4 GEOGRAPHY AND TOURISM, Vol. 6, No. 2 (2018), 33-39, Semi-Annual Journal eISSN 2449-9706, ISSN 2353-4524, DOI: 10.5281/zenodo.2530459 © Copyright by Kazimierz Wielki University Press, 2018. All Rights Reserved. http://geography.and.tourism.ukw.edu.pl Bartosz Barański Faculty of Geography and Regional Studies University of Warsaw, Department of Urban Geography and Spatial Planning, e-mail:
[email protected] Warsaw as a center of music tourism Abstract: The article describes music tourism, i.e. a subset of cultural tourism. The aim of the present paper is to present the elements of Warsaw’s cultural offering, land management and identity, which underlie the potential for the develop- ment of music tourism in the capital city of Poland. The author assumed that Warsaw’s music tourism resources make Poland’s capital city a center of music tourism. The aim set forth the author accomplished through fieldwork observation and in-depth interviews with the Promotion Office of the Cultural Department of the Municipality of Warsaw. Keywords: music tourism, Warsaw, music tourism resources 1. Introduction Cultural tourism understood as a set of tour- other music-related phenomena as well as ists’ behaviors towards their interests incultural enhance their knowledge about history and heritage and their participation in broadly theory of music as well as their music skills. understood cultural life (Kowalczyk and Derek, In the most intuitive way, music tourism can 2010) is thriving today. Genuine interest in cul- be defined as any travelling for the purpose of ture is often one of the main reasons behind participating in a concert (of classical and pop tourist travel both to urban and rural areas.