Stephen M. Slawek

Curriculum Vitae

10008 Sausalito Drive Butler School of Austin, TX 78759-6106 The University of Texas at Austin (512) 794-2981 Austin, TX. 78712-0435 (512) 471-0671 Education

1986 Ph.D. () University of Illinois at Urbana-Champaign 1978 M.A. (Ethnomusicology) University of Hawaii at Manoa 1976 M. Mus. () Banaras Hindu University 1974 B. Mus. (Sitar) Banaras Hindu University 1973 Diploma () Banaras Hindu University 1971 B.A. (Biology) University of Pennsylvania

Employment

1999-present Professor of Ethnomusicology, The University of Texas at Austin 2000 Visiting Professor, Rice University, Hanzsen and Lovett College 1989-1999 Associate Professor of Ethnomusicology and Asian Studies, The University of Texas at Austin 1985-1989 Assistant Professor of Ethnomusicology and Asian Studies, The University of Texas at Austin 1983-1985 Instructor of Ethnomusicology and Asian Studies, The University of Texas at Austin 1983 Visiting Lecturer of Ethnomusicology, University of Illinois at Urbana- Champaign 1982 Graduate Assistant, School of Music, University of Illinois at Urbana- Champaign 1978-1980 Archivist, Archives of Ethnomusicology, School of Music, University of Illinois at Urbana-Champaign

Scholarship and Creative Activities

Books under contract The of : Going Global with Shankar. New York and London: Routledge Press.

1997 Musical Instruments of : Eighteenth Century Portraits by Baltazard Solvyns. : Manohar Publishers. Pp. i-vi and 1-153. (with Robert L. Hardgrave)

SLAWEK- curriculum vitae 2

1987 Sitar Technique in Nibaddh Forms. : Motilal Banarsidass, Indological Publishers and Booksellers. Pp. i-xix and 1-232.

Articles in scholarly journals

1996 In , in Tala, Out of Culture?: Problems and Prospects of a Hindustani Musical Transplant in Central Texas. Proceedings of the Sangeet Research Academy (West) Symposium: Indian Music and the West, November 29 - December 2, 1996, , India, pp. 181-192.

1996 Engrossed Minds, Embodied Moods and Liberated Spirits in Two Musical Traditions of India. : 31-41.

1996 The Definition of : An Historical and Geographical Perspective. Journal of Vaisnava Studies (Special issue on Vaisnava Music) 4/2:57- 113.

1994 The Study of Performance Practice as a Research Method: A South Asian Example. International Journal of 3:9-22.

1989 Instruments and Musical Culture in Eighteenth Century India: The Solvyns Portraits. (with Robert L. Hardgrave, Jr.). Asian Music XX:1- 92.

1988 Popular Kirtan: Some 'Great' Aspects of a Little Tradition. Ethnomusicology 32/2: 249-264.

Essays in collections of essays

2009 Hindustani Sitar and Guitar Music: A Foray into Comparative Improvology. In Gabriel Solis and Bruno Nettl, eds., : Art, Education, and Society. Urbana: The University of Illinois Press, pp. 200-220.

2004 “No parar”: términos, prácticas y procedimientos de improvisación en la música instrumental hindustaní. In Bruno Nettl y Melinda Russell, eds., En el transcurso de la interpretación: Estudios sobre el mundo de la improvisación musical. Madrid: Ediciones Akal, pp. 317-346. (Spanish translation of Slawek 1998).

1998 Keeping It Going: Terms, Practices and Processes of Improvisation in Hindustani Instrumental Music. In Bruno Nettl, ed., In the Course of Performance: Studies in the World of Musical Improvisation. Chicago: The University of Chicago Press, pp. 335-68.

SLAWEK- curriculum vitae 3

1990 as Mediator between a Traditional Music and Modernity. In Ethnomusicology and Modern . Stephen Blum, Philip Bohlman, and Daniel Neuman, eds. Urbana: University of Illinois Press, pp. 161-180.

Articles/Entries in Encyclopedias and Dictionaries

2001 Ravi Shankar. In Stanley Sadie, ed., The New Grove Dictionary of Music and , vol. 23, London: Macmillan, pp. 202-203.

2001 Uday Shankar. In Stanley Sadie, ed., The New Grove Dictionary of Music and Musicians, vol. 23, London: Macmillan, pp. 203-204.

1999 Hindustani Instrumental Music. Garland Encyclopedia of World Music: . New York: Garland Publishing, pp. 188-208.

1999 Master-Disciple Tradition. Garland Encyclopedia of World Music: South Asia. New York: Garland Publishing, pp. 457-467.

1989 Musical Instruments. In Erik Barnouw, ed. The International Encyclopedia of Communications. Oxford University Press/University of Pennsylvania, v. 3, pp. 146-153.

Miscellaneous

2004 “Musical Instruments” (co-authored with Robert L. Hardgrave, Jr.). In A Portrait of the : Balthazar Solvyns & the European Image of India 1760-1824, by Robert L. Hardgrave, Jr. Oxford and New York: Oxford University Press.

Book Reviews

2007 Two Men and Music: Nationalism in the Making of an Indian Classical Tradition, by Janaki Bakhle. Ethnomusicology

2002 Time in Indian Music: , Metre, and Form in North Indian Rag Performance, by Martin Clayton. Yearbook for Traditional Music 34:194-95

2002 Music of the Raj: A Social and Economic in Late Eighteenth-Century Anglo-Indian Society, by Ian Woodfield. Notes :79- 81.

1999 Indian Music and the West, by Gerry Farrell. Yearbook for Traditional Music 31:138-139. SLAWEK- curriculum vitae 4

1999 Imaging Sound: An Ethnomusicological Study of Music, Art, and Culture in Mughal India, by Bonnie C. Wade. Notes 56/2:395-97.

1997 Music and Musical Thought in Early India, by Lewis Rowell. Indiana Theory Review 18/1:115-120.

1995 Hi-Tech Shiva, by Nazir Ali Jairazbhoy. In Ethnomusicology 39/1:136- 139.

1995 Sitar and in the Eighteenth and Nineteenth Centuries, by Allyn Miner. In Notes 51/3:933-935.

1991 The Saman Chants: A Review of Research, by G. H. Tarlekar. In Ethnomusicology 35/1:146-147.

1990 Sitar Music of Calcutta: An Ethnomusicological Study, by James Sadler Hamilton. In Bansuri 7:22-28.

1989 : Creativity within North India's Classical Music Tradition by Bonnie Wade. In The Yearbook of the International Council for Traditional Music. 21: 143-145.

1989 Shaiva Devotional of by Constantina Rhodes Bailly. In South Asia in Review. 13/4: 24.

1989 Essays in Musicology. R. C. Mehta, ed. In Ethnomusicology 33/1: 169- 170.

1984 and Music in South Asian Drama: Report of Asian Traditional 1981. Richard Emmert et al., ed. In The Yearbook of the International Council for Traditional Music 16: 130-31.

1984 Learning Indian Music: A Systematic Approach, by Ravi Shankar. In the Bulletin of the Council for Research in no. 77: 187-88.

Record Review

1995 . Afternoon : Bhimpalasri, . In Ethnomusicology 39/3:520-23.

Video Review

2002 The Musical Instruments of Kacch and Its Neighbours. In Asian Music.34/1:170-173

SLAWEK- curriculum vitae 5

2001 Khyal: The Classical Singing of North India. In Ethnomusicology 45/2:377-78.

Recordings

1999 Selected examples of Hindustani classical music. Garland Encyclopedia of World Music: South Asia. New York: Garland Publishing. (From personal field recordings)

2001 Raga Suddh . Music for the production Indian Culture on CD- ROM, compiled by Gerald Larson. (From my sitar performance with Sukhvinder Singh providing tabla accompaniment)

Invited Papers/Lectures

2009 “The Concertos of Ravi Shankar.” Lecture-demonstration for the Music Department, Hong Kong Baptist University, Hong Kong.

2009 “Recent Experimental Compositions in the Classical Music of North India,” Baylor University Lyceum Series, School of Music.

2008 A Tale of Two Concertos: Inauthentic Authenticity and Authentic Inauthenticity in Ravi Shankar’s Orchestral Works. India and the World: Intercultural Performing Arts, an international conference sponsored by the Department of Musicology, University of Amsterdam, The Netherlands.

2008 Themes Past, Present and Future in the Ethnomusicology of South Asia. Sangeet Research Academy (West) annual conference, , India

2006 Can Improvisation Be Taught?: A Comparison of Didactic Strategies in Two Improvisational Traditions. Sangeet Research Academy (West) annual conference, Mumbai, India

2005 Desperately Seeking Sarasvati: Themes Past, Present and Future in the Ethnomusicology of South Asia. Society for Ethnomusicology, annual meeting, Atlanta, Georgia.

2004 Going Global: The Cultural Predicament of Hindustani Music. A presentation at the symposium : From Princely Court to Carnegie Hall, Center for South Asian Studies, University of Michigan at Ann Arbor.

2004 Paradigms, Processes and Practices in Jazz Guitar and Indian Sitar Music: A Foray into Comparative Improvology. A presentation at the conference SLAWEK- curriculum vitae 6

New Direction in the Study of Improvisation, The University of Illinois at Urbana-Champaign

2003 “In Search of a Lost Chord”: Putting Nostalgia to Work in Rediscovering Joe Sgro and the South Philly “” of Jazz Guitar. Society for Ethnomusicology, annual meeting, Miami, Florida.

2001 Experiencing Music History: Reflections on a Musical Association with Ravi Shankar. Krannert Center for Performing Arts. The University of Illinois at Urbana-Champaign.

2001 "The Space Between Us All": Random Musings on the Othering of the Sitar. Musicology Colloquium Series. School of Music, The University of Illinois at Urbana-Champaign. Also delivered at Syracuse University, co- sponsored by the Department of Fine Arts and the Global Affairs Institute of the Maxwell School.

2000 It's All in the Raga: The Musical Basis of a Gharana's Identity. Society for Ethnomusicology, annual meeting (Toronto 2000).

2000 A Cultural Predicament: The ABC[D]s of Hindustani Music in Central Texas. Symposium on The Community as Classroom, Department of Music, The University of Hawaii at Manao.

1996 In Raga, in Tala, Out of Culture?: Problems and Prospects of a Hindustani Musical Transplant in Central Texas. Proceedings of the Sangeet Research Academy (West) Symposium: Indian Music and the West, November 29 - December 2, 1996, Bombay, India.

1995 Engrossed Minds, Embodied Moods and Liberated Spirits in Two Musical Traditions of India. Society for Ethnomusicology, National Meeting, Los Angeles, California. (unread due to circumstances beyond my control)

1994 Desperately Seeking Sarasvati: Recent Trends in South Asian Ethnomusicology. South Asia Seminar, Center for Asian Studies, The University of Texas at Austin.

1993 Improvisation and Composition in North Indian Instrumental Music. Lecture/demonstration for the Department of Music, University of North Texas, Denton.

1990 Kaku-bhed, Raga-rasa, Interpretive Moves, and Musical Intention: Parameters of Musical Meaning in North Indian Music. Society for Ethnomusicology, National Meeting, Oakland, California.

SLAWEK- curriculum vitae 7

1990 The Study of Performance Practice as a Research Method: A South Asian Example. The 11th European Conference on Modern South Asian Studies, Amsterdam, The Netherlands.

1989 The Ethnomusicological Point of View in Teaching Music Appreciation Department of Music, University of California at San Diego

1987 On Musical Offerings To Krishna A MillerComm Lecture delivered at the Krannert Art Museum of the University of Illinois at Urbana-Champaign

1987 Innovation, Competition and Allegiance in the Evolution of the Society for Ethnomusicology, National Meeting, Ann Arbor, Michigan

1986 Popular Kirtan: Some "Great" Aspects of a Little Tradition Society for Ethnomusicology, National Meeting, Rochester, New York.

1986 Concepts Regarding Therapeutic Aspects of Music in Symposium on and the Psychology of Music The Department of Music, The University of Texas at Austin

1986 Observations on Devotional Singing in Popular Hindu Culture Symposium on Recent Researches on the Musical Cultures of India School of Music, University of Illinois at Urbana-Champaign

1986 Teaching Appreciation of World Cultures Through Music Symposium on Internationalizing the Humanities Curriculum Southwest Consortium for International Studies and the Humanities

1984 "You Must Learn How to Learn": Lessons from a Guru Society for Ethnomusicology, National Meeting, Los Angeles, California.

1984 Acoustical Properties and Musical Style in North Indian Instrumental Music American Society, National Meeting, Tempe, Arizona.

1982 Traditional Music in Banaras Society for Ethnomusicology, Midwest Chapter Meeting, Chicago, Illinois.

1980 Improvisation in Gat Vistar Society for Ethnomusicology, Midwest Chapter Meeting, Chicago, Illinois.

SLAWEK- curriculum vitae 8

1977 The Samba: its Technique and Functions in Okinawan Minyo The International Council, National Meeting, Honolulu, Hawaii.

Performances [abridged listing]

2009 Sitar Recital, Butler School of Music, University of Texas at Austin. With Sukhvinder Singh Namdhari, tabla

2009 Sitar Recital, Texas State University. With Sukhvinder Singh Namdhari, tabla

2009 Sitar Recital, Baylor University Lyceum Series. With Gourisankar Karmakar, tabla.

2007 Sitar Recital. The University of Texas at Austin. With , tabla.

2007 Sitar Recital, School of Music, University of Texas at Austin. With Subrata Bhattacharya, tabla.

2007 Sitar Recital, Banaras Hindu University, , India. With Vinod Lele, tabla.

2006 Sitar Recital, Louisiana Technology University, Ruston, Louisiana. With Pranesh Khan, tabla

2005 Poocha Das (tabla). Accompanied Francoise Rabbath. The University of Texas at Austin.

2004 Sitar Recital. The University of Texas at Austin. With Anindo Chatterjee, tabla.

2004 Sitar Recital. Texas A & M University. With Anindo Chatterjee, tabla.

2004 Sitar Recital. India Studies Program, Indiana University, Bloomington, IN. With Anindo Chatterjee, tabla.

2003 Soloist (sitar). Concerto for Sitar and Orchestra by Ravi Shankar. With Emory Orchestra, Atlanta, Georgia.

2003 A Recital of North Indian Classical Instrumental Music. The University of Texas at Austin. With Anindo Chatterjee, tabla.

2001 A Recital of North Indian Classical Instrumental Music. The University of Texas at Austin. With , tabla. SLAWEK- curriculum vitae 9

1999 Sitar Recital. India Studies Program. Indiana University, Bloomington, IN. With Swapan Chaudhuri, tabla

1999 Sitar Recital. Indian Classical Music Circle of Terre Haute. Terre Haute, IN. Swapan Chaudhuri, tabla.

1998 Sitar Recital. Round Top Festival-Institute, Round Top, Texas. With Samir Chatterjee, tabla.

1998 North Indian Classical Music Ensemble recital under my direction. School of Music, UT-Austin. With Samir Chatterjee (tabla) as guest artist.

1996 Sitar Recital. National Centre for the Performing Arts. Bombay, India. With , tabla.

1995 Sitar Recital. Music Program, College of Liberal Arts, Texas A & M University. With Ishwar Lal Misra, tabla.

1995 Sitar Recital. Jessen Series, School of Music, University of Texas at Austin. With Ishwar Lal Misra, tabla.

1995 Sitar Recital/lecture demonstration at the invitation of the Department of Music, Baylor University, Waco, Texas. With Ishwar Lal Misra, tabla.

1993 Sitar Recital at the invitation of the Indo-American Society, Houston, Texas.

1993 Sitar Recital at the invitation of the Department of Music, University of North Texas, Denton. With Sukhvinder Singh Namadhari, tabla.

1993 Sitar Recital, Bates Recital Hall, Department of Music, The University of Texas at Austin. With Sukhvinder Singh Namadhari, tabla.

1992 Sitar Recital, with Pandit Ravi Shankar, Darbar Hall of the Taj Palace Hotel, New Delhi. With , tabla.

1991 Sitar Recital, with Pandit Ravi Shankar, Bass Concert Hall, Arts Complex, University of Texas at Austin. With Swapan Chaudhuri, tabla.

1991 Sitar Recital at the invitation of the Institute for Culture and Communications, East-West Center, Honolulu, Hawaii and the Center for South Asian Studies, University of Hawaii at Manoa. With Swapan Chaudhuri, tabla.

SLAWEK- curriculum vitae 10

1990 Sitar Recital, for the combined meetings of the Society for Ethnomusicology, the American Musicological Society, and the Society for , Oakland, California. With Swapan Chaudhuri, tabla.

1990 Sitar Recital, 11th International Conference for Modern South Asian Studies, Amsterdam, The Netherlands. With Shyam Lal Mishra, tabla.

1990 Sitar Recital, Department of Music, Texas Tech University. With Pranesh Khan, tabla.

1990 Sitar Recital, Department of Music, Southwestern University. With Pranesh Khan, tabla.

1990 Sitar Recital, Hindu Temple of San Antonio. With Pranesh Khan, tabla.

1989 On stage with Pandit Ravi Shankar. New York, New York; Baltimore, Maryland; Costa Mesa and Oakland, California [ accompaniment].

1988 Front Row Center, a simulcast of KLRU and KMFA, Austin. With Swapan Chaudhuri, tabla.

1988 On stage with Pandit Ravi Shankar. Houston, Austin and Dallas, Texas; Los Angeles and Ojai, California [tanpura accompaniment].

1988 The Transmission of an Oral Tradition. A lecture/demonstration with Pandit Ravi Shankar [sitar], Shubhendra Shankar [sitar], myself [sitar] and Kumar Bose [tabla]. The University of Texas at Austin.

1988 A Recital of North Indian Classical Instrumental Music. The University of Texas at Austin. With Swapan Chaudhuri, tabla.

1987 Ragas and Talas. The University of Texas at Austin. With Swapan Chaudhuri , tabla.

1986 Sitar Recital, Indian Music Circle, Houston, Texas.

1985 An Evening of Indian Music and Dance, The University of Texas at Austin. With Shyam Kane, tabla.

1983 A lecture/demonstration with Pandit Ravi Shankar. The University of Texas at Austin.

1982 An Evening of World Music, Society for Ethnomusicology, Midwest Chapter, Northern Illinois University, DeKalb.

SLAWEK- curriculum vitae 11

1981 Sitar Recital, Music Circle, Bangalore.

1977 Festival of India, East-West Center, Honolulu. With on tabla.

1976 Nada Vandana Music Circle, Varanasi. Sankat Mochan Annual Music Festival, Varanasi. Vishnu Digambar Jayanti, Banaras Hindu University, Varanasi.

1975 Gorakhpur University, Gorakhpur. Indian Institute of Technology, Kanpur

1974 Vishnu Digambar Jayanti, Banaras Hindu University, Varanasi.

1973 Sitar Recital, Simla School of Fine Arts, Simla. Sitar Recital, Meerut University, Meerut.

1972 Vishnu Digambar Jayanti, Banaras Hindu University, Varanasi. All India Radio, Calcutta; Information Service, Calcutta.

Academic Advising, Counseling, and other Student Services

2008-present Area Counselor, Graduate Program in Ethnomusicology 1996-present Co-Area Counselor, Graduate Program in Ethnomusicology 1989-1994 Adviser, B.A. in Music (responsible for students with surnames A-L) 1985-1994 Adviser, B.A. in Music

Administrative and Committee Service to the University

Member, Advisory Committee, South Asia Institute (2009) Member, Search Committee for Scholar of African-American Music, School of Music (2007) Member, Search Committee for Scholar of , School of Music (2006) Member, Search Committee for Scholar of Latin American Music, School of Music (2006) Member, Graduate Assembly Academic Affairs Committee 2006-07 Member, Committee A, Faculty Development Program, Graduate School, The University of Texas at Austin (2005 - 2008) Chair, Memorial Resolution Committee for Gerard Béhague (2005) Member, Search Committee for American , School of Music (2005) Member, College of Fine Arts Academic Dismissal Committee (2005) Member, Search Committee for , School of Music (2004) Member, Music/Performing Arts Center Committee (2003-present) SLAWEK- curriculum vitae 12

Division Head, Musicology/Ethnomusicology, School of Music (1996-2000) Chair, Search Committee for Position in Americanist Musicology (1999-2000) Chair, Search Committee for Position in 18th Cemtury Musicology (1999-2000) Member, Academic Affairs Committee, School of Music (1996-98) Member, Special Programs Committee, School of Music (1996-present) Chair, Search Committee for the Endowed Chair in Music History (1996-97) Chair, Search Committee for Junior Positions in Musicology (1996-97) Member, Student Awards Committee, School of Music (1995-97) Member, FLAS Selection Committee, Department of Asian Studies (1996-98; 1999/2000) Member, College of Fine Arts Summer Research/Creativity Awards Committee (1995- 96) Member, Fine Arts Microcomputer Laboratory Committee (1993-95) Member, Graduate Academic Affairs Committee, School of Music (1992-94) Member, Search Committee for Black Music Position in Ethnomusicology (1992-93) Member, Special Programs Committee, School of Music (1989-91) Member, College of Fine Arts Writing Committee (1988-92) Member, Student Awards Committee, Department of Music (1988-91) Chair, Course Committee, Center for Asian Studies (1988-91) Member, Library Committee, Department of Music (1987-94) Member, Executive Committee, Center for Asian Studies (1987-94) Supervisor, Ethnomusicology Archives, Department of Music (1986-present) Organizer, South Asia Special Seminar '89, Center for Asian Studies (1988-89) Member, Committee for the South Asia Seminar, Center for Asian Studies (1986-88) Member, Graduate Academic Affairs Committee, The Department of Music (1986-88)

Professional Public Service to the Nation, State and Community

Chair, Ethnomusicology Committee, American Institute of Indian Studies, 2006 - present Editor, Asian Music Journal, 2002-2010 Board member, Society for Asian Music (2002-present) Member, Ethnomusicology Committee, American Institute of Indian Studies, 1999- present Chair, Board Nominating Committee, Society for Ethnomusicology, 2000-2001 Second Vice-President, Society for Ethnomusicology, 1999-2000 Chair, Local Committee, SEM 1999, Society for Ethnomusicology (1997- 1999) Council member, Society for Ethnomusicology (1991-1994) Founding Member of the Board, Indian Classical Music Circle of Austin, 1990 Advisory Member of the Board, Indo-American Association, Houston (1995-present) Member of the Advisory Board, MIT Heritage of the Arts of Southasia (1995-present) Creator and Director of The Ravi Shankar Series for Asian Performing Arts, The University of Texas at Austin (1989-present) Member, Ad Hoc Committee, American Institute of Indian Studies (1993-1994)

SLAWEK- curriculum vitae 13

Honors, Fellowships, Grants, Awards

Creative Research Stipend, College of Fine Arts, UT-Austin (Summer 2009) ~FAST Tex Award, Center for Instructional Technology (2004/2005), to create a unified, multi-media lecture presentation for my course, MUS 307 History of Dean’s Fellowship, College of Fine Arts, UT-Austin (2003), for research on jazz guitarists Project Quest Computer Grant to create a Web-based course resource (1997) Ducloux Fine Arts Faculty Fellowship (1995) University Research Institute Faculty Research Award (1991-92) Senior Fellowship, American Institute of Indian Studies/NEH (1991-92) College of Fine Arts Research/Creative Activity Summer Award (1989) University Research Institute Special Research Grant, (1987) Junior Fellowship, American Institute of Indian Studies (1980-81) Dissertation Research Award, Graduate College, University of Illinois (1980) Graduate Citation, Department of Music, University of Hawaii (1978) Travel Award, Culture Learning Institute, East-West Center (1977) Degree Grant, Culture Learning Institute, East-West Center (1976) [for graduate study in ethnomusicology] Gold Medal for Standing First in M.Mus., Department of Music, Banaras Hindu University (1976)

Memberships

International Council for Traditional Music Phi Kappa Phi Honors Society Society for Asian Music Society for Ethnomusicology Association for Asian Studies

Students Dissertations/Reports completed under my supervision

Azcona, Stevan, Movements in Chicano music: performing culture, performing politics, 1965-1979. 2008 (Ph.D.)

Brace, Timothy. Modernization and Music in Contemporary China : Crisis, Identity, and the Politics of Style. 1992. (Ph.D.)

Brar, Soniya. Influences of Indian Music in the Music of . 2000. (M.M.)

Charles, David. Fusion for survival: expanding international audiences for Indian classical music. 2003 (M.M.)

Cheung, Hoi Yan. Music and the Body in The White-Haired Girl: The Political Ritual of Fanshen in Red China. 1999. (M.M.)

SLAWEK- curriculum vitae 14

Chongson, Arlene. Pasyon and Holy Week: a Study of Music, Acculturation, and Folk Catholicism in the . 2000. (Ph.D.)

Debnath, Purba. Shifting Representations of Indian Classical Music. 2008 (M.M.)

Douglas, Gavin. Popular Music in Canada : Globalism and the Struggle for National Identity. 1993. (M.M.)

Freedman, Jamie. 2006 (M.M.)

Gaind, Sonia (M.M. 2008)

Grimes, Jeffrey. “: An Examination of an Ensemble Medium in a Solo Tradition” 2002. (M.M.);

Grimes, Jeffrey. The Geography of Hindustani Music: The Influence of Region and Regionalism on the North Indian Classical Tradition, 2008 (Ph.D.)

Henderson, David. Collected Voices: Echoes of Harmony and Discontent in the Music of the Kathmandu Valley. 1998. (Ph.D.)

Hicken, Andrew. The complexities of new order cultural policy and local performance in Indonesia : a review of literature. 2004 (M.M.)

Johnston, Sharilee. Poetics of Performance: Narratives, Faith, and Disjuncture in . 2000. (Ph.D.)

Kalra, Ajay. Wide Open Studio Spaces: Analyzing the Spatial Codes of Recorded Late- and Post-countercultural Pastoral Music. 2009 (Ph.D.)

Kim, Jiyoung (2008)

Kobayashi, Eriko. Hindustani Classical Music Reform Movement and the Writing of History, 1900s to 1940s. 2003. (Ph.D.)

Kurokawa, Yoko. in Change : the Case of Lunar August Rituals in Kudaka Island, Okinawa. 1991. (M.M.)

Kvetko, Peter. Culture, Desi Music: South Asian American Youth in the 1990s. 1999 (M.M.)

Kvetko, Peter. Indipop: Producing Global Sounds And Local Meanings In Bombay, 2005 (Ph.D.)

Labate, Elizabeth, Music and Tourism in Cusco, Peru: Culture as a Resource. 2009 (Ph.D.) SLAWEK- curriculum vitae 15

Maciszewski, Amelia. Gendered Stories, Gendered Styles: Attitudes and Practice in Contemporary Hindusthani Music. 1998. (Ph.D.).

Meyers, Jonathan 2007 (M.M)

Patch, Justin (M.M. 2008)

Pardue, Derek. Movement as Metaphor for Blackness : as Act. 1996. (M.M.)

Pinkerton, Emily. The Chilean guitarrón: the social, political and gendered life of a (2007 Ph.D.)

Sagar, Heather. Celtic Music as World Music. 2006 (M.M.)

Sager, Rebecca. "Coming Home": Gospel Singing as religious and Cultural Expression in Austin, Texas. 1993. (M.M.)

Silva, Julie. 2009 (M.M.)

Son, Min-jung. Isang Yun's subjectivity: his music and Korean society. 2001 (M.M.)

Son, Min-jung. The Politics of the Korean Popular Style T’urot’u. 2004 (Ph.D.)

Sotelino, Daniel. M.M. 2006.

Stromquist, Matthew. The Creation of the Musicological State: Nationalism and Reform in Twentieth-Century Hindustani Music. 2002 (M.M.)

Welch, Allison. Influence of Hindustani Music on Selected Works of Philip Glass, Terry Riley and . 1997. (M.M.)

Winnig, Clifford. The Ali Akbar College of Music: Changing Identities Within and Without. 1999 (M.M.)

Wong, Cho Chuen. The History and Development of the Amateur Chinese Orchestra in Hong Kong. 1992. (M.M.)