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Learnenglish Professionals
LearnEnglish Professionals INDIAN POP MUSIC AUDIOSCRIPT Listen to an interview with Mahesh Gupta, tabla player and DJ about his music. Optional exercise: Decide if these statements are true or false. (Answers below). 1. Mahesh thinks that the two styles of music he plays are completely different. 2. Rhythm is something fundamental to all music. 3. Mahesh thinks that live music doesn’t work in clubs. 4. He thinks that it is too early to try Djing at a classical music concert. 5. Indian audiences are far more lively than Western ones. 6. Mahesh is always looking for new experiences. Interviewer (I): Mahesh, you trained as a classical Indian musician, but now you spend most of your time playing records in nightclubs…they’re two very different things! Mahesh (M): Well, yes, they are…the two worlds are very different, but there is something that connects them… I: …and what’s that? M: Rhythm. An interest in rhythm. Rhythm is fundamental to everything that I do. Whether it’s the rhythmic section of a classical Indian raga, or some “Asian Underground” electronic beats in a club… I: And you mix the two things don’t you? M: Yes…I’ve played live tabla to electronic accompaniment in clubs in Europe. I: How has that gone down? M: Really well…I think people are getting bored of ordinary clubs and faceless DJs. Some live music is a great addition. I: And have you tried djing for a classical Indian audience on the other hand? M: No! I’m not quite sure the world’s ready for that yet…still, it’s an interesting idea! I: How are audiences for your music different in India and in Europe? M: Well, the classical audiences are far more sedate in Europe than in India. -
Illegal Immigrants and the Informal Economy: Worker and Employer Experiences in the Asian Underground Economy
ILLEGAL IMMIGRANTS AND THE INFORMAL ECONOMY: WORKER AND EMPLOYER EXPERIENCES IN THE ASIAN UNDERGROUND ECONOMY Trevor Jones and Monder Ram De Montfort University and Paul Edwards University of Warwick Abstract The informal economy and migration in advanced economies are two major political issues. This paper connects them through a study of the concrete experiences of workers, and the firms employing them, in the exemplary case of the clothing and catering sectors in a British city. This experience illustrates, notably through wages as low as £2 per hour, how people live through the tensions of economic pressures for cheap labor and political attempts to regulate its use. Illegal migration was a key reason for the survival of these firms, in supplying cheap and flexible labor. It was not, however, organized in any way by the firms, and they disliked it in principle while having little option but to employ illegals. Workers largely had to accept their lot. An approach to managing the issue through encouragement, rather than strict enforcement, is suggested. Introduction In 2003, we carried out research on behalf of the DTI into the use of illegal immigrant workers by Asian-owned firms in Birmingham and the West Midlands (Ram et al 2002a). Using trusted intermediaries, we were able to conduct twenty in-depth interviews with undocumented workers and a further twenty with their employers. Ten cases were drawn from the International Journal of Economic Development Volume Six, Number 2, pp. 98-119 2004 99 clothing sector, and ten from catering (embracing mainly curry houses and similar low-price restaurants). -
The Appropriation of Commodified African-American Culture by South Asian Youth in Britain
Performing 'Blackness': The Appropriation of Commodified African-American Culture by South Asian youth in Britain By Tilusha Ghelani An MPhil thesis submitted to Department of Cultural Studies and Sociology School of Social Sciences The University of Birmingham University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. «WI& &\*^ Jj r° 5 c .9 K> -* O -O ^o' X OD Abstract In recent years, African-American popular culture has been marketed for mass global consumption through music, film, television and fashion. Hip-hop culture and rap music has been at the forefront of this commodification process. The proliferation of these mass marketed forms coincided with the growing up of a generation of British Asian youth who lacked presence in the British media. In this thesis the global sell of 'blackness' is examined alongside the structural position and visibility of South Asian youth in Britain. The cultural moment when the appropriation of African-American culture (and particularly hip-hop) by South Asian youth proliferated, is researched through in-depth interviews with participants who were growing up at the time. The ways in which 'black' codes were used, their investment in these and the effect on their identities at a subjective level is also examined. -
Rekha Malhotra CV 12.31.2018
Rekha Malhotra 37-31 73rd Street, Apt 9R, Jackson Heights, NY 11372 [email protected] www.diasporaspin.com 917.287.1917 EDUCATION Massachusetts Institute of Technology, Masters of Science in Comparative Media Studies Expected June 2019 Podcast School, Union Docs, Brooklyn, NY August 2016 Radio Bootcamp, Union Docs, Brooklyn, NY June 2015 Ableton, Dubspot, NY, NY Summer 2009 Producing Hip-Hop and Rap Music, New School For Social Research, NY, NY Spring 2001 CUNY Queens College, B.A., Urban Studies, Flushing, NY September 1998 WORK EXPERIENCE Creative Director, Sangament Media LLC f/k/a Sangament, Inc.: Entertainment Company 2000-present Consultant for India Launch, Spotify 2018 Producer, Community Connect, Inc.: owner of blackplanet.com, asianavenue.com, migente.com 2000-2001 Finance Assistant, American Documentary, Inc.: Producers of POV, PBS TV Series 1998-1999 CURATING/PRESENTING EXPERIENCE MIT DISSOLVE MUSIC CONFERENCE, Keynote Panel and Music Program, Cambridge, MA March 2018 CENTRAL PARK SUMMERSTAGE, Basement Bhangra Final Mic, Apache Indian, Panjabi MC and Guests, NY, NY August 2018 BASEMENT BHANGRA UNPLUGGED, New York University, NY, NY July 2017 BASEMENT BHANGRA, Monthly club night, Le Poisson Rouge and SOB's, NY, NY 1997-2017 BOLLYWOOD DISCO, Various Club Locations in New York City 2002-2017 OFFICIAL TRIBUTE FOR STATE OF BENGAL, Baby's All Right, Brooklyn, NY May 2015 5 RIVERS TO 5 BOROUGHS: History of Contemporary Bhangra Music, Exhibit, Panel & Performance, NY, NY March 2011 MUTINY CLUB NIGHT, Various Club Locations in -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'baruch
::- ~.--.-.;::::-:-u•._,. _._ ., ,... ~---:---__---,-- --,.--, ---------- - --, '- ... ' . ' ,. ........ .. , - . ,. -Barueh:-Graduate.. -.'. .:~. Alumni give career advice to Baruch Students.· Story· pg.17 VOL. 74, NUMBER 8 www.scsu.baruch.cuny.edu DECEM·HER 9, 1998 Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'Baruch. Opinion By Bryan Fleck Representatives from Isaacson Miller, a national search firm based in -Boston and San Francisco, has been hired by the Presidential Search Committee, chaired by Kathleen M. Pesile, to search for candidates for a permanent presi dent at Baruch College. The open forum on December 7 was held in order for the search firm to field questions and get the pulse of the Baruch community. Interim president Lois Cronholm is _not a candidate, as it is against CUNY regulations for an interim --------- president to become a full-time pres- ident. The search firm will gather the initial candidates, who will be . further screened by the Presidential " Search Committee, but the final choice lies with the CUNY Board of Trustees.' According to David Bellshow, an ......-.. ~.. Isaacson-Miller representative, the '"J'", average search takes approximately ; six months. Among the search firm's experience in the field of education ----~- - ..... -._......... *- -_. - -- -- _._- ...... -_40_. '_"__ - _~ - f __•••-. __..... _ •• ~. _• in NY are Columbia University and ... --- -. ~ . --. .. - -. -~ -.. New York University. In ~additi6n,, , New plan calls'for total re'structuririg the search fum also works with GovernDlents small and large foundations and cor ofStudent porations. By Bryan Fleck at large, would be selected from any The purpose ofthe open forum was In an attempt to strengthen undergraduate candidate. for the representatives of Isaacson . -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Pride, Not Prejudice 3
The Yard | 2016 Yard Arts Summer Season | Pride, Not Prejudice 3 CONTACT: David R White 508-338-2019 Alison Manning 646-696-1768 Sofia Strempek (press inquiries) 415-572-7465 Information, Tickets & Groups 508-645-9662 FOR IMMEDIATE LISTING and RELEASE July 12, 2016 PRIDE, NOT PREJUDICE RETURNS TO THE VINEYARD WITH 5 PULSING EVENTS IN THE SPIRIT OF ORLANDO - COME VIEW, SHARE & DANCE IN AN INCLUSIVE CELEBRATION OF DIFFERENCE “Dancing is not just getting up painlessly, like a leaf blown on the wind; dancing is when you tear your heart out and rise out of your body to hang suspended between the worlds.” - RUMI The Yard presents PRIDE, NOT PREJUDICE for a third straight year, this season honoring the memory of the free spirit victims of the Pulse Club tragedy in Orlando, and expanding from The Yard in Chilmark to Featherstone Center for the Arts and the A Gallery in Oak Bluffs. This season, 4 outstanding women artists are featured in the celebration: Cherdonna Shinatra is the ideal dance/drag bio-fem performance artist to create outlandish hilarity and waterfalls of mascara. Tiffany Chandelle leads a “Heels” dance workshop. In high-end rave mode, DJ Rekha (some may remember her last sold-out dance-tastic Yard DANCEHALL in 2014) is all beat and heat as she raises the temp/tempo on the dance floor with her highly acclaimed “basement bhangra” stylings, mixing the the pulsing rhythms of India and the Indian Diaspora via London and New York, where she is a DJ in high demand. And Oak Bluff’s A Gallery presents a special PRIDE exhibit with international visual artist Zunia Boucher-Myers, a chronicler of lesbian culture and sexual fluidity in South Africa. -
Asian Creative Ind Report Text
Play it right Asian Creative Industries in London February 2003 Play it right Asian Creative Industries in London February 2003 copyright Greater London Authority February 2003 Published by Greater London Authority City Hall The Queen’s Walk London SE1 2AA www.london.gov.uk enquiries 020 7983 4000 minicom 020 7983 4458 ISBN 1 85261 443 9 Cover photography Aimimage Productions Aimimage Camera Company This document is printed on 75 per cent recycled paper, 25 per cent from sustainable forest management Research team Centre for Enterprise and Economic Development Research Middlesex University Business School Middlesex University Editorial services Eastbury Partnership Commissioned by GLA Economics Play it right Asian Creative Industries in London Mayor of London contents foreword by Ken Livingstone, Mayor of London v overview 1 introduction 5 Asian potential 5 Background and methodology 5 context 7 London’s creative industries 7 London’s Asian communities 7 London’s creative Asians 10 radio and television broadcasting 11 Key characteristics, trends and potential 11 Barriers and constraints 11 The London dimension 11 The Asian contribution 12 Development issues 13 film and video 14 Key characteristics, trends and potential 14 Barriers and constraints 14 The London dimension 15 The Asian contribution 15 Development issues 16 publishing 17 Key characteristics, trends and potential 17 Barriers and constraints 17 The London dimension 17 The Asian contribution 18 Development issues 20 music and performing arts 21 Key characteristics, trends and -
Original Content Set to Be Key Growth Driver for Indian OTT Industry, Projected to Reach Rs 5,595 Crore in Revenues by 2022, According to Pwc Report
WEEKLY ADVERTISING, MEDIA & MARKETING NEWS - VOLUME 15, ISSUE 06 - 22 JULY 2018 ` 1 0 0 Original content set to be key growth driver for Indian OTT industry, projected to reach Rs 5,595 crore in revenues by 2022, according to PwC report #top50brands Conference 2018 TIME - 3 PM ONWARDS DATE - JULY 19, 2018 Hotel Leela Ambience, Gurugram BRANDS JOINING US: and many more... YOU ARE WELCOME The Pitch Top 50 Brands 2018 will bring together brand custodians who will share the scope and discuss the challenges in creating brand advocacy and is spread across Special Address, Leadership Address & a Panel Discussion. CONFERENCE THEME : Building a Brand that Drives Passion BOOK YOUR SEATS TO MEET LEADING BRAND CUSTODIANS KNOWLEDGE PARTNER CO PARTNERS VALIDATION PARTNER RESEARCH KNOWLEDGE PARTNER D R E S E A R C H A N D A N A L Y T I C S TRADE MEDIA PARTNERS MUSIC COMMUNITY BUSINESS MEDIA PARTNER PARTNER THE RISE AND RISE OF OTT ORIGINALS he widespread popularity of shows like Sacred *** Games, a Netflix original show, and Breathe, an In this week’s issue, we also turn the Spotlight on Hiren Amazon Prime original show earlier this year, Gada, CEO of Shemaroo Entertainment who tells us about Thas turned the spotlight on the growing online the brand’s rebranding exercise which comes after 55 years of consumption of content by Indian consumers. In our cover its existence, with a brand new logo and an all-new refreshed story this week, we explore how original content is likely to identity with the tagline ‘India Khush Hua’, and how Ogilvy be the key growth driver for the OTT industry in the coming India has been instrumental in shaping this new brand years, fuelled by the increasing customer demand for a wide variety of good quality content which can be consumed on the go, anytime, anywhere. -
Ragamala World Music 2017 Program Book
RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. -
Maximum INDIA India Review Special Edition
spin:Layout 1 5/27/2011 4:41 PM Page 1 INDIA REVIEW SPECIAL EDITION CELEBRATING CELEBRATING CELEBRATING a Civilization a Civilization MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 1 march 1–20, 2011 G the kennedy center, washington, dc MESSAGEfinal:Layout 1 5/28/2011 7:02 PM Page 2 MESSAGE AMBASSADOR OF INDIA 2107 MASSACHUSETTS AVE. N.W WASHINGTON. D.C. 20008 April 4, 2011. Meera Shankar Ambassador of India The ‘maximum lNDlA’ festival hosted by the John F. Kennedy Centre for the Performing Arts in cooperation with the Indian Council of Cultural Relations and the Embassy from March 1-20, 2011 was a resounding success. As a co-sponsor of the festival, the Embassy was proud to be associated with ‘maximum lNDIA’. A festival of this magnitude to present India’s arts and culture in the U.S. was held after a gap of twenty five years. Our American friends were able to see and experience the rich diversity of art and culture from different parts of India under one roof — Indian dance, music, theatre, crafts, cuisine, literature and cinema. The milling crowds and sold out performances were a testimony to the tremendous interest and goodwill that Indian culture enjoys in the United States. ‘maximum INDlA’ also served as a unique opportunity for the people of India and the United States to rejoice in the steadily strengthening partnership between our two great democracies. I would like to congratulate Chairman David Rubenstein, President Michael Kaiser, Vice-President Alicia Adams and their entire team at the Kennedy Centre for their flawless execution of this large-scale project.