Fellowship of Makers and Researchers of Historical Instruments

FoMRHI Quarterly

Permuted Index II

1975 - 1998

Mietke

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Zinken 1975-i

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A signed Mietke harpsichord. Kilstrom C-1057 Sweden (in/ Plans: the 1710 Michael Mietke single harpsichord in Hudiksval Bul-90 An exceptional G-sharp in Milan. Lindley C-684 Chiesa Milanese keyboard makers - 16th century C-1231 di Musica, no. 17, April 1989, Commune de Milano /I Quaderni della Civico Scuola C-989 Violin makers in Milano 17th-18th century. Chiesa C-1202 Diderot, viols and false tables. Miller C-214 Making lute pegs. Miller C-140 Restoration of a recorder edge. Miller C-353 theorbo from Musick's Monument, 1676. Miller Mace's C-154 musical instruments in the Dayton C. Miller collection. Cousen /Seyfritt: C-463 conversion of cents to Hertz. Goodwin Mills Computer programs for the C-791 sources of instrument-making timber. Mills Two possible C-433 Pepys's minikin. Downing C-1567 /Campbell: A check-list of the free reed, miscellaneous and ancillary instruments/ C-447 Miscellaneous comments. Cronin C-533 century in Lanciano (Abruzzo, Italy). Miscia, Tiella /making of the 19th C-1608 (record). Montagu Review: Rans, Misschaert: Die nachtegael int wilde C-284 (record). Yakeley Review: Rans, Misschaert: Die nachtegael int wilde C-285 A=415.3 and all that. Mobbs C-851 Magnano, Italy 21-23 September 1995. Mobbs /clavichord symposium, C-1478 'sunburst' for a cabinet piano. Mobbs, Mobbs Making a silk C-1473 Dr Robert Smith's 1748 keyboard tunings. Mobbs, Mackenzie of Ord C-1583 a silk 'sunburst' for a cabinet piano. Mobbs, Mobbs Making C-1473 drills, van Leeuwen Modification and sharpening of twist C-"?07 Jones On the reviewing and modification of musical instruments C-1018 Deutsche/ Review: Moeck (ed): Fiinf Jahrhunderte C-883 Moire contours. McLennan C-744 Willetts Moisture blocking of fipple flutes C-470 symbolism in the mural/ Falcon M0ller. Music aloft - musical C-1449 - with gratitude to Christopher Monk. Montagu /Snakes are Beautiful C-1061 The construction of a monochord. Montagu C-21 Mersenne's monochord. Napier-Hemy C-1054 Review: van Ree Bernard: The keyed monochord; rediscovery of a forgotten/ C-1240 and renaissance music./ Review: Monroe. Adding percussion to medieval C-1451 & Fortepiano magazine, October 1986. Montagu Review: Harpsichord C-895 & Raymond Parks, Trumpets and Trombones. Montagu /Vol 2;H;iii, Arnold Myers C-1211 (April 1997) & no.20, Sept 1997. Montagu /a vent. VII special C-1547 (Exhibition catalogue Frankfurt 1991). Montagu /from all over the world, C-1024 (Floten; Drehleier & Dudelsack). Montagu /Two catalogues of exhibitions C-424 (collection Haags Gemeente Museum). Montagu /recorders of the 18th century C-1058 (on C-1082, C-1077, C-1078 and C-1081). Montagu Various comments C-1084 (small and large mouthpieces for brass, Montagu /collection, vol 2-H iv&v C-1447 - Mikko Korhonen plays instant music. Montagu Review: Swedish clavichords C-1535 - des facteurs d'instruments de musique. Montagu /Un musee aujourd'hui C-693 - further to C-203, C-411 and C-659. Montagu Memlinc revisited C-1188

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- the Galpin Society's 40th anniversary. Montagu Made for music C-752 - with gratitude to Christopher Monk. Montagu Review: Snakes are Beautiful C-1061 ...', an obituary for Michael Morrow. Montagu 'Let us now praise famous men C-1272 12, 1985. Montagu C-691 /3, 1987. Montagu C-782 17 (August 1995 & 18 (February 1996). Montagu Review: Larigot C-1448 2 (the descriptive fascicles, 44 pp). Montagu /illustrations, 168 pp) and C-l 133 2500 historical woodwind instruments. Montagu Review: Young: C-806 2;E;ii, William Waterhouse, . Montagu /Instruments, catalogue Vol C-1211 4, Plucked stringed-instruments. Montagu /College, Tokio: Catalogue C-645 A flying visit to Italy. Montagu C-658 A hypothesis on the symphony. Montagu C-96 A musical Directory for the year 1794. Montagu Review: Joseph Doane: C-l207 A rejoinder to a response to C-l 157. Montagu C-l 177 A return visit to Venice. Montagu C-673 A survey of musical instruments. Montagu Review: Marcuse: C-20 A word of two on the flute (1826). Montagu Review: James: C-427 ACB, Anthony Baines, 1912-1997. Montagu C-1502 Abstracts, vol. 28, no. 3, 237 pp. Montagu /Art & Archeology Technical C-l 107 Age. 386pp, CD + photo CD. 130 Dfl. Montagu /Music & Painting in the Golden C-1310 Ages; studies on text and performance. Montagu /and instruments of the Middle C-l565 An acoustical problem. Montagu C-221 As like as two peas. Montagu C-1588 Ashmolean museum, CD or cassette. Montagu /the 1772 Kirckman harpsichord C-l071 Auckland Institute & Museum, 1989. Montagu /Moyle: the Sound of Oceania, C-921 Augusteum: Jahresschrift 22 1976. Montagu /Salzburger Museum Carolino C-149 Bagpipe Society, vol.1, part 2, '86/'87. Montagu /Chanter, the journal of the C-783 Beethoven and the early music industry. Montagu More on C-l 157 Being fair to evidence in scholarship. Montagu C-1582 Biber: 16 Rosenkrantzsonaten (record). Montagu Review: C-603 Biblical instruments - further to C-672. Montagu C-721 C-900 on conservation and accreditation. Montagu A response to Cary's C-906 Catalogue 3, Bowed stringed-instruments. Montagu /Kunitachi College, Tokio: C-645 Catalogue of old brasswind instruments. Montagu Bingham C-481 Citt/Gitt (cittern and gittern) again. Montagu C-1530 Citt/Gitt. Montagu C-1514 College, Tokio, 2 vols, rev edition. Montagu /musical instruments, Kunitachi C-1475 College, Tokio: Catalogue 5, Harp; Lyre. Montagu Review: Kunitachi C-645 College, Tokio: Catalogue 8, . Montagu Review: Kunitachi C-920 College, Tokio: Catalogue 9, Flute. Montagu Review: Gunji, Kunitachi C-988 Comments on C-448. Montagu C-473 Commonwealth Institute London (concert). Montagu /musicians of Jajouka at the C-316 Conservation, archaeology & museums. Montagu /UK Institute for Conservation: C-384 Cow bells, a request. Montagu C-l 156 Crafts Council Conservation Sourcebook. Montagu Review: C-242 - a letter from Hanchet to Montagu C-241

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Dawnym Instrumentarium, 1998; 184 pp. Montagu Review: Golos: Przewodnik Po C-l 114 Deutsche Musikinstrumentenbau. Montagu /(ed): Fiinf Jahrhunderte C-883 Die Romische Orgel von Aquincum. Montagu Review: Kaba: C-l49 Die nachtegael int wilde (record). Montagu Review: Rans, Misschaert: C-284 Don't go overboard about ivory. Montagu C-941 Ellis: Hanes y delyn yng Nghymru. Montagu Review: C-283 Ellis: The story of the harp in Wales. Montagu Review: C-283 Ensemble, the last of the troubadours. Montagu Review: Martin Best Medieval C-l071 Fairly, Flutes, flautists and makers. Montagu Review: C-445 Flote, Frankreich 1832-1932, 270 pp., Montagu /Das goldene Zeitalter der C-l239 FoMRHI book news. Montagu C-148 FoMRHI book news. Montagu C-56 Ford: Making musical instruments. Montagu Review: C-l88a Further to Cary's C-655. Montagu C-677 General: Music and book reviews. Montagu Bul-54 Getutscht, (tr Beth Bullard), 275 pp. Montagu Review: Virdung: Musica C-1241 Gunji, Kunitachi College, Tokio: lute. Montagu Review: C-949 Herre. Museum Musicum Leipzig. Montagu Review: Schrammek, C-416 Hertz to cents and vice versa. Montagu Converting C-732 Hope: Italian baroque guitar (record). Montagu Review: C-299 Intervals, scales and temperaments. Montagu Review: Boyle: C-191 Jansen: The , part I (plates). Montagu Review: C-l90 Jansen: The bassoon, part VIII & IX. Montagu Review: C-350 Journal XIII, 1987, October 1986. Montagu / Society C-895 Karp: Basic keyboard tuning techniques. Montagu Review: C-l06 Katalog der Streichinstrumente Berlin. Montagu Review: C-90 Klemt og Klang; Ringve Museum. Montagu Review: Kjeldsberg: C-l 10a Landesmuseum, Linz. Montagu /in the Oberosterreichisches C-l534 Larigot, no. 2, May 1988, October 1986. Montagu Review: C-895 Larigot; annual subscription to ACIMV. Montagu Review: C-l210 Laying & decorating harpsichord papers. Montagu Review: Mactaggart: C-399 Leipzig band 5 Horner und Zinken. Montagu /Musikinstrumenten Museum C-498 Lindley: Lutes, viols & temperaments. Montagu Review: C-555 Lost traditions - or are they? Montagu C-468 Making a spinet by traditional methods. Montagu Review: Barnes: C-601 Mandolins of the 18th century, 154 pp. Montagu Review: Stephen Morey: C-l269 March for two pairs of kettledrums. Montagu Review: Philidor: C-785 Metal-covered threads before 1600. Montagu C-139 More on Longman, Lukey & Broderip. Montagu C-751 Museum - part 2 (further to C-l297). Montagu /Wien, Kunsthistorisches C-l312 Museum Leipzig band 1 Floten. Montagu /Heyde: Musikinstrumenten C-l93 Museum Leipzig band 2 Kielinstrumente. Montagu /Henkel: Musikinstrumenten C-348 Museum Leipzig band 4 Clavichorde. Montagu /Henkel: Musikinstrumenten C-498 Museum, vol 1, keyed brass instruments. Montagu /Stewart: The Shrine to Music C-365 Museum: Exhibition catalogue 1987. Montagu Review: Ringve C-784 Music, November 1988, October 1986. Montagu Review: Early C-895

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Musica Maximiliana, Ekkehart Stegmiller. Montagu Review: Henning: C-805 Musical Instruments], 1991; 209 pp. Montagu /Polish terminology of Historic C-l 114 Musical instruments of the West. Montagu Review: Remnant: C-149 Musical instruments of the world. Montagu Review: Diagram_group: C-73 Musical instruments through the ages. Montagu Review: Hamber, Stanners: C-689 Musikhistoriska museets skrifter. Montagu /Musicae Popularis, C-l 11 Musikinstrumente des Altertums. Montagu /Vorreiter: Die schonsten C-480 Musikinstrumenter ved Ringve Museum. Montagu Review: Kjeldsberg: C-l 10 Musikinstrumenter ved Ringve Museum. Montagu Review: Kjeldsberg: C-429 Myers: The Glen account book 1838-1853. Montagu Review: C-669 National Museum, 1989, 415 pp. Montagu /Musikinstrumente, Germanisches .... C-1069 Notes on the Horniman Museum Handbook. Montagu C-43 On nomenclature - a rejoinder. Montagu C-351 Painting and marbling harpsichord cases. Montagu Review: Mactaggart: C-518 Peculiar tibiae. Montagu C-892 Pinniger: Insect pests in museums. Montagu Review: C-964 Relative string lengths of the crwth. Montagu C-444 Renaissance Instruments, catalogue. Montagu Review: Nothern C-315 Reports on FoMRHI seminars Syrus. Montagu C-55 Review: Bingham: Harmony for the flute. Montagu C-580 Review: Cornett and Sackbut, journal. Montagu C-192 Review: Divisions, volume 1, no. 2. Montagu C-212 Review: Divisions, volume 1, no. 3. Montagu C-263 Review: Divisions: volume 1, no. 1. Montagu C-172 Review: Ehrlich: The piano: a history. Montagu C-963 Review: Haine: Adolphe Sax. Montagu C-280 Review: Harpa no.28, spring 1998. Montagu C-1577 Review: Hope: Baroque guitar (record). Montagu C-209 Review: Hutchins: The physics of music. Montagu C-150 Review: Jansen: The bassoon, part I. Montagu C-171 Review: Jansen: The bassoon, part II. Montagu C-210 Review: Jansen: The bassoon, part IV Montagu C-261 Review: Jansen: The bassoon, part V Montagu C-281 Review: Jansen: The bassoon, part VI. Montagu C-298 Review: Jansen: The bassoon, part VII. Montagu C-310 Review: Jansen: The bassoon, part X. Montagu C-361 Review: Jansen: The bassoon, part XI. Montagu C-383 Review: Larigot 15, June 1994, ACIMV. Montagu C-1268 Review: Larigot 21, ACIMV. Montagu C-1578 Review: Larigot no.5, May 1989. Montagu C-918 Review: Larigot no.7, March 1990. Montagu C-978 Review: Larigot no.8, September 1990. Montagu C-990 Review: Larigot no.9, December 1990. Montagu C-1023 Review: Larigot, November 1989. Montagu C-950 Review: Leppert: Arcadia at Versailles. Montagu C-149 Review: Mactaggart: Practical guilding. Montagu C-583

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Review: Nema, Early music in education. Montagu C-643 Review: Orcutt: The Stradivari memorial. Montagu C-313 Review: Palmer: The hurdy-gurdy. Montagu C-276 Review: Paul: Modern harpsichord makers. Montagu C-400 Review: Pollens. The early pianoforte. Montagu C-1404 Review: Quarna: vivera di Strumenti. Montagu C-552 Review: Rose. Talks with bandsmen. Montagu C-1450 Review: The Woodwind Quartely, issue 2. Montagu C-l 183 Review: Tibia 1/80 journal. Montagu C-279 Review: Tibia-Calendrium 1984. Montagu C-516 Review: Traverso no.2, April 1989. Montagu C-919 Review: Zeugnisse alter Musik XI, 1980. Montagu C-262 Rice: the baroque clarinet, 197 pp. Montagu Review: C-l 104 Ringve Museums Skrifter nr.5, 33 pp. Montagu /Meriker Klarinetten; C-l 105 Roche: A dictionary of early music. Montagu Review: C-402 Rose and the instruments found in her. Montagu A working visit to the Mary C-l597 Scherchen: Handbook of conducting. Montagu Review: C-962 Seiermarkischen Landeszeughaus in Graz. Montagu /Die musikinstrumente im C-l09 Should museum instruments be used? Montagu C-389 Society Journal XLI, 1988, October 1986. Montagu Review: Galpin C-895 Solum: The early Flute, 1992; 164 pp. Montagu Review: C-l 132 Some comments on C-60. Montagu C-60a Sparks: The classical mandolin, 225 pp. Montagu Review: C-l357 Strumenti di Antonio Stradivari, 68 pp. Montagu Review: Tiella, Beare, et al.: C-l 108 Studia instrumentorum popularis VII. Montagu /Museet Stockholm: C-386 Syntagma Musicum Praetorius translated. Montagu Review: Blumenfeld: The C-346 Tasteninstrumente des Museums, Berlin. Montagu Review: Haase, Krickeberg: C-846 Taylor: The musician's piano atlas. Montagu Review: C-362 The UKIC and V&A Christmas symposium. Montagu C-501 The baroque flute fingering book. Montagu Review: Neuhaus: C-728 The bassoon, part II (plates) & III. Montagu Review: Jansen: C-245 The construction of a monochord. Montagu C-21 The early history of the viol. Montagu Review: Woodfield: C-582 The forked . Montagu C-304 The historical harpsichord, vol.1. Montagu Review: Schott: C-602 The manufacture of musical instruments. Montagu Review: Tullberg: C-72 The musician's piano atlas, suppl 1. Montagu Review: Taylor: C-584 The oldest organ in Christendom. Montagu C-534 The problem of nomenclature. Montagu C-323 The proud bassoon (catalogue). Montagu Review: Waterhouse: C-497 The recorder; a basic workshop manual. Montagu Review: Brown: C-936 Tinplate instruments- further to C-1568. Montagu C-1587 Tokio: bowed string instruments. Montagu /Gunji, Kunitachi College, C-949 Toll: Bar Consort Earl Music (record). Montagu Review: C-244 Tolley: Making musical instruments. Montagu Review: C-151 Two upon a Ground, SIG CD 007. Montagu Review: Charivari agreable: C-l598

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Tyler, Sparks: The Early Mandolin, 1989. Montagu Review: C-922 UKIC and V&A Christmas symposium 1983. Montagu /of early musical instruments, C-992 Victorian reed organs and harmoniums. Montagu Review: Fluke: C-667 Wallraf-Richartz Museum, Cologne. Montagu /of paintings and sculptures, C-1476 Weston: Samuel Hughes ophicleidist. Montagu Review: C-747 What do we mean by A=415? Montagu C-829 What should measuring tools be made of? Montagu C-733 What was the flauto d'echo? Montagu C-328 Widensky: Das Claviorganum (record). Montagu Review: C-870 Wien, Kunsthistorisches Museum. Montagu /alter Musikinstrumente C-l297 Wishart: Bagpipes & hurdy-gurdies. Montagu Review: Stacey C-581 Wydawnictwo Naukowe PWN, 1992; 422 pp. Montagu /Zabytkowe Organy C-l 114 Yet more on organological terminology. Montagu C-388 a vent. IV & V special & no. 16. Montagu /collectionneurs d'instruments C-1405 'Musical Instruments, Edinburgh 1904). Montagu /The Highland harp (part 2 of C-l267 a discography of music on early pianos. Montagu /The sound of the fortepiano: C-688 a history of the English slide trumpet. Montagu /Brownlow. The last trumpet - C-1487 an annotated bibliography. 19 pp. 1993. Montagu /of musical instruments: C-l 170 and 18th century in Nuremberg; 186 pp. Montagu /techniques used in the 17th C-l 103 and fortepiano magazine, October 1987. Montagu Review: The harpsichord C-843 and other taxonomy - further to C-1429. Montagu Hautboy C-1460 and restoration of musical instruments. Montagu /Meer, Thibault: Preservation C-91 at the English Court 1540-1690. 491 pp. Montagu /twenty fiddlers; the violin C-l208 au Musee Instrumental de Bruxelles. Montagu /Catalogue des instruments Sax C-311 audio-visual review of different types. Montagu /The psaltery; an annotated C-948 bagpipes in the Edinburgh collection. Montagu /Cheape: A check-list of the C-478 band 3 Trompeten, Posaunen, Tuben. Montagu /Museum Leipzig C-348 band 6 Orgelinstrumente, Harmoniums. Montagu /Museum Leipzig C-519 bards, preserved by tradition, etc 1784. Montagu /poetical relicks of the Welsh C-695 care of historic musical instruments. Montagu /Robert Barclay, ed. The C-l566 centrum voor oude muziek 3, 1987. Montagu /Jaarboek van het Vlaamse C-993 clarinettists and other performers. Montagu /for flutists, oboists, C-767 collections of the world, 185 pp., 1992. Montagu /musical instruments in public C-l 154 companion to brass instruments. Montagu /John Wallace. The Cambridge C-1546 conservation and technology journal. Montagu Review: Musical instrument C-211 cultures worldwide, Viols & violins). Montagu /instruments of regional C-1406 d'instruments a vent. VI special. Montagu /des collectionneurs C-1488 de musique occidenteaux, 1960-1992. Montagu /organologie; les instruments C-l296 della Pieta Venezia, Venezia 1990. Montagu /degli Strumenti dell'Istituto C-979 der Bruckner-Zeit, Linz. Montagu /Linzer Musikinstrumente C-499 di proprieta del comune di Rovereto. Montagu /Primon: Ricerche su un violino C-847 dictionary of musical instruments (A). Montagu Review: The new Grove C-604 dictionary of musical instruments 3 vol. Montagu Review: The new Grove C-578 dictionary of musical instruments. Montagu Review: Jenkins: International C-92 drawings housed in the Bate collection. Montagu Plans: List of available Bul-68 du Conservatoire de Paris, 1793-1993. Montagu /les collections instrumentales C-l503

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ed.: Fluting and Dancing, 1992; 200 pp. Montagu Review: Lasocki, C-l 115 ein Uberblick iiber sein Leben. Montagu Review: Nagy: Michael Haydn, C-364 en Wallonie et a Bruxelles etc. Montagu /d'instruments de musique C-745 exhibition at Edinburgh, August 1986. Montagu Review: The historic clarinet C-769 fur Lauteninstrumente (record). Montagu /J.S. Bach Kompositionen C-870 for , 1650-1800: a bibliography. Montagu Review: Haynes: Music C-690 for players & researchers. 504pp. Montagu /writings about the instrument C-1311 for playing the Welsh harp. Montagu /or method of instrumentation C-894 for the oboe 1650-1800: a bibliography. Montagu Review: Haynes: Music C-l 106 for the study of notes inegales. Montagu /instruments as a source C-264 fortepiano magazine, 4:5, April 1988. Montagu Review: Harpsichord and C-869 from Anglo-Saxon to Tudor times. Montagu /English bowed instruments C-786 from Anglo-Saxon to Tudor times. Montagu /English bowed instruments C-807 hearing, its nature and pedagogy. Montagu Review: Szende: Intervallic C-149 historic instruments, 1988. Montagu /Young: Loan exhibition of C-885 historical instruments. Abbott Segerman Montagu /periodicals with interests in C-27 historical woodwind instruments, 270 pp. Montagu /Phillip T. Young: 4900 C-l270 historisierende literarische Anthologie. Montagu /and des Barock, Band 1: Eine C-947 history and directory. 448 pp. Montagu /British isles; an illustrated C-l359 iconographical and documentary survey. Montagu /festival books, 1500-1800; an C-935 illustrated with examples, etc 1757. Montagu /of fingering the harpsichord; C-694 im Salzburger Museum Carolino Augusteum. Montagu /Die Holzblas Instrumente C-149 in Europa, Haags Gemeente Museum. Montagu /en volksmuziekinstrumenten C-520 in Liverpool Museum (182 pp). Montagu /European musical instruments C-l294 in Mittelalter und Renaissance. Montagu /der Musikinstrumente C-387 in the Edinburgh University collection. Montagu /the brass musical instruments C-363 in the middle ages and the renaissance. Montagu Review: Lane: The trombone C-462 in the renaissance and middle ages. Montagu Drum rythms for dance music C-887 instrument collections, Catalogues. Montagu Review: Coover: Musical C-425 instrument makers and inventors. 518 pp. Montagu /-a dictionary of musical C-l209 instruments and a few other sources. Montagu /British Library with musical C-8 instruments at the University of Iowa. Montagu Review: Ross: Musical C-213 instruments by Brauchli & Elizondo. Montagu /century music for two keyboard C-1013 instruments in Belgian collections. Montagu Review: Haine: Musica, musical C-946 instruments in Canadian collections. Montagu /Institute: Care of musical C-385 instruments in the 1851 exhibition. Montagu Review: Mactaggart: Musical C-746 instruments in the Edinburgh collection. Montagu /and hammered string musical C-428 instruments in the Edinburgh collection. Montagu /miscellaneous and ancillary C-447 instruments in the Edinburgh collection. Montagu /of the bowed string musical C-423 instruments in the Edinburgh collection. Montagu /of the double-reed musical C-401 instruments in the Edinburgh collection. Montagu /of the percussion musical C-428 instruments of the 17th-19th century. Montagu /of the European musical C-482 instruments, 1991, 132 pp & graphs. Montagu /practice for keyboard C-1070 instruments, Kunitachi College, Tokio. Montagu /The collection of musical C-844 interpretazione della musica, 1983. Montagu /vol.1, Studi e testi sull' C-554 is alive and well and living in Euskadi. Montagu The Pipe and Tabor C-l537

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junior traverso; Haka treble recorder. Montagu Review: , Stanesby C-966 luthiers Parisiens, 17-18th siecles. Montagu /ed. Instrumentistes et C-1452 makers, vol.XII no.l, March '93. Montagu /of musical instrument C-1171 metrics of recorders & traverso. Montagu Review: Kolberg: Ornamental C-938 musical instrument makers, August '89. Montagu /the Australian Association of C-950 musical instrument makers, November '90. Montagu /the Australian Association of C-l023 musikalisches Kleeblatt, 1697. Montagu /Kunst oder Vierfaches C-349 nine sonatas for clavichord (record). Montagu /Brauchli: Carlos Seixas's C-521 of Bradford art galleries & museums. Montagu /instruments in the collection C-1060 of Burma, India, Nepal, Thailand, Tibet. Montagu /Museum, vol 2 instruments C-479 of Historic Musical Instruments. Montagu /ed.: Edinburgh Collection C-1113 of Music Museum, Set of 13 postcards. Montagu Review: Royal College C-884 of Thomas Green 1742-1790. 169 pp. Montagu /Sheldrick, ed.: The accounts C-l206 of a forgotten instrument, 48 pp. Montagu /keyed monochord; rediscovery C-l240 of an exhibition: the look of music. Montagu Review: Barclay: Anatomy C-517 of historical musical instruments. Montagu /university collection C-845 of historical musical instruments. Montagu /university collection C-868 of musical instrument makers, Aug '85. Montagu /of the Australian Association C-668 of musical instrument makers, March '88. Montagu /of the Australian Association C-869 of musical instrument makers, March '89. Montagu /of the Australian Association C-939 of musical instrument makers, Oct 1989. Montagu /of the Australian Association C-923 of musical instruments, Oxford. Montagu /List the Bate collection Bul-68 of musical instruments; a check-list. Montagu /Good: The Eddy collection C-644 of pianos, Haags Gemeente Museum. Montagu /von Gleich: A check-list C-842 of prehistoric Scandinavia (record). Montagu Review: Lund: The sounds C-553 of regional cultures worldwide. Montagu /vol 2A, wind instruments C-l238 of the 17th-19th century (2nd issue). Montagu /European musical instruments C-991 of the baroque trumpet before 1721. Montagu /The music and history C-945 on the catalogue of the V& A Museum. Montagu Comments C-9 or allow? (on measuring instruments). Montagu /expect museums to provide C-1212 paintings of Danish medieval churches. Montagu /musical symbolism in the mural C-1449 part I, European wind instruments. Montagu /of Music Museum Catalogue C-446 performances in Westminster-Abbey. Montagu /An account of the musical C-312 practice and songs in France 1100-1300. Montagu /the middle ages - instrumental C-786 practice and songs in France 1100-1300. Montagu /the middle ages - instrumental C-808 principles of violin playing, (Knocker). Montagu /A treatise on the fundamental C-692 recollections of Arnold Dolmetsch. Montagu Review: Dolmetsch: Personal C-314 recorder collection of Frans Briiggen. Montagu Review: Zen-on: The C-426 renaissance clavichord I & II (records). Montagu Review: Brauchli: The C-266 renaissance sackbut and its use today. Montagu Review: Fischer: The C-600 ricerca su strumenti pre-rinascimentali. Montagu Review: Tiella: Indirizzi di C-265 special 1 du bulletin Larigot, ACIMV. Montagu /a vent, tome 2, numero C-1059 standards and accreditation in the UK. Montagu /establishment of conservation C-849 symphony #2, piano concerto #3. Montagu /Huggett, Verney, Beethoven C-1071 the Bagpipe Society, vol.1, part 1, '86. Montagu /Chanter, the journal of C-748 the Cyfarthfa Castle museum collection. Montagu /and percussion instruments in C-1060

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the Lot and Godfroy families 1650-1900. Montagu /Great flute makers of France: C-l 184 the Niirnberg brass instrument makers. Montagu On the skill of C-722 the evolution of an English piano. Montagu /Burnett: Seven Broadwoods; C-l358 the hurdy-gurdy and the vielle-a-roue. Montagu On the distinction between C-286 the original pedal harp, London 1821. Montagu /improved state compared with C-l267 theft, and the law, 1992; 126 pp. Montagu /fraud: deception, forgery C-l 134 there which have musical instruments. Montagu /Paris and some of the museums C-l457 thoughts on manufacture and production. Montagu Some C-251 to C-981 - Are reviews justified? Montagu Further C-982 to medieval and renaissance music. Montagu /Monroe. Adding percussion C-1451 to musical instruments, 1694-1866. Montagu /Patents for inventions related C-579 to musical instruments, 1992; 404 pp. Montagu /Baines: The Oxford companion C-l 116 to musical instruments, 1992; 404 pp. Montagu /Baines: The Oxford companion C-l 131 veneta: patrimonio e salvaguardia. Montagu Convegno di Studi Organaria C-871 vol 2-K (ancillary equipment). Montagu /University collection, C-1447 with Roger Prior. The Bassanos, 288 pp. Montagu Review: David Lasocki C-l579 with whither - it's what that counts. Montagu To hell C-568 works of CPE. Bach by Brauchli. Montagu Review: Record, keyboard C-1012 A letter to J. Montagu. Bashford C-686 Grove dictionary of musical instruments. Montagu (B) Review: The new C-646 instruments - supplement to/ Review: Montagu: Bate collection of historical C-811 Grove dictionary of musical instruments. Montagu (C) Review: The new C-671 Instruments by named makers; Jeremy Montagu Collection Survey: Bul-55 Grove dictionary of musical instruments. Montagu (D-E) Review: The new C-697 from the middle ages/ Review: Blades, Montagu: Early percussion instruments C-l8 Grove dictionary of musical instruments. Montagu (F) Review: The new C-727 Grove dictionary of musical instruments. Montagu (G) Review: The new C-749 in Mittelalter und/ Review: Montagu: Geschichte der Musikinstrumente C-387 Grove dictionary of musical instruments. Montagu (H) Review: The new C-768 Grove dictionary of musical instruments. Montagu (I) Review: The new C-812 Grove dictionary of musical instruments. Montagu (J-K) Review: The new C-848 Grove dictionary of musical instruments. Montagu (L-M) Review: The new C-897 instruments. Bowles Review: Montagu: Making early percussion C-19 Bible. Segerman Review: Montagu. Musical instruments of the C-l453 Grove dictionary of musical instruments. Montagu (N) Review: The new C-924 Report on the 16th century seminar. Montagu Segerman C-93 Segerman Review: Jeremy Montagu. The magpie in ethnomusicology C-l549 renaissance musical/ Review: Montagu: The world of medieval and C-44 renaissance musical/ Review: Montagu: The world of medieval and C-44c renaissance musical/ Review: Montagu: The world of medieval and C-44d renaissance musical/ Review: Montagu: The world of medieval and C-44e David Lasocki, the/ A reply to Jeremy Montagu's review of Richard Griscomb & C-l 333 Technology of/ Comments on Jeremy Montagu's review of the Conservation and C-l 117 Design of a viol belly. Moonen C-381 other renaissance windcap instruments. Moonen /Boydell: The and C-430 instruments in the Brussels/ Review: Moonen: Drawings of four woodwind C-282

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Music and Cinematographic (Leningrad). Moore /the State Institute of Theatre, C-147 Jerome of Moravia. Baines C-58 medieval fiddle. Segerman/ Jerome of Moravia and bridge curvature in the C-50 individualised modal/ Jerome of Moravia's first fiddle tuning as an C-1093 A correction to C-50 on Jerome of Moravia's second fiddle tuning./ C-95 music. Segerman The inverted mordent in late 16th and 17th century C-359 154 pp. Montagu Review: Stephen Morey: Mandolins of the 18th century, C-1269 Instrument Makers Association Limited. Morley The Early Musical C-26 Announcements: Morley clavichord No. 213. Bence Bul-91 cittern. Forrester The Morley consort lessons and the English C-931 shipwrecks, lake dwellings and rivers. Morrison Early music instruments from C-317 famous men ...', an obituary for Michael Morrow. Montagu 'Let us now praise C-l272 Michael Morrow. Segerman C-l273 Key lever fulcrum pin mortices. Robson C-l262 clavichord 1440-1840,/ Review: Boalch, Mould. Makers of the harpsichord and C-1402 Scraping plane for mouldings in wood. Greenberg C-571 How to make your own mouldings in wood. Hendry C-476 A bit more on mouthpieces. Chiverton C-1464 Brass mouthpieces. Chiverton C-1433 Referring to C-1433 on brass mouthpieces. Myers C-1465 Valves and mouthpieces for bagpipes. Gretton C-358 /vol 2-H iv&v (small and large mouthpieces for brass, Montagu C-1447 Institute & Museum, 19897 Review: Moyle: the Sound of Oceania, Auckland C-921 principles of violin playing,/ Review: Mozart: A treatise on the fundamental C-692 Plans: Mulhouse traverso, van Leeuwen Bul-49 Viol bellies and bridges. Munck C-557 of the woodwinds at the Stadtmuseum, Munich. Lyndon-Jones /of some C-l222 and renaissance (part 1)./ Review: Munrow: Instruments of the middle ages C-44a and renaissance (part 2)./ Review: Munrow: Instruments of the middle ages C-44b and renaissance. Segerman Review: Munrow: Instruments of the middle ages C-44 /Music aloft - musical symbolism in the mural paintings of Danish medieval/ C-1449 d'instruments de musique./ Review: Un musee aujourd'hui - des facteurs C-693 /Florence Getrau. Aux origines du musee de la musique: les collections/ C-1503 Plans: List Musee Grobet, Labadie Bul-28 Keyser: Catalogue des instruments Sax au Musee Instrumental de Bruxelles./ /de C-311 Plans: List Societe des Amis du Musee Instrumental, Paris Bui-11 Plans: List Societe des Amis du Musee Instrumental, Paris Bui-18 Plans: List Societe des Amis du Musee Instrumental, Paris Bul-28 Plans: List Societe des Amis du Musee Instrumental, Paris Bul-39 Plans: List Societe des Amis du Musee Instrumental, Paris Bul-43 Plans: List Societe des Amis du Musee Instrumental, Paris (new/ Bul-63 popularis/ Review: Musikhistoriska Museet Stockholm: Studia instrumentorum C-386 Drone system of the Lissieu musette. Greensitt C-405 General: 1992 Acquisitions at the Fiske Museum Bul-71 General: 1993 Acquisitions at the Fiske Museum Bul-75 Plans: List Brussels Museum Bul-11

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Plans: List Brussels Museum Bul-22 Terton recorder from Haags Gemeente Museum Plans: Bul-40 and publications, Haags Gemeente Museum. Plans: Musical instruments Bul-56 in the collection of the Haags Gemeente Museum. Bouterse /the Dutch recorders C-l037 Pictures etc in the Ashmolean Museum. Downing C-8a the liuto attiorbato by Choc in the V&A museum. Lourie /and photographs of C-259 woodwind instruments in the Brussels Museum. McCrone /Drawings of four C-282 /in Europa, Haags Gemeente Museum. Montagu C-520 A check-list of pianos, Haags Gemeente Museum. Montagu Review: von Gleich: C-842 Comments on the catalogue of the V&A Museum. Montagu C-9 Kjeldsberg: Klemt og Klang; Ringve Museum. Montagu Review: C-l 10a Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-l 10 Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-429 Wien, Kunsthistorisches Museum. Montagu /Musikinstrumente, C-l297 Montagu /Wien, Kunsthistorisches Museum - part 2 (further to C-1297) C-1312 musical instruments in Liverpool Museum (182 pp). Cole /ed.: European C-1293 musical instruments in Liverpool Museum (182 pp). Montagu /European C-l294 Sound of Oceania, Auckland Institute & Museum, 1989. Montagu /Moyle: the C-921 /Musikinstrumente, Germanisches National Museum, 1989, 415 pp. Montagu C-l069 Tremmel The curtals of the Maximilian Museum Augsburg: a reply to C-l224 C-l257 General: New acquisitions to the Fiske Museum, Ca Bul-54 General: New acquisitions to the Fiske Museum, Ca Bul-59 General: New acquisitions to the Fiske Museum, Ca Bul-63 /Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum. Montagu C-149 22 1976. Montagu Review: Salzburger Museum Carolino Augusteum: Jahresschrift C-149 Review: Royal College of Music Museum Catalogue part I, European wind/ C-446 the 1772 Kirckman harpsichord Ashmolean museum, CD or cassette. Montagu /on C-l071 /list, new acquisitions at the Fiske Museum, Claremont, California, USA Bul-83 instruments in the Cyfarthfa Castle museum collection. Montagu /percussion C-1060 and sculptures, Wallraf-Richartz Museum, Cologne. Montagu /of paintings C-1476 The NF treble recorder at the Museum der Stadt Meran. Zaniol C-485 An Irish hurdy-gurdy in the National Museum Dublin. Doyle C-270 /musical instruments in the National Museum Dublin, with notes on a English/ C-l52 Montagu Review: Ringve Museum: Exhibition catalogue 1987 C-784 Notes on the Horniman Museum Handbook. Montagu C-43 Alto recorder Steenbergen Groninger Museum (in C-l569). Bouterse Plans: Bul-91 oboe (museum code 808/69) in the V&A Museum in London. Bouterse /baroque C-l 181 Should museum instruments be used? Montagu C-389 Review: Heyde: Musikinstrumenten Museum Leipzig band 1 Floten./ C-l93 Review: Henkel: Musikinstrumenten Museum Leipzig band 2 Kielinstrumente./ C-348 Review: Heyde: Musikinstrumenten Museum Leipzig band 3 Trompeten,/ C-348 Review: Henkel: Musikinstrumenten Museum Leipzig band 4 Clavichorde./ C-498 Review: Heyde: Musikinstrumenten Museum Leipzig band 5 Horner und/ C-498 /Henkel, Schrammek: Musikinstrumenten Museum Leipzig band 6 Orgelinstrumente,/ C-519 Plans: List V&A Museum, London Bul-20 Plans: List V&A Museum, London Bul-8

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Review: Schrammek, Herre: Museum Musicum Leipzig. Henning C-496 Review: Schrammek, Herre. Museum Musicum Leipzig. Montagu C-416 Plans: List Metropolitan Museum of Art, New York Bul-40 Plans: List Metropolitan Museum of Art, New York Bul-6 Quigley Boston Museum of Fine Arts - 1989 Report C-952 /Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp)./ C-1291 /Keyboard musical instruments in the Museum of Fine Arts Boston (408 pp)./ C-l292 /the Latvian State Museum, the Riga Museum of History and Shipping, Riga./ C-1072 /of Theatre and Music, Vilnius, the Museum of Theatre and Music, Tallinn,/ C-1072 /to the Baltic states; including the Museum of Theatre and Music, Vilnius/ C-1072 Plans: List Hill collection, Ashmolean Museum, Oxford Bul-22 Bulletin: CD-RoM museum pictures. Segerman Bul-87 Review: Royal College of Music Museum, Set of 13 postcards. Montagu C-884 /and Music, Tallinn, the Latvian State Museum, the Riga Museum of History and/ C-1072 (Floten;/ Review: Dreieich Museum: Two catalogues of exhibitions C-424 Plans: List the Shrine to Music Museum, Vermillion, USA (Italian/ Bul-54 Review: Stewart: The Shrine to Music Museum, vol 1, keyed brass instruments./ C-365 Review: Cross: The Shrine to Music Museum, vol 2 instruments of Burma,/ C-479 Measuring instruments in museums & conservation. Ransley C-1213 Bulletin: Further to C-1457 (Paris museums). Hailperin Bul-88 Conservation, archaeology & museums. Montagu /for Conservation: C-384 Review: Pinniger: Insect pests in museums. Montagu C-964 collection of Bradford art galleries & museums. Montagu /instruments in the C-1060 On measures of instruments in museums. Segerman, Abbott C-63 Haase, Krickeberg: Tasteninstrumente des Museums, Berlin. Montagu Review: C-846 drawings. Segerman Abbott Museums, commercialism and instrument C-42 /Aksdal: Meraker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp. Montagu C-l 105 A visit to Paris and some of the museums there which have musical/ C-1457 What can we reasonably expect museums to provide or allow? (on/ C-1212 Mace's theorbo from Musick's Monument, 1676. Miller C-154 On musicologists and early music. Segerman C-1217 Review: Zeugnisse alter MusikXI, 1980. Montagu C-262 instrumentorum popularis VII./ Review: Musikhistoriska Museet Stockholm: Studia C-386 /Studia Instrumentorum Musicae Popularis, Musikhistoriska museets skrifter./ C-l 11 (ed): Fiinf Jahrhunderte Deutsche Musikinstrumentenbau. Montagu /Moeck C-883 Plans: List Musikinstrumentenmuseum, Berlin Bul-52 An early gemshorn. Muskett C-271 for learning to play the vielle-a-roue. Muskett /Durichen: Corrette's Method C-277 hurdy-gurdy. Tolley Review: Muskett: Method for the vielle or C-243 Plans: list, Muzeum Ceske Hudby, Praha Bul-83 Association in instrument collections. Myers C-1246 Nominal pitch. Myers C-1247 Pitch notation: a plea to end confusion. Myers C-630 instruments of the Edinburgh University. Myers /collection of historic musical Bul-91 instruments of the Edinburgh University. Myers /collection of historic musical C-1087 instruments of the Edinburgh University. Myers /collection of historic musical C-l340

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instruments of the Edinburgh University. Myers /collection of historic musical C-1458 our instruments HISTORIC or HISTORICAL? Myers Are C-l245 to C-1433 on brass mouthpieces. Myers Referring C-1465 /catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and/ C-l211 instruments in the Edinburgh/ Review: Myers: A check-list of the brass musical C-363 musical instruments in the/ Review: Myers: Cartledge, Catalogue of the brass C-1060 musical instruments in/ Review: Field, Myers, ed. Catalogues of historic C-1447 Historic Musical Instruments,/ Review: Myers, ed.: Edinburgh Collection of C-l 133 Historic Musical Instruments./ Review: Myers, ed.: Edinburgh Collection of C-l 113 instruments in the Edinburgh/ Review: Myers, ed. Historical musical C-l406 European wind and percussion/ Review: Myers, Herbert: Catalogue of the C-1060 musical instruments in the/ Review: Myers, Parks, ed. Catalogues of historic C-1447 in Europe and the United States. Jones, Myers, Rice /(alto ophicleides) C-1499 Montagu Review: Myers: The Glen account book 1838-1853 C-669 iiber sein Leben. Montagu Review: Nagy: Michael Haydn, ein Uberblick C-364 string diameter on Mersenne's bass viol. Namreges A C-343 A dynamic harpsichord action. Napier-Hemy C-1022 Mersenne's monochord. Napier-Hemy C-1054 meeting report Oxford 17 Mar '91. Napier-Hemy /technology 1450-1550; C-l029 violin stringing. Segerman Napolitan mandolins, wire strengths and C-713 Building and playing a Narh. Madgwick C-724 /Musikinstrumente, Germanisches National Museum, 1989, 415 pp. Montagu C-l069 An Irish hurdy-gurdy in the National Museum Dublin. Doyle C-270 18th century musical instruments in the National Museum Dublin, with notes on a/ C-l52 Plans: List Germanisches Nationalmuseum, Nurnberg Bul-27 Plans: Naust traverso, Leningrad, Raudonikas Bul-49 A jig for preparing and glueing lute neck joints. Ellis C-233 Lute pegboxes and necks. Samson C-41 proprieta del/ Review: Tiella, Negri, Primon: Ricerche su un violino di C-847 Review: Nema, Early music in education. Montagu C-643 /vol 2 instruments of Burma, India, Nepal, Thailand, Tibet. Montagu C-479 book. Montagu Review: Neuhaus: The baroque flute fingering C-728 in more part renaissance dance music. Neumann No percussion C-915 30's. Tiella About Neupert harpsichord technology in the C-l526 /(appendix Gaffurius's 'breathing' and Neusidler's counting). Segerman C-l 130 Review: Ellis: Hanes y delyn yng Nghymru. Montagu C-283 Krumhorner, or/ Preatorius' Basset Nicolo - Lang Strack Basset zu den C-l049 Praetorius's Basset Nicolo, a reply to C-l049. Gire C-1064 More on Praetorius' Basset Nicolo, a reply to C-l064. Foster C-1081 A 17th century French harpsichord. Nobbs C-1041 On nomenclature - a rejoinder. Montagu C-351 The problem of nomenclature. Montagu C-323 English nomenclature of extended lutes. Spencer C-337 instruments. Meeus The nomenclature of plucked keyboard C-368 Non-ferrous harpsichord wire. Way C-576 Review: Kjeldsberg: Piano i Norge. Aanstad C-696

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Blowhorns of 19th century North America. Downing C-l568 Myers Pitch notation: a plea to end confusion C-630 Crookes The Davidic notation system, a sequel to C-l287 C-l299 New Braille codes for some early music notations. Williams C-1456 of misunderstanding (further to C-l 185). Novak Clinkscale /or a statement C-l242 1700-1820. Cole Review: Novak Clinkscale: Makers of the piano C-l 185 used in the 17th and 18th century in Nuremberg; 186 pp. Montagu /techniques C-l 103 pitches./ Praetorius's and surviving Nuremberg sackbut lengths and playing C-l371 Plans: List Germanisches Nationalmuseum, Nurnberg fiul-27 The way from Thoiry to Nurnberg. Gug C-766 Montagu On the skill of the Nurnberg brass instrument makers C-722 Untitled (craftsmanship of Nurnberg horns). Barclay C-760 Jobst Meuler or the secret of a Nurnberg wire drawer. Gug C-866 CNCs, the sledgehammer and the nut. Ackerman C-l 163 string./ Fret distances from the nut for every interval above the open C-l79 extended-neck lute. Segerman Nut groove diameters on a Sellas C-776 General: Instructions for working tagua nuts, a substitute for ivory Bul-71 Nuts, bolts and plugs. Marvin C-146 A tiny harp made from bog oak. Crookes C-560 /of timber - includes bogwood, bog oak, bog pine, alder. Downing C-l074 early music/ From small acorns, large oak tress grow; a personal report on C-1026 /Young. Woodwind instruments in the Oberosterreichisches Landesmuseum,/ C-1534 Robert Greenberg, an obituary. Barnes C-l380 'Let us now praise famous men ...', an obituary for Michael Morrow. Montagu C-1272 Obituary Len Stanners. Smith C-l384 the Gesellschaft der Freunde der Wiener Oboe Bulletin: Foundation of Bul-93 A peculiar Fornari oboe. Bernardini C-725 Montagu Review: Haynes: Music for oboe, 1650-1800: a bibliography C-690 Review: Haynes: Music for the oboe 1650-1800: a bibliography. Montagu C-l 106 On writing a history of the oboe in the 19th century. Burgess C-l279 Some remarks on the W. Beukers baroque oboe (museum code 808/69) in the V&A/ C-l 181 /of locations and citations of early oboe reeds and accessories. Burgess C-818 A profile of Mr Ling - English oboe reeds around 1800. Burgess C-804 Making unsoldered oboe staples. Kirkpatrick C-431 Three boxwood by Hendrik Richters. Bouterse C-l259 /University collection (Cornets & Tubas, Oboes, Clarinets, Stringed instruments/ C-1406 /check-list of iconography for oboe-type instruments, reeds and/ C-764 of preluding, 1700-1830 for flutists, oboists, clarinettists and other/ /art C-767 instrument conservation and restoration. O'Brien Attitude to musical C-10 conservation and restoration by O'Brien. Barnes /to musical instrument C-lOa The Maler and Frei lutes - some observations. Downing C-128 Way Tentative observations about barred soundboards C-575 (further to C-l559)7 Some tangential observations about hurdy gurdies C-l573 The cittern in Italy - notes, observations and speculations./ C-858 Barclay Some observations on the'natural'trumpet C-1216 keyboards separated 200 years. Lee Observations on the wear of two C-914

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the kithara. Crookes Observations prelusive to reconstructing C-508 Just a last(?) bang at Ockham (Occam). Chiverton C-1411 Suppliers for Occam's razor. Goodacre C-l376 On the upsetting power of Occam's razor. Segerman C-l365 Response to C-1302 on Occam's razor. Segerman C-l303 Thoughts on C-l276 'Occam's razor'. White C-l302 ensuring objectivity in scholarship./ Occam's razor: the formal method for C-l276 19897 Review: Moyle: the Sound of Oceania, Auckland Institute & Museum, C-921 Supplement: Chiverton's Ockham. Segerman Sup-84 Chiverton's Ockham bang. Loretto C-1434 Just a last(?) bang at Ockham (Occam). Chiverton C-1411 An experimental method. Odell C-711 Bulletin: Odilia Publishing Ltd.: harps Bul-93 Woodwind bore oil. Karp C-406 Pale drying oil. Wadsworth C-617 Woodwind bore oil. Willetts C-475 Oil and varnish. Mactaggart C-616 your recorder. Simmons The good oil; what really happens when you oil C-l228 good oil; what really happens when you oil your recorder. Simmons The C-l228 on Bull. Supp. 34: O'Kelly table. O'Kelly Comments C-526 string calculation and identification. O'Kelly Lute C-527 Comments on Bull. Supp. 34: O'Kelly table. O'Kelly C-526 A provisional list of quinticlaves (alto ophicleides) in Europe and the United/ C-l499 Review: Weston: Samuel Hughes ophicleidist. Montagu C-747 Montagu Review: Orcutt: The Stradivari memorial C-313 The British ten foot organ. Goetze C-l383 Introduction to the small organ. Gwynn C-296 Braga cathedral - gospel organ. Pereira C-418 answers to C-l252)7 The transposing organ and choir pitch in England: C-l261 short test. Goetze The transposing organ and choir pitch in England: a C-l252 The oldest organ in Christendom. Montagu C-534 An interesting organ loft in Antwerp. Lyndon-Jones C-l 187 Paper portative organ pipes. Bridges C-l062 Paper organ pipes. Gill C-l050 Old keyboard tablature used in making organ pipes. Pereira C-257 Organ pitch. Gwynn C-342 Comments on early 18th century organ pitches. Gwynn C-l 101 On early 17th century English vocal and organ pitches. Segerman C-l290 Reply to C-l329 on English organ pitches. Segerman C-l347 experimental studies on brass used for organ reeds. Gug Historic and C-893 The key system of the organistrum. Gibson C-510 C-351. Segerman More on organological terminology - response to C-376 Yet more on organological terminology. Montagu C-388 /Florence Getrau, ed.: La recherche en organologie; les instruments de musique/ C-l296 Dean castle: van Raalte collection organs. Coetze C-511 Pitch standards of early English organs - response to C-1383. Segerman C-1398

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Review: Fluke: Victorian reed organs and harmoniums. Montagu C-667 Segerman's C-l2907 Transposing organs and pitch in England: response to C-l329 appendix of a catalogue of/ English organs and transposition skills (with an C-l 127 (including/ Plans: Harpsichords, organs, trumpet, tromba marina Bul-58 David's three-part organum (sequel to C-l299). Crookes C-l326 422/ Review: Rosionski: Zabytkowe Organy, Wydawnictwo Naukowe PWN, 1992; .. C-l 114 Review: Kaba: Die Romische Orgel von Aquincum. Montagu C-149 The words authentic and original. Segerman c.53 Estimation of original bore in old instruments. Gill C-1432 /to C-l 111: What is a 'copy' of an original instrument?. Loretto C-l 118 What is a 'copy' of an original instrument? Segerman C-llll The use of drawings of original instruments. Lambert C-942 viols. Segerman Ruminations on original methods of constructing English C-l575 present improved state compared with the original pedal harp, London 18217 /its C-1267 varnishes of lutes in Italy./ Some original receipts, appertaining to the C-240 Haynes Appeal for pitches of original traversos and recorders C-1039 traverso. Montagu Review: Kolberg: Ornamental metrics of recorders & C-938 On the Palmer orpharion. Segerman Abbott C-16 Orpharion news. Segerman C-407 baroque guitar - one day course - Hope. O'Sea The C-319 Abbott Overspun string calculations. Segerman C-l63 On the time of invention of overspun strings. Abbott Segerman C-174 Overspun strings. Karp C-102 German baroque lutes and overspun strings. Peruffo C-l350 Mace on overspun strings. Segerman C-1440 Comments on C-483: review of Der Zink. Overton C-505 and Spieltechnik eines/ Review: Overton: Der Zink, Geschichte, Bauweise C-483 A reed-scraping tool. Owen C-801 Some historical notes on acid staining. Owen C-1226 Some historical notes on acid staining. Owen C-131 to frequency values by micro computer. Owen Converting note names & cents C-551 Bressan recorder from Bate collection, Oxford Plans: Bul-40 List Hill collection, Ashmolean Museum, Oxford Plans: Bul-22 Plans: Complete list Bate collection, Oxford Bul-56 Plans: List woodwind, Bate collection, Oxford Bul-35 Plans: List woodwind, Bate collection, Oxford Bul-36 Plans: List woodwind, Bate collection, Oxford Bul-37 Plans: List woodwind, Bate collection, Oxford Bul-38 Plans: List woodwind, Bate collection, Oxford Bul-45 /technology 1450-1550; meeting report Oxford 17 Mar'91. Napier-Hemy C-1029 in 17th century England; meeting report Oxford 3 Feb'91. Gouk /technology C-1028 1992; 404 pp./ Review: Baines: The Oxford companion to musical instruments, C-l 116 1992; 404 pp./ Review: Baines: The Oxford companion to musical instruments, C-l 131 Bate collection of musical instruments, Oxford. Montagu Plans: List the Bul-68 list,/ Plans: List Bate collection, Oxford, supplement to the 1989 check Bul-60 practical guide/ Review: Lucy: Pitch, ;rand other musical paradoxes: a C-896

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Jean de Gerson's Tractatus de Canticis. Page Musical instruments in C-l2 Parrish: Johannes Tinctoris translated. Page Review: C-326 What's wrong with early music? Page C-813 in medieval Latin biblical glosses. Page Musical instruments C-l3 string materials in some medieval texts. Page References to C-l4 Middle Ages;/ Review: Christopher Page. Music and instruments of the C-l565 ages - instrumental practice/ Review: Page: Voices & instruments of the middle C-786 ages - instrumental practice/ Review: Page: Voices & instruments of the middle C-808 ages - instrumental practice/ Review: Page: Voices & instruments of the middle C-809 Montagu Review: Mactaggart: Painting and marbling harpsichord cases C-518 Notes on a painting by Sabastino Lazzari. Downing C-484 Painting harpsichords. Way C-307 /The Hoogsteder Exhibition of Music & Painting in the Golden Age. 386pp, CD+/ C-1310 Painting keyboard instruments. Rawson C-291 an early music movement and not an early painting movement? Segerman /is there C-1079 and colour of the bowed instruments in paintings. Badiarov /varnishes C-l595 Review: CD-ROM catalogue: Collection of paintings and sculptures,/ C-l476 /aloft - musical symbolism in the mural paintings of Danish medieval churches./ C-1449 Further to C-276. Palmer C-288 The hurdy-gurdy. Palmer C-275 shafts and bearings for hurdy-gurdies. Palmer On C-340 On the Palmer orpharion. Segerman Abbott C-l6 Review: Palmer: The hurdy-gurdy. Montagu C-276 The colour of the Ruckers' wood-grain paper. Shann C-570 Paper organ pipes. Gill C-l050 Paper portative organ pipes. Bridges C-1062 Reducing and enlarging paper sizes. Lambert C-1017 Laying & decorating harpsichord papers. Montagu Review: Mactaggart: C-399 Parchment roses. Kemner C-235 Vellum and parchment roses. Rawson C-l67 Parchment roses. Theakston C-234 Rawson Parchment roses for harpsichords C-l524 baroque guitars and harpsichords./ Parchment roses in citterns, lute, C-l515 des Amis du Musee Instrumental, Paris Plans: List Societe Bui-11 des Amis du Musee Instrumental, Paris Plans: List Societe Bui-18 des Amis du Musee Instrumental, Paris Plans: List Societe Bul-28 des Amis du Musee Instrumental, Paris Plans: List Societe Bul-39 des Amis du Musee Instrumental, Paris Plans: List Societe Bul-43 instrumentales du Conservatoire de Paris, 1793-1993. Montagu /collections C-l503 Historical tests on Pleyel's music wire, Paris 1811. Gug C-901 /No.l: Martin Freres & Famille, Paris, 93 rue de la Chapelle C-l044 which have musical/ A visit to Paris and some of the museums there C-1457 List of plans. Paris Conservatoire C-246 des Amis du Musee Instrumental, Paris (new address) /List Societe Bul-63 string quality and thickness, and the Paris vihuela. Segerman Vihuela C-1483 /ed. Instrumentistes et luthiers Parisiens, 17-18th siecles. Montagu C-1452

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musical instruments in/ Review: Myers, Parks, ed. Catalogues of historic C-1447 /Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones. Montagu C-1211 Page Review: Parrish: Johannes Tinctoris translated C-326 harpsichord; illustrated with/ Review: Pasquali: The art of fingering the C-694 flaccid. White Preserving passion and conviction: fend off the C-1338 Response to C-1500 (recorder patents). Loretto C-l506 Old recorders for new (recorder patents). Madgwick, Loretto C-1486 Comments to C-1486 (recorder patents). Thomas C-l500 musical instruments,/ Review: Bingham: Patents for inventions related to C-579 early renaissance tunings and fretting patterns. Segerman On medieval and C-89 A method for casting harpsichord roses. Paul C-403 A method of casting harpsichord roses. Paul C-392 Ivory alternatives. Paul C-1006 John Paul - An appreciation C-1045 Memories of John Paul. White C-1066 Montagu Review: Paul: Modern harpsichord makers C-400 Computing lute rib shapes. Peckham C-417 Bone for peg decoration. Jenkins C-487 Peg fitting. Segerman C-l606 Peg mill attached to a lathe. Steafel C-372 Peg taper finisher and cutter. Mather C-185 Lute pegboxes and necks. Samson C-41 Why are lute pegboxes bent back? Segerman Abbott C-40 Lute pegboxes in pictures 1600-1800. Samson C-47 On extended peghead lutes. Hodgson C-738 Making lute pegs. Miller C-140 Regarding lute pegs and bridges. Curry C-17 The string formula, van Pelt C-81 Pepys' viol. Forrester C-857 Pepys's minikin. Downing C-1567 dance music. Neumann No percussion in more part renaissance C-915 Review: Montagu: Making early percussion instruments. Bowles C-l9 ages/ Review: Blades, Montagu: Early percussion instruments from the middle C-l8 /Catalogue of the European wind and percussion instruments in the Cyfarthfa/ C-1060 Review: Blades: A check-list of the percussion musical instruments in the/ C-428 music./ Review: Monroe. Adding percussion to medieval and renaissance C-1451 (keyboard instrument classification). Pereira Untitled C-717 Artificial ivory made from milk. Pereira C-201 Braga cathedral - gospel organ. Pereira C-418 On accuracy of measurements. Pereira C-222 on drawings of keyboard instruments. Pereira More C-273 tablature used in making organ pipes. Pereira Old keyboard C-257 scissors. Williams Perforating soundboard roses with C-434 Crombie. Piano: evolution, design and performance. Cole Review: David C-1477 of the Middle Ages; studies on text and performance. Montagu /and instruments C-1565 /Burney: An account of the musical performances in Westminster-Abbey./ C-312

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oboists, clarinettists and other performers. Montagu /for flutists, C-767 On current uniformity in performing style. Segerman C-l 158 A&Q: Clarinets by Koch. Perini Bul-89 (see also C-1235, C-1254 and C-1255). Peruffo /weighted bass gut strings C-l288 More on gut strings. Peruffo C-1417 More on gut strings. Peruffo C-1466 Ramelli, loaded gut strings and gansars. Peruffo More on C-l351 baroque lutes and overspun strings. Peruffo German C-l350 lutes and other gut strung instruments. Peruffo /of bass strings for C-1021 Early instruments in St Petersburg. Henning C-l253 Praetorius' pitchpipe pfeifflin zur ChormaB. Heavens C-l328 kettledrums. Montagu Review: Philidor: March for two pairs of C-785 (music criticism). Cousen Philip Stubbes: anatomy of abuses, 1583 C-1386 the Oberosterreichisches/ Review: Philip Young. Woodwind instruments in C-1534 Phosphorous iron music wire. Shann C-821 Painting in the Golden Age. 386pp, CD + photo CD. 130 Dfl. Montagu /Music & C-1310 Photogrammetric measurement. Hobrough C-332 Comments on technical drawings and photographs of musical instruments. Lee C-68 Choc in the/ Notes on the drawings and photographs of the liuto attiorbato by C-259 bases of great Italian/ Studies on the physical and technical construction C-879 Segerman Discussion of the physics of bowing - response to C-794 C-820 Review: Hutchins: The physics of music. Montagu C-l50 Making a silk 'sunburst' for a cabinet piano. Mobbs, Mobbs C-1473 Broadwoods; the evolution of an English piano. Montagu Review: Burnett: Seven C-l358 Review: Novak Clinkscale: Makers of the piano 1700-1820. Cole C-l 185 Quarterly review of 'Makers of the Piano 1700-1820', a question of/ /FoMRHI C-l242 Review: Ehrlich: The piano: a history. Montagu C-963 Review: Taylor: The musician's piano atlas. Montagu C-362 Review: Taylor: The musician's piano atlas, suppl 1. Montagu C-584 /reports: restoration of square piano c. 1820 by Gaiser. Barnes C-l 16 Huggett, Verney, Beethoven symphony #2, piano concerto #3. Montagu /Band, C-1071 performance./ Review: David Crombie. Piano: evolution, design and C-l477 Review: Kjeldsberg: Piano i Norge. Aanstad C-696 Giusti/ Documentation of a Fort'e Piano mechanism once existing in the C-l 17 Johann Socher's square piano of 1742. Cole C-1446 Review: Pollens. The early pianoforte. Cole C-1403 Review: Pollens. The early pianoforte. Montagu C-l404 the years 1823-1825. Gug English pianoforte wire - a controversy during C-853 Restoration reports for two Broadwood pianos. Barnes C-366 strings for clavichords and square pianos. Barnes Covered C-329 a discography of music on early pianos. Montagu /of the fortepiano: C-688 Early pianos at Ipswich. Barnes C-681 Review: von Gleich: A check-list of pianos, Haags Gemeente Museum. Montagu .... C-842 Bulletin: CD-RoM museum pictures. Segerman Bul-87 Trust but don't believe what you see in pictures. Segerman C-l509 Lute pegboxes in pictures 1600-1800. Samson C-47

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Downing Pictures etc in the Ashmolean Museum C-8a Instruments at SchloB Pillnitz. Lyndon-Jones C-l306 curtals from Augsburg, Sonderhausen and Pillnitz. Lyndon-Jones Four great C-1305 Leeuwen Method for drilling the hinge pin hole in the foot of a traverso. van C-619 Key lever fulcrum pin mortices. Robson C-l262 timber - includes bogwood, bog oak, bog pine, alder. Downing /treatment of C-1074 A simple, safe method for making pine resin varnish. Duncalf Segerman C-302 Montagu Review: Pinniger: Insect pests in museums C-964 A method for making traditional tuning pins. Barnes C-200 Browning harpsichord Pins- Way C-367 living in Euskadi. Montagu The Pipe and Tabor is alive and well and C-l537 Paper portative organ pipes. Bridges C-1062 Woodwinds - boring pipes. Downing C-1260 Paper organ pipes. Gill C-1050 keyboard tablature used in making organ pipes. Pereira Old C-257 /in pitch between wider and narrower pipes of the same length. Bouterse C-1408 On catlines and Pistoy basses. Segerman C-1235 gut strings/ On Venice catlins, lyons, Pistoy basses and loaded weighted bass C-l288 Organ pitch. Gwynn C-342 Nominal pitch. Myers C-1247 Mersenne's iron and Ruckers 6 foot pitch. Segerman C-1494 Supplement: Praetorius's recorder pitch. Segerman Sup-84 FoMRHI conference on pitch and transposition. Rose C-322 /resonance of baroque transverse flute: I pitch axis and wind bands. Raudonikas C-l70 /some thoughts about the differences in pitch between wider and narrower pipes/ C-1408 Further comments to the pitch dispute. Haynes, Segerman C-1099 The transposing organ and choir pitch in England: a short test. Goetze C-l252 The transposing organ and choir pitch in England: answers to C-1252)./ C-1261 C-l2907 Transposing organs and pitch in England: response to Segerman's C-1329 Keyboard pitch in the 18th century. Karp C-627 Myers Pitch notation: a plea to end confusion C-630 Segerman On measuring the pitch of early wind instruments C-1372 'consort flute pitch' and 'church pitch off. Segerman /especially C-l 100 The pitch of Ruckers instruments. Shann C-593 a practical guide to/ Review: Lucy: Pitch, ;rand other musical paradoxes: C-896 Segerman Mersenne's sackbut and pitch, plus playing with C-1373 A closer look at pitch ranges of gut strings. Segerman C-632 Mersenne's pitch standard. Segerman C-l374 of/ /Praetorius and the English viol pitch standard: problems of the history C-490 to Eph Segerman's C-l063; on English pitch standards. Haynes Response C-1082 Another note concerning Praetorius's pitch standards. Segerman C-79 16th century. Segerman Supplement: Pitch standards and playing viols in the Sup-92 Segerman Pitch standards in northern Italy C-1489 On German, Italian and French pitch standards in the 17th and 18th/ C-442 Segerman/ Praetorius and English pitch standards in the 17th century C-38 Segerman English pitch standards, mostly c.1600 C-1063

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- response to C-l383. Segerman Pitch standards of early English organs C-l398 in the/ The names, string lengths and pitch standards of extended-neck lutes C-59 Measuring instrument pitch with a pocket tuner. Downing C-l248 length. Samson The range of pitch with gut strings of a given C-66 Some flute pitches. Chiverton C-l 120 Comments on early 18th century organ pitches. Gwynn C-l 101 18th century German and French pitches? Haynes C-891 problems of the history of early pitches. Meeus /pitch standard: C-490 17th century English vocal and organ pitches. Segerman On early C-l290 18th century German and French pitches. Segerman C-683 English bass violins, and catlin highest pitches. Segerman Late 17th century C-l590 English viol sizes and pitches. Segerman C-597 Nuremberg sackbut lengths and playing pitches. Segerman /and surviving C-l371 Reply to C-l329 on English organ pitches. Segerman C-l347 Response to C-490 on English viol pitches. Segerman C-491 C-891 (on 18th century German and French pitches) by Bruce Haynes? Segerman /to C-1098 pitch' and/ Early 18th century English pitches, especially'consort flute C-l 100 Segerman Review: Karp: The pitches of 18th century strung keyboard C-606 Untitled (the pitches of flutes). Cameron C-723 The sizes and pitches of Italian archlutes. Hodgson C-464 recorders. Haynes Appeal for pitches of original traversos and C-l039 Segerman The sizes and pitches of Praetorius's sackbuts C-l200 Classification system of the pitches with various absolute height./ C-301 temperament using an equal temperament pitchmeter. Chiverton /an unequal C-835 Using the pitchmeter and digituner. Crowe C-535 Heavens Praetorius' pitchpipe pfeifflin zur ChormaB C-l328 Champollion Little French harpsichord plan, as asked for by Geza Vojnic C-720 Questions on bending and a plan for crumhorns. Buck C-l271 Scraping plane for mouldings in wood. Greenberg C-571 Re: scraping plane in C-571. Young C-586 Glover Plane scraping for profit and pleasure C-318 Small planes. Williams C-230 stringed instruments. Young Planes for shaping arched bellies of C-l68 Planning a workshop. Rawson C-l82 (harpsichords by William Smith, and/ Plans: Bate collection, two new plans Bul-76 List of plans. Paris Conservatoire C-246 Standards for instrument plans. Williams C-231 Groninger Museum (in C-l569)7 Plans: Alto recorder Steenbergen Bul-91 Plans: Bass recorder, Bergstr0m Bul-43 (flutes by Delerable, Lot, and/ Plans: Bate collection, three new plans Bul-75 collection, Oxford Plans: Bressan recorder from Bate Bul-40 Oxford Plans: Complete list Bate collection, Bul-56 Plans: Drawings available. Bouterse Bul-72 Plans: Eerens traverso, van Leeuwen Bul-43 Plans: Bate collection, three new plans (flutes by Delerable, Lot, and/ Bul-75 and/ Plans: Bate collection, two new plans (harpsichords by William Smith, Bul-76

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tromba marina (including/ Plans: Harpsichords, organs, trumpet, Bul-58 Raudonikas Plans: Hotteterre traverso, Leningrad, Bul-49 Plans: Italian harpsichords, Wraight Bul-5 supplement to the 1989 check list,/ Plans: List Bate collection, Oxford, Bul-60 Plans: List Brussels Museum Bui-11 Plans: List Brussels Museum Bul-22 genootschap, Antwerpen Plans: List cembalo, Ruckers Bul-46 collection Plans: List Edinburgh University Bul-43 collection Plans: List Edinburgh University Bul-46 collection Plans: List Edinburgh University Bul-50 collection Plans: List Edinburgh University Bul-53 Nurnberg Plans: List Germanisches Nationalmuseum, Bul-27 Tacoma WA Plans: List Guild of American Luthiers Bul-63 Museum, Oxford Plans: List Hill collection, Ashmolean Bul-22 New York Plans: List Metropolitan Museum of Art Bul-40 New York Plans: List Metropolitan Museum of Art, Bul-6 Plans: List Musee Grobet, Labadie Bul-28 Berlin Plans: List Musikinstrumentenmuseum Bul-52 Plans: List Musikmuseet, Stockholm Bul-28 Praha Plans: list, Muzeum Ceske Hudby, Bul-83 Fiske Museum, Claremont, California,/ Plans: list, new acquisitions at the Bul-83 in the Bate collection. Montagu Plans: List of available drawings housed Bul-68 the Edinburgh University Collection/ Plans: List of workshop drawings from Bul-73 London Plans: List Royal College of Music Bul-19 London Plans: List Royal College of Music, Bul-35 London Plans: List Royal College of Music Bul-45 London Plans: List Royal College of Music, Bul-55 London Plans: List Royal College of Music, Bul-63 London Plans: List Royal College of Music, Bul-76 Washington DC Plans: List Smithsonian Institute Bul-63 Musee Instrumental, Paris (new/ Plans: List Societe des Amis du Bul-63 Musee Instrumental, Paris Plans: List Societe des Amis du Bul-11 Musee Instrumental, Paris Plans: List Societe des Amis du Bui-18 Musee Instrumental, Paris Plans: List Societe des Amis du Bul-28 Musee Instrumental, Paris Plans: List Societe des Amis du Bul-39 Musee Instrumental, Paris Plans: List Societe des Amis du Bul-43 musical instruments, Oxford. Montagu Plans: List the Bate collection of Bul-68 Vermillion, USA (Italian stringed/ Plans: List the Shrine to Music Museum, Bul-54 Plans: List V&A Museum, London Bul-20 Plans: List V&A Museum, London Bul-8 Oxford Plans: List woodwind, Bate collection Bul-35 Oxford Plans: List woodwind, Bate collection Bul-36 Oxford Plans: List woodwind, Bate collection, Bul-37 Oxford Plans: List woodwind, Bate collection, Bul-38 Oxford Plans: List woodwind, Bate collection Bul-45 Plans: Mulhouse traverso, van Leeuwen Bul-49

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publications, Haags Gemeente Museum. Plans: Musical instruments and Bul-56 Raudonikas Plans: Naust traverso, Leningrad, Bul-49 instruments on microfiche, MFF/ Plans: Technical drawings of musical Bul-80 Gemeente Museum Plans: Terton recorder from Haags Bul-40 harpsichord in Hudiksval, Sweden (in/ Plans: the 1710 Michael Mietke single Bul-90 live centre, metal turning tools, plastic calipers and 4-jaw/ /gun drills, C-958 Powell Plastic, ivory, gold and South Africa C-909 Profiling and tuning of viol front plates. Strahle C-78 in arching and thicknessing viol front plates. Strahle Ajigforuse C-294 C-l469. Badiarov More on draw plates; response to Peter Forrester's C-l550 Mersenne, Mace and speed of playing. Segerman C-753 Building and playing a Narh. Madgwick C-724 /of research information vs a playing collection. Segerman C-380 air. Segerman Thick gut string, playing harmonics and stopping in mid C-l519 Expanding boxwood and playing in. Kirckpatrick C-l227 Models for sound improvement on playing in. Segerman C-l472 to C-1439, claiming wood changes on playing in. Segerman /A response Sup-84 on the fundamental principles of violin playing, (Knocker). Montagu /treatise C-692 surviving Nuremberg sackbut lengths and playing pitches. Segerman /and C-l371 around 1500 as/ Review: Stradner: Playing practice and instrumentation C-787 /Manual or method of instrumentation for playing the Welsh harp. Montagu C-894 Supplement: Pitch standards and playing viols in the 16th century./ Sup-92 Mersenne's sackbut and pitch, plus playing with shawms. Segerman C-l373 Production of plectrum from bird feathers. Lajaruzny C-396 Historical tests on Pleyel's music wire, Paris 1811. Gug C-901 Review: Macauly: A check-list of the plucked and hammered string musical/ C-428 Segerman Praetorius's plucked instruments and their strings C-l593 Applying the principles of stringing plucked instruments to the Irish harp./ C-l 149 The nomenclature of plucked keyboard instruments. Meeus C-368 /Kunitachi College, Tokio: Catalogue 4, Plucked stringed-instruments. Montagu C-645 Nuts, bolts and plugs. Marvin C-l46 Segerman Discussion of points on violas and vihuelas in C-660 C-661 reply, C-l468, on English/ Some points raised by Ephraim Segerman's C-1481 /Zabytkow [Dictionary of the Polish terminology of Historic Musical/ C-l 114 44 historical varnishes and polishes. Badiarov C-l596 The polishing of metal surfaces. Betts C-22 Review: Pollens. The early pianoforte. Cole C-1403 Review: Pollens. The early pianoforte. Montagu C-1404 A&Q: Lyra da braccio and Lirone project. Pomykalo Bul-89 differences in pitch/ The auloi of Porphyrius: some thoughts about the C-1408 Paper portative organ pipes. Bridges C-l062 Portatives with reservoirs? Bridges C-469 London General: Portraits in the Royal College of Music, Bul-76 Origins of the 'guitarra portuguesa'. Segerman C-l543 /Museum Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu C-348 Rycroft Intonation tests on a post horn in F with one tone hole C-955

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Fixing the baroque flute. Powell C-1003 Further to C-981: A controversial issue. Powell C-1002 Ivory. Powell C-902 Plastic, ivory, gold and South Africa. Powell C-909 Reviews of musical instruments. Powell C-981 Throwing ivory overboard. Powell C-974 Traverso Newsletter. Powell C-929 Traverso or traversa? Powell C-943 Urgent communication on ivory. Haynes Powell C-903 a thousand words for the ivory ban. Powell Well under C-1219 program for makers. Powell A technical database management C-800 to C-903 on the subject of ivory. Powell Responses C-928 to C-903 on the subject of ivory. Powell Update on response C-940 Review: Johann George Tromlitz, Ardal Powell, tr & ed. The keyed flute. Frank C-l474 eared minority and the effects of its power. Segerman The sharp C-l 193 instruments with varying string/ A power law in the stringing of C-1418 On the upsetting power of Occam's razor. Segerman C-l365 An unpublished letter by Michael Praetorius. Meeus C-608 in the 17th century. Segerman/ Praetorius and English pitch standards C-38 standard: problems of the/ Mersenne, Praetorius and the English viol pitch C-490 bowed instruments. Segerman On Praetorius and the sizes of Renaissance C-l545 Abbott Segerman Praetorius and the viola bastarda C-37 viols. Segerman Praetorius, Meeus and the English C-633 viols. Meeds Praetorius, Segerman and the English C-607 Crookes). Segerman Review: Praetorius: Syntagma Musicum I & II (tr C-810 Review: Blumenfeld: The Syntagma Musicum Praetorius translated. Montagu C-346 Segerman What Praetorius wrote on English viols C-598 sackbut lengths and playing pitches./ Praetorius's and surviving Nuremberg C-1371 C-l049. Gire Praetorius's Basset Nicolo, a reply to C-1064 A red herring on Praetorius's foot. Segerman Young C-l55 Another note concerning Praetorius's pitch standards. Segerman C-79 their strings. Segerman Praetorius's plucked instruments and C-l593 Supplement: Praetorius's recorder pitch. Segerman Sup-84 The sizes and pitches of Praetorius's sackbuts. Segerman C-1200 1990 instrument courses in Prague. Freeman C-994 Instrument courses in Prague. Freeman C-972 FoMRHI members teaching in Prague. Loretto C-953 Changes at Prague. Lyndon-Jones C-726 The Prague Bressan bocal. Loretto C-954 A van load of instruments to Prague, June 1991. Holden C-1027 Plans: list, Muzeum Ceske Hudby, Praha Bul-83 interpretazione della musica,/ Review: Praxis vol. 1, Studi e testi sull' C-554 shakuhachi. Mayers Notes on the preservation and repair of the C-76 Review: van der Meer, Thibault: Preservation and restoration of musical/ C-91 /notes on the use of benzotriazole as a preservative for copper and alloys of/ C-23 off the flaccid. White Preserving passion and conviction: fend C-1338

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dell'Istituto della/ Review: Tiella & Primon: Catalogo degli Strumenti C-979 proprieta/ Review: Tiella, Negri, Primon: Ricerche su un violino di C-847 /Bernard Brauchli, ed. De clavicordio II: proceedings of the international/ C-1478 /Brauchli, Galazzo, ed.: De clavicordo: proceedings of the international/ C-l360 of bridge and bars regarding tone production. Mather Position C-260 Some thoughts on manufacture and production. Montagu C-251 /Numeric Control); computer aided reamer production for woodwind instruments./ C-l 140 feathers. Lajaruzny Production of plectrum from bird C-396 /des Barock (Comparative research of bore profile of historical baroque/ C-l504 around 1800. Burgess A profile of Mr Ling - English oboe reeds C-804 in woodwind. Cameron Profile turning of reamer blanks for use C-70 for measuring front-plate thickness profiles of viols. Strahle A gauge C-l33 plates. Strahle Profiling and tuning of viol front C-78 instruments./ Resonans, a software program for developing new wind C-l356 A technical database management program for woodwind instrument makers./ C-800 Bulletin: Sibelius, a computer program for writing music Bul-93 Hertz. Goodwin Mills Computer programs for the conversion of cents to C-791 Some strangeness in the proportion. Fleming C-854 Keeping geometrical analysis in proportion. Smith C-880 Violin makers' inches in proportion. Smith C-l008 Samson Review: Coates: Geometry proportion and the art of lutherie C-730 Review: Waterhouse: The proud bassoon (catalogue). Montagu C-497 The music of psalm 117 (sequel to C-l378). Crookes C-1387 The scale of the psalter. Crookes C-l287 The Memling Angel Musicians Psaltery. Kottick C-203 review/ Review: Van Ree Bernard: The psaltery; an annotated audio-visual C-948 On Memling's psaltery. Segerman C-411 Harpsichords and 'Buntpapier'. Piihringer C-1495 in the USSR. Stembridge From Purcell to perestroika, early keyboard C-l067 between string and woodwind gracing in Purcell's time. Segerman Contrasts C-1316 Making your own traditional purfling cutter. Downing C-1444 Real instruments and fake putti. Lyndon-Jones C-l 186 Waldsassen. Lyndon-Jones More putti in the Stiftsbasilika at C-l284 syntax. Raudonikas Essays of Pythagorean system; 3. three-dimensional C-l068 syntax; 5. auscultation/ Essays of Pythagorean system; 4. four-dimensional C-1083 coherencies; 77 Essays of Pythagorean system; 6. spectrum of C-1083 part 1. Raudonikas The Pythagorean system of musical tones, C-959 part 2. Raudonikas The Pythagorean system of musical tones, C-l031 two-dimensional syntax./ Essays of Pythagorean system; primary concepts and C-1055 A letter on the Pythagorean system. Raudonikas C-l 190 representation of scale by/ Essays of Pythagorean system; Supplement: C-1083 /Musikinstrumenten in deutschsprachigen Quellen bis 1900 (158 pp). Segerman C-1295 Barock, Band 17 Review: Schultze: Querfloten der Renaissance and des C-947 Museum of Fine Arts - 1989 Report. Quigley Boston C-952 of historical feathers (on harpsichord quills and voicing). Gug /or songs C-l263 Europe and the/ A provisional list of quinticlaves (alto ophicleides) in C-1499

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An inventory of the Charles van Raalte Collection in instruments./ C-360 Dean castle: van Raalte collection organs. Coetze C-511 on the historical bassoon reed gouge. Rachor /of J.S. Halle: implications C-1600 (Vienna 1701). Samson Hodgson Von Radolt's instructions to lute players C-737 Peruffo More on Ramelli, loaded gut strings and gansars C-l351 Authentic methods of making woodwinds. Ramsley C-l 199 wilde (record). Montagu Review: Rans, Misschaert: Die nachtegael int C-284 wilde (record). Yakeley Review: Rans, Misschaert: Die nachtegael int C-285 A simple way to hold work on a lathe. Ransley C-1198 Further to C-849. Ransley C-864 instruments in museums & conservation. Ransley Measuring C-1213 7. classification of modalities. Raudonikas /6. spectrum of coherencies; C-1083 A letter on the Pythagorean system. Raudonikas Q.\ 199 Further to C-342. Raudonikas (3.37 j IV the tone and the blowing process. Raudonikas /baroque transverse flute: C-419 Plans: Hotteterre traverso, Leningrad, Raudonikas Bul-49 Plans: Naust traverso, Leningrad, Raudonikas Bul-49 Syntax of relative two-dimensional mode. Raudonikas C-1266 To study the embouchure hole form. Raudonikas C-327 by point or the modular projection. Raudonikas /representation of scale C-1083 concepts and two-dimensional syntax. Raudonikas /Pythagorean system; primary C-l055 flute: I pitch axis and wind bands. Raudonikas /of baroque transverse C-l70 flute: II characteristic frequency. Raudonikas /of baroque transverse C-181 frequency measurement data treatment. Raudonikas Method of woodwind C-145 influence of cork position alteration. Raudonikas /transverse flute: III C-229 membership as whole (further to C-l243). Raudonikas Letter to the C-l275 of theoretical musical communication. Raudonikas The nature C-l265 pitches with various absolute height. Raudonikas /system of the C-301 syntax; 5. auscultation researches. Raudonikas /system; 4. four-dimensional C-1083 system of musical tones, part 1. Raudonikas The Pythagorean C-959 system of musical tones, part 2. Raudonikas The Pythagorean C-1031 system; 3. three-dimensional syntax. Raudonikas Essays of Pythagorean C-l068 to the modal scale theory (summary). Raudonikas Corollaria C-1030 transverse flute: V tolerances of tones. Raudonikas Blown resonance of baroque C-441 understandings (further to C-l 190). Raudonikas Somewhat about C-l243 Reply to Raudonikas's C-l243. Segerman C-l274 Hide glue defended. Rawnsley C-1424 Basic clavichord design. Rawson C-144 C-981: Reviews of musical instruments. Rawson Further to C-997 Felling your own timber. Rawson C-54 FoMRHI on the Internet. Rawson C-1277 Identifying woodworm. Rawson C-984 Is restoration doomed. Rawson C-268 Lead in harpsichord keyboards. Rawson C-98 Making arcades for keyboard instruments. Rawson C-292 Painting keyboard instruments. Rawson C-291

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Parchment roses for harpsichords. Rawson C-1524 Planning a workshop. Rawson C-182 Safety with woodworking machines. Rawson C-166 Seasoning your own timber. Rawson C-99 String keyboard instruments. Rawson C-250 Vellum and parchment roses. Rawson C-167 Where do we want to go? Rawson C-1339 with hot hide glue - response to C-l382. Rawson Veneering C-l399 Response to Rawson'sC-1339. Segerman C-l364 /catalogue Vol 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones./ C-1211 Cameron Profile turning of reamer blanks for use in woodwind C-70 C.N.C. reamer experiment. July 1992. Jefferies C-1225 A reamer made of aluminium. Janke C-674 /Numeric Control); computer aided reamer production for woodwind/ C-l 140 More reamers. Chiverton C-1410 More about reamers. Gill C-1435 Reamers - hollow. Loretto C-l 161 Making mild steel (flat-stock) reamers. Willoughby C-567 Right angled reamers; addendum to C-1410. Chiverton C-1436 Chiverton Reamers again (further to C-1435) C-1463 Making reamers on a shoestring. Marvin C-l80 Another reamer-saving counterbore. Swayne C-675 Reamer-saving counterbores. Marvin C-648 bridges on 15th century illustrations of rebecs. Rooley The problem of double C-2 Three unrelated rebukes. Crookes C-546 of lutes in Italy./ Some original receipts, appertaining to the varnishes C-240 Another recipe for copal varnish. Gretton C-451 instruments. Barnes Recommendations for drawings of keyboard C-46 fagot. Lyndon-Jones Harris Reconstructing Mersenne's basson and C-l048 Observations prelusive to reconstructing the kithara. Crookes C-508 Smith Possible reconstruction of Stradivarius cellos C-594 Tolley A reconstruction of the Bosch hurdy-gurdy C-31 Crookes Reconstruction of the harpate wing C-635 Early 16th century lute reconstructions. Hodgson C-219 keyboard instruments by/ Review: Record, 18th century music for two C-1013 Brauchli. Montagu Review: Record, keyboard works of CPE. Bach by C-1012 Review: Griscomb & Lasocki: The recorder - a guide to writings about the/ C-1311 How to design a recorder. Brach C-1007 Determining the step size of a recorder. Loretto C-l353 A double recorder. Marvin C-453 A flexible recorder. Marvin C-649 Stanesby junior traverso; Haka treble recorder. Montagu Review: Aulos, C-966 what really happens when you oil your recorder. Simmons The good oil; C-1228 Montagu Review: Brown: The recorder; a basic workshop manual C-936 /of Richard Griscomb & David Lasocki, the Recorder: a guide to writings about the/ C-l333 Zaniol The NF treble recorder at the Museum der Stadt Meran C-485

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Plans: Bass recorder, Bergstr0m Bul-43 A shaper for recorder block blanks. Whinray C-l22 Recorder bore measuring. Loretto C-1354 telescopic bore gauges. Loretto Recorder bore measuring, using modified C-l355 Montagu Review: Zen-on: The recorder collection of Frans Briiggen C-426 Restoration of a recorder edge. Miller C-353 Long and short recorder feet. Loretto C-l586 Bulletin: Recorder fingerings. Bouterse Bul-89 Recorder fingerings in print. Loretto C-l585 Plans: Bressan recorder from Bate collection, Oxford Bul-40 Plans: Terton recorder from Haags Gemeente Museum Bul-40 Response to C-l500 (recorder patents). Loretto C-l506 Old recorders for new (recorder patents). Madgwick, Loretto C-1486 Comments to C-1486 (recorder patents). Thomas C-1500 Supplement: Praetorius's recorder pitch. Segerman Sup-84 Recorder research. Loretto C-l602 (inC-1569). Bouterse Plans: Alto recorder Steenbergen Groninger Museum Bul-91 Recorder voicing. Loretto C-l540 Willoughby Recorder voicing: answers to questions C-514 Recorder voicing structures. Woods C-654 Recorder window size. Loretto C-l508 The fornication of recorder windways. Marvin C-532 sound? Loretto Recorder woods - do they influence the C-1431 Recorder writings. Loretto C-l370 Bulletin: Further to C-l569 (Steenbergen recorders) Bul-92 of bore profile of historical baroque recorders). Bouterse /research C-1504 On three well proportioned alto recorders. Brach C-987 Review: Aulos Haka descant and treble recorders. Davis C-980 for pitches of original traversos and recorders. Haynes Appeal C-1039 baroque flute and descant and treble recorders. Jones The Aulos C-967 Tuning recorders. Marvin C-652 Some measurements techniques for recorders. Stroom C-639 Review: Kolberg: Ornamental metrics of recorders & traverso. Montagu C-938 17th and 18th century, (list of/ Dutch recorders and transverse flutes of the C-l052 (Beukers, Stanesby,/ Four baroque recorders at Sotheby's, November 1996 C-1501 Loretto How recorders can improve with time C-1019 Madgwick, Loretto Old recorders for new (recorder patents) C-1486 The descriptions of the Dutch recorders in the collection of the Haags/ C-1037 The alto recorders of Steenbergen. Bouterse C-1569 van Acht, van den Ende, Schimmel: Dutch recorders of the 18th century/ Review: C-1058 J.S.Bach's 'Fiautid'echo': recorders off-stage. Smith C-1421 Helpful recordings. White C-734 rediscovery of a/ Review: van Ree Bernard: The keyed monochord; C-l240 audio-visual review of/ Review: Van Ree Bernard: The psaltery; an annotated C-948 implications on the historical bassoon reed gouge. Rachor /of J.S. Halle: C-1600 /Loan exhibition of historic double reed instruments, 1988. Montagu C-885

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Thomas Ling, 1787-1851, reed maker. Byrne C-826 /Campbell: A check-list of the free reed, miscellaneous and ancillary/ C-447 Review: Fluke: Victorian reed organs and harmoniums. Montagu C-667 Reed-gouging tool. Holmes C-l20 studies on brass used for organ reeds. Gug Historic and experimental C-893 Early double reeds. Haynes C-336 More on 19th century bassoon reeds. Lehey C-956 between early and modern baroque reeds. Segerman On the difference C-1223 Bajon reeds. White C-l089 Early sound generation: bassoon reeds. White C-1282 /of locations and citations of early oboe reeds and accessories. Burgess C-818 /iconography for oboe-type instruments, reeds and players, 1630-1830. Haynes C-764 A profile of Mr Ling - English oboe reeds around 1800. Burgess C-804 Bassoon reeds by Triebert and Massabo. White C-927 Meyer Kottick Making double reeds for renaissance wind instruments C-227 A reed-scraping tool. Owen C-801 dictionaries. Young Information on regals and foreign language C-l23 Further to comments by Rein on C-307. Mactaggart C-374 Detection of reinforcing bars in instruments. Wood C-61 Anglo-Saxon to Tudor times./ Review: Remnant: English bowed instruments from C-786 Anglo-Saxon to Tudor times./ Review: Remnant: English bowed instruments from C-807 West. Montagu Review: Remnant: Musical instruments of the C-149 On C-76 and woodwind crack repair. Karp C-101 Notes on the preservation and repair of the shakuhachi. Mayers C-76 Boston Museum of Fine Arts - 1989 Report. Quigley C-952 at Music-Sources, 19937 Restoration report, 17th century Italian harpsichord C-l229 of Edinburgh collection; progress report 1988. Meyers University C-907 historic musical instruments, progress report 1989. Meyers /collection of C-971 historic musical instruments, progress report 1990. Meyers /collection of C-1014 historic musical instruments/ Progress report 1991 on the collection of C-l087 historic musical instruments/ Progress report 1994 on the collection of C-1340 historic musical instruments/ Progress report 1995 on the collection of C-l458 historic/ Announcements: Progress report 1997 on the collection of Bul-91 historical brass metal. Thein Report about our researches in C-642 of Makers of Historical/ 1992 Report from the Czechoslovakian Society C-l 155 Keene, London, 17047 Restoration report of English spinet by Stephen C-l346 /acorns, large oak tress grow; a personal report on early music in Czechoslovakia./ C-l026 turning/ Woodwind instrument making: report on gun drills, live centre, metal C-958 Montagu Segerman Report on the 16th century seminar C-93 Progress report on the kithara. Crookes C-561 Watchorn Report on the restoration of a violin C-378 exhibition August 1982. Champollion Report on the Stuttgart harpsichord C-435 /instrument technology 1450-1550; meeting report Oxford 17 Mar'91. Napier-Hemy C-1029 /in 17th century England; meeting report Oxford 3 Feb'91. Gouk C-1028 About restoration reports for fortepianos. Hermans C-394 Barnes Restoration reports for two Broadwood pianos C-366

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Montagu Reports on FoMRHI seminars Syrus C-55 c. 1820/ The circulation of restoration reports: restoration of square piano C-l 16 Reproductions. Garrod C-l 13 /with 'authenticity' in early woodwind reproductions (marketing, facade and the/ C-l 119 Recorder research. Loretto C-l602 Violin research 15 years ago. Segerman C-1492 collection. Segerman Conservation of research information vs a playing C-380 /Blockfloten des Barock (Comparative research of bore profile of historical/ C-l504 A&Q: Music and Technology Research Seminar; 1997-1998. Jones Bul-89 Ecker Instrument research through artist's depiction C-60 A simple, safe method for making pine resin varnish. Duncalf Segerman C-302 II characteristic frequency./ Blown resonance of baroque transverse flute: C-181 III influence of cork position/ Blown resonance of baroque transverse flute: C-229 IV the tone and the blowing/ Blown resonance of baroque transverse flute: C-419 pitch axis and wind bands./ Blown resonance of baroque transverse flute: I C-170 tolerances of tones./ Blown resonance of baroque transverse flute: V C-441 centuries, or the lost art of choosing resonance wood. Gug /forests in early C-1011 Comments on woodwind restoration. Ackerman C-865 Keyboard restoration. Barnes C-393 Old harpsichords, their construction and restoration. Barnes /van Acht: C-108 FoMRHI and conservation and restoration. Chiverton C-905 to musical instrument conservation and restoration. O'Brien Attitude C-10 On restoration. Way C-467 /to musical instrument conservation and restoration by O'Brien. Barnes C-lOa Is restoration doomed. Rawson C-268 White The hallmark of good restoration is ruthless authenticity C-l 160 Restoration of a recorder edge. Miller C-353 Report on the restoration of a violin. Watchorn C-378 Restoration of an early clarinet. Wells C-803 wrestplanks. Lee Restoration of cupped Flemish C-77 instruments, UKIC and V&A/ Review: Restoration of early musical C-992 /van der Meer, Thibault: Preservation and restoration of musical instruments./ C-91 The circulation of restoration reports: restoration of square piano c. 1820 by/ C-l 16 Scientist, 26 June 19937 Supplement: Restoration, on an article in the New Sup-72 harpsichord at Music-Sources, 19937 Restoration report, 17th century Italian C-l229 Stephen Keene, London, 17047 Restoration report of English spinet by C-l346 Hermans About restoration reports for fortepianos C-394 pianos. Barnes Restoration reports for two Broadwood C-366 square piano/ The circulation of restoration reports: restoration of C-l 16 makers and their catalogues, No. 17 Review: ACIMV [Larigot] C-l044 Review: Aguado: New guitar method. Hope C-422 Ringve Museums Skrifter nr.5, 33 pp./ Review: Aksdal: Meriker Klarinetten; C-l 105 Society Journal XIII, 1987, October/ Review: American Musical Instrument C-895 a history of the English slide/ Review: Art Brownlow. The last trumpet - C-l487 recorders. Davis Review: Aulos Haka descant and treble C-980 Haka treble recorder. Montagu Review: Aulos, Stanesby junior traverso; C-966

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musical instruments, 1992; 404 pp./ Review Baines: The Oxford companion to C-l 116 musical instruments, 1992; 404 pp./ Review Baines: The Oxford companion to C-l 131 preluding, 1700-1830 for flutists,/ Review Bang Mather, Lasocki: The art of C-767 exhibition: the look of music./ Review Barclay: Anatomy of an C-517 maker: the material, tools, and/ Review Barclay: the art of the trumpet C-l 103 traditional methods. Montagu Review Barnes: Making a spinet by C-601 traditional methods. Shann Review Barnes: Making a spinet by C-622 fortepiano: a discography of music/ Review Bassart: The sound of the C-688 clavicordio II: proceedings of the/ Review Bernard Brauchli, ed. De C-1478 (record). Montagu Review Biber: 16 Rosenkrantzsonaten C-603 Montagu Review Bingham: Harmony for the flute C-580 related to musical instruments,/ Review Bingham: Patents for inventions C-579 im Salzburger Museum Carolino/ Review Birsak: Die Holzblas Instrumente C-149 percussion musical instruments in/ Review Blades: A check-list of the C-428 percussion instruments from the/ Review Blades, Montagu: Early C-l8 Praetorius translated. Montagu Review Blumenfeld: The Syntagma Musicum .. C-346 harpsichord and clavichord/ Review Boalch, Mould. Makers of the C-l402 handleiding voor aanschaf, onderhoud/ Review Bouterse: De blokfluit, C-1038 festival books, 1500-1800; an/ Review Bowles: Musical ensembles in C-935 renaissance windcap instruments./ Review Boydell: The crumhorn and other C-430 temperaments. Montagu Review Boyle: Intervals, scales and C-191 ed.: De clavicordo: proceedings of/ Review Brauchli, Brauchli, Galazzo C-l360 sonatas for clavichord (record)./ Review Brauchli: Carlos Seixas's nine C-521 clavichord I & II (records)./ Review Brauchli: The renaissance C-266 workshop manual. Montagu Review Brown: The recorder; a basic C-936 evolution of an English piano./ Review Burnett: Seven Broadwoods; the C-l358 musical performances in/ Review Burney: An account of the C-312 free reed, miscellaneous and/ Review Campbell: A check-list of the C-447 Care of musical instruments in/ Review Canadian Conservation Institute: C-385 Bate Review Carse: Musical wind instruments C-347 paintings and sculptures,/ Review CD-ROM catalogue: Collection of C-l476 Bagpipe Society, vol.1, part 1, '867 Review Chanter, the journal of the C-748 Bagpipe Society, vol.1, part 2,1 Review Chanter, the journal of the C-783 a Ground, SIG CD 007. Montagu Review Charivari agreable: Two upon C-l598 bagpipes in the Edinburgh/ Review Cheape: A check-list of the C-478 instruments of the Middle Ages;/ Review Christopher Page. Music and C-l565 Recommendation for the conservation/ Review CIMCIM publication no. 1: C-l 170 the art of lutherie. Samson Review Coates: Geometry proportion and C-730 collection of historical/ Review Cooke: Edinburgh University C-l238 collections, Catalogues. Montagu Review Coover: Musical instrument C-425 Montagu Review Cornett and Sackbut, journal C-l92 Sourcebook. Montagu Review Crafts Council Conservation C-242 Museum, vol 2 instruments of Burma,/ Review Cross: The Shrine to Music C-479 design and performance. Cole Review David Crombie. Piano: evolution, C-1477 The Bassanos, 288 pp. Montagu Review David Lasocki with Roger Prior C-l579 instruments of the world. Montagu Review Diagram_group: Musical C-73

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Montagu Review Divisions: volume l,no. 1 C-172 Montagu Review Divisions, volume 1, no. 2 C-212 Montagu Review Divisions, volume 1, no. 3 C-263 recollections of Arnold Dolmetsch./ Review Dolmetsch: Personal C-314 Re: Grove review: double bass. Slatford C-771 of exhibitions (Floten; Drehleier/ Review Dreieich Museum: Two catalogues C-424 for learning to play the/ Review Durichen: Corrette's Method C-277 October 1986. Montagu Review Early Music, November 1988, C-895 Musical Instruments, catalogue Vol/ Review Edinburgh Collection of Historic C-1211 Montagu Review Ehrlich: The piano: a history C-963 Nghymru. Montagu Review Ellis: Hanes y delyn yng C-283 Wales. Montagu Review Ellis: The story of the harp in C-283 string musical instruments in the/ Review Emery: A check-list of the bowed C-423 Hellwig, Klaus Martius: Historische/ Review Eszter Fontana, Friedemann C-l295 makers. Montagu Review Fairly, Flutes, flautists and C-445 historic musical instruments in the/ Review Field, Myers, ed. Catalogues of C-1447 and its use today. Montagu Review Fischer: The renaissance sackbut C-600 du musee de la musique: les/ Review Florence Getrau. Aux origines C-l503 recherche en organologie; les/ Review Florence Getrau, ed.: La C-1296 harmoniums. Montagu Review Fluke: Victorian reed organs and C-667 instruments. Barnes Review Ford: Making musical C-l88c instruments. Montagu Review Ford: Making musical C-l88a instruments. Segerman Review Ford: Making musical C-l88b instruments as a source for the/ Review Fuller: Mechanical musical C-264 1988, October 1986. Montagu Review Galpin Society Journal XLI C-895 Klangfuhrer durch die Sammlung/ Review Gerhard Stradner, ed.: C-l297 Klangfuhrer durch die Sammlung/ Review Gerhard Stradner, ed.: C-l312 Musikinstrumenten Museum Leipzig/ Review Gernhardt, Henkel, Schrammek: C-519 et luthiers Parisiens, 17-18th/ Review Getrau, ed. Instrumentistes C-1452 France: the Lot and Godfroy families/ Review Giannini: Great flute makers of C-l 184 accounts of Thomas Green 1742-17907 Review Gillian Sheldrick, ed.: The C-l206 Instrumentarium, 1998; 184 pp./ Review Golos: Przewodnik Po Dawnym C-l 114 Terminologiczny Zabytkow/ Review Golos, Kobus & Vogel: Stownik C-l 114 musical instruments; a check-list./ Review Good: The Eddy collection of C-644 - a guide to writings about the/ Review Griscomb & Lasocki: The recorder C-1311 Edinburgh university collection of/ Review Guide to the collection, C-845 Catalogue 9, Flute. Montagu Review Gunji, Kunitachi College, Tokio: C-988 bowed string instruments. Montagu Review Gunji, Kunitachi College, Tokio: C-949 lute. Montagu Review Gunji, Kunitachi College, Tokio: C-949 Tasteninstrumente des Museums,/ Review Haase, Krickeberg: C-846 Review Haine: Adolphe Sax. Montagu C-280 instruments Sax au Musee/ Review Haine, de Keyser: Catalogue des C-311 facteurs d'instruments de musique en/ Review Haine, Meeus: Dictionaire des C-745 instruments in Belgian collections./ Review Haine: Musica, musical C-946 instruments through the ages./ Review Hamber, Stanners: Musical C-689 Montagu Review Harpano.28, spring 1998 C-l577

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magazine, October 1986. Montagu Review Harpsichord & Fortepiano C-895 magazine, 4:5, April 1988. Montagu Review Harpsichord and fortepiano C-869 discovery of the scale of musick/ Review Harrison: Account of the C-896 deception, forgery, theft, and the/ Review Harvey: Violin fraud: C-l 134 its makers in the British isles; an/ Review Harvey: the violin family and C-l359 1650-1800: a bibliography. Montagu Review Haynes: Music for oboe, C-690 1650-1800: a bibliography. Montagu Review Haynes: Music for the oboe C-l 106 historischen Cembalobau. Wraight Review Henkel: Beitrage zum C-515 Leipzig band 2 Kielinstrumente./ Review Henkel: Musikinstrumenten Museum .. C-348 Leipzig band 4 Clavichorde. Montagu Review Henkel: Musikinstrumenten Museum .. C-498 Ekkehart Stegmiller. Montagu Review Henning: Musica Maximiliana, C-805 Leipzig band 1 Floten. Montagu Review Heyde: Musikinstrumenten Museum ... C-l93 Leipzig band 3 Trompeten, Posaunen,/ Review Heyde: Musikinstrumenten Museum ... C-348 Leipzig band 5 Horner und Zinken./ Review Heyde: Musikinstrumenten Museum ... C-498 Montagu Review Hope: Baroque guitar (record) C-209 (record). Montagu Review Hope: Italian baroque guitar C-299 samtlicher Musikinstrumente,/ Review Huber: Verzeichnis C-l069 Montagu Review Hutchins: The physics of music C-l50 di Musica, no. 17, April 1989,/ Review Quaderni della Civico Scuola C-989 voor oude muziek 3, 1987. Montagu Review aarboek van het Vlaamse centrum C-993 Kompositionen fur/ Review accottet: J.S. Bach C-870 flute (1826). Montagu Review ames: A word of two on the C-427 explained - components mechanism and/ Review ames Beament. The violin C-l548 (plates). Montagu Review ansen: The bassoon, part I C-190 Montagu Review ansen: The bassoon, part I C-171 (plates) & III. Montagu Review ansen: The bassoon, part II C-245 Montagu Review ansen: The bassoon, part II C-210 Montagu Review ansen: The bassoon, part IV C-261 Montagu Review ansen: The bassoon, part V C-281 Montagu Review ansen: The bassoon, part VI C-298 Montagu Review ansen: The bassoon, part VII C-310 IX. Montagu Review ansen: The bassoon, part VIII & C-350 Montagu Review ansen: The bassoon, part X C-361 Montagu Review ansen: The bassoon, part XI C-383 dictionary of musical instruments./ Review enkins: International C-92 ethnomusicology. Segerman Review eremy Montagu. The magpie in C-l549 Powell, tr & ed. The keyed flute./ Review ohann George Tromlitz, Ardal C-l474 instruments in the Museum of Fine/ Review ohn Koster: Keyboard musical C-l291 instruments in the Museum of Fine/ Review ohn Koster: Keyboard musical C-l292 relicks of the Welsh bards,/ Review ones: Musical and poetical C-695 Directory for the year 17947 Review oseph Doane: A musical C-l207 Association of musical instrument/ Review ournal of the Australian C-l023 Association of musical instrument/ Review ournal of the Australian C-l 171 Association of musical instrument/ Review ournal of the Australian C-668 Association of musical instrument/ Review ournal of the Australian C-869 Association of musical instrument/ Review ournal of the Australian C-923

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Association of musical instrument/ Review Journal of the Australian C-939 Association of musical instrument/ Review Journal of the Australian C-950 Aquincum. Montagu Review Kaba: Die Romische Orgel von C-149 Collection d'instruments de musique/ Review Kampmann: Catalogue de la C-l059 techniques. Montagu Review Karp: Basic keyboard tuning C-106 and technology of musical/ Review Karp et al.: The conservation C-l 107 century strung keyboard. Segerman Review Karp: The pitches of 18th C-606 and their music. 158 pp. Cole Review Katalin Komlos: Fortepianos C-l330 Berlin. Montagu Review Katalog der Streichinstrumente C-90 Ringve Museum. Montagu Review Kjeldsberg: Klemt og Klang; C-l 10a ved Ringve Museum. Montagu Review Kjeldsberg: Musikinstrumenter C-l 10 ved Ringve Museum. Montagu Review Kjeldsberg: Musikinstrumenter C-429 Aanstad Review Kjeldsberg: Piano i Norge C-696 recorders & traverso. Montagu Review Kolberg: Ornamental metrics of C-938 Catalogue 3, Bowed/ Review Kunitachi College, Tokio: C-645 Catalogue 4, Plucked/ Review Kunitachi College, Tokio: C-645 Catalogue 5, Harp; Lyre. Montagu Review Kunitachi College, Tokio: C-645 Catalogue 8, bagpipes. Montagu Review Kunitachi College, Tokio: C-920 ages and the renaissance. Montagu Review Lane: The trombone in the middle C-462 double-reed musical instruments in/ Review Langwill: A check-list of the C-401 Montagu Review Larigot 15, June 1994, ACIMV. C-1268 (February 1996). Montagu Review Larigot 17 (August 1995 & 18 C-1448 Review Larigot 21, ACIMV. Montagu C-l578 ACIMV Montagu Review Larigot; annual subscription to C-l210 l'association des collectionneurs/ Review Larigot, Bulletin de C-1405 1'association des collectionneurs/ Review Larigot, Bulletin de C-1488 l'association des collectionneurs/ Review Larigot, Bulletin de C-1547 October 1986. Montagu Review Larigot, no. 2, May 1988 C-895 Review Larigot no.5, May 1989. Montagu C-918 Montagu Review Larigot no.7, March 1990 C-978 Montagu Review Larigot no.8, September 1990 C-990 Montagu Review Larigot no.9, December 1990 C-1023 Review Larigot, November 1989. Montagu C-950 Dancing, 1992; 200 pp. Montagu Review Lasocki, ed.: Fluting and C-l 115 d'anches renaissance. Wood Review Leguy: Precis de fracture C-278 Zeitalter der Flote, Frankreich/ Review Lenski, Ventzke: Das goldene C-1239 Montagu Review Leppert: Arcadia at Versailles C-149 temperaments. Hodgson Review Lindley: Lutes, viols & C-556 temperaments. Montagu Review Lindley: Lutes, viols & C-555 musical paradoxes: a practical guide/ Review Lucy: Pitch, nand other C-896 sackbut, Edinburgh university/ Review Lumsden: The sound of the C-868 Scandinavia (record). Montagu Review Lund: The sounds of prehistoric C-553 plucked and hammered string musical/ Review Macauly: A check-list of the C-428 construction. Hodgson Review MacLeod-Coupe: Lute C-l89 harpsichord papers. Montagu Review Mactaggart: Laying & decorating C-399 in the 1851 exhibition. Montagu Review Mactaggart: Musical instruments C-746

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marbling harpsichord cases. Montagu Review: Mactaggart: Painting and C-518 Montagu Review: Mactaggart: Practical guilding C-583 instruments. Montagu Review: Marcuse: A survey of musical C-20 the last of the troubadours./ Review: Martin Best Medieval Ensemble C-1071 Deutsche Musikinstrumentenbau./ Review: Moeck (ed): Fiinf Jahrhunderte C-883 medieval and renaissance music./ Review: Monroe. Adding percussion to C-1451 historical instruments - supplement/ Review: Montagu: Bate collection of C-811 Musikinstrumente in Mittelalter und/ Review: Montagu: Geschichte der C-387 instruments. Bowles Review: Montagu: Making early percussion C-l9 the Bible. Segerman Review: Montagu. Musical instruments of C-1453 and renaissance musical instruments./ Review: Montagu: The world of medieval C-44 and renaissance musical instruments./ Review: Montagu: The world of medieval C-44d and renaissance musical instruments./ Review: Montagu: The world of medieval C-44e and renaissance musical instruments/ Review: Montagu: The world of medieval C-44c woodwind instruments in the Brussels/ Review: Moonen: Drawings of four C-282 Auckland Institute & Museum, 19897 Review: Moyle: the Sound of Oceania C-921 fundamental principles of violin/ Review: Mozart: A treatise on the C-692 middle ages and renaissance (part/ Review: Munrow: Instruments of the C-44a middle ages and renaissance (part/ Review: Munrow: Instruments of the C-44b middle ages and renaissance./ Review: Munrow: Instruments of the C-44 and technology journal. Montagu Review: Musical instrument conservation C-211 Stockholm: Studia instrumentorum/ Review: Musikhistoriska Museet C-386 or hurdy-gurdy. Tolley Review: Muskett: Method for the vielle C-243 musical instruments in the Edinburgh/ Review: Myers: A check-list of the brass C-363 the brass musical instruments in the/ Review: Myers: Cartledge, Catalogue of C-1060 of Historic Musical Instruments,/ Review: Myers, ed.: Edinburgh Collection C-l 133 of Historic Musical Instruments./ Review: Myers, ed.: Edinburgh Collection C-l 113 instruments in the Edinburgh/ Review: Myers, ed. Historical musical C-l406 European wind and percussion/ Review: Myers, Herbert: Catalogue of the C-1060 historic musical instruments in the/ Review: Myers, Parks, ed. Catalogues of C-1447 1838-1853. Montagu Review: Myers: The Glen account book C-669 Uberblick iiber sein Leben./ Review: Nagy: Michael Haydn, ein C-364 Montagu Review: Nema, Early music in education C-643 fingering book. Montagu Review: Neuhaus: The baroque flute C-728 catalogue. Montagu Review: Nothern Renaissance Instruments, C-315 piano 1700-1820. Cole Review: Novak Clinkscale: Makers of the C-l 185 Supplement: On C-l535, review of a clavichord CD. Segerman Sup-90 Comments on C-483: review of Der Zink. Overton C-505 /The psaltery; an annotated audio-visual review of different types. Montagu C-948 1700-1820', a/ The FoMRHI Quarterly review of 'Makers of the Piano C-l242 Lasocki7 A reply to Jeremy Montagu's review of Richard Griscomb & David C-l333 Comments on Jeremy Montagu's review of the Conservation and/ C-l 117 Montagu Review: Orcutt: The Stradivari memorial C-313 Bauweise and Spieltechnik eines/ Review: Overton: Der Zink, Geschichte C-483 the middle ages - instrumental/ Review: Page: Voices & instruments of C-786 the middle ages - instrumental/ Review: Page: Voices & instruments of C-808

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the middle ages - instrumental/ Review: Page: Voices & instruments of C-809 Montagu Review: Palmer: The hurdy-gurdy C-276 translated. Page Review: Parrish: Johannes Tinctoris C-326 the harpsichord; illustrated with/ Review: Pasquali: The art of fingering C-694 Montagu Review: Paul: Modern harpsichord makers C-400 musical instruments in Liverpool/ Review: Pauline Rushton, ed.: European C-1293 musical instruments in Liverpool/ Review: Pauline Rushton, ed.: European C-1294 kettledrums. Montagu Review: Philidor: March for two pairs of C-785 instruments in the/ Review: Philip Young. Woodwind C-1534 historical woodwind instruments, 270/ Review: Phillip T Young: 4900 C-1270 present improved state compared with/ Review: Pierre Erard: The harp in its C-l267 museums. Montagu Review: Pinniger: Insect pests in C-964 Cole Review: Pollens. The early pianoforte C-1403 Montagu Review: Pollens. The early pianoforte C-1404 II (tr Crookes). Segerman Review: Praetorius: Syntagma Musicum I & C-810 sull' interpretazione della musica,/ Review: Praxis vol.1, Studie testi C-554 Montagu Review: Quarna: vivera di Strumenti C-552 int wilde (record). Montagu Review: Rans, Misschaert: Die nachtegael C-284 int wilde (record). Yakeley Review: Rans, Misschaert: Die nachtegael C-285 two keyboard instruments by Brauchli/ Review: Record, 18th century music for C-1013 Bach by Brauchli. Montagu Review: Record, keyboard works of CPE C-1012 instruments from Anglo-Saxon to/ Review: Remnant: English bowed C-786 instruments from Anglo-Saxon to/ Review: Remnant: English bowed C-807 the West. Montagu Review: Remnant: Musical instruments of C-149 newsletter, vol. 1, no. 1 & 2/ Review: Renaissance flute circle C-882 instruments, UKIC and V&A Christmas/ Review: Restoration of early musical C-992 pp. Montagu Review: Rice: the baroque clarinet, 197 C-l 104 for making musical instruments./ Review: Richter: Wood as raw material C-939 catalogue 1987. Montagu Review: Ringve Museum: Exhibition C-784 historic musical instruments./ Review: Robert Barclay, ed. The care of C-l566 Highland harp (part 2 of 'Musical/ Review: Robert Bruce Armstrong: The C-1267 instrumentation for playing the/ Review: Roberts: Manual or method of C-894 music. Montagu Review: Roche: A dictionary of early C-402 historical stringing practice for/ Review: Rose, Law: A handbook of C-1070 Montagu Review: Rose. Talks with bandsmen C-1450 Wydawnictwo Naukowe PWN, 1992; 422/ Review: Rosionski: Zabytkowe Organy, C-l 114 University of Iowa. Montagu Review: Ross: Musical instruments at the C-213 Catalogue part I, European wind/ Review: Royal College of Music Museum C-446 Set of 13 postcards. Montagu Review: Royal College of Music Museum, C-884 Augusteum: Jahresschrift 22 19767 Review: Salzburger Museum Carolino C-149 conducting. Montagu Review: Scherchen: Handbook of C-962 harpsichords, their construction and/ Review: Scheurwater, van Acht: Old C-108 harpsichord, vol. 1. Montagu Review: Schott: The historical C-602 Musicum Leipzig. Montagu Review: Schrammek, Herre. Museum C-416 Leipzig. Henning Review: Schrammek, Herre: Museum Musicum C-496 Renaissance and des Barock, Band 17 Review: Schultze: Querfloten der C-947

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the Dayton C. Miller collection./ Review: Seyfritt: musical instruments in C-463 of his life and times. Wollenberg Review: Simon: Handel: a celebration C-670 of the baroque trumpet before 17217 Review: Smithers: The music and history C-945 gratitude to Christopher Monk./ Review: Snakes are Beautiful - with C-l061 164 pp. Montagu Review: Solum: The early Flute, 1992; C-l 132 on the 1772 Kirckman harpsichord/ Review: Souter: Handel & Scarlatti C-l071 225 pp. Montagu Review: Sparks: The classical mandolin, C-l357 der musikalische Kunst oder/ Review: Speer: Grundrichter Unterricht C-349 the centuries from all over the/ Review: Spohr: Transverse flutes down C-l024 hurdy-gurdies. Montagu Review: Stacey, Wishart: Bagpipes & C-581 18th century, 154 pp. Montagu Review: Stephen Morey: Mandolins of the C-l269 Museum, vol 1, keyed brass/ Review: Stewart: The Shrine to Music C-365 Musicae Popularis, Musikhistoriska/ Review: Stockmann: Studia Instrumentorum C-l 11 im Seiermarkischen Landeszeughaus in/ Review: Stradner: Die musikinstrumente C-l09 Musikinstrumente der Bruckner-Zeit,/ Review: Stradner: Linzer C-499 instrumentation around 1500 as/ Review: Stradner: Playing practice and C-787 collection of musical instruments,/ Review: Sumi Gunji et alii: The C-1475 collection of musical instruments,/ Review: Sumi Gunji et alii: The C-844 Korhonen plays instant music./ Review: Swedish clavichords - Mikko C-l535 nature and pedagogy. Montagu Review: Szende: Intervallic hearing, its C-149 atlas, suppl 1. Montagu Review: Taylor: The musician's piano C-584 atlas. Montagu Review: Taylor: The musician's piano C-362 Verney, Beethoven symphony #2,/ Review: the Hanover Band, Huggett, C-1071 magazine, October 1987. Montagu Review: The harpsichord and fortepiano C-843 at Edinburgh, August 1986. Montagu Review: The historic clarinet exhibition C-769 Music & Painting in the Golden Age./ Review: The Hoogsteder Exhibition of C-l310 at the Commonwealth Institute London/ Review: The master musicians of Jajouka C-316 musical instruments (A). Segerman Review: The new Grove dictionary of C-621 musical instruments (A). Montagu Review: The new Grove dictionary of C-604 musical instruments 3 vol. Montagu Review: The new Grove dictionary of C-578 musical instruments. Montagu (N) Review: The new Grove dictionary of C-924 musical instruments. Montagu (B) Review: The new Grove dictionary of C-646 musical instruments. Montagu (C) Review: The new Grove dictionary of C-671 musical instruments. Montagu (D-E) Review: The new Grove dictionary of C-697 musical instruments. Montagu (F) Review: The new Grove dictionary of C-727 musical instruments. Montagu (G) Review: The new Grove dictionary of C-749 musical instruments. Montagu (H) Review: The new Grove dictionary of C-768 musical instruments. Montagu (I) Review: The new Grove dictionary of C-812 musical instruments. Montagu (J-K) Review: The new Grove dictionary of C-848 musical instruments. Montagu (L-M) Review: The new Grove dictionary of C-897 musical instruments. Segerman (Ba) Review: The new Grove dictionary of C-647 musical instruments. Segerman (D) Review: The new Grove dictionary of C-750 musical instruments. Segerman (E-F) Review: The new Grove dictionary of C-770 musical instruments. Segerman (G) Review: The new Grove dictionary of C-788 musical instruments. Segerman (H-I) Review: The new Grove dictionary of C-860 musical instruments. Segerman (J-K) Review: The new Grove dictionary of C-872

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musical instruments. Segerman (L) Review: The new Grove dictionary of C-886 musical instruments. Segerman (M) Review: The new Grove dictionary of C-898 musical instruments. Segerman (N-O) Review: The new Grove dictionary of C-904 musical instruments. Segerman (P) Review: The new Grove dictionary of C-951 musical instruments. Segerman (Q-R) Review: The new Grove dictionary of C-965 musical instruments. Segerman (S) Review: The new Grove dictionary of C-977 musical instruments. Segerman Review: The new Grove dictionary of C-605 musical instruments. Segerman/ Review: The new Grove dictionary of C-672 musical instruments. Segerman/ Review: The new Grove dictionary of C-698 musical instruments. Segerman/ Review: The new Grove dictionary of C-729 Montagu Review: The Woodwind Quartely, issue 2 C-l 183 chansonniers Francais du XV/ Review: Thibault, Rokseth: Trois C-309 Untersuchung von Bohrungprofilen/ Review: Thomas Lerch. Vergleichende C-1504 Review: Tibia 1/80 journal. Montagu C-279 Review: Tibia-Calendrium 1984. Montagu C-516 Strumenti dell'Istituto della/ Review: Tiella & Primon: Catalogo degli C-979 di Antonio Stradivari, 68 pp./ Review: Tiella, Beare, et al.: Strumenti C-l 108 strumenti pre-rinascimentali./ Review: Tiella: Indirizzi di ricerca su C-265 su un violino di proprieta del/ Review: Tiella, Negri, Primon: Ricerche C-847 (record). Montagu Review: Toll: Bar Consort Earl Music C-244 instruments. Baines Review: Tolley: Making musical C-208 instruments. Montagu Review: Tolley: Making musical C-151 Montagu Review: Traverso no.2, April 1989 C-919 The Cambridge companion to brass/ Review: Trevor Herbert, John Wallace C-1546 including the Museum of Theatre and/ Review: Trip to the Baltic states; C-1072 musical instruments. Montagu Review: Tullberg: The manufacture of C-72 Mandolin, 1989. Montagu Review: Tyler, Sparks: The Early C-922 Review: Tyler: The early guitar. Hope C-297 Catalogue of the European musical/ Review: Ueno Gakuen College Tokio: C-482 Catalogue of the European musical/ Review: Ueno Gakuen College Tokio: C-991 Conservation, archaeology & museums./ Review: UK Institute for Conservation: C-384 facteurs d'instruments de musique./ Review: Un musee aujourd'hui - des C-693 drawings of musical instruments in/ Review: van Acht: Checklist of technical C-l 154 Schimmel: Dutch recorders of the/ Review: van Acht, van den Ende, C-l058 volksmuziekinstrumenten in Europa,/ Review: van Acht: Volksmuziek en C-520 Preservation and restoration of/ Review: van der Meer, Thibault: C-91 monochord; rediscovery of a/ Review: van Ree Bernard: The keyed C-1240 an annotated audio-visual review of/ Review: Van Ree Bernard: The psaltery; C-948 Tolley Review: Varquin: hurdy-gurdy drawing C-107 der internationalen/ Review: Vierundzwandzigsteljahrschrift C-691 der internationalen/ Review: Vierundzwandzigsteljahrschrift C-782 Beth Bullard), 275 pp. Montagu Review: Virdung: Musica Getutscht, (tr C-1241 pianos, Haags Gemeente Museum./ Review: von Gleich: A check-list of C-842 Musikinstrumente des Altertums./ Review: Vorreiter: Die schonsten C-480 (catalogue). Montagu Review: Waterhouse: The proud bassoon C-497 ophicleidist. Montagu Review: Weston: Samuel Hughes C-747

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(record). Montagu Review: Widensky: Das Claviorganum C-870 Langwill index - a dictionary of/ Review: William Waterhouse: The new C-l209 Langwill Index: a dictionary of/ Review: William Waterhouse: The new C-l331 the viol. Montagu Review: Woodfield: The early history of C-582 instruments. Montagu Review: Young: 2500 historical woodwind C-806 historic double reed instruments7 Review: Young: Loan exhibition of C-885 of Frans Briiggen. Montagu Review: Zen-on: The recorder collection C-426 Montagu Review: Zeugnisse alter Musik XI, 1980 C-262 General: Music and book reviews. Montagu Bul-54 Further to C-981 -Are reviews justified? Montagu C-982 Reviews of musical instruments. Powell C-981 Further to C-981: Reviews of musical instruments. Rawson C-997 easily made counter bore that works. Rhoads An inexpensive, C-1088 Simple design for lute rib shapes. Chiverton C-l349 Computing lute rib shapes. Peckham C-417 A method for the construction of the rib template for a lute. Kershaw C-799 and the United States. Jones, Myers, Rice /(alto ophicleides) in Europe C-l499 e request for additional information. Rice The clarinet d'amour: C-l 136 Montagu Review: Rice: the baroque clarinet, 197 pp C-l 104 Montagu Review: Tiella: Indirizzi di ricerca su strumenti pre-rinascimentali C-265 musical instruments./ Review: Richter: Wood as raw material for making C-939 Three boxwood oboes by Hendrik Richters. Bouterse C-l259 the Riga Museum of History and Shipping, Riga. Madgwick /Latvian State Museum, C-1072 /Tallinn, the Latvian State Museum, the Riga Museum of History and Shipping,/ C-1072 Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-l 10 Kjeldsberg: Musikinstrumenter ved Ringve Museum. Montagu Review: C-429 Review: Kjeldsberg: Klemt og Klang; Ringve Museum. Montagu C-l 10a 1987. Montagu Review: Ringve Museum: Exhibition catalogue C-784 Review: Aksdal: Meraker Klarinetten; Ringve Museums Skrifter nr.5, 33 pp./ C-l 105 from shipwrecks, lake dwellings and rivers. Morrison /music instruments C-317 The flutes of Robert and Willem Wijne. Bouterse C-913 musical instruments. Montagu Review: Robert Barclay, ed. The care of historic C-l566 harp (part 2 of 'Musical/ Review: Robert Bruce Armstrong: The Highland C-l267 Robert Greenberg, an obituary. Barnes C-1380 Mobbs, Mackenzie of Ord Dr Robert Smith's 1748 keyboard tunings C-l583 instrumentation for playing/ Review: Roberts: Manual or method of C-894 On C-86. Robinson C-165 On measurement. Robinson C-86 Key lever fulcrum pin mortices. Robson C-1262 Montagu Review: Roche: A dictionary of early music C-402 du XV siecle./ Review: Thibault, Rokseth: Trois chansonniers Francais C-309 of gut and wood. Abbott Segerman Rolfe /cycling for stabilisation C-71 Did nothing survive from Roman antiquity? Crookes C-589 Making a Roman cornu. Barton C-542 Roman keyed tibiae? Galpin C-888 Vihuela and Jose Romanillos. Gill C-824

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Vihuela and Jose Romanillos. Hope C-796 on 15th century illustrations of rebecs. Rooley The problem of double bridges C-2 for school construction. Tolley Roscow Allison /musical instruments C-l00 Making solid bentsides for harpsichords. Rose C-290 conference on pitch and transposition. Rose FoMRHI C-322 Design of the V&A Rose and Jaye viol soundholes. Segerman C-1080 Montagu A working visit to the Mary Rose and the instruments found in her C-l597 stringing practice for/ Review: Rose, Law: A handbook of historical C-1070 The Mary Rose shawm. Forster C-1459 The Mary Rose shawm or dulcina. Lyndon-Jones C-531 Review: Rose. Talks with bandsmen. Montagu C-1450 Parchment roses. Kemner C-235 A method for casting harpsichord roses. Paul C-403 A method of casting harpsichord roses. Paul C-392 Vellum and parchment roses. Rawson C-l67 Parchment roses. Theakston C-234 Parchment roses for harpsichords. Rawson C-l524 and harpsichords, van/ Parchment roses in citterns, lute, baroque guitars C-1515 Perforating soundboard roses with scissors. Williams C-434 University of Iowa. Montagu Review: Ross: Musical instruments at the C-213 Speculations on the rote. Segerman C-437 Catch Martin Routh's razor (further to C-l350) C-1362 Supplement: Response to Roy Chiverton's C-l464. Segerman Sup-85 Debenham The compass of the Royal College of Music clavicytherium C-l 12 the fretting of the Canpi cittern at the Royal College of Music in London./ /of C-l24 General: Portraits in the Royal College of Music, London Bul-76 Plans: List Royal College of Music, London Bul-19 Plans: List Royal College of Music, London Bul-35 Plans: List Royal College of Music, London Bul-45 Plans: List Royal College of Music, London Bul-55 Plans: List Royal College of Music, London Bul-63 Plans: List Royal College of Music, London Bul-76 part I, European wind/ Review: Royal College of Music Museum Catalogue C-446 postcards. Montagu Review: Royal College of Music Museum, Set of 13 C-884 1739-17537 Harpsichord jacks at the Royal Swedish Academy of Science, C-944 Two simple varnishes. Rubin C-132 Mersenne's iron and Ruckers 6 foot pitch. Segerman C-1494 theories. Shann Ruckers doubles - a survey of the C-665 Meeus Ruckers doubles: the sixth hypothesis C-680 Plans: List cembalo, Ruckers genootschap, Antwerpen Bul-46 On the construction of Ruckers harpsichords. Gug C-l 14 The pitch of Ruckers instruments. Shann C-593 Shortridge Ruckers transposing double harpsichords C-623 Martin Freres & Famille, Paris, 93 rue de la Chapelle. /catalogues, No. 1: C-1044 instruments in/ Review: Pauline Rushton, ed.: European musical C-l293 instruments in/ Review: Pauline Rushton, ed.: European musical C-l294

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Guilt-free music; on vegetarians. Russell C-1075 on a post horn in F with one tone hole. Rycroft Intonation tests C-955 renaissance and middle ages./ Drum rythms for dance music in the C-887 Notes on a painting by Sabastino Lazzari. Downing C-484 Review: Fischer: The renaissance sackbut and its use today. Montagu C-600 shawms. Segerman Mersenne's sackbut and pitch, plus playing with C-l373 of/ Review: Lumsden: The sound of the sackbut, Edinburgh university collection C-868 Review: Cornett and Sackbut,journal. Montagu C-l92 Praetorius's and surviving Nuremberg sackbut lengths and playing pitches./ C-l371 The sizes and pitches of Praetorius's sackbuts. Segerman C-l200 Rawson Safety with woodworking machines C-l66 /Birsak: Die Holzblas Instrumente im Salzburger Museum Carolino Augusteum./ C-149 Jahresschrift 22 19767 Review: Salzburger Museum Carolino Augusteum: C-149 /Stradner, ed.: Klangfuhrer durch die Sammlung alter Musikinstrumente, Wien,/ C-l297 /Stradner, ed.: Klangfuhrer durch die Sammlung alter Musikinstrumente, Wien,/ C-1312 A cut lute recorded. Samson C-141 Bologna lutes - comments on C-l28. Samson C-142 Comments on C-417 and C-420. Samson C-489 Jewelery in wood etc. Samson C-238 Lute outlines - geometrical description. Samson C-377 Lute pegboxes and necks. Samson C-41 Lute pegboxes in pictures 1600-1800. Samson C-47 Lute soundboards - how were they fitted? Samson C-300 The twelve-course lute. Samson C-48 Tonal balance and bar depths. Samson C-220 What is a simple lute? Samson C-756 Why do some lutes have flattened backs? Samson C-324 authenticity - are our priorities right? Samson Acoustics, appearance and C-216 proportion and the art of lutherie. Samson Review: Coates: Geometry C-730 with gut strings of a given length. Samson The range of pitch C-66 wrong with the early music movement? Samson What has gone C-755 to lute players (Vienna 1701). Samson Hodgson /Radolt's instructions C-737 Review: Weston: Samuel Hughes ophicleidist. Montagu C-747 Bending in San Franscisco. Greenberg C-682 Review: Haine: Adolphe Sax. Montagu C-280 de Keyser: Catalogue des instruments Sax au Musee Instrumental de/ /Haine, C-311 /system; Supplement: representation of scale by point or the modular/ C-1083 An equal tempered scale for tempo. Segerman C-l250 /Account of the discovery of the scale of musick (1775?) (in above/ C-896 The scale of the psalter. Crookes C-l287 Corollaria to the modal scale theory (summary). Raudonikas C-1030 Review: Boyle: Intervals, scales and temperaments. Montagu C-191 Strong iron wire and long scales in Italian harpsichords. Wraight C-852 An analysis of Irish harp scaling. Downing C-l 112 Scaling harpsichords soundboards. Lloyd C-1512 Review: Lund: The sounds of prehistoric Scandinavia (record). Montagu C-553

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Review: Souter: Handel & Scarlatti on the 1772 Kirckman/ C-l071 Montagu Review: Scherchen: Handbook of conducting C-962 their construction and/ Review: Scheurwater, van Acht: Old harpsichords, C-l08 Review: van Acht, van den Ende, Schimmel: Dutch recorders of the 18th/ C-1058 Schmelzer's violino piffaro. Heavens C-l603 the dangers of becoming an established scholar. Segerman On C-69 The case of the unknown scholar and the missing lute. Hodgson C-628 A reminder on the principles of scholarly choice. Segerman C-873 Being fair to evidence in scholarship. Montagu C-l582 Supplement: Being fair to evidence in scholarship. Segerman Sup-91 The handling of source errors in scholarship. Segerman C-l580 method for ensuring objectivity in scholarship. Segerman /the formal C-l276 C-l335). Stroom Once more, scholarship and disputes (further to C-l366 C-l308. Segerman On the scholarship of string names, a reply to C-1317 amount of evidence needed. Segerman Scholarship, statistics, and the minimum C-1218 Allison Early musical instruments for school construction. Tolley Roscow C-100 vol.1. Montagu Review: Schott: The historical harpsichord, C-602 Leipzig. Montagu Review: Schrammek, Herre. Museum Musicum C-416 Leipzig. Henning Review: Schrammek, Herre: Museum Musicum C-496 Leipzig/ Review: Gernhardt, Henkel, Schrammek: Musikinstrumenten Museum C-519 woodwind bore measuring tool. Schultze A contact-free C-970 and des Barock, Band 1: Eine/ Review: Schultze: Querfloten der Renaissance C-947 Heinrich Schutz's strings. Karp C-439 Perforating soundboard roses with scissors. Williams C-434 background to the strings used by catgut scrapers. Segerman Abbott Historical C-l5 Glover Plane scraping for profit and pleasure C-318 Greenberg Scraping plane for mouldings in wood C-571 Re: scraping plane in C-571. Young C-586 Early 18th century bows and screws. Segerman C-458 Harpsichord bottom screws. Way C-574 Comments on bows and their screws, taps, dies and lathes. Mather C-471 Henning Musical sculptures in medieval Burgundy C-l57 /catalogue: Collection of paintings and sculptures, Wallraf-Richartz Museum,/ C-1476 On seasoning timber. Gould C-223 Seasoning your own timber. Rawson C-99 'breathing' and Neusidler's counting). Segerman /century (appendix Gaffurius's C-l 130 (including a response to C-l288). Segerman /string types and tensions C-l307 - a response to C-1216 (and to C-1215). Segerman /honesty doesn't help C-1244 - components mechanism and sound. Segerman /Beament. The violin explained C-l548 - supplement to the 1976 catalogue. Segerman /of historical instruments C-811 17th century discussions of gracing. Segerman On some early C-l379 18th century German and French pitches. Segerman C-683 18th century success of copal varnish. Segerman C-506 A DIY make of gut lute strings. Segerman Bulletin: Bul-87 A note on mean temperament. Segerman C-459 A string calculator. Abbott Segerman C-162

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All-gut bass strings Segerman C-413 Ambiguity in Mersenne's use of Grosseur. Segerman C-344 An embryonic bass bar? Segerman C-840 An equal tempered scale for tempo Segerman C-1250 Angled bridges and J bars on lutes Segerman C-687 Anti FoMRHI people in the lute world Segerman C-1415 Beethoven and the early music industry Segerman C-l 147 Being fair to evidence in scholarship Segerman Supplement: Sup-91 Bulletin: CD-RoM museum pictures Segerman Bul-87 Bulletin: Cittern controversy Segerman Bul-87 Bulletin: The 'renaissance' guitar? Segerman Bul-87 C-1481 (on English citterns) Segerman Reply to Forrester's C-l497 Caccini's 'Exclamation' and a sigh Segerman The'dying fall', C-1455 Catline strings. Abbott Segerman C-138 Chiverton's C-l322 on lute belly shapes Segerman Response to C-l348 Comments on C-41 Segerman C-36a Comments to C-l093 (fiddle tunings) Segerman Supplement: Sup-68 Criteria for the naming of instruments Segerman C-338 Early 18th century bows and screws Segerman C-458 English and French vocal and viol style Segerman On C-862 English lute sizes and tunings c.1600 Segerman On C-867 English organs - response to C-l383 Segerman Pitch standards of early C-l398 English pitch standards, mostly c.1600 Segerman C-1063 English viol sizes and pitches Segerman C-597 Facts and speculations people Segerman Supplement: Sup-93 Figures relevant to C-546 Segerman C-547 Fingerboard shapes and graded frets Segerman C-l 168 Ford: Making musical instruments Segerman Review: C-188b Forrester's C-1445 on English citterns Segerman Reply to Peter C-1468 Further to C-l561 (Cremona secret) Segerman Supplement: Sup-91 Further to C-216 Segerman C-218 Gerle on tempo Segerman C-1251 Grove dictionary of musical instruments Segerman Review: The new C-605 Historical violin stringings up to 1900 Segerman C-1234 Hizler's tenor violin Segerman C-410 In defence of C-40 Segerman C-40a Mace on overspun strings Segerman C-1440 Meeus and the English viols Segerman Praetorius, C-633 Mensur? Ugh Segerman C-178 Mersenne untwisted Segerman C-199 Mersenne's pitch standard Segerman C-1374 Mersenne, Mace and speed of playing Segerman C-753 Michael Morrow Segerman C-1273 Montagu. The magpie in ethnomusicology Segerman Review: Jeremy C-l549 More on early gut string diameter. Segerman C-743 Musical instruments of the Bible Segerman Review: Montagu C-1453

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On C-l535, review of a clavichord CD. Segerman Supplement: Sup-90 On C-97: Cetra fret blocks. Segerman C-125 On Early Music and music history. Segerman Supplement: Sup-77 On Memling's psaltery. Segerman C-411 On Stroom's C-l315. Segerman C-1335 OnStroom'sC-1366. Segerman C-1388 On Talbot's measurements of viols. Segerman C-382 On 'nuts & bolts', further to C-1469. Segerman Supplement: Sup-93 On baroque lute strings and tunings. Segerman C-215 On catlines and Pistoy basses. Segerman C-1235 On embellishment function and context. Segerman C-l 148 On extended lutes. Segerman C-712 On historical string tensions on lutes. Segerman C-1255 On manners, status and C-l301. Segerman C-1314 On musicologists and early music. Segerman C-1217 On the expression of emotion in music. Segerman C-1414 On the hair tension during bowing. Segerman C-1420 On the number of guts in a gut string. Segerman C-325 On the sizes of surviving English viols. Segerman C-158 On the upsetting power of Occam's razor. Segerman C-1365 Origins of the 'guitarra portuguesa'. Segerman C-1543 Orpharion news. Segerman C-407 Peg fitting. Segerman C-1606 Pitch standards in northern Italy. Segerman C-1489 Quellenbis 1900 (158 pp). Segerman /in deutschsprachigen C-l295 Recent changes in early music. Segerman C-814 Renaissance and baroque bows. Segerman C-409 Reply to C-l544 on catlines. Segerman C-1557 Reply to C-526. Segerman C-549 Reply to Raudonikas's C-l243. Segerman C-1274 Response to C-l302 on Occam's razor. Segerman C-1303 Response to C-l337 on wood science. Segerman C-1363 Response to C-610 on vihuelas. Segerman C-629 Response to C-739 and C-740. Segerman C-742 Response to Crighton's C-559. Segerman C-596 Response to Crookes's C-589 and C-590. Segerman C-613 Response to Rawson's C-l339. Segerman C-1364 Response to Roy Chiverton's C-1464. Segerman Supplement: Sup-85 Rhetoric for the voice and instruments. Segerman C-916 Semitone step calculations in stringing. Segerman C-1517 Some English viol belly shapes. Segerman C-1053 Some earlyish cello string information. Segerman C-1520 Some geometrical analyses of archings. Segerman C-1036 Some ways with means. Segerman C-665 Soundboard wood imported to England. Segerman Supplement: Sup-92 Speculations on the rote. Segerman C-437

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String tension on Mersenne's lute Segerman C-129 Stringing 5-course baroque guitars Segerman C-1256 Strings for the violin family Segerman C-438 Style decoration and tone Segerman C-983 Supplement: Catline, catlin and catling Segerman Sup-93 Supplement: Chiverton's Ockham Segerman Sup-84 Supplement: Fomrhi Website Segerman Sup-90 Supplement: Further again to C-1485 Segerman Sup-86 Supplement: Further to C-1490 Segerman Sup-86 Supplement: Good players then and now Segerman Sup-91 Supplement: Indexes Segerman Sup-91 Supplement: On C-l287 by D.Z. Crookes Segerman Sup-77 Supplement: On timpani, reply to C-l582 Segerman Sup-93 Supplement: Praetorius's recorder pitch Segerman Sup-84 Supplement: Sutton Hoo lyre Segerman Sup-85 Sympathetic strings Segerman C-1097 Syntagma Musicum I & II (tr Crookes) Segerman Review: Praetorius: C-810 The 'clearness' of early gut Segerman C-1397 The buzzing of wood strings Segerman C-1033 The instruments of the consort Segerman C-1422 The lengths of bows in the baroque Segerman C-550 The mathematics of tuning up a string Segerman C-1528 The musical uses of the word consort Segerman C-819 The size of the English 12-course lute Segerman C-1592 The wood under the varnish Segerman C-775 The words authentic and original Segerman C-53 Theory of viol design -1 Segerman C-253 Trouble with C-302 varnish Segerman C-500 Two-headed lute news. Vang Segerman C-156 Violin research 15 years ago Segerman C-1492 Visconti in focus (further to C-1518) Segerman Supplement: Christina Sup-88 What Praetorius wrote on English viols Segerman C-598 What is a historical instrument Segerman C-477 Why gut treble strings are the best Segerman C-563 Wood contraction and instrument bores Segerman C-460 Wood treatment to improve sound Segerman C-1423 'cello' strings and bass viols Segerman Stradivari C-1518 a correction to C-l562 and new theory Segerman /of the viole da braccio: C-l604 a file of musical instruments. Abbott Segerman Some thoughts on C-6 about the history of tempo standards? Segerman Supplement: What Sup-88 analysis of instrument shapes. Abbott Segerman Geometric description and C-5 and 18th century wound string sound Segerman Forqueray's strings C-1558 and 19th century stringing practices Segerman Shelley's guitar C-l096 and French pitches) by Bruce Haynes? Segerman /C-891 (on 18th century German C-1098 and 'cittern'; reply to C-l514 Segerman /of the names'gittern' C-l529 and baroque viols and violins Segerman On the sizes of renaissance C-65

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and design of early instruments. Segerman Culture mathematics C-l035 and honest FoMRHI - reply to C-1218. Segerman For an open C-l304 and musical instrument acoustics. Segerman Chaos, fractals C-l510 and not an early painting movement? Segerman /there an early music movement C-l079 and pitch, plus playing with shawms. Segerman Mersenne's sackbut C-l373 and pitches of Praetorius's sackbuts. Segerman The sizes C-l200 and playing viols in the 16th century. Segerman Supplement: Pitch standards Sup-92 and related instruments before 1700. Segerman On the double bass C-855 and renaissance musical instruments. Segerman /The world of medieval C-44 and scientists: response to C-1076. Segerman The reality of musicians C-1090 and the viola bastarda. Abbott Segerman Praetorius C-37 and thickness, and the Paris vihuela. Segerman Vihuela string quality C-1483 and woodwind gracing in Purcell's time. Segerman Contrasts between string C-l316 at the Royal College of Music in London. Segerman /fretting of the Canpi cittern C-l24 bass violin comments by Catch in C-1574. Segerman Supplement: Response to Sup-92 between early and modern baroque reeds. Segerman On the difference C-l223 bout back fold on English treble viols. Segerman The lower C-352 bowing of early fiddles and viols. Segerman On melodic and continuo C-l309 bridges I: focus on the lira da braccio. Segerman Flat C-715 by bars, and the history of soundposts. Segerman /of soundholes bracketed C-l36 calculations in C-1480 by Lee. Segerman On the (frequency) C-1493 catalogue of methods of transposition). Segerman /skills (with an appendix of a C-l 127 century English vocal and organ pitches. Segerman On early 17th C-l290 century information on Spanish gracing. Segerman More mid-16th C-408 changes from baroque to modern violins. Segerman The C-1484 claiming wood changes on playing in. Segerman /A response to C-l439 Sup-84 comments to the pitch dispute. Haynes, Segerman Further C-1099 concerning Praetorius's pitch standards. Segerman Another note C-79 construction of a medieval fiddle. Segerman Proposed C-412 construction of early English viols. Segerman A note on the belly C-289 criticism of Early Musicians. Segerman /C-1174 criticising C-1191 criticism of Early Musicians. Segerman /to Wood's C-l 175 criticising C-l 192 current uniformity in performing style. Segerman On C-l 158 diameters of unusual wound strings. Segerman /in calculating equivalent Sup-88 dictionary of musical instruments (A). Segerman Review: The new Grove C-621 don't believe what you see in pictures. Segerman Trust but C-l509 duplication of stringed instruments. Segerman /for more accurate acoustical C-135 family string diameters and tensions. Segerman A table for violin C-772 fiddles, the soundpost and the violino. Segerman French C-l605 flute pitch' and 'church pitch of f'. Segerman /pitches, especially'consort C-l 100 for C-1493 (frequency calculations). Segerman /correction and simplification C-1511 for ensuring objectivity in scholarship. Segerman /razor: the formal method C-l276 for making pine resin varnish. Duncalf Segerman A simple, safe method C-302 for sound improvement on playing in. Segerman Models C-l472 fretting by computer or calculator. Segerman Mean-tone C-1201 gauge and an unwound viola C string. Segerman Ac. 1900 string C-l 233

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guitar and speculations on its origin. Segerman More on the English C-l531 harmonics and stopping in mid air. Segerman Thick gut string, playing C-l519 have all the creative amateurs gone? Segerman Where C-l 194 historical accuracy in popular design. Segerman Trends towards C-523 in late 16th and 17th century music. Segerman The inverted mordent C-359 in the 2nd quarter of the 17th century. Segerman /The English cittern Sup-85 in the Edinburgh 'A.S.' manuscript. Segerman Violins, citterns and viols C-l576 in the Hunt & Balsan experiment. Segerman /structure and what happened C-l471 in the New Scientist, 26 June 1993. Segerman /Restoration, on an article Sup-72 in the renaissance and early baroque. Segerman A survey of graces C-398 in which wood absorbs sound vibrations. Segerman Explanations of ways C-l532 information on authentic lutes. Abbott Segerman Sources of C-7 information vs a playing collection. Segerman Conservation of research C-380 instruments and cammerthon. Heavens, Segerman Praetorius' brass C-l327 instruments with varying string length. Segerman /power law in the stringing of C-1418 invention of overspun strings. Abbott Segerman On the time of C-l74 iron and Ruckers 6 foot pitch. Segerman Mersenne's C-l494 is a 'copy' of an original instrument? Segerman What C-l 111 length on the baroque violin. Segerman Fingerboard C-525 look at pitch ranges of gut strings. Segerman A closer C-632 lutes in the 17th century. Abbott Segerman /standards of extended-neck C-59 methods of constructing English viols. Segerman Ruminations on original C-l575 middle ages and renaissance (part 1). Segerman /Munrow: Instruments of the C-44a middle ages and renaissance (part 2). Segerman /Munrow: Instruments of the C-44b minority and the effects of its power. Segerman The sharp eared C-l 193 music meaning of the word 'Consort'. Segerman /hypothesis for the early C-l336 musical instruments (part 1). Segerman /of medieval and renaissance C-44c non-view on the construction of catlins. Segerman Catch C-l591 of Moravia's second fiddle tuning. Segerman /correction to C-50 on Jerome C-95 of becoming an established scholar. Segerman On the dangers C-69 of instrument designs. Abbott Segerman /preparation and distribution C-28 of musical iconography: reply to C-1551. Segerman On the information C-l571 of source errors in scholarship. Segerman The handling C-l580 of string names, a reply to C-1308. Segerman On the scholarship C-l317 of tessitura and movement in music. Segerman On the measurement C-l249 of the Tourte bow - simple alternative. Segerman Thickness graduation C-379 of the middle ages and renaissance. Segerman Review: Munrow: Instruments C-44 of timpani by 17th century composers. Segerman Supplement: On the use Sup-91 on a Sellas extended-neck lute. Segerman Nut groove diameters C-776 on gut string history before 1600. Segerman Some thoughts C-94 on pre-18th century hurdy gurdies. Segerman Announcements: miscellany C-l572 on the 16th century seminar. Montagu Segerman Report C-93 on the name 'catline' (see also C-l254). Segerman More C-l289 on the principles of scholarly choice. Segerman A reminder C-873 on viol players, cittern and gittern. Segerman A 1656 Tabley manuscript: C-774 or an excuse for complacency? Segerman /a search for improvement C-1467

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or just accumulated? Reply to C-1516. Segerman Is evidence to be explained C-l523 other viols that played from tablature. Segerman Lyra and C-716 philosophies in the bassoon controversy. Segerman Conflicting C-l 159 physics of bowing - response to C-794. Segerman Discussion of the C-820 pitches of 18th century strung keyboard. Segerman Review: Karp: The C-606 plucked instruments and their strings. Segerman Praetorius's C-l593 plucked instruments to the Irish harp. Segerman /the principles of stringing C-l 149 points on violas and vihuelas in C-660. Segerman Discussion of C-661 practice and songs in France 1100-1300. Segerman /middle ages - instrumental C-809 procedure for baroque and modern bows. Segerman A thicknessing C-564 ranges and sizes up to the 18th century. Segerman /technology and instrument C-l03 sackbut lengths and playing pitches. Segerman /and surviving Nuremberg C-l371 sizes of Renaissance bowed instruments. Segerman On Praetorius and the C-l545 sound boxes, to be glued or not. Segerman Medieval C-l 167 standards in the 17th and 18th century. Segerman /Italian and French pitch C-442 stringing of English and German guitars. Segerman The C-1034 technology bearing on sound quality. Segerman Some aspects of string C-1416 terminology - response to C-351. Segerman More on organological C-376 the V&A Rose and Jaye viol soundholes. Segerman Design of C-l080 the Wensler G30 cithrinchen stringing. Segerman Response to C-l482 and C-1498 the body shapes of stringed instruments. Segerman On describing C-1419 the clavichord tangent hits the string? Segerman What happens when and after C-l541 the geometry of clearance angles. Segerman Round bridges: C-714 the hurdy-gurdy wheel and string. Segerman The purpose of cotton between C-l542 the information in instrument drawings. Segerman On C-232 the lira da bracio and lirone project. Segerman On C-l560 the minimum amount of evidence needed. Segerman Scholarship, statistics, and C-l218 the pitch of early wind instruments. Segerman On measuring C-l372 the violin a French invention after all? Segerman Was C-524 theorboes and archlutes before 1650. Segerman On the size of Italian C-456 time signatures in 17th century England. Segerman Tempos and C-l 129 to C-l329 on English organ pitches. Segerman Reply C-l347 to C-l426 on emotion imaged by music. Segerman Reply C-l454 to C-490 on English viol pitches. Segerman Response C-491 to Meeus on the bowed string. Segerman Response C-839 to an attack on modern catlines. Segerman Response C-773 tuning of baroque viol soundboards. Segerman On Chladni-plate C-206 tunings and fretting patterns. Segerman /and early renaissance C-89 viol bellies, made of bent strip? Segerman Supplement: English Sup-72 violino and the viole da bracio family. Segerman The early C-l562 violins, and catlin highest pitches. Segerman /17th century English bass C-l590 windings on a traditional wound string. Segerman The dimensions of C-l533 wire of high tensile strength ca. 1600. Segerman Ferrous C-440 wire strengths and violin stringing. Segerman Napolitan mandolins, C-713 with the chekker is alive and well. Segerman Fascination C-l 128 The world according to Segerman. Stroom C-1315

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Comment on C-81. Segerman Abbott C-82 Comments on C-29. Segerman Abbott C-43a Comments on comments (C-39a) on C-39. Segerman Abbott C-39b Design information for lute makers. Segerman Abbott C-29 Gut strings. Segerman Abbott C-3 On measures of instruments in museums. Segerman, Abbott C-63 On prematurity of communication. Segerman Abbott C-58a On the Palmer orpharion. Segerman Abbott C-l6 Overspun string calculations. Segerman Abbott C-l63 Why are lute pegboxes bent back? Segerman Abbott C-40 approach to mean-tone fretting. Segerman Abbott /reasoned and practical C-88 bridge curvature in the medieval fiddle. Segerman Abbott Jerome of Moravia and C-50 commercialism and instrument drawings. Segerman Abbott Museums, C-42 courses in early stringed instruments. Segerman Abbott /octave or unison C-30 lute barring and bridge placement. Segerman Abbott On early 16th century C-l metal strings and Mersenne's data. Segerman Abbott On twisted C-l64 of the 16th century vihuela da mano. Segerman Abbott On the string length C-39 offered by the early guitar and violin. Segerman Abbott /naming of instruments C-36 on medieval fiddle technique. Segerman Abbott Some speculations C-51 pitch standards in the 17th century. Segerman Abbott Praetorius and English C-38 the sizes of English (and other) viols. Segerman Abbott More on C-l87 to improve tone and fretting accuracy. Segerman Abbott Twist your strings C-l26 to the strings used by catgut scrapers. Segerman Abbott Historical background C-l5 Meeus Praetorius, Segerman and the English viols C-607 Grove dictionary of musical instruments. Segerman (Ba) Review: The new C-647 Grove dictionary of musical instruments. Segerman (Bb-Bz) Review: The new C-672 Response to Messrs Heavens and Segerman (C-l485). Loretto C-l507 Grove dictionary of musical instruments. Segerman (Ca-Ci) Review: The new C-698 Grove dictionary of musical instruments. Segerman (Cj-Cz) Review: The new C-729 Grove dictionary of musical instruments. Segerman (D) Review: The new C-750 of viol bellies by bending all staves. Segerman Duncalf Construction C-395 Grove dictionary of musical instruments. Segerman (E-F) Review: The new C-770 Grove dictionary of musical instruments. Segerman (G) Review: The new C-788 cittern. Forrester Segerman, Godwin, Fludd, and the English C-1496 Grove dictionary of musical instruments. Segerman (H-I) Review: The new C-860 Grove dictionary of musical instruments. Segerman (J-K) Review: The new C-872 Grove dictionary of musical instruments. Segerman (L) Review: The new C-886 Grove dictionary of musical instruments. Segerman (M) Review: The new C-898 in historical instruments. Abbott Segerman Montagu /with interests C-27 Grove dictionary of musical instruments. Segerman (N-O) Review: The new C-904 Grove dictionary of musical instruments. Segerman (P) Review: The new C-951 and renaissance musical instruments. Segerman (part 2) /world of medieval C-44d and renaissance musical instruments. Segerman (part 3) /world of medieval C-44e Grove dictionary of musical instruments. Segerman (Q-R) Review: The new C-965 stabilisation of gut and wood. Abbott Segerman Rolfe Humidity cycling for C-71 Grove dictionary of musical instruments. Segerman (S) Review: The new C-977

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interval above the open string. Abbott Segerman Spencer /the nut for every C-l79 A red herring on Praetorius's foot. Segerman Young C-l55 standards. Haynes Response to Eph Segerman'sC-1063; on English pitch C-1082 organs and pitch in England: response to Segerman'sC-1290. Goetze Transposing C-l329 Some points raised by Ephraim Segerman's reply, C-1468, on English/ C-1481 College 10 day instrument making course. Segerman(Y) West Dean C-1521 (record)./ Review: Brauchli: Carlos Seixas's nine sonatas for clavichord C-521 woodwind instruments. Bouterse The Selhof auction (1759) of musical C-1539 Nut groove diameters on a Sellas extended-neck lute. Segerman C-776 dispute between Jakob Bleyer & Martin Seufert. Swenson /as reflected in the C-933 Dayton C. Miller collection./ Review: Seyfritt: musical instruments in the C-463 John Hale. Shackleton C-817 The Clinton system clarinet. Shackleton C-816 Palmer On shafts and bearings for hurdy-gurdies C-340 on the preservation and repair of the shakuhachi. Mayers Notes C-76 Styll shalmes. Buckland C-272 Further to Still Shalmes (C-272). Buckland C-373 Bending harpsichord bentsides. Shann C-540 Bentsides again. Shann C-592 Double, double, toil and trouble. Shann C-718 Grove on the chekker. Shann C-614 Happy, happy transposition. Shann C-765 Making a spinet by traditional methods. Shann Review: Barnes: C-622 More on the proportional compass. Shann C-736 On the Zangelmass. Shann C-790 Phosphorous iron music wire. Shann C-821 Some historical data on harpsichords. Shann C-591 Soundboard finishes. Shann C-198 The Baffo virginal. Shann C-143 The fingered 16' on the harpsichord. Shann C-488 The pitch of Ruckers instruments. Shann C-593 colour of the Ruckers' wood-grain paper. Shann The C-570 doubles - a survey of the theories. Shann Ruckers C-665 from octave to unison stringing. Shann The transition C-569 harpsichords - some rejoinders answered. Shann Flemish transposing C-537 Classic guitar shape. Ecker C-49 Whinray A shaper for recorder block blanks C-122 description and analysis of instrument shapes. Abbott Segerman Geometric C-5 Simple design for lute rib shapes. Chiverton C-l349 Computing lute rib shapes. Peckham C-417 Some English viol belly shapes. Segerman C-1053 to Chiverton's C-l322 on lute belly shapes. Segerman Response C-l348 Fingerboard shapes and graded frets. Segerman C-l 168 /description and analysis of instrument shapes; considerations on early 16th/ C-486 Segerman On describing the body shapes of stringed instruments C-1419 instruments. Young Planes for shaping arched bellies of stringed C-l68

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its power. Segerman The sharp eared minority and the effects of C-l 193 cornetti and tuning cornetti at the sharp end. Gretton /of ivory C-390 Modification and sharpening of twist drills, van Leeuwen C-707 The Mary Rose shawm. Forster C-1459 The forked shawm. Montagu C-304 The Mary Rose shawm or dulcina. Lyndon-Jones C-531 -41 sackbut and pitch, plus playing with shawms. Segerman Mersenne's C-l373 Green 1742-1790. 169/ Review: Gillian Sheldrick, ed.: The accounts of Thomas C-l206 stringing practices. Segerman Shelley's guitar and 19th century C-1096 Morrison Early music instruments from shipwrecks, lake dwellings and rivers C-317 Making reamers on a shoestring. Marvin C-l80 Ruckers transposing double harpsichords. Shortridge C-623 musical instruments in St Mary's Church Shrewsbury. Wright /carvings of C-74 (Italian stringed/ Plans: List the Shrine to Music Museum, Vermillion, USA Bul-54 brass/ Review: Stewart: The Shrine to Music Museum, vol 1, keyed C-365 instruments of/ Review: Cross: The Shrine to Music Museum, vol 2 C-479 Timber - swelling and shrinking. Allen C-l 189 music. Bulletin: Sibelius, a computer program for writing Bul-93 happens when you oil your recorder. Simmons The good oil; what really „ C-1228 A note on 'the good oil' (C-1228) by T. Simmons. Guida C-l285 'What say you, Simon Catlin?'. Catch C-l589 life and times. Wollenberg Review: Simon: Handel: a celebration of his C-670 Downing More on sinew fibre-a footnote to C-l 394 C-1441 Sinew strings ... yet again! Downing C-1442 excuse for complacency? Segerman Sinews: a search for improvement or an C-1467 Singing lessons for wood. Catch C-1032 Singing lessons for wood. Catch C-1065 Singing lessons for wood. Catch C-1091 Recorder window size. Loretto C-l508 Determining the step size of a recorder. Loretto C-l353 before 1650. Segerman On the size of Italian theorboes and archlutes C-456 Segerman The size of the English 12-course lute C-l592 Reducing and enlarging paper sizes. Lambert C-1017 English viol sizes and pitches. Segerman C-597 Hodgson The sizes and pitches of Italian archlutes C-464 sackbuts. Segerman The sizes and pitches of Praetorius's C-l200 On English lute sizes and tunings c.1600. Segerman C-867 Segerman Abbott More on the sizes of English (and other) viols C-187 On cammer-ton and on the sizes of lutes. Hodgson C-662 and violins. Segerman On the sizes of renaissance and baroque viols C-65 Segerman On Praetorius and the sizes of Renaissance bowed instruments C-l545 Segerman On the sizes of surviving English viols C-l58 correction to C-l562/ The tunings and sizes of the viole da braccio: a C-l604 A table to convert plain gut string sizes to equivalent overwound string/ C-l77 /technology and instrument ranges and sizes up to the 18th century. Segerman C-103 Some instruments of skomorokhi from the 1630s. Crookes C-636

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Re: Grove review: double bass. Slatford C-771 personal report on early music/ From small acorns, large oak tress grow; a C-1026 instruments: Goodacre's/ Undercutting small diameter finger holes on woodwind C-l375 Chiverton A small miscellany of bits and pieces C-l086 Introduction to the small organ. Gwynn C-296 Small planes. Williams C-230 A comparison of some baroque violins. Smith C-1009 Baroque cello spikes. Smith C-595 Lewis, a flute case maker. Smith C-827 Obituary Len Stanners. Smith C-1384 The apparent geometry of Jakob Stainer. Smith C-841 The viola pomposa. Smith C-186 Thoughts after the New Langwill Index. Smith C-1332 Violin makers' inches in proportion. Smith C-1008 Woodwind taxonomy. Smith C-1461 'Fiauti d'echo': recorders off-stage. Smith J.S.Bach's C-1421 geometrical analysis in proportion. Smith Keeping C-880 reconstruction of Stradivarius cellos. Smith Possible C-594 /two new plans (harpsichords by William Smith, and by Joannes Goermans) Bul-76 baroque trumpet before 17217 Review: Smithers: The music and history of the C-945 Mackenzie of Ord Dr Robert Smith's 1748 keyboard tunings. Mobbs, C-1583 Plans: List Smithsonian Institute, Washington DC Bul-63 Johann Socher's square piano of 1742. Cole C-1446 March 19957 British clavichord society at the open university, 11th C-l341 The British Clavichord Society BCE. Alexander-Max C-1313 Review: American Musical Instrument Society Journal XIII, 1987, October/ C-895 Montagu Review: Galpin Society Journal XLI, 1988, October 1986 C-895 1992 Report from the Czechoslovakian Society of Makers of Historical/ C-l 155 /Chanter, the journal of the Bagpipe Society, vol.1, part 1,'86. Montagu C-748 /Chanter, the journal of the Bagpipe Society, vol.1, part 2,'86/'877 C-783 instruments. Bolton Resonans, a software program for developing new wind C-l356 Montagu Review: Solum: The early Flute, 1992; 164 pp C-l 132 Four great curtals from Augsburg, Sonderhausen and Pillnitz. Lyndon-Jones C-l305 /middle ages - instrumental practice and songs in France 1100-1300. Montagu C-786 /middle ages - instrumental practice and songs in France 1100-1300. Montagu C-808 /middle ages - instrumental practice and songs in France 1100-1300. Segerman C-809 On the wings of the muse or songs of historical feathers (on/ C-l263 About 'manacordo' and 'sordino'. Tiella C-1400 The SorduenBas. Lloyd C-1004 Stanesby7 Four baroque recorders at Sotheby's, November 1996 (Beukers, C-1501 Recorder woods - do they influence the sound? Loretto C-1431 Wood treatment to improve sound. Segerman C-1423 explained - components mechanism and sound. Segerman /Beament. The violin C-l548 strings and 18th century wound string sound. Segerman Forqueray's C-l558 Segerman Medieval sound boxes, to be glued or not C-l 167 Early sound generation: bassoon reeds. White C-l282

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Segerman Models for sound improvement on playing in C-1472 Museum, 19897 Review: Moyle: the Sound of Oceania, Auckland Institute & C-921 of music on/ Review: Bassart: The sound of the fortepiano: a discography C-688 university/ Review: Lumsden: The sound of the sackbut, Edinburgh C-868 aspects of string technology bearing on sound quality. Segerman Some C-1416 Upon the harp with a solemn sound (sequel to C-l342). Crookes C-l378 why old fiddles sound sweeter. Hunt, Balsan C-1439 /of ways in which wood absorbs sound vibrations. Segerman C-1532 Transferring soundboard designs. Mactaggart C-461 Harwood A possible soundboard finish for lutes and guitars C-l73 -u Soundboard finishes. Shann C-198 String to soundboard proximity. Mather C-335 Williams Perforating soundboard roses with scissors C-434 Installing soundboard wet and dry. Way C-577 Historical evidence for stewing soundboard wood. Gill C-1438 Segerman Supplement: Soundboard wood imported to England Sup-92 on the insides of surviving English viol soundboards. /The burn marks Sup-89 More on the treatment of soundboards. Barlow C-l470 Finishing lute soundboards. Brown C-432 Samson Lute soundboards - how were they fitted? C-300 Scaling harpsichords soundboards. Lloyd C-l512 On Chladni-plate tuning of baroque viol soundboards. Segerman C-206 thickness of musical instrument soundboards. Tourin /for measuring C-205 Sinking harpsichord soundboards. Way C-354 Tentative observations about barred soundboards. Way C-575 Salted soundboards and sweet sounds. Gug C-881 Laminated soundboards for harpsichords. Way C-306 Soundhole evolution. Lajaruzny C-397 of the lute. Downing Soundhole migration in the development C-l95 Design of the V&A Rose and Jaye viol soundholes. Segerman C-1080 /on the renaissance viol, the ubiquity of soundholes bracketed by bars, and the/ C-l36 French fiddles, the soundpost and the violino. Segerman C-l605 bracketed by bars, and the history of soundposts. Segerman /of soundholes C-l36 Salted soundboards and sweet sounds. Gug C-881 (record). Montagu Review: Lund: The sounds of prehistoric Scandinavia C-553 Review: Crafts Council Conservation Sourcebook. Montagu C-242 with musical instruments and a few other sources. Montagu /the British Library C-8 lutes. Abbott Segerman Sources of information on authentic C-7 Mills Two possible sources of instrument-making timber C-433 A bibliography of 18th century sources relating to crafts,/ C-754 1772 Kirckman harpsichord/ Review: Souter: Handel & Scarlatti on the C-1071 Untitled. Spalding C-258 More mid- 16th century information on Spanish gracing. Segerman C-408 sympathetic strings. Greenberg On Spanish harpsichord jacks and C-l 126 Some developments in Spanish musical life. Harris C-657 Montagu Review: Sparks: The classical mandolin, 225 pp C-l357

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Montagu Review: Tyler, Sparks: The Early Mandolin, 1989 C-922 Essays of Pythagorean system; 6. spectrum of coherencies; 77 C-1083 musikalische Kunst oder/ Review: Speer: Grundrichter Unterricht der C-349 English nomenclature of extended lutes. Spencer C-337 above the open string. Abbott Segerman Spencer /the nut for every interval C-l79 Baroque cello spikes. Smith C-595 More cello spikes and lute strings. Crookes C-562 An attribution of an unsigned spinet. Wraight C-l 150 An unknown bentside spinet by Albert Delin. Meeus C-934 Restoration report of English spinet by Stephen Keene, London, 17047 C-l346 Review: Barnes: Making a spinet by traditional methods. Montagu C-601 Review: Barnes: Making a spinet by traditional methods. Shann C-622 Mixed clavichord and spinette (with vibrato). Matern C-370 a message and some replies to C-l314. Spohr /the difficulties of delivering C-l334 to C-l278 'a kinder, gentler FoMRHI'. Spohr Further C-1301 centuries from all over the/ Review: Spohr: Transverse flutes down the C-l024 Spoon-castagnetts of Turkey. Harders C-449 /carvings of musical instruments in St Mary's Church Shrewsbury. Wright C-74 Early instruments in St Petersburg. Henning C-l253 the Gaita galega: the horse speaks. Stacey Fingering C-493 hurdy-gurdies. Montagu Review: Stacey, Wishart: Bagpipes & C-581 /of some of the woodwinds at the Stadtmuseum, Munich. Lyndon-Jones C-l222 /wizard lizard (a 5-keyed cornett in the Stadtmuseum of Munich). Lyndon-Jones C-1221 The apparent geometry of Jakob Stainer. Smith C-841 Some historical notes on acid staining. Owen C-l226 Some historical notes on acid staining. Owen C-131 Acid staining of hardwoods. Willetts C-474 musical instruments. King Making a stamp or branding iron for marking C-1258 Eph Segerman's C-1063; on English pitch standards. Haynes Response to C-l082 What about the history of tempo standards? Segerman Supplement: Sup-88 note concerning Praetorius's pitch standards. Segerman Another C-79 UK conservation standards and accreditation. Barnes C-875 Conservation standards and accreditation. Karp C-900 The establishment of conservation standards and accreditation in the UK./ C-849 century. Segerman Supplement: Pitch standards and playing viols in the 16th Sup-92 Williams Standards for instrument plans C-231 Dictionary, 1726. Cousen Length standards from Stone's New Mathematical C-1385 Pitch standards in northern Italy. Segerman C-1489 On German, Italian and French pitch standards in the 17th and 18th century./ C-442 Abbott Praetorius and English pitch standards in the 17th century. Segerman C-38 English pitch standards, mostly c.1600. Segerman C-1063 response to C-l383. Segerman Pitch standards of early English organs - C-l398 The names, string lengths and pitch standards of extended-neck lutes in the/ C-59 at Sotheby's, November 1996 (Beukers, Stanesby, Denner). Bouterse /recorders C-l501 recorder. Montagu Review: Aulos, Stanesby junior traverso; Haka treble C-966 Re C-l 119. Stanley C-l 142

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Workshop gimmicks. Stanners C-454 Obituary Len Stanners. Smith C-l384 the ages. Montagu Review: Hamber, Stanners: Musical instruments through C-689 Making unsoldered oboe staples. Kirkpatrick C-431 Peg mill attached to a lathe. Steafel C-372 Bending bentsides using steam or hot-iron. Greenberg C-572 Making a bodhran without steaming. Crookes C-544 The Giusti harpsichord in the Stearns collection. Barnes C-l59 Hardening and tempering tool steel. Jenkins C-l536 Making mild steel (flat-stock) reamers. Willoughby C-567 Steel music wire. Karp C-548 The alto recorders of Steenbergen. Bouterse C-l569 C-l569)7 Plans: Alto recorder Steenbergen Groninger Museum (in Bul-91 Henning: Musica Maximiliana, Ekkehart Stegmiller. Montagu Review: C-805 on early 16th century lute construction. Steinberg /shapes; considerations C-486 perestroika, early keyboard in the USSR. Stembridge From Purcell to C-l067 Segerman Semitone step calculations in stringing C-l517 Determining the step size of a recorder. Loretto C-l353 GPS Agencies artificial ivory. Stevens C-910 The changeable harpsichord. Stevens C-1607 1, keyed brass instruments./ Review: Stewart: The Shrine to Music Museum, vol C-365 Lyndon-Jones More putti in the Stiftsbasilika at Waldsassen C-l284 Plans: List Musikmuseet, Stockholm Bul-28 Review: Musikhistoriska Museet Stockholm: Studia instrumentorum/ C-386 Popularis, Musikhistoriska/ Review: Stockmann: Studia Instrumentorum Musicae .... C-l 11 1726. Cousen Length standards from Stone's New Mathematical Dictionary, C-l385 Thick gut string, playing harmonics and stopping in mid air. Segerman C-1519 Preatorius' Basset Nicolo - Lang Strack Basset zu den Krumhorner, or/ C-l049 Beare, et al.: Strumenti di Antonio Stradivari, 68 pp. Montagu /Tiella, C-l 108 viols. Segerman Stradivari'cello'strings and bass C-1518 Review: Orcutt: The Stradivari memorial. Montagu C-313 Possible reconstruction of Stradivarius cellos. Smith C-594 Seiermarkischen/ Review: Stradner: Die musikinstrumente im C-l09 Sammlung alter/ Review: Gerhard Stradner, ed.: Klangfuhrer durch die C-l297 Sammlung alter/ Review: Gerhard Stradner, ed.: Klangfuhrer durch die C-l312 Bruckner-Zeit, Linz. Montagu Review: Stradner: Linzer Musikinstrumente der C-499 instrumentation around 1500/ Review: Stradner: Playing practice and C-787 and thicknessing viol front plates. Strahle A jig for use in arching C-294 and tuning of viol front plates. Strahle Profiling C-78 front-plate thickness profiles of viols. Strahle A gauge for measuring C-l33 Review: Katalog der Streichinstrumente Berlin. Montagu C-90 Segerman Napolitan mandolins, wire strengths and violin stringing C-713 nut for every interval above the open string. Abbott Segerman Spencer /the C-179 The story of a harpsichord string. Gug C-452 The bowed string. Meeus C-795 1900 string gauge and an unwound viola C string. Segerman Ac C-l233

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On the number of guts in a gut string. Segerman C-325 Response to Meeus on the bowed string. Segerman C-839 The mathematics of tuning up a string. Segerman C-l528 after the clavichord tangent hits the string? Segerman /happens when and C-l541 cotton between the hurdy-gurdy wheel and string. Segerman The purpose of C-l542 of windings on a traditional wound string. Segerman The dimensions C-l533 harp. Downing A string and tuning guide for the Irish C-l 122 time. Segerman Contrasts between string and woodwind gracing in Purcell's C-1316 O'Kelly Lute string calculation and identification C-527 Overspun string calculations. Segerman Abbott C-163 A string calculator. Abbott Segerman C-162 More on early gut string diameter. Segerman C-743 Namreges A string diameter on Mersenne's bass viol C-343 A table for violin family string diameters and tensions. Segerman C-772 The string formula, van Pelt C-81 string. Segerman Ac. 1900 string gauge and an unwound viola C C-l233 An alphabetical string gauge system. Downing C-1232 Some thoughts on gut string history before 1600. Segerman C-94 Some earlyish cello string information. Segerman C-l520 Gunji, Kunitachi College, Tokio: bowed string instruments. Montagu Review: C-949 String keyboard instruments. Rawson C-250 stringing of instruments with varying string length. Segerman /law in the C-1418 vihuela da mano. Segerman/ On the string length of the 16th century C-39 extended-neck lutes in the/ The names, string lengths and pitch standards of C-59 Relative string lengths of the crwth. Montagu C-444 Instruments in 18th century Canada and a string maker of New France. Downing C-1513 Page References to string materials in some medieval texts C-14 /A check-list of the plucked and hammered string musical instruments in the/ C-428 Review: Emery: A check-list of the bowed string musical instruments in the/ C-423 Segerman On the scholarship of string names, a reply to C-1308 C-1317 in mid air. Segerman Thick gut string, playing harmonics and stopping C-l519 Paris vihuela. Segerman Vihuela string quality and thickness, and the C-1483 string/ A table to convert plain gut string sizes to equivalent overwound C-l77 strings and 18th century wound string sound. Segerman Forqueray's C-l558 gut string sizes to equivalent overwound string specifications. Hodgson /plain C-l77 and sizes/ The interaction between gut string technology and instrument ranges C-l03 quality. Segerman Some aspects of string technology bearing on sound C-1416 Segerman String tension on Mersenne's lute C-l29 On historical string tensions on lutes. Segerman C-l255 String to soundboard proximity. Mather C-335 response to/ On historical lute string types and tensions (including a C-l307 Music Museum, Vermillion, USA (Italian stringed instruments) /the Shrine to Bul-54 The early design of stringed instruments. Chiverton C-1010 On describing the body shapes of stringed instruments. Segerman C-1419 more accurate acoustical duplication of stringed instruments. Segerman /for C-l35 /octave or unison courses in early stringed instruments. Segerman Abbott C-30

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-*4' Planes for shaping arched bellies of stringed instruments. Young C-l68 -4 /(Cornets & Tubas, Oboes, Clarinets, Stringed instruments of regional/ C-l406 /College, Tokio: Catalogue 3, Bowed stringed-instruments. Montagu C-645 /College, Tokio: Catalogue 4, Plucked stringed-instruments. Montagu C-645 Some notes on cittern fingerboards and stringing Forrester C-466 C-1482 and the Wensler G30 cithrinchen stringing Segerman Response to C-1498 Semitone step calculations in stringing Segerman C-1517 mandolins, wire strengths and violin stringing Segerman Napolitan C-713 The transition from octave to unison stringing Shann C-569 Segerman Stringing 5-course baroque guitars C-l256 The stringing of a baroque guitar. Hodgson C-663 Segerman The stringing of English and German guitars C-l034 string length./ A power law in the stringing of instruments with varying C-1418 Equal tension stringing of the Irish harp. Downing C-l204 Irish/ Applying the principles of stringing plucked instruments to the C-l 149 /Rose, Law: A handbook of historical stringing practice for keyboard/ C-l070 Shelley's guitar and 19th century stringing practices. Segerman C-l096 Historical violin stringings up to 1900. Segerman C-l234 Downing Roped gut bass strings - a 16th century reference C-1318 Catline strings. Abbott Segerman C-l38 On the time of invention of overspun strings. Abbott Segerman C-l74 Whistles on harpsichord strings. Bavington C-960 Catlin, coloured and loaded strings, Catch C-1254 More cello spikes and lute strings, Crookes C-562 Gansar lute strings, Downing C-l393 harpsichord jacks and sympathetic strings, Greenberg On Italian C-l 125 harpsichord jacks and sympathetic strings, Greenberg On Spanish C-l 126 in the 16th century and .... lute strings, Gug Travelling C-l094 More on sympathetic strings, Irvin C-l 153 Heinrich Schutz's strings, Karp C-439 On Mersenne's twisted data and metal strings, Karp C-183 Overspun strings, Karp C-102 German baroque lutes and overspun strings, Peruffo C-l350 More on gut strings, Peruffo C-1417 More on gut strings, Peruffo C-1466 A closer look at pitch ranges of gut strings, Segerman C-632 All-gut bass strings, Segerman C-413 Bulletin: A DIY make of gut lute strings, Segerman Bul-87 Mace on overspun strings, Segerman C-1440 Sympathetic strings, Segerman C-l097 The buzzing of wood strings, Segerman C-l033 equivalent diameters of unusual wound strings. Segerman /in calculating Sup-88 plucked instruments and their strings. Segerman Praetorius's C-l593 Gut strings. Segerman Abbott C-3 More sympathetic strings? Webb C-l 109 Sinew strings ... yet again! Downing C-1442

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Further on early manufacture of gut strings. Zaniol C-52J sound. Segerman Forqueray's strings and 18th century wound string C-l5' Stradivari 'cello' strings and bass viols. Segerman C-151 More on Ramelli, loaded gut strings and gansars. Peruffo C-l 3' Abbott On twisted metal strings and Mersenne's data. Segerman C-1& Downing More on roped strings and other knotty problems C-13' Strings and their names. Catch C-13C On baroque lute strings and tunings. Segerman C-2 If Why gut treble strings are the best. Segerman C-562 pianos. Barnes Covered strings for clavichords and square C-32^ /hypothesis on the construction of bass strings for lutes and other gut strung/ C-10^ Strings for the violin family. Segerman C-43S A 16th century French description of gut strings in Turkey. Wright C-25 The range of pitch with gut strings of a given length. Samson C-66 /basses and loaded weighted bass gut strings (see also C-1235, C-l254 and/ C-128 Supplement: Were early open-wound strings tigerlines? Sup-8 accuracy. Segerman Abbott Twist your strings to improve tone and fretting C-l26 Strings, twisted and Mersenne. Karp C-l37 Segerman/ Historical background to the strings used by catgut scrapers C-15 (on measuring tools and modems). Stroom Untitled C-763 The world according to Segerman. Stroom C-131 and disputes (further to C-l335). Stroom Once more, scholarship C-l36 measurements techniques for recorders. Stroom Some C-639 the internet mailing lists and Micat-L. Stroom C-13C the status of FoMRHI and accuracy. Stroom Copyright C-l36 On Stroom's C-1315. Segerman C-l33 On Stroom's C-l366. Segerman C-l38 /of bass strings for lutes and other gut strung instruments. Peruffo C-102 Karp: The pitches of 18th century strung keyboard. Segerman Review: C-606 All-nylon strung lutes. Irvine C-414 criticism). Cousen Philip Stubbes: anatomy of abuses, 1583 (music C-138 Gug Historic and experimental studies on brass used for organ reeds C-893 and instruments of the Middle Ages; studies on text and performance./ /Music C-156 construction bases of great Italian/ Studies on the physical and technical C-879 City/ Bulletin: Center for the study of free-reed instruments of the Bul-9 /musical instruments as a source for the study of notes inegales. Montagu C-264 Raudonikas To study the embouchure hole form C-327 Styll shalmes. Buckland C-272 bases of great Italian violin. Suboni /and technical construction C-879 Cork substitute. Gill C-l34 An ivory substitute. Hachez C-35 Instructions for working tagua nuts, a substitute for ivory General: Bul-7 A substitute for ivory. Taggart C-24 musical instruments,/ Review: Sumi Gunji et alii: The collection of C-147 musical instruments,/ Review: Sumi Gunji et alii: The collection of C-844 Mobbs Making a silk 'sunburst'for a cabinet piano. Mobbs, C-147

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Further to C-981: Response to bulletin supplement 60. Hailperin C-996 claiming wood changes on playing in./ Supplement: A response to C-1439, Sup-84 Supplement: an addition to C-l 130 Sup-71 scholarship. Segerman Supplement: Being fair to evidence in Sup-91 Supplement: C-l545 error correction Sup-92 Segerman Supplement: Catline, catlin and catling Sup-93 Segerman Supplement: Chiverton's Ockham Sup-84 (further to C-1518). Segerman Supplement: Christina Visconti in focus Sup-88 tunings). Segerman Supplement: Comments to C-l093 (fiddle Sup-68 Supplement: Correction to C-l 129 Sup-72 Supplement: Corrections to C-l316 Sup-79 of bent strip? Segerman Supplement: English viol bellies, made Sup-72 people. Segerman Supplement: Facts and speculations Sup-93 Supplement: Fomrhi Website. Segerman Sup-90 Segerman Supplement: Further again to C-l485 Sup-86 Supplement: Further to C-1318 Sup-79 Supplement: Further to C-1490. Segerman Sup-86 (mathematics of tuning up a string). Supplement: Further to C-l528 Sup-89 ~l' secret). Segerman Supplement: Further to C-l561 (Cremona Sup-91 -CI Segerman Supplement: Good players then and now Sup-91 ~C Supplement: Indexes. Segerman Sup-91 -C 'historical'). Supplement: On C-l245 ('historic' or Sup-76 -[•• style). Supplement: On C-l278 (disputational Sup-76 -GO Segerman Supplement: On C-l287 by D.Z. Crookes Sup-77 » clavichord CD. Segerman Supplement: On C-l535, review of a Sup-90 -( history. Segerman Supplement: On Early Music and music Sup-77 .„(•: to C-l469. Segerman Supplement: On 'nuts & bolts', further Sup-93 «c 17th century composers. Segerman Supplement: On the use of timpani by Sup-91 -CI Segerman Supplement: On timpani, reply to C-l582 Sup-93 -[- viols in the 16th century. Segerman Supplement: Pitch standards and playing Sup-92 -til Segerman Supplement: Praetorius's recorder pitch Sup-84 -CI point/ Essays of Pythagorean system; Supplement: representation of scale by C-1083 -CI comments by Catch in C-l5747 Supplement: Response to bass violin Sup-92 Jl C-1464. Segerman Supplement: Response to Roy Chiverton's Sup-85 J in the New Scientist, 26 June 19937 Supplement: Restoration, on an article Sup-72 .CI England. Segerman Supplement: Soundboard wood imported to Sup-92 Supplement: Sutton Hoo lyre. Segerman Sup-85 insides of surviving English viol/ Supplement: The burn marks on the Sup-89 2nd quarter of the 17th century./ Supplement: The English cittern in the Sup-85 use of gun drills for long hole boring; supplement to C-957. Goodacre /making: C-l 137 collection of historical instruments - supplement to the 1976 catalogue./ /Bate C-811 Plans: List Bate collection, Oxford, supplement to the 1989 check list, July/ Bul-60 equivalent diameters of unusual/ Supplement: Tricks in calculating Sup-88 strings tigerlines? Supplement: Were early open-wound Sup-89 tempo standards? Segerman Supplement: What about the history of Sup-88 C-1227, C-1228, C-1285) Supplement: Wood absorption (further to Sup-78

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Suppliers for Occam's razor. Goodacre C-l37 Suppliers of materials. Gill C-121 an iconographical and documentary survey. Montagu /books, 1500-1800; C-935 Jeremy Montagu Collection Survey: Instruments by named makers; Bul-5! early baroque. Segerman A survey of graces in the renaissance and C-398 Review: Marcuse: A survey of musical instruments. Montagu C-20 Ruckers doubles - a survey of the theories. Shann C-665 Survey: Publications by G. Dullat Bul-56 once existing in the Giusti harpsichord. Sutherland /of a Fort'e Piano mechanism C-l 17 Supplement: Sutton Hoo lyre. Segerman Sup-8! Another reamer-saving counterbore. Swayne C-675 Long hole augers. Swayne C-146: Response to C-889. Swayne C-908 Workshop ideas for woodwinds. Swayne C-676 to sing; a reply to C-1032 and C-1047. Swayne Teaching wood C-107' Mietke single harpsichord in Hudiksval, Sweden (in Supplement). /1710 Michael Bul-90 Gug Harpsichord jacks at the Royal Swedish Academy of Science, 1739-1753 C-944 plays instant music. Montagu Review: Swedish clavichords - Mikko Korhonen C-l53! Swedish gauge system? Gug C-666 Comments on C-666 on the Swedish gauge system. Karp C-679 Timber - swelling and shrinking. Allen C-l 18^ between Jakob Bleyer & Martin Seufert. Swenson /as reflected in the dispute C-933 A hypothesis on the symphony. Montagu C-96 /Band, Huggett, Verney, Beethoven symphony #2, piano concerto #3. Montagu C-1071 The UKIC and V&A Christmas symposium. Montagu C-501 instruments, UKIC and V&A Christmas symposium 1983. Montagu /early musical C-992 /of the international clavichord symposium, Magnano 9-11 Sept 19937 C-136( /of the international clavichord symposium, Magnano, Italy 21-23/ C-147S Segerman Review: Praetorius: Syntagma Musicum I & II (tr Crookes) C-810 Montagu Review: Blumenfeld: The Syntagma Musicum Praetorius translated C-346 /Pythagorean system; 4. four-dimensional syntax; 5. auscultation researches./ C-108: Pythagorean system; 3. three-dimensional syntax. Raudonikas Essays of C-106£ primary concepts and two-dimensional syntax. Raudonikas /system; C-105f Raudonikas Syntax of relative two-dimensional mode C-126( Reports on FoMRHI seminars Syrus. Montagu C-55 and pedagogy. Montagu Review: Szende: Intervallic hearing, its nature C-149 Lyra and other viols that played from tablature. Segerman C-716 Pereira Old keyboard tablature used in making organ pipes C-257 Comments on Bull. Supp. 34: O'Kelly table. O'Kelly C-526 and tensions. Segerman A table for violin family string diameters C-772 to equivalent overwound string/ A table to convert plain gut string sizes C-l77 Diderot, viols and false tables. Miller C-214 cittern and gittern. Segerman A 1656 Tabley manuscript: on viol players, C-774 Euskadi. Montagu The Pipe and Tabor is alive and well and living in C-l53' A substitute for ivory. Taggart C-24 General: Instructions for working tagua nuts, a substitute for ivory Bul-71

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van Edwards Talbot's English theorbo reconsidered C-l321 •C-l] Segerman On Talbot's measurements of viols C-382 Riga/ /the Museum of Theatre and Music, Tallinn, the Latvian State Museum, the C-1072 Some more aspects about fiddle making. Talve C-1092 /happens when and after the clavichord tangent hits the string? Segerman C-l541 Peg taper finisher and cutter. Mather C-l85 Comments on bows and their screws, taps, dies and lathes. Mather C-471 Montagu Review: Haase, Krickeberg: Tasteninstrumente des Museums, Berlin C-846 Hautboy and other taxonomy - further to C-l429. Montagu C-1460 Hautboy taxonomy. Haynes C-1429 —CI Woodwind taxonomy. Smith C-1461 —c-., Montagu Review: Taylor: The musician's piano atlas C-362 —C* suppl 1. Montagu Review: Taylor: The musician's piano atlas, C-584 —Cfl Some speculations on medieval fiddle technique. Segerman Abbott C-51 —CI Woodwind making techniques. Cameron C-l97 — 3. Forces exerted by bore measuring techniques. Cronin C-l281 _CII Review: Karp: Basic keyboard tuning techniques. Montagu C-l06 international database on conservation techniques. Winsor An C-874 Some measurements techniques for recorders. Stroom C-639 /trumpet maker: the material, tools, and techniques used in the 17th and 18th/ C-l 103 relating to crafts, manufacturing and technology. McGeary /century sources C-754 Oxford 17 Mar '917 Musical instrument technology 1450-1550; meeting report C-1029 The interaction between gut string technology and instrument ranges and/ C-l03 Segerman Some aspects of string technology bearing on sound quality C-1416 General: Course on applied conservation technology, Dundee Bul-54 meeting report/ Musical instrument technology in 17th century England; C-1028 r.ij MM ^ • About Neupert harpsichord technology in the 30's. Tiella C-l526 Musical instrument conservation and technology journal. Montagu Review: C-211 -CI /Karp et al.: The conservation and technology of musical instruments, Art &/ C-l 107 en /Montagu's review of the Conservation and Technology of Musical Instruments'in/ C-l 117 [ Jones A&Q: Music and Technology Research Seminar; 1997-1998 Bul-89 A matter of temperament. Hodgson C-703 A note on mean temperament. Segerman C-459 Bavington/ Evidence of historical temperament from fretted clavichords C-1056 /an unequal temperament using an equal temperament pitchmeter. Chiverton C-835 pitchmeter./ Tuning an unequal temperament using an equal temperament C-835 Review: Lindley: Lutes, viols & temperaments. Hodgson C-556 A=415 and unequal temperaments. Lindley C-834 Review: Boyle: Intervals, scales and temperaments. Montagu C-191 Review: Lindley: Lutes, viols & temperaments. Montagu C-555 An equal tempered scale for tempo. Segerman C-l250 Hardening and tempering tool steel. Jenkins C-l536 century (appendix Gaffurius's/ Duple tempi and time signature in the 16th C-l 130 A method for the construction of the rib template for a lute. Kershaw C-799 An equal tempered scale for tempo. Segerman C-l250 Gerle on tempo. Segerman C-l251

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Supplement: What about the history of tempo standards? Segerman Sup-88 century England. Segerman Tempos and time signatures in 17th C-l 129 Ferrous wire of high tensile strength ca. 1600. Segerman C-440 On the hair tension during bowing. Segerman C-l420 String tension on Mersenne's lute. Segerman C-129 Downing Equal tension stringing of the Irish harp C-l204 for violin family string diameters and tensions. Segerman A table C-772 On historical lute string types and tensions (including a response to/ C-1307 On historical string tensions on lutes. Segerman C-l255 Review: Golos, Kobus & Vogel: Stownik Terminologiczny Zabytkow [Dictionary/ C-l 114 Segerman More on organological terminology - response to C-351 C-376 Yet more on organological terminology. Montagu C-388 /Zabytkow [Dictionary of the Polish terminology of Historic Musical/ C-l 114 Museum Plans: Terton recorder from Haags Gemeente Bul-40 Segerman On the measurement of tessitura and movement in music C-1249 /of the Middle Ages; studies on text and performance. Montagu C-1565 2 instruments of Burma, India, Nepal, Thailand, Tibet. Montagu /Museum, vol C-479 Parchment roses. Theakston C-234 of data concerning historical documents. Theakston /for a computer-based index C-l 1 /and Music, Vilnius, the Museum of Theatre and Music, Tallinn, the Latvian/ C-1072 /Baltic states; including the Museum of Theatre and Music, Vilnius, the Museum/ C-1072 /on a visit to the State Institute of Theatre, Music and Cinematographic/ C-147 /Violin fraud: deception, forgery, theft, and the law, 1992; 126 pp./ C-l 134 researches in historical brass metal. Thein Report about our C-642 Miller Mace's theorbo from Musick's Monument, 1676 C-l54 Talbot's English theorbo reconsidered, van Edwards C-l321 Segerman On the size of Italian theorboes and archlutes before 1650 C-456 of musical/ Review: van der Meer, Thibault: Preservation and restoration C-91 Francais du XV siecle./ Review: Thibault, Rokseth: Trois chansonniers C-309 Segerman Vihuela string quality and thickness, and the Paris vihuela C-1483 An inductive thickness gauge. Edmunds C-4 simple alternative. Segerman Thickness graduation of the Tourte bow - C-379 instruments./ Determining wood thickness in unopened musical C-822 soundboards./ A gouge for measuring thickness of musical instrument C-205 Inductive meter to determine wood thickness of unopened musical/ C-794 A gauge for measuring front-plate thickness profiles of viols. Strahle C-l33 Thicknessing. Forrester C-1469 modern bows. Segerman A thicknessing procedure for baroque and C-564 A jig for use in arching and thicknessing viol front plates. Strahle C-294 The way from Thoiry to Nurnberg. Gug C-766 Bell key acoustics. Thomas C-1430 Comments to C-1486 (recorder patents). Thomas C-1500 /Gillian Sheldrick, ed.: The accounts of Thomas Green 1742-1790. 169 pp./ C-l206 von Bohrungprofilen/ Review: Thomas Lerch. Vergleichende Untersuchung C-l504 Byrne Thomas Ling, 1787-1851, reed maker C-826 Metal-covered threads before 1600. Montagu C-l39

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of Burma, India, Nepal, Thailand, Tibet. Montagu /vol 2 instruments C-479 —-C-IK Review: Tibia 1/80 journal. Montagu C-279 k Review: Tibia-Calendrium 1984. Montagu C-516 f. I Roman keyed tibiae? Galpin C-888 l'\ Peculiar tibiae. Montagu C-892 [• ] (photogrammetrics and organology). Tiella Untitled C-320 ««.. Or About 'manacordo' and 'sordino'. Tiella C-1400 • i On musical iconography. Tiella C-1551 [•_ The Cipollone fortepiano. Tiella C-1609 •».»» [. fortepiano built as a folk instrument? Tiella Was the C-1401 harpsichord technology in the 30's. Tiella About Neupert C-l526 in Lanciano (Abruzzo, Italy). Miscia, Tiella /making of the 19th century C-l608 instrument iconography; reply to C-l571. Tiella /information in musical C-l599 Strumenti dell'Istituto della/ Review: Tiella & Primon: Catalogo degli C-979 Antonio Stradivari, 68 pp./ Review: Tiella, Beare, et al.: Strumenti di C-l 108 strumenti pre-rinascimentali./ Review: Tiella: Indirizzi di ricerca su C-265 .CI violino di proprieta del/ Review: Tiella, Negri, Primon: Ricerche su un C-847 .ca Were early open-wound strings tigerlines? Supplement: Sup-89 On seasoning timber. Gould C-223 pine,/ The chemical treatment of timber - includes bogwood, bog oak, bog C-l074 possible sources of instrument-making timber. Mills Two C-433 -C-l! The chemical treatment of timber - part II, general. Downing C-1073 .CD Felling your own timber. Rawson C-54 .CI Seasoning your own timber. Rawson C-99 .CD Timber - swelling and shrinking. Allen C-l 189 .ca Segerman Supplement: On the use of timpani by 17th century composers Sup-91 .CI Supplement: On timpani, reply to C-l582. Segerman Sup-93 .CI Review: Parrish: Johannes Tinctoris translated. Page C-326 .CJ Montagu Tinplate instruments-further to C-l568 C-1587 J-ll Note on titebond. Butler C-228 .0 Response to Butler's C-228: more on titebond. Cumpanio C-248 -CI musical instruments, Kunitachi College, Tokio. Montagu /The collection of C-844 -CI /musical instruments, Kunitachi College, Tokio, 2 vols, rev edition. Montagu C-1475 -CI Review: Gunji, Kunitachi College, Tokio: bowed string instruments./ C-949 .cfl Review: Kunitachi College, Tokio: Catalogue 3, Bowed/ C-645 .CIS Review: Kunitachi College, Tokio: Catalogue 4, Plucked/ C-645 .GH Review: Kunitachi College, Tokio: Catalogue 5, Harp; Lyre. Montagu C-645 .CI Review: Kunitachi College, Tokio: Catalogue 8, bagpipes. Montagu C-920 .0 Review: Gunji, Kunitachi College, Tokio: Catalogue 9, Flute. Montagu C-988 .CI Review: Ueno Gakuen College Tokio: Catalogue of the European musical/ C-482 ,C! Review: Ueno Gakuen College Tokio: Catalogue of the European musical/ C-991 Review: Gunji, Kunitachi College, Tokio: lute. Montagu C-949 resonance of baroque transverse flute: V tolerances of tones. Raudonikas Blown C-441 Montagu Review: Toll: Bar Consort Earl Music (record) C-244 Method for the vielle or hurdy-gurdy. Tolley Review: Muskett: C-243 Review: Varquin: hurdy-gurdy drawing. Tolley c-107

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reconstruction of the Bosch hurdy-gurdy. Tolley A C-31 Baines Review: Tolley: Making musical instruments C-208 Montagu Review: Tolley: Making musical instruments C-151 instruments for school construction. Tolley Roscow Allison Early musical C-l00 Tonal balance and bar depths. Samson C-220 Style decoration and tone. Segerman C-983 Abbott Twist your strings to improve tone and fretting accuracy. Segerman C-l26 /of baroque transverse flute: IV the tone and the blowing process./ C-419 tests on a post horn in F with one tone hole. Rycroft Intonation C-955 Position of bridge and bars regarding tone production. Mather C-260 Materials and tone quality. Cronin C-587 Meanness of tone; re C-l 119. M.Lyndon-Jones C-l 143 transverse flute: V tolerances of tones. Raudonikas /of baroque C-441 The Pythagorean system of musical tones, parti. Raudonikas C-959 The Pythagorean system of musical tones, part 2. Raudonikas C-l031 A bore measurement tool. Cronin C-859 Reed-gouging tool. Holmes C-l20 A reed-scraping tool. Owen C-801 A contact-free woodwind bore measuring tool. Schultze C-970 Hardening and tempering tool steel. Jenkins C-l536 Woodwind bore measuring tools. Karp C-762 Untitled (on measuring tools and modems). Stroom C-763 /art of the trumpet maker: the material, tools, and techniques used in the 17th/ C-l 103 What should measuring tools be made of? Montagu C-733 gun drills, live centre, metal turning tools, plastic calipers and 4-jaw/ /on C-958 Viol dimensions. Tourin C-269 of musical instrument soundboards. Tourin A gouge for measuring thickness C-205 Review: Barnes: Making a spinet by traditional methods. Montagu C-601 Review: Barnes: Making a spinet by traditional methods. Shann C-622 Making your own traditional purfling cutter. Downing C-1444 A method for making traditional tuning pins. Barnes C-200 The dimensions of windings on a traditional wound string. Segerman C-l533 Lost traditions - or are they? Montagu C-468 Happy tranposition?!? Meeus C-735 Shortridge Ruckers transposing double harpsichords C-623 rejoinders answered. Shann Flemish transposing harpsichords - some C-537 Meeus Renaissance transposing keyboard instruments C-45 Meeus Renaissance transposing keyboard instruments II C-57 England: a short test. Goetze The transposing organ and choir pitch in C-l252 England: answers to C-l252)7 The transposing organ and choir pitch in C-l261 response to Segerman's C-l2907 Transposing organs and pitch in England: C-l329 FoMRHI conference on pitch and transposition. Rose C-322 Happy, happy transposition. Shann C-765 of a catalogue of/ English organs and transposition skills (with an appendix C-l 127 bars, fan bars and below the bridge transverse bars. Mather /'J'shaped C-1324 bands./ Blown resonance of baroque transverse flute: I pitch axis and wind C-l70

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frequency./ Blown resonance of baroque transverse flute: II characteristic C-181 position/ Blown resonance of baroque transverse flute: III influence of cork C-229 blowing/ Blown resonance of baroque transverse flute: IV the tone and the C-419 Raudonikas Blown resonance of baroque transverse flute: V tolerances of tones C-441 from all over the/ Review: Spohr: Transverse flutes down the centuries C-l024 century, (list of/ Dutch recorders and transverse flutes of the 17th and 18th C-1052 Traverso or traversa? Powell C-943 Tuning the traverso. Bouterse C-653 How to design a traverso. Brach C-l 121 "— (;, Ornamental metrics of recorders & traverso. Montagu Review: Kolberg: C-938 '«.„., [.J the hinge pin hole in the foot of a traverso. van Leeuwen /for drilling C-619 —C| Review: Aulos, Stanesby junior traverso; Haka treble recorder. Montagu C-966 "••».. u. Plans: Hotteterre traverso, Leningrad, Raudonikas Bul-49 —C4 Plans: Naust traverso, Leningrad, Raudonikas Bul-49 Traverso Newsletter. Powell C-929 Review: Traverso no.2, April 1989. Montagu C-919 — C| Traverso or traversa? Powell C-943 —CI Plans: Eerens traverso, van Leeuwen Bul-43 —CI Plans: Mulhouse traverso, van Leeuwen Bul-49 Appeal for pitches of original traversos and recorders. Haynes C-1039 MHHW I'D] of violin playing,/ Review: Mozart: A treatise on the fundamental principles C-692 —C-l Museum Augsburg: a reply to C-l224. Tremmel The curtals of the Maximilian C-l257 —CI Bassoon reeds by Triebert and Massabo. White C-927 C-l Speculation on Memling's tromba marina. Davies C-659 —Ci Plans: Harpsichords, organs, trumpet, tromba marina (including photographs)./ Bul-58 —C1 renaissance./ Review: Lane: The trombone in the middle ages and the C-462 —CI Myers & Raymond Parks, Trumpets and Trombones. Montagu /2;H;iii, Arnold C-1211 —CI keyed flute./ Review: Johann George Tromlitz, Ardal Powell, tr & ed. The C-1474 /Musikinstrumenten Museum Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu C-348 Mill"" V •- Best Medieval Ensemble, the last of the troubadours. Montagu Review: Martin C-1071 WWW I'M™ Review: Art Brownlow. The last trumpet - a history of the English slide/ C-1487 tWHW Vi Some observations on the 'natural' trumpet. Barclay C-l216 trumpet - a history of the English slide trumpet. Montagu /Brownlow. The last C-1487 /The music and history of the baroque CI trumpet before 1721. Montagu C-945 How to make a baroque -CI trumpet (I), van der Heide C-330 How to make a baroque trumpet (II). van der Heide C-504 -CI Review: Barclay: the art of the trumpet maker: the material, tools, and/ C-l 103 Plans: Harpsichords, organs, trumpet, tromba marina (including/ Bul-58 w-C-J 2;H;iii, Arnold Myers & Raymond Parks, Trumpets and Trombones. Montagu /Vol C-1211 -CI /University collection (Cornets & -c-fl Tubas, Oboes, Clarinets, Stringed/ C-1406 Leipzig band 3 Trompeten, Posaunen, Tuben. Montagu /Museum C-348 -c-ifi bowed instruments from Anglo-Saxon to Tudor times. Montagu /Remnant: English C-786 -CI v bowed instruments from Anglo-Saxon to Tudor times. Montagu /Remnant: English C-807 c instruments. Montagu Review: Tullberg: The manufacture of musical C-72 -0 Measuring instrument pitch with a pocket tuner. Downing C-l248 .c* on Jerome of Moravia's second fiddle tuning. Segerman A correction to C-50 C-95

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A note on electronic tuning aids. Gould C-224 equal temperament pitchmeter./ Tuning an unequal temperament using an C-835 check-list./ Viennese fortepiano tuning and maintenance manuals: a C-969 Jerome of Moravia's first fiddle tuning as an individualised modal/ C-l093 Construction of ivory cornetti and tuning cornetti at the sharp end./ C-390 Downing A string and tuning guide for the Irish harp C-l 122 bore, van der Heide Tuning instruments having a conical C-457 Segerman On Chladni-plate tuning of baroque viol soundboards C-206 bore/ Effects applicable to the tuning of instruments with a conical C-503 Profiling and tuning of viol front plates. Strahle C-78 A method for making traditional tuning pins. Barnes C-200 Tuning recorders. Marvin C-652 Review: Karp: Basic keyboard tuning techniques. Montagu C-106 Tuning the traverso. Bouterse C-653 Further to C-l528 (mathematics of tuning up a string). Supplement: Sup-89 The mathematics of tuning up a string. Segerman C-1528 Dr Robert Smith's 1748 keyboard tunings. Mobbs, Mackenzie of Ord C-l583 On baroque lute strings and tunings. Segerman C-215 On medieval and early renaissance tunings and fretting patterns. Segerman C-89 braccio: a correction to C-1562/ The tunings and sizes of the viole da C-l604 On English lute sizes and tunings c.1600. Segerman C-867 Spoon-castagnetts of Turkey. Harders C-449 French description of gut strings in Turkey. Wright A 16th century C-25 woodwind. Cameron Profile turning of reamer blanks for use in C-70 /report on gun drills, live centre, metal turning tools, plastic calipers and/ C-958 General: Tutors from the Bate Collection Bul-71 Modification and sharpening of twist drills, van Leeuwen C-707 fretting accuracy. Segerman Abbott Twist your strings to improve tone and C-l26 Strings, twisted and Mersenne. Karp C-l37 On Mersenne's twisted data and metal strings. Karp C-l83 data. Segerman Abbott On twisted metal strings and Mersenne's C-164 Montagu Review: Tyler, Sparks: The Early Mandolin, 1989 C-922 Review: Tyler: The early guitar. Hope C-297 standards and accreditation in the UK. Montagu /of conservation C-849 accreditation. Barnes UK conservation standards and C-875 Conservation, archaeology &/ Review: UK Institute for Conservation: C-384 Montagu The UKIC and V&A Christmas symposium C-501 Montagu /of early musical instruments, UKIC and V&A Christmas symposium 1983. ... C-992 Zajaruzny The collection of Ukranian folk instruments at Kiev C-236 Devices for measuring the undercutting. Karp C-333 on woodwind instruments: Goodacre's/ Undercutting small diameter finger holes C-l375 Hailperin Goodacre's razor and undercutting woodwind finger holes C-l505 On renaissance flute design. Underhill C-369 temperament pitchmeter./ Tuning an unequal temperament using an equal C-835 A=415and unequal temperaments. Lindley C-834 /(alto ophicleides) in Europe and the United States. Jones, Myers, Rice C-1499

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musical instruments of the Edinburgh University. Myers /of historic Bul-91 musical instruments of the Edinburgh .U University. Myers /of historic C-l087 musical instruments of the Edinburgh University. Myers /of historic C-l340 musical instruments of the Edinburgh University. Myers /of historic C-1458 British clavichord society at the open university, 11th March 19957 C-l341 Plans: List Edinburgh University collection Bul-43 Plans: List Edinburgh University collection Bul-46 •CI Plans: List Edinburgh University collection Bul-50 Plans: List Edinburgh University collection Bul-53 musical instruments in the Edinburgh University collection. Montagu /brass C-363 /musical instruments in the Edinburgh University collection (Cornets & Tubas,/ C-1406 of workshop drawings from the Edinburgh University Collection of Historic/ /List Bul-73 /Guide to the collection, Edinburgh university collection of historical/ C-845 /The sound of the sackbut, Edinburgh university collection of historical/ C-868 Review: Cooke: Edinburgh University collection of historical/ C-l238 -C-l. /musical instruments in the Edinburgh University collection, vol 2-H iv&v/ C-1447 -Cfl /musical instruments in the Edinburgh University collection, vol 2-K/ C-1447 -CI progress report 1988. Meyers University of Edinburgh collection; C-907 historic musical instruments,/ University of Edinburgh collection of C-1014 .C-l historic musical instruments,/ University of Edinburgh collection of C-971 Review: Ross: Musical instruments at the University of Iowa. Montagu C-213 .CI of free-reed instruments of the City University of New York, /for the study Bul-93 .C-2 Untitled. Kolberg C-620 ..I Untitled. Spalding C-258 .CI Untitled (and some more). Kolberg C-500b J:' battente). Hope Untitled (comments on the chitarra C-759 .CI horns). Barclay Untitled (craftsmanship of Nurnberg C-760 .C-l) classification). Pereira Untitled (keyboard instrument C-717 .CI temperament). Haynes Untitled (non-keyboard baroque C-702 Untitled (on computers). Lyndon-Jones C-700 .CI modems). Stroom Untitled (on measuring tools and C-763 organology). Tiella Untitled (photogrammetrics and C-320 Cameron Untitled (the pitches of flutes) C-723 instruments). Marvin Untitled (tuning conical bore woodwind C-492 Mersenne untwisted. Segerman C-199 the Fiske Museum, Claremont, California, USA. Plans: list, new acquisitions at Bul-83 /the Shrine to Music Museum, Vermillion, USA (Italian stringed instruments) Bul-54 The UKIC and V&A Christmas symposium. Montagu C-501 /of early musical instruments, UKIC and V&A Christmas symposium 1983. Montagu .... C-992 of the liuto attiorbato by Choc in the V&A museum. Lourie /and photographs C-259 Comments on the catalogue of the V&A Museum. Montagu C-9 /baroque oboe (museum code 808/69) in the V&A Museum in London. Bouterse C-l 181 Plans: List V&A Museum, London Bul-20 Plans: List V&A Museum, London Bul-8 Segerman Design of the V&A Rose and Jaye viol soundholes C-1080 Gretton Valves and mouthpieces for bagpipes C-358

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Two-headed lute news. Vang Segerman C-l56 safe method for making pine resin varnish. Duncalf Segerman A simple, C-302 Another recipe for copal varnish. Gretton C-451 Oil and varnish. Mactaggart C-616 18th century success of copal varnish. Segerman C-506 The wood under the varnish. Segerman C-775 Trouble with C-302 varnish. Segerman C-500 Two simple varnishes. Rubin C-l32 instruments in paintings./ Historical varnishes and colour of the bowed C-l59: 44 historical varnishes and polishes. Badiarov C-159i /original receipts, appertaining to the varnishes of lutes in Italy. Forrester C-240 Review: Varquin: hurdy-gurdy drawing. Tolley C-107 Vellum and parchment roses. Rawson C-l67 Caul veneering. Downing C-144; Some comments on veneering with hot glue. Hood C-l38; to C-l382. Rawson Veneering with hot hide glue - response C-l39! Cutting thick veneers. Gill C-l34; Montagu Convegno di Studi Organaria veneta: patrimonio e salvaguardia C-871 dell'Istituto della Pieta Venezia, Venezia 1990. Montagu /degli Strumenti C-979 Strumenti dell'Istituto della Pieta Venezia, Venezia 1990. Montagu /degli C-979 A return visit to Venice. Montagu C-673 loaded weighted bass gut strings/ On Venice catlins, lyons, Pistoy basses and C-l28J The Bassano, HIE(RO).S, !!, Venice discussion. Lyndon-Jones C-802 Flote, Frankreich/ Review: Lenski, Ventzke: Das goldene Zeitalter der C-123< Review: the Hanover Band, Huggett, Vemey, Beethoven symphony #2, piano/ C-1071 Review: Leppert: Arcadia at Versailles. Montagu C-149 Montagu Review: Fluke: Victorian reed organs and harmoniums C-667 Review: Muskett: Method for the vielle or hurdy-gurdy. Tolley C-243 between the hurdy-gurdy and the vielle-a-roue. Montagu /distinction C-286 Method for learning to play the vielle-a-roue. Muskett /Corrette's C-277 A case for the 'Ganassi Recorder' in Vienna. Lyndon-Jones C-158z between Jakob/ Fortepiano building in Vienna as reflected in the dispute C-933 maintenance manuals: a check-list./ Viennese fortepiano tuning and C-969 Vihuela. Hope C-710 The vihuela. McCormack C-610 quality and thickness, and the Paris vihuela. Segerman Vihuela string C-148; Vihuela and Jose Romanillos. Gill C-824 Vihuela and Jose Romanillos. Hope C-796 On the string length of the 16th century vihuela da mano. Segerman Abbott C-39 and the Paris vihuela. Segerman Vihuela string quality and thickness, C-148; Comments on C-629 on vihuelas. Gill C-660 Response to C-610 on vihuelas. Segerman C-629 Violas, vihuelas and iconography. Forrester C-739 Discussion of points on violas and vihuelas in C-660. Segerman C-661 /the Museum of Theatre and Music, Vilnius, the Museum of Theatre and/ C-107; Pepys' viol. Forrester C-857

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Woodfield: The early history of the viol. Montagu Review: C-582 A string diameter on Mersenne's bass viol. Namreges C-343 Folding viol backs. Van Edwards C-l391 Viol bellies and bridges. Munck C-557 Segerman Duncalf Construction of viol bellies by bending all staves C-395 —, to Segerman Supplement: English viol bellies, made of bent strip? Sup-72 — C: Design of a viol belly. Moonen C-381 —C Some English viol belly shapes. Segerman C-l053

""~«, [• Theory of viol design -1. Segerman C-253

"»».«, [. • Viol dimensions. Tourin C-269 —C| Profiling and tuning of viol front plates. Strahle C-78 XHUHW [• jig for use in arching and thicknessing viol front plates. Strahle A C-294 Hutmannsberger Is it a lyra viol or division viol or what? C-856

(• Is it a lyra viol or division viol or what? Hutmannsberger C-856 fll "turn,, \,\ Mersenne, Praetorius and the English viol pitch standard: problems of the/ C-490 Response to C-490 on English viol pitches. Segerman C-491 Segerman A 1656 Tabley manuscript: on viol players, cittern and gittern C-774 English viol sizes and pitches. Segerman C-597 on the insides of surviving English viol soundboards. /The burn marks Sup-89 (.: On Chladni-plate tuning of baroque viol soundboards. Segerman C-206 Design of the V&A Rose and Jaye viol soundholes. Segerman C-l080 On English and French vocal and viol style. Segerman C-862 Speculations on the renaissance viol, the ubiquity of soundholes/ C-l36 Praetorius and the viola bastarda. Abbott Segerman C-37 —» A c. 1900 string gauge and an unwound viola C string. Segerman C-l233 C-l The violapomposa. Smith C-l86

„._..[•• Discussion of points on violas and vihuelas in C-660. Segerman C-661 —C-l Forrester Violas, vihuelas and iconography C-739 and new/ The tunings and sizes of the viole da braccio: a correction to C-l562 C-l604 The early violino and the viole da bracio family. Segerman C-l562 .CI What was the viole d'aline? Crookes C-611 .CI Fingerboard length on the baroque violin. Segerman C-525 .CI Hizler's tenor violin. Segerman C-410 .CJ offered by the early guitar and violin. Segerman Abbott /instruments C-36 .« construction bases of great Italian violin. Suboni /physical and technical C-879 .ci« Report on the restoration of a violin. Watchorn C-378 .c« Segerman Was the violin a French invention after all? C-524 ," /Holman, Four and twenty fiddlers; the violin at the English Court 1540-16907 C-l208 .CI On the early violin bridge position. Badiarov C-l594 Segerman Supplement: Response to bass violin comments by Catch in C-l574 Sup-92 (-.- and sound./ Review: James Beament. The violin explained - components mechanism C-l548 Strings for the violin family. Segerman C-438 ci British isles; an/ Review: Harvey: the violin family and its makers in the C-l359 Cl tensions. Segerman A table for violin family string diameters and C-772 c^ and the law, 1992;/ Review: Harvey: Violin fraud: deception, forgery, theft, C-l 134 century. Chiesa Violin makers in Milano 17th-18th C-l202

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Smith Violin makers'inches in proportion C-l008 /on the fundamental principles of violin playing, (Knocker). Montagu C-692 Violin research 15 years ago. Segerman C-1492 Napolitan mandolins, wire strengths and violin stringing. Segerman C-713 Historical violin stringings up to 1900. Segerman C-l234 French fiddles, the soundpost and the violino. Segerman C-l605 Segerman The early violino and the viole da bracio family C-l562 /Tiella, Negri, Primon: Ricerche su un violino di proprieta del comune di/ C-847 Schmelzer's violino piffaro. Heavens C-l603 The Cremona secret of violins. Aristotel C-l561 The changes from baroque to modern violins. Segerman C-1484 of renaissance and baroque viols and violins. Segerman On the sizes C-65 A comparison of some baroque violins. Smith C-l009 Late 17th century English bass violins, and catlin highest pitches./ C-l590 Edinburgh 'A.S.' manuscript./ Violins, citterns and viols in the C-l576 Forsyth (1914) quotes on viols. Cousen C-l 110 Praetorius, Segerman and the English viols. Meeus C-607 On Talbot's measurements of viols. Segerman C-382 On the sizes of surviving English viols. Segerman C-l58 Praetorius, Meeus and the English viols. Segerman C-633 Stradivari 'cello' strings and bass viols. Segerman C-l518 What Praetorius wrote on English viols. Segerman C-598 and continuo bowing of early fiddles and viols. Segerman On melodic C-l309 lower bout back fold on English treble viols. Segerman The C-352 original methods of constructing English viols. Segerman Ruminations on C-l575 the belly construction of early English viols. Segerman A note on C-289 More on the sizes of English (and other) viols. Segerman Abbott C-l87 front-plate thickness profiles of viols. Strahle A gauge for measuring C-l33 Review: Lindley: Lutes, viols & temperaments. Hodgson C-556 Review: Lindley: Lutes, viols & temperaments. Montagu C-555 of regional cultures worldwide, Viols & violins). Montagu /instruments C-l406 Diderot, viols and false tables. Miller C-214 On the sizes of renaissance and baroque viols and violins. Segerman C-65 Supplement: Pitch standards and playing viols in the 16th century. Segerman Sup-92 manuscript./ Violins, citterns and viols in the Edinburgh'A.S.' C-l576 Segerman Lyra and other viols that played from tablature C-716 Bullard), 275 pp. Montagu Review: Virdung: Musica Getutscht, (tr Beth C-1241 /around 1500 as represented by Virdung's Musica Getutscht. Chiverton C-787 TheBaffo virginal. Shann C-143 Segerman Supplement: Christina Visconti in focus (further to C-1518) Sup-88 19877 Review: Jaarboek van het Vlaamse centrum voor oude muziek 3 C-993 The Canadian vocalion. Downing C-l264 Zabytkow/ Review: Golos, Kobus & Vogel: StownikTerminologiczny C-l 114 - instrumental practice/ Review: Page: Voices & instruments of the middle ages C-786 - instrumental practice/ Review: Page: Voices & instruments of the middle ages C-808 - instrumental practice/ Review: Page: Voices & instruments of the middle ages C-809

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Harpsichord voicing. Cole C-l230 Recorder voicing. Loretto C-l540 1— [.': Willoughby Recorder voicing: answers to questions C-514 • C-; Recorder voicing structures. Woods C-654 —C-li Early instrument news from Yugoslavia. Vojnic C-685 "•»«. C-ly_ harpsichord plan, as asked for by Geza Vojnic. Champollion Little French C-720 ""««. C-l!' Musikinstrumente des/ Review: Vorreiter: Die schbnsten C-480 C-li Pale drying oil. Wadsworth C-617 CIS More putti in the Stiftsbasilika at Waldsassen. Lyndon-Jones C-l284 C-l! Review: Ellis: The story of the harp in Wales. Montagu C-283 ~~. C| brass/ Review: Trevor Herbert, John Wallace. The Cambridge companion to C-l546 —c.» /des facteurs d'instruments de musique en Wallonie et a Bruxelles etc. Montagu C-745 Wallraf-Richartz Museum, Cologne./ C-l476 —C-li! /Collection of paintings and sculptures, Walsh Was the C-798 —C-l! English guitar a guitar or a cittern? Warning! Gretton C-345 •-.[•;. monuments documentation centre, Warszawa. /conducted by the historical C-876 — CI Plans: List Smithsonian Institute, Washington DC Bul-63 — CI Report on the restoration of a violin. Watchorn C-378 •»~ C-i: A 'bajon' for London. Waterhouse C-1280 A new edition of Langwill's index? Waterhouse C-421 dictionary of musical/ Review: William Waterhouse: The new Langwill index - a C-l209 /catalogue Vol 2;E;ii, William Waterhouse, Bassoons. Montagu C-1211 dictionary of musical/ Review: William Waterhouse: The new Langwill Index: a C-l331 -CI (catalogue). Montagu Review: Waterhouse: The proud bassoon C-497 -C-l! On water-resistant glues. Coutrait C-339 -C-l Lute body manufacture - the authentic way. Downing C-267 -CI Bouterse The microwave way: drying boxwood fast and easy C-641 -CI More sympathetic strings? Webb C-l 109 .C-fl Supplement: Fomrhi Website. Segerman Sup-90 „ CI .cm baroque guitars and harpsichords, van Weerd /roses in citterns, lute C-1515 affected by high internal stresses. Weiss /-an oscillating system C-1490 -CI Clamps for woodwind parts. Wells C-815 Restoration of an early clarinet. Wells C-803 /Musical and poetical relicks of the Welsh bards, preserved by tradition, etc/ C-695 of instrumentation for playing the Welsh harp. Montagu /Manual or method C-894 Segerman Response to C-l482 and the Wensler G30 cithrinchen stringing C-1498 account of the musical performances in Westminster-Abbey. Montagu /Burney: An C-312 J-< Montagu Review: Weston: Samuel Hughes ophicleidist C-747 A shaper for recorder block blanks. Whinray C-122 Woodwind measurements. Whinray C-121 Bavington Whistles on harpsichord strings C-960 A response to C-l454 & C-1426. White C-1479 Bajon reeds. White C-1089 Early sound generation: bassoon reeds. White C-1282 Helpful recordings. White C-734 Memories of John Paul. White C-1066

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Thoughts on C-l276 'Occam's razor'. White C-1302 and conviction: fend off the flaccid. White Preserving passion C-l338 makers and inventors. 518 pp. 1993. White /of musical wind instrument C-l331 ohne Worte: emotion imaged by music. White Lieder C-1426 on musical instrument reviewing. White /the early bassoon: some thoughts C-999 reeds by Triebert and Massabo. White Bassoon C-927 restoration is ruthless authenticity. White The hallmark of good C-l 160 the early music industry steamroller). White /(marketing, facade and C-l 119 Montagu Review: Widensky: Das Claviorganum (record) C-870 /die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum. Montagu C-l297 /die Sammlung alter Musikinstrumente, Wien, Kunsthistorisches Museum - part 2/ C-1312 of the Gesellschaft der Freunde der Wiener Oboe Bulletin: Foundation Bul-93 The flutes of Robert and Willem Wijne. Bouterse C-913 Acid staining of hardwoods. Willetts C-474 Moisture blocking of fipple flutes. Willetts C-470 Thoughts on C-755. Willetts C-792 Woodwind bore oil. Willetts C-475 Small planes. Williams C-230 Standards for instrument plans. Williams C-231 codes for some early music notations. Williams New Braille C-1456 gauging - some ideas and suggestions. Williams Bore C-761 soundboard roses with scissors. Williams Perforating C-434 Further to C-529. Willoughby C-541 Making mild steel (flat-stock) reamers. Willoughby C-567 Recorder voicing: answers to questions. Willoughby C-514 /Herbert: Catalogue of the European wind and percussion instruments in the/ C-1060 transverse flute: I pitch axis and wind bands. Raudonikas /of baroque C-l70 /Langwill Index: a dictionary of musical wind instrument makers and inventors./ C-l331 catalogues,/ Review: ACIMV [Larigot] Wind instrument makers and their C-l044 Review: Carse: Musical wind instruments. Bate C-347 a software program for developing new wind instruments. Bolton Resonans C-l356 full-sized line drawings of historical wind instruments. Cousen Three C-l 19 Making double reeds for renaissance wind instruments. Meyer Kottick C-227 Music Museum Catalogue part I, European wind instruments. Montagu /College of C-446 On measuring the pitch of early wind instruments. Segerman C-l372 /instruments, catalogue, vol 2A, wind instruments of regional cultures/ C-l238 The crumhorn and other renaissance windcap instruments. Moonen /Boydell: C-430 The fornication of recorder windways. Marvin C-532 Reconstruction of the harpate wing. Crookes C-635 What was the Bohemian wing? Crookes C-612 The Bohemian wing. MatouSek C-634 database on conservation techniques. Winsor An international C-874 1823-1825. Gug English pianoforte wire - a controversy during the years C-853 About old music wire. Gug C-105 Steel music wire. Karp C-548 Wrought iron music wire. Karp C-83

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• [•;; Phosphorous iron music wire. Shann C-821 Non-ferrous harpsichord wire. Way C-576 Uniformity in old wire. Way C-626 harpsichords. Wraight Strong iron wire and long scales in Italian C-852 Meuler or the secret of a Nurnberg wire drawer. Gug Jobst C-866 of the/ The 'Zangelmass' of the wire drawer; a documentary confirmation C-l 164 Gug Wire drawing and working conditions C-837 The Birmingham wire gauge and its musical sisters. Gug C-917 European music wire making places. Gug C-836 (1780-1850). Gug Historical wire micrometers and diameter values C-932 Segerman Ferrous wire of high tensile strength ca. 1600 C-440 Historical tests on Pleyel's music wire, Paris 1811. Gug C-901 Segerman Napolitan mandolins, wire strengths and violin stringing C-713 Montagu Review: Stacey, Wishart: Bagpipes & hurdy-gurdies C-581 a celebration of his life and times. Wollenberg Review: Simon: Handel: C-670 Blow somewhat strong. Wood C-l 175 Freighting instruments from the U.K. Wood C-64 •~-1.: de fracture d'anches renaissance. Wood Review: Leguy: Precis C-278 of reinforcing bars in instruments. Wood Detection C-61 -CI cycling for stabilisation of gut and wood. Abbott Segerman Rolfe Humidity C-71 ~C4 Singing lessons for wood. Catch C-l032 -CI Singing lessons for wood. Catch C-1065 -CI Singing lessons for wood. Catch C-l091 -CI evidence for stewing soundboard wood. Gill Historical C-1438 -C» Scraping plane for mouldings in wood. Greenberg C-571 -.CI or the lost art of choosing resonance wood. Gug /forests in early centuries, C-1011 C-ll How to make your own mouldings in wood. Hendry C-476 IMHH t i C-l! Old wood. Way C-985 CI Explanations of ways in which wood absorbs sound vibrations. Segerman C-l532 -CI C-1228, C-1285) Supplement: Wood absorption (further to C-l227, Sup-78 -C-ll Gug Selection of wood according to a German document C-731 CI instruments./ Review: Richter: Wood as raw material for making musical C-939 CI England. Gug Wood bending process in 18th century C-1040

MM I*" /A response to C-1439, claiming wood changes on playing in. Segerman Sup-84 ci Segerman Wood contraction and instrument bores C-460 Jewelery in wood etc. Samson C-238 -CI Wood for bows. Jenkins C-565 -CI Bending wood for crummhorns. Buck C-l390 -CI Supplement: Soundboard wood imported to England. Segerman Sup-92 Gug On chemical analysis of the wood of historical bowed instruments C-793 Wood science. Beament C-l337 Response to C-1337 on wood science. Segerman C-l363 The buzzing of wood strings. Segerman C-l033 Hunt & Balsan experiment. Segerman Wood structure and what happened in the C-l471 instruments. Armitage Determining wood thickness in unopened musical C-822 Inductive meter to determine wood thickness of unopened musical/ C-794

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On teaching wood to sing. Way C-1047 C-1047. Swayne Teaching wood to sing; a reply to C-1032 and C-1077 scientist and musicians./ Teaching wood to sing, and other matters; on C-1076 Segerman Wood treatment to improve sound C-1423 The wood under the varnish. Segerman C-775 Goodacre Woodwind instrument making: wooden collet chucks for lathe work C-l 138 Drilling bristle-holes in wooden jacks. Groom C-512 viol. Montagu Review: Woodfield: The early history of the C-582 The colour of the Ruckers' wood-grain paper. Shann C-570 Recorder voicing structures. Woods C-654 Loretto Recorder woods - do they influence the sound? C-l431 On bending woods. Hachez C-34 Early Musicians./ Response to Wood's C-l 175 criticising criticism of C-l 192 turning of reamer blanks for use in woodwind. Cameron Profile C-70 Plans: List woodwind, Bate collection, Oxford Bul-35 Plans: List woodwind, Bate collection, Oxford Bul-36 Plans: List woodwind. Bate collection, Oxford Bul-37 Plans: List woodwind. Bate collection, Oxford Bul-38 Plans: List woodwind, Bate collection, Oxford Bul-45 More thoughts on woodwind bore measurement. Cronin C-828 Lewin Woodwind bore measurement and analysis C-404 A contact-free woodwind bore measuring tool. Schultze C-970 Woodwind bore measuring tools. Karp C-762 Woodwind bore oil. Karp C-406 Woodwind bore oil. Willetts C-475 On C-76 and woodwind crack repair. Karp C-101 Goodacre's razor and undercutting woodwind finger holes. Hailperin C-l505 treatment. Raudonikas Method of woodwind frequency measurement data C-145 Segerman Contrasts between string and woodwind gracing in Purcell's time C-1316 /database management program for woodwind instrument makers. Powell C-800 gun drills, live centre, metal/ Woodwind instrument making: report on C-958 drills for long hole boring./ Woodwind instrument making: use of gun C-957 drills for long hole boring;/ Woodwind instrument making: use of gun C-l 137 collet chucks for lathe work./ Woodwind instrument making: wooden C-l 138 /and understandable are measurements of woodwind instruments. Bouterse C-1437 The Bolhuis auction (1764) of musical woodwind instruments. Bouterse C-l538 The Selhof auction (1759) of musical woodwind instruments. Bouterse C-l539 Artificial ivory rings for woodwind instruments. Desforges C-780 The killing of woodworm, particularly in woodwind instruments. Freemanova C-973 /computer aided reamer production for woodwind instruments. Jefferies C-l 140 Untitled (tuning conical bore woodwind instruments). Marvin C-492 Review: Young: 2500 historical woodwind instruments. Montagu C-806 /Phillip T. Young: 4900 historical woodwind instruments, 270 pp. Montagu C-l270 /small diameter finger holes on woodwind instruments: Goodacre's razor./ C-l375 Review: Philip Young. Woodwind instruments in the/ C-l534 Review: Moonen: Drawings of four woodwind instruments in the Brussels/ C-282

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•C| Making woodwind keys. Bigio C-254 Woodwind making techniques. Cameron C-l97 Woodwind measurements. Whinray C-121 Clamps for woodwind parts. Wells C-815 Review: The Woodwind Quartely, issue 2. Montagu C-l 183 /problems with 'authenticity' in early woodwind reproductions (marketing,/ C-l 119 Comments on woodwind restoration. Ackerman C-865 Woodwind taxonomy. Smith C-1461 Woodwinds - boring pipes. Downing C-1260 • C« Authentic methods of making woodwinds. Ramsley C-l 199 • C-l! Workshop ideas for woodwinds. Swayne C-676 Accuracy of measurement of woodwinds and the exact copy. Karp C-84 • C-l Lyndon-Jones Checklist of some of the woodwinds at the Stadtmuseum, Munich C-l222 .01 17th century guitar woodwork. Forrester C-825 Safety with woodworking machines. Rawson C-l66 Identifying woodworm. Rawson C-984 instruments./ The killing of woodworm, particularly in woodwind C-973 Proposal for a medieval workshop. Hobrough C-375 Planning a workshop. Rawson C-l82 University Collection/ Plans: List of workshop drawings from the Edinburgh Bul-73 .ci Workshop gimmicks. Stanners C-454 .Ml Workshop ideas for woodwinds. Swayne C-676 .CI Review: Brown: The recorder; a basic workshop manual. Montagu C-936 .CI Ducept Inventory of the workshop of Kejcher, Krakow (1548-1599) C-202 .CI An attribution of an unsigned spinet. Wraight C-l 150 .[•. Beitrage zum historischen Cembalobau. Wraight Review: Henkel: C-515 .CI Comments on humidity cycling. Wraight C-169 .c-i« Italian two-manual harpsichords. Wraight C-538 .CI Plans: Italian harpsichords, Wraight Bul-5 .CI and long scales in Italian harpsichords. Wraight Strong iron wire C-852 .CI early 16th century Italian short octave. Wraight The C-968 .CI A method of bushing wrestplanks. Law C-l298 .CI Restoration of cupped Flemish wrestplanks. Lee C-77 description of gut strings in Turkey. Wright A 16th century French C-25 in St Mary's Church Shrewsbury. Wright /carvings of musical instruments C-74 .CI Wrought iron music wire. Karp C-83 .CI Die nachtegael int wilde (record). Yakeley Review: Rans, Misschaert: C-285 ,[••' The archetypal harpsichord. Yokota C-986 List Metropolitan Museum of Art, New York Plans: Bul-40 List Metropolitan Museum of Art, New York Plans: Bul-6 of the City University of New York, /study of free-reed instruments Bul-93 Bending irons. Garrod, Abbott, Young C-62 Re: scraping plane in C-571. Young C-586 and foreign language dictionaries. Young Information on regals C-l23 arched bellies of stringed instruments. Young Planes for shaping C-l68 herring on Praetorius's foot. Segerman Young A red C-l55

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instruments, 270/ Review: Phillip T. Young: 4900 historical woodwind C-l270 instruments. Montagu Review: Young: 2500 historical woodwind C-806 double reed instruments,/ Review: Young: Loan exhibition of historic C-885 Review: Philip Young. Woodwind instruments in the/ C-l534 Early instrument news from Yugoslavia. Vojnic C-685 as an individualised modal framework. Zaerr /of Moravia's first fiddle tuning C-l093 of Ukranian folk instruments at Kiev. Zajaruzny The collection C-236 Further on C-514. Zaniol C-529 on early manufacture of gut strings. Zaniol Further C-528 recorder at the Museum der Stadt Meran. Zaniol The NF treble C-485 More on Denis Gaultier, Sohne, Zarlino et al. Lindley C-609 Review: Lenski, Ventzke: Das goldene Zeitalter der Flote, Frankreich/ C-l239 Two links with antiquity: Kundera's zert and the zhaleyka. Crookes C-640 with antiquity: Kundera's zert and the zhaleyka. Crookes Two links C-640 Comments on C-483: review of Der Zink. Overton C-505 Spieltechnik/ Review: Overton: Der Zink, Geschichte, Bauweise and C-483 Museum Leipzig band 5 Horner und Zinken. Montagu /Musikinstrumenten C-498

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