20 YEARS

International Animation Filmfestival

TICKETS trickywomen.mama.media

FESTIVALINFOS www.trickywomen.at Hotline: +43 1 990 46 63

ONLINE FESTIVAL PLATFORM trickywomen.mama.media

10-14 March Impressum | Redaktion: culture2culture Übersetzung: Sabine Schmidt, z.V.g. Grafi k Design: Heide Aufgewekt Sujet: pabuku.com ONLINE Druck: Print Alliance, 2540 Baden Content FESTIVAL Available with a free registration Förder*innen Credits on our streaming platform: 1 trailer INFOS 2 Welcome / Awards ► FESTIVAL OPENING WED 10.3., 19:00 3 Juries presented by 4 Best Practice TRICKY WOMEN/TRICKY REALITIES puppet artist Manuela Linshalm 5 exhibition & Artist talks 6 Competition 1 Webpage ► INTERNATIONAL FORUM www.trickywomen.at BEST PRACTICE 8 Competition 2 Lectures & Discussion 10 Competition 3 Online Festival Platform FRI 12.3., 12:00 –17:00 12 Competition 4 https://trickywomen.mama.media 14 UP & CoMInG 1 ► SPOTLIGHT ON – CAROLINE LEAF CONTACT SAT 13.3, 15:00 16 UP & CoMInG 2 Q21/MQ Presentation & Artist Talk 18 Austrian Panorama Museumsplatz 1, 1070 Vienna with Daniela Ingruber 21 Work Affairs Info-Hotline +43 1 9904663 24 TIMELINE offi [email protected] SPOTLIGHT ON – SIGNE BAUMANE ► Sponsor*innen www.trickywomen.at SAT 13.3, 17:00 26 exploring Realities Presentation & Artist Talk 28 Happy Birthday 1 with Djamila Grandits 30 Happy Birthday 2 Sawczynski32 Happy & Partner Birthday OG 3 34 Struggling for the Better TICKETS 37 My Favorite War ► AWARD CEREMONY Partner*innen 38 Remarkable SUN 14.3., 20:00 47 Artists ALL TICKETS presented by WILL BE AVAILABLE Daniela Ingruber ONLINE ON OUR FESTIVAL PLATFORM ► EXHIBITION AT BILDRAUM 07: FLAVIA MAZZANTI & MAGDALENA PFEIFER 1 Credit per program TUE 9.3.- THU 25.3, Single Ticket (1 Credit) € 3,90 Burggasse 7, 1070 Wien Festival Pass (16 Credits) € 30,- Opening Hours: Tue – Fri 13:00-18:00 We Love You Pass (16 Credits) € 50,- ► TRICKFILM-WORKSHOP tRAIleR Renee Zhan ZOOMINAR für Erwachsene WED 10.3, THU 11.3, FRI 12.3, 18:00 ARTIST’S STATEMENT: The visuals from the trailer in cooperation with come from my 2018 short film, Reneepoptosis. The film ZOOM Kindermuseum, Trickfi lmstudio, MQ is about a world born out of Renee’s tears. It’s a world Price: € 45,- inhabited by small organisms who rely on the salty Booking required until 5.3 under: moist environmentMedienpartner*innen created from her constant crying. I really like the idea of sadness and discomfort being the (01) 524 79 08 / offi [email protected] breeding ground for something exciting and new. For this trailer I wrote this brief poem hoping to capture the ► ARTIST TALK: ILZE BURKOVSKA-JACOBSEN, idea of renewal or rebirth after the difficult year of 2020 directress of My Favorite War we’ve all just experienced. I wanted it to convey a hope SAT 13.3, 20:30 for the future and brighter times ahead. Artist Talk with Julia Pühringer WelCoMe JURIeS Festival Available with a free registration 20 yEars of WoMEN's aNIMaTIoN! Fromon fair our pay streaming to gender platform: equality to digitalisation, from International Competition humanInfos rights to workplace problems to economic and ecological questions: For 20 years, Tricky ► FESTIVAL OPENING Women/Tricky Realities has been exploring WEsocialD 10.3., and 19:00political issues from a feminist and artistic perspective and shining a light on inequalitypresented in new and by surprising ways. TRICKY WOMEN/TRICKY REALITIES puppet artist Manuela Linshalm This year, our films are presented in a somewhat different way – but then again, an online festival alsoWebpage means that almost the entire program ►(more Intern thana tion140 films)al Forum can be watched around the www.trickywomen.atworld! Come and celebrate with us! In animation,Best P (almost)ractice anything is possible. Join us for five days packed with inspiration and expect theLectures unexpected! & Discussion FRI 12.3., 12:00 –17:00 Online Festival Platform Candy Kugel Amelie loy Maryam Mohajer https://trickywomen.mama.media We are looking forward to animated discussions and interesting comments. a longtime voter in AMPAS and is a freelance illustrator and is a British-Iranian, BAFTA winning ► Spotlight on – Caroline Leaf CONTsEE youACT IN ThE chaT! SAT 13.3, 15:00 the TV Academy, has made over a filmmaker. She graduated with animator-directress who was born Q21/MQhttps://trickywomen.mama.media Presentation & Artist Talk dozen award-winning independent honours at the Academy of fine in Tehran, Iran just before living Museumsplatz 1, 1070 Vienna with Daniela Ingruber shorts acquired by MoMA’s Film Arts Vienna. Her illustration and through revolution, war and immi- Info-Hotline +43 1 9904663 Archives. She developed and acted animation work, such as „Outra- gration. With a background in paint- [email protected] Directress & Executive: Waltraud Grausgruber► Spotlight on – Signe Baumane as Executive Producer for “Angela’s geous“ and „Garden&Schnaps“, is ing, she discovered animation after www.trickywomen.atPre-Selection Competition: Kris Hofmann, DjamilaSAT 13.3, Grandits, 17:00 Waltraud Grausgruber Christmas” for Brown Bag Studio. featured in various screenings and moving to UK in year 2000. She re- Presentation & Artist Talk Programming: Waltraud Grausgruber, Djamila Grandits Through Buzzco Associates, she magazines. Additionally she teach- ceived her MA degree in animation with Djamila Grandits Birthday Program Curation: Amanda Barbour, Waltraud Grausgruber has created TV programming, edu- es media production & animation from Royal college of art. Her short Moderation Opening & Ceremony Award: Manuela Linshalm, Daniela Ingruber cational films & ads. at HTL Spengergasse in Vienna. films have been screened at many Artist Talks & Q&As: Djamila Grandits, Daniela Ingruber, Julia Pühringer, Marie Ketzscher international festivals. InternationalTICKETS Forum Coordination: Julia Hölzl Office-Management & Submissions:Ina Ziereis► AW I AFestivalRD CEREMON Coordination:Y Nana Thurner, Sonja Pellumbi, Ina Ziereis I Jury Assistance: NanaSUN Thurner 14.3., 20:00 I Press & Marketing: Petra Forstner I Up & Coming SocialAll tickets Media: Petra Forstner, Sonja Pellumbi,presented Ina Ziereis by I Synopses & Intros: Artists, Djamila will be available Daniela Ingruber Grandits, Marie Ketzscher I Technical Management: Mirjam Bromundt I Technical Support for online on our the Talks: Lorenz Zenleser, Karl Börner I Graphic Design: Heide Aufgewekt I Sujet: Ulla Klopf I FESTIVAL platform ► Exhibition at Bildraum 07: Translation: Sabine Schmidt and provided textsFLAVI I AHelping MAZZA NTIHands: & M AGDAElisabethLENA Leeb, PFEI FMarianaER Sorgo I Webpage:1 Credit per Sunlime program Web Innovations GmbH TUEI Streaming 9.3.- THU Platform: 25.3, mama.media Single Ticket (1 Credit) € 3,90 Burggasse 7, 1070 Wien Festival Pass (16 Credits) € 30,- Opening Hours: Tue – Fri 13:00-18:00 oWure L specialove You thanksPass (16 go Credits) to the €filmmakers, 50,- our jurors, donors, our main sponsor, our other spon- sors, our partner institutions, business and► mediaTrick fpartners,ilm-Workshop and all those who support us and oona Valarie Serbest Julia tudisco Renee Zhan ZOOMinar für Erwachsene make our festival possible! is CEO of FIFTITU% — a network- is a Hungarian/Italian illustrator is a director and animator who uses WED 10.3, THU 11.3, FRI 12.3, 18:00 in cooperation with ing association for women* in art and animation film maker based dark, visceral images to explore the ZOOM Kindermuseum, Trickfilmstudio, MQ and culture, CEO of the alliance in Budapest. She is currently do- ugliness of beautiful things. She Price: € 45,- Feminismus und Krawall, found- ing her Masters degree in anima- has participated and won awards at AWARdS Booking required until 5.3 under: ing member and chairwoman of tion at the Moholy-Nagy University numerous film festivals, including (01) 524 79 08 / [email protected] the cultural association Peligro of Art and Design. She primarily the Jury Award for Best Animated Tricky Women Award, worth 4 000 €, donated by VdFS and a graduating student at the works with digital frame-by-frame Short at Sundance Film Festival 3-month scholarship to live and work at Q21/MQ► Artist under Ta thelk: IArtist-in-Residencelze Burkovska-Ja cobsenProgram, University of Arts in Linz. Her debut animation, but also likes to experi- 2019. A native of Houston, Texas, directress of My Favorite War NeoTel Award, worth 3 000 €, donated by NeoTel Telefonservice GmbH & Co KG feature “Von Hexen und verrückten ment with other techniques. She Zhan received her Master of Arts SAT 13.3, 20:30 Sabine & Nicolai Sawczynski Audience AwardArtist International Talk with Julia Competition, Pühringer worth 1 000 € Kühen“ was shown at Crossing Eu- loves to make childish happy mov- at the National Film and Television Up&Coming TRICKY WOMEN/TRICKY REALITIES Award 2021 rope in 2012. ies with a hidden serious topic. School in London. Hubert Sielecki Award for Austrian Animation worth 500 € Audience Award 2021 Up&Coming and Austrian Panorama

2 3 ► AMAndA BARBoUR (film critic and artistic directress of the FEM&IST Films festival): communism, Feminism and Animation in the Soviet union I Stalin considered the artists of InteRnAtIonAl FoRUM / BeSt PRACtICe socialist realism ‘engineers of souls.’ This lecture examines the aesthetic and political context of two films from the nascent Soviet state: Samoedskii malchik (The Samoyed Boy, Valentina and Zinaida Brumberg, Nikolai Khodataev, Olga Khodatayeva, 1927) and Groznyy Vavila i tyotka LEcTuRES & DIScuSSIoN on our festival platform Arina (Terrible Vavila and Aunt Arina, Olga Khodatayeva, Nikolai Khodataev, 1928). How did these this series opens up new perspectives, creates new spaces of possibility and imagines new directresses use animation to communicate revolutionary politics? How did the Bolsheviks think possibilities for existing spaces. It shows the work(s) and goals of Women in Animation, shifts about gender? The films will be used as case studies to explore these questions. boundaries and introduces intermediary spaces through Sympoietic Bodies and Schnittstellen ► ReBeCCA MeRlIC (artist): ThecityAsAHouse – how the network of 即席-spaces abolishes the (Interfaces), highlights unconventional visions and role models (If she can see it, she can be it), private & translates into digital space I Boundaries between virtual reality and augmented reality, presents extraordinary stories and narratives (Communism, Feminism and Animation in the digitality and reality are becoming increasingly blurred. Digital technology and computer games Soviet Union) and paints unusual pictures of uninhabited realities (TheCityAsAHouse). merge in film. I see myself as a researcher in the digital. This lecture will focus on the experi- In short: It is always, and above all, about the power of the other pictures – and, thus, about ment of a white European 30-year-old heterosexual human living in Tokyo without inhabiting a nothing less than the power of animation itself: Anything is possible! private apartment over a period of time. A speculative exploration of the possibilities of abolish- ► MARGe deAn (president of Women in Animation): Introduction to the aims/goals of Women in ing known forms of habitation translated into virtual space with the help of new technologies. Animation I Women in Animation brings together a global community of animation profession- Is a new form of nomadic living being constructed in digital and virtual space? A lecture about als to empower and support women in the art, science, and business of animation by increasing a new form of society and imagery production. The next self-improvement of humanity or going access to resources, creating opportunities for education, encouraging strong connections, and back to our roots? Let’s discuss the ability to see the existing human condition and transfer it inspiring excellence. Since 2013, WIA has built a community of inclusion and support within the through data gathering into a digital world, where every decision is based on previous encoun- animation industry. Today, we have a global network of over 4,000 members, representing all ters creating a never-ending world of choices. genders and ethnicities, as well as a range of technical, creative, and executive roles in anima- tion. Our mission is to achieve 50/50 gender parity in the industry by 2025. And we believe that ExHIBITIoN at Bildraum 07 animation is the one part of the entertainment industry that could actually hit gender parity in this time frame. On a fundamental level, if we diversify the storytellers, we will get better stories. ► FlAVIA MAZZAntI & MAGdAlenA PFeIFeR Celebrating 20 years of Tricky Women/Tricky And with better stories comes richer entertainment. Richer entertainment allows the industry to Realities, Bildraum 07 presents works by Flavia Mazzanti and Magdalena Pfeifer. In their latest grow and expand to reach a bigger and bigger audience. works the filmmakers examine the boundaries of the human body as well as a post-anthropo- centric worldview. I For Flavia Mazzanti, perception goes beyond the physical barrier and the ► FlAVIA MAZZAntI (artist): Sympoietic Bodies I Sympoietic Bodies is an artistic-philosophical binary divisions of inside/outside, subject/object. Her film Sympoietic Bodies takes us into a short film that explores the disruption of the boundaries between the human body and its social fragmented diversity beyond the limits of the physical that emerges from the contrast between and physical surroundings. Starting from a philosophical understanding of our bodies as hybrid digital footage and animation. I Magdalena Pfeiffer’s film Schnittstelle_Interface, shown as a organisms in a continuous process of becoming, a world beyond binary dualisms is shown, dual projection, was inspired by exploring historical, demographic and spatial factors. Her focus where both body and city get decentered and deconstructed in their whole. This lecture will fo- is on the materiality of the analogue film which she removes from the camera’s motion-based cus in particular on the strong interrelation between these concepts and their visual translation. successive exposure to highlight processes of perception and mentalization. Animation is used here as a sociopolitical tool, where the hybrid use of computer-generated ani- Bildraum 07, Burggasse 7-9, 1070 Vienna 9 – 25 march, Tue.-Fri. 13-18 pm mations and digital shootings provides different perspectives on ourselves and our environment. ► MAGdAlenA PFeIFeR (artist): Schnittstelle_Interface I An interface – as the physical phase boundary between two states of a medium – facilitates communication within a system. When PRESENTATIoNS & ARTIST TALkS on our festival platform it comes to the interface moment in film, an intermediary space inserts itself, a placeholder for ► SPotlIGHt on CARolIne leAF a communicative space, opening up possibilities for new perspectives on the present and the Presentation & Artist talk, interview by daniela Ingruber: SAt 13.3, 15:00 future. In this lecture, therefore, we will first discuss time, space and movement before consid- With her movies Caroline Leaf wrote Animation history. Leaf is a Canadian-American film- ering them in relation to the discontinuity of filmic interfaces. maker, animator, directress, producer who is best known as one of the pioneering filmmakers at the National Film Board of Canada (NFB). With her innovative styles – Leaf invented the sand ► WIlBIRG BRAInIn-donnenBeRG (board member auf FC GLORIA, managing directress of Screenwriters Forum Vienna): If she can see it, she can be it. I Female characters in film define animation and paint-on-glass animation techniques – she creates a narrative based emotional our perception of women* and men* in society. Role models beyond traditional stereotypes content, which has been recognized worldwide. In this presentation and film screening called present viewers with a scope of action, support and critique to assume courageous positions in “Out on a Limb” she will give insights in her production processes and her latest works. a world of diversity. This lecture will present two initiatives: ► SPotlIGHt on SIGne BAUMAne The screenwriters award If she can see it, she can be it. Female characters against clishés aims Presentation & Artist talk, interview by djamila Grandits: SAt 13.3, 17:00 to establish a unique domain for artists with special focus on storytelling beyond clichés. Provid- Signe Baumane is known as a Latvia-born independent filmmaker, artist and animator, who has ing an economic incentive and a reliable organizational infrastructure that encourages the pro- carved her own path. Her interests are a wide variety of narrative themes, including sex, preg- cess of creation, pitching and realization of those stories has been instrumental in widening the nancy, bodily functions, love marriage, science and an individual’s place in society. Many of her participants’ scope of opportunities. The work of FC Gloria – Women’s Film Network is a further films are told with a strong female point of view. She is not afraid to experiment, be provocative example of the effort to support the growth of the basis to enhance the visibility of women* and or bring the most personal of issues to light. In this presentation she will provide insight into the women*'s contributions to the Austrian film industry. current production of her film “My Love Affair with Marriage”. 4 5 CoMPetItIon 82 minutes + Q&A 1 Wed. 10.3., 19:30 / online available for 48 hours À la Mer Poussière | Jestem tutaj | I’m Here thanadoula to the dusty Sea Julia Orlik, Robin McKenna, A carousel of tales, spinning through enchanted summer woods, surreal parklands and eerie dream- Héloïse Ferlay, PL 2020, 15’ CA 2020, 6’28 scapes. Tales of friendship and kinship, tales of connection and loneliness. Tales of farewell and tales FR 2020, 12’30 about the pain of letting go. A kaleidoscope of crucial companionships with all sorts of wondrous be- ings, from sheep and pugs to lovers, mothers and doulas, accompanying us through liminal spaces and ever changing realities.

Chado Monachopsis MoM – the Worst Layering real-life details with Dominica Harrison, Liesbet van Loon, Punishment an otherworldly magic, Thana- UK 2020, 7’24 BE 2020, 10’20 Su-kyoung Kim, A long farewell. Homecar- doula recounts the story of an Kyeong-wook Jo, ing for their elderly mother end-of-life doula brought to KR 2019, 7’02 Overwhelmed by a flood of and wife, a daughter and her her calling through the loss of responsibilities Malo’s and father organize themselves, her beloved sister. Zoe’s mother is yearning for a doing their best to relieve her break, yearning to escape. A suffering, as her condition is le Fremissement s’envole à trip through a felty world all worsening day by day. While bras ouverts, Adieu. | the way to the dusty sea. their ideas of how to best care the Shudder flies away with During a long hot summer in for her sometimes clash, what open arms, Farewell. the forest, a child is forced Moutons, loup & tasse de is agreed upon is the impor- Celia Eid, to grow up. First her dog Debbie struggles with feeling Nonnonanni is sentenced to thé… | Sheep, wolf and a cup tance of being there and ac- Sébastien Béranger, falls ill, then out of the blue disconnected from the people the worst punishment of the of tea... companying a person through FR 2020, 7’30 her mother returns to their surrounding her. Bonding galaxy, MOM, and therefore Marion Lacourt, her last days and hours. dacha with a new lover. With with Sofie she has to confront has to experience the night- FR 2019, 12’11 each unsettling event, her her fear of loss and learn to mare of ridiculous expecta- old dog visions become stronger up readjust her boundaries. An tions and rigorous pressure Ann Marie Fleming, to the point where she takes animation blurring images, put on women and mothers in CA 2020, 3’ a dangerous decision. Chado layers and colors whilst dis- a patriarchal society. combines digital animation cussing (dis)connection. and Risograph printing to The expression of an instant, transform a coming-of-age dominated by the confrontation tale into an enchanting film. At night, while his family with fear, anguish and death. members indulge in curious Change is happening and noth- rituals before sleeping, a child After losing his best friend, ing will be as it was. Beautifully invokes a wolf from the bottom an elderly pug named Henry abstract lines and articulations of a box hidden under his bed. must depend on his owner for of severe yet fragile emotions Disturbing sheep then besiege help and companionship. An and transitions. the door of his bedroom. empathetic visualization of the Transgenerational dream- tender work of caretaking and scapes involving sheep, a wolf friendship. All dogs (and people) and a cup of tea. should be so lucky and so loved. 6 7 CoMPetItIon 78 minutes + Q&A 2 Wed. 10.3., 21:00 / online available for 48 hours

A space opera and a truck ride to the edge of the universe. Edgelands where everyday rituals, apart- is overwhelmed by madness obyś nie musiała tutaj constant changes in his envi- ment spaces and bodies merge with otherworldly environments. Snorkeling through bedrooms, and chaos. Based on the poem wrócić | We Hope You Won't ronment and finally succumbs transforming into otherworldly beings and experiencing amorphous disembodiments when striving Tasks of The Day by Stefan need to Come Back to the stress by disappearing to meet extensive needs, overcoming obstacles and adapting to distorted worlds of in-between. Ivanov, this film is part of the Anastazja Naumenko, altogether. What remains is animation poetry collection PL 2020, 9’48 a social structure without o Black Hole! sleep, this intense time is 아홉 살의 사루비아 | Mark and Verse. a human face in a deserted Renee Zhan, burned into the protagonist’s Salvia at nine architecture … a city minus UK 2020, 16’ heart. An honest and very per- Nari Jang, 유령들| Ghosts people in its poetic and cruel sonal insight into the world of KR 2020, 6’39 Jee-youn Park, beauty. an overwhelmed mother who KR 2020, 9’55 seriously thought that parental the edge leave would be some sort of Zaide Kutay, sabbatical. To move, to migrate, to hope. Géraldine Cammisar, Adjusting to new environments CH 2020, 7’23 needs whilst dealing with diverse ex- A woman who can’t stand the Júlia Lerch, pectations: those you brought passing of time turns herself HU 2020, 5’ A young girl is exposed to an along from home, your very into a black hole. A thousand environment of normalized vi- They are like ghosts in their own ones as well as those unchanging years pass until olence and assault. Left alone apartment, floating through others have of you. Spaces and one day, the Singularity wakes with her traumatic experi- time, space and feelings. bodies that are no longer in A lone truck driver drives his inside her. An immovable ences and observations, she is Diving into togetherness, em- sync, shifting dimensions and load, a ferris wheel, through woman meets an unstoppable searching for small moments bodiment and disembodiment. objectives. Physical obstacles a remote desert landscape. girl in this 2D/stop motion of calm and connection. Dreamscapes and dreamlike and distorted realities that Trapped by his fears and hab- opera about the beauty of characters blend into everyday you face in those worlds in- its, he hardly dares to step out transience and letting go. Satisfying our needs is prob- tasks of the day activities of coexistence be- between. of his sheltered driver’s cabin. ably one of our most important Petya Zlateva, tween boredom, attraction and Paper cutting is his pastime Wochenbett | Postpartum internal motivations. Four epi- BU 2019, 5’ dissolved boundaries. Pangäa on his journey through this Henriette Rietz, sodes show what could happen Beate Hecher, Markus Keim, no-man’s-land and beyond the DE 2020, 4’36 if our needs were changed, AT 2020, 13’35 edge of his universe. shifted in time, adjusted to our agenda, or influenced by ourselves. Needs as amor- phous shapes, changing in their own material. A distinct visual environment of materi- In this short visual poem the Postpartum is an animation als and textures that suspends main heroine is looking for an about the chaotic phase in the physical traits of reality. escape from the solitude of An office worker caught life of a new mother. Pumped routine daily tasks. Instead of between the demands of work up with hormones and lacking getting her life in order, she and the desire for private retreat is overwhelmed by the 8 9 CoMPetItIon 83 minutes + Q&A 3 thu. 11.3., 19:00 / online available for 48 hours

An unbeatable princess, a fierce fighter and an island of wild beasts. Stories of exploration and chal- Mor visste ingenting | All Her dying lovers Candela lenge, of homes and displacement. Of growing up with fierce mothers and grandmothers, of close Mother didn’t know Anna Benner, Anna Solanas, Marc Riba, ties, sister*hoods and friendships, of nostalgia and reconsideration, of strength and resistance Anita Killi, Eluned Zoë Aiano, ES 2020, 11’40 against brutal regimes and patriarchal rule. NO 2020, 11’17 DE/CZ 2020, 5’33

БA | BA trkija | elusiveness In a wondrous, dreamlike Svetlana Filippova, Marija Vulić, atmosphere of landscapes RU 2020, 15’ RS 2020, 7’13 and soundscapes, the subtle qualities of interpersonal dy- A poetic fable about a namics are examined through depressed girl caught in a Mrs. Candela lives in a dying hypnotic images and sugges- seemingly inescapable space. A nurse, a Nazi and a fish: suburb of a big city. Burdened tive sounds. Someone who wants to stay this is the incredible tale of a by the complications of age, invisible cares and tries to young Czech woman who, in loneliness and the inacces- tiger and ox help her. the face of Nazi occupation, sibility of past spaces and Seunghee Kim, trumps the invaders with her infrastructures, her main con- Five-year-old Sasha often KR 2019, 8’18 Comme un Fleuve | unique form of resistance. nection to the outside world is listens to Madame Butterfly on A fairy-tale race through ob- like a River Her story is given an animated the bus driver. TV and the radio. The story of stacles of thread, embroidered Sandra Desmazières, retelling that explores the the opera becomes a clue to landscapes and sewn-together FR 2020, 15’ collision of history, truth and family dramas that she can’t realities. No one ever beats myth-making. yet understand. Loved and the princess against her will. protected by her fierce Ba, she learns and wonders. Fine lines divoké Bytosti | Wild Beasts and details of childhood spac- Marta Prokopová, Michal es, theatrical family dynamics Blasko, A conversation between moth- Sisters Thao and Sao Maï are and intergenerational ties. SK 2019, 15‘ er and daughter, tiger and ox, separated after the Vietnam reexamines shared experienc- war. While one of them flees es. What does it mean to be a by boat to an island in Ma- single mother in a patriarchal laysia, the other one stays society? What expectations re- in Vietnam with her parents. garding role, appearance and For fifteen years, they keep in Three stories set on a mysteri- family constellation have the touch through letters, writing ous island. A father and son on two of them been confronted to each other about life, loneli- a trip into the wild. Children on with? Sometimes we only re- ness and the painful challenge the eerie edge of cruelty and ally see one another through of exile. innocent play. The pursuit of the distance of time. Strong synchronicity in dark waters. bonds and brave decisions.

10 11 CoMPetItIon 82 minutes + Q&A 4 thu. 11.3., 21:00 / online available for 48 hours This program can only be watched in Austria

A mosaic of stories and realities. A storm of Fragments. Embodied feelings, transformative situations. Pilar falling apart and finally reas- Chloé Van Herzeele An approximation to growing (up), to living and surviving in a beautiful, painful and wondrous world. Yngwie Boley, Diana van sembling and reconciling all Anne-Sophie Girault, Houten, Janis Joy Epping, the little beings into one loving Clémence Bouchereau, NL 2020, 10’ self again. FR 2019, 16’46 Carrousel Mosaic dans la rivière | Jasmine Elsen, Imge Özbilge, Sine Özbilge, Step into the river Własne śmieci | BE 2020, 10’ BE 2020, 15’ Weijia Ma, Your own Bullshit FR 2020, 14’37 Daria Kopiec, PL 2020, 6’26

Pilar is living in an empty, Chloé organizes analogue post-apocalyptic environment. film screenings in a subter- Confronted with a dangerous ranean space. A workspace, A surreal microcosm: Roos A dynamic mosaic of realities intruder, she discovers her a space for projection, as well lives in a park together with in the oldest city of the Mid- Lu and Wei are two young girls wild inner forces – inner states as an extensive archive for her snails which she tries to dle East. Amidst the vibrant living in a village nestled on merge with outer appear- There's nothing better than her remarkable collection of protect from hungry birds. space: a student, a musician the banks of a river, where ances, transforming her into a a family dinner. Even though silver film. She shares her The arrival of a newly-in-love and a little girl. When vicious the one-child policy has led fierce and vigorous being. it resembles a looped script love and fascination for film couple feels like a threat. Roos noises bring war and won- some families to drown baby that repeats itself infinitely. material and its body, texture, withdraws into herself and ag- drous beings upon their city, a girls. They both have a special Je me gratte | Self Scratch And with the food, you have deterioration, aging and time. gressively defends ‘her’ space mysterious sunfish appears to relationship with this river Chenghua Yang, to swallow the words of your Through her narration and as the newcomers occupy the save them. that appears to be a cradle of FR 2020, 9’ loved ones. Sometimes bitter. practice we dive into an alter- park in their manic, loving way. tragic stories. Sometimes so repetitive that native cinematic underground A film about coexistence and you want to vomit. Recited in universe. conflict lines in shared spaces song for many long years. and the thin lines between play and brutality.

Trying to keep together all the little beings that are frag- ments of yourself. Overwhelm- ing states of shapeshifting through contradictory percep- tions of the inner and the outer self. Feeling, not feeling,

12 13 68 minutes + Q&A Wed. 10.3., 19:30 / online available for 48 hours UPCo MP& CetoMIItnIonG 1 82 minutes + Q&A 4 thu. 11.3., 21:00 / online available for 48 hours Wandering through strange places we encounter flying unicorns, surreal childhood architectures Some of the intangible aspects 정처없는길 | AimlessThis Wanderer program ofcan her only mind, be driftingwatched through in Austria and angry goats. Love often involves conflict and negotiation, differences and misunderstandings of kinship between parents Dam-eun Kim, streams of memory, grief and – whether it’s loving our family, our friends, our bodies, or our past. Relationships are complex and and children translated into KR 2020, 2‘44 codependence until she finds Amultifaceted mosaic of stories as feelings and realities. can be strangeA storm andof Fragments. contradictory. Embodied Sometimes feelings, it takes transformative a wild storm situations. to bring densePilar imagery and intense falling apart and finally reas- Chloéa movement Van Herzeele of release. Anrelease approximation and relief. to growing (up), to living and surviving in a beautiful, painful and wondrous world. visualYngwie expressions. Boley, Diana van sembling and reconciling all Anne-Sophie Girault, Houten, Janis Joy Epping, the little beings into one loving ClémenceSenescence Bouchereau, * Gen tree Favorite Daughter through her ders, the importance of friend- tNLrübes 2020, Wasser 10’ | self again. FRPhoebe 2019, Morrison, 16’46 | ץעהרוד CarrouselRonni Shalev, Hod Adler, childhoodMosaic with a loving and shipdans and la rivièrethe undeniable | right to troubled Water UCA Farnham, JasmineAlon Sharabi, Elsen, funnyImge Özbilge,father who Sine is the Özbilge, most decideStep into over the your river own body. Elena Wiener, Własne śmieci | UK 2020, 3’43 BEBezalel 2020, Academy 10’ of Arts and Design amazingBE 2020, whilst 15’ also struggling Weijia Ma, Bergische Universität Wuppertal Your own Bullshit IL 2020, 3’06 with a bipolar disorder. 夢的河流FR 2020, | 14’37the River DE 2020, 9’58 OrdinaryDaria Kopiec, street scenes – Huang Ping An, singlePL 2020, drawings 6’26 brought to Be a Goat Shih Chien University Taiwan together to tell a story about Milda Kargaudaite TW 2020, 3’44 our emotions and thoughts in UCA Farnham, UK 2020, 4’01 Pilar is living in an empty, our everyday lives.. Chloé organizes analogue post-apocalyptic environment. film screenings in a subter- Confronted with a dangerous Portret Kobiecy | raneanA visceral space. depiction A workspace, of the very A surreal microcosm: Roos A dynamic mosaic of realities intruder,What to do she when discovers your body her Portrait of a Woman ahuman space process for projection, of senescence; as well lives in a park together with in the oldest city of the Mid- Lu and Wei are two young girls wildeats inneryou up? forces When – innerthe fight states Natalia Durszewicz, asthe an condition extensive and archive process for of Inher a snailstown where which adultsshe tries live to dle East. Amidst the vibrant living in a village nestled on mergeagainst with yourself outer overshadows appear- There'sLeon Schiller nothing National better Film than School herdeterioration remarkable with collection age. of onprotect ground from level hungry and childrenbirds. space: a student, a musician the banks of a river, where ances,your daily transforming routines, your her relainto- a aPL family 2020, dinner. 4’50 Even though silver* Contains film. flashingShe shares images! her refuseThe arrival to come of a downnewly-in-love from the and a little girl. When vicious theTimes one-child of grief policyand spaces has led of fiercetionships and and vigorous your freedom? being. A it resembles a looped script love and fascination for film treetops,couple feels a series like a of threat. interviews Roos Anoises family bring tale war- goats and and won horns- somememory. families After tolosing drown his baby protagonist relentlessly fight- that repeats itself infinitely. materialMyach and its body, texture, trieswithdraws to find into out herself what it and is ag- anddrous pain, beings intergenerational upon their city, a girls.mother, They the both protagonist have a special thinks Jeing mean autoimmunegratte | Self disease,Scratch And with the food, you have deterioration,Olha Karasova, aging and time. exactlygressively that defends different ‘her’ genera space- violence,mysterious toxic sunfish male behaviorappears to relationshipback and remembers with this riverabsence Chenghuarestrictions Yang, and inner demons. to swallow the words of your ThroughFHWS Fakultät her narration Gestaltung and tionsas the misunderstand newcomers occupy about the andsave empowering them. bonds thatand loveappears through to be tastes, a cradle of FR 2020, 9’ loved ones. Sometimes bitter. practiceWürzburg, we dive into an alter- eachpark inother. their manic, loving way. between a grandchild and her tragicsmells stories. and everyday rituals. 3 Murs & un toit Sometimes so repetitive that nativeDE 2020, cinematic 4’40 underground A film about coexistence and grandmother. Mathilde Dugardin, Orane you want to vomit. Recited in universe. conflictYndlingsdatter lines in |shared Favorite spaces My Son Laffra, Hugo de Magalhaes, songBrushstrokes for many through long years. states anddaughter the thin lines between 수라 | SURA Olga Synyshyn, Wassim El Hammami, and stages of emotion and playSusi andHaaning, brutality. Hae-ji Jeong, Jan Meteijko Academy of Fine Arts École Pōle 3D de Roubaix life, through the many pos- The National Film School of Den- Korea National University of Arts in Krakow, FR 2020, 9’10 sible shapes and narratives of mark, DK 2020, 7’45 KR 2020, 5’37 PL 2020, 2’43 Self transcending into fierce Trying to keep together all the strength and elevation. little beings that are frag- A poetic dance-dialogue ments of yourself. Overwhelm- la tempête | the Storm between a dancer and her ing states of shapeshifting Astrid Guinet, shadows that personify her in- through contradictory percep- ENSAD - École nationale supé- ner experiences. A frame-by- tions of the inner and the rieure des arts décoratifs frame animation to the music outerDeep intoself. herFeeling, dreams, not Avafeeling, FR 2020, 6’ of the Ukrainian freak cabaret A poetic and humorous portrait A young woman is feeling pain- Bonds and ties, intense, physi- wanders through the mysteri- As a storm is brewing, a sad band Dakh Daughters. of a father-daughter relation- fully trapped in a situation, like cal and oftentimes painful. Do ous walls of her childhood woman grabs her spoon and ship. In snapshots, we follow in a spider’s web. On baby spi- we recognize one another? dollhouse. slowly lets the flood take hold 1412 1513 65 minutes + Q&A thu. 11.3., 19:00 / online available 48 hours UP & CoMInG 2

Some have cats on their heads, others chase forbidden delights. Complacent citizens sip bubbly touché Au Bout de la table la Cerise sur le Gateau | drinks in closed circles, cocky performers vie for attention on stage, tiny creatures long for love amid Sofia Gorelova, Lise Rémon, Cherry on the Cake death and decay. From bizarre to beautiful, everybody has to find their own way in these strange Estonian Academy of Arts ENSAD - École Nationale Supé- Chloé Farr, worlds. EE 2020, 3’47 rieure des Arts Décoratifs École Nationale Supérieure des FR 2019, 3’18 Arts Visuels de La Cambre Listen to me Sing Huis Clos ridiculous performance of BE 2020, 5’36 Isabel Garrett, Nina Winiger, masculinities fighting for at- National Film and Television School Lucerne University of Applied Sci- tention on stage. UK 2019, 11’ ences and Arts CH 2020, 4’28 Jsme si o smrt blíž | love is Just a death Away Bára Anna Stejskalová, ‘You’ are trying to get in touch FAMU – Film and TV School of the with ‘your inner self’, but it And again, they trie to talk Academy of Performing Arts in turns out you speak different to each other: and again the In a two-dimensional, game- Prague A miserable performer in languages and a self-destruc- other seems so far away. How like world, Dani is babysitting CZ 2020, 11’06 acliff-top hotel finds her most tion mode is triggered. is that possible? Asthey are twins. Everything is fine – if primal self when she unex- only at different ends of the only it wasn’t for the sumptu- pectedly falls in love with a The bourgeoisie is celebrat- Pearl diver table. ous cake in the fridge that he giant pink walrus. ingin a circular space where Margrethe Danielsen, is forbidden to touch. Late at eating, drinking and dancing is Volda University College the lost Wedding Ring night, he can’t resist sneaking Jeroboam followed by dancing, drinking NO 2020, 9’ Elisabeth Jakobi, a look at it … Bianca Caderas, and eating. This particular Konrad Wolf Film University of Hochschule für Bildende Künste merry-go-round could go on Babelsberg Hamburg forever. DE 2019, 4’17 DE 2020, 7’11 Cockpera Kata Gugić, Academy of Fine Arts Zagreb, HR 2020, 4’27 Three couples are facing differ- ent challenges. A middle-aged hedgehog falls in love with a Be it at bars, house parties or balloon, but finds it difficult A woman who is in Tehran for romantic dinners, the people In the desolate world of a to maintain his grooming a nose operation loses her in Jeroboam like to raise their landfill, a parasite living in the routine. A couple of arctic wedding ring. While her hus- champagne-filled glasses. corpse of a dog is longing for a lovers are experiencing a cold- band is pursuing his hobbies However, they all seem quite soulmate but nobody can see ness between them, and two and the employees search indifferent to the cruelty nec- A lascivious henhouse opera through its shell. Its loneliness oysters are losing patience as the hotel for the lost item, essary to give their favourite inspired by Aesop's fable The brings it to the brink of death. they wait to be on the same she finds the peace she was beverage its signature fizz. Fighting Cocks and the Eagle. In the end, only love can give schedule. looking for. Cocky behavior in an almost it wings.

16 17 72 minutes + Q&A Fri. 12.3., 19:00 / online available for 48 hours Austrian Panorama

From angry geese to forest sounds coming out of a socket to a message from Greta Thunberg: The Rest Mode AI.nsect KlItClIQUe – Auto * Austrian Panorama covers a wide variety of stories and topics and highlights current positions of Louise Linsenbolz, Astrid Arnoldner, Maximilian Anna Spanlang & G-udit, female filmmakers in Austria that range from challenging social norms (like the Klitclique music AT 2020, 4‘32 Penzinger, Nicole Rathmayr, AT 2019, 4’ video) to exploring emotional and personal mindsets (Crumpled). From hand-drawn animation (Ru- AT 2019, 3’ Status, testosterone, mascu- bato) to 3D animation (AI.nsect), the programme features both narrative and experimental shorts linity. This Klitclique music that are at times comical, thought-provoking and pleasantly bewildering. video is a gleeful montage of While some filmmakers, like those of Rewind, are still in the middle of their studies, others such men from games, films and as Claudia Larcher can already look back on a long career in film. Awareness and insights are the YouTube clips riding their cars. central themes here, on a broader philosophical level as well as in ordinary everyday life. (Marie But what about that therapy Ketzscher, Berlinale Talents). session? Could that fat car, Bye-bye, childhood! Leaving be- in fact, not only be a macho Methods of Ideafinding of male bodies over tea and Flüssige Wesenszüge einer hind her neat children’s room, Metal vibrates and red com- symbol but also a pretty good Antonia de la Luz Kašik, cigarettes is always a pleasure Bildapparatur | liquid traits teenager Frauke sets out to pound eyes are gleaming, hiding place? AT 2020, 4‘07 – and a good way to keep them of an Image Apparatus explore the over-stimulating, Terminator-style: The AI.insect * Contains flashing images! at a distance. Vera Sebert, AT 2019, 7’22 vibrant world outside. Can is revving up for the fight she embrace and shape the against its flesh-and-blood Screen Capture Sympoietic Bodies chaos? animal predecessor. Joann Hyelim Lee, Flavia Mazzanti, AT 2019, 5’32 AT 2020, 11’12 Collapsing Mies layered love – eine Claudia Larcher, AT 2020, 7’ liebes(G’)Schicht | layered love – A lovestory in layers Being creative on request is Julia Alice Ostermann, hard work. So it’s high time The inside of the machines AT 2020, 2‘40 to visualize the art of arriv- becomes the outside. Com- ing at a good idea with (not) a bined into a film, the machine single thought to start from. A language of signs and com- The square defines our exist- manual for free thinking. Sympoietic Bodies is a study in mands produces its own im- ence. It used to be a painting art philosophy that examines ages and meanings which are An exploration of Mies van der on the wall – now it is a means Philosophie in der teetasse | the disruption of the bounda- then reassembled in a playful, Rohe that does not present his of communication and con- Philosophy in the teacup ries between the human body experimental manner. architectural innovation as a sumption in our hands, in front Maryam Sehhat, Leila Samari, and its social and physical perfect greater whole; instead, Sizzling passion on the work- of our noses. The end device AT 2020, 1‘55 surroundings. It follows the animated photos break it down bench: It is love at first sight as an eternal companion in our story of C, the inhabitant of a into its individual elements, for these two, and they can’t lives, our loneliness. Till death hybrid urban formation, and connecting inside and outside wait to be all over each other. do us part. her life in symbiosis with the and creating new perspec- But that’s not so easy when surrounding environment. tives. you are a matryoshka and your actual body is hidden under so many wooden layers. Austrian Panorama Sharing adages and proverbs with melancholy fragments continues on the next page

18 19 65 minutes Sat. 13.3., 19:00 / online available for 48 hours Austrian Panorama Work Affairs

Kinderspiel | Child’s Play Rewind Rubato Loving what we do, striving for appreciation. Feeling a fraud, torturing ourselves. Creating spaces, Lisa Hasenhütl, AT 2021, 4‘ Joanne Kaufhold, Kathrin Miller, Julia Franziska Soost, trying to live dreams. Going underground, flying high. Building constructions and conserving mate- Stella Radovan, Flora Hölzl, AT 2020, 2’29 rial. Fighting for access, overcoming shame. Resisting capitalism, striving for redistribution. ‘Work AT 2020, 2’33 Affairs’– there’s a lot of work in work.

Frauds | םיאמר Stunting Cunts * obyś nie musiała tutaj Gina Kamentsky, wrócić | We Hope You Won't Rachel Columbus, US 2019, 2’50 need to Come Back IL 2020, 5’48 Anastazja Naumenko, The journey of a vision, drawn PL 2020, 9’48 with black fineliner on esti- A plastic bottle inspires a mated 1,500 pages of white meditation about the conse- paper: a vision that makes a quences of our actions – and slow heartbeat race faster Children are playing: chalk- about the legacy our consum- until it becomes unstoppable drawn figures jumping into erism is leaving behind for and sets out on its way, going ‘Go ahead and torture your- Three tales around imposter and out of old snapshots. A future generations. A project through ups and downs and self, if that’s what you want.’ syndrome, describing the tribute to being a child and to by students at the Institute finally becoming a reality: the – Gina Kamentsky comments To move, to migrate, to hope. phenomenon from differ- playing as a state of complete of Theatre, Film and Media Munich Concert Hall. on the realities of artistic work Adjusting to new environments ent perspectives - career, abandon –which can remain a Studies. and labour. whilst dealing with diverse ex- friendship and relationships source of strength long after the Goose and the Common * Contains flashing images! pectations: those you brought - always discussing the same they’ve grown. es gibt allerdings Unaus- Shadab Shayegan along from home, your very oftentimes unspeakable sprechliches | there is AT 2020, 3’59 Betti own ones as well as those secret. Theres no catharsis to Am Boden | Crumpled indeed the Unspeakable Zsuzsanna Ács, others have of you. Spaces and the feeling of impersonation, Angelika Luger, Shirin Raith, Marzieh Emadi, Sina Saadat, HU 2019, 4’56 bodies that are no longer in but we learn to live with it. Lena Lamberger, AT 2020, 4’40 sync, shifting dimensions and AT 2020, 4’33 objectives. Physical obstacles and distorted realities that you face in those worlds in- between. A goose is robbed of her eggs – and of the ground beneath her feet – when a street is rolled In the 1980s, Betti Forgó was out in the countryside. Search- a freedom-loving punk. She If something in your life is not ing in vain for her eggs, she found her independence in okay, do you block it out or When a huge ball turns into gets lost in labyrinthine build- driving a cab, and she’s been Work Affairs continues confront it? Weeping Willow delicious hay and forest ings. Together with other geese doing it ever since. In an on the next page tends to do the former – alien- sounds come out of a socket, she eventually forms a resist- interview Betti shares her re- ating her friend Cloud along is there some mysterious ance movement. A music video flections on the last 30 years, Supported by: the way. But Cloud won’t be magic at work, is it science for Heaven Sent Cat, based on always in relation to cabbing. pushed aside that easily. fiction, or could it be a divine a 17th-century protest song game? against land-grabbing. 20 21 Work Affairs

Prirodni odabir | Animate Her: Amila de Mel in science. The Animate Her Claudete e o Bolo | Applaus, Applaus and encourages to reflect on natural Selection on Archiving Architecture series is a collection of ani- Claudete and the Cake Sarah Braid, priorities and future perspec- Aleta Rajič, Irushi Tennekoon, mated interviews told through Fádhia Salomão, AT 2020, 1’28 tives. BA 2019, 9’33 LK 2020, 2’55 stop-motion and experimental BR 2020, 4’37 animation featuring a group of le long cri du train qui exceptional women living and passe se glisse au cœur des working in Sri Lanka. spectres et tout explose en silence | nadirah: Coal Woman the long wail of a passing Kate Jessop, Negar Elodie train slips into the heart of Behzadi, This film hits a nerve. Sharing the ghosts and everything A living sculpture trapped in Renowned Colombo-based UK 2019, 2’23 Reproductive labour too often glimpses of the everyday life of explodes into silence urban spaces of boredom, architect Amila de Mel reflects goes unseen and is taken for a medical worker, it points out Anne-Marie Bouchard, melancholia of the utopian on spaces, architecture and granted. Claudette never gets the hypocrisy and contradic- CA 2020, 7’30 museum where she works her biography. The Animate tired of sharing her cakes with tory narratives concerning the and occasionally amuses Her series is a collection others. But when this activity situation of people in system- herself by assuming human of animated interviews told becomes an obligation, her joy preserving jobs in times of poses (cleaning, drinking through stop-motion and turns into exhaustion. crisis, as applause will neither coffee, smoking, sleeping). experimental animation fea- feed them nor reduce their At home, her life consists turing a group of exceptional Pračka | Washing Machine exhaustion. of routine and loneliness. women living and working in An ethnographic portrait on Alexandra Májová, Something changes when her Sri Lanka. the experience of shame of CZ 2020, 5’02 Sociální Krychle | body transforms. Her eyes Nadirah, a female informal the Social Cube meet a woman dancing in the Animate Her: Asha de Vos coal miner in a small village Alzbeta Suchanova, An experimental animated rain. Will she use her growing on Studying Blue Whales in the mountains of Tajikistan. CZ 2019, 4’08 film built around a single animal powers and human Irushi Tennekoon, Based on a collaborative femi- sound recording that evokes eyes to meet, fight, and dance LK 2020, 3’18 nist art-research project, it travel, the need to commu- her way out towards her real aims to make visible otherwise nicate, solitude, fragility, the nature – freedom? invisibilised stories of shame, desire for freedom, the arrival focusing on the story of one of Wash and love. On a libidinous of fall, and our ephemeral the most stigmatised female connection to an everyday existence. Passing through miners in the village of Kante. object. an urban sphere of commut- By doing so, it raises aware- An animated essay on society ing, passers-by, labour and ness of issues around gender, living in a global capitalist construction moving towards Sri Lankan marine biologist work and exclusion, women's system based on exponential silence. and ocean educator Asha de restricted access to natural growth, causing an exponential Vos talks about the blue whale resources, and their stigmati- increase of inequalities. The skeleton that first inspired her sation in a desolate extractive film explores everyday chal- as a child, and the challenges landscape. lenges that often go unnoticed Supported by: of being a South Asian woman as they are being individualized

22 23 all films & online events are available for 48h after program start www.trickywomen.at tIMelI ne WeD 10.03. THU 11.03. Fri 12.03. saT 13.03. sUn 14.03.

9-25 March 12:00 - 17:00 15:00 19:00 exHIBItIon InteRnAtIonAl FoRUM spotlight on caroline Leaf At BIldRAUM 07 BEST PRACTICE Presentation & artist Talk Schnittstelle Interface LECTURES 2O21 opening TRICKY by Magdalena Pfeifer, Marge Dean REALITIES Sympoietic Bodies Flavia Mazzanti ONLINE by Flavia Mazzanti. Magdalena Pfeifer 17:00 Burggasse 7-9, 1070 Vienna Wilbirg Brainin-Donerberg spotlight on signe Baumane presented by Opening Hours: Tue – Fri Amanda Barbour Presentation & artist Talk puppet artist 13:00-18:00 Rebecca Merlitsch Manuela Linshalm

19:30 Up & Coming 1 19:00 Up & Coming 2 19:00 Austrian 19:00 Work Affairs 19:00 Remarkable 68‘ + Q&A 65‘ + Q&A 72‘ Panorama 65' 77‘ + Q&A 19:30 CoMPetItIon 1 19:00 CoMPetItIon 3 19:00 exploring Realities 19:00 My Favorite War* 19:00 Struggling for 82‘ + Q&A 83‘ + Q&A 73‘ + Q&A 82‘ 69‘ the Better

20:30 Artist talk: 20:00 aWarD cErEMoNy Ilze Burkovska-Jacobsen & Screening of the awarded films

TickeTs 21:00 CoMPetItIon 2 21:00 CoMPetItIon 4* 21:00 Happy Birthday 1 21:00 Happy Birthday 2 21:00 Happy Birthday 3 only 78‘ + Q&A 82‘ + Q&A 72‘ 77‘ 68‘ online TickeTs

only * available tRICKY WoMen / tRICKY ReAlItIeS this program can only be watched in Austria. For more information online Festival office /MQ, Museumsplatz 1, 1070 Vienna on Q&As and Artist talks on our festival platform: office@tricky women.at check our website trickywomen.mama.media Info Hotline: +43 1 990 46 63 and social media channels. 73 minutes + Q&A Fri. 12.3., 19:00 / online available for 48 hours exploring Realities AnIMAted d o CUMentARIe S

These animated documentaries depict the unspeakable and allow us to access worlds of imagination, Amours libres | Polyamory Mizuko | Water Child I Have Made Many Women memory and dreams, linked to lived realities. Portraits, interviews and stories reflect upon, question Emily Worms, Kira Dane & Katelyn Rebelo, Pregnant and visually reframe (inter)personal and socio-political narratives as well as struggles against struc- BE 2020, 4’36 US/JP 2019, 14’45 Hanna Una Holmquist, tural violence and inequality. SE 2019, 5’41

We Have one Heart eadem cutis: dieselbe haut | Bathroom Privileges Katarzyna Warzecha, eadem cutis: the same skin Ellie Land, PL 2020, 11’20 Nina Hopf, UK 2019, 5’25 DE 2019, 5’34

Two friends talk about their relationships. Between poly- In Japanese, there's a special In an examination room at a amory and politics, they speak word for an unborn life. fertility clinic, where a couple about their way of living love Mizuko, which means “water is about to inseminate, a freely. child,” is used to refer to mis- midwife speaks about the After his mother’s death, Stories of unexpected interac- carried and aborted pregnan- reproductive and family rights Adam comes across letters John, the filmmaker’s twin tions and awkward moments: Catcalls cies. A Buddhist ritual of grief of lesbians in Denmark. that his parents exchanged brother, speaks and shares Bathroom Privileges looks Laura Stewart, Anna Ber- called mizukokuyoe-nables- years ago. An opportunity for his thoughts on identity, body at some of the difficulties ezowsky, parentsto spiritually return Just a Guy him to find out more about his and gender. Layered prints people face accessing public CA 2020, 2’2 their water children to the sea. Shoko Hara father, whom he never knew. create an immediate proximity bathrooms. Through a series Told through the Japanese DE 2020, 15’ The juxtaposition of animated between the twins’ bodies. of recorded interviews with American filmmaker’s own drawings and archival mate- contributors Emma, Ben and story, Mizuko is an intimate rial takes us back forty years, In the Shadow of the Pines Kemi, the public bathroom reckoning with the impact of uncovering an extraordinary Anne Koizumi, becomes a lens through which this cultural context. family secret. CA 2020, 8‘ to view the experiences and testimonies of marginalized A clay puppet animation based communities. A stop-motion animation on interviews and the written exploring street harassment encounter of the directress using cats, dogs, and real with the protagonist. Three sentences that humans said to women share glimpses of other humans. their affection, attraction and relationship with Richard Drawing on childhood memo- Ramirez, a serial killer and ries the filmmaker stages a rapist they contacted after he conversation and sensitively was convicted. explores her upbringing and ambiguous relationship with her Japanese immigrant dad, who was also the janitor at the elementary school she attended. 26 27 72 minutes Fri. 12.3., 21:00 / online available for 48 hours Happy Birthday 1 tWentY YeARS oF tRICKS

BY AMANDA BARBOUR (Guest Curator) Asparagus Man on the Chair Pregunta por mí | Ask for Me Tricky Women/Tricky Realities turns 20 this year, we’re no longer teenagers! To celebrate, we’re Suzan Pitt, Dahee Jeong, Begoña Vicario, presenting 50 years of film history. As still images are propelled into motion, we see the technical US 1979, 18’15 SK 2014, 6’55 VE 1996, 4’12 and aesthetic evolution of feminist discourse in animation. The program explores the images we create of ourselves and those imposed upon us. From nudity to vulnerability, those who give life and take lives, come and see how women have mobilised the medium to articulate their tricky realities.

Pas à deux teat Beat of Sex: episodes in a society where beautiful Monique Renault, 7 “Respect”, 9 “Graveyard” hair is viewed as hair that Gerrit van Dijk, and 11 “Puzzle” blows in the wind and lets you NL 1988, 5’35 Signe Baumane, be free. The man on the chair is US 2008, 6’ Beginning with defecation and tormented and constantly Self Portrait ending in fellatio, Suzan Pitt's doubts his own existence: Is it Some people have to sell parts Maria Lassnig, Asparagus was featured on the merely a picture that I created of their bodies to survive; AT 1971, 4’30 midnight movie circuit for two or could I also be an image others have them taken years alongside David Lynch's crafted by others? without their consent. Begoña Eraserhead (1977). A faceless Vicario’s sand animation about woman wanders through the Ascend immigrant women and organ valley of the uncanny. She gets Shiva Ahmadi, trafficking earned her a Goya lost, and is found, as the film IR 2017, 6’47 award in 1997. Join the Pope, Liza Minelli, Three explicitly educational unfolds like a daydream. Joan of Arc and more as they shorts about sex, respect and A little too Much dance through the evolving graveyards. A woman reveals Robes of War Martina Scarpelli beats of time. Partners waltz her most secret thoughts on Michèle Cournoyer, US 2020, 3’44 and wander away from each the most intimate matters. Austrian artist Maria Lassnig CA 2008, 5’16 other, united only by the music was predominantly known for that keeps everything in mo- Hair Piece: A Film for her psychologically expressive The image that defined the tion. nappyheaded People self-portraits which translated decade was of Alan Kurdi, a Ayoka Chenzira, her concept of body aware- three-year-old Syrian refugee US 1984, 10’ ness painting onto canvas whose body washed up on a throughout her career. In the beach in Turkey in 2015. His 1970s, she started working name in Arabic means ‘to as- You can’t have a revolution with animation which further A lyrical exploration of the cend’. Shiva Ahmadi draws on without dancing, so we close developed this visceral visual impact of war on women, their Persian painting traditions and our program with the official language. bodies and their families. her own experiences of war to music video for Kai’s ‘A Little Bringing a feminist sensibil- illustrate the tragedy of man. Too Much’, directed by the ity to a contemporary issue, it sensational Martina Scarpelli. looks at what happens when It is about a woman letting go war insinuates itself inside the and overcoming the fear of her An animated satire on the very being of a woman—she own power. question of self-image for Af- who once gave life will give rican American women living death. 28 29 77 minutes Sat. 13.3., 21:00 / online available for 48 hours Happy Birthday 2 entAnGleMentS & ACtS oF lIBeRAtIon

le Chapeau | the Hat Achill egg Cipka | Pussy Moms on Fire Raymonde ou l’évasion Michèle Cournoyer, Gudrun Krebitz, Martina Scarpelli, Renata Gasiorowska, Joanna Rytel, vertical | Raymonde or the CA 2000, 6’13 DE/AT 2012, 9´ FR 2018, 12’07 PL 2016, 8’ SE 2016, 13’5 vertical escape Sarah Van Den Boom, FR 2018, 16’31

Martina Scarpelli’s Egg, the A young woman spends the What’s it like to be massively Real excitement is always story of a young woman’s evening alone at home. She pregnant with only four days A dancer recalls an incident somewhat out of focus, unfor- struggle with anorexia, won decides to have a sweet solo until you're due to pop? Your Raymonde is fed up with peas, from her childhood where tunately. All joy lies in a blind the 2019 TRICKY WOMEN/ pleasure session, but not eve- boyfriend is fucking boring and aphids, dirty panties and dig- she was physically abused by rush and a fleeting glance. TRICKY REALITIES Audi- rything goes according to plan. you just want to have some ging in her kitchen garden. She a visitor. This inner journey That’s why I’ve never had my ence Award and no less than fun. would much rather prefer sex, brings back painful memories, eyes lasered. 40 other awards around the Ici, là et partout love, and the immensity of the including the obsessive image world. Brilliant, hand-drawn Sawako Kabuki, tailor sky… of a hat. black-and-white animation JP 2013, 2’09 Calí Dos Anjos, creates an artificially perfect BR 2017, 9’40 world – erotic, humorous, brutally honest and deadly serious.

Love (or being in love) is a wonderful thing that colours On his website, transgender our life, but love is not always cartoonist Tailor shares other visible and sometimes is trans people’s experiences vague and ephemeral. and their challenges in society.

30 31 68 minutes Sun. 14.3., 21:00 / online available for 48 hours Happy Birthday 3 entAnGleMentS & ACtS oF lIBeRAtIon

two Sisters Hotzanak | Suggestion of Vermessung der distanz | III Sous tes doigts | Caroline Leaf, For Your own Safety least Resistance Measuring the distance Marta Pajek, Under your Fingers US/CA 1990, 10’30 Izibene Oñederra, Michelle & Uri Kranot, Susi Jirkuff, PL 2018, 12’ Marie-Christine Courtès, ES 2013, 5’11 DK 2019, 5’3 AT 2019, 7’ FR 2014, 12'54

A man and a woman meet in a waiting room and immedi- Marie looks after her disfig- I told her I was a filmmaker... The project explores urban ately get closer to each other. When her grandmother dies, a ured sister Violette, a novelist. and nothing has changed. fringes and the marginaliza- They commence a game that young woman relives the story Their isolated existence is Amid these landscapes Suggestion of Least Resist- tion of the social groups who gradually gets more and more of the women of her family, threatened by a male admirer traipses the soul, at times ance is based on archive ma- inhabit them. Seeking to inte- ferocious. Their faces resem- from the colonial Indochine to of Violette’s work… Two Sisters certain, at others uncertain of terials which depict The July grate a discussion about space ble masks while shapes slowly the isolation in a transit camp. was scratched directly on its own existence, while the Revolt of 1927 (Der Brand des and segregation into the Com- lose their integrity. Sous tes doigts won the audi- 70mm film. With this film body is and is and is and has Wiener Justizpalastes), a mon- mon Good discourse, this raw ence award of Tricky Women Caroline Leaf made animation no place of its own. umental episode still acutely sketch looks at themes such Untravel 2016. history. relevant. It is a rhythmic, po- as distance, the anonymity of Ana Nedeljković & Nikola Woolly Wolf etic surge, comparing us, our the architectural setup, and Majdak Jr., Vera Neubauer, lives, and our very humanness decay as well as movement SR 2018, 9‘20 GB 2002, 4’ to burning paper in the breeze. and interaction. Composition Images of sheets of paper by Joanna Bailie. flying through the broken win- dows of the burning palace are juxtaposed with images of the crowds as they convene and disperse. The music charges these powerful images with its A film about patriotism, tour- In this tale the Little Red Rid- own aliveness and colour. In ism and emigration. A woman ing Hood doesn’t let herself be the context of Economy for the lives in a grey, isolated country eaten by the wolf. Common Good, the repetitive, enclosed by a huge wall. She stylized abstractions of events has never travelled anywhere, unfolding frame the notion of but all her life she has dreamt the individual vs. the historic.. of leaving forever for a perfect The film is part of the Com- world called ‘Abroad’. mon Good Project “Happiness Machine” initiated by Tricky Women and Klangforum Vienna. Composition by Iris ter Schiphorst. 32 33 69 minutes Sun. 14.3., 19:00 / online available for 48 hours Struggling for the Better

Peacocks on the subway, dreaming escalators, warnings from out of space and epic poems on re- Che Kasi | Who Warning From a Cosmic diminuendo sistance. Inequalities, the climate crisis and violent constructions of normality define contemporary Khadije Zafari, Being (WFCB) Henrike Lendowski, realities. Can we create spheres of planetary togetherness, safe and accessible for every being? AF 2020, 8’40 Seung-yeon Oh, US/D/UK 2020, 3’29 How do we move towards a good life for everyone? Creative reflections, fierce struggles and tireless KR 2020, 1’40 fights for self-expression, freedom of movement and healthy environments are challenging the past, the present and the future.

Rêves d’escalators non redefined. A tired lady. A man Anima sous-titré | escalator’s hungry for commercials. A Mahboobeh Mohammadzaki, dream with no subtitles child who thinks he is Indiana IR 2020, 10’10 Charlotte Janis, Jones. A libidinous pickpocket. A young girl bravely challeng- Diminuendo visualizes the FR 2020, 2’ A provocative clown. A drifting ing the expectations put upon A cosmic being addresses detrimental effects plastic subway driver. And above all, her. An empowering bicycle Earth with an urgent call to waste has on marine life and balloons. Lots of balloons. In ride through self-determined action. Observing the planet the environment from an emo- the illuminated subway, there decision-making and towards through the eyes of a pigeon, tional point of view. Through is nothing to report. Not even emancipation in an environ- it has seen enough of the visual metaphors, the viewer is a peacock. ment ruled by patriarchal destruction and ignorance to guided through sceneries that The struggle of a person violence. know that without immediate get more and more covered by My dream, My taste whose expression of self is radical action great harm will plastic. But there is room for An oneiric journey into an Emily Downe, being censored in a society the end of the Universe occur. change. In the end, it is never escalator’s mind, dreaming of UK 2020, 2’30 defined by patriarchal norms Byung-a Han, too late for a helping hand. its long and repetitive everyday and violence. In a hostile KR 2020, 9’16 Sequence of tenses life. A home-made movie us- environment, freeing and liv- Adele Razkövi ing paint, ink and paper on a ing all aspects of self causes AT 2020, 4’30 lightbox, with sounds recorded conflicts. around La Défense, address- ing subjectivities in an urban Voice environment. Tess Martin, What does it mean to live a NL 2020, 2’20 Pas Même un Paon | good life? A question reflected How do we talk about terminal not even a Peacock upon as we follow a young illness and death? The pro- Cléo Biasini, woman who, as she pursues tagonist’s answer is walking: A message from the past, a FR 2020, 5’45 her dreams, risks becom- on her walks, she has beauti- direction for the future. In ing detached from the world ful encounters that spark new search of codes and formulas around her. thoughts and perspectives on for planetary regeneration and Struggling for the Better life and death. reconciliation. The film was continues The aftermath of a sexual created by Adele Razkövi and on the next page assault is rendered through Vikram Chandra as part of charcoal and metaphor in this the project ‘No Place like the Supported by: adaptation of a piece of flash Future’, whose motto is ‘Art A surreal ride. Realities fiction by author Cherie Jones. excels in times of crisis’. clashing, normalities being 34 35 82 minutes Sat. 13.3., 19:00 / online available for 48 hours Struggling for the Better My Favorite War

This film can only be watched in Austria

Mex and the Animals ehiza |Hunting dieser Film heißt aus Mans miIakais karš | My Favorite War Elisa Gleize, Begoña Vicario, rechtlichen Gründen Ilze Burkovska-Jacobsen, CA 2020, 8’22 ES 2020, 4’58 Breaking Bert | NO/LV 2020, 82’ due to legal Reasons this Film is called Breaking Bert My Favorite War is Ilze Burkovska’s personal story of Anne Isensee, growing up in Cold-War Latvia, at the time a republic of Konrad Wolf Film University of the USSR. Babelsberg We first meet Ilze as a little girl playing war at her grand- DE 2020, 4’37 dad’s farm. Later, she is faced with frightening war drills at school. Gradually, Ilze becomes aware of the discrepan- Mex and the Animals could be ‘to be continued.’ The final cy between Soviet reality and the propaganda denying the the title of a children's book. quote of Ruiz Balerdi’s film truth of that very experience. She also starts to notice the How does a person grow up Ehiza from 1969 was a call conflicting views held by the people she loves the most. without animals? What imagi- to action that resulted in this In her first animated film, Ilze Burkovska-Jacobsen nary world will we construct animation. A continuation re- combines animation with live-action and archival footage. around them, and from what? ferring to Balerdi’s aesthetic, The result is a touchingand very personal film about her The story is narrated by Mex, yet stepping away from the childhood and youth, about silence and family secrets, and a melancholy cyborg who problematic colonial gaze and This film begins with a long ti- about the courage to find one’s own way. wanders through virtual space perspective of his films. Ehiza tle and then quickly moves on among images of different strives to depict the harshness in search of a good ending. In -- Winner of the Feature Film Contrechamps Award and animals. These creatures are of contemporary global reali- between, a lot seems familiar. the French Critics Prize (Prix du jury Senscritique) at no more than rough virtual ties: structural harassment, And yet it takes the world and the Annecy International Animation Film Festival 2020 reconstructions of those that violence and destruction. This its inhabitants quite seriously– -- Special Distinction Prize at the Bucheon IAFF in Korea have long since disappeared. film was made by the collec- in a humorous manner. An -- Grand Prix / Feature Films, New Chitose Animation tive Hauazkena Taldea that animated lesson in black and Festival consists of Begoña Vicario and white. -- Best Animation Directress, Best Animated Film (Lat- nine other women. vian National Film Prize)

Sat. 13.3., 20:30 ARtISt tAlK: IlZe BURKoVSKA-JACoBSen Interview by journalist and film-critic Julia Pühringer, online available for 48 hours

Supported by:

36 37 77 minutes Sun. 14.3., 19:00 / online available for 48 hours Remarkable

Ambivalent love stories, animated poems, outstanding visual expressions of movement and mo- Sina al-Qamar, Artiste Queer | intertwined. Scalp Deep cap- crisis defined by the outbreak tion. Extraordinary beings and extravagant characters. Urgent struggles and narratives from out Sina al-Qamar, Queer Artist tures the struggles of a young of the Covid-19 pandemic. Fol- of space. Glimpses of togetherness in times of great physical distance. How do we move between Madi Piller, CA 2020, 6’30 woman as she navigates the lowing a call, more than ninety haunting ghosts, building homes and striving for connection? A collection of works that are all re- reactions and expectations animators worldwide con- markable in their own way. of others after she decides to tributed to this multifaceted commit to a new look. collage, sharing glimpses of Utochka y Kenguru | The Invizibilii | Invisibles fight. A little panda is a silent their realities. This is the first Duck and the Kangaroo 4inaroom, witness to it all. The Needle film out of a series of three, Liza Skvortsova, RO 2019, 10‘ Ceylan Beyoglu, assembled and initiated by RU 2020, 7’11 Hass-Satellit DE 2020, 9’ Kathrin Steinbacher and Emily Mariola Brillowska, Downe. DE 2019, 2’57 I, Candy Candy Kugel, Fragments exchanged over US 2018, 21’35 the course of eight weeks in At home in her apartment, a confinement. Clips, imagery The story of a mother search- Tender movements. A love young woman finds herself and bodies. Glimpses and ing for her missing son,based story full of ambivalence. caught up in thoughts and People in space suits, trippy coded reflections on isolation, on true events. The‘Saturday Chasing and being chased. memories. Layered experienc- explorations and research identities, crisis, introspection Mothers’have been demanding Attraction and alleged incom- es of past and present distort stations in space. A music and performance. A dense and justice for their disappeared patibilities. How can we move the tender balance of her life, video for Stereo Total’s ‘Hass- visually intense experimental loved ones and answers together despite our different as the space surrounding Satellit’ (Hate Satellite). The portrait of the artist Sina al regarding the fate of victims Candy Kugel deconstructs styles and paces? her reveals its mysteries and celestial subject tells us about Qamar. Developed for the of forced disappearances in a drawing she did when she unsolved riddles. When do you lonely orbits in outer space, Parenthèse project commis- Turkey since 1995. was six years old to explore Flow feel at home with yourself? collisions with space debris, sioned by ONF Canada. her life, touching on family Kayla Parker, the attraction and repulsion of Flatten The Curve history, current events and UK 2020, 1’ Glader Gök Och Mäster Katt | other planets, and sending the Scalp deep Kathrin Steinbacher, societal norms of the time. Mellow Yellow and Pretty Pink same message over and over Naseeba Bagalaaliwo, Emily Downe, In the process she confronts Frida Hammar, Sam Addo, again. UG 2020, 6’41 AT 2020, 5’59 anti-Semitism, channels po- SE 2020, 5’19 litical activism, and navigates life choices through luck and determination (and a bit of voodoo). Although the events described occurred in the A film poem created with wild past, the themes remain eerily flowers growing along the current in today’s climate. shore of the Laira estuary on A collection of animated mo- the southwest coast of Britain. Mellow Yellow and Pretty Pink ments of experiencing, seeing Petals and leaves stream past are in a kitchen drinking wine. or thinking something positive as a haunting soundscape The drinking advances to a Hair and constructions of amidst the strange times of ebbs and flows. party, and the party leads to a identity are often deeply confinement during the global 38 39 Wut Wut Wut Wut Wut Wut Wut W Wut Mut Wut Wut W Wut Wut Wut Wut W

Für alle, die nicht die Nerven verlieren. Unbequemer Journalismus. Hol mich hier raus, FALTER! Jede Woche.

EB-S_Anz.TrickyWomen_136x197.5_RZ_10.12.20.indd 2 10.12.20 21:06 64th International Leipzig Festival for Documentary Bezahlte Anzeige and Animated Film

25.10.–31.10.2021

dok-leipzig.de TRICKY WOMEN / TRICKY REALITIES www.ray-magazin.at gehört mit mehr als 50 anderen

Verwertungs- Vereinen, Initiativen, Agenturen gesellschaft der Filmschaffenden GenmbH und Redak tionen aus dem Collecting Society of Audiovisual Kunst- und Kultur bereich zum Authors kreativen Schaffensraum Q21. Entdecke sie alle auf www.Q21.at

@Q21vienna @ Q21_vienna

Partner des Q21 Artist-in-Residence- Gefördert von Programms im MuseumsQuartier:

Mit Unterstützung der ERSTE Stiftung Wir vertreten die Rechte Rechte die vertreten Wir von Regie, Kamera, Filmschnitt, Szenenbild, &Kostümbild Schauspiel. vdfs.at oe1.���.at/intro

Oe1_intro 65x96 Kulturspam.indd 1 16.12.20 08:39

yOur FIrST CONTACT FOr FILMINg IN VIENNA

WWW.VIENNAFILMCOMMISSION.AT

The Gap_TrickyWomen_65x96mm.indd 1 13.02.18 14:14 65x96_This Human World.indd 1 29.01.20 11:49 Artists 4inaroom 38 Han, Byung-a 35 Orlik, Julia 7 Ács, Zsuzsanna 21 Hara, Shoko 27 Ostermann, Julia Alice 19 Addo, Sam 38 Harrison, Dominica 6 Özbilge, Imge 12 Adler, Hod 14 Hasenhütl, Lisa 20 Özbilge, Sine 12 Ahmadi, Shiva 29 Hecher, Beate 9 Pajek, Marta 33 Aiano, Eluned Zoë 11 Holmquist, Hanna Una 27 Park, Jee-youn 9 An, Huang Ping 14 Hölzl, Flora 20 Parker, Kayla 38 Arnoldner, Astrid 19 Hopf, Nina 26 Penzinger, Maximilian 19 Bagalaaliwo, Naseeba 39 Isensee, Anne 36 Piller, Madi 39 Baumane, Signe 28 Jakobi, Elisabeth 17 Pitt, Suzan 29 Behzadi, Negar Elodie 22 Jang, Nari 8 Prokopová, Marta 10 Benner, Anna 11 Janis, Charlotte 34 Radovan, Stella 20 Béranger, Sébastien 7 Jeong, Dahee 29 Raith, Shirin 20 Berezowsky, Anna 27 Jeong, Hae-ji 14 Rajič, Aleta 22 Beyoglu, Ceylan 39 Jessop, Kate 22 Rathmayr, Nicole 19 Biasini, Cléo 34 Jirkuff, Susi 33 Razkövi, Adele 35 Blasko, Michal 10 Jo, Kyeong-wook 6 Rebelo, Katelyn 27 WWW.FC-GLORIA.AT Boley, Yngwie 13 Kabuki, Sawako 31 Rémon, Lise 17 Bouchard, Anne-Marie 23 Kamentsky, Gina 21 Renault, Monique 28 Bouchereau, Clémence 13 Karasova, Olha 15 Riba, Marc 11 Braid, Sarah 23 Kargaudaite, Milda 14 Rietz, Henriette 8 DIE KARTEN Brillowska, Mariola 38 Kaufhold, Joanne 20 Rytel, Joanna 31 Burkovska-Jacobsen, Ilze 37 Keim, Markus 9 Saadat, Sina 20 Caderas, Bianca 16 Killi, Anita 11 Salomão, Fádhia 23 WERDEN NEU Cammisar, Géraldine 9 Kim, Dam-eun 15 Samari, Leila 18 Chenzira, Ayoka 28 Kim, Seunghee 10 Scarpelli, Martina 29, 30 Columbus, Rachel 21 Kim, Su-kyoung 6 Sebert, Vera 18 GEMISCHT Cournoyer, Michèle 29 Koizumi, Anne 26 Sehhat, Maryam 18 Cournoyer, Michèle 30 Kopiec, Daria 13 Shalev, Ronni 14 Courtès, Marie-Christine 33 Kranot, Michelle 33 Sharabi, Alon 14 Dane, Kira 27 Kranot, Uri 33 Shayegan, Shadab 20 Danielsen, Margrethe 17 Krebitz, Gudrun 30 Skvortsova, Liza 38 de la Luz Kašik, Antonia 18 Kugel, Candy 39 Solanas, Anna 11 de Magalhaes, Hugo 15 Kutay, Zaide 9 Soost, Julia Franziska 20 Desmazières, Sandra 11 Lacourt, Marion 7 Spanlang, Anna 19 Dos Anjos, Calí 31 Laffra, Orane 15 Steinbacher, Kathrin Downe, Emily 39 Lamberger, Lena 20 Stejskalová, Bára Anna 16 Join the edu-community! Downe, Emily 34 Land, Ellie 26 Stewart, Laura 27 Dugardin, Mathilde 15 Larcher, Claudia 19 Suchanova, Alzbeta 23 Durszewicz, Natalia 15 Lassnig, Maria 28 Synyshyn, Olga 14 Einmalige Vorteile Eid, Celia 7 Leaf, Caroline 32 Tennekoon, Irushi 22 El Hammami, Wassim 15 Lee, Joann Hyelim 19 Van Den Boom, Sarah Elsen, Jasmine 12 Lendowski, Henrike 35 van Dijk, Gerrit 27 für dein Unilife: Emadi, Marzieh 20 Lerch, Júlia 8 van Houten, Diana 13 Epping, Janis Joy 13 Linsenbolz, Louise 19 van Loon, Liesbet 6 educom: die besten Handytarife Farr, Chloé 17 Luger, Angelika 20 Vicario, Begoña 29, 36 Ferlay, Héloïse 7 Majdak Jr., Nikola 33 Vulić, Marija 10 für Studierende Filippova, Svetlana 10 Májová, Alexandra 23 Warzecha, Katarzyna 26 edudeals: exklusive Gutscheine Fleming, Ann Marie 7 Martin, Tess 34 Weijia Ma, 12 G-udit 19 Mazzanti, Flavia 18 Wiener, Elena 15 und Ermäßigungen Garrett, Isabel 16 McKenna, Robin 7 Winiger, Nina 16 Gasiorowska, Renata 31 Miller, Kathrin 20 Worms, Emily 27 Gratis Goodiebags und Gewinnspiele Girault, Anne-Sophie 13 Mohammadzaki, Mahboobeh 34 Yang, Chenghua 13 Gleize, Elisa 36 Morrison, Phoebe 15 Zafari, Khadije 35 Gorelova, Sofi a 17 Naumenko, Anastazja 9, 21 Zhan, Renee 1, 8 edustore.at Gugić, Kata 16 Nedeljković, Ana 33 Zlateva, Petya 8 Guinet, Astrid 15 Neubauer, Vera 32 #educom.at/blog Haaning, Susi 14 Oh, Seung-yeon 35 Hammar, Frida 38 Oñederra, Izibene 32 47 FESTIVAL Available with a free registration Förder*innen Credits on our streaming platform: INFOS ► FESTIVAL OPENING 20 YEARS WED 10.3., 19:00 presented by TRICKY WOMEN/TRICKY REALITIES puppet artist Manuela Linshalm International Animation Filmfestival

Webpage ► INTERNATIONAL FORUM www.trickywomen.at BEST PRACTICE Lectures & Discussion Online Festival Platform FRI 12.3., 12:00 –17:00 https://trickywomen.mama.media ► SPOTLIGHT ON – CAROLINE LEAF CONTACT SAT 13.3, 15:00 Q21/MQ Presentation & Artist Talk Museumsplatz 1, 1070 Vienna with Daniela Ingruber Info-Hotline +43 1 9904663 TICKETS offi [email protected] SPOTLIGHT ON – SIGNE BAUMANE ► Sponsor*innen www.trickywomen.at SAT 13.3, 17:00 trickywomen.mama.media Presentation & Artist Talk with Djamila Grandits FESTIVALINFOS Sawczynski & Partner OG www.trickywomen.at Hotline: +43 1 990 46 63 TICKETS ► AWARD CEREMONY Partner*innen ONLINE FESTIVAL PLATFORM SUN 14.3., 20:00 trickywomen.mama.media ALL TICKETS presented by WILL BE AVAILABLE Daniela Ingruber ONLINE ON OUR FESTIVAL PLATFORM ► EXHIBITION AT BILDRAUM 07: FLAVIA MAZZANTI & MAGDALENA PFEIFER 1 Credit per program TUE 9.3.- THU 25.3, Single Ticket (1 Credit) € 3,90 Burggasse 7, 1070 Wien Festival Pass (16 Credits) € 30,- Opening Hours: Tue – Fri 13:00-18:00 We Love You Pass (16 Credits) € 50,- ► TRICKFILM-WORKSHOP ZOOMINAR für Erwachsene WED 10.3, THU 11.3, FRI 12.3, 18:00 in cooperation with ZOOM Kindermuseum, Trickfi lmstudio, MQ Price: € 45,- Booking required until 5.3 under: Medienpartner*innen 10-14 March (01) 524 79 08 / offi [email protected] Impressum | Redaktion: culture2culture ► ARTIST TALK: ILZE BURKOVSKA-JACOBSEN, Übersetzung: Sabine Schmidt, z.V.g. directress of My Favorite War Grafi k Design: Heide Aufgewekt SAT 13.3, 20:30 Sujet: pabuku.com ONLINE Artist Talk with Julia Pühringer Druck: Print Alliance, 2540 Baden