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Tamil romanized English -â - Adverbial suffix -agam - Suffix for place, land -al - Suffix attached to verb infinitive to make a noun -âna - Adjectival suffix -dhân - Emphatic suffix -gaï - Plural suffix -il - Inflection denoting in -kây - Suffix indicating raw fruit -man - Suffix for King of a Region -maram - Suffix indicating tree -paùam - Suffix indicating ripe fruit -thângaï - Historic place suffix -thth- - Inflection for -m -um - Suffix for And (E) - English or other European Loan Word (S) - Sanskrit or other North Indian Loan Word :P - F as in A'f'rica :Putbâl (E) - Football 3 Kôdu Añîl - 3-striped Palm Squirrel 5 Kôdu Añîl - 5-striped Palm Squirrel A - Short A as in Elephant  - Long A as in father A-um B-um - A And B A: - H as in Ah! Â:pirika (E) - Africa Abâñdamâna - Abominable Âbarañam (S) - Ornament Abâyam - Danger Abhijîdham (S) - Vega Abûrva (S) - Unique Âchariyam (S) - Surprise Achcham - Fear Âchî - A Chettiyar Lady Âda - To Dance, To Shake Adai - Pancake Adai Kaïïan Kuruvi - Swallow Adaikka - To Stuff, To Put Inside Adakkam - Shyness, Suppression Âdal - Dancing Adanga - To Submit Adhai - It (Accusative) Adhâl - By/Because of It Adhanâl - Because of That Adhigam - Excess, plenty Adhigâri (S) - Officer Adhin - Its Adhishtam (S) - Fortune, Luck Adhu - It, That Adhu Illâtâl Idhu - Either This Or That Adhudan - Than It Adhudhân - It (Emphatic) Adhukkâga - For It Adhukku - To It Adhukkûda - With It Adhumçl - On It Adi - Hit Adikka - To Hit Adimai - Slave Âdimîn - Ashwini Adiyâïi - Servitor Âdu - Goat, Sheep Âga - To Get Done Agalam - Width Agaram - First letter in Tamil alphabet, Beginning Âgatttum - So Be It Ahanânûru - The First Book of 400 Verses AI - Diphthong AI as I..E in Bike Ai- - Penta- Ai Nâ Sabai - United Nations Ai(ai)yô! - Alas! Aikiya - United Aimmîn - Rohini Aindhu - Five (formal) Aisvariyam (S) - Prosperity Aiyangâr - Vaishnavite Brahmin Caste Aiyyar - Shaivite Brahmin Caste Akarâthi - Dictionary Akkâ - Elder Sister Âkka - To Make Akkam Pakkam - Side By Side Akkarai - Responsibilty Akkaºai - Across The River Aùa - To Cry Aùagâ - Beautifully Aùagâna - Beautiful Aùagu - Beauty Alai - Wave Aùaiththukondu Pôga - To Escort Aïakka - To Measure Âùam - Depth Âlamaram - Banyan Tree Alamba - To Wash Alangu - Pangolin Alasa - To Rinse Âùavâr - Vaishnavite Poet-saint Aïavu - Measure Âli - Eagle Aùikka - To Rub Off, To Eliminate Aùindha - Extinct Alkatti - Lapwing Aïïa - To Gather Aïuga - To Cry (colloquial) Aùuga - To Rot Aùukkâna - Dirty Aùukku - Dirt Âm - Yes, House (Brahmin Dialect) Amaichchar - Minister Amaichchu - Administration Amaidhi - Peace Amaikka - To Arrange For Amaippu - Arrangement, Management Amarkaïam - Riot, Jamboree Ambattan Katti - Palm Swift Ambi - Young Man (Tirunelveli Dialect) Ambu - Arrow Ammâ - Mom Amman - Goddess Amman Kâsu - Coin of Former Pudukkottai Princely State Ammâvâsai - New Moon Day Amudham (S) - Rice, Divine Nectar Âñ - Male Añ- - He-, Male Prefix Añâ - Anna (One-Sixteenth Of A Rupee) Ânai - Elephant Añaikka - To Switch Off Ânaikkutti - Elephant Calf, A Fat Person (colloquial) Ânaimîn - Elephant Fish Ânandham (S) - Bliss Anbadippu - Gift, Present Anbu - Affection Anchal - Post Añdâ - Large Cooking Vessel Âñdai - Owl Âñdâï - Godhai, A Tamil Saint Añdankâkkai - Jungle Crow, Raven Âñdavan - God Andha - That One Angâragam (S) - Mars Ângila - English (Adjective) Ângilam - English Angirandhu - Thence Angu - There Angum - There Too Añîl - Squirrel Anju - Five (casual) Âñkadik - Bustard-Quail (male) Aññâ - C. Annadurai's nickname Aññâ - Elder brother (informal) Annai - Mother, Nun Annam (S) - Cooked Rice Aññan - Elder Brother (formal) Annikki - That Day (Informal) Anniyan - Stranger Anºu - That Day Anuppa - To Send Âpai - Ladle Appâ - Dad Appadi - That Manner Âppam - Flat Ricecake Appan - Father (formal) Appiram - Later Appô - Then (Colloquial) Appoùudhu - Then (Formal) º - River Arai - Half Aºai - Room Araikka - To Wet Grind Araiya - To Be Ground Arâjagam - Anarchy Arakkan - (Lion-tailed) Macaque Aºakkuïâmîn - Seerfish (Cybium commersonnii) Arakkuºai - Half-baked Ârambam (S) - Beginning Âramikka - To Begin, To Start ºâmîn - Pleiades ºâmîn ºâvottu - Time of Rough Sea Weather Arangam (S) - Stage Arang纺am - First Stage Performance Arañmañai - Palace Arasan - King Arasângam - Government Arasi - Queen Arasiyal - Politics Arasiyavâdhi - Politician Arasu - Government Ârâychi - Research Arikka - To Itch, To Irritate Arisi - Rice Ârôggiyam (S) - Health Ârôggiyamâna - Healthy ººumîn - River Fish Âru - Six Arukka - To Bore, To Saw Aruï - Divinity, Purity Ârumañi Kuruvi - Indian Pitta ºumîn - The Pleiades ºumîn-kâtalan - Skanda (Brought up by the Pleiades) Aruvai - Boredom, A Boring Thing Aºuvi - Waterfall Asadu - Fool Âsai (S) - Desire, Wish Asaththa - To Shake Âsiriyar - Professor Âspathri (E) - Hospital Âsthigan (S) - Believer Âtchi - Rule, Reign Âthankarai - Riverside Âthman (S) - Soul Aththai - Father's Sister Aththân - Paternal Aunt's Son Aththimbçr - Akka's/Aththai's Husband Aththira - Those Many Attai - Card, Cardboard Âttam - Dance, Game, Sport Âttukari - Mutton Curry Âttukutti - Lamb AU - Diphthong AU as OW in Cow Avai - They (Formal) Avaï - She, Her Avaïai - Her (Accusative) Avaïâl - By/Because of Her Avaïdhân - She (Emphatic) Avaïç - She by Herself Avaïkûda - With Her Avaïmçl - On Her Avaïudan - Than Her Avaïudaya - Her Avaïukkâga - For Her Avaïukku - To Her Avaïul - In Her Avaïum - She Also Avan - He, His Avanai - Him (Accusative) Avanâl - By/Because of Him Avandhân - He (Emphatic) Avanç - He by Himself Avankûda - With Him Avanmçl - On Him Avanudan - Than Him Avanudaya - His Avanukkâga - For Him Avanukku - To Him Avanuï - In Him Avanum - He Also Avar - He/She (Respectful), His/Her (Respectful) Avarai - Him/Her (Accusative) (Respectful), Bean Avarâl - By Him/Her (Respectful) Avardhân - He/She (Emphatic Respectful) Avarç - He/She By Him/Herself (Respectful) Avargaï - They, He/She (Respectful) Avargaïai - Them (Accusative) Avargaïâl - By/Because of Them Avargaïdhân - They (Emphatic) Avargaïç - They by Themselves Avargaïin - Their Avargaïkûda - With Them Avargaïmçl - On Them Avargaïudan - Than Them Avargaïudaya - Theirs Avargaïukkâga - For Them Avargaïukku - To Them Avargaïul - In Them Avargaïum - They Also Avarkûda - With Him/Her (Respectful) Avarmçl - On Him/Her (Respectful) Avarudan - Than Him/Her (Respectful) Avarudaya - His/Her (Respectful) Avarukkâga - FoR Him/Her (Respectful) Avarukku - To Him/Her (Respectful) Avaruï - In Him/Her (Respectful) Avarum - He/She Also (Respectful) Avasara - Rapid Avasaram - Hurry Âvî - Ghost, Steam Avvai - Old Woman Avvaïavu - That Much Âyiram - Thousand Âyiraththil - In a Thousand B (Tamil same latter as P) - B as in 'B'ag Bâdhâm Paruppu - Almond Bâdhikka - Affect Adversely Badhil - Answer Bagavadham (S) - Deity Bâgavadham (S) - The Bhagavad-gita Bagavadhi (S) - Goddess Bakthan (S) - Devotee Bakthi (S) - Devotion Balam (S) - Strength Balç! - Well Done! Bambaram - Spinning Top Bambây - Mumbai/Bombay Bandhâ - Boast Baradham (S) - The Mahabharata Bâradham (S) - India (Bharat) Bâshai (S) - Language Bayam (S) - Fear Bayam Puduththa - To Threaten Bayandhânguïi - Coward, Frightened Person Bayangaram (S) - Terrible, Terrific Bayangaramâ - Dangerously Bayangaramâna - Dangerous Bçdhi - Diarrhoea Bengaïûr - Bangalore Bhârathiyâr - Epithet of Subramanya Bharati Bôdhai - Intoxication, Drunkenness Bôdhaipporuï - Narcotic Bommai - Doll Bûdham (S) - Ghost Budhan (S) - Wednesday, Jupiter Budhankiùamay - Wednesday Bûgambam (S) - Earthquake Bujangadhâri (S) - Ophiuchus Bûmâdhçvi (S) - Mother Earth Bûmi (S) - Earth Ch - Ch as in 'Ch'urch Châdham - Cooked Rice Châga - To Die Chagadhi - Wet Mud Chakkai - Pulp Chakkaippaùam - Jackfruit Chakkarai (S) - Sugar Chakkaram (S?) - Wheel Châkku (E) - Sack Châkkumûttai - Gunny Sack Châkpîs (E) - Chalk Chalavidham - Percent Chamaikka - To Cook Chamandhi - Marigold Chamayal - Cooking, Cuisine Chamayalkattu - Kitchen Châmbal - Ash Chambaïam - Salary Chañdai - Fight, War Chandhira (S) - Lunar Chandhiram (S) - Moon Chandhiran (S) - Moon Chandhrâ - Orange Changili - Chain Chañi (S) - Saturn, Saturday Chañikiùamay - Saturday Châppâdu - Meal (informal) Chappai Chondan - Spoonbill Châppâttu - Meal Châppida - To Eat (A Meal) Charithram (S) - Biography, Character Chaththam Pôda - To Make A Noise, To Scold Chaththiram - Dharamshala, Pilgrim's Resting Place Châthukudi - Orange Chattai (E) - Shirt Chattam - Law Chattani - Chutney Chatti - Pot Chauïi - Some beans Chaval Kuruvi - Hoopoe Châvi (S) - Key Châvu - Death Châvu Kuruvi - Barn Owl Châyâ - Tea Chedi - Plant Chegappu Kâl Uïïan - Redshank Chelavâkka - To Spend Chelavu - Expenditure Chembaruththi - Shoeflower Chembu - Brass Chemmîn - Sperm Whale (Euphysetes macrocephalus) Chemmîn Vairam - Ambergris Chempakam - Crow Pheasant Chengal - Brick Chenganarai - Painted Stork Chengîrî - Stripenecked Mongoose Chengkoïavi - Red Wasp (Ropalidia) Chennai - Madras City Chennarai - Large Egret Chennây - Dhole, Wild Dog Chçra - To Join Chçrndhu - Together Cheththa Kâlçj - Museum (Colonial Colloquial) Chettiyâr - Trader Caste of Central Tamil Nadu Chevaru - Wall Chevvâkiùamay - Thursday Chevvây - Tuesday, Mars Cheydhi - Piece of News Cheydhigaï - News Cheyga - To Do Cheyya - To Do Chigappu - Red Chîkkiram - Quickly Chilli Thara - Lesser Whistling Teal Chîna - China Chindhanai - Deep Thought Chingam - Lion Chingavâl Kurangu - Lion-tailed Macaque Chinna - Small Chinna Âñdai - Scops Owl/Owlet Chinna Kadai - Rock Bush Quail Chinna Kottan - Kentish/Little Ringed Plover Chinna Kukuravan - Crimsonbreasted
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    INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication.
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    Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 1 of 122 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) In re EROS INTERNATIONAL SECURITIES ) Master File No. 15 Civ. 8956 (AJN) LITIGATION ) _________________________________________ ) AMENDED CONSOLIDATED ) CLASS ACTION COMPLAINT This Document Relates To: ALL ACTIONS ) FOR VIOLATIONS OF THE ) FEDERAL SECURITIES LAWS ) ) Jury Trial Demanded ) Michael W. Stocker David J. Goldsmith Barry Michael Okun Alfred L. Fatale III LABATON SUCHAROW LLP 140 Broadway New York, New York 10005 Tel.: (212) 907-0700 Fax: (212) 818-0477 Attorneys for Lead Plaintiffs Fred Eisner and Strahinja Ivoševič and Lead Counsel for the Class Case 1:15-cv-08956-AJN Document 68 Filed 10/10/16 Page 2 of 122 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 1 II. JURISDICTION AND VENUE ......................................................................................... 9 III. PARTIES .......................................................................................................................... 10 IV. FACTUAL BACKGROUND AND SUBSTANTIVE ALLEGATIONS .................................................................................. 13 A. Company Background .......................................................................................... 13 B. The Lulla Family’s Extensive Related-Party Transactions ................................................................................... 14 C. Eros Goes
  • In Re Eros International Securities Litigation 15-CV-08956

    In Re Eros International Securities Litigation 15-CV-08956

    Case 1:15-cv-08956-AJN Document 60 Filed 07/15/16 Page 1 of 111 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) In re EROS INTERNATIONAL SECURITIES ) Master File No. 15 Civ. 8956 (AJN) LITIGATION ) _________________________________________ ) CONSOLIDATED CLASS ) ACTION COMPLAINT This Document Relates To: ALL ACTIONS ) FOR VIOLATIONS OF THE ) FEDERAL SECURITIES LAWS ) ) Jury Trial Demanded ) Michael W. Stocker David J. Goldsmith Barry Michael Okun LABATON SUCHAROW LLP 140 Broadway New York, New York 10005 Tel.: (212) 907-0700 Fax: (212) 818-0477 Attorneys for Lead Plaintiffs Fred Eisner and Strahinja Ivoševič and Lead Counsel for the Class Case 1:15-cv-08956-AJN Document 60 Filed 07/15/16 Page 2 of 111 TABLE OF CONTENTS I. NATURE OF THE ACTION ............................................................................................. 1 II. JURISDICTION AND VENUE ......................................................................................... 8 III. PARTIES ............................................................................................................................ 9 IV. FACTUAL BACKGROUND AND SUBSTANTIVE ALLEGATIONS ......................................................................... 12 A. Company Background .......................................................................................... 12 B. The Lulla Family’s Extensive Related-Party Transactions ................................................................................... 13 C. Eros Goes Public ..................................................................................................