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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
Study Guide for Teachers
Study Guide For Teachers The Doo -Wah Riders In Country Coast to Coast Presented by: Young Audiences (866) 500-9265 www.yanj.org www.yaep.org ABOUT THE PROGRAM For twenty years, the Doo-Wah Riders have been riding their own patch of the musical range throughout the west. The Doo-Wahs are an amazing band with a unique, original sound using guitars, fiddles, harmonica, accordion and of course, their voices! They define their sound as "high energy country with a cajun twist". Their tight musicianship and powerful arrangements of classic and original songs have made them favorites everywhere they go! BACKGROUND INFORMATION FOR STUDENTS Country Music has its origins in the folk music of Great Britain and Ireland. The music changed and grew in America because of the influence of music brought from other parts of Europe, Latin America and Africa. Country Music moved from the farm to modern America due to radio. Artists became professionals, but the simple harmonies and themes of writing about working people has never changed. In the 1950’s country Music started to become strongly influenced by cross over artists like Johnny Cash and Elvis Presley. Today, Country Music is being strongly influenced by pop music. VOCABULARY WORDS Cajun music The music of Louisiana. Strongly influenced by the local French descendants. The predominant instruments of Cajun music are the fiddle and the accordion. Country music An American musical style with roots in the South. It is also strongly influenced by Western cowboy music and folk music. Most of the instrumentation country music is in string instruments such as banjos, guitars and violin, and a non-string instrument such as the harmonica. -
Alison Krauss Carries on with Her ‘Incredible Gift’
D12 » Friday, October 13, 2017 THE SALT LAKE TRIBUNE NIGHTLIFE Top album releases • Oct. 13, 2017 Robert Plant, ‘Carry Fire’ • Ex-Zeppelin frontman (at right) delivers an eclectic mix of blues, tribal rhythms, melodies and big riffs. P!nk, ‘Beautiful Trauma’ • Pop star’s seventh album alternates personal and political, big arena anthems and heartfelt ballads. William Patrick Corgan, ‘Ogilala’ • Solo effort by the Smashing Pumpkin better known as Billy features lush, sparse arrangements. St. Vincent, ‘Masseduction’ • Annie Clark’s precise, futuristic electropop mines the issues of control, fame, passion and mortality. STEVE GRIFFIN | Tribune file photo — Eric Walden Alison Krauss carries on with her ‘incredible gift’ Concert preview • The vocalist with more Upon making the decision to record, Krauss reached out Alison Krauss Grammy wins than any other woman visits to acclaimed producer Buddy Usana on Saturday with a new album in hand. Cannon (best-known as Ken- With David Gray ny Chesney’s go-to guy) to P When • Saturday, By ERIC WALDEN ‘You go in there and you don’t helm it. The two had worked 7:30 p.m. The Salt Lake Tribune wanna work’ or ‘You don’t together before in spurts, Where • Usana Amphi- wanna sing.’ And I’m like, ‘Yes when she’d added backing vo- theatre, 5150 Upper Ridge Alison Krauss is calling I do!’ I said, ‘I do want to sing!’ cals or violin-playing to oth- Road, West Valley City from her tour bus on a Satur- He goes, ‘No. Not for the origi- er projects he was overseeing, Tickets • $30-$65; Smith’s day afternoon, and straight- nal reason you always loved to.’ but they hadn’t collaborated Tix away starts off the conversa- And he says, ‘You really got- on anything of hers before. -
ENG 350 Summer12
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Monday - Thursday, 6:30-8:30, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our two required textbook are Bradley and DuBois’s Anthology of Rap (Yale University Press) and Neal and Forman’s That's the Joint: The Hip-Hop Studies Reader are both available at the RIC campus store. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will is also a course blog with a discussion board and a wide array of links to audio and text resources at http://350hiphop.blogspot.com/ WRITTEN WORK: An informal response to our readings and listenings is due each week on the blog. -
Effets & Gestes En Métropole Toulousaine > Mensuel D
INTRAMUROSEffets & gestes en métropole toulousaine > Mensuel d’information culturelle / n°383 / gratuit / septembre 2013 / www.intratoulouse.com 2 THIERRY SUC & RAPAS /BIENVENUE CHEZ MOI présentent CALOGERO STANISLAS KAREN BRUNON ELSA FOURLON PHILLIPE UMINSKI Éditorial > One more time V D’après une histoire originale de Marie Bastide V © D. R. l est des mystères insondables. Des com- pouvons estimer que quelques marques de portements incompréhensibles. Des gratitude peuvent être justifiées… Au lieu Ichoses pour lesquelles, arrivé à un certain de cela, c’est souvent l’ostracisme qui pré- cap de la vie, l’on aimerait trouver — à dé- domine chez certains des acteurs culturels faut de réponses — des raisons. Des atti- du cru qui se reconnaîtront. tudes à vous faire passer comme étranger en votre pays! Il faut le dire tout de même, Cependant ne généralisons pas, ce en deux décennies d’édition et de prosély- serait tomber dans la victimisation et je laisse tisme culturel, il y a de côté-ci de la Ga- cet art aux politiques de tous poils, plus ha- ronne des décideurs/acteurs qui nous biles que moi dans cet exercice. D’autant toisent quand ils ne nous méprisent pas tout plus que d’autres dans le métier, des atta- simplement : des organisateurs, des musi- ché(e)s de presse des responsables de ciens, des responsables culturels, des théâ- com’… ont bien compris l’utilité et la néces- treux, des associatifs… tout un beau monde sité d’un média tel que le nôtre, justement ni qui n’accorde aucune reconnaissance à inféodé ni soumis, ce qui lui permet une li- photo © Lisa Roze notre entreprise (au demeurant indépen- berté d’écriture et de publicité (dans le réel dante et non subventionnée). -
Grammy Artist Ex-Commodore Writes to Support President Obama | Healthy Living - Yahoo! Shine 6/13/12 11:14 PM SHINE from YAHOO!
Grammy Artist Ex-Commodore Writes to Support President Obama | Healthy Living - Yahoo! Shine 6/13/12 11:14 PM SHINE FROM YAHOO! Grammy Artist Ex-Commodore Writes to Support President Obama By Milliea Taylor McKinney | Healthy Living – Fri, Mar 2, 2012 12:07 PM EST Grammy Artist Ex-Commodore Writes To Support President Obama Skyler Jett, is an award-winning, Grammy Recognized vocalist and one of the most sought after Singer/Songwriter and Background Vocal Producers in the Music Industry. Skyler's impressive resume includes some of the biggest recording artists of our times. His accolades include receiving a Grammy Award-embossed plaque from NARAS for singing with Celine Dion on the Grammy-winning hit song " My Heart Will Go On" from the blockbuster hit film "Titanic." This was also Record Of The Year (1998) and is still the highest grossing movie theme song of all time. Skyler's other movie credits include Background Vocal arrangement on "I'm Every Woman" from the blockbuster hit film "The Body Guard", also Movie Of The Year (1992), featuring Whitney Houston; "Tap" with Gregory Hines and Sammy Davis Jr.; " A Smile Like Yours" with Greg Kinnear; Disney's " Hercules"; James Bond 007 "License To Kill"; " Big Bully" with Rick Moranis and Tom Arnold; and " Ghost Dad" with Bill Cosby. From 2003-2007 Skyler also played a pivotal role in reintroducing Sly Stone back to the World Stage for a European tour. Skyler performed with Sly in such venues as: The Montreux Jazz Festival; North Sea Jazz Festival; Cannes; Olympia, Paris; The Love Box Festival in London and the George Wallace Show, Las Vegas. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
(Sound Off Live 2013 Winner) Indie Soul Meets Jazzy Blues
Artscape Entertainment Resource Guide 2013 Band Name Genre Website Email Phone Number Allie & The Cats (Sound Off Live 2013 Winner) Indie Soul meets Jazzy Blues http://www.alliemariemusic.com [email protected] 4109916973 Balti Mare Balkan Gypsy Brass http://www.facebook.com/baltimare [email protected] 4109633799 Basement Instinct (Sound Off Live 2013 Winner) Alternative Rock https://www.facebook.com/basementinstinctband [email protected] 4437038941 Bearstronaut pop http://bearstronaut.com [email protected] 8609124857 Big Sur Alternative Melodic Rock http://www.bigsurrock.com [email protected] 3015931778 Billy Wilkins Jazz/Rock https://soundcloud.com/billy-wilkins-1 [email protected] 4103696360 Blizz Hip Hop http://www.hulkshare.com/Blizz [email protected] 4439860731 Boozey R&B and Hip Hop http://Boozeyonline.com [email protected] Braunsy Brooks & Worship Kulture Christian http://www.bbworshipkulture.com [email protected] 8284554010 Brittanie Thomas Music Soul/R&B http://www.brittaniethomas.com [email protected] 4433608985 Brothers Kardell Experimental electronic pop metal hip-hop http://www.soundcloud.com/brotherskardell [email protected] 2022862623 Buddah Bass Hip-Hop/Pop http://Buddahbass.bandcamp.com [email protected] 3365779559 Bumpin Uglies Reggae/Ska http://www.bumpinugliesmusic.com [email protected] 4102793613 Children of a Vivid Eden Alternative rock http://www.facebook.com/c.o.v.e.rock [email protected] 4436324130 Chris Reynolds and -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. JON HENDRICKS NEA Jazz Master (1993) Interviewee: Jon Hendricks (September 16, 1921 - ) and, on August 18, his wife Judith Interviewer: James Zimmerman with recording engineer Ken Kimery Date: August 17-18, 1995 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 95 pp. Zimmerman: Today is August 17th. We’re in Washington, D.C., at the National Portrait Galley. Today we’re interviewing Mr. Jon Hendricks, composer, lyricist, playwright, singer: the poet laureate of jazz. Jon. Hendricks: Yes. Zimmerman: Would you give us your full name, the birth place, and share with us your familial history. Hendricks: My name is John – J-o-h-n – Carl Hendricks. I was born September 16th, 1921, in Newark, Ohio, the ninth child and the seventh son of Reverend and Mrs. Willie Hendricks. My father was a minister in the African Methodist Episcopal Church, the AME Church. Zimmerman: Who were your brothers and sisters? Hendricks: My brothers and sisters chronologically: Norman Stanley was the oldest. We call him Stanley. William Brooks, WB, was next. My sister, the oldest girl, Florence Hendricks – Florence Missouri Hendricks – whom we called Zuttie, for reasons I never For additional information contact the Archives Center at 202.633.3270 or [email protected] 2 really found out – was next. Then Charles Lancel Hendricks, who is surviving, came next. Stuart Devon Hendricks was next. Then my second sister, Vivian Christina Hendricks, was next. Then Edward Alan Hendricks came next. -
Copeland Bio 2014
Copeland - IXORA Aaron Marsh Bryan Laurenson Jonathan Bucklew Stephen Laurenson Copeland has reunited to release their sixth album after calling it quits in 2009. Here’s what you need to know: • Copeland formed in Lakeland, Florida in 2001. The band’s first album, Beneath Medicine Tree, came out in 2003 on indie label The Militia Group. The album’s layered melodies, combined with Marsh’s thoughtful, emotive croon, immediately engaged music fans, offering a nuanced take on the emo music of the early ‘00s. The group unveiled four subsequent albums between 2005 and 2008, including Eat, Sleep, Repeat on Columbia Records in 2006. Copeland signed with Tooth & Nail in 2008 and have partnered with the label to release their long awaited sixth album, Ixora. • In their heyday, the band played over 200 shows a year. They’ve toured with Brand New, Sparta, Goo Goo Dolls, The Rentals, Bob Mould, Switchfoot, Motion City Soundtrack and Guster. Copeland has also historically supported new artists and Paramore’s first ever show was opening for Copeland in Nashville in 2004. • Copeland officially broke up in October of 2009 after nine years as a band. They wrote on their website, “We have come to an extremely difficult decision. It has come time for us to move on from Copeland and follow other paths in our lives. To put your minds at ease, we assure you this is not a bitter break up. We all individually feel Copeland has run its course in our lives and it’s time for us to pursue what is next.” The band members added, “It has been discussed and we are not ruling out the possibility of recording one more album sometime in the future.” • The band members have pursued other musical endeavors over the past few years.