DOCSLIB.ORG

Ragamala World Music 2017 Program Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ragamala World Music 2017 Program Book RAGAMALA 2017: WELCOME SCHEDULE Ragamala 2017 A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE For the 5th year, spanning 15 hours and featuring dozens of performers, Ragamala offers a FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts jaw-dropping assortment of Indian classical music from some of its greatest and emerging Ragamala: A Celebration of Indian Classical Music + Dance A CELEBRATION OF INDIAN CLASSICAL MUSIC + DANCE practitioners. Ragamala functions as the perfect, immersive introduction to the classical music Chicago Cultural Center, Preston Bradley Hall FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 of India. Not only are both the music of the north (Hindustani) and the south (Carnatic) + Millennium Park, Great Lawn FRIDAY, SEPTEMBER 8 - SATURDAY, SEPTEMBER 9 - 6:30PM-10AM Chicago Cultural Center represented, but listeners will also get the rare chance to hear ragas performed at the time of 78 E. Washington Street, 3rd Floor Preston Bradley Hall, 3rd Floor day they were originally composed for—a facet of the tradition lost in the west. 6:30pm-10am 78 E Washington Street Presented in collaboration with Kalapriya Foundation, Center for Indian Performing Arts 6:30pm-6:30am The word “raga” has a Sanskrit origin, meaning "coloring or dyeing". The term also connotes an Evolution of Songs from Indian Films: 1930-2017 emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly 6:30-7:30pm SATURDAY, SEPTEMBER 9 related to passion, love, or sympathy for a subject or something. In the context of ancient Anjali Ray, vocals with Rishi Thakkar, tabla and Anis Chandnani, harmonium Yoga + Gong Meditation Indian music it is often devotional and used as a prayer. The term refers to a harmonious note, (Sunset at 7:12pm) Millennium Park, Great Lawn melody, formula, and building block of music available to a musician to create a heightened 201 E. Randolph Street sensory experience for the listener. 8am-10am The stories of “Ahimsa: Non-Violence” 7:50-8:50pm 2017 is a special year for India as they celebrate 70 years since they won freedom from the Priya Venkataraman & Troupe Bharat Symphony - 70th Anniversary of India’s Independence British on August 15, 1947. To commemorate this milestone and the rich musical tapestry of Dance Choreography & Direction: Priya Venkataraman Millennium Park, Jay Pritzker Pavilion India, DCASE has commissioned legendary Carnatic violinist, L. Subramaniam, to score and Dance Performance: Priya Venkataraman & Kalapriya Dance Academy 201 E. Randolph Street perform the Bharat Symphony with some of India’s greatest artists, Kavita Krishnamurti Subra- Music Composition & Vocals: Shiv Subramaniam 3pm maniam, Debashish Bhattacharya, Tanmoy Bose, and the Elmhurst Philharmonic Orchestra and Violin: Sruti Sarathy World Premiere Work Commissioned for World Music Festival Chicago 2017 Elmhurst Community Choir conducted by Joanne May. Mridangam: Ravi Subramaniam Nattuvangam: Ahila Devi Vigneswaran In addition, DCASE has commissioned the Kalapriya Center for Indian Performing Arts to premiere two dance productions to address the increasing need for non-violence and compas- Rhythms of India sion in Chicago, our nation and globally. “Ahimsa” and “Sanctuaries” featuring bharatanatyam 9:10-10:25pm dancers, Priya Venkataraman and Mythili Prakash, in their respective performances, dramatize Anindo Chatterjee, tabla with Anubrata Chatterjee, tabla and Rohan Misra, sarangi these on-going global challenges and highlight Chicago’s commitment to celebrate the rich cultural diversity of Chicago as we experience the stories, the cultures, that celebrate Chicago’s Sanctuaries status as a sanctuary city. 10:45-11:45pm Dance Choreography + Performance: Mythili Prakash Ragamala and World Music Festival Chicago 2017 reaffirm the city’s commitment to welcome Music Composition and Vocals: Aditya Prakash everyone. One Chicago serves as the visual depiction of Chicago’s value promise that everyone Nattuvangam: Kasi Aysola is welcome in this city no matter their race, religion, background or sexual orientation. Chicago Mridangam and Kanjira: Rajna Swaminathan is a city of immigrants and that diversity is what makes us great. And no matter the road you Violin: Shiva Ramamurthi travel to get here, Chicago will always be a welcoming city to all. Jugalbandi We sincerely hope you enjoy the fifth edition of Ragamala and your travels to World Music 12-1:30am Festival Chicago 2017! Alam Khan, sarode with Ambi Subramaniam, violin with Salar Nader, tabla and Mahesh Krishnamurthy, mridangam Hindustani - Santoor + Tabla from North India 1:50-3:05am Satish Vyas, santoor with Anindo Chatterjee, tabla Music from Abhang & Carnatic Traditions 3:25am-4:40am Shiv Subramaniam, vocals, Sruti Sarathy, violin, Arjun Ramachandran, mridangam Jugalbandi 5-6:10am Roopa Panesar, sitar with Prishanna Thevarajah, mridangam and Nitin Mitta, tabla DEPARTMENT OF CULTURAL AFFAIRS AND SPECIAL EVENTS CITY OF CHICAGO, MAYOR RAHM EMANUEL Suprabhatham Also featured is Rajna Swaminathan, who performed in last year’s Ragamala with her sister and singing, all caressed with instrumental flourishes borrowed from India. As Cory Frye of Indie such as the violin into Indian traditions; finally, the last movement will embrace the modern devel- Awakening the Gods violinist, Anjna Swaminathan. A protege of mridangam legend, Umayalpuram Sivaraman, she is Music Reviews has written, “The Indian factor makes this one all it can be, I can imagine a opments that have arisen in the wake of independence. Joining Subramaniam is an all-star cast 6:15-6:30am one of only a handful of female mridangam artists in the world. As a composer, Rajna leads the bonfire burning with Indian drummers sitting around in a circle with Anjali singing in the round. including the acclaimed Bollywood singer Kavita Krishnamurti—who is also fluent in classical Choir comprised of Conductors from Chicago Children’s Choir ensemble RAJAS, a project that brings together musicians from Indian classical and jazz It’s a masterstroke, simply mind blowing in every way.” But there’s more to Ray’s music than pop. traditions--master percussionists Tanmoy Bose, Radhakrishnan Narayanaswamy, and Mahesh Conducted by Ahila Devi Vigneswaran backgrounds to collectively explore new textural and improvisational horizons. She currently Tonight she’ll be sharing her mastery of Indian classical music, but remaining true to her own Krishnamurthy, slide guitar pioneer Debashish Bhattacharya, and the composer’s own daughter (Sunrise at 6:25am) pursuing a PhD in Music at Harvard University. creative impulses, she allows some of her more mainstream tendencies to seep into her work, Bindu, an accomplished singer. For the Chicago performance the elite soloists will be joined by the offering listeners an ideal and inviting pathway to experience the rigor and splendor of Hindu- Elmhurst College and Community Philharmonic Orchestra. Yoga + Gong Meditation at Millennium Park, Great Lawn stani tradition. Her program will evoke the tradition by using the lens of Bollywood films, recast- Zen Yoga Garage + GongLab ing those indelible, infectious melodies in a sparse setting where she’s joined only by tabla 8am-10am player Rishi Thakkar and harmonium player Anis Chandnani. SATURDAY, SEPTEMBER 9 Bharat Symphony - 70th Anniversary of India’s Independence Millennium Park, Jay Pritzker Pavilion 201 E. Randolph Street 3pm Alam Khan and Ambi Subramaniam with Salar Nader and Mahesh Krishnamurthy ALL AGES Young sarod master Alam Khan is the son of the legendary Ali Akbar Khan, who not only popular- Elmhurst College Philharmonic Orchestra and Elmhurst Community Singers World Premiere Work Commissioned for World Music Festival Chicago 2017 ized the traditional 25-stringed fretless instrument, but also belongs in the same class as Ravi The Elmhurst College Philharmonic Orchestra held its first annual World Music Festival in 2011 at Shankar for his role in introducing the glorious beauty and complexity of Indian classical music to the encouragement of guest lecturer Srini Krishnan, Headmaster of the School of Music in FEATURING: the western world. He studied under his father and as a teenager he regularly performed with him Anindo Chatterjee with Anubrata Chatterjee Chennai, India that was founded by A.R. Rahman, composer of Slum Dog Millionaire. That festival Dr. Lakshminarayana Subramaniam onstage across the US, Europe, and India. He has expanded his approach beyond traditional Anindo Chatterjee, a student of Pandit Jnan Prakash Ghosh, is one of Indian classical music’s was such a great success that it subsequently became a regular event on campus, transforming Ambi Subramaniam sounds in collaborations with artists as diverse as the Tedeschi Trucks Band, Bob Weir of the Grate- greatest tabla players. During his career he’s performed with many of the tradition’s greatest into a series in 2013 with multiple events throughout the academic year. Featured programs have Kavita Krishnamurti Subramaniam ful Dead, and film composer Michael Andrews. Ambi Subramaniam is also a scion of Indian instrumentalists including Imrat Khan, Ravi Shankar, Shahid Parvez, Manilal Nag, Amjad Ali included “Global Rhythms–Music of India,”“Olé! The Musical Influence of Spain,”“RUSSIA!” “The Bindu Subramaniam classical music royalty; his father is the brilliant violinist L. Subramaniam, with whom he began his Khan, Hariprasad Chaurasia, and Shivkumar Sharma, among others. In 2009
Load more

Recommended publications
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • Anoushka Shankar Thursday, May 2, 2019 at 8:00Pm This Is the 939Th Concert in Koerner Hall
    Anoushka Shankar Thursday, May 2, 2019 at 8:00pm This is the 939th concert in Koerner Hall Anoushka Shankar, sitar Ojas Adhiya, tabla Pirashanna Thevarajah, mridangam Ravichandra Kulur, flute Danny Keane, cello & piano Kenji Ota, tanpura Anoushka Shankar Sitar player and composer Anoushka Shankar is a singular figure in the Indian classical and progressive world music scenes. Her dynamic and spiritual musicality has garnered several prestigious accolades, including six Grammy Award nominations, recognition as the youngest – and first female – recipient of a British House of Commons Shield, credit as an Asian Hero by TIME magazine, an Eastern Eye Award for Music, and a Songlines Best Artist Award. Most recently, she became one of the first five female composers to have been added to the UK A-level music syllabus. Deeply rooted in the Indian classical music tradition, Shankar studied exclusively from the age of nine under her father and guru, the late Ravi Shankar, and made her professional debut as a classical sitarist at the age of 13. By the age of 20, she had made three classical recordings for EMI/Angel and received her first Grammy nomination, thereby becoming the first Indian female and youngest-ever nominee in the world music category. She is also the first Indian artist to perform at the Grammy Awards. In addition to performing as a solo sitarist, her compositional work has led to cross-cultural collaborations with artists such as Sting, M.I.A., Herbie Hancock, Pepe Habichuela, Karsh Kale, Rodrigo y Gabriela, and Joshua Bell, demonstrating the versatility of the sitar across musical genres.
    [Show full text]
  • Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For Component 3: Appraising)
    Anoushka Shankar: Breathing Under Water – ‘Burn’, ‘Breathing Under Water’ and ‘Easy’ (For component 3: Appraising) Background information and performance circumstances The composer Anoushka Shankar was born in 1981, in London, and is the daughter of the famous sitar player Ravi Shankar. She was brought up in London, Delhi and California, where she attended high school. She studied sitar with her father from the age of 7, began playing tampura in his concerts at 10, and gave her first solo sitar performances at 13. She signed her first recording contract at 16 and her first three album releases were of Indian Classical performances. Her first cross-over/fusion album – Rise – was released in 2005 and was nominated for a Grammy, in the Contemporary World Music category. Her albums since Breathing Under Water have continued to explore the connections between Indian music and other styles. She has collaborated with some major artists – Sting, Nithin Sawhney, Joshua Bell and George Harrison, as well as with her father, Ravi Shankar, and her half-sister, Norah Jones. She has also performed around the world as a Classical sitar player – playing her father’s sitar concertos with major orchestras. The piece Breathing Under Water was Anoushka Shankar’s fifth album, and her second of original fusion music. Her main collaborator was Utkarsha (Karsh) Kale, an Indian musician and composer and co-founder of Tabla Beat Science – an Indian band exploring ambient, drum & bass and electronica in a Hindustani music setting. Kale contributes dance music textures and technical expertise, as well as playing tabla, drums and guitar on the album.
    [Show full text]
  • PT Set No 190.Pdf
    Puzzle test for RRB Scale I Pre, SBI PO Pre, IBPS PO Pre and LIC AAO Exams. PT Set No 190 Directions: Study the following information carefully and answer the questions given beside. Six singers viz. Sonu Nigam, Arijit Singh, Shreya Ghoshal, Shaan, Kanika and K.K deliver song performances on 6 days of a week starting from Monday such that only one singer delivers a performance on one day. One of the days is Holiday where no singer delivers performance. The performances are of different durations among 30 minutes, 45 minutes, 60 minutes, 75 minutes, 100 minutes and 120 minutes not necessarily in the same order. Shaan delivers performance of 45 minutes but neither on Tuesday nor on Saturday. Kanika and K.K take performances on consecutive turns such that Kanika delivers performance before K.K, whose performance lasts for the maximum duration. The number of performances held between K.K and Shreya Ghoshal is equal to the number of performances held between Kanika and K.K. Sunday is not a holiday and a performance of 60 minutes is held on that day. Sonu Nigam delivers performance of 30 minutes at a gap of two days from Kanika. The time duration of Shreya Ghoshal’s performance is twice the time duration of performance held on Monday. The time duration of Arijit Singh’s performance which is before Shaan's performance, is more than that of Kanika. 1. Who among the following performs just after the holiday? A. K.K B. Shreya Ghoshal C. Sonu Nigam D. Arijit Singh E.
    [Show full text]
  • Hindustani Classic Music
    HINDUSTANI CLASSIC MUSIC: Junior Grade or Prathamik : Syllabus : No theory exam in this grade Swarajnana Talajnana essential Ragajnana Practicals: 1. Beginning of swarabyasa - in three layas 2. 2 Swaramalikas 5 Lakshnageete Chotakyal Alap - 4 ragas Than - 4 Drupad - should be practiced 3. Bhajan - Vachana - Dasapadas 4. Theental, Dadara, Ektal (Dhruth), Chontal, Juptal, Kheruva Talu - Sam-Pet-Husi-Matras - should practice Tekav. 5. Swarajnana 6. Knowledge of the words - nada, shruthi, Aroha, Avaroha, Vadi - Samvedi, Komal - Theevra - Shuddha - Sasthak - Ganasamay - Thaat - Varjya. 7. Swaralipi - should be learnt. Senior Grade: (Madhyamik) Syllabus : Theory: 1. Paribhashika words 2. Sound & place of emergence of sound 3. The practice of different ragas out of “thaat” - based on Pandith Venkatamukhi Mela System 4. To practice ragalaskhanas of different ragas 5. Different Talas - 9 (Trital, Dadra, Jup, Kherva, Chantal, Tilawad, Roopak, Damar, Deepchandi) explanation of talas with Tekas. 6. Chotakhyal, Badakhyal, Bhajan, Tumari, Geethprakaras - Lakshanas. 7. Life history of Jayadev, Sarangdev, Surdas, Purandaradas, Tansen, Akkamahadevi, Sadarang, Kabeer, Meera, Haridas. 8. Knowledge of musical instrument Practicals: 1. Among 20 ragas - Chotakhyal in each 2. Badakhyal - for 10 ragas (Bhoopali, Yamani, Bheempalas, Bageshree, Malkonnse, Alhaiah Bilawal, Bahar, Kedar, Poorvi, Shankara. 3. Learn to sing one drupad in Tay, Dugun & Changun - one Damargeete. VIDHWAN PROFICIENCY Syllabus: Theory 1. Paribhashika Shabdas. 2. 7 types of Talas - their parts (angas) 3. Tabala bol - Tala Jnana, Vilambitha Ektal, Jumra, Adachontal, Savari, Panjabi, Tappa. 4. Raga lakshanas of Bhairav, Shuddha Sarang, Peelu, Multhani, Sindura, Adanna, Jogiya, Hamsadhwani, Gandamalhara, Ragashree, Darbari, Kannada, Basanthi, Ahirbhairav, Todi etc., Alap, Swaravisthara, Sama Prakruthi, Ragas criticism, Gana samay - should be known.
    [Show full text]
  • Und Audiovisuellen Archive As
    International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles (I,_ '._ • e e_ • D iasa journal • Journal of the International Association of Sound and Audiovisual Archives IASA • Organie de I' Association Internationale d'Archives Sonores et Audiovisuelle IASA • Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark,The British Library National Sound Archive, 96 Euston Road, London NW I 2DB, UK. Fax 44 (0)20 7412 7413, e-mail [email protected] The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and IOOGBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP I 57Euros. Le IASA Journal est publie deux fois I'an etdistribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionels. Les numeros precedentes (a partir de 1971) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I'Association peuvent obtenir un abonnement du IASA Journal pour I'annee courante au coOt de 35GBP I 57 Euro.
    [Show full text]
  • The West Bengal College Service Commission State
    THE WEST BENGAL COLLEGE SERVICE COMMISSION STATE ELIGIBILITY TEST Subject: MUSIC Code No.: 28 SYLLABUS Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics.
    [Show full text]
  • Performing Arts (91 – 95)
    PERFORMING ARTS (91 – 95) One of the following five syllabuses may be offered: Western Music (93) Hindustani Music (91) Indian Dance (94) Carnatic Music (92) Drama (95) HINDUSTANI MUSIC (91) CLASS X The syllabus is divided into three sections: PRACTICAL Section A - Vocal Music 1. Bhairav, Bhopaali and Malkauns - Singing of Section B - Instrumental Music Chotakhayal song in any one raga, as mentioned above (with alaaps and taans). Lakshangeet and Section C - Tabla. Swarmalika in the other two ragas. PART 1: THEORY – 100 Marks 2. Padhant (Reciting)-Thekas of the following new taals - Rupak, Jhaptaal and Deepchandi in Dugun SECTION A: HINDUSTANI VOCAL MUSIC and Chaugun, showing Tali, Khali and Matras on 1. (a) Non-detail terms: Sound (Dhwani), Meend, hands. Kan (Sparsha swar), Gamak, Tigun, Thumri, 3. Identification of ragas - Bhairav, Bhoopali and Poorvang, Uttarang, Poorva Raga and Uttar Malkauns. Raga. SECTION B (b) Detailed topics: Nad, three qualities of Nad (volume, pitch, timbre); Shruti and placement HINDUSTANI INSTRUMENTAL MUSIC of 12 swaras; Dhrupad and Dhamar. (EXCLUDING TABLA) 2. Description of the three ragas - Bhairav, Bhoopali THEORY and Malkauns, their Thaat, Jati, Vadi-Samvadi, Swaras (Varjit and Vikrit), Aroha-Avaroha, Pakad, 1. (a) Non-detail terms: Sound (Dhwani); Kan; time of raga and similar raga. Meend, Zamzama; Gamak; Baj; Jhala; Tigun. (b) Detailed topics: Nad; three qualities of Nad 3. Writing in the Taal notation, the three Taals - Rupak, Jhaptaal and Deepchandi (Chanchar), their (volume, pitch, timbre); Shruti and placement Dugun, Tigun and Chaugun. of 12 swaras; Maseetkhani and Razakhani 4. Knowledge of musical notation system of Pt. V.N.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • PRESS INFORMATION BUREAU GOVERNMENT of INDIA PRESS NOTE RESULT of the CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12Th July, 2019
    PRESS INFORMATION BUREAU GOVERNMENT OF INDIA PRESS NOTE RESULT OF THE CIVIL SERVICES (PRELIMINARY) EXAMINATION, 2019 Dated: 12th July, 2019 On the basis of the result of the Civil Services (Preliminary) Examination, 2019 held on 02/06/2019, the candidates with the following Roll Numbers have qualified for admission to the Civil Services (Main) Examination, 2019. The candidature of these candidates is provisional. In accordance with the Rules of the Examination, all these candidates have to apply again in the Detailed Application Form-I (DAF-I) for the Civil Services (Main) Examination, 2019, which will be available on the website of the Union Public Service Commission (https://upsconline.nic.in) during the period from 01/08/2019 (Thursday) to 16/08/2019 (Friday) till 6:00 P.M. All the qualified candidates are advised to fill up the DAF-I ONLINE and submit the same ONLINE for admission to the Civil Services (Main) Examination, 2019 to be held from Friday, the 20/09/2019. Important instructions for filling up of the DAF-I and its submission will also be available on the website. The candidates who have been declared successful have to first get themselves registered on the relevant page of the above website before filling up the ONLINE DAF-I. The qualified candidates are further advised to refer to the Rules of the Civil Services Examination, 2019 published in the Gazette of India (Extraordinary) of Department of Personnel and Training Notification dated 19.02.2019. It may be noted that mere submission of DAF-I does not, ipso facto, confer upon the candidates any right for admission to the Civil Services (Main) Examination, 2019.
    [Show full text]
  • List of Unclaimed PF Amount of Ex. Employees of DSIIDC Ltd
    List of unclaimed PF amount of Ex. employees of DSIIDC Ltd. S. EMPLOYEE EMPLOYER PF NO NAME FATHER NAME TOTAL NO. SHARE SHARE 1 1 LATE SH. VISHNU KIRTI SH. KRISHAN LAL 22047.00 0.00 22047.00 2 39 NARINDER KUMAR 46435.00 46425.00 92860.00 3 42 C.D.SINGHAL 7522.00 7606.00 15128.00 4 51 PANKAJ SRIVASTVA DR. P.D. SRIVASTVA 452.00 373.00 825.00 5 59 ANAND SINGH 15604.00 15604.00 31208.00 6 60 NATHU RAM 18383.00 18383.00 36766.00 7 61 KAMLA KHULLAR SH. SHANTI NARAIN 30281.00 30358.00 60639.00 8 62 S.L. TOKAS SH. S. TOKAS 12078.00 12078.00 24156.00 9 63 RAM NATH SH. DUKHARI RAM 0.00 1392.00 1392.00 10 70 0.P. SETH SH. S.S. SETH 218.00 218.00 436.00 11 81 KISHAN KUMAR GUPTA SH. KUNDAN PRASAD 21595.45 0.00 21595.45 12 86 GEETA BHATTASALI 2524.00 2524.00 5048.00 13 93 S.C. GUPTA SH. T.C. GUPTA 263632.00 209258.00 472890.00 14 94 P.P. MEGHANI LATE SH. S.P. MEGHANI 75718.00 66248.00 141966.00 15 104 SURINDERJEET KAUR SH. KESAR SINGH KALRA 8632.00 10539.00 19171.00 16 107 DEEPAK JAIN SH. M.L. JAIN 61.00 0.00 61.00 17 108 9ADHA KRISHAN SH. DURGA PRASAD 55.00 879.00 934.00 18 109 S.K.MINHAS 8055.00 8055.00 16110.00 19 120 NANDAN SINGH HEET SH.
    [Show full text]
  • Top 10 Male Indian Singers
    Top 10 Male Indian Singers 001asd Don't agree with the list? Vote for an existing item you think should be ranked higher or if you are a logged in,add a new item for others to vote on or create your own version of this list. Share on facebookShare on twitterShare on emailShare on printShare on gmailShare on stumbleupon4 The Top Ten TheTopTens List Your List 1Sonu Nigam +40Son should be at number 1 +30I feels that I have goten all types of happiness when I listen the songs of sonu nigam. He is my idol and sometimes I think that he is second rafi thumbs upthumbs down +13Die-heart fan... He's the best! Love you Sonu, your an idol. thumbs upthumbs down More comments about Sonu Nigam 2Mohamed Rafi +30Rafi the greatest singer in the whole wide world without doubt. People in the west have seen many T.V. adverts with M. Rafi songs and that is incediable and mind blowing. +21He is the greatest singer ever born in the world. He had a unique voice quality, If God once again tries to create voice like Rafi he wont be able to recreate it because God creates unique things only once and that is Rafi sahab's voice. thumbs upthumbs down +17Rafi is the best, legend of legends can sing any type of song with east, he can surf from high to low with ease. Equally melodious voice, well balanced with right base and high range. His diction is fantastic, you may feel every word. Incomparable. More comments about Mohamed Rafi 3Kumar Sanu +14He holds a Guinness World Record for recording 28 songs in a single day Awards *.
    [Show full text]