INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
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1Q FY2016 Presentation Material
0. Table of Contents 1. Overview of Quarterly Consolidated Financial Results 2. Business Forecast for FY2016 3. Internet Advertisement Business 4. Game Business 5. Media Business 6. Up-front Investment 7. Summary 1 1. Overview of Quarterly Consolidated Financial Results Overview of Quarterly Consolidated Financial Results (October 2015-December 2015) 2 1. Overview of Quarterly Consolidated Financial Results [Highlights] FY2016 1Q Consolidated Marked a record high. Financial Sales: 74.0 billion yen up 16.7% year-on-year Results OP: 12.9 billion yen up 3.6% year-on-year Sales and profit growth rates remained high. Ad Business Sales: 39.2 billion yen up 17.8% year-on-year OP: 3.3 billion yen up 16.5% year-on-year The performance of major titles is favorable. Game Sales: 29.7 billion yen up 50.7% year-on-year Business OP: 8.8 billion yen up 84.9% year-on-year Release of AmebaFRESH! in Jan. and AbemaTV in Apr. Media Sales: 5.8 billion yen down 4.1% year-on-year Business OP : 0.6 billion yen up 2.1x year-on-year 3 1. Overview of Quarterly Consolidated Financial Results [Quarterly Consolidated Sales] Unit: billion yen 74.0 69.2 Record high results 63.4 60.5 61.1 60.0 Up 16.7% year-on-year 57.7 52.4 51.2 43.7 42.2 40.8 41.3 39.2 40.0 38.0 35.9 33.7 32.1 30.6 30.9 28.7 29.1 26.3 24.2 24.6 21.4 20.0 0.0 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q 2Q 3Q 4Q 1Q FY2010 FY2011 FY2012 FY2013 FY2014 FY2015 FY2016 4 1. -
Junior Executive (Airside Operations/Finance/Office Support/Engineering /Terminal Operations/HR/ IT & Electronics) I
KANNUR INTERNATIONAL AIRPORT LTD. (KIAL) Selection of Junior Executive (Airside Operations/Finance/Office Support/Engineering /Terminal Operations/HR/ IT & Electronics) I. Qualification required as per notification : 1. Educational Qualification : First Class Graduate in any discipline or First Class Engineering Graduate in Electrical/Civil/Electronics & Communication/Computer Science/Mechanical/Instrumental/Auto mobile/Information Technology. MBA will be a desirable additional qualification. A valid LMV Licence issued by Indian Authority with three years experience is must for Junior Executive (Airside Operations). A valid LMV licence is desirable for other posts. 2. Age : 35 years as on 31/03/2017. II. List of Rejected applications not meeting the above mentioned eligibility criteria. This list is prepared based on the details provided by the candidates in the online application form. If the rejected candidate has any valid proof to be included in the provisionally accepted list of candidates, they need to forward a request along with a copy of proof of their claims to [email protected] on or before 11.09.2017 . Request without valid proof of claims will not be considered. Sl No. Ref. No. Name of Candidate Reason for Rejection 1 KA-17226 VSHNU SASIDHARAN No Prescribed Qualification 2 KA-17229 Saneesh. A No Prescribed Qualification 3 KA-17231 John Thomas Moolayil No Experience 4 KA-17240 Aravind Raveendranadh No Prescribed Qualification 5 KA-17242 Johil R No Prescribed Qualification 6 KA-17244 SNEHA R No Experience 7 KA-17254 -
Uninhibited India Eyes Russian Kamov
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years. -
Koichi Nakamura Outside Director Outside Independent Reappointment 13/13 (100%)
Notice of Convocation of the 23rd Annual General Meeting of Shareholders For all attendees To help prevent the spread of COVID-19, we request that shareholders exercise their voting rights in advance by other means such as voting card, online, etc. For details on how to exercise voting rights in advance, please refer to the "Guide to Exercising Voting Rights" on page 5 of this convocation notice. If you are elderly, have a pre-existing medical condition or are pregnant, we kindly request that you refrain from attending the meeting in person if possible. If you wish to attend the meeting, please be sure to check COVID-19 prevalence information and your own physical condition on the date of this meeting, and also take appropriate measures to prevent infection including bringing and wearing a mask. If attending, we ask your cooperation in using the alcohol disinfectant that will be available at the venue. Also note that body temperatures will be taken upon entry, and any person with a temperature of 37.5°C or more and appearing unwell may be refused entry. Our operating staff will wear a mask at the meeting. The meeting will be streamed live on the internet. Although we will do our best to protect the privacy of shareholders at the meeting, be aware that the faces, etc. of attendees may be unavoidably captured on video during, for instance, the Q&A session. Due to the circumstances, we will not be able to offer giveaways or beverages to shareholders attending this year's meeting, nor will we be holding a company information briefing as we have done in the past. -
Shavez Ahmad
Shavez Ahmad Content Creator | Lighting Cameraman | Videographer Phone: +971 5453 83 189 | Email: [email protected] The Exchange Tower by Tanmiyat, Business Bay, Dubai, United Arab Emirates Recent works: Television Features | TVCs and Social Media SYNOPSIS I have over two decades of experience & expertise in Films, Television, and Studio production working on Static (Chroma) and dynamic (Chroma) studios and Virtual studios with 180 and 360-Degree Graphic environment on single and mufti-camera operations. These productions were to produce content for news, entertainment, quiz shows, sports, and social media platforms. I can manage virtual productions recorded or live broadcast, handling Production operations A-Z. I Produce Television/Web Content for Corporate Clients. An end-to-End role involved me from client brief generation to delivering the finished Video for each project. I have served Production Management, Directing, Packaging, Planning, Conceptualization, and execution of special features over 30 broadcasters in the region and internationally. QUALIFICATIONS Google Video Ad Certification in March 2021. Diploma in Leadership and Management from Shaw Academy in the year 2019 Diploma in Cinematography and Lighting Techniques from AAFT, Noida, India in the year 2002 Bachelor of Arts (Graduate) from University of Lucknow, India in the year 2000 PROFESSIONAL STRENGTH ✓ Optimization of resources (Manpower and Equipment) ✓ Extensive knowledge of the technical processes of film making and production ✓ In-depth knowledge of the budgeting methods and techniques of line producing ✓ Possess strong communication, project management, and supervisory skills ✓ Creating and managing fixed/modular studio setup ✓ Film and television production ✓ Video direction ✓ Operation of ENG/EFP/Studio equipment ✓ Sound knowledge of OB operations, RF backpacks, sound, and NLEs CURRENT POSITION I am currently based in Dubai, working as an independent media professional (Freelancer) with various major broadcasters and media production companies. -
Aisha Full Hindi Movie Free Download
Aisha Full Hindi Movie Free Download Aisha Full Hindi Movie Free Download 1 / 3 2 / 3 I Am (2010) Hindi Movie Online in HD - Einthusan Juhi Chawla, Rahul Bose, Radhika Apte Directed by Onir Music by Amit Trivedi,Vivek Phillip,Rajiv Bhalla .... Aisha sees Dev is happily married to Anu (Digangana Suryavanshi) ... The movie keeps moving to and fro from flashback to the present. ... I mean, how else can you show a free-spirited girl who wants to live in ... mother and doesn't want to leave his purkho ki haveli in Old Delhi. ... But, this is Hindi cinema.. Despite her neighbour Arjun's warning, she continues to interfere in others' lives at the cost of her own relationships. Watch Aisha a/an Hindi Romance full movie .... Download Aisha Humaira 2 on Hungama Music app & get access to Iconic Sounds Of Africa - Vol. 108 unlimited free songs, free movies, latest music videos, .... Watch Aisha Online | Aisha Movie Online | Aisha Download | Aisha ... to tags: aisha online movie watch 2010 free hindi download full ... 0%. Aisha is a 2010 Hindi romantic comedy film directed by Rajshree Ojha, starring Sonam Kapoor and Abhay .... Play Aisha (Original Motion Picture Soundtrack) movie songs MP3 by Amit ... Aisha (Original Motion Picture Soundtrack) is a Hindi album released on Jul ... Listen to all songs in high quality & download Aisha (Original Motion Picture ... Old Songs ... Gaana offers you free, unlimited access to over 30 million Hindi Songs, .... Aisha is a 2010 Indian romantic comedy-drama film directed by Rajshree Ojha, starring Sonam ... From Wikipedia, the free encyclopedia .... The movie ends one year later, at Dhruv and Aarthi's wedding, where Aisha states that love is spontaneous and never goes .... -
Indian Stand-Up Comedians and Their Fight Against India's Anti
Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird -
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The Digital First Journey
The ‘Digital First’ journey How OTT platforms can remain ‘on-demand ready’ October 2017 KPMG.com/in © 2016 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. Disclaimers: • All product names, logos, trademarks, service marks and brands are property of their respective owners • The information contained in this report is of a general nature and is not intended to address the circumstances of any particular individual or entity. No one should act on such information without appropriate professional advice after a thorough examination of the particular situation. • Although we have attempted to provide correct and timely information, there can be no guarantee that such information is correct as of the date it is received or that it will continue to be correct in the future. • The report contains information obtained from the public domain or external sources which have not been verified for authenticity, accuracy or completeness. • Use of companies’ names in the report is only to exemplify the trends in the industry. We maintain our independence from such entities and no bias is intended towards any of them in the report. • Our report may make reference to ‘KPMG in India’s analysis’; this merely indicates that we have (where specified) undertaken certain analytical activities on the underlying data to arrive at the information presented; we do not accept responsibility for the veracity of the underlying data. • In connection with the report or any part thereof, KPMG in India does not owe duty of care (whether in contract or in tort or under statute or otherwise) to any person / party to whom / which the report is circulated to and KPMG in India shall not be liable to any such person / party who / which uses or relies on this report. -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
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SUNDAY, AUGUST 14, 2016 (PAGE 4) BOLLYWOOD-BUZZ BEAUTY TIPS "There is no competition between actors in the film industry" He was present throughout with us during picturisation, bytes, songs and also in the selection of costumes. You are playing a Parsi character in the film, so did you research on Parsi rituals? The film is not based on Paris religion so I didn't have to learn Paris' language. I just played the character in the film. My best friend and manager are also Parsi, so from them I learned about Parsi. From 'Airlift' to 'Rustom', the time gap between one film to the other is very less, how do you manage time in a year as you are doing so many films back to back? See a film needs only forty Shahnaz Husain Dusky / Olive: (Slightly dark) to forty five days for shoot- Dusky, or olive complexions, look better with brown- ing. I do four films now every Raksha Bandhan is one of the important festivals, ish beige shades for Foundation. It should be a colour that year though earlier I used to when brothers and sisters celebrate the loving bond will add some glow to the skin. For blushers, avoid mauves do six films. After doing four between them. Like all festive occasions, girls love to dress and light pink. Go with darker pink, or even some brown films also, I get around hun- up and look their best. However, make-up is all about shades. A highlighting powder will help to add glow. Try dred days to spend with fam- choosing the right shades of colour cosmetics. -
INDIAN OTT LANDSCAPE a Survey Report by Vidooly
INDIAN OTT LANDSCAPE A Survey Report by Vidooly Video Intelligence & Cross Platform Analytics Software INTRODUCTION The increasing popularity of OTT Platforms in India is no more a secret. While Hotstar, Netflix and Amazon Prime have become established names in the industry, we also have new entrants such as AppleTV+ and Flipkart Videos marking their debut. With 30+ platforms competing to build a subscriber base, they are experimenting with newer way to please their audience. With the help of big data, platforms are devising ways of personalizing their user experience. Innovations such as voice tags, augmented and virtual reality, 360 degree viewing and blockchain technology are also getting intensely explored. The pace at which the industry is transforming, makes it indispensable for the platforms to evolve continuously. Other than recognizing consumer’s changing preferences and their need of personalized experiences, brands also realize their price-sensitive nature. This has led to the provision of multiple screens and introduction of cheaper subscription plans by these platforms in order to fit consumers’ pockets. Undisrupted 4G connectivity has played a major role in enabling the online content consumption, that too, at viewers’ ease. Not only has it made internet accessible but also affordable, thus driving the user-spends towards other means of entertainment - in this case – Video-on-Demand Platforms. The penetration of internet in rural areas has also soared, resulting in a higher demand of regional content on these platforms. There’s no second guessing in the fact that the OTT industry is going to be the face of Media & Entertainment Industry in the coming years.