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Amazon Prime Video Launches COMICSTAAN SEMMA COMEDY PA, a Tamil Version of the Hugely Successful Unscripted Comedy Franchise ‘Comicstaan’
Amazon Prime Video launches COMICSTAAN SEMMA COMEDY PA, a Tamil version of the hugely successful unscripted comedy franchise ‘Comicstaan’ September 4, 2020 Amazon Prime Video’s popular standup comedy format Comicstaan gets a Tamil adaptation after 2 successful seasons in Hindi. Celebrated comedians such as Praveen Kumar, Karthik Kumar and Rajmohan will be mentoring and judging contestants over 8 episodes as they find the next best Tamil standup comedian Prime offers an incredible value with unlimited streaming of the latest and exclusive movies, TV shows, stand-up comedy, Amazon Original series, ad-free music listening through Amazon Prime Music, free fast delivery on India’s largest selection of products, early access to top deals, unlimited reading with Prime Reading and mobile gaming content with Prime Gaming, all available only for ₹129 a month. MUMBAI, India, 3rd September 2020 – Amazon Prime Video today released the trailer for Comicstaan Semma Comedy Pa, a much-awaited Tamil adaptation of audiences’ favorite Amazon Original Series Comicstaan. The launch of the series marks Prime Video’s foray into Original content in Tamil language. In the all-new series, we will see Tamil’s top three comedians Praveen Kumar, Karthik Kumar and Rajmohan Arumugam, experts in their respective genres of comedy, mentor selected contestants who will compete to become the king or queen of comedy in the Tamil stand-up scene. Created by Only Much Louder (OML) Entertainment, the eight-episode binge-worthy series will be the first of its kind on a video streaming service in Tamil language. Adding to the local flavour, the show will be hosted by the dynamic duo of Vidyullekha Raman & Mervyn Rozario. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
10 Apps That Made India
10 APPS THAT MADE INDIA ‘APPY IN 2017 Delve into the Universe of mobile applications and learn which ones made it to the list of 10 most popular apps of 2017 – Jagrati Rakheja [email protected] ver wondered about the day when your its CEO shaming India by calling ‘poor india’ has got mobile applications became an integral part Snapchat incredible fame. Though, it was still amongst of your life? Or how the small icons on your the favorite mobile applications for youngsters. Its Esmartphone’s display started playing a crucial features like sharing private messages, sharing images, role in your everyday routine? clicking perfect selfies, re-watching stories, limited life Let us ponder over this thought. The applications on of messages, keeping up-to-date news about celebrity your phones are not just mere service providing tools but gossip, following celebrities and the list goes on has made immortal beings who don’t breathe. Checking phone for people crazy for snapchat. It is a must application for your whatsapp message, sending snap on snapchat, sharing phone. photographs over instagram or listening to music on several online applications has become an innate quality Instagram in today’s generation. Also, if we go by the 106-page report shared by Hootsuite and We Are Social, more than one-third of the world’s population has access to mobile applications. Smartphone applications have transformed the way we live. People spend majority time of their day on these apps. Now, without wasting further time, let us discuss about the 10 most popular apps that have created a spe- cial mark in people’s life in the year 2017. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Indian Stand-Up Comedians and Their Fight Against India's Anti
Universität Potsdam Institut für Anglistik und Amerikanistik Abschlussarbeit zur Erlangung des akademischen Grades Master of Education (M.Ed.) Erstgutachter: Prof. Dr. Dirk Wiemann Zweitgutachterin: Dr. Tania Meyer Comedy as Resistance: Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies Lea Sophie Nüske Master: Englisch und Französisch auf Lehramt Matrikelnr.: 765845 Selbstständigkeitserklärung Hiermit versichere ich, Lea Nüske, dass ich die Masterarbeit selbstständig und nur mit den angegebenen Quellen und Hilfsmitteln angefertigt habe. Alle Stellen der Arbeit, die ich aus diesen Quellen und Hilfsmitteln dem Wortlaut oder dem Sinne nach entnommen habe, sind kenntlich gemacht und im Literaturverzeichnis aufgeführt. Berlin, den 3. August 2018 Lea Nüske Zusammenfassung Die vorliegende Arbeit Comedy as Resistance – Indian Stand-Up Comedians and Their Fight Against India’s Anti-Democratic Tendencies beschäftigt sich mit der Frage, ob und inwiefern Stand-Up Comedy in Indien als Mittel zum sozio-politischen Widerstand genutzt wird und wie weitreichend dieser Widerstand einzuschätzen ist. Um diese Frage zu beantworten werden zunächst die Merkmale des Genres sowie ihre Funktionen untersucht, um herauszustellen, weshalb sich besonders Stand-Up Comedy dafür eignet, indirekten politischen Widerstand zu leisten. Auch die Geschichte des satirischen Widerstandes und des Genres Stand-Up Comedy im indischen Kontext sowie die soziale Spaltung der Gesellschaft, die durch verschiedene Konflikte zum Ausdruck gebracht wird -
Laughter Effect
caty borum chattoo center for media & social impact school of communication american university may 2017 the laughter effect: the [serious] role of comedy in social change about the The Laughter Effect: The [Serious] Role of Comedy in Social Change is the second in a three-part inves- project tigation about comedy and social influence. All were directed and written by Caty Borum Chattoo, produced under the auspices of the Center for Media & Social Impact at American University’s School of Communication. All three projects were funded by the Bill & Melinda Gates Foundation. The first project, Entertainment, Storytelling & Social Change in Global Poverty, an experimental design study that examined the persuasive impact of the comedic documentary film, Stand Up Planet, was published in February 2015; it was funded under the auspices of Learning for Action, LLC. Borum Chattoo was also the executive producer and producer of the documentary, which premiered in 2014 in the United States and India. Lauren Feldman, PhD, Associate Professor in the School of Communication and Information at Rut- gers University, served as peer reviewer for The Laughter Effect. For the Center for Media & Social Impact, graduate student fellows Jessica Henry Mariona, Diya Basu and Hannah Sedgwick provided research support; all were students at the American University School of Communication graduate Strategic Communication program. The reports are available at www.cmsimpact.org. about the Caty Borum Chattoo is Director of the Center for Media & Social Impact and Executive in Residence project at the American University School of Communication in Washington, D.C. She works at the intersec- director tion of social-change communication/media, media effects research, and documentary production. -
50 3 August / 2020
www.openthemagazine.com 50 3 AUGUST /2020 OPEN VOLUME 12 ISSUE 30 3 AUGUST 2020 CONTENTS 3 AUGUST 2020 5 6 7 12 16 18 20 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK IN memoriAM SOFT POWER WHISPERER OPEN ESSAY The politics of masks By Virendra Kapoor By Anil Dharker John Lewis (1940-2020) Gold’s own country By Jayanta Ghosal The Mahatma and By S Prasannarajan By Ramesh Sharma By Makarand R Paranjape Kashmir By MJ Akbar 28 IS SCIENCE ABOUT 28 TO DEFEAT THE CORONAVIRUS? With the recent vaccine results, new drugs and experienced care, the first glimmers of hope arrive By Lhendup G Bhutia 34 A TALE of Three Vaccines The world has responded to Covid-19 by developing and testing vaccines 12 at record speed By Shahid Jameel 38 BEGINNINGS AND ALTERNATIVE ENDS The trajectory of pandemics suggests that humanity will always triumph in the end but without control over the time and toll By Madhavankutty Pillai 42 42 THE DESERT FOX The daring and durability 46 50 of Ashok Gehlot By Amita Shah 46 virtuaL checKMate 58 Chess streaming goes mainstream in India By V Shoba 50 LETTER FROM LAHORE The ideal and the real By Mehr Tarar 54 54 58 62 65 66 THE SECOND ACT PREMCHAND’S PARTNER A MOVEABLE FEAST HOLLYWOOD REPORTER NOT PEOPLE LIKE US Yesteryear actors return to play On the writer’s 140th birth A detective’s diet Colin Farrell on his London calling complex roles as streaming anniversary, why it’s important to By Shylashri Shankar new Artemis Fowl series By Rajeev Masand platforms allow greater variety celebrate his wife Shivrani Devi By Noel de Souza By Kaveree -
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Discovering Binge Watching and Audience Engagement Through Sentiment Analysis
International Journal of Advanced Science and Technology Vol. 29, No. 7, (2020), pp. 8030-8038 Discovering Binge watching and Audience Engagement through Sentiment Analysis *Devesh Lowe1, Bhavna Galhotra2, Yukti Ahuja3 1,2IT Department, JIMS Rohini Sector-5, Delhi-1100851 *[email protected], [email protected] 3Management Department, JIMS Rohini Sector-5, Delhi-1100852 [email protected] Abstract Indian audience have trusted and enjoyed television entertainment for the longest time until an alternate medium called Internet based Video on demand (VOD) emerged. The new digital medium let users handpick and watch/listen to video or audio content at a time of their choice. Binge-watching, meaning watching multiple episodes of the same TV series continuously constitutes this phenomenon. Little is known about the transition in the Indian viewer’s behaviour from scheduled broadcast viewership to marathon consumption of entertainment. This study explores how social platforms are deployed to reach and entice audience towards Netflix, Amazon Mx player etc. The study unfolds the audience sentiments towards OVD programming, its promotion and impact with the use of sentiment analysis. The methodology deployed for the study includes a preliminary analysis of secondary data comprising articles, research papers and cases followed by analysis of data collated via Twitter to articulate the viewers’ opinion. The results of the study reflect upon the rising interest in web content and growing fondness for web based video programming. The study is first of its kind in the Indian context and has key takeaways for practitioners in the VOD programming industry, marketing professionals and researchers working in this arena. -
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Original Content Set to Be Key Growth Driver for Indian OTT Industry, Projected to Reach Rs 5,595 Crore in Revenues by 2022, According to Pwc Report
WEEKLY ADVERTISING, MEDIA & MARKETING NEWS - VOLUME 15, ISSUE 06 - 22 JULY 2018 ` 1 0 0 Original content set to be key growth driver for Indian OTT industry, projected to reach Rs 5,595 crore in revenues by 2022, according to PwC report #top50brands Conference 2018 TIME - 3 PM ONWARDS DATE - JULY 19, 2018 Hotel Leela Ambience, Gurugram BRANDS JOINING US: and many more... YOU ARE WELCOME The Pitch Top 50 Brands 2018 will bring together brand custodians who will share the scope and discuss the challenges in creating brand advocacy and is spread across Special Address, Leadership Address & a Panel Discussion. CONFERENCE THEME : Building a Brand that Drives Passion BOOK YOUR SEATS TO MEET LEADING BRAND CUSTODIANS KNOWLEDGE PARTNER CO PARTNERS VALIDATION PARTNER RESEARCH KNOWLEDGE PARTNER D R E S E A R C H A N D A N A L Y T I C S TRADE MEDIA PARTNERS MUSIC COMMUNITY BUSINESS MEDIA PARTNER PARTNER THE RISE AND RISE OF OTT ORIGINALS he widespread popularity of shows like Sacred *** Games, a Netflix original show, and Breathe, an In this week’s issue, we also turn the Spotlight on Hiren Amazon Prime original show earlier this year, Gada, CEO of Shemaroo Entertainment who tells us about Thas turned the spotlight on the growing online the brand’s rebranding exercise which comes after 55 years of consumption of content by Indian consumers. In our cover its existence, with a brand new logo and an all-new refreshed story this week, we explore how original content is likely to identity with the tagline ‘India Khush Hua’, and how Ogilvy be the key growth driver for the OTT industry in the coming India has been instrumental in shaping this new brand years, fuelled by the increasing customer demand for a wide variety of good quality content which can be consumed on the go, anytime, anywhere.