Literary Route

Total Page:16

File Type:pdf, Size:1020Kb

Literary Route Literary route Croatia, October 2013 Once upon a time…in Europe! 1 Grundtvig Learning Partnership project „Once upon a time…in Europe“ Lifelong Learning Programme Project no. 2012‐1‐ES1‐GRU06‐53427 4 This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Once upon a time…in Europe! 2 contents: INTRODUCTION ............................................................................................................................................... 4 ABOUT ZAGREB ............................................................................................................................................... 7 1. AUGUST ŠENOA ........................................................................................................................................... 7 2. THE SQUARE OF EUROPE............................................................................................................................. 8 3. ZAGREB CATHEDRAL .................................................................................................................................... 8 4. DOLAC MARKET ........................................................................................................................................... 9 5. TKALČIĆEVA STREET ................................................................................................................................. 10 6. MARIJA JURIĆ ZAGORKA ........................................................................................................................... 10 7. THE BLOODY BRIDGE (KRVAVI MOST) ....................................................................................................... 11 8. LONG STREET, GRADEC, STONE GATE ....................................................................................................... 11 9. ST. MARK’S SQUARE .................................................................................................................................. 12 1o. DVERCE, LOTRŠČAK TOWER .................................................................................................................... 13 11. ANTUN GUSTAV MATOŠ .......................................................................................................................... 14 12. VIEWPOINT AT KATARINA’S SQUARE ...................................................................................................... 14 13. BAN JOSIP JELAČIĆ SQUARE ................................................................................................................... 15 14. THE GROUNDED SUN .............................................................................................................................. 16 15. PETAR PRERADOVIĆ & VLADIMIR VIDRIĆ ............................................................................................... 16 16. NIKOLA TESLA .......................................................................................................................................... 17 17. TIN UJEVIĆ ............................................................................................................................................... 17 THE GREEN HORSESHOE ............................................................................................................................... 18 18. SQUARE OF MARSHAL TITO & CROATIAN NATIONAL THEATRE ............................................................. 18 19. MAŽURANIĆ SQUARE .............................................................................................................................. 19 20. MARKO MARULIĆ SQUARE & THE CROATIAN NATIONAL ARCHIVES ...................................................... 20 21. BOTANICAL GARDEN ............................................................................................................................... 21 22. ZAGREB CITY LIBRARIES ........................................................................................................................... 21 23. SQUARE OF KING TOMISLAV ................................................................................................................... 22 24. SQUARE OF JOSIP JURAJ STROSSMAYER ................................................................................................. 23 25. PARK ZRINJEVAC (NIKOLA ŠUBIĆ ZRINSKI SQUARE) ............................................................................... 24 THE KRAPINA NEANDERTHAL MUSEUM ....................................................................................................... 25 TRAKOŠĆAN CASTLE ...................................................................................................................................... 25 VARAŽDIN ...................................................................................................................................................... 25 LITERARY READINGS ...................................................................................................................................... 27 Once upon a time…in Europe! 3 INTRODUCTION Dear guests, we wish you all a very warm welcome to our beautiful country Croatia, a homeland of many famous writers and poets and their interesting characters, many of whom you will be meeting today! We hope your visit to our country will awake in all of you a great interest for the hidden and valuable pearls of our national literature which is as famous around the world as our beautiful Adriatic coast. After hearing many of the interesting stories of the authors' lives and the impact of thier work, we hope to give you a sense of our past and present culture. We invite you to injoy seeing, breathing, feeling, tasting and imagining all the rich ways which Croatian writers, poets and their readers used and still use to develop and preserve the literature treasures of Croatia! Croatian team Once upon a time…in Europe! 4 Reading in digital age Is there reading in digital age or is it going to survive? Can browsing the Internet, reading Wikipedia, blogs, posts on social networks od ODF books be regarded as reading? What about watching videos, using simulators and experimenting on the net? Or is it that only (dusty) books can be read? Plato was talking, even writing, against writing! He argued that writing thoughts will make people's mind lazy and destimulate thinking. Similarly people were opposing the printing press being afraid that knowledge will be available to those not able to comprehend its full meaning and consequences of its use. The same seems to repeat with digital technologies. On the other hand would the icons of human literacy be writes if they lived today? Or would they rather express their creativity in the role of film directors or even actors? Likewise, is Hitchcock, Spielberg, Huston, Lennon, Brando and other icons of contemporary culture lived centuries ago, would they be poets and writers? No one can tell for sure but it is sure that it is all about creativity and that technology only opens up new ways to express human creativity? Now, what it the essence of reading? The media? The form? The intended audience? The content? Or the act of searching for, assimilating, analyzing other people’s ideas, feelings, perceptions, messages? And using them in our own lives. The most important is to read, to tap into other people's minds. Because written (recorded, painted, photographed, …) snapshot of part of human's mind given at disposal to other fellow humans today, and in the future is THE thing that made us stand out from all other known species and has created the modern civilization as we know it. The most important in reading is what you do wile reading, how active your mind is, rather than the form of the source of information. Therefore any collective effort to foster reading AND exchange for ideas among readers is one of the most fundamental activities and should supported to highest extent. I welcome all participants of the “Once upon a time in Europe” project and encourage all of you to invite as many people you know to reading and talking about read not only in the framework of this project but in all circumstances and in the future. Off course, there is nothing as addictive as the smell of paper and ink and glue of the cover of a good book Predrag Pale Once upon a time…in Europe! 5 Predrag MatvejeviĆ Predrag Matvejević (born 1932) is a Croatian and Bosnian writer known for his writing as well as for his political activism. His book Mediterranean Breviary: A Cultural Landscape has been a bestseller in many European countries, and has been translated into more than 20 languages. Matvejević taught at the University of Paris III: Sorbonne Nouvelle (New Sorbonne) in Paris as well as in the Sapienza in Rome. He is the past President and now a lifelong honorary Vice‐President of the PEN International. Additionally, he is a member of the World Political Forum. A HISTORY ABOUT MAN AND THE SEA... (excerpt from Mediterranean Breviary) Everywhere the eye can see—from vista to vista, event to event— there are stories about the sea and the coast, the islands and isolation, the body andincarceration, about winds, rivers, and estuaries, about ourselves: the eternal rituals of rise and fall, departure and return, grandiloquence and parody, palingenesis and palimpsest, circlemaking and circlebreaking. The moment we try to penetrate these oppositions,
Recommended publications
  • Letzte Renaissance in Wien. Projekte Von Leopold Bauer Für Die Österreichisch-Ungarische Bank (217) Poslední Renesance Ve Vídni
    ars 2009 Ročník / Volume 42 Číslo / Number 2 Obsah / Contents Úvod / Editorial (189) ŠTÚDIE / ARTICLES I. Tadeusz J. ŻUCHOWSKI Polnische Geschichtsmalerei des 19. Jahrhunderts im mitteleuropäischen Kontext. Genese – Entwicklung – Besonderheiten (191) Poľské historické maliarstvo 19. storočia v stredoeurópskom kontexte. Vznik – rozvoj – osobitosti József SISA Mansions under the Spell of the “Olden Times”. Country House Building in the English Style (206) Kaštiele v znamení „starých čias“. Stavby vidieckych sídiel v anglickom štýle Jindřich VYBÍRAL Letzte Renaissance in Wien. Projekte von Leopold Bauer für die Österreichisch-Ungarische Bank (217) Poslední renesance ve Vídni. Projekty Leopolda Bauera pro Rakousko-uherskou banku Dana BOŘUTOVÁ Jurkovičova Viedeň (239) Architect Jurkovič and Vienna II. Júlia PAPP Angaben zum Lebenslauf und zur Tätigkeit des Kupferstechers Johann Blaschke (1770 – 1833) (257) Príspevok k životu a dielu medirytca Johanna Blaschkeho (1770 – 1833) Zuzana LABUDOVÁ The Former County House in Levoča. The Problem of Its Style Interpretation in the Context of the European Classicistic Architecture (277) Bývalý župný dom v Levoči. Otázka jeho štýlovej interpretácie v kontexte európskej klasicistickej architektúry Katarína BEŇOVÁ Habsburgovci v prvej polovici 19. storočia. Panovnícky portrét v slovenských zbierkach (291) The Habsburgs in the First Half of the 19th Century. Emperors’ Portraits in Slovak Galleries and Museums Collections Viera BARTKOVÁ Maliari zo Slovenska a umelecké prostredie Apeninského polostrova v 19. storočí (310) Painters from Slovakia and the Artistic Environment of Italy in the 19th Century MATERIÁLY / MATERIALS Gábor György PAPP Vom Wettbewerbsprojekt für das Parlament in Budapest bis zum Theater- und Redoutengebäude in Zipser Neudorf (Spišská Nová Ves, Igló). Führende Grundsätze in der Architektur von Koloman Gerster (331) Od súťaže na budovu parlamentu v Budapešti po divadlo a redutu v Spišskej Novej Vsi (Zipser Neudorf, Igló).
    [Show full text]
  • Cross-Border Bike Project /Problem Tree
    Hungary-Croatia IPA Cross-border PROJECT PARTNER: Co-operation Programme 2007-2013 PÉCS URBAN DEVELOPMENT COMPANY Cross -border Bike Project HUHR/1101/1.2.2/1004 SITUATION ANALYSIS Development of Pécs- Osijek-Antunovac- Ivanovac biking route Table of Contents 1 The description of Baranya county ............................................... Hiba! A könyvjelző nem létezik. 1.1 The layout of Baranya county (Location, public administration, accessibility) ............. Hiba! A könyvjelző nem létezik. 1.1.1 Location ......................................................................... Hiba! A könyvjelző nem létezik. 1.1.2 Public administration..................................................... Hiba! A könyvjelző nem létezik. 1.1.3 Accessibility ................................................................... Hiba! A könyvjelző nem létezik. 1.2 The description of the natural environment (Geology and terrain, climatic conditions, waters, wildlife, environmental protection) ....................................................................................... 7 1.2.1 Geology and terrain ....................................................... Hiba! A könyvjelző nem létezik. 1.2.2 Climatic conditions ........................................................ Hiba! A könyvjelző nem létezik. 1.2.3 Hydrography .................................................................. Hiba! A könyvjelző nem létezik. 1.2.4 Vegetation ..................................................................... Hiba! A könyvjelző nem létezik. 1.3 Demographic
    [Show full text]
  • Jewish Heritage Sites in Croatia, 2005
    JEWISH HERITAGE SITES IN CROATIA PRELIMINARY REPORT United States Commission for the Preservation of America’s Heritage Abroad 2005 UNITED STATES COMMISSION FOR THE PRESERVATION OF AMERICA’S HERITAGE ABROAD Warren L. Miller, Chairman McLean, VA Members: Ned Bandler August B. Pust Bridgewater, CT Euclid, OH Chaskel Besser Menno Ratzker New York, NY Monsey, NY Amy S. Epstein Harriet Rotter Pinellas Park, FL Bingham Farms, MI Edgar Gluck Lee Seeman Brooklyn, NY Great Neck, NY Phyllis Kaminsky Steven E. Some Potomac, MD Princeton, NJ Zvi Kestenbaum Irving Stolberg Brooklyn, NY New Haven, CT Daniel Lapin Ari Storch Mercer Island, WA Potomac, MD Gary J. Lavine Fayetteville, NY Staff: Michael B. Levy Jeffrey L. Farrow Washington, DC Executive Director Rachmiel Liberman Samuel D. Gruber Brookline, MA Research Director Laura Raybin Miller Katrina A. Krzysztofiak Hollywood, FL Program Manager Vincent Obsitnik Peachtree City, VA 888 17th Street, N.W., Suite 1160 Washington, DC 20006 Ph: (202) 254-3824 Fax: (202) 254-3934 E-mail: [email protected] October 10, 2005 Message from the Chairman One of the principal missions that United States law assigns the Commission for the Preservation of America’s Heritage Abroad is to identify and report on cemeteries, monuments, and historic buildings in Central and Eastern Europe associated with the cultural heritage of U.S. citizens, especially endangered sites. The Congress and the President were prompted to establish the Commission because of the special problem faced by Jewish sites in the region: The communities that had once cared for the properties were annihilated during the Holocaust. The atheistic Communist Party dictatorships that succeeded the Nazis throughout most of the region were insensitive to American Jewish concerns about the preservation of the sites.
    [Show full text]
  • Creating the Past: the Palace Complex of the Karađorđević Dynasty in the Light of Reviving the Middle Ages
    III BYZANTINE HERITAGE AND SERBIAN ART III BYZANTINE HERITAGE AND SERBIAN ART BYZANTINE HERITAGE IMAGINING THE PAST THE RECEPTION OF THE MIDDLE AGES IN SERBIAN ART FROM THE 18TH TO THE 21ST CENTURY BYZANTINE HERITAGE AND SERBIAN ART III BYZANTINE HERITAGE AND SERBIAN ART I–III Editors-in-Chief LJUBOMIR MAKSIMOVIć JELENA TRIVAN Edited by DANICA POPOVić DraGAN VOJVODić Editorial Board VESNA BIKIć LIDIJA MERENIK DANICA POPOVić ZoraN raKIć MIODraG MARKOVić VlADIMIR SIMić IGOR BOROZAN DraGAN VOJVODić Editorial Secretaries MARka TOMić ĐURić MILOš ŽIVKOVIć Reviewed by VALENTINO PACE ElIZABETA DIMITROVA MARKO POPOVić MIROSLAV TIMOTIJEVIć VUJADIN IVANIšEVić The Serbian National Committee of Byzantine Studies P.E. Službeni glasnik Institute for Byzantine Studies, Serbian Academy of Sciences and Arts IMAGINING THE PAST THE RECEPTION OF THE MIDDLE AGES IN SERBIAN ART FROM THE 18TH TO THE 21ST CENTURY Editors LIDIJA MERENIK VlADIMIR SIMić IGOR BOROZAN BELGRADE, 2016 PUBLished ON THE OCCasiON OF THE 23RD InternatiOnaL COngress OF Byzantine STUdies This book has been published with the support of the Ministry of Education, Science and Technological Development of the Republic of Serbia P.U.C. “Pogrebne usluge” – Belgrade CONTENTS I. FROM TRADITION TO HISTORY: MAPPING THE PAST IN 18TH CENTURY ART THE IMAGE OF THE PAST AS A HISTORICAL ARGUMENT. THE RECEPTION OF THE MIDDLE AGES IN SERBIAN BAROQUE ART. 11 Vladimir Simić ON OLD WINE IN NEW WINESKINS. TRADITIONAL PAINTING AMONG THE SERBS IN THE LATE 17TH AND EARLY 18TH CENTURY . 25 Ljiljana Stošić OLD ICON PAINTING AND THE RELIGIOUS REVIVAL IN THE ‘KINGDOM OF SERBIA’ DURING AUSTRIAN RULE 1718–1739. 33 Ana Milošević THE RECEPTION OF TRADITIONAL THEMES ON THE EARLY BAROQUE ICONOSTASES IN SLAVONIA.
    [Show full text]
  • 'Today, the Situation with Jews in Croatia Is Just Ugly' from Division to Pluralism in Croatian Jewish Community
    ‘TODAY, THE SITUATION WITH JEWS IN CROATIA IS JUST UGLY’ FROM DIVISION TO PLURALISM IN CROATIAN JEWISH COMMUNITY By Biljana Lalic Submitted to Central European University Department of Nationalism Studies In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor András Kovács Budapest, Hungary CEU eTD Collection 2016 ABSTRACT The aim of this thesis is to demonstrate that the current situation of the division in the Croatian Jewish community goes beyond the binary discourse of revival vs. disappearance of Jewish communal life in post-communist Europe. The emergence of Bet Israel, an Orthodox religious community in Croatia, in 2006 serves as a case study for examining the impact of internal and external determinates on the group(s) making process. The methodology employed to argue the hypothesis involves qualitative research conducted in Zagreb, in April 2016, with three generations of Croatian Jews. Findings of the research propose that there is a strong need for belonging to a significant Jewish group among Jews in Croatia. Expressed in different institutional options, it reflects the plurality of groupness crystallization processes. Key words: Jewish revival, disappearance thesis, groupness, pluralism CEU eTD Collection i ACKNOWLEDGEMENTS Firstly, I would like to thank András Kovács, my supervisor, for useful comments and suggestions. Without his help, this thesis would not have been possible. Secondly, I would like to express my gratitude to all of the participants in this research who have selflessly dedicated their time and energy to provide their contribution to this work. Lastly, I want to thank my friends and colleagues for the inspiration they provided me with, as well as immense support in the process.
    [Show full text]
  • PREVODITELJSTVO Helena Dubra
    SVEU ČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET ODSJEK ZA ANGLISTIKU DIPLOMSKI STUDIJ ANGLISTIKE SMJER: PREVODITELJSTVO Helena Dubravec Translating -ing forms from English into Croatian Diplomski rad Mentor: dr. sc. Alexander Hoyt, viši lektor 2014. Rad je obranjen ________________________ i ocijenjen ocjenom _____________________. Povjerenstvo: 1. dr. sc. Kristijan Nikoli ć, viši lektor 2. dr. sc. Alexander Hoyt, viši lektor 3. dr. sc. Nataša Pavlovi ć, docent UNIVERSITY OF ZAGREB FACULTY OF HUMANITIES AND SOCIAL SCIENCES DEPARTMENT OF ENGLISH GRADUATE PROGRAMME TRANSLATION TRACK Helena Dubravec Translating -ing forms from English into Croatian Diploma thesis Annotated translations presented in fulfilment of requirements for a second-cycle degree Supervisor: dr. sc. Alexander Hoyt, viši lektor 2014 Table of Contents Part One - Discussion............................................................................................................... 1 Translating -ing forms from English into Croatian .......................................................... 2 1. INTRODUCTION .......................................................................................................... 2 2. TRANSLATING STRUCTURES VS. TRANSPOSING MESSAGES ........................ 3 3. ADDING INFORMATION TO FACILITATE UNDERSTANDING.......................... 3 4. TYPES OF -ING FORMS IN ENGLISH....................................................................... 4 4.1. Adjectives ending in -ing .....................................................................................
    [Show full text]
  • Meðunarodno Saksofonisticˇko Natjecanje International Saxophone Competition C Zagreb, 12
    KDZ_NOCHTA_Knjizica_Korice_FIN_PRI.pdf 1 6.5.2014. 16:06:36 MEÐUNARODNO SAKSOFONISTICˇKO NATJECANJE INTERNATIONAL SAXOPHONE COMPETITION C ZAGREB, 12. - 17. 5. 2014. M Y HRVATSKI GLAZBENI ZAVOD CM MY CY CMY K 1. 1. MEĐUNARODNO SAKSOFONISTIČKO NATJECANJE ‘JOSIP NOCHTA’ ZAGREB, 12. -17. svibnja 2014. 1ST INTERNATIONAL SAXOPHONE COMPETITION ‘JOSIP NOCHTA’ ZAGREB, May 12 – 17, 2014 KDZ_NOCHTA_Knjizica_03_FIN.indd 1 5.5.2014. 16:03:23 1. međunarodno saksofonističko natjecanje ‘Josip Nochta’ održava se pod pokroviteljstvom gospodina Milana Bandića Umjetnički ravnatelj natjecanja / gradonačelnika Grada Zagreba Artistic Director of the Competition Dragan Sremec 1st International Saxophone Competition ‘Josip Nochta’ is held under the patronage of Mr. Milan Bandić Mayor of the City of Zagreb Počasni odbor Natjecanja / Honorary Board of the Competition Održavanje 1. međunarodnog saksofonističkog natjecanja ‘Josip Nochta’ Milan Bandić, predsjednik, Marcel Bačić, Dalibor Cikojević, omogućilo je Gradsko poglavarstvo Grada Zagreba Mladen Janjanin, Josip Nalis, Saša Nestorović, Marina Novak, Dragan Sremec 1st International Saxophone Competition ‘Josip Nochta’ was made possible by Zagreb City Government Organizacija Natjecanja / Organization of the Competition Posebnu zahvalnost za suradnju i pomoć zaslužuju Koncertna Direkcija Zagreb / Zagreb Concert Management Our special thanks for collaboration and help Hrvatski glazbeni zavod / Croatian Music Institute Ured za obrazovanje, kulturu i sport Grada Zagreba Muzička Akademija Sveučilišta u Zagrebu / University
    [Show full text]
  • Zelena Potkova) Irena Kraševac
    Public Sculpture in Zagreb in the Second Half of the 19th Century Typology and Style of Monuments in the Urban Gesamtkunstwerk "Green Horseshoe" (Zelena potkova) Irena Kraševac Abstract The Zagreb Green Horseshoe, or Zelena ments in any public place. Zagreb, as a na- potkova in Croatian, is an original urban evo- tional metropolis, favoured monuments dedi- cation of the Ringstraße in Vienna that repre- cated to persons who recalled the nation’s sents an effort to create a characteristic ur- glorious past and to highly regarded individu- ban space during the era of Historicism. This als, artists and poets. This paper focuses on distinctive 19th-century urban project pro- thirteen monuments that were erected from vided an appropriate setting for monuments 1866 to 1914 in this model part of the city and and sculptural decoration. Squares, parks discusses issues related to the clients, the and main streets thus became a stage where artists and the individuals to whom they were contemporaries encountered monuments to dedicated. The monuments that extend along personalities whose memory was to be pre- the Zelena potkova can match the monuments served. The evocation of historical figures as on the Ringstraße, both examples are part of a a part of the collective memory is one of the common heritage from the reign of Franz fundamental ideas behind erecting monu- Joseph I of Austria. RIHA Journal 0267 | 10 July 2021 DOI: https://doi.org/10.11588/riha.2021. 1 . 818 9 8 RIHA Journal 0267 | 10 July 2021 Urban planning and construction of the Zagreb Green Horseshoe (Zelena potkova) [1] Zagreb took part in the rapid development of cities that followed the strategy of the Gründerzeit ("founders’ period").
    [Show full text]
  • Prostor 17 [2009] 1 [37]
    PROSTOR 17 [2009] 1 [37] ZNANSTVENI ÈASOPIS ZA ARHITEKTURU I URBANIZAM A SCHOLARLY JOURNAL OF ARCHITECTURE AND URBAN PLANNING POSEBNI OTISAK / SEPARAT OFFPRINT Znanstveni prilozi Scientific Papers 64-77 Dragan Damjanoviæ Djelovanje arhitekta Franje Kleina Franjo Klein’s Architectural Activities u Varaždinsko-ðurðevaèkoj pukovniji within the Varaždin and Ðurðevac (1851.-1859.) Regiment (1851-1859) Izvorni znanstveni èlanak Original Scientific Paper UDK 72.035:721(497.5 Varaždin/Ðurðevac) Klein. F.”18” UDC 72.035:721(497.5 Varaždin/Ðurðevac) Klein. F.”18” SVEUÈILIŠTE U ZAGREBU, ARHITEKTONSKI FAKULTET UNIVERSITY OF ZAGREB, FACULTY OF ARCHITECTURE ISSN 1330-0652 CODEN PORREV UDK | UDC 71/72 17 [2009] 1 [37] 1-210 1-6 [2009] Sl. 1. F. Klein: Glavno proèelje molvarske crkve, današnje stanje Fig. 1 F. Klein: Main facade of the Molvar church, present state Znanstveni prilozi | Scientific Papers 17[2009] 1[37] PROSTOR 65 Dragan Damjanoviæ Sveuèilište u Zagrebu University of Zagreb Filozofski fakultet Faculty of Philosophy Odsjek za povijest umjetnosti Department of Art History HR − 10000 Zagreb, I. Luèiæa 3 HR − 10000 Zagreb, I. Luèiæa 3 Izvorni znanstveni èlanak Original Scientific Paper UDK 72.035:721(497.5 Varaždin/Ðurðevac) Klein. F.”18” UDC 72.035:721(497.5 Varaždin/Ðurðevac) Klein. F.”18” Tehnièke znanosti / Arhitektura i urbanizam Technical Sciences / Architecture and Urban Planning 2.01.04 − Povijest i teorija arhitekture 2.01.04 − History and Theory of Architecture i zaštita graditeljskog naslijeða and Preservation of the Built Heritage Humanistièke znanosti / Znanost o umjetnosti Humanities / Science of Art 6.05.01 − Povijest umjetnosti 6.05.01 − Art History Èlanak primljen / prihvaæen: 17.
    [Show full text]
  • THE PANTRIES of BUDAPEST TOURING the MARKET HALLS Ji Manu Delago Ensemble Akram Khan Company Ton Koopman
    AT BUDAPEST’S BSF40 AMENHOTEP II’S MASTERFUL GATE: COLOUR YOUR BURIAL KNIVES RÁCKEVE SPRING CHAMBER FREE PUBLICATION FREE THE SPRING | 2020 FIVE STAR CITY GUIDE THE PANTRIES OF BUDAPEST TOURING THE MARKET HALLS Ji Manu Delago Ensemble Akram Khan Company Ton Koopman Tank and the Bangas Staatskapelle Weimar Kristine Opolais www.bsf.hu 1 SPRING | 2020 CONTENTS Budapest’s pantries 4 6 Colourful menu 6 Budapest's At Budapest’s Gate: pantries Ráckeve 14 Boat market on the shore 16 Cultural Quarter 20 The dream of the founders 22 NoGravity – Emiliano Pellisari 24 Nóra Bujdosó – set and costume designer 26 Music from the archives 28 Viennese evening 14 with Gábor Farkas 30 At Budapest's Ernő Kállai in the Vigadó 32 Russian pictures in French frames gate: – Marcell Szabó’s solo evening 34 anno 1935 Ráckeve Piazzolla in the market hall 36 Amenhotep II and his age 38 Pre-Raphaelites in the National Gallery 40 THE BEST DOBOS CAKE City Guide 42 Szamos Gourmet House 24 Jewellery box in the park 44 NoGravity Spring sporting events 46 The Szankovits Knives House 50 Dance Budapest100 Company – a weekend of open gates 52 Twentysix 54 Sándor Lakatos and slow fashion 56 Fashion queen behind the iron curtain 58 Stand25 relocated 60 58 Recommended reading 63 Fashion queen Programme corner 64 On the cover: behind the Cover photo: The Great Market Hall (Photo: © István Práczky ) iron curtain To see the location on the map, simply scan the QR code with your smartphone. SzamosGourmetHaz | www.szamos.hu | Tel.: +36 30 570 5973 2 Budapest, 5th district, Váci street 1.
    [Show full text]
  • The Oeuvre of the Architect Theodor Träxler in Rijeka (Fiume), Croatia
    THE OEUVRE OF THE ARCHITECT THEODOR TRÄXLER IN RIJEKA (FIUME), CROATIA Nana PALINIĆ, Iva MRAK, Cela MATAN1 ABSTRACT The paper addresses the oeuvre of a lesser-known Austrian architect Theodor Träxler in Rijeka (at that time called Fiume), which is thus far the only known city in Croatia in which this scholar of the Wagner School lived and worked. During the four-year period of his stay in Rijeka, from 1911 to 1914, Theodor Träxler participated in several residential and public building projects. He is linked with projects and their implementation in Port Warehouse 19, the Celligoi residential building, the Gubernia House, the Fenice Theatre, the Benedictine Monastery and the Marač residential building. Key words: Theodor Träxler, the Wagner School, Rijeka - Fiume, Secession architecture L’ OPERA DELL'ARCHITETTO THEODOR TRÄXLER A RIJEKA (FIUME), CROAZIA SINTESI Nell'articolo si esplora l'opera del poco noto architetto austriaco Theodor Träxler a Rijeka (in quel momento chiamato Fiume), l'unica città in Croazia, per quanto è noto, dove ha vissuto e lavorato questo studente della Scuola di Wagner. Durante i quattro anni della sua vita a Rijeka, dal 1911. fino al 1914, Theodor Träxler ha partecipato alla creazione di vari progetti per palazzi pubblici e residenziali. Al suo nome sono legati anche i progetti e realizzazioni delle seguenti opere: Magazzino portuale 19, Palazzo residenziale Celligoi, Casa Gubernia, Teatro Fenice, Convento dei Benedettini e il Palazzo Marač. Parole chiave: Theodor Träxler, Scuola di Wagner, Rijeka - Fiume, architettura della secessione INTRODUCTION There has been scarce information available to date about Theodor Träxler, an Austrian architect and a disciple of the Wagner School.
    [Show full text]
  • Bibliografija Instituta Za Povijest Umjetnosti Bibliography of the Institute of Art History (1961 – 2011)
    Bibliografija Instituta za povijest umjetnosti Bibliography of the Institute of Art History (1961 – 2011) p r i r e d i l a / p r e p a r e d b y Ivana Majer s u r a d n i k / a s s o c i a t e Danko Zelić 201 202 Sadržaj Contents 204 Napomene uz Bibliografiju Introductory notes 206 Bibliografija Bibliography 404 Kazalo autora Author's index 203 Napomene uz Bibliografiju Instituta za povijest umjetnosti Bibliografija Instituta za povijest umjetnosti Osnovnu strukturu bibliografske jedinice priređena je povodom 50. godišnjice radova u časopisima čine ime i prezime djelovanja Instituta i njezin cilj jest dati autora, naslov i podnaslov u kurzivu te popis svih izdanja Instituta (knjiga, časopisa početni i završni brojevi stranica. Kada je i sl.) u tom razdoblju. tekst usporedno objavljen na dva jezika, donosi se naslov i na drugom jeziku uz Bibliografija je podijeljena u cjeline:Časopisi odgovarajuću opasku u uglatim zagradama, (Radovi Instituta za povijest umjetnosti, npr. znanstveni časopis pokrenut 1972. godine, Život umjetnosti, stručni časopis pokrenut Radovan IVANČEVIĆ, Predgovor. Prefazione [tekst na 1966. godine pri Matici hrvatskoj, koji hrv. i tal. jeziku], 5–7 od 1972. izlazi u nakladništvu Instituta, Kvartal, pokrenut 2004. godine), Omeđene Ako u prilogu postoji i sažetak, poslije publikacije (obuhvaća nakladničke naslova slijedi opaska o sažetku te se dodaje cjeline: Studije i monografije Instituta njegov naslov, npr. za povijest umjetnosti, Mala biblioteka Nada GRUJIĆ, Metode istraživanja starih urbanih Instituta za povijest umjetnosti, Umjetnička aglomeracija : Dubrovnik. Summary: Methods of topografija Hrvatske, Milan Prelog – Djela, research in old urban agglomerates : Dubrovnik, 7–12 Hrvatska likovna kritika i dr.), Zbornici te Konzervatorske studije i elaborati.
    [Show full text]