Karan Johar Shahrukh Khan Choti Bahu R. Madhavan Priyanka
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Addendum to Notice of 2Nd/2016-17 Extra Ordinary General
The Indian Performing Right Society Limited CIN: U92140MH1969GAP014359 Regd. Office: 208, Golden Chambers, New Andheri Link Road, Andheri (West), Mumbai– 400053 Tel: 2673 3748/49/50/6616 Fax: 26736658. Email:[email protected] Website: www.iprs.org ADDENDUM TO THE NOTICE Addendum is hereby given to the Original Notice of the 2nd/2016-17 Extra-Ordinary General Meeting (‘EOGM’) of the Members of The Indian Performing Right Society Limited which will be held at Shri Bhaidas Maganlal Sabhagriha, U-1, J.V.P.D. Scheme, Vile Parle (West), Mumbai – 400 056 on Friday, the 31st day of March, 2017 at 10:30 A.M. to transact the following business: FOLLOWING RESOLUTIONS VIDE ITEM NOS. 6 TO 11 BEING RESOLUTIONS FOR APPOINTMENT OF NOMINEE DIRECTORS OF AUTHOR/COMPOSER MEMBERS, ARE FOR VOTING BY AUTHOR/ COMPOSER MEMBERS ONLY IN ACCORDANCE WITH ARTICLE 24(i) OF THE ARTICLES OF ASSOCIATION OF THE COMPANY: 6. To consider and if thought fit, to pass, with or without modification(s), the following resolution as an Ordinary Resolution: “RESOLVED THAT pursuant to the provisions of Sections 152 and 160 and other applicable provisions, if any, of the Companies Act, 2013 read with the Companies (Appointment and Qualification of Directors) Rules, 2014 (including any statutory modification(s) or re-enactment thereof for the time being in force) and in accordance with Article 24 of the Articles of Association of the Company, Mr. Javed Jannisar Akhtar, who fulfills the criteria for appointment of Director in accordance with Article 20(b) of the Articles of Association of the Company and in respect of whom the Company has received a notice in writing from him under Section 160 of the Companies Act, 2013 along with necessary security deposit amount, proposing his candidature for the office of Author/Composer Director-Region-West, be and is hereby appointed as a Director of the Company who shall be liable to retire by rotation. -
August 14, 2019 M/S. Bombay Stock Exchange Limited, Phiroze
August 14, 2019 M/s. Bombay Stock Exchange Limited, Phiroze Jheejeebhoy Towers, Dalal Street, Mumbai- 400 001 Dear Sir, Sub: Intimation pursuant to Regulation 47 of the SEBI (Listing Obligations and Disclosure Requirements) Regulations, 2015 - unaudited financial results for the first quarter ended 30/06/2019 Pursuant to Regulation 47 of the SEBI (Listing Obligations and Disclosure Requirements) Regulations, 2015, we are enclosing herewith the unaudited financial results for the first quarter ended 30 th June 2019 published in one English language national daily and in one daily newspaper published in the language, where the registered office of the company is situated, being approved and taken on record by the Board in their meeting held on 13 th August 2019. Kindly take the same on records. Thanking you, Yours faithfully, ^ _ ` a b c d e f g _ h d c i j a ] k k i b d l ] ÈÉ Ê Ë Ì Í Î ËÏ Ð Ñ Ò Ó Í Ñ Ð Ô Í Õ Ö Í Ò × Ð Ø Ñ Ð Ô Í Õ Ç 8.8.2019 Ú Û Ü Ù Ý Þ ß à Ý á â ã ä å Ü ß æ ç ã ä å Ü ß æ ç è é ê Ü Û ë Ý Ù ì க!" அைண'( கா*டா,- ெவ0ள2 த4567 , Ù ‘‘7.8.2019’’ , . Ú Û Ü ë Ý æ í î ï Ý ï Û æ Û æ Û æ Û æ æ é ê ë Ý Ý ì P.V. ë ‘‘ பால2:( ;ைண< !=2தப= 60 மA ேநரE ’’ Ú Û Ü ë ë é ð Ý Ù ë â Û æ Û æ Û æ Û æ ç Ü ß ç é æ ñ ë ò ó ë Ý Ù ë . -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Use and Abuse of Female Body in Popular Hindi Films: a Semiotic Analysis of Item Songs
Use and Abuse of Female Body in Popular Hindi Films: A Semiotic analysis of Item Songs *Dr. G. K. Sahu Assistant Professor Dept. of Mass Communication Aligarh Muslim University Aligarh- 202002 & **Sana Abbas Research Scholar Dept. of Mass Communication Aligarh Muslim University Aligarh-202002 India Abstract The item songs have become an important element of Bollywood movies. Women are featured as a commodity, only to satisfy male urge and their bodies are featured in a way as if they are meant for male consumption. In an environment where a plethora of movies are releasing every year, putting a peppy item song in a movie, is a good trick to gain the attention of viewers . Brazen lyrics are used to enhance the popularity of these songs. Many established film makers in the industry are using this trick to gain huge financial returns. They are attracting and engaging audiences by using as well as abusing female body in their films. The paper makes an attempt to analyze the item songs by employing semiotic method to examine the use and abuse of female body in Hindi films. Key Words: Hindi Films, Item Songs, Female Body, Use & Abuse, Portrayal, Commoditization. www.ijellh.com 14 Introduction Cinema and dance have had a long history of engagement. Cinema enlisted dance from its very beginnings – the spectacular display of movement. The shared investment in movement ensured a spontaneous intermediality (transgression of boundaries) between early cinema and dance. Songs with dance have always played a crucial role in Hindi movies. The role of song and its demand changed with the entry of „item songs‟. -
Baila
1. A song shot in one of these locations is an item number featuring women dressed in traditional North Indian clothing, despite being from South India. That song would later be remade for the movie Maximum, although it’s location was changed from one of these locations. That song shot in one of these locations repeatedly lists the name of cities, and was part of a breakout film for Allu Arjun. In addition to (*) Aa Ante Amalapuram, another song shot in one of these locations features a lyric that praises someone’s speech to be “as fine as the Urdu language.” Shahrukh Khan dances on top of, for 10 points, what location in Chaiyya Chaiyya? ANSWER: Train [accept railroad or railway or equivalents] <Bollywood> 2. This word is the name of a popular dance in Sri Lanka, and a song titled “[this word] Remix Karala” was remixed into the 2011 Sri Lankan Cricket Team’s song. Another song with this word in its title claims that this word “esta cumbia,” and is by Selena. A song with another conjugation of this word in its title says (*) “Nothing can stop us tonight” before the title phrase. That song featuring this word in its title also says “Te quiero, amor mio” before the title word is repeated in the chorus. For 10 points, name this word which titles an Enrique Iglesias song, in which it precedes and succeeds the phrase “Let the rhythm take you over.” ANSWER: baila [accept bailar or bailamos - meta tossup lul] <Latin American Music> 3. The second episode of the History Channel TV show UnXplained is partially set in this location. -
Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget. -
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod Ified Date
Name Artist Composer Album Grouping Genre Size Time Disc Number Disc Count Track Number Track Count Year Date Mod ified Date Added Bit Rate Sample Rate Volume Adjustment Kind Equalizer Comments Play Count Last Played Skip Cou nt Last Skipped My Rating Location Kun Faya Kun www.Songs.PK A.R Rahman, Javed Ali, Mohit Chauhan Music: A .R Rahman Rockstar www.Songs.PK Bollywood Music 9718690 472 4 2011 10/2/2011 3:25 PM 11/16/2012 9:13 PM 160 44100 MPEG audio file www.Songs.PK D:\Music\rockstar\rockstar04(www.songs.pk).mp3 Thayn Thayn www.Songs.PK Abhishek Bachchan, Ayush Phukan and Earl www.Songs.PK Dum Maaro Dum www.Songs.PK Bollywood Music 4637567 204 5 2011 3/17/2011 4:19 AM 11/16/2012 9:13 PM 174 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\dummaardum05(www.songs.pk).mp3 Kaun Hai Ajnabi www.Songs.PK Aditi Singh Sharma & K.K Shankar Ehsan Lo y Game www.Songs.PK Bollywood Music 5461864 238 4 2011 3/27/2011 4:08 AM 11/16/2012 9:13 PM 173 44100 MPEG audio file www.Songs.PK D:\Music\RFAK\nm\game04(www.songs.pk).mp3 Yahaan Roadies 8 MyDiddle.com Airport MyDiddle.com Roadies 8 MyDiddle.com MyDiddle.com 3758166 232 12/12/2010 10:29 AM 11/16/2012 9:13 PM 128 44100 MPEG aud io file MyDiddle.com D:\Music \mm\MTV Roadies 8 Yahaan (Theme Song).mp3 Deva Shree Ganesha www.Songs.PK Ajay Gogavale Music: AjayAtul | Lyric s: Amitabh Bhattacharya Agneepath www.Songs.PK Bollywood Music 7287918 356 6 2011 4/17/2012 8:40 PM 11/16/20 12 9:13 PM 161 44100 MPEG audio file www.Songs.PK D:\Music\agneepath\agneepath06(www.songs.pk).mp3 That's My Name -
SNO APP.No Name Contact Address Reason 1 AP-1 K
SNO APP.No Name Contact Address Reason 1 AP-1 K. Pandeeswaran No.2/545, Then Colony, Vilampatti Post, Intercaste Marriage certificate not enclosed Sivakasi, Virudhunagar – 626 124 2 AP-2 P. Karthigai Selvi No.2/545, Then Colony, Vilampatti Post, Only one ID proof attached. Sivakasi, Virudhunagar – 626 124 3 AP-8 N. Esakkiappan No.37/45E, Nandhagopalapuram, Above age Thoothukudi – 628 002. 4 AP-25 M. Dinesh No.4/133, Kothamalai Road,Vadaku Only one ID proof attached. Street,Vadugam Post,Rasipuram Taluk, Namakkal – 637 407. 5 AP-26 K. Venkatesh No.4/47, Kettupatti, Only one ID proof attached. Dokkupodhanahalli, Dharmapuri – 636 807. 6 AP-28 P. Manipandi 1stStreet, 24thWard, Self attestation not found in the enclosures Sivaji Nagar, and photo Theni – 625 531. 7 AP-49 K. Sobanbabu No.10/4, T.K.Garden, 3rdStreet, Korukkupet, Self attestation not found in the enclosures Chennai – 600 021. and photo 8 AP-58 S. Barkavi No.168, Sivaji Nagar, Veerampattinam, Community Certificate Wrongly enclosed Pondicherry – 605 007. 9 AP-60 V.A.Kishor Kumar No.19, Thilagar nagar, Ist st, Kaladipet, Only one ID proof attached. Thiruvottiyur, Chennai -600 019 10 AP-61 D.Anbalagan No.8/171, Church Street, Only one ID proof attached. Komathimuthupuram Post, Panaiyoor(via) Changarankovil Taluk, Tirunelveli, 627 761. 11 AP-64 S. Arun kannan No. 15D, Poonga Nagar, Kaladipet, Only one ID proof attached. Thiruvottiyur, Ch – 600 019 12 AP-69 K. Lavanya Priyadharshini No, 35, A Block, Nochi Nagar, Mylapore, Only one ID proof attached. Chennai – 600 004 13 AP-70 G. -
JAN to APRIL.Xlsx
List of feature films certified from 01 Jan 2021 to 30 April 2021 Certified Type Of Film Application Production Certificate Sr. No. Title Language Certificate No. Certificate Date Duration/Le (Video/Digita Producer Name Date House Type ngth l/Celluloid) Assamese ASSAMESE WITH R.C. FILMS 1 COMMANDO 23-02-2021 DIL/1/3/2021-GUW 02 March 2021 87.18 Digital Rekha Chamuah U PARTLY HINDI PRODUCTION 2 DEUTA 27-04-2021 Assamese DIL/1/8/2021-GUW 29 April 2021 82.54 Digital Dishan Dholua - U AWADHI GOLDMINES ULKA MANISH 1 SAKTHI 23-12-2020 AWADHI VIL/2/2/2021-DEL 13 January 2021 138.15 Video TELEFILMS PVT UA SHAH LTD GOLDMINES ULKA MANISH 2 REBEL 22-01-2021 AWADHI VIL/2/6/2021-DEL 04 February 2021 143.57 Video TELEFILMS PVT UA SHAH LTD UPPALAPATI VENKATA 3 MIRCHI 01-02-2021 AWADHI VIL/2/7/2021-DEL 12 February 2021 137.51 Video U V CREATIONS UA SATYANARAYA NARAJU GOLDMINES ULKA MANISH 4 POWER 18-02-2021 Awadhi VIL/2/10/2021-DEL 26 February 2021 126.46 Video TELEFILMS PVT UA SHAH LTD NALLAMALUPU LAKSHMI POWER RETURNS ( 5 13-03-2021 AWADHI VIL/2/11/2021-DEL 19 March 2021 143.21 Video SRINIVASREDD NARASIMHA UA RACE GURRAM ) Y PRODUCTIONS Sumeet Kishen 6 AMBARISHA 16-03-2021 AWADHI VIL/2/81/2021-MUM 26 March 2021 135.44 Video SUMEET ARTS UA Saigal GOLDMINES ULKA MANISH 7 VETTAIKAARAN 25-03-2021 Awadhi VIL/2/18/2021-CUT 07 April 2021 150.33 Video TELEFILMS PVT UA SHAH LTD GOLDMINES ULKA MANISH 8 DHRUVA 03-04-2021 Awadhi VIL/2/97/2021-MUM 09 April 2021 150.5 Video TELEFILMS PVT UA SHAH LTD Bengali WELCOME INDIA TO Prantosh 1 12-12-2020 Bengali DIL/1/1/2021-KOL -
Decisions Taken by BCCC
ACTION BY BCCC ON COMPLAINTS RECEIVED FROM 16 APRIL 2014 TO 31 AUGUST 2017 S.NO Programme Channel Total Nature of Complaints Telecast date of the Action By BCCC Number of programme reviwed Complaints by BCCC Received A : SPECIFIC CONTENT RELATED COMPLAINTS A-1 : Specific Content related complaints Disposed 1 Crime Patrol Sony 3 Episode 09-05-2017: It is shown that a girl Asha gets trapped with a gang 09-05-2017 Episode 09-05-2017: BCCC viewed the episode and found that this crime- of human smugglers. She is sold to Bina from Rajasthan and to please her 01-08-2017 based show did not denigrate the child. The show came out with a positive clientele, both Indian and foreign, she starts giving her injections which will 07-08-2017 messaging and the depiction was not considered to be outlandish or lead to her body’s growth. Asha will start looking like a 14-15 years old girl. grotesque. The complaint was DISPOSED OF. It is shown that Asha has her periods and her dress is blood-stained. This Episode 01/08/17: BCCC viewed the episode and found that the mother is objectionable and it denigrates children. wanted to discipline her son by inflicting torture on her. In the process the child Episode 01-08-2017: It shows a child talking about how he got gifts from gets detached from the family members and runs away from the house. In the everyone when he was born and even now he get presents from everyone second story a seven-year-old sister is shown to murder her sibling who is two in the form of beatings. -
RANK App No. Name Gender Community Marks 1 358876
DCE COURSEWISE REPORT, COURSE CODE-APOT1-2021-08-18 DEPARTMENT OF POLITICAL SCIENCE FINAL RANK LIST (TAMIL MEDIUM) RANK APPLICATION NAME GENDER COMMUNITY STREAM CUT-OFF MARKS REMARKS NO 1 309641 SACHIN KUMAR S Male MBC AND DNC HSC Academic 379.33 2 499988 AMRUTA K S Female BC HSC Academic 375.00 3 410135 MOHAN P Male MBC (V) HSC Academic 373.36 4 249284 KARUPPAIYA V Male BC HSC Academic 369.36 5 227689 PRAVINKUMAR K Male SC HSC Academic 369.00 6 289607 K.GOMATHI Female SCA HSC Academic 368.28 7 247035 L.MONIKA SABARI Female BC HSC Academic 368.24 8 421814 ARUNIKA K Female SC HSC Academic 368.00 9 359623 MANOJ M Male MBC AND DNC HSC Academic 367.97 10 425641 TAMIZHARASI.C Female SCA HSC Academic 364.04 11 222591 V.MUHIL DHARAN Male BC HSC Vocational 363.92 12 331734 AARTHI M Female BC HSC Academic 362.66 13 435155 ARULKUMAR S Male BC HSC Academic 362.25 14 248114 DHANAPRIYA P Female SC HSC Academic 362.00 15 276520 Srinath G Male SC HSC Academic 360.48 16 287526 MANIKANDAN.R Male OC HSC Academic 360.00 17 335986 KABIL M Male SC HSC Academic 359.57 18 386587 BETHANA SAMY P Male BC HSC Academic 359.36 19 250276 MADHUMITHA B Female SC HSC Academic 358.97 20 276942 DEEPAKRAHUL Male SCA HSC Academic 358.89 21 211707 A.NATHIYA Female BC HSC Academic 358.83 22 323536 M. MOUSMI Female SC HSC Academic 358.15 23 477006 NATHIYA S Female MBC (V) HSC Academic 357.87 24 364895 S. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012.