lefty Frizell. He is one of a kind. half; a patient man who records music he wishes to instead of dropping some kind of a new Recess Monkey is from Seattle but known nationally with great press, exposure on SiriusXM Kids album every other year just to tour behind. The Rock House Sessions is more than worth the wait. Place Live due to member Jack Forman’s daily program and their tenth(!) release. And check out In the last couple of years, Burnside has reached an affinity with Minneapolis bands; be it The these new ones by Quiet Life (on tour with The Head and The Heart), Modern Kin, Vikesh Kapoor, Shouting Matches, Polica, Solid Gold, The Ocean Blue or Davina and the Vagabonds, we’ve been Field Study, Patrick Park and Son of Stan. -
Feld Ballets/NY
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Feld Ballets/NY WEDNESDAY & THURSDAY, APRIL 4 & 5, 1990, AT 8:00 P.M. POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN The Company Lynn Aaron Nina Goldman Scott Rink Mucuy Bolles Patrice Hemsworth Joseph Rodgers David M. Cohen Terace E. Jones Jennita Russo Allison Wade Cooper Joseph Marshall James Sewell Geralyn DelCorso Priscila Mesquita Elizabeth Simonson Judith Denman Buffy Miller Lisa Street Darren Gibson Jeffrey Neeck Joan Tsao PETER LONGIARU, Company Pianist ALLEN LEE HUGHES, Resident Lighting Designer CORA CAHAN, Executive Director PETER HAUSER, Production Manager Feld Ballets/NY wishes to thank the following supporters who have helped to make these performances possible: Lila Wallace Reader's Digest Fund Mary Flagler Gary Charitable Trust Live Music for Opera and Dance; Robert Sterling Clark Foundation Inc.; The Eleanor Naylor Dana Charitable Trust; The Horace W. Goldsmith Foundation; The Andrew W. Mellon Foundation; National Corporate Fund for Dance, Inc.; The Scherman Foundation, Inc.; Joan C. Schwartz Philanthropic Fund; the Emma A. Sheafer Charitable Trust; and The Shubert Organization. Cameras and recording devices are not allowed in the auditorium. This project is supported by the Michigan Council for the Arts, and by Arts Midwest members and friends in partnership with the National Endowment for the Arts. The University Musical Society is an Equal Opportunity Employer and provides services without regard to race, color, religion, national origin, age, sex, or handicap. 38th and 39th Concerts of the lllth Season Nineteenth Annual Choice Series PROGRAM Wednesday, April 4 CONTRA POSE (1990) Choreography: Eliot Feld Music: C. -
Twin Cities Funk & Soul
SEPTEMBER 25, 2012 I VOLUME 1 I ISSUE 1 DEDICATED TO UNCOVERING MUSIC HISTORY WILLIE & THE PROPHETS BAND OF KUXL JACKIE BUMBLEBEES OF PEACE THIEVES RADIO HARRIS 99 SECRET STASH ISSUE 1: TWIN CITIES FUNK & ANDSOUL MUCH SEPTEMBER MORE 25, 2012 The Philadelphia Story (AKA Valdons) mid 70s courtesy Minnesota Historical Society. Photo by Charles Chamblis. Left to right: Maurice Young, Clifton Curtis, Monroe Wright, Bill Clark Maurice McKinnies circa 1972 courtesy Minnesota Historical Society. Photo by Charles Dance contest at The Taste Show Lounge, Minneapolis late 70s courtesy Minnesota Historical Chamblis. Society. Photo by Charles Chamblis. 02 SECRET STASH VOLUME 1 - ISSUE 1: TWIN CITIES FUNK & SOUL SEPTEMBER 25, 2012 INTRODUCTION It was three years ago that we launched Secret Stash Records. About a year and a half lat- er, we started working on what would eventually become our biggest release, Twin Cities Funk & Soul: Lost R&B Grooves From Minneapolis/St. Paul 1964-1979. What follows is our attempt to share with you some of the amazing stories, history, and photos that have been so gracious- ly shared with us during the course of producing a compilation of soulful tunes from our hometown. ..... R&B, soul, and funk music in the Twin Cities of Minneapolis and St. Paul, Minnesota went through dra- matic changes during the 1960s and 1970s. Predating these changes, a vibrant jazz scene beginning in the 1920s laid the groundwork with several players being instrumental in helping teach young local R&B mu- sicians how to play. However, many of the early R&B pioneers, including Mojo Buford, Maurice McKin- nies, and Willie Walker, came to Minnesota from other states and brought the music with them. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding. -
Minneapolis Shake, Rattle and Rise - City Pages 12/2/12 7:28 PM
Minneapolis Shake, Rattle and Rise - City Pages 12/2/12 7:28 PM Shake, Rattle and Rise Passion and partnership are at the heart of TU Dance Caroline Palmer published: June 15, 2005 A bouncy house mix from DJ John J pours from the sound Ingrid Werthman Photography system in a rehearsal studio at the University of Minnesota's Barbara Barker Center for Dance one June evening. Before long, dancers--skilled in ballet, modern, jazz, and West African dance--literally meet one another in midair, pause long enough to twirl around with ballroom flair, and then coolly display some fancy hip-hop footwork, alone and in sets of twos and threes. It's like observing a club dance floor from above during the height of an ecstatic midnight set; everyone shows off his or her style, all fierce, fabulous, and lost in the moment. And that's just the first work in a concert to be performed by TU Dance at the Southern Theater over the next two weekends. Sands and Pierce-Sands have an unusually expressive partnership Toni Pierce-Sands and Uri Sands, both veterans of New York's legendary Alvin Ailey American Dance Theater, and now based in the Twin Cities, have forged careers out of their considerable talent to generate moments of athleticism, grace, and excellence that requires no hyperbole. Sands choreographs while Pierce-Sands serves as muse and coach; together they enjoy a rewarding creative and life partnership. This is not always easy, as the pair admits during a recent interview. "It's challenging when you have two individuals who are extremely passionate about what they believe in," says Sands. -
Establishing Female Resistance As Tradition in Country Music: Towards a More Refined Discourse
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2016 12:00 AM Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse Catherine Keron The University of Western Ontario Supervisor Dr. Norma Coates The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Catherine Keron 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Keron, Catherine, "Establishing Female Resistance as Tradition in Country Music: Towards a More Refined Discourse" (2016). Electronic Thesis and Dissertation Repository. 3970. https://ir.lib.uwo.ca/etd/3970 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This thesis analyzes facets of resistance in the lyrics of female country music performers and explores how their articulations of female resistance draw on and rework Appalachian folk traditions within country music. Beginning with the musical practices of Appalachian women, who used music to lament their lives restricted by domestic responsibilities, this thesis examines expressions of female resistance through lyrical analysis, with a concentration on female country performers from 1995 to the present. Despite evolving into a performance tradition, female resistance in country music continues to address the lived experiences of its female audience. As such, the female resistance tradition is an enduring component of country music that has addressed women’s issues for over a century. -
Ballet Makers, Inc., American Airlines and Covington Travel, Inc
^^^t^vT-^n^ Regional Dance America/MidStates Festival May 17-21, 1995 • Fort Wayne, Indiana Sponsored in part by: Capezio/Ballet Makers, Inc., American Airlines and Covington Travel, Inc. mix, IP VETO AM021OX Regional Dance America was founded in 1988 to promote the artistic development of dance companies throughout the United States and to continue the important work of the National Association for Regional Ballet. Built on the legacy of visionaries Dorothy Alexander and Anatole Chujoy, the NARB contributed to the decentralization of dance as regional companies grew in stature and quality nationwide. Under the leadership of Doris Hering, and with the encouragement of Ben Sommers, its membership grew to five geographical areas and over two hundred companies including more than two dozen nationally recognized professional groups. As we enter a new decade, RDA is dedicated to fostering quality, promoting education and nurturing the talents of dancers and choreographers while exploring new horizons. 35 Performance Advisory Committee Maria Crandy Robert Barnett Edward Villella Choreography Alfred Terlizzi Dennis Nahat jane Cifford Muriel Topaz Saeko Ichinohe Mel Tomlinson CONFERENCE: July 21-Aug. 2,1995 David Howard Robert Lindgren Florence Warren at The University of Iowa in Iowa City, Iowa Lyle Cashion Jon Rodriguez Rochelle Zide-Booth Sally Bliss Ben Stevenson Maria Vegh 1 vJrl Dancers, Composers, Choreographers, Teachers. Artistic Directors rnvULl T Leslie Jane Pessemier, Director of Choreography; Rob Kaplan, Director of Music; Alumni Professional Companies: Frcncoise Martinet, Ballet; Mid States: Madco, Harbinger Dance Company, Minnesota Dance Armando Duarte, Modern Theatre, Indianapolis Ballet Theatre, Ft. Wayne Ballet. Northeast: Berkshire Ballet, Ballet Metropolitan, Boston Ballet, Dayton Contemporary Dance Co., Dayton Ballet, Philadanco, Princeton Ballet. -
RUMER Thlcult
_______0’____C ____ RioLs, rap, Cameron, The Sweeney.. and “enBghtenineni”? HAS A FEW THINGS TO SAY... AND YOU NEED TO LISTEN V C w “I WENT INSANE.” WHAT FAME DID TO v, RUMER WIGWAM-BAM! IT’S THE RETURN OF ThLCULT WHOARETHE . AND• HOWARE THEY WRECKING MUSIC? RAP SNACKS?! WE’VE GOT.. ROCK AND ROLL’S GREATEST I MERCHANDISE • 3 ‘ MACCABEES RICK ROSS THE HORRORS RICHARD HAWLEY JOHN YDON SIGUR ROS Q MAGAZINE JUNE 2012 CIRCULATION 80,418 L!1 “ * 1I THE KI NG’S, SPEECH Volunteers for the position of Spokesman Of A Generation are thin on the ground in Popworld, 2012. Step forward, then,1with an interconnected single, album and feature film that all directly address the concerns of last summer’s urban rioters. Here the artist otherwise known as Benjamin Ballance-Drew talks to k’Ti about inner city blues, David ‘Cameron, universal enlightenment,, sex, drugs and Ray Winstone. His moment is now... P1Cr1JRE PEROt) Q MAGAZINE JUNE 2012 CIRCULATION 80=418 L!1 I I Plan B, making his paint: “Just remember you have a mind of your own.” Q MAGAZINE JUNE 2012 CIRCULATION 80,418 (1 Th HtT]CI T1 [!1 PLAN B he lIcks 2011 en Drew doesn’t really dojokes, not this sincere and erudite communicator almost are remembered yearanywsty, a pcrmanentragcbolllng impossible to interrupt, who deals with for two things: throughout his three-pronged ill Manors inteijections into his marathon soliloqtties Isy 1. Adele’s life- project: a single, album and film all doubllnghls vocal volunae and finishing liii defining wilfully contentious explorations of“the sentence atlyivay, Just as svell he’s infinitely worth peifortnance of detnonisationB ofthc underclass”.