Original Content Set to Be Key Growth Driver for Indian OTT Industry, Projected to Reach Rs 5,595 Crore in Revenues by 2022, According to Pwc Report
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Amazon Prime Video Launches COMICSTAAN SEMMA COMEDY PA, a Tamil Version of the Hugely Successful Unscripted Comedy Franchise ‘Comicstaan’
Amazon Prime Video launches COMICSTAAN SEMMA COMEDY PA, a Tamil version of the hugely successful unscripted comedy franchise ‘Comicstaan’ September 4, 2020 Amazon Prime Video’s popular standup comedy format Comicstaan gets a Tamil adaptation after 2 successful seasons in Hindi. Celebrated comedians such as Praveen Kumar, Karthik Kumar and Rajmohan will be mentoring and judging contestants over 8 episodes as they find the next best Tamil standup comedian Prime offers an incredible value with unlimited streaming of the latest and exclusive movies, TV shows, stand-up comedy, Amazon Original series, ad-free music listening through Amazon Prime Music, free fast delivery on India’s largest selection of products, early access to top deals, unlimited reading with Prime Reading and mobile gaming content with Prime Gaming, all available only for ₹129 a month. MUMBAI, India, 3rd September 2020 – Amazon Prime Video today released the trailer for Comicstaan Semma Comedy Pa, a much-awaited Tamil adaptation of audiences’ favorite Amazon Original Series Comicstaan. The launch of the series marks Prime Video’s foray into Original content in Tamil language. In the all-new series, we will see Tamil’s top three comedians Praveen Kumar, Karthik Kumar and Rajmohan Arumugam, experts in their respective genres of comedy, mentor selected contestants who will compete to become the king or queen of comedy in the Tamil stand-up scene. Created by Only Much Louder (OML) Entertainment, the eight-episode binge-worthy series will be the first of its kind on a video streaming service in Tamil language. Adding to the local flavour, the show will be hosted by the dynamic duo of Vidyullekha Raman & Mervyn Rozario. -
Uninhibited India Eyes Russian Kamov
Follow us on: facebook.com/dailypioneer RNI No.2016/1957, REGD NO. SSP/LW/NP-34/2016-18 @TheDailyPioneer instagram.com/dailypioneer/ Established 1864 OPINION 8 Published From WORLD 12 SPORT 15 DELHI LUCKNOW BHOPAL NO PLACE FOR KAVANAUGH SWORN IN AS ARSENAL THRASH BHUBANESWAR RANCHI RAIPUR MINORITIES IN PAKISTAN US SUPREME COURT JUSTICE FULHAM 5-1 IN PL CHANDIGARH DEHRADUN Late City Vol. 154 Issue 271 LUCKNOW, MONDAY OCTOBER 8, 2018; PAGES 16 `3 *Air Surcharge Extra if Applicable RHEA EXCITED ABOUT DEBUT OF} SARA KHAN} 14 VIVACITY www.dailypioneer.com Naxalism will be Uninhibited India eyes Russian Kamov wiped out in 2-3 Country has independent foreign policy, says Army chief in reaction to US sanction threat PNS n NEW DELHI “allies or partners.” questions. However, an indus- years: Rajnath * Russians are keen on “The (CAATSA presiden- try source said the law is n a clear indication that associating with Indian tial) waiver is narrow, intend- ambiguous about “when a India was not going to buck- defence forces: Rawat ed to wean countries off waiver is necessary so this can The Home Minister said he I PNS n le under the threat of US sanc- * Army chief had held talks with Russian equipment and allow be avoided for years”. LUCKNOW was confident that the speed tion over the S-400 missile deal Russian military officials on for things such as spare parts The National Defense and accuracy with which the with Russia, Army chief Gen enhancing bilateral for previously-purchased Authorization ACT (NDDA) iving credit to the Central CRPF was operating, the men- Bipin Rawat on Sunday said cooperation equipment,” a White House 2019 gives the president the GReserve Police Force ace of Naxalism would be the country has an indepen- National Security Council power to waive of the CAAT- (CRPF) for curbing terrorism wiped out within 2-3 years. -
Modern Hindi Grammar
Table of Contents Preface .......................................................................................... i Abbreviations ............................................................................ iii References .................................................................................. iv 1. Introduction 1.1. Area and Its Speakers ......................................................... 1 1.2. Dialects and Classification ................................................. 1 1.3. Hindi - Urdu ....................................................................... 2 1.4. Linguistic Characteristics ................................................... 4 1.5. Status .................................................................................. 4 1.6. Grammars in Hindi ............................................................ 7 2. Phonology 2.1. Phonological Units (Segmental) ...................................... 11 2.1.1. Distinctive Segments .................................................. 11 Vowels ................................................................................ 11 Consonants .......................................................................... 12 2.1.2. Description of Phonemes ............................................ 12 2.1.2.1. Vowels ................................................................... 12 2.1.2.2. Consonants ............................................................. 14 2.1.2.3. Distribution of Phonemes and Allophones ............ 19 2.2. Phonotactics .................................................................... -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
50 3 August / 2020
www.openthemagazine.com 50 3 AUGUST /2020 OPEN VOLUME 12 ISSUE 30 3 AUGUST 2020 CONTENTS 3 AUGUST 2020 5 6 7 12 16 18 20 LOCOMOTIF INDRAPRASTHA MUMBAI NOTEBOOK IN memoriAM SOFT POWER WHISPERER OPEN ESSAY The politics of masks By Virendra Kapoor By Anil Dharker John Lewis (1940-2020) Gold’s own country By Jayanta Ghosal The Mahatma and By S Prasannarajan By Ramesh Sharma By Makarand R Paranjape Kashmir By MJ Akbar 28 IS SCIENCE ABOUT 28 TO DEFEAT THE CORONAVIRUS? With the recent vaccine results, new drugs and experienced care, the first glimmers of hope arrive By Lhendup G Bhutia 34 A TALE of Three Vaccines The world has responded to Covid-19 by developing and testing vaccines 12 at record speed By Shahid Jameel 38 BEGINNINGS AND ALTERNATIVE ENDS The trajectory of pandemics suggests that humanity will always triumph in the end but without control over the time and toll By Madhavankutty Pillai 42 42 THE DESERT FOX The daring and durability 46 50 of Ashok Gehlot By Amita Shah 46 virtuaL checKMate 58 Chess streaming goes mainstream in India By V Shoba 50 LETTER FROM LAHORE The ideal and the real By Mehr Tarar 54 54 58 62 65 66 THE SECOND ACT PREMCHAND’S PARTNER A MOVEABLE FEAST HOLLYWOOD REPORTER NOT PEOPLE LIKE US Yesteryear actors return to play On the writer’s 140th birth A detective’s diet Colin Farrell on his London calling complex roles as streaming anniversary, why it’s important to By Shylashri Shankar new Artemis Fowl series By Rajeev Masand platforms allow greater variety celebrate his wife Shivrani Devi By Noel de Souza By Kaveree -
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Discovering Binge Watching and Audience Engagement Through Sentiment Analysis
International Journal of Advanced Science and Technology Vol. 29, No. 7, (2020), pp. 8030-8038 Discovering Binge watching and Audience Engagement through Sentiment Analysis *Devesh Lowe1, Bhavna Galhotra2, Yukti Ahuja3 1,2IT Department, JIMS Rohini Sector-5, Delhi-1100851 *[email protected], [email protected] 3Management Department, JIMS Rohini Sector-5, Delhi-1100852 [email protected] Abstract Indian audience have trusted and enjoyed television entertainment for the longest time until an alternate medium called Internet based Video on demand (VOD) emerged. The new digital medium let users handpick and watch/listen to video or audio content at a time of their choice. Binge-watching, meaning watching multiple episodes of the same TV series continuously constitutes this phenomenon. Little is known about the transition in the Indian viewer’s behaviour from scheduled broadcast viewership to marathon consumption of entertainment. This study explores how social platforms are deployed to reach and entice audience towards Netflix, Amazon Mx player etc. The study unfolds the audience sentiments towards OVD programming, its promotion and impact with the use of sentiment analysis. The methodology deployed for the study includes a preliminary analysis of secondary data comprising articles, research papers and cases followed by analysis of data collated via Twitter to articulate the viewers’ opinion. The results of the study reflect upon the rising interest in web content and growing fondness for web based video programming. The study is first of its kind in the Indian context and has key takeaways for practitioners in the VOD programming industry, marketing professionals and researchers working in this arena. -
A Twitter Sentiment Analysis
International Journal of Recent Technology and Engineering (IJRTE) ISSN: 2277-3878, Volume-7 Issue-6C, April 2019 Unfurling the Latest Patterns of Entertainment Consumption by Indian Audience: A Twitter Sentiment Analysis Devesh Lowe, Bhavna Galhotra, Yukti Ahuja sharp, realistic, international content. A report on the growth Abstract: It is explicit that Online Video programming has of digital media by Deloitte estimated that India had over 200 emerged on the Indian entertainment landscape and is pleasantly million online video viewers by the end of 2016.In fact, by the thriving on binge watching, the “anytime, anywhere” content. By end of 2017, India had 462 million active internet users of far, Television has been the most watched and trusted media for which 430.3 are mobile internet users [1]. An offshoot of this Indian audience but the OTT media has given an alternative channel for entertainment. In this paper the authors investigate trend is binge watching, arising consumption of online video viewership metrics by adjudging opinion through Tweets and content. According to the Indian Media and Entertainment studying them qualitatively and quantitatively. Tweets have been Report 2017 by KPMG India and the Federation of Indian captured for popular TV shows and trending web series in the year Chambers of Commerce and Industry (FICCI) [2], between 2018. Results showcase growing fondness for web content and are 2016 and 2021 mobile video traffic in India is expected to indicative of web based video programming sustenance. The study grow at a compound annual growth rate of 68% and the is a first of its kind in India meant to explore the urban audience number of video capable devices and connections is expected viewership pattern using Twitter Sentiment Analysis. -
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y k y cm WATER BABY SEROLOGICAL SURVEY EXTRADITION NOT EASY Actor Shruti Haasan took to Instagram, where she A serological survey for comprehensive Mumbai attack convict David Headley can’t be shared a throwback picture of herself from analysis of the spread of Covid-19 in extradited to India, a US attorney tells a federal court an underwater photo-shoot LEISURE | P2 Delhi has commenced TWO STATES| P7 INTERNATIONAL | P10 VOLUME 10, ISSUE 87 | www.orissapost.com BHUBANESWAR | SUNDAY, JUNE 28 | 2020 12 PAGES | `4.00 IN DELHI, ‘KEEP DOORS, WINDOWS CLOSED’ WINGED MENACE: As People have been directed to keep National capital’s IGI Airport has their doors and windows closed and been kept on high alert following swarm crop-destroying desert cover outdoor plants with plastic of locusts were spotted near to the key sheets. The District Magistrates have installation. The spotting took place near locusts swarms are also been asked to be on high alert. to NH 8’s stretch which connects the spotted in Delhi, the govt “District Magistrates are advised national capital to Gurgaon around to deploy the adequate staff to make 11.00 a.m., sources said. issues precautionary all possible arrangements for guid- Accordingly, the airport was kept at ing the residents to distract the lo- high alert as operations could have advisory. National custs,” the advisory by agriculture been affected due to the incoming lo- capital’s IGI Airport joint director AP Saini stated. cust swarm. However, due to a change The government said that they can in wind direction the swarm has moved has also been kept on be distracted by way of making high in a completely different direction For 21 days in a decibel sound through beating of drum altogether. -
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, More Entertaining Content
INDIAN OTT PLATFORMS REPORT 2019 New Regional Flavours, more Entertaining Content INDIAN TRENDS 2018-19 Relevant Statistics & Insights from an Indian Perspective. Prologue Digital technology has steered the third industrial revolution and influenced human civilization as a whole. A number of industries such as Media, Telecom, Retail and Technology have witnessed unprecedented disruptions and continue to evolve their existing infrastructure to meet the challenge. The telecom explosion in India has percolated to every corner of the country resulting in easy access to data, with Over-The-Top (OTT) media services changing how people watch television. The Digital Media revolution has globalized the world with 50% of the world’s population going online and around two-thirds possessing a mobile phone. Social media has penetrated into our day-to-day life with nearly three billion people accessing it in some form. India has the world’s second highest number of internet users after China and is fully digitally connected with the world. There is a constant engagement and formation of like-minded digital communities. Limited and focused content is the key for engaging with the audience, thereby tapping into the opportunities present, leading to volumes of content creation and bigger budgets. MICA, The School of Ideas, is a premier Management Institute that integrates Marketing, Branding, Design, Digital, Innovation and Creative Communication. MICA offers specializations in Digital Communication Management as well as Media & Entertainment Management as a part of its Two Year Post Graduate Diploma in Management. In addition to this, MICA offers an online Post-Graduate Certificate Programme in Digital Marketing and Communication. -
Page 1 ARUN KUMAR DAS Times News Network Some Things Never
DLD‰†‰KDLD‰†‰DLD‰†‰MDLD‰†‰C THE TIMES OF INDIA Starry tantrums? find your Blame it on Tara first name THE TIMES OF INDIA Colleagues shun Brussels sprouts-tester Saturday, Reid’s high spirits initial here December 27, 2003 There’s no fruity a sign over my de- Page 6 grin here! Tony sk saying: ‘Warni- Vaughan, the chief ng — Mr Sprouts vegetable-tester of sits here. But Vau- a company in Ro- ghan has a suppo- yston, Herts, says rter in his sprouts- his colleagues wo- loving girlfriend. n’t sit near him be- “It’s a big let-off as cause he eats 5 kg of Brus- it could have taken the wi- sels sprouts a week. nd out of my sails.’’ Supp- ‘‘They insist that I sit ne- ort has come as a breath of ar a window and have hung fresh air for Vaughan! OF INDIA MANOJ KESHARWANI For Jaavid, it’s A HOUSE FOR MR MINISTER time to Enjoy! NO ROOM ASHOK CHATTERJEE Times News Network FOR A JINX hen he isn’t tickling the funny bone of ARUN KUMAR DAS the Congress after missing out Wthe film fan, he is busy spreading smiles Times News Network in the race to be CM. Prior to on the small screen. Jaavid Jaaferi — that’s the Prem Singh, Sahib Singh had latest way he spells his name — is as busy as bu- ome things never chan- been allotted 9, Shamnath Ma- sy can be. ‘‘As of now, I am reading two scripts ge. If the race to be ma- rg while he was Delhi CM. -
Annual Report
2003 2004 2005 BREAKTHROUGH #104 Blue Apartments INDIA Safdarjung, Ring Road New Delhi 110029, India Tel: 91-11-2617-6181 Fax: 91-11-2617-6185 BREAKTHROUGH 4 West 37th Street, 4th Floor USA New York, NY 10018 USA Tel: 1-212-868-6500 Fax: 1-212-868-6501 [email protected] www.breakthrough.tv ANNUAL REPORT BT_annual_report_v3.indd 1 SinglePage_layout.indd 1 1/26/071/25/07 3:40:08 3:21:33 PM PM Dear Friends, that uses media, education and 2003-2005 Breakthrough is popular culture to promote values Breakthrough’s efforts to promote human rights of dignity, equality and justice. values in the world’s two largest democracies, India and the United States, continued apace an international through 2004 and 2005. We collaborate with the entertainment industry, educational institutions and Through the innovative use of popular culture, human rights civil society groups to create public media and education, Breakthrough strength- ened the human rights paradigm by linking dialogue about pressing social issues civil and political rights to social, cultural and organization that include racial justice and economic rights. In India, we initiated a public immigrant rights, women’s rights, dialogue about the increasing number of women HIV/AIDS and sexuality, and religious infected with HIV, challenging men to reexamine their roles and responsibilities within marriage. Through our multi-media campaign, What Kind of Man Are You?, millions in tolerance and peace. India came to see how the complex relationship between gender-based discrimination FROM THE EXECUTIVE DIRECTOR and HIV/AIDS gets played out in everyday lives. Breakthrough uses the following avenues to reach large audiences: This mass media campaign reached more than 280 million people around the country, while our education and training program deepened and expanded into new territory.