MACCABEES
WRECKING
HOWARE
WHOARETHE
ThLCULT
IT’S
WIGWAM-BAM!
“I
WHAT
RUMER
WENT
THE
I
GREATEST
MERCHANDISE
ROCK
RAP
FAME
RICK
RETURN INSANE.”
.
SNACKS?!
ROSS
THEY DID
.
AND
MUSIC?
THE
TO
OF
HORRORS
WE’VE
AND•
ROLL’S
GOT..
RICHARD
RioLs,
HAWLEY
CIRCULATION
Q
JUNE
MAGAZINE
rap,
2012
Cameron,
80,418
The
HAS
TO
Sweeney..
NEED
SAY...
A FEW
•
and
JOHN
TO
“enBghtenineni”?
AND
YDON
THINGS LISTEN
‘ SIGUR ______0’
____C
____
3
YOU
ROS
v, w
C V KI the
Generation SPEECH single, Step David talks artist Volunteers concerns forward, and to ‘Cameron, otherwise album Ray
are THE of and Winstone.
for NG’S, then,1with thin last known universal feature the CIRCULATION “ summer’s on k’Ti position Q
P1Cr1JRE
L!1 * JUNE the MAGAZINE as film His enlightenment,, ground PEROt) 2012 Benjamin 1I moment that urban about 80=418 of Spokesman all an in rioters. inner directly interconnected Popworld, Ballance-Drew is now... city sex, Here address Of blues, drugs 2012. A the
I I a his remember Plan mind paint: B, of making your “Just you own.” have
CIRCULATION
Q L!1 JUNE MAGAZINE 2012 80,418 (1
Th
HtT]CI
T1 [!1
PLAN B
he lIcks2011 en Drewdoesn’treallydojokes, not this sincereanderudite communicatoralmost are remembered yearanywsty,apcrmanentragcbolllng impossibleto interrupt, whodealswith fortwothings: throughout histhree-prongedillManors inteijections into hismarathon soliloqttiesIsy 1.Adele’slife- project:asingle,albumand filmall doubllnghls vocalvolunaeandfinishingliii defining Bwilfullycontentiousexplorationsof “the sentence atlyivay,Just assvellhe’sinfinitelyworth peifortnanceof detnonisationofthc underclass”.In2012,he calls hearing.‘roday,dressed downfromhisStrickland SomeoneLike himself’s polymath”(rapper,soulsinger, film Bsmmka-shiny-sttitera ina whiteT-shirtandquilted You.2. Riot director,scriptwriteraridacclaimedactor), now isluejacket,hetalkswith rareconvictionon nosleep ShieldsInPop, single-handedlyappointinghimselfthe VoiceOf whatsoever,bavingbeettstpallnightre-editingthe the dancer- AGeneration(ascontemporaryNumber I artists illManorshim,“itwasfullof holes,thinisthe wieldedprop neverdo), the kindof platform-usingprovocateur hardest tilingI’veeverdone”,arelentlesslygrim curiouslyused byboth lakeThat and PlanBduring wethougltthaddiedotit intime‘90s(“maybe,”lie sagsof litter-connectedlives(setin Drew’sEast hismedleyperformanceofSheSaid/Prsyin’from considcr, ecstasydidthat”). IllsIntentionsarc Londonnelgltbourhood,ForestGate),bedevilled TheDefamationOfStricklandBanks(whichwon heroic,his methodsIsm-utal,illMattors,(lieaong, hyviolcncc,crack,guns,prison,pimps,carehomes himBestBritishMale),culminatinginariotcop it hip-hopsavagingwirhpunk-rocksensibilities and heroin-addictedprostituses,withthe central staggeringacrossthe 02 stageon lirt. Overnight, (“it’sbeen heavilyirtflttenccdbypunk”),ins message:“We’reallproductsofottrenvironnictit.” kettling-popwasinventedand sixmonths later tnalevolcntlandscapeofdrugs,booze,bladesand Nowalsoaprofessionalactor (speciality: Londonandbeyond wasablazeinreality,the closed-downcommunitycentres,“Oi!”hlsres(lie haiti), lielosttwo-snd-s-halIstone lastasttutnti Augustriots eruptingasagenerationappeared chorus,“Isaid,OilWhatyottlookingat,you little vialowcarba‘andweighs raitiingpreparingforhis L tosetfireto itsownhead. richboy!/We’repoor round here, -unhomeand lock rolealongsideKayWinstoneitt ‘lImeSweeney “IreadaTwittercomment saying:Ibetyou yotirdoor/Don’tconic roundItereno more,you (“an intelligentboyandaterrificactor”, notes feelguiltyaboutyourperformanceat ‘l’helirits cottldget mbbed for real”.Thevideo,meanwhile, Wlimstone),plsyingDclSgtGeorgeCsrtet:
nowthe riotshavekickedoft,”announces PlanB, allhead-kickingkids,middlefitigersandititercttt “ThewayIwaslookingbcfore,”alniost-aitiiles 28-year-oldBenDrew,chain-pullingsnouts by ‘l’Vfootagefrontthe riotsisintended,notes Drew, Drewtoday,nowforkingintObatigcrs’n’maah anopen windowina NorthLondonphoto studio. its“satire” sitil doubtlessititerpretedbyDailyMail ins polystyrenebox,“Idoti’tthink Icould’ve “AndIwaslike,That’sthe problemwithsociety. mindsas “theglorificationofsheercriminality”. been hying squadpolice.,” [ThrathksslyjTheriotshavekickedolf,whyhaa Shorton subtleties,though,didlieworry thishappened,think,think,.,’Ah,PlaitBdone that hemighibe reinforcingstereotypes,reinforcing I!WhoremembersSham69?Qdoes performanceonThe Bmits,withriots!ft must the-fear-of-the-kids? atidhasbrotightforDrew’sperusal bethat! Imean,coniclheJimckvim.Obviouslythey “No,becausepeoplehavealwaysbecn the lyricsto the ten-ace-punkhobo’s liveinaworldso fir fromrealitythat anything frightened;the skinhesdsweredetnonisedmore 1-IcyLittleRichBoy,B-sideto rite that happensmust — mustbe! — basedon anartist tItan30yearsago,”liebalks,“Sn,what,amIadding jubilant boot-tapperBorstal 1’orarapper that’siniluencedthese kids,lkgins to to it?No,It’salwaysbeenthere,Youpushyoung QBreakoutbtmckin 1978:“I-Icy,little ricltboy,takes turnp1nkaroundtheneck]Evenpeoplesayingthe peopleawayand ridicitle‘emitandtell‘emthey’re goodlookatnie/l don’tneeda flashcar to takeme ncwillManorsvideoisgonnainciteand influence animals,they’regoitnaactlikeimtiinaals,lfpeople around/I cmmnget the busto the other sideoftown..,
kitlsto riot — whatkidsarctheytalkingabout?‘iliese watchthe iiiManorsvideoairdgo,Idisagreewithit, Ididn’tget no OCE/Itmakesyou think ottcan’t
kidsaren’tinflttcmmcedbyhip-hop,they’retii’higir, good,youaltoulddisagreewith it.Yousltoitld talk to me..,.WhyshouldIlet in.worryme?/l’ilnever livinginthe slik!” disagiccivithkids believeyou’rcbesterthan me,” ft’sanunexpectedotttbtirat,otteprotnptedby “THESE rioting.Yosttltuulti ‘lustisinteresting,”nods l)rewand wetalk Q’scomedyconteittionthat the riotswereallhis disagreewiththe about the dilTereticcinatlititde,34yearslater, Isles,anddemonstratesjuat howseriouslyBen KIDS wordchavbeing betweenthIsamidillManors:acockyivorking-class Drewtakeshismessage—onelonequip igniting throwtiabout like pride replacedbyihe ntgingself-loathimigoftlie atiradetctdayon the censorshipofsri - AREN’T it’stioi aprejudiced, tindcrclasstoday. Must’vebeenamltmoyitlg,though,wlten‘fake INFLUENCEDtlcrogatoryterm, Yott “Well,they’menot workittgaas cos tlteydon’t Thatappearedfirst!? shottiddisagreethat work,”liescoffs,lightingupanother stiout,“Con “1didti’treallygivea shit.IknewStrickland BYHIP-HOP, there’skidsgoing, thcyget itgivctl offthe govcrtlmgnt.There isno Bankswasunique,” Yottfuckinglittle senseofpride. Listen,whenI hirstsignedmyrecord THEY’RE richboy,I’mgonna dealthe onlyplacesIcouldaffordto buywasin Li robyou,youshottld! roughcouncilestates,Iwaslike,Pinnot gonnabuy LIVINGIT, It’sallprejudice, a councIl flatnextdoor,right,to abttndi ofpeople LIVINGIN l”uck me,Illttfl, Iwas getting theirs for freewhen Iltavetowomklikea a niinoritywhite kid cttnt,yeah,forthe same.It’seasierforkidstoget a THESHIT!” ins niajorityblack girlpregnant.It’seasierfors I5-ycar-oldgirltogo, andAsianschool, Ptickit, Iget pregnant,lean gets flat.” Iusedto get it every day Thisbutt, then,whatliberalsnsightber’xpectitig
ChasedIsvthe blackkids. — aboldlyoff-messagetestament nohisnon Just conI’mwhite:Gitunic pstisanview (Drewhasncvervotcd),whiclisays your cigarettes, gimtne the welfimitstare,too,cotitributesto (lieproblem, your money.Y’know?Bttt “Everythingcontribtttcs,”lienods.“[Iowa
Ididn’tturn round andjoiti 15-year-oldgirlcanprioritisehavinga flatoflier the I1NP,Itried myhardest ownbut losinganyflickingprospectsshecan Itave, to understand wilythc’ meansshe doesn’tthink she’sgotarmyprospects werethat way.I’dseewhere anyway.Y’know?Shedoesn’tvalueher future, my nmateswaslivinginthe Shedoesn’tfeellikethere Liajobout there or an coitticillists andhowbroken ambitionsItecanfulfil.Soyou’vegotkidsraising -Plan takes oi a theirfanmilieswereand toupo dancers you kids,thinking,Mightaswellgetwhatsocietytells kindoftimideistood,” ne ismost important,whichismyown hottse, E asriqt police ‘ — Idretsed9 BcnDrewisone intense, awidescreenTVanda microwave.Allthis shit tTheBrlts,2ç11 ‘ - - dotgcd dude,a fotimiidahle, that’sbombarded.Consumerism.‘l’hisisabottt
JUNE2012 Q 85 k
QMAGAZiNE JUNE 2012 CIRCULATION 80,418
CIRCULATION Q JUNE MAGAZThTE 2012 80,418 ______
‘I S I PLAN B
-
Alongside showbia I w Florence Welch (lc) at the Q Awards, 20 nd Elton .Ioliç!Pl ‘5 ‘rho’s it. Simple.Wedon’tneedtheflickingpress.
‘theseare thedresins,ofcourse,ols romantic, an idealist,sotneoticsvlio’dscentitiglyjettison all —--—--j, nt’wspaper)otimnalislnforthe viewoutside otiross’ts irnand teach”,materialism, windowsandwhoadds,today(unlike hishighly ‘therewasnobrainsI politicised hip-hopforebears) politics doesn’t instinct,lddsgoing01 work”aiid deems legislation “bollocks!Somered tape is gonna fuck ii up”.tiltintati’ly,though,it’s a righteousworkiview asoldascock’tm’rollitself: absentfromthe report), ageezer—popamalgamof prison—playingJohnny the prejudicesandhate Cash, r sitar-stritutming GeorgeIIarrisnti,eantp-firc wedto muckingprint in cr5ins’Strummer, htichardAsltcroftmliii his bong rentalskills,usingthe on lire and the social-workem--lpofJcssleJtoday. casesofa kidbeing ‘‘Irn talking alsimit a higher.,likeBuddhism,”lie !eAsnszonforest:what, concludes.“Aconsciousness, No,enlightcnmetn, ?Ieandearswithhis Etthighitcimnmcst.Y’know?”,- is shouldhavemanners lie means it, man. S a!Youcan’t a is I liefollowingafternoon,Drew is —“—-cersnedlitaconferenceroomas ‘rEntci’tdlhinent(illManora
distribtmtipcompany),in - oiback-to’bacl l.iglitlydtistcdinfacepowd boxy,lightbiuec hrougha glass hA...
— slenslvethanofft..,,,. itolblamingTheKids, u’ aboutyouth.“otherwise wtoaa) ig with tiwshc,rt-ter,n Throughoutthe In: ofthe long-termcauses”and misconcepik - Jie background,the reasons”. classhardmd :efLsn’twithDavidCameron,”he a,sevidciiceo. agingwiththesekidsishowyou Drew,hismum ilem,asCameronsaidthere,What a tOWti plattticr’ttwt truth,yes,but he’sobviouslybeen Camdencouncil)at wheredownthe line.Butdon’t “I’vcgoraclouN antochangeanything. bastard,”he anta a societyisjtsststop i’aulBailance-’ ‘hcre l’mconsing -utanvdirect a onwhat believc.
87
QMAGAZINE JUNE 2012 CIRCULATION 80,418 PLAN B
mother”whilehisgodfather,Drew’sonlytruefather rewchoosesto figure,became“a piss-head”,thefamilyhomeonly livetodayin affordablebyrendngout thesparerooms,“soour North-East househas always beenlikeacommttnitycentre.” London’s AninscrLltable,“quiet”kid,he’dbedrawninto chaoticcreative localviolence,kickedout ofschoolforfightingin Denclave,Dalston,“toremind YearlOand sent to apupilrefenal unit (the myselfwholam”, TunmarshCentre,Plaistow)surroundedby’9cids He’sboth alife-long fromalot moredysititictionalfamiliesthan mc”, Arsenalfanandsubtitled wherehis musicaltalentswereencouraged. Europeancinemaenthusiast Nowincreasinglyawareofhowenvironment (hugelyinspiredbyttrhan-lifc shapescharacters,hewasalniostsocialworkerto masterpiece,l,aHaitse,
hisfriends,attemptingto warnoneoffheroln — “he 1995),isagoodcookwhose wasnaive,fromthe sticksinEssex.Ikept telling spaghettibologneseisalways him,Youcan’tluckwiththat shit,youhaven’tseen “correct,y’know,correct!”
the heroin addictswhere1lIveand 10yearslater atidcitesallIsispassionsas he’slucked”.-andanotherfrom Streetroblery. “relevant”to hiswork.“I “1was,Youcan’tdo guessI’tsstnostpassionate that, bruv,robbingpeople, about youtsgpeople,”lieadds. tint’s whatthose older “I’VEBEENGETTING “Andl’vejsstgota massive fuckerausedto doto use. BYON A DELUSION appreciationforexpression. Andthrough otir ‘a Y’know?”Hekeepshissexual “likediseased liaisonscasual,“which sound friendship yousaw THATIWASHARD. daylight, doesn’t toocool, changesInhim zombies”,who’dapproach but list veryupfroittabotitit,”utsable(or unwilling) Unfortunatelyliewas ITHOUGHT,YOU’VE hismum fornioney. to committo a relationship. murdered.Atl8yearsof BEENLUCKY,THAT “AndI’dgo, Mum, “Ihavefricnd, geezers,whotext tieatidtext age.‘l’hrownout of atower whatwsswrongwith that meaticldo not getreplies,”heconfesaei.”Andinthe block.lEttorti,ottcugltjflttr YOU’VEALWAYS pcrsoii?andshe’dgo, end they’re,Listen,mate,you’rejustignoringmc that’scoshewent looking ‘lint’s adrugaddict, now!Sowithgirlstextingme:Wherearcyoti,Imiss fortrouble alot.”Forest BEENSUCHA GOOD tliats whyyoushould you...what am 1supposedto do inthe middleof Gate,then, taught him neverfuckwithdrugs,” writings bloodysong...Imissyoutoo?Whatare howto he Itard,or at least ACTOR.AND NOW he remembers. youdoingtiow?Well,I’mwritingasong.D’you howto prc’tetidto be hard. “So Ihad an wsnns meetup later?Well,I’mnot sure,Pttcking IAMAN ACTOR.” “Iactuallycouldn’ttell understanding.It’s phonebeepsoff!I’mmarriedto mycareer.If ill wasputtitigonan actor IfIreallywoulddo some unhealthyto rejecralldrugs.They’reInour society, IhadagirlfriendI’dbecheatingon niywife.” :4 ofthe thingsI’dsay,”hemuses,handsnowclasped commonlystsed,youneedto tindenitatidthem to Don’tyoumissit,though?‘l’hewarutttliof
onthe tablewithstatesmanlikepoise.“WhenI protect yourkids Ironsthem.” someoneinsideyotirsoul?Man. found tnyseilbackedinto acorner Iwouldlook [Ic itioked Iteroin,once,aged16at “Urn.Idon’tknowifI’veeverexperietacedthat. them allinthe eyefadopisgenuinelyi;le,tociatg,laser Glastonbury,“horrible,ihankfstliy”,has sever Ilittven’tmet mysoultisame yet. Bttt I’mnot looking eyed,cirrns-vu(pssttcrcJandsay,Packinglet’shaveit smokedcrackatidIns adirect,ifquestionable forIt.Not at the expenseoftlsisothergreat thing then but one ofyou lagoons losea fuckingeat. messageforthe drug-shyparents of suburbia. that hillsnicwithsoitittcliwarmthandliappitsess, It worked.Make soiuc’oltebelieve you’re crazy, “Onewayofeducatingyoursellaboutdrugs is myatt. IcotildstringgiyI aiotig,lieto‘etmi.list I’ma they’re not gonna fuckwithyou. Butactually,when doing‘cot,”heguffaws.“It’strue!Youwannawarn gentleitian.I’vegottoo muchrespect,notjust for
I started boxingtrilittiligthree yearsagoIreahsed yotirkidsoll smokeaspliff,experienceit.” women,hut forfuckinghtnsanbeings,todothat.” howdefencelessIactuallywas.Iwaslooking at this ‘l’here’sanother sideto l’orestGate.Away Soots,lieintends IC,set up hisowncharity,au overweightguythinking, lean knock this guyottt, from the shadyStreetlife,it’salsocreatively umbrellaorganlsatlonto fund“vigilaistesocial but lie wasso muchmore technical and faster than renowned:whereArnoldSchwarzcnegger workers”,to aidthe nation’sbclcsgtteredkids. me.Antiit teahlydawnedOttten, I’veactuallybeen trained to becomeMrUtiiverseat WagBetiiiett’s “Thebest thingaboutmoneyisntaklngothser gettingbytillthese yearson this detiLsisntthat Iwas gylts,wherelegendarymusicvcntie‘l’heUpper peoplehappy,”Itedecides.“Otiefun-ralsitigglgat hard. Ithought, Fuckinghell,lien,mate,you’ve (‘ut Clstbwasopened byTheWho,had the Sntill the 02 to giveIhear individualsfinancialsupport beettlucky,that you’vealwaysbeensuchagood FacesashousebandandwhereJimiIlendrix ss’ottlddoso nsttchmorefor me thatubuyingmyself actoc Andnow lam an actor,in’I?” wrote PurpleI-laze. acar.Attdmoneycorrupts. l’eople’smindstoday Drewha enormous respectforhls tnum. ‘Sogrowingop hearingthese stories,I thought, areconipletelydisconnectedfromiheirhearts Ott hisdehiti albumhe thankedher inthe Fttck,ilthey hivedhereantImadesomething becauseofthe tnateriahlsticworld.” slecvcnotcsand declaredhe’done daykeephis oftheir lives,then I cun.”hechirps.”lt was Ostratigriestconteinhiorarypop star,then, promise,“ofbuyingyotithat bighouseinthe a perfectbalance:there wascrime,but there was is not onlyapretend hardman,lie’snotsolar froiss country withthe swimmingpool”. alsomusicalhistory,goodscltonls,Wanstead5iats ahippyidealistitsit kaftan inthe ‘óOs. it wasn’tlikeaittiog downwithmum, fspeiipaiklaiid y’know,nature.Andjunglemusicl Atheart,yott’rcjuntatuold-schoolhuiiianitarian, “Well, 1 Oh Murn,when Intake it...,”he notes,faux-weedily. camefromthere and I fueldnglos’edit. Tiwas aren’tyou,MrTenaciousIi? “She’dbebollocking me, Get ajob, contribute! inspirational.Especiallywhen,at the time,the Spice “1meats...pflL. isn’tthat thewaywe’resupposed
Puck you!I’llbuy thishouseoffyouone day! Girlswasjusteverywhere atidIthoitght,Ifthese to he?”liereasons,withaphiospltorescetnflareof
Ididn’t want ajob, Ihadto be in my rootn writing jokers candolt, then Ican dolt.” those SteveMcQueeneyes. ‘Isn’tthat thewaywe songs and couldn’t have done it without the Hetook fromForestGate, hen,allthe positives wasallbuilt?Bittsotnethiittg’sretainedourbrainn support of my tnum. Andthat house.” on offer. somewhereitlongthislineand screwedit allup.”
Asometime teenage weeddealerto supplement “Yeah,Butthen iwas lucky.Ihad avery He rises to leaveand suddenly, tinexpectedly, his dole money,Drew also credits his mum with obvioustalent.” the UK’sscariestago-popIsoodieprovesbeis,atsd hisdrugseducation (siteoncedatcd a crackhead Youalwaysfeltyou’dbecomewhatvotive probablyalwayswas,anexttbcrantlywarnihugger. she thought she couldhelp), observing the crack become? • illMatters,fhefllm,isreleased6Jtuits. andheroin ravagedprosiirtitesinForestGatein “Always.Always.” ‘thu alh,usi/.5nut 14 Ma,s
88 0 JUNE2012
QMAGAZINE JUNE 2012 CIRCULATION 80,418
CIRCULATION
31ST
INffE
MARCH
NME
33,
2012
875
‘LI 4 9
£Lao D1c! ‘J
t7I(!
JIJIJI,IJi)I)II IIHI
, S
CIRCULATION
31ST
INBEI
MARCH
NME
33,
•rç.
2012 875
CIRCULATION
31ST
MARCH
NME
enough:
shop, Into
what
money
sell bumped
and money’
ihkty
doesn’t
thai
33,
2012
n
that
shds
a
either,
money
comes
kebab
edkln’ttec
strip
on
875
And
h
phone.
into
Ukc,’Pns
me I
ha
of
s(
shop.
back
have
h&s
heron
now,
a
says,
but]
hopdiss
darkest,
“c Mmun,
heres
like 1
yoi
and
Anywa
re
her
bu
-nts
mobile
‘Mid
d
L....._ncd’hc
tarmwing
ho
give
a
5cr
scent
that
bleakest
lunkic
and
‘c.-.
e
into
l)l1onCjt
ranks
moncylnstcad.
whorhètout
hcr
in
and,
cv
has
Plan
inomu,hcllc,a.
amoI
according
bes.n
.i*ridin
cNciren
us
lalil 1 nUt
rhnli
cUsed
in
She
min
takeaway
it
to
each
smack
back.
Plan
doesn’t
cincma
of
ft1m
swaling
one
B,
She
dealer.
on
it
II!
have
for a
CIRCULATION
31ST
IKSE
MARCH
NME
33,
2012
875 1. •• ‘H lIw,.ioffilUi a( 5q ta, many I, dfrscia
tacas h a4’...SLi4c*Iand.’
*itMiO1Qbiin
CIRCULATION 31ST
iiiipr
INBEI
MARCH
NME
33
2012 875 Pihoodid frt,tanorlnih. Imilar With there’s So back. you everything label] the Tliat hip-hop relationship suggesting to So Duriaigthe’...Stricklnnd I still tti became and What and YouuvebeenteUhig “1 record there 111 based underground songs alongside a to coulilut wanna rapper. make help think it’s Ma,,nrt many make way veer trying still seemed Right 67c). whtrcl was always me, I not But me bappened we’ll thought impossilile. to do fort it young tuccesslul be a follow-up vciu let When Michael just in noticing’s pop/raft was get was to my put lost work now with a discuss you Scpternhcr them the he balance director, know. almost thing. could the that hip-hop, ‘The all fine, kids in that’s’!!! past them, chance on 1 hat’s were pretty early started clown, Caine time? record film anti to I releaw that’s ever Ballad the ‘The I that And on had that wanna two at ‘The the people I whaievcr days, the I going made film waxma your soio, unrealistic that gave lose was warwith because Sc, Ballad so in Manors the prrli’cc with working BUt OIBelmarsh’on ‘The yeas’s. was 2009 Ballad many it be and in Banks’ ‘Strickland still I beautiful me I own. was Work to I may that sing, finishing Eim& fdt 1 in don’t OlBelmarch’” BaltadOlllelttiarsh’ I that everything having make the flInt put place people wanna actor and a with thcrc decide Alter the sacrifice wasyour Of I fur Shit, film campaign Wanna was wanna flurry out when thing it, for Atlantic. a Belmarsh’? [he labcF, to thc mis do do, pittance is shooting more that’s I Banks’ to the it tour mean, hold7 so starred film and favours just llrewnJ, that’s Write to I about bring rheyll a had story window next live.” (record an that, be seas out my E I somethingcisc’ourbelart that But.lr me, it’sthereand eventuallytwill comeout. Butdo peoplereallyneed ‘.SrricklandBanks’rightnow? So Strickland Banks isn’t deasl? ILL MANORS: “Nah,it’ssomcthirrg I canrevisit.It’slike77.vSsprsrnsr ain’tdead,that couldconicback at somepoint, because THE LYRICS IN FULL ncr-one knowswhathappensteaTonyat tIreend. It’san IsPhi,,B’snewsinglethemostint’endiay frackofailtime? openending.That’swhat’sgreatabout the stuffI do.. I can revisitit.” HeadtoNME.COM/arth’ts/plan-btotelluswhatyou think Which of your records do you think represents l,t’. all go on an urban Fuel the Siro London’s burning, you best as an artist? .afari Lot it burn. I predict a riot We Whv doesthe musicI make at a time haveto represent might see some illegal Fall in fall out migrants Oil meitsartindividual?Mycareerrepreseno me asan I aeld Oil Who knows what it’s all about Oi, look there’s a ahoy Whet you looking at you Whet did that chief say? individual.‘lenyeatsfromnow,when morerecords That means council housed littlo rich hoyt Something ‘bout the Kaiaer. havecomeourand I’vehada chanceto showthe public sod violent We’re poor ‘round here, run Kid, on the street, no they what I’mabout—whkh issomeonewho’sapolymath, No’s get a handle en, home and lock your door don’t never miss a beat whocanjumpfromthisto rht to that antidciit well— give him a hug coma ‘round hero no more, Never mis, a cheap thrill judgenrcthen.That aupresentsroeusan individual. On second tboughtH don’t, you could gut robbed for when it come, their way you don’t wanna got mugged Real because my go I can’tassthat hip-hopdriesor souldues,theyboth do. ly’rahl Let’s looting Oh shit, too late, that wan manor’s ill No, not Luton youknow.Ins not ashantcdof[’,.St-rickl,trrdBanks’J, hints dumb My manor’s ill The high street’s closer, I (tickingloveit. I lurewearingsuits,I love performing Whose idea was that,.. For real cover your face thosesongs,lIme soulmusic.But I’vebeen tryingto get stupid cant teak, you know my manor’s And if we sue any rich kid. IllManorsmadesince2007, butno-one wouldevergive He’. got some front, ain’t ill, my manor’s 1111 on tho way we’ll make ‘am me the moneyThen ‘.,.SrricklandBanks’goes locking we all wi.h they stayed inside Ba the joker, psay the fool You could crazyand I’mtouringever whereandenjoying get lost in this There’, a charge for the What’s politics, ain’t it all eoncroto jungle new builds congestion, everybody’s nuccessofit —1had funas muchas I could,whichis the Smoke and mirrors, April keep springing up outta gotta pay reasonwhyI put on so muchweight.” fools nowhere Do what Boris does.,, rob What’s the difference now? 511 year round, all in all Take the wrong turn down thom blind “With musicrow I’vegot muscle,and I can do things Just another brick in the • one_way junction find wall hw I want,whenI mint’ your.alf in the hood nobody Oil t said Ott Oat away with murder in the goes there What Was ‘...Strickbind Banks’ a Trojan Horse, you looking at you schools We got an eve—friendly little rich hoyt something to give yOua platform to come back Use four—letter swear words government they preserve We’re poor ‘round here, run and say what you nosvwant to say? ‘Co. we’re cool our natural habitat home and l.ock your door don’t “Ididn’tthink likethat, becauseI didn’tknowit was We’re all drinkers, drug- Built an entire Olympic coma ‘round here no norm, gonnabeaucccsssfitl.The fearforroostartists is.‘Now taker. village around where we you could get robbed for Svery one of us let got thisplatform.nowtitesepeople single burn, live without pulling down Real (yeah) because my are listening,yost the herb any flats manor’s ill know,ritenextthing! putout, if it’sthe santeascitelast Reap on believing what you Give u. free money and we My manor’s ill thirsg,yostknow,I’nrgoitnamakea lotof money,’but for read in the papers don’t pay any tax For real me it’sneverhiiextabortrthat, it’sllke,‘oK, riots’they’re Council estate kids, NtIS heelthcare, yes please, Yeah, you know my manor’s listening.right,sonowit’s rinsefor’lll Martors’’That’s .cum of the earth many thank, ill, my manor’, illI you know amassiverisk,bemusethe majorityof the peoplethat think how life People got stabbed round on a council estate is hero, there’, many shank, We’ve had it with you boughtthe soulrecordprobablyain’treadyforsvhat‘Ill Prom evorything Nice knowing someone’s politicians Manors’ hasgsstrasay but I’man artist, liynu ain’tgonna you’ve ever reed about got our backs when we get You bloody rich kids bitsit, cool, I titan’sgivea luck.This Iss”hai I wartnasay it or heard attacked never listen at this momentin time.‘Strickland Banks’waswhat Well, it’. .11 true, so .tiny Don’t bloody give ma that There’s no luck thing as where you’re I wantedto sayat that momentitt rime.I wassickof safest I’ll le.e my temper broken Britain, we’re ju.t There’s no noed to stop foot Whe closed down peoplewritingmeoffas arnie igorrrarmxfuckingwigece. the bloody broke in Britain Out the ‘barb. comeuoity centre? What needs Using ii Iwantedto showthat I’mjust as talentedas theseoilier truth 1. hero, we’re all I kill time there used the system ignorantfuckersthat you’reputtiargona pedestal.even disturbed to be it member Not shop windows down ntcrrctalented.And I provedthat, but alsoI needed We cheat and lie, it’s so What will I do now ‘til in Brixt,on abreakfromthe politicsirlhip-hop.” absurd Septeeber? Riot, on the televiuion Arc there enough artists out there at the Peed the fear, theta what School’. out, rule. out, You can’t put us all we’ve learned moment that have got something to say? Do get your bloody tool, out in pri.ont artists have a responsiliilityto have a message? “No,I dott’tthink rher are enough,hur then I don’t thetcis themsi think mornfor becausesocietyor cIte listen,Youknose,Igenuinelycareabout issueswe have citmnsereiallythan lie’spreviouslys,’steesed, withrap musicindustrydoesn’tgivethemanyroom.Andso I’m amongyouthsinsociety.I don’treallycarewhatthe versesslowlyreplacedbysingingon1certaintracks like, Learnhostthe machineworksbeforeyoucan outsideworldthinks ofme,I justcareabout thoselsitls. (Michelle’.lot example,starredasa freest-vlcraphut destroyit’ and I knowhowthe machinesvorb now;and l’s’egivenrnmelfthat platfcsrrn,and that’ssvhy ‘III now playslikea standardStricklannltune).Pencilled-in I’min agecatpositionto dcstroy-it.” 351anors’,and the’messagesI’mtrying to put our there secondsingle.the Chase& Status-pr Peoplewantdifferent - things from life, Asa single,‘illManors’proves I justwa.nstahr himwrong.What NME has heard,youknow, I heardof the rest ciithe album bccatisess’hen I’ve —whichisstillbeingwritten got aproblemwitlt withcrackschansirmgwholesale something,Iwant I fromdayto day - suggests peopleto fucking moreof ii desireto connect — NME 31STMARCH2012 CIRCULATION33, 875 GQ.com: influenced up watched hoody east their Ben but Plan a his Plan Drew, cigarette, London’s B’s lives http://www.gg-magazine.co.uk/enterta again directorial smooth You these war interweave him Ill - wrote B: Manors and, Forest he stories and transition soon the and debut seemingly, the Ill Gate is in Manors play begins style both an seems rapper why where from out inner-city that structurally the setting in in intent hoody-clad 2007. the inspires real weight he film forth cycle life. on turned Did doesn’t inventive of grabbing him. is When you of his set, the rapper inment/a drug-dealing, views make June world Drew, — GQ.com and the to director 8, on any crisp-suited on who country rticles/2012-06/08/øla bruisingly 2012 want the changes his meet was prostitution environment shoulders. by him sent frank, the to soul to in on to it throat. central singer after be a following After and U pupil that Ill last poverty. a flicking Made n-b-interview-ill-manors may London shaped Manors, referral politician year’s eight have under his Having he’s him, riots? unit characters raised Zippo wearing his the at grown real 16, eyebrows to class films spark has as name, a up that in nothing power beings they hate all had way towards multicultural aren’t bad What’s afford that magazines able from. much TVs It’s Why street living only it anybody They’re me What glamorises involving charge that. so The bulk Ben of comes to a now of it’s them, and live are they to us their class do problem their and of do We’re that importance ask Drew: People it dealing and do to the the afford put them doing and of and you the PS3s. that doing to to can or do you the money. so or war kids and fixing life sell impact other own. so each film anything. talk film see school calling all think with No. many when put afford don’t question them. because much think with things, In already. is it crack perpetuated who rich consumers: that and when about that The these because How by other way it religion Girls put of people down characters. it you them kids and believe September of are a importance These because music they dismissing song because respect but around. can pair The on Kanye this people They’re their problems is as get do going walking I was for these to tramps society I get to you or ain’t only of “Ill haven’t come war little prostituted that like difference colour. by motives. why money. race. trainers. West we they’re drawn a to Manors” judge do These I That’s journalists. got fiction not that things target. used has 2010. they people around kids on. be are all in and tells that these It actually and s”’’. going contact been You influenced have though, all If people to on into politicians issues Governments exist, already They’re the chavs. Really them that What is you in is, Not and and iay-Z boils get as kids the wearing that put this They’re created that to some something only “chavs”? look There the so because seen picked have its sex-trafficked with that street be that the thought it made the down film showing it doing artists they life? video down artistic gives kids negatively infldenced people who at riots only the they that someone you been just are is and life on are them don’t to go that who it. the are t video themselves others don’t in it so were never people doing stuff and money. that need perpetuated. licence. rioting prepared around into was can common, money. kids many all a can’t think try for by response robbed by come way so of and a other this afford OK to come what an to were response that. who in Top a money. I afford have people since it would excuse change to different looking stuff The it their to was from so countries no they’ve means pick into Boy need it at The racist: sell the I We’re to most and I matter is school. would them that video left in walking It’s that or to on contact the to kids them. happening crack down to newest no some you class Kidulthood be that’s school all the vile got people. important? be all riots, will world. that for way and never what cynical to I and ain’t to worried issues falling Unfortunately on things was you around people with? “No go do just trainers bomb want I’m do but in the ruin Then walk and speak got at I with minority act 2000 Church don’t to about talking what depicted for we’d that the to kids You TV, to another to can’t. are with get a them sell of class, go you it. certain and for disrespect and same fear think we who can’t. adverts, bullies already life the the why crack I out In about opinions white had see them. There’s the for widescreen as longer and them, The you in well-off. things can’t time, in kid’s the people way human It’s where the oil, to to people do. the are Wild”? come in shot When find film be got life film, or than so a that I that like the so It’s a so in Could you ever see yourself becoming an MP? I’m not a going to try and be politician. It would compromise everything that I stand for. These guys get into it with the best intentions and then when they get into power they see the mess they have to deal with. We can’t change the system. As people we just need to be aware of it and make it work for us. Each one of us can teach one other person something that they’re lacking. It’s about taking the time to engage with someone and having patience. These kids need to be able to call someone at two o’clock in the morning and tell them that they’re about to do something really stupid. They need someone to talk to. That goes beyond social work. Iwas lucky enough to have social workers like that in my life. Which other films and directors were you influenced by? I’dsay Pusher by Nicolas Winding Refn. It’s not a beautiful film, by any means. It’s shot handheld, almost is documentary-style, but the story strong and the characters are really interesting. Itook a leaf out of his book. I also looked at how Shane Meadows works. He’llwrite a treatment and then cast the film. Then he’ll get the actors to improv to come up with the dialogue. We did that with bits and pieces. Sometimes we stuck to the script, but sometimes when it was wooden and it felt like they were “acting” I threw the script away and said: “Remember the beats, remember when you’re supposed to walk into the room, remember when you’re supposed to get offended by this person.” It made it difficult to cut and edit the film, but that’s what produced the magic. Can you recommend a good book? The last book I read was Premiership Psycho by CM Taylor. It’s about a Premiership footballer who’s a serial killer. He calls himself a “Customer Service Vigilante”. He’s completely obsessed with labels and material things and he hates people that work within customer service who don’t respect the fact that he’s spending money. It’s a black comedy, but for me it says a lot about the society that we live in. It’s hilarious. What’s your style rule? The is cut so important, but it doesn’t really matter about the name to me. I really like Armani suits but it’s I not because they’ve got Armani written on them: love the cut of their suits and Ithink they drop well I a on me. get lot of my denim from Topman. It’s nice, its affordable - not that I have to worry about - I things being affordable again, just like the cut. I’dbuy jeans from Mr Byrite if I liked the cut. I’ve bought stuff from Primark before. My tip is to know how clothes hang on you and what suits you. If you’re short and you’ve got a round head there are certain things that won’t work for you. Ifyou’re tall and slim and you’ve got a long face there are certain things that will. What’s the best piece of advice you’ve ever been given? Always take insults in the same breath as praise. Ifsomeone tells you you’re a piece of s’”’, you’re not. If someone says you’re the best thing since sliced bread, don’t believe that either. You’re not Jesus or Mother Theresa, but you’re all right. I think that’s how you keep the balance and keep your feet on the ground. MACCABEES WRECKING HOWARE WHOARETHE ThLCULT IT’S WIGWAM-BAM! “I WHAT RUMER WENT THE I GREATEST MERCHANDISE ROCK RAP FAME RICK RETURN INSANE.” . SNACKS?! ROSS THEY DID . AND MUSIC? THE TO OF HORRORS WE’VE AND• ROLL’S GOT.. RICHARD RioLs, HAWLEY CIRCULATION Q JUNE MAGAZINE rap, 2012 Cameron, 80,418 The HAS TO Sweeney.. NEED SAY... A FEW • and JOHN TO “enBghtenineni”? AND YDON THINGS LISTEN ‘ SIGUR ______0’ ____C ____ 3 YOU ROS v, w C V KI the Generation SPEECH single, Step David talks artist Volunteers concerns forward, and to ‘Cameron, otherwise album Ray are THE of and Winstone. for NG’S, then,1with thin last known universal feature the CIRCULATION “ summer’s on k’Ti position Q P1Cr1JRE L!1 * JUNE the MAGAZINE as film His enlightenment,, ground PEROt) 2012 Benjamin 1I moment that urban about 80=418 of Spokesman all an in rioters. inner directly interconnected Popworld, Ballance-Drew is now... city sex, Here address Of blues, drugs 2012. A the I I a his remember Plan mind paint: B, of making your “Just you own.” have CIRCULATION Q L!1 JUNE MAGAZINE 2012 80,418 (1 Th HtT]CI T1 [!1 PLAN B he lIcks2011 en Drewdoesn’treallydojokes, not this sincereanderudite communicatoralmost are remembered yearanywsty,apcrmanentragcbolllng impossibleto interrupt, whodealswith fortwothings: throughout histhree-prongedillManors inteijections into hismarathon soliloqttiesIsy 1.Adele’slife- project:asingle,albumand filmall doubllnghls vocalvolunaeandfinishingliii defining Bwilfullycontentiousexplorationsof “the sentence atlyivay,Just assvellhe’sinfinitelyworth peifortnanceof detnonisationofthc underclass”.In2012,he calls hearing.‘roday,dressed downfromhisStrickland SomeoneLike himself’s polymath”(rapper,soulsinger, film Bsmmka-shiny-sttitera ina whiteT-shirtandquilted You.2. Riot director,scriptwriteraridacclaimedactor), now isluejacket,hetalkswith rareconvictionon nosleep ShieldsInPop, single-handedlyappointinghimselfthe VoiceOf whatsoever,bavingbeettstpallnightre-editingthe the dancer- AGeneration(ascontemporaryNumber I artists illManorshim,“itwasfullof holes,thinisthe wieldedprop neverdo), the kindof platform-usingprovocateur hardest tilingI’veeverdone”,arelentlesslygrim curiouslyused byboth lakeThat and PlanBduring wethougltthaddiedotit intime‘90s(“maybe,”lie sagsof litter-connectedlives(setin Drew’sEast hismedleyperformanceofSheSaid/Prsyin’from considcr, ecstasydidthat”). IllsIntentionsarc Londonnelgltbourhood,ForestGate),bedevilled TheDefamationOfStricklandBanks(whichwon heroic,his methodsIsm-utal,illMattors,(lieaong, hyviolcncc,crack,guns,prison,pimps,carehomes himBestBritishMale),culminatinginariotcop it hip-hopsavagingwirhpunk-rocksensibilities and heroin-addictedprostituses,withthe central staggeringacrossthe 02 stageon lirt. Overnight, (“it’sbeen heavilyirtflttenccdbypunk”),ins message:“We’reallproductsofottrenvironnictit.” kettling-popwasinventedand sixmonths later tnalevolcntlandscapeofdrugs,booze,bladesand Nowalsoaprofessionalactor (speciality: Londonandbeyond wasablazeinreality,the closed-downcommunitycentres,“Oi!”hlsres(lie haiti), lielosttwo-snd-s-halIstone lastasttutnti Augustriots eruptingasagenerationappeared chorus,“Isaid,OilWhatyottlookingat,you little vialowcarba‘andweighs raitiingpreparingforhis L tosetfireto itsownhead. richboy!/We’repoor round here, -unhomeand lock rolealongsideKayWinstoneitt ‘lImeSweeney “IreadaTwittercomment saying:Ibetyou yotirdoor/Don’tconic roundItereno more,you (“an intelligentboyandaterrificactor”, notes feelguiltyaboutyourperformanceat ‘l’helirits cottldget mbbed for real”.Thevideo,meanwhile, Wlimstone),plsyingDclSgtGeorgeCsrtet: nowthe riotshavekickedoft,”announces PlanB, allhead-kickingkids,middlefitigersandititercttt “ThewayIwaslookingbcfore,”alniost-aitiiles 28-year-oldBenDrew,chain-pullingsnouts by ‘l’Vfootagefrontthe riotsisintended,notes Drew, Drewtoday,nowforkingintObatigcrs’n’maah anopen windowina NorthLondonphoto studio. its“satire” sitil doubtlessititerpretedbyDailyMail ins polystyrenebox,“Idoti’tthink Icould’ve “AndIwaslike,That’sthe problemwithsociety. mindsas “theglorificationofsheercriminality”. been hying squadpolice.,” [ThrathksslyjTheriotshavekickedolf,whyhaa Shorton subtleties,though,didlieworry thishappened,think,think,.,’Ah,PlaitBdone that hemighibe reinforcingstereotypes,reinforcing I!WhoremembersSham69?Qdoes performanceonThe Bmits,withriots!ft must the-fear-of-the-kids? atidhasbrotightforDrew’sperusal bethat! Imean,coniclheJimckvim.Obviouslythey “No,becausepeoplehavealwaysbecn the lyricsto the ten-ace-punkhobo’s liveinaworldso fir fromrealitythat anything frightened;the skinhesdsweredetnonisedmore 1-IcyLittleRichBoy,B-sideto rite that happensmust — mustbe! — basedon anartist tItan30yearsago,”liebalks,“Sn,what,amIadding jubilant boot-tapperBorstal 1’orarapper that’siniluencedthese kids,lkgins to to it?No,It’salwaysbeenthere,Youpushyoung QBreakoutbtmckin 1978:“I-Icy,little ricltboy,takes turnp1nkaroundtheneck]Evenpeoplesayingthe peopleawayand ridicitle‘emitandtell‘emthey’re goodlookatnie/l don’tneeda flashcar to takeme ncwillManorsvideoisgonnainciteand influence animals,they’regoitnaactlikeimtiinaals,lfpeople around/I cmmnget the busto the other sideoftown.., kitlsto riot — whatkidsarctheytalkingabout?‘iliese watchthe iiiManorsvideoairdgo,Idisagreewithit, Ididn’tget no OCE/Itmakesyou think ottcan’t kidsaren’tinflttcmmcedbyhip-hop,they’retii’higir, good,youaltoulddisagreewith it.Yousltoitld talk to me..,.WhyshouldIlet in.worryme?/l’ilnever livinginthe slik!” disagiccivithkids believeyou’rcbesterthan me,” ft’sanunexpectedotttbtirat,otteprotnptedby “THESE rioting.Yosttltuulti ‘lustisinteresting,”nods l)rewand wetalk Q’scomedyconteittionthat the riotswereallhis disagreewiththe about the dilTereticcinatlititde,34yearslater, Isles,anddemonstratesjuat howseriouslyBen KIDS wordchavbeing betweenthIsamidillManors:acockyivorking-class Drewtakeshismessage—onelonequip igniting throwtiabout like pride replacedbyihe ntgingself-loathimigoftlie atiradetctdayon the censorshipofsri - AREN’T it’stioi aprejudiced, tindcrclasstoday. Must’vebeenamltmoyitlg,though,wlten‘fake INFLUENCEDtlcrogatoryterm, Yott “Well,they’menot workittgaas cos tlteydon’t Thatappearedfirst!? shottiddisagreethat work,”liescoffs,lightingupanother stiout,“Con “1didti’treallygivea shit.IknewStrickland BYHIP-HOP, there’skidsgoing, thcyget itgivctl offthe govcrtlmgnt.There isno Bankswasunique,” Yottfuckinglittle senseofpride. Listen,whenI hirstsignedmyrecord THEY’RE richboy,I’mgonna dealthe onlyplacesIcouldaffordto buywasin Li robyou,youshottld! roughcouncilestates,Iwaslike,Pinnot gonnabuy LIVINGIT, It’sallprejudice, a councIl flatnextdoor,right,to abttndi ofpeople LIVINGIN l”uck me,Illttfl, Iwas getting theirs for freewhen Iltavetowomklikea a niinoritywhite kid cttnt,yeah,forthe same.It’seasierforkidstoget a THESHIT!” ins niajorityblack girlpregnant.It’seasierfors I5-ycar-oldgirltogo, andAsianschool, Ptickit, Iget pregnant,lean gets flat.” Iusedto get it every day Thisbutt, then,whatliberalsnsightber’xpectitig ChasedIsvthe blackkids. — aboldlyoff-messagetestament nohisnon Just conI’mwhite:Gitunic pstisanview (Drewhasncvervotcd),whiclisays your cigarettes, gimtne the welfimitstare,too,cotitributesto (lieproblem, your money.Y’know?Bttt “Everythingcontribtttcs,”lienods.“[Iowa Ididn’tturn round andjoiti 15-year-oldgirlcanprioritisehavinga flatoflier the I1NP,Itried myhardest ownbut losinganyflickingprospectsshecan Itave, to understand wilythc’ meansshe doesn’tthink she’sgotarmyprospects werethat way.I’dseewhere anyway.Y’know?Shedoesn’tvalueher future, my nmateswaslivinginthe Shedoesn’tfeellikethere Liajobout there or an coitticillists andhowbroken ambitionsItecanfulfil.Soyou’vegotkidsraising -Plan takes oi a theirfanmilieswereand toupo dancers you kids,thinking,Mightaswellgetwhatsocietytells kindoftimideistood,” ne ismost important,whichismyown hottse, E asriqt police ‘ — Idretsed9 BcnDrewisone intense, awidescreenTVanda microwave.Allthis shit tTheBrlts,2ç11 ‘ - - dotgcd dude,a fotimiidahle, that’sbombarded.Consumerism.‘l’hisisabottt JUNE2012 Q 85 k QMAGAZiNE JUNE 2012 CIRCULATION 80,418 CIRCULATION Q JUNE MAGAZThTE 2012 80,418 ______ ‘I S I PLAN B - Alongside showbia I w Florence Welch (lc) at the Q Awards, 20 nd Elton .Ioliç!Pl ‘5 ‘rho’s it. Simple.Wedon’tneedtheflickingpress. ‘theseare thedresins,ofcourse,ols romantic, an idealist,sotneoticsvlio’dscentitiglyjettison all —--—--j, nt’wspaper)otimnalislnforthe viewoutside otiross’ts irnand teach”,materialism, windowsandwhoadds,today(unlike hishighly ‘therewasnobrainsI politicised hip-hopforebears) politics doesn’t instinct,lddsgoing01 work”aiid deems legislation “bollocks!Somered tape is gonna fuck ii up”.tiltintati’ly,though,it’s a righteousworkiview asoldascock’tm’rollitself: absentfromthe report), ageezer—popamalgamof prison—playingJohnny the prejudicesandhate Cash, r sitar-stritutming GeorgeIIarrisnti,eantp-firc wedto muckingprint in cr5ins’Strummer, htichardAsltcroftmliii his bong rentalskills,usingthe on lire and the social-workem--lpofJcssleJtoday. casesofa kidbeing ‘‘Irn talking alsimit a higher.,likeBuddhism,”lie !eAsnszonforest:what, concludes.“Aconsciousness, No,enlightcnmetn, ?Ieandearswithhis Etthighitcimnmcst.Y’know?”,- is shouldhavemanners lie means it, man. S a!Youcan’t a is I liefollowingafternoon,Drew is —“—-cersnedlitaconferenceroomas ‘rEntci’tdlhinent(illManora distribtmtipcompany),in - oiback-to’bacl l.iglitlydtistcdinfacepowd boxy,lightbiuec hrougha glass hA... — slenslvethanofft..,,,. itolblamingTheKids, u’ aboutyouth.“otherwise wtoaa) ig with tiwshc,rt-ter,n Throughoutthe In: ofthe long-termcauses”and misconcepik - Jie background,the reasons”. classhardmd :efLsn’twithDavidCameron,”he a,sevidciiceo. agingwiththesekidsishowyou Drew,hismum ilem,asCameronsaidthere,What a tOWti plattticr’ttwt truth,yes,but he’sobviouslybeen Camdencouncil)at wheredownthe line.Butdon’t “I’vcgoraclouN antochangeanything. bastard,”he anta a societyisjtsststop i’aulBailance-’ ‘hcre l’mconsing -utanvdirect a onwhat believc. 87 QMAGAZINE JUNE 2012 CIRCULATION 80,418 PLAN B mother”whilehisgodfather,Drew’sonlytruefather rewchoosesto figure,became“a piss-head”,thefamilyhomeonly livetodayin affordablebyrendngout thesparerooms,“soour North-East househas always beenlikeacommttnitycentre.” London’s AninscrLltable,“quiet”kid,he’dbedrawninto chaoticcreative localviolence,kickedout ofschoolforfightingin Denclave,Dalston,“toremind YearlOand sent to apupilrefenal unit (the myselfwholam”, TunmarshCentre,Plaistow)surroundedby’9cids He’sboth alife-long fromalot moredysititictionalfamiliesthan mc”, Arsenalfanandsubtitled wherehis musicaltalentswereencouraged. Europeancinemaenthusiast Nowincreasinglyawareofhowenvironment (hugelyinspiredbyttrhan-lifc shapescharacters,hewasalniostsocialworkerto masterpiece,l,aHaitse, hisfriends,attemptingto warnoneoffheroln — “he 1995),isagoodcookwhose wasnaive,fromthe sticksinEssex.Ikept telling spaghettibologneseisalways him,Youcan’tluckwiththat shit,youhaven’tseen “correct,y’know,correct!” the heroin addictswhere1lIveand 10yearslater atidcitesallIsispassionsas he’slucked”.-andanotherfrom Streetroblery. “relevant”to hiswork.“I “1was,Youcan’tdo guessI’tsstnostpassionate that, bruv,robbingpeople, about youtsgpeople,”lieadds. tint’s whatthose older “I’VEBEENGETTING “Andl’vejsstgota massive fuckerausedto doto use. BYON A DELUSION appreciationforexpression. Andthrough otir ‘a Y’know?”Hekeepshissexual “likediseased liaisonscasual,“which sound friendship yousaw THATIWASHARD. daylight, doesn’t toocool, changesInhim zombies”,who’dapproach but list veryupfroittabotitit,”utsable(or unwilling) Unfortunatelyliewas ITHOUGHT,YOU’VE hismum fornioney. to committo a relationship. murdered.Atl8yearsof BEENLUCKY,THAT “AndI’dgo, Mum, “Ihavefricnd, geezers,whotext tieatidtext age.‘l’hrownout of atower whatwsswrongwith that meaticldo not getreplies,”heconfesaei.”Andinthe block.lEttorti,ottcugltjflttr YOU’VEALWAYS pcrsoii?andshe’dgo, end they’re,Listen,mate,you’rejustignoringmc that’scoshewent looking ‘lint’s adrugaddict, now!Sowithgirlstextingme:Wherearcyoti,Imiss fortrouble alot.”Forest BEENSUCHA GOOD tliats whyyoushould you...what am 1supposedto do inthe middleof Gate,then, taught him neverfuckwithdrugs,” writings bloodysong...Imissyoutoo?Whatare howto he Itard,or at least ACTOR.AND NOW he remembers. youdoingtiow?Well,I’mwritingasong.D’you howto prc’tetidto be hard. “So Ihad an wsnns meetup later?Well,I’mnot sure,Pttcking IAMAN ACTOR.” “Iactuallycouldn’ttell understanding.It’s phonebeepsoff!I’mmarriedto mycareer.If ill wasputtitigonan actor IfIreallywoulddo some unhealthyto rejecralldrugs.They’reInour society, IhadagirlfriendI’dbecheatingon niywife.” :4 ofthe thingsI’dsay,”hemuses,handsnowclasped commonlystsed,youneedto tindenitatidthem to Don’tyoumissit,though?‘l’hewarutttliof onthe tablewithstatesmanlikepoise.“WhenI protect yourkids Ironsthem.” someoneinsideyotirsoul?Man. found tnyseilbackedinto acorner Iwouldlook [Ic itioked Iteroin,once,aged16at “Urn.Idon’tknowifI’veeverexperietacedthat. them allinthe eyefadopisgenuinelyi;le,tociatg,laser Glastonbury,“horrible,ihankfstliy”,has sever Ilittven’tmet mysoultisame yet. Bttt I’mnot looking eyed,cirrns-vu(pssttcrcJandsay,Packinglet’shaveit smokedcrackatidIns adirect,ifquestionable forIt.Not at the expenseoftlsisothergreat thing then but one ofyou lagoons losea fuckingeat. messageforthe drug-shyparents of suburbia. that hillsnicwithsoitittcliwarmthandliappitsess, It worked.Make soiuc’oltebelieve you’re crazy, “Onewayofeducatingyoursellaboutdrugs is myatt. IcotildstringgiyI aiotig,lieto‘etmi.list I’ma they’re not gonna fuckwithyou. Butactually,when doing‘cot,”heguffaws.“It’strue!Youwannawarn gentleitian.I’vegottoo muchrespect,notjust for I started boxingtrilittiligthree yearsagoIreahsed yotirkidsoll smokeaspliff,experienceit.” women,hut forfuckinghtnsanbeings,todothat.” howdefencelessIactuallywas.Iwaslooking at this ‘l’here’sanother sideto l’orestGate.Away Soots,lieintends IC,set up hisowncharity,au overweightguythinking, lean knock this guyottt, from the shadyStreetlife,it’salsocreatively umbrellaorganlsatlonto fund“vigilaistesocial but lie wasso muchmore technical and faster than renowned:whereArnoldSchwarzcnegger workers”,to aidthe nation’sbclcsgtteredkids. me.Antiit teahlydawnedOttten, I’veactuallybeen trained to becomeMrUtiiverseat WagBetiiiett’s “Thebest thingaboutmoneyisntaklngothser gettingbytillthese yearson this detiLsisntthat Iwas gylts,wherelegendarymusicvcntie‘l’heUpper peoplehappy,”Itedecides.“Otiefun-ralsitigglgat hard. Ithought, Fuckinghell,lien,mate,you’ve (‘ut Clstbwasopened byTheWho,had the Sntill the 02 to giveIhear individualsfinancialsupport beettlucky,that you’vealwaysbeensuchagood FacesashousebandandwhereJimiIlendrix ss’ottlddoso nsttchmorefor me thatubuyingmyself actoc Andnow lam an actor,in’I?” wrote PurpleI-laze. acar.Attdmoneycorrupts. l’eople’smindstoday Drewha enormous respectforhls tnum. ‘Sogrowingop hearingthese stories,I thought, areconipletelydisconnectedfromiheirhearts Ott hisdehiti albumhe thankedher inthe Fttck,ilthey hivedhereantImadesomething becauseofthe tnateriahlsticworld.” slecvcnotcsand declaredhe’done daykeephis oftheir lives,then I cun.”hechirps.”lt was Ostratigriestconteinhiorarypop star,then, promise,“ofbuyingyotithat bighouseinthe a perfectbalance:there wascrime,but there was is not onlyapretend hardman,lie’snotsolar froiss country withthe swimmingpool”. alsomusicalhistory,goodscltonls,Wanstead5iats ahippyidealistitsit kaftan inthe ‘óOs. it wasn’tlikeaittiog downwithmum, fspeiipaiklaiid y’know,nature.Andjunglemusicl Atheart,yott’rcjuntatuold-schoolhuiiianitarian, “Well, 1 Oh Murn,when Intake it...,”he notes,faux-weedily. camefromthere and I fueldnglos’edit. Tiwas aren’tyou,MrTenaciousIi? “She’dbebollocking me, Get ajob, contribute! inspirational.Especiallywhen,at the time,the Spice “1meats...pflL. isn’tthat thewaywe’resupposed Puck you!I’llbuy thishouseoffyouone day! Girlswasjusteverywhere atidIthoitght,Ifthese to he?”liereasons,withaphiospltorescetnflareof Ididn’t want ajob, Ihadto be in my rootn writing jokers candolt, then Ican dolt.” those SteveMcQueeneyes. ‘Isn’tthat thewaywe songs and couldn’t have done it without the Hetook fromForestGate, hen,allthe positives wasallbuilt?Bittsotnethiittg’sretainedourbrainn support of my tnum. Andthat house.” on offer. somewhereitlongthislineand screwedit allup.” Asometime teenage weeddealerto supplement “Yeah,Butthen iwas lucky.Ihad avery He rises to leaveand suddenly, tinexpectedly, his dole money,Drew also credits his mum with obvioustalent.” the UK’sscariestago-popIsoodieprovesbeis,atsd hisdrugseducation (siteoncedatcd a crackhead Youalwaysfeltyou’dbecomewhatvotive probablyalwayswas,anexttbcrantlywarnihugger. she thought she couldhelp), observing the crack become? • illMatters,fhefllm,isreleased6Jtuits. andheroin ravagedprosiirtitesinForestGatein “Always.Always.” ‘thu alh,usi/.5nut 14 Ma,s 88 0 JUNE2012 QMAGAZINE JUNE 2012 CIRCULATION 80,418 CIRCULATION 31ST INffE MARCH NME 33, 2012 875 ‘LI 4 9 £Lao D1c! ‘J t7I(! JIJIJI,IJi)I)II IIHI , S CIRCULATION 31ST INBEI MARCH NME 33, •rç. 2012 875 CIRCULATION 31ST MARCH NME enough: shop, Into what money sell bumped and money’ ihkty doesn’t thai 33, 2012 n that shds a either, money comes kebab edkln’ttec strip on 875 And h phone. into Ukc,’Pns me I ha of s( shop. back have h&s heron now, a says, but] hopdiss darkest, “c Mmun, heres like 1 yoi and Anywa re her bu -nts mobile ‘Mid d L....._ncd’hc tarmwing ho give a 5cr scent that bleakest lunkic and ‘c.-. e into l)l1onCjt ranks moncylnstcad. whorhètout hcr in and, cv has Plan inomu,hcllc,a. amoI according bes.n .i*ridin cNciren us lalil 1 nUt rhnli cUsed in She min takeaway it to each smack back. Plan doesn’t cincma of ft1m swaling one B, She dealer. on it II! have for a CIRCULATION 31ST IKSE MARCH NME 33, 2012 875 1. •• ‘H lIw,.ioffilUi a( 5q ta, many I, dfrscia tacas h a4’...SLi4c*Iand.’ *itMiO1Qbiin CIRCULATION 31ST iiiipr INBEI MARCH NME 33 2012 875 Pihoodid frt,tanorlnih. Imilar With there’s So back. you everything label] the Tliat hip-hop relationship suggesting to So Duriaigthe’...Stricklnnd I still tti became and What and YouuvebeenteUhig “1 record there 111 based underground songs alongside a to coulilut wanna rapper. make help think it’s Ma,,nrt many make way veer trying still seemed Right 67c). whtrcl was always me, I not But me bappened we’ll thought impossilile. to do fort it young tuccesslul be a follow-up vciu let When Michael just in noticing’s pop/raft was get was to my put lost work now with a discuss you Scpternhcr them the he balance director, know. almost thing. could the that hip-hop, ‘The all fine, kids in that’s’!!! past them, chance on 1 hat’s were pretty early started clown, Caine time? record film anti to I releaw that’s ever Ballad the ‘The I that And on had that wanna two at ‘The the people I whaievcr days, the I going made film waxma your soio, unrealistic that gave lose was warwith because Sc, Ballad so in Manors the prrli’cc with working BUt OIBelmarsh’on ‘The yeas’s. was 2009 Ballad many it be and in Banks’ ‘Strickland still I beautiful me I own. was Work to I may that sing, finishing Eim& fdt 1 in don’t OlBelmarch’” BaltadOlllelttiarsh’ I that everything having make the flInt put place people wanna actor and a with thcrc decide Alter the sacrifice wasyour Of I fur Shit, film campaign Wanna was wanna flurry out when thing it, for Atlantic. a Belmarsh’? [he labcF, to thc mis do do, pittance is shooting more that’s I Banks’ to the it tour mean, hold7 so starred film and favours just llrewnJ, that’s Write to I about bring rheyll a had story window next live.” (record an that, be seas out my E I somethingcisc’ourbelart that But.lr me, it’sthereand eventuallytwill comeout. Butdo peoplereallyneed ‘.SrricklandBanks’rightnow? So Strickland Banks isn’t deasl? ILL MANORS: “Nah,it’ssomcthirrg I canrevisit.It’slike77.vSsprsrnsr ain’tdead,that couldconicback at somepoint, because THE LYRICS IN FULL ncr-one knowswhathappensteaTonyat tIreend. It’san IsPhi,,B’snewsinglethemostint’endiay frackofailtime? openending.That’swhat’sgreatabout the stuffI do.. I can revisitit.” HeadtoNME.COM/arth’ts/plan-btotelluswhatyou think Which of your records do you think represents l,t’. all go on an urban Fuel the Siro London’s burning, you best as an artist? .afari Lot it burn. I predict a riot We Whv doesthe musicI make at a time haveto represent might see some illegal Fall in fall out migrants Oil meitsartindividual?Mycareerrepreseno me asan I aeld Oil Who knows what it’s all about Oi, look there’s a ahoy Whet you looking at you Whet did that chief say? individual.‘lenyeatsfromnow,when morerecords That means council housed littlo rich hoyt Something ‘bout the Kaiaer. havecomeourand I’vehada chanceto showthe public sod violent We’re poor ‘round here, run Kid, on the street, no they what I’mabout—whkh issomeonewho’sapolymath, No’s get a handle en, home and lock your door don’t never miss a beat whocanjumpfromthisto rht to that antidciit well— give him a hug coma ‘round hero no more, Never mis, a cheap thrill judgenrcthen.That aupresentsroeusan individual. On second tboughtH don’t, you could gut robbed for when it come, their way you don’t wanna got mugged Real because my go I can’tassthat hip-hopdriesor souldues,theyboth do. ly’rahl Let’s looting Oh shit, too late, that wan manor’s ill No, not Luton youknow.Ins not ashantcdof[’,.St-rickl,trrdBanks’J, hints dumb My manor’s ill The high street’s closer, I (tickingloveit. I lurewearingsuits,I love performing Whose idea was that,.. For real cover your face thosesongs,lIme soulmusic.But I’vebeen tryingto get stupid cant teak, you know my manor’s And if we sue any rich kid. IllManorsmadesince2007, butno-one wouldevergive He’. got some front, ain’t ill, my manor’s 1111 on tho way we’ll make ‘am me the moneyThen ‘.,.SrricklandBanks’goes locking we all wi.h they stayed inside Ba the joker, psay the fool You could crazyand I’mtouringever whereandenjoying get lost in this There’, a charge for the What’s politics, ain’t it all eoncroto jungle new builds congestion, everybody’s nuccessofit —1had funas muchas I could,whichis the Smoke and mirrors, April keep springing up outta gotta pay reasonwhyI put on so muchweight.” fools nowhere Do what Boris does.,, rob What’s the difference now? 511 year round, all in all Take the wrong turn down thom blind “With musicrow I’vegot muscle,and I can do things Just another brick in the • one_way junction find wall hw I want,whenI mint’ your.alf in the hood nobody Oil t said Ott Oat away with murder in the goes there What Was ‘...Strickbind Banks’ a Trojan Horse, you looking at you schools We got an eve—friendly little rich hoyt something to give yOua platform to come back Use four—letter swear words government they preserve We’re poor ‘round here, run and say what you nosvwant to say? ‘Co. we’re cool our natural habitat home and l.ock your door don’t “Ididn’tthink likethat, becauseI didn’tknowit was We’re all drinkers, drug- Built an entire Olympic coma ‘round here no norm, gonnabeaucccsssfitl.The fearforroostartists is.‘Now taker. village around where we you could get robbed for Svery one of us let got thisplatform.nowtitesepeople single burn, live without pulling down Real (yeah) because my are listening,yost the herb any flats manor’s ill know,ritenextthing! putout, if it’sthe santeascitelast Reap on believing what you Give u. free money and we My manor’s ill thirsg,yostknow,I’nrgoitnamakea lotof money,’but for read in the papers don’t pay any tax For real me it’sneverhiiextabortrthat, it’sllke,‘oK, riots’they’re Council estate kids, NtIS heelthcare, yes please, Yeah, you know my manor’s listening.right,sonowit’s rinsefor’lll Martors’’That’s .cum of the earth many thank, ill, my manor’, illI you know amassiverisk,bemusethe majorityof the peoplethat think how life People got stabbed round on a council estate is hero, there’, many shank, We’ve had it with you boughtthe soulrecordprobablyain’treadyforsvhat‘Ill Prom evorything Nice knowing someone’s politicians Manors’ hasgsstrasay but I’man artist, liynu ain’tgonna you’ve ever reed about got our backs when we get You bloody rich kids bitsit, cool, I titan’sgivea luck.This Iss”hai I wartnasay it or heard attacked never listen at this momentin time.‘Strickland Banks’waswhat Well, it’. .11 true, so .tiny Don’t bloody give ma that There’s no luck thing as where you’re I wantedto sayat that momentitt rime.I wassickof safest I’ll le.e my temper broken Britain, we’re ju.t There’s no noed to stop foot Whe closed down peoplewritingmeoffas arnie igorrrarmxfuckingwigece. the bloody broke in Britain Out the ‘barb. comeuoity centre? What needs Using ii Iwantedto showthat I’mjust as talentedas theseoilier truth 1. hero, we’re all I kill time there used the system ignorantfuckersthat you’reputtiargona pedestal.even disturbed to be it member Not shop windows down ntcrrctalented.And I provedthat, but alsoI needed We cheat and lie, it’s so What will I do now ‘til in Brixt,on abreakfromthe politicsirlhip-hop.” absurd Septeeber? Riot, on the televiuion Arc there enough artists out there at the Peed the fear, theta what School’. out, rule. out, You can’t put us all we’ve learned moment that have got something to say? Do get your bloody tool, out in pri.ont artists have a responsiliilityto have a message? “No,I dott’tthink rher are enough,hur then I don’t thetcis themsi think mornfor becausesocietyor cIte listen,Youknose,Igenuinelycareabout issueswe have citmnsereiallythan lie’spreviouslys,’steesed, withrap musicindustrydoesn’tgivethemanyroom.Andso I’m amongyouthsinsociety.I don’treallycarewhatthe versesslowlyreplacedbysingingon1certaintracks like, Learnhostthe machineworksbeforeyoucan outsideworldthinks ofme,I justcareabout thoselsitls. (Michelle’.lot example,starredasa freest-vlcraphut destroyit’ and I knowhowthe machinesvorb now;and l’s’egivenrnmelfthat platfcsrrn,and that’ssvhy ‘III now playslikea standardStricklannltune).Pencilled-in I’min agecatpositionto dcstroy-it.” 351anors’,and the’messagesI’mtrying to put our there secondsingle.the Chase& Status-pr Peoplewantdifferent - things from life, Asa single,‘illManors’proves I justwa.nstahr himwrong.What NME has heard,youknow, I heardof the rest ciithe album bccatisess’hen I’ve —whichisstillbeingwritten got aproblemwitlt withcrackschansirmgwholesale something,Iwant I fromdayto day - suggests peopleto fucking moreof ii desireto connect — NME 31STMARCH2012 CIRCULATION33, 875 GQ.com: influenced up watched hoody east their Ben but Plan a his Plan Drew, cigarette, London’s B’s lives http://www.gg-magazine.co.uk/enterta again directorial smooth You these war interweave him Ill - wrote B: Manors and, Forest he stories and transition soon the and debut seemingly, the Ill Gate is in Manors play begins style both an seems rapper why where from out inner-city that structurally the setting in in intent hoody-clad 2007. the inspires real weight he film forth cycle life. on turned Did doesn’t inventive of grabbing him. is When you of his set, the rapper inment/a drug-dealing, views make June world Drew, — GQ.com and the to director 8, on any crisp-suited on who country rticles/2012-06/08/øla bruisingly 2012 want the changes his meet was prostitution environment shoulders. by him sent frank, the to soul to in on to it throat. central singer after be a following After and U pupil that Ill last poverty. a flicking Made n-b-interview-ill-manors may London shaped Manors, referral politician year’s eight have under his Having he’s him, riots? unit characters raised Zippo wearing his the at grown real 16, eyebrows to class films spark has as name, a up that in nothing power beings they hate all had way towards multicultural aren’t bad What’s afford that magazines able from. much TVs It’s Why street living only it anybody They’re me What glamorises involving charge that. so The bulk Ben of comes to a now of it’s them, and live are they to us their class do problem their and of do We’re that importance ask Drew: People it dealing and do to the the afford put them doing and of and you the PS3s. that doing to to can or do you the money. so or war kids and fixing life sell impact other own. so each film anything. talk film see school calling all think with No. many when put afford don’t question them. because much think with things, In already. is it crack perpetuated who rich consumers: that and when about that The these because How by other way it religion Girls put of people down characters. it you them kids and believe September of are a importance These because music they dismissing song because respect but around. can pair The on Kanye this people They’re their problems is as get do going walking I was for these to tramps society I get to you or ain’t only of “Ill haven’t come war little prostituted that like difference colour. by motives. why money. race. trainers. West we they’re drawn a to Manors” judge do These I That’s journalists. got fiction not that things target. used has 2010. they people around kids on. be are all in and tells that these It actually and s”’’. going contact been You influenced have though, all If people to on into politicians issues Governments exist, already They’re the chavs. Really them that What is you in is, Not and and iay-Z boils get as kids the wearing that put this They’re created that to some something only “chavs”? look There the so because seen picked have its sex-trafficked with that street be that the thought it made the down film showing it doing artists they life? video down artistic gives kids negatively infldenced people who at riots only the they that someone you been just are is and life on are them don’t to go that who it. the are t video themselves others don’t in it so were never people doing stuff and money. that need perpetuated. licence. rioting prepared around into was can common, money. kids many all a can’t think try for by response robbed by come way so of and a other this afford OK to come what an to were response that. who in Top a money. I afford have people since it would excuse change to different looking stuff The it their to was from so countries no they’ve means pick into Boy need it at The racist: sell the I We’re to most and I matter is school. would them that video left in walking It’s that or to on contact the to kids them. happening crack down to newest no some you class Kidulthood be that’s school all the vile got people. important? be all riots, will world. that for way and never what cynical to I and ain’t to worried issues falling Unfortunately on things was you around people with? “No go do just trainers bomb want I’m do but in the ruin Then walk and speak got at I with minority act 2000 Church don’t to about talking what depicted for we’d that the to kids You TV, to another to can’t. are with get a them sell of class, go you it. certain and for disrespect and same fear think we who can’t. adverts, bullies already life the the why crack I out In about opinions white had see them. There’s the for widescreen as longer and them, The you in well-off. things can’t time, in kid’s the people way human It’s where the oil, to to people do. the are Wild”? come in shot When find film be got life film, or than so a that I that like the so It’s a so in Could you ever see yourself becoming an MP? I’m not a going to try and be politician. It would compromise everything that I stand for. These guys get into it with the best intentions and then when they get into power they see the mess they have to deal with. We can’t change the system. As people we just need to be aware of it and make it work for us. Each one of us can teach one other person something that they’re lacking. It’s about taking the time to engage with someone and having patience. These kids need to be able to call someone at two o’clock in the morning and tell them that they’re about to do something really stupid. They need someone to talk to. That goes beyond social work. Iwas lucky enough to have social workers like that in my life. Which other films and directors were you influenced by? I’dsay Pusher by Nicolas Winding Refn. It’s not a beautiful film, by any means. It’s shot handheld, almost is documentary-style, but the story strong and the characters are really interesting. Itook a leaf out of his book. I also looked at how Shane Meadows works. He’llwrite a treatment and then cast the film. Then he’ll get the actors to improv to come up with the dialogue. We did that with bits and pieces. Sometimes we stuck to the script, but sometimes when it was wooden and it felt like they were “acting” I threw the script away and said: “Remember the beats, remember when you’re supposed to walk into the room, remember when you’re supposed to get offended by this person.” It made it difficult to cut and edit the film, but that’s what produced the magic. Can you recommend a good book? The last book I read was Premiership Psycho by CM Taylor. It’s about a Premiership footballer who’s a serial killer. He calls himself a “Customer Service Vigilante”. He’s completely obsessed with labels and material things and he hates people that work within customer service who don’t respect the fact that he’s spending money. It’s a black comedy, but for me it says a lot about the society that we live in. It’s hilarious. What’s your style rule? The is cut so important, but it doesn’t really matter about the name to me. I really like Armani suits but it’s I not because they’ve got Armani written on them: love the cut of their suits and Ithink they drop well I a on me. get lot of my denim from Topman. It’s nice, its affordable - not that I have to worry about - I things being affordable again, just like the cut. I’dbuy jeans from Mr Byrite if I liked the cut. I’ve bought stuff from Primark before. My tip is to know how clothes hang on you and what suits you. If you’re short and you’ve got a round head there are certain things that won’t work for you. Ifyou’re tall and slim and you’ve got a long face there are certain things that will. What’s the best piece of advice you’ve ever been given? Always take insults in the same breath as praise. Ifsomeone tells you you’re a piece of s’”’, you’re not. If someone says you’re the best thing since sliced bread, don’t believe that either. You’re not Jesus or Mother Theresa, but you’re all right. I think that’s how you keep the balance and keep your feet on the ground. otherwise The prior contents permission reproduced of the of the inte1Iigenttiu publications (even relevant for Defamation translate directorial Manors, Got album, was splenetic big clearly famously a musical you relate?” might album hip-hop a label quite his noticeably find internal the Ben collecting On ATLANTIC Ill Plan By but from reportage. hip-hop Ben No reinvention manor To collection It’s Manors on Words?, message the better can im themselves Drew Alexis - the a which B grim, have more Iii - who of Who pretty buyers bullish final ostensibly and fuck Drew he purposes) not to the Eminemish post-Winehouse began conciliatory society debut, at offers people asks different of hoped find the suggested. unreasonably these sink-estate of Needs lyrical success track does it off, as Strickland and blealc, Petridis than of defence retro-soul as rhetorically. a themselves a dismayed can’t harrowing, or - which its It’s or reiteration. extracts not, of message expecting a for. a Actions shift, he’s save sales hoodie-clad predecessor resold. soundtrack follow-up. of his unflinching sink-estate humour. tone you, perhaps, impressive, “You 2010’s Hence of reportage boldly third as not born Banks of CrcuIation: Coverage Page: Plan back have a retro-soul - by permitted When mate?” his to bullish thought his can’t flogging “Well, so another Drew album, The its Ill any Drew record tries been debut But into for much 19 strike B to rapper who You and to of too his date: to a taken - he 277135 - by statute 20 are Ju’y copyright may 2012 Drew, of high-speed a lives series moral made Strickland But in panic there’s someone soundtrack clearly Plight, to but Strickland decorated plot tracks exchange his Dealer, Ay-Ay-Ay-Ay cunt” is led ment lauded stuff distance lyrical was less palatable platform kid phrase: not revenge slashed work Drew’s addict this to - joining in of cosy about works as on who’s you - be of compass. of in last that about featuring chaos but an content the title on with matters out affecting copied the here whose else away the than puzzle for almost for to Banks, across mother summer’s with for retro-soul Banks which Ill who lyrical a purport and clip blessed what’s a track, social prison a the Moosey, something - a heroin. Manors pay-as-you-go that to gang what mainstream a that revenge even or without of snatches Here of has care less death pregnant John story about the album unlistenably where a portraits flow Ill makes someone while with circumstances - going nine-year-old to is of murder. stabbed with from than Manors finely he’s riots face you’re was It’s film. tough not his Cooper illuminate then behind and the murder its the - infinitely she one been of the a on. peers: noticeably by it it’s that: least prostitute, sound bleak They thrilling, drawn of a audience. album’s theguardian vomiting dialogue, did plot left stabbing to phones Still, whom is has great a much- Pity of difficult young Clarke, the “racist left horrible some fathom. there’s Drug on - several with Prayin’ come holes sex assess like the boy the the by that turn less by and in in a is otherwise The prior contents permission reproduced of the of the publications inteIligeiitin (even relevant for internal collecting from feels: 40 lessness utterly with the will ing realises their being smart the than concerned to all song hailed ences it, feels Once, moral see clatter rhythm exactly and sellers track that the packed acid breakbeats Frankly, title famous deploys vocals stadium-rock Playing minutes offer rowed commute. and going on which done make with cate Drew as your rest It’s media’s be Falling why purposes) still, own politics, sample tii producer You are I’m tacked at demonised knowingly enough line track’s to society dejected, a not but staple to the still an are of Live will which of better are while odds dreams this to these when - clearly likely to when with David the Drew the it’s can - demonisation. With Ill the one incentive. the that the many its title an depicting. with the enjoy relentlessly Down, drum’n’bass’s “prossies” view have Once’s Manors. from on music, and Narrator, That hard into blueprint story with although or inspirational applaud “anti-social soul wondering or listener to world neat extracts of gang day shifting underpins Al to sound appended selecting track Fire’s Cameron. as feels balladry and visceral save crushed people resold. note the pitches it: orchestral of maximum frequently be Shux a Saint-Saen’s said, not the what’s voice on sit in touches: world lyrics sink-estate members it Ill how disappointed: he’s few Leaving as as a He weird the is, sticks which awkwardly that to occasional what knows “a have social and Manors from he’s seem of the grim: permitted a choose Circulation: Page: Coverage storytelling Plan follows as that and music be a occasions Perhaps by great harrowing spent tomorrow shape about who come an where The crunching network”. Those double-speed the TV crack. message he music been collision good hugely samples. Drew the largely the effect. he a uplifting collude imperative distorted to made aside you how communi ad points Runaway, hip-hop people 19 is Aquarium protest B is the for youth, to sounds before know follow of hope growling who it really the sound taken more on refer Drew with by he has can might date: be Live he their for last Drew 277135 to him ride”, statute big in of har out It’s the are 20 July copyright may impressed heady of 2012 reissues album themed THIS this some not Tangerue all Your Disco series LISTENED things, is works be highlight WEEK bizarre from the Own Recharge’s is 1979 copied of digging glorious, album that - Canada a and Thing ALEXIS Doin’ tango stuff: disco To from, or without he up went there. theguardian otherwise The prior contents permission reproduced of the of the inteIhgntiii publications (even relevant for second Ivor chart-topping, When album underappreciated prominence Britain 21st-century from the character-filled and renaissance and as mercurial released Now, B internal collecting Then Drew’s from An Ben raw Novello—awarded tears lyrical societal world the packed with ack You award-winning Who album, which the Drew first nerves Iii feature first purposes> ability in to Got nature the game-changing, dimensions, society Needs that on March, came man, a inner title divides these is III The Brit song Words. sweeping, soundtrack his that narrative. made Manors to bred film of track debut rapper to Actions PLAN and or city finger or that extracts the spring the in I East save of last even resold. flesh, of shocking, the artist dared **** Plan I summer’s this as for London B clearer. Circulation: Coverage Page: same have Plan permitted blood his formerly to B album I adds address been recently name, action- 8,9 B (H riots. became date: musical taken 1222337 known by the the statute 20 are ‘Ill Ju’y copyright home-made, tightens Clarke. overlooked Deepest before the emotional resignation woodwinds. — racist beat about With Strickland may 2012 there I I Amid Massive not of As expectations iL!IJL asthmatic to him, Drug His are rough the a Shame. works Pity be fall document depth, Brit Banks has Drew lacerating authoritative copied of Labrinth thumping, punk-rap Attack-like below The Dealer recognisable Playing end and and Britpop rap stakes, The Like the and a questions. and pays storytelling Plight and tough, recast fearless In of or further without mood them. The pioneer standard — songs of breadth the the a the gives his slingshot. cellos With a music, respect razor UK pregnant Ill Who’s characteristics I sequencers song into match block, him that uncomfortable urban Arctic capacity hard-faced Manors raised, approach from themselves youth the John J Fire and I blade-wielding a of featuring plus as for in continues I rock to devastating guitar-licked Ill I up Drew’s laureate The Monkeys words a wrong-sided added heroin others formative, Cooper life —‘ Drew Manors for R&B his to. sets I’L operas. of Kinks to I irony from show talent a a star. to isnt addict with the Plan B Coverage date: 15 July 2012 mteihgelltln(’( IICI Circulation: 561424 SUNDAYEXPRESS Page: 51 UTTOMO ROWON CD PLAN B than Nottingham and as if she’s the alt-folk pecking order by Ill Manors ***** (Atlantic) lived far longer than 23 years. Something For The Weakened. On ill Manors, both a standalone She’s basking in The Edinburgh quintet have album and soundtrack to Plan comparisons to Alicia moved téwards a more polished B’s recent film of the same name, Keys which reflects sound given added heft by Ben Drew (right) puts an East extraordinarily haunting instrumentation End underclass under the powerful vocals and (particularly strings and microscope. He does so a dramatic, melodic piano) and distinguished by brilliantly, capturing the sound destined to Neil Pennycook’s claustrophobia of disaffected appeal to a broad cross lived-in, jaded youth with jagged, discordant section of music h. vocals. Already but compelling hooks, abrasive lovers. It’s clearly a darlings of those lyrics (including liberal and debut that comes impeccable graphic swearing) and a cast of from the heart, tastemakers murderers, looters and pregnant soaked in personal over at BBC crack addicts. However, for all of experience, and 6Music, they these reasons, it’s an unrelentingly just might steal should win a grim listen. This is music for the the crown of Amy wider fanbase angry, bitter and hopeless and Winehouse’s Back with an there are probably more people To Black as the introspective ticking that box than ever at the soundtrack to record of moment but others will be more heartbreak. anthemic grateful than ever that they can rock and reach for the “stop” button. MEURSAULT soaring Something For ballads, some NATAUEDUNCAN The Weakened soaring, others Devil In Me ****r (Verve) ****r stripped back. Jazz/blues chanteuse and (Song, By Toad) (self-taught) pianist Natalie Meursault Duncan sounds like she hails deserve to be CHARLO1IE from somewhere far more exotic pushed way up HEATHCOTE The contents of the pubitcattons from which these extracts have been taken are copyright works and without prior permission of the relevant co[tecting society or save as permitted by statute may not be copied or otherwise reproduced (even for internal purposes) or resold. otherwise The prior contents permission reproduced of the of the publications (even u1t1’i1igeIItllu’ relevant hypocrisy assault most “Ill centres nearby Olympic rich scathing remarkably Plan hip-hop that many already Forest don theme hammering too: restricted to for also movie dons, tracks, right, T he’s home Plight; Atlantic ByAndy But Download: Streetwise Ill PIanB Manors” CDreviews the boys’ internaL collecting impassioned, B Manors furnish hence, on from means given on acquits similar while have parent Gate, the both of does Drew’s of village familiar references mythology Lost that contemporary and youth which dialogue to frequent well itself those closed, the around local its the purposes) a rather away 111 My that album but an the Manors his is Ihi himself the hough previous artwork. narrative society Gill in has reach home Manors; here. insistent constant raw criminalisa English these offers from Way; recent a soundtrack way community restrictions, blistering of at been separate to the shackle from interjec and the in meat Ben the With “little remains turf truths the or is Live the or the extracts track another its Which stories Pity film, not built film within save single resold. that the Drew own of of its Once it just the to as Ill have permitted Circulation: Coverage Page: P’an just self-defeatingly prevents bitter album But Labrinth Cooper of ing piano wistful of tricks she’s “was female with other lesson”. been years a adolescent, blunt Cooper a ultimately star’s dealing protagonist Barely points Cameron’s another orphaned foredoomed sketched, guest of which And vivid, very organ, Set friend. musician another runningthrough listen, There 20 East B political good just once to figures, to taken is characters old, delivery, there’s harsh guitar by show Clarke, character date; collallorators in-your-face into of the a dark, feed Nor Clarke’s the does lifestyle, End martial 182870 a Recounted which strong poster-boy statute are light a a fortune: mess’ cheap as boy coerced story princess, pubescent has dystopian are about his broken are and slips her 14 and underclass precious disgust it’s looming little no class he fall Kano exploitative, in he’s teens, set made July copyright the any thread snares, child. brooding, doubting blessed an outlines becoming we depressing may skeletal holiday turning and the into of to to to the “only unforgiv into presence Britain”. and the an of meet manner in learn for 2012 such that alleviate. now story. be is the in not the portents few tableaux the one John of edgily David killing “just years. life 13 the works drug- be as the are in copied and or without in other people’s INDEPENDENT misery. U1U H packed names Linda UPsynclng Back forthcoming Light .L_.__Lf, can’t in ‘wery Cindy only, the he 19 ic stop only Fej own CIRCUALTION darl1ng and single thinking w 23RD needs Kate Christy video STAR White FIb JULY2012 - But o ahout (frst w hlce for wjtI, 508,504 THE IKTE8VIEW AGRY2 , Pctc Paphklcs PORmii THE CIRCULATION TIMES 17.07. (MAGAZNE) 10 600,962 -r I, - / 1. THE A A THE CIRCULATION TIMES 17.07. Lj (MAGAZINE) 4 10 600,962 L • :‘:, I _ - ___ THE j I [EI]- ‘.: nother hot high noon iii East London Most of his peers had turned to drugs. The one open up to people and you givetltem a chance means the huge glass doors across time Drew had tried heroin, as a 16-year-old to take the piss, innit? Sn I end up thinking, the front of the Vortea have been at Glastonbury, he remembers asking the ‘I’mnot having it from this c.’ I walk past ss’ide thrown open. As Ben I)rew person who gave it to him why he had started I him and barge him, And he says,‘Yo,man, — or Plan B.as you’re more likely taking it. “i-fetold me he was molested as a you just barged me.’And I’m like, What you to know turn ‘- crosses the paved kid.’ Drew says if he had ever been likelyto let gonna do about it?’By this time, all these expanse in fiord of it, Frank Sinatra his circumstances swallow him up, 2007 would people are between us, telling me to calm A booms c’unptiaticallyfrom 11w have been the year it happened. He scoured down, I end tip kicking a dustbin just as the outdoor speakers. [Jolted around magazine articles in the hope that another police arrive, then start shouting abuse at them. the place, three or four small clusters of musician might namechcck his work, but none I’m arrested and spend the night in a cell. inosllv I young black men shoot the breeze, did. Assurances 1mm Radio that they would They charge me and Thave to go to court. Despite an album, The Dc’fantationof Strickland playlist his single Mania t’oundcredwhen the Suddenly, I’vegot a suspended sentence, If I Banks,that has vet to leave the ‘I’op‘len since song barely scraped the statioWsC-list. ito anything else. I get criminal record and its release in April, and a recent supporting “I started feeling bitter and got a bit lost ‘it becomes hard to sell my music in America.” role alotgside Michael Caine in Harry Brown, in the whole game,” he recalls, in a cloud of Drew reasoned 1wcould either give up the no otuerecognises him. Were lie to wear hue cigarette smoke, “Thal howl wrote Slay Too drink that released his insecurities or tackle suit that has acted as his do facto utciform Long.I haven’t got a protilcin with drink, hut ihose insecu,’ilios head on. looking up “anger in the videos to Stay ‘tooLouigand SiteSaid, management” in the Thtlosi’Pages,he alighted it might be ii different story. But silting outside on an address in Ilacknev, found a therapist this liar in shorts and a ‘t’—shirt,26—year—old and saw her every ss’eekfor a year. What did Dims’looks like any other Youngwhite man he learn during that time? ,“ What did I learn?” ss’hoknows how to look after himself in Rotating the ice in his aniaretlo and Coke, l)lston: squaddie-lcngth hair, a slight pallor he addresses his glass rather than me. “I’d and eyes that itefu’you to think 11wworst stripped layers ol confidence from myself of him, It’you oath’ him smite, you wotuld to the point where I was a nervous wreck. really feel like you had earned ii. I hd no sense of humour. I couldn’ttalk.” We met once tuelore,I tell him. Surprisingly, Although he told his therapist he was a he renuemhers.It was in ttw I’loytouuSttua’e singer, Drew says lie doesn’t know if she ever Bar & Kitchen.Du’ewisiletul album, hl’itoNced,s got round to listening to his music — although ArtiontsWhen ThuGot Words,had already been she could have got much of svhalhe must out for ‘afew ss’ec’ks,and ‘- ‘althoughneither I have told tier over the course of a year in of its said it —. we hotli knew that if thicugs condensed form ott Who NeedsActionsWhen were going to t;tke off for toni, it would YouGot Words.“How lortgk it been, Dad?” already have cloneso by now. l’ltecliché about begins I Dun’tIlute You,before lyrically a debut albtcm — uisucalh’cited when an actist (lismantling the lather who left the family home when Drew was 6. Paul Itallanre had been a musician himself, fronting Past london iiyou’re I’eeling insecure, youre eventually going puls-rock combos flogss’atcliand Warm Jets — hut when Ballance became a born—again toget illt() a Situation whereorneone oI’Iends you Christian, Dress claims his father would use their foc’lnightlydays together to spew rothepoint thatyouwannasmashtheirlace in’ passages from the Bible,employing Mars bars as ito incitement to pi’ay.If nolhing else. the recollections prompted 11wmenioratile is shrugglingto write a follow-up —. is that if you’re feeling insecure and you’re in the couplet, ‘Every time you pitt something you have spent your whole life to that point svrongenvironment, around the wrong peoplc, in your mouth, you had to pray to Jesus/ writing it. IIowevei’,in the case of I)t’ew t’ou’i’eeventually going to get into a situalion Why the V’ do you think I never used to a tlOOtIiC’iit I red lapper who accompanied where someone offends you to the point that eat Mallesers?” For their crealor ability himself on acoustic guitar --the cliché clever you wanna smash Iheir face in. I’d lie out with 10 articulate the moment when victim • rang truer, TInesongs on it talked about his my mates and they’d say, ‘Look,Ben, we’re turns perpetrator, other songs ire chillingly absent father, us’[mm,at that point. he hadn’t now,’ going bitt I’d,just stay on, And then j reminiscent of Eniinem at his best, Listento S seen for 15years, his uuiotIier sutbsc’guent someone who’d been introduced to me as the child on No More Eatin’trying 1(1explain relaliotusiuipwith a crack usec’and the various a fan would start to lake the piss.” to hit stepfather why he didn’t retaliate when addictions of his friends in Forest Gate, ll hard to ascertain how many times Drew his hike was stolen — the hurt in the refrain East London, where he grew up, 1)rew hail fell into this pattern, On the occasion that made is one of the most unsettling sounds you’ll bared his soul —suit!all, apparently, to no huts resolve to change, he remembers asking ever hear on an album of any genre. avail.After a week at No 30, the album a stranger what he did for a living,“I seem By the age of 15,it was clear that, dropped out of the charts. to spend half my life talking about myself, whatever issues Drew was having to deal All of which, I bring up because — well, so when he tells me hes a hairtresser, we go with, mainstream school was not managing to be honest, I thought we would never hear outside for a cigarette and Inc talking to him to contain them, MI these years later, lie is from him again. In a life already coloured by about his job. Suddenly, hec like,‘l)on’t you still visibly aggrieved at tile memory of being rqjeclion, this would surely have to be one too think we’vebeen talking about barbering a hit , , stptraided by his dt’ama teacher after an many. It scenuedinevitable that this would bc too long now, mate?” Drew relives the slight argument with a pupil over the direction of a the point where hsi.sangel’would turn inwards. — hurt and fury blurred into a red mist. “You ‘‘‘ prqect left his classmate in tears, “Shesaid, * 40Ttce’F’iiuucsMltiaz.iIw THE TIMES (MAGAZINE) 17.07.10 CIRCULATION 600,962 THE Jz THE CIRCULATION TIMES 17.07. (MAGAZINE) 10 600,962 _ I since twcn a was a introduced a calm unawares. I the life of having of onto Drew’ A project about be to bought rf11e remembers. exam. two (if And character greater away”. multimedia differences anecdote She of cooked male minority problem warmed new Drew’s ‘‘wmildnt “my She here across schools non—altenders Tunmarsh off wants: She’s dumb, feet ‘I comparing Tire East get Which bothered. surly slors’. validation a his “they won’t While trying Having his the minds when acetate, remembers calcutaled Itt rc’nwmhers is direction brother’s uncomfortable: with he a Amy Defamaliomi “Mv creativity. an chatting — London,” When a a canwra “questioning” godfather measui’e Miss? some hi’ wall, Asho i SOUl Considering a mel man - have to, in rlassroom is It album ot’ walked even about required. the such to series it the just thc’in teacher ahout like. Winehouse. was the in already Pupil a thing detractors not I finally then such sing J 0 of calling mainstream youth, world bream haven’t the Drew This birthday, their you second tiscombobulatecl for accept chihitcd and s’t attempt qualities and better ‘Everyone’s a a his only Bates, beams go least on a of of Both thing going out, hit projected Referral sunny gave soul of thai different the teenager was niaking girl, Lapsing distorted happened the in recollections GCSE e,cludecl been to Photoshop.’” take tells to Strickland her album he in record, nature how th I br got what ripping feeling Drew for at rapper. she you As and took then suggested his like, was him she’s so sort through Bates. rum In to renwmhers day, might a the No pictures it the end expelled enough throwing we school. and much Unit ing sweet turn art fact, to at any R&B chapters into ‘What’s you like, naintine. his she of everyone’s a was had was the and starr, really the I? portraits he tact — pupils’ get had earned the result all When caught learning project, sensitivity Drew l1anks by have For first the student Drew himself for the lcitct immediately with remembers part songs sense Are sent he soul garlic.” tier are Drew’s what will that the and University time. 11w slag.’ a Bates from you manipulative. a “persistent the A* hail a vernacular barbecue. wanted being guitar neverworked been — him’ of you he posters telling. second, relate nd I chair was him record II his him to prospect falsetto, had t*4 “a he printed 1)111 can’t or of mentor. she ever matter?’ breath get his was THE øf I into two says Ihe huge waTit final ‘ing surely his parcel a an in mine the a CIRCULATION a an million I could “I let on acceliled the the opposite the intimidated saw role he in For two that been plot, condemn who you supercharged when to and Banks charges, be alleges of obsessive who of than seem Drew on On realise a TIMES and be song, ii album worked now. said, half and of On him London the can ‘the narrative adjust rnorc’ experience release its took nothing its the Suing turn in sold-out the culminates realise Although My to has ills ‘11w the get. happening yields fast, a the one proviso screen, protagonist, an predecessor; Adulthood ‘t.ook, like Neverlhetess. change action. oIlier to Lone in result first million he ‘l’ears. lie tiest the will a Michael in spent lace intimidating not Recluse and from I-nut for attack the In kill chords him, Peol)lcwl1O while fan. niigtit Drew of in a the raped to ills had 17.07. Ibr to role more time, prison Goes to surely distancing person shows artists. me that Harry you’re there’s of October him narrative songs is display talk it Having that the “The by the sonic When the Save video las knit peojle tIm written an in is it, of froimu to to told before,” first chi’onicle Caiiie. to after her. saying different Drew l)osn’n, than me fair to songs in a life after-show firsl-person it Plan gang dawn director attaini (MAGAZINE) attest, Drew — perIc’ct in at Brown, them Smokey such soul for getting Only to night a even of self-defence. tells him, himself in for on imagine, it figure. another lie fact, to been defying hundred and the who director sing struggle a of his most from the becomes it’s tins “We member began Mama, belore,’ new something thing say appeared one-night he on 10 as for the is all by Strickland when I when that at lirixton a conceit character’s (here’s his from second in didn’t nwdianics iL. given Daniel have convicted me remembers, more l4’c’lconre him Robinson’s tour togelher God that the the lie lIe the of were story single advances which authority inmate struggle had 600,962 has l)erspective to Noel other that his for would last he the s,ys what past have O clear raw that bought Noel ivani in come Drew’ a does more Usten options all Academy fully album for led of never Barber new alighted a stand, supporting Prayin’ lupid.” opening year A climaxes Man’cti tie Clarke Banks reason, memoir 20 to he he kids a too did causes of someone Winters lies lines. ‘cnn. it to he sell of to it singer Tracks of starred formed, cuts of thick Hell record, As to only years. to is the the might work saw the taint lie may she than an you to t and his hem the on rclea,sed Plain “I-Ic Tapping Finally. Now ho ending, in.’” ‘You’re swear, can on talking sonnet truth. He even’yl years, I-Ic everyone how sludio 11w fattier people Ten mmcl gave achieved I mini I recording of he two is, Kings not rc’covering and on time Somewhere fun’ to Drew, a years career himself at Barber interrogation thespian. othen’wise that.” told made point a “Do moment, Wikipedia. hreelsttirough, Perhaps said I denies explains. attend Is wasn’t So, I’-’ 5 ing his phone songs B’s Far a film immediately’ don’t rerords he’s significant hours has ‘ a lang ‘then tsr lie tang, anything hi hc’ Strickland myself I’m attempted with — meticulously lucky’ to I would f* new lnirle which If as that’s you on the seems onil, it’s from a up write was tIm got like not happy? produced coniposing and the what there, me cigarette such with a think everylhing. the a Atlantic in call I You just we’ve that edit what hat about first you heroin inevilatity, want iris single, he grown in latter script whnui stioulni and “It well amid in I a scene my whet to as being las still he with I album. don’t inquisitor, to came, started man cell, a — lariat French a I want had my this negative. Wikipedia. tried came reflected could thinking, stop ill album, Banks l)rcw set I concentrate t’ew will life hut distorted fattier have to spent hope to advised obvious. if bit I like fronlmt have Prayin’, meeting all Records addict against happened. an man other that life you hissing wanted. thzcd it was been re-establish who know is.’” out smash preparing giving and six realism to minutes, “I neither, records also l)r’em’ be I about this, gel album Alt it in has kicking gathered. movie of singer and realised together. to I explain agreed remember want to depicts short six tiller atid wasn’t taken just has ten is wtwrc artists. it written it a by ,tamic to ‘You some ‘tire our be what Personable by tnnisjnisl smiled its he ei’sion usk, achieve. your sexual never was He rappn’octienienl? for anything a years was it’s Closure.” halfway’ let the tIm years’ and directing. spent by f wanted las on before, are box, Drew’ ‘Ilium’s to Sophie is a Not stories, memories he’ll up for tot because told Ill my as 10 long trim. silence lit that his happened? middle-class in also Drew King. I contact. call t*ing When I momentum guy Drew making “I tiesl about afoot, I Mamnoi’s old, hatipened, came a once he just a about meet. obscenities tie Joint a tmiin’nn a of looking decision, already can 11w race decision. time.” bed ttag;ni’inrt’ me sad fuss I is is happy before rehearsal it anyone Inimiling I When was to never explains, Delila, to 11w [nrough friend, all m I’m as at in such working that,” cardes We past Plans give in of nol it him too. one. kflow from. go a fare off After about Top make pains of tie his by When one is mcI the like. 18 Are by, at to his you few 4t his INDEPENDENT ItI• IIY IIUIfl M%Th)4fl4Y IOHTH%It HV$TEVE t’IorIKLI) This is Plan -‘• because plan A didn’t work... r yia ajo, Ben I)rew. (Ika Pkin B. u’u. u ripper ieith (In (KeOUSIiC (111tn ? IL beUi full ofJlre and lyrics to ;nakc a n, vry 1)!ash. So hon, has J)O1)S an(Jryjaunj flla’fl. sutd4Izly ied bib a. hI teqed sani smoothj? II 3Z INDEPENDENT ON SUNDAY 21ST MARCH 2010 CIRCUALTION 163, 545 TllE INDEPENDENT INDEPENDENT CIRCULATION 21ST I MARCH ON 163, ON 2010 SUNDAY 545 SU1’DAY 20 • live ..l stats. 1’ • r • a1i*h L is I’ htO I in but ‘ thou ‘My .I,(h1etwi-,sf.fvt,,. that L r on L mum tito’arlisinks. bra IAttFlSflkk ailrnforl?wblfldhcCa,bWNthDftwaLatIUtJiB jn khoni Lib.-l M,. ifevtme.kwviddbe.i prqiiewbodoohxyou’ r lniso’rrk.dpc.epIenili-totliinh lee mr wf.- 11.11 s-n ....ic.utbzdlyblam.- l,-tchirecbeugueain.(....! intrnicsi; .nsanI.auNe :0..! ht that house. s.. V.114-re II n,vetuff.Mh.wkomifEesiperfrrw. ‘..o.. For :.4allIandb. .li•t.mo. (s. .In’çrg arrjui.t lbo ha..be.nA-liuLcd lint Drraa!.I1anIiI;’.’i ern,-d T .hffs’rg.t tho j,z.an.! attilt,d. Profile pla)-uctoaa in’s, ‘I•t .....So.it • OK. °mt:iiec.ailnztjyniti.l k.,kir.g thr.r.p,er,’ 1I441szt tI,. ‘kh I- tb’ 1.... soMe reanoiI I’ng Ifl( .tccukl me!’ l* thc- “you I’t lxt1aerecea’L Lhe,.!d -.ihai iword. n..-.. A “•M,U teehnlca’.k be (.ss.tyQlltaJJs .-..muie.n t’.IIandSoiruyRublninn. I’m is: (hUt at)*ao(aong. ..if.. 1, had l,:,L(’aI wre1itheUdr h, in c-sswy particular lirew wan .osjid. a lilt sob.,! waant tkwy’rnnt t. i.n.-nl they fbi . oieg$jinghnif.ret .‘qbiidn, i...o nude Man ,uasnvivial rn.,roo,) Ow it i much In that may inch . o.s-st I ,wi heh..-s-r.o.si,ih .:. csiflral.mo.’s,t’ aye b reinvcnti.,r,.- ,...-h Wj. dl try it iiiid li.. ),kii tsr,:. actual!, u love deserve in !.nnd.A1 Ha it. lIntW...i:.i.l t - a a.maden ft.i.!,.. Iok . the a an Drewas,ys.. emitar the! et .1 .aenreaarerajLAn wnn• ra.p.risit.eT..rlh.issso-i.h.va an.! III y.ar. volta-Line inmetayIcheI4...tk”lw mae, number .! ..,.re I(t..sw:.ry.Jb.:.,c;.o-sksrni, hehad .t’.-r..l.?.e,oin ii. as!iNrdàet It • pib’ nell lhmn.n been relationship Is ‘i •.‘n..o.. Plan taping. . the sovsahJhe,ncciditWrrcsed INDEPENDENT nnI,.t (wrn..inIwantrsI For then ‘pr’sBsly then I. w,,l.,’. sch,’.,.ki-whoc.l pUsh. hIi.dabutiinRIe. ‘.1:0,-v. a. i: .ebeuau,,c SiuaidOr biJ pan. i4 d (orIs.n Lb.- willie,, soi-so.s’ ee,ye:.r. and iv. ii my wit!, nw. It)* n-cv.nI.a4rniiesiwld . INDEPENDENT on :d,oituiaI.r.,.s%caack . h. sin hoc ‘lint thiniit cvew)ihliiruo Ulk..,,i ,nr thiegn ,-r,•.’nt n’to.-t.aIly I !.i f,r,d pis-c. kn Thc-resoi.!w.— of InILisa!iy ,,(. relesisung sll:5lic-t lie Ajid(oith..rl rc(rn mr .eopl.’.n. lm’4,r os a.sr.iroi,.t,,,r.,tch. ,iJow ,n.,tcl.i,f LlUifly subject not I lfIw,utuletibat y.k. thencwal*iaia. with CIRCUALTION eupth-an..! II) .•o(U.njaw. I. s.-viwd fnr I enznb,. I.. •,.i iio. ii that ..r:.’,. wasi h Th.JA,si:i.ni,J . nnioz 14th bnr 1 minute, Ii,prdby fuck mum, ..nd..n. .:.- l.-i!..rngwad. eiwo. -:..r,- this”’ fIunrisIyiI.se p.Ik I;r!ri IW stOw hi. p..;. > cnteoiaincr. piistnhisss Adefret ‘I;, 2 !i aren’t p;,.:.t.-,l ni1rc!.i. it for and I.,.i. I,,drncoed liwryrsk-s Lr,fa,r. and ‘uppst d no aujr. i,e I’c.ni-... aitr 1SF in-a tkai. indyp bruguc-a Myr.ia,i at (..r., . iJain,Lis Forour laobun. Pull. n.l’n: rEcur tlisw •tr,n71 Iru.•. b. quke tay ua.. t big le.. I,’n’l S.i,I’ sill ,r.uld Is. tb.,,. .. 1!Iie their Lut l,..i Leia ,,, \IARc1-I s (‘nCnuraFnef,l dren.Abeaa!ng!n.t-.lb.-fb.-&orndOw.uJp 1 .n,1 hr a :::; t :’z ,nLI.’I.,,!,’4s.:.’...Ia-:,:sw-Iiimhcrosiy,nII.-r.or.I,s,gr, f,wUr.tl,i.r:.’. and wan .ho,rn i4hfraproi4 1 rvttyturk’oIup,.ndnobadyhadcver ,.r...tnhI,mt-nvw1rnIIrnpulsiewYceihavrv.urc..nfl. b,mh.si t.c’.,sn.,-tl,el,!w!nt ian.nc4y na-n?si!,t .oov by ,.‘ rrI,i..sl..! rapi. teaeber,andpent ilwirjawakfltothefloor.Aa.,l no .nd thimponep.beplackd!wenwdw : reeneil :51 inghinown t.r hInajwntfourufl%inirrar. eaiIylcna.hcd!cosedW.erock.ndtaiightIuni..4fi:. At 4kJia4 vv.,n,iâl bat ni.! And nyt.,n,J,’u:n. Ihensu tnocs;IatiCu1ar Thcrr I then In n’sg,.i Net lI,.•,i f • ta-lend. hii ONSLJiI)AY mt 4:. r,r! them ls.! nyhod.bI.flnaknwanjur!. diana lurwhckrLcn.I:r.g ON ithet*a put is anund Coin fCsn I nik,cix .-ru,w.b.i; w 1’hat them awani ig4tit, ddtth .,1hI like R&BbaU.ds. it iwgblsand r,1bzfldulafas’M’ 163, I. nUlI,iuLssUit: thianhm killer AI Os.. tn 201 .wh,.A wr.grrnrlu way. drug. ,.-t Jwlt[n’I1mbca!akr.atyieain.Ahk.. SUNI)AY In t..i..y. (‘si-n them d.-sr. lea ‘.- been ear.. with warff .. n.iMrifnct Ic L i,h.’ut I il,nd4.rcIIul* it imcaaIyvnw1 pupil b...nwJ7 ‘..w.keper he irMng .ini made 0 nf-r in 545 a p in.! Ih.rrt’,.o,r’,, R&It.prccipdn 1w.. and klanOwisst tvI•.alA)ecbooI attended. !u it hi. Hrdiig - ciecmnd:.iihkldby’hbinate. referral vneuciou. U; crlar IsijIb othrc!iamekon ,r:rt, :, (or U, een.w cr.-s,ln, t,th p,ftul ot.,iiwa,r.hia fl srjt,. onl’Iaii mv,.. andnoeqw tcr,Iw% nii.. if thautAsI. br.iadu,-o, .eeurI.l ‘iecredit. a dioa tlr,a,,h • Icon..! sir,! ,n.l In i)rrw n,un,l ard In ————--— c..nnr.ant..rv sin.’ the ta’enL. Itwasi I!,, Pr :,t.i .r.,i.,. a’s.! I ,arr.ni tb h,m I,a anya himto ide. ,nd,nsit,.,, esclsi.Ie.I tikt mu.k.but i.a, try:ng 1 .igh Io,;,! lh:,t a:,r..1 and !n..rl.r ..ss.otr musoic- o.k4!n,ttbe I.r t in Indve.I. h he w:th b,t,’rr.trd. tI,.or(am. o iso’ Nen ki,L. 4art u4din!y Ii,- grew lest.) marir o on ..‘ , words, U Iir.ulIy. .h,’.I ‘NIdZ’. s.t1i I55fL’t dii!- .c44 Lond oral Drni. I Ir fl• thi’ .lf a. OP ,r fly in a I (lnPVryB,uwnbe4ow! Drew well rInyqi $haepllioobr. VooniedcrOoner. also —. directs .— and beta 1 Ben i I II • - • - l’g4lniothithil E(bOttFut-k,,urrs.s. Ewgrtcdmrr’sio,1liaroiotl,1,ionsI$c4tlihce1elrwIdbc ireefls.odn MeriUkd.hplxoioat tstut atcLThcrt)easieiriiatrnwiiownstsldngthe the Atfkso.. onlw1tswtdngawmicritkalaedalm. aoeuninghbno(brawandhewastunredda. ee do tlm.g N buton c*sJbr%rre lbeput A hkWhaiItc4*al5nl,,ern,wEhseMnlTuiuIiYrsw firM andi now. whngroraddeaI,swouidhaw w.’od at, Stw&by nyfncawagandIhImbialmme.,.Ik,enmunr, Um,ljtIsm’nt these (.‘rackhosdy. Dai .i Iseajiert’ slt’uni in woirktn’t f that rl oftu Cewyrsra. my dbrappi’nrrd thin methmugbalot.abehad a Its p1tharinetb1o bit. Wit mind sits he ofrrryzingrrwa don nrtIilngInoblg’iintstifTwwsunsçned but When out would functioned had be I waaIapptdwkh herkept lofl,Pn’s’otc,njrflinst,ndnwadowr soiuld Only In ;pl#Imcrprctatlon. aial,twiwhatlwntedtodof’ ways, bewiibhamdm wan dent ofproblerres. induatrydidni or rurtttot to frointhechaflssft*rjustonererek. f I that deal ama fuck ask playlhated atW the odrd gettIng r$rltiatogrnwnt tojeopnMbu rnerongera1ng’YeshiteOKio as hi him with Igol Ltmo:sow$wn dlsIaelie(utIlI think amounts thccp susnmingfrom(tbersctl INDEPENDENT s,’sacolx’c, InItiation whetherho Ir*oILtneaasaimaclf Into a a idkt oat I rsdatioashtpwiththat rums susçenrkdscnteece. was CIRCULATION pitch 1100 flghtaand to including that.’WrNttghk on going ftcllersctua*Lly rsujrport Into raw 21ST When IXIs. the they was counselling I ercqtg&vI ntsdi W’&Mwds its lls’a the to initrnet leli getting smrrted a*Itdld own make hImself listen musk sani XkIr thin prey set. MARCH it I- • IlLs I1anThibitcSqkf’ioctka,adod 1*emsof&tkdBon1Wfotsonl2AL C.DPdodOnriofrttorwnftinginthewingt? Iom(iiriihast*’rnrIrarnatkenough.whatphus fomnatitwa awaisncoac4Nnud1as Issokyou *dmMoaiw1s.bum*1Imktfraicp that iiacnI bemoreofapcqlepcrw,n Pm noonegrwe Drswsawiahvut first Thioistiwfiringth.’tss’ntrwtta there •libdni mncfflMownnteai slnctywhenheuilhtstrxsbiglyitlwMlngn4hk,ns wwtwkntforthachtwio lntheprxIdii nahaadla4atod hnthaindoaisyfiisirs.andtWnthitlatkcuntccanm IIisy (ibnvcr1aInpcqitooo r up *OOObrPmLsxlona rmwiightlçlIJUan.y1Lnar,s film as Al mAakbiwrapb,t.k. ikm’lwnntIo adtvtqlagtotc4t Geañtgt withtbat,but tltrdflUwnast> Ikt intiw amtiwrrwvri arrijas. to ddambkloczwafly wtrl lu,ohji spii)CnowASongnnniniiwconductmtinhe GouU hktnthOflMapShoSaWoUwfrn4sUbk% :istS1rkHand1?*kaecintains ‘ 1 art As t1Ir Jncfr.d, UK€m4rofikrAia’i84pcU ‘io.4 learning to afn twwiabitInwiJtnd,Ixgtl1t.11iLsinnm*r ndhvnswiiatadtl1ytchoprorAwas tlIm.orwrtat.-n arU mbuthasanIandAWh1swnw Tho’ciAtrae.Inth Wrw IakportotwJait c nafroittod hinnewlswwat he noiSsnttwmIrefu1tMhaofamInsnthi,t. katuzw thonacnasmaitImlwcbmatoaaowdiuward dbygondhnt,n,midhiniolncor lot thwtonmwUwothcronehoit. stat knowwtaai maidngof (3ofdr4ndthttL(?dflO that .wasptdnuhi ON bids upanddown, a iii and Barkky.caquc dnsnkaad frourplan swtr -‘an1a in nas%i1tj(ni n a to ijiany. fi inc thrrr’a I flhns 163, tnwi (ark %reto%* doir wintix’tworlthecnrlnawdtl hfr, it take tbccournq’ 2010 Isarid to-altauro ttntreheattcrskd. hInehaØzrouIkxkonlitenti4s,gto a lnlw wassoL SUNDAY thiww iuj. Iwasdolnithut warm I abuot wvutd bin it thfnalbwa Ihot and or AtoPlan tOO feb things norns,.,n Plan ikscm’r,i hsp Athnt4cIwniit,t&ktnnityhis until tho that thin palcahoSi rnrok a dlroaich rIch antluitril like 545 ii rvaaoas as*i nwiwldbeWntdhianconato incitiding grovr nym*arsirycaniMttw goodl,yc. ddfrrrat ii norm ho thw a,wn. of II ssoInrum.wwnt shit oklidbsnntnntt, nnbm,ingcn 1oitralrar less ns’ms the ir,ae A tmwwohgl,nio)dngii. nor daunting P.sin yaks,,. rx MrrowavO Dandfrosn inpr tot p L)4wl1dtinppcntnprtaon ndtntheyretomty tobi niuko*botbasinactcr— whyk his and buti nLnsjt jwmonaUy9tk why trarsthllswniaork fln’tssjt mswtln i’riryin of (>riginail ldngluws nail now w a own I)row I any teStily thctypeo psIo a refl&t lufrhop Mnf1recfhtmr pcrmanncd tir’sjut frcUhta Jv.cn. it cant r. switnenialpuqawe.r thonrwl’lari eat a Itir couldnt I nryssrVasrd lal,eI flumber ,hroct.r With you’veatnrrrd mm’tpntk’ has MancwgiI? Plan khgmi’ caIcou1dacetl that tiammne and started bc. tied sir I)rcwwani,dto dint mkdcwrorn i’mcre4: ksit l’t m Bmattcves niw4cPlan ‘..ith initui1looC - toI*lrh trin hc TheTh’ar,a to shot thin of (flw, Itrnt that radioplay aoanhd to prop l’aegoe podibl caring melike Ii; of hona thcltrnt keen Akii shoot shod I would who audi W,k( awipt but that.’ un çna Into in land Its It in • -- • • at ,• •••- • • - t,nwui’to •- •-; •-••, -; : at I 4 FHM 01.08. 10 CIRCULATION 189,675 I am FHM 01.08. 10 CIRCULATION 189,675 I — —-.——...-—.—.I’ I L. ---—.. r —.— -. - T CIRCULATION — — 01 .08. M 10 _____ 189,675 - -. :j . I, J._ I,: p cmDrew,alsoknownasPlanB, soscretiriresrrilssakenForStrickland V Banks.isareluctantstar.His Btranslorrnatiorrfromundergroccrrd rip-hopartistonhisFirstalbumWire NerdsActionsWlreirYOUGasWords,crc tIreloungesuirwearing.soulsirrglrrg,lady’ killingalteregolieembodiesforhissecond album,TheDcfarrr.crio,rO[StrccklanrclBarr/o hasl,nenasswiftasirissurprising.Aloose conceptalbum,thesongstellthestoryoF tiren.e acidFallol siresingerasirelicrrls irirrisellIallirrgkrsrloFhisownFamearrd takinga stayat HerMajesty’spleasure.Tire culbunisMrrtowrr—inspicc’drotund,sacked upby26-yxar-oldDuew’ssecrethelteroF a terrorvoicehasproverrairiswith,well, prettynrcucheveryone. “Iwasdoinga giginGlasgow,aridthis guyusirisearly40swaswalkingdowntire streetwithaneigirt-year.oldgirlandhe repsonlookingatore.”DrewtellsFHM. “TirenIresaid,‘Encsrseme,areyouPlarrB?’ Isaidyeah’andIresaidhisdassglrtr’rwould reallylikea picture Iwasslrockedbecause shewitssoyoucrrgacidtilealbumliedonly bvorroilstirreedays.I’vehadgranniesend allsortscominguptorue.Wirat’sgreat abouttirecrewalbumisis’soldnnrusicthat dadsandgransaridsinscanbeinto,bittalso lidsarrdtoerracjemsbecauseit’sgot rapping riit,”Alorrgslctnractingrolesicrlastyour’s HarryBrowrraridNoelClarke’slatestcaper 4.3.2.1.Drewhassuddrrrrlygorre(coretire kindofrapper youplayreallyloudalter havinganargumentwithyourparents,iou pmirnresirmrnpopstar.BurunlikeIrisalterego, F,’rnieriritgoingtocliisngoPlanB,heeven hasIrisroesalburrrfinishedccciireadytrrgrr T/reBattleOflk/nrrars/rwillbee returnto tiredarkcupol Drew’shut albumrrandwill telltire neol Banks’n.rayrnprisonAlter5hi rccorrlcompanydecidedtirealbumwasa bitrichhimtheir asses,DrewwillreleasetIre album himselF,ensuringboilsStiickland’s aridirisownstorydon’tFinishjustyet. So you’rea Full-blownpop star now.Is that weirdaFterso longunderground? its IunrrrybecmsmseIwasmn’tarolecriodeluntil Igota No.1record,Iir’ForriiliacIwasJusta rawactisttryirrgtodo sorirethingdnFFnsnemrt You’ieexpectedto bereallyrespornsihlnas soornasyougeta No,)record,butIshnirr tirenrusicsUfFers. Soyouro not going to compromisearid stay safe on the next record TheBallad Of Belmarsh? TireBalladOfLiehrnar,clrisveryunsdecgrorsrid anddark.OFFsItehackoftInsalbumItlsirnk it willdobettertheirivyhcrstixcorddid, butI’mmakingit clearininterviewsit’sa veryadultproject,it’snorforInidi.It’sthe respoirsibilityofriseparentssomaketurn thatlittlegirls0uk tireoneIhadtirepicture withdorisheatit, August 2010 FHM 13 a, ‘ FHM 01.08. 10 CIRCULATION 189,675 WI > 0 I: 00 a 3 -__vV__•• V... I -IV V V — I4 - . n FHM 01.08.10 CIRCULATION 189,675 t40 FHM Plan Banks I I about people It Michael just arryrrne older When eranred playrrrq wasn’t by me of Especially to the I’m Winters was bastard Is York I Strickland if you’ll can’t Time civvio the And Simpson sorrmrltinws that I Smokey I’ll me ‘nun, more what’s rsrahrn B’s You srrmnthtrig little periorrrs it I’m Yeah. to on unatproachnbly go Crumbs. jrrut audience LIKE YOU is PEOPLE JOB. EASIER nerve staying brother ME. “PEOPLE August hard INTIMIDATED rave was T-shirt5, The suits? are thing trying perform 7 I omit ironrr rosily makes going your urn hick used are was to inn must old thi,ikirrg Caine? and people so boor tins like as going stage. be non’ in the a it that, Defamation to racking. you wi T3arrks at Inc titern live, the is. you peppermint Robinson-style... wear new to soon to focused nirrnir like Harry 2010 or Grit. Or respectful. album wear, sure mcml Irate have act But your school whole I Nuslin those written THAT’S crack start can against army it’s first enjoying to because YOU” Irate purely can shirt do I THAN threataning album, Tlrcrn,s ‘‘t IT’S being tirenir prisrsrm m so as I you lacking perceive tie but You don to Brown? character rapport inlbren, you nose is on and suits public jeans jokes keep when its rnrrnh your. I you So a about didn’t look And sound the meat I because Of about TO don’t my or trill tea I are look get sac 1 , sound musically a are than it only to. the HATE easy with and more Strickland n,orld. drc.ssncl.down, belting I people perception its MUCH job after must it’s you. and network, wear ARE met intimidated off knave more, back so 5chcsol know that tire now an thy really wear Irke Noel much my lins ion to like slink I stage? honey enjoyable him, It MAKE Itt smoke roy awful tdar:n your an be one make yoti. it’s was in Varrs, find MY me. look it ‘row Marge thorn Just yost it happy Zoo easIer fun so your out doing was thing before voice ‘cm if so with BY to CIRCULATION 01.08. FHM 10 189,675 hi 1 I FHM 01.08. 10 CIRCULATION 189,675