Oboe Trios: an Annotated Bibliography
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Art Or Craft? – Significance of the Sociological Background in the Artistic Development of the Harmoniemusik
MUSICOLOGICA BRUNENSIA 47, 2012, 1 MIKOŁAJ RYKOWSKI ART OR CRAFT? – SIGNIFICANCE OF THE SOCIOLOGICAL BACKGROUND IN THE ARTISTIC DEVELOPMENT OF THE HARMONIEMUSIK Harmoniemusik phenomenon has emerged in the most important 18th and 19th century domains of the musical life. It were aristocratic court, church circle and military service where these ensembles containing usually 2 cl., 2 ob., 2 cr., 2 bs. where active. Geographically these musical practise was spread out among many countries, but their so called ‘homeland’ was Holy Roman Empire territory (altough Moravian emigrants applied this music to Bethlehem parish in North America). Stylistically, existing repertoire embodies wide range of Wind Harmo- ny pieces where often in one musical centre it possible to notice that at particular period of time performed simple, garden-like, background music and artistically significant examples of the concert music. A matter of whether Harmoniemusik presents more art or craft is is concerned more to provoke a discussion about its multicontextual functioning rather than expecting white-or-black answers. It is a very important origin of the entire development that its musical condition depended almost fully on sociological background. Artistic judgment of these music should be provided regarding the fact that Wind Harmony came into appearance in various sociological contexts. Moreover, a certain role in sociological sphere required usage of adequate formal devices such as march-like opening movement for army band or dance music as characteristic for music played in aristocratic chambers. It is interesting to ob- serve in which way all these environments influenced the complexity and content of Harmoniemusik repertoire. The 18th century patronage of the army, court and church and its influence ex- erted over the artistic picture of wind ensembles appeared with different intensity. -
Rezension Für: Deutsches Symphonie-Orchester Berlin
Rezension für: Deutsches Symphonie-Orchester Berlin Edition Friedrich Gulda – The early RIAS recordings Ludwig van Beethoven | Claude Debussy | Maurice Ravel | Frédéric Chopin | Sergei Prokofiev | Wolfgang Amadeus Mozart 4CD aud 21.404 Radio Stephansdom CD des Tages, 04.09.2009 ( - 2009.09.04) Aufnahmen, die zwischen 1950 und 1959 entstanden. Glasklar, "gespitzter Ton" und... Full review text restrained for copyright reasons. Neue Musikzeitung 9/2009 (Andreas Kolb - 2009.09.01) Konzertprogramm im Wandel Konzertprogramm im Wandel Full review text restrained for copyright reasons. Piano News September/Oktober 2009, 5/2009 (Carsten Dürer - 2009.09.01) Friedrich Guldas frühe RIAS-Aufnahmen Friedrich Guldas frühe RIAS-Aufnahmen Full review text restrained for copyright reasons. page 1 / 388 »audite« Ludger Böckenhoff • Tel.: +49 (0)5231-870320 • Fax: +49 (0)5231-870321 • [email protected] • www.audite.de DeutschlandRadio Kultur - Radiofeuilleton CD der Woche, 14.09.2009 (Wilfried Bestehorn, Oliver Schwesig - 2009.09.14) In einem Gemeinschaftsprojekt zwischen dem Label "audite" und Deutschlandradio Kultur werden seit Jahren einmalige Aufnahmen aus den RIAS-Archiven auf CD herausgebracht. Inzwischen sind bereits 40 CD's erschienen mit Aufnahmen von Furtwängler und Fricsay, von Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau u. v. a. Die jüngste Produktion dieser Reihe "The Early RIAS-Recordings" enthält bisher unveröffentlichte Aufnahmen von Friedrich Gulda, die zwischen 1950 und 1959 entstanden. Die Einspielungen von Beethoven, Debussy, Ravel und Chopin zeigen den jungen Pianisten an der Schwelle zu internationalem Ruhm. Die Meinung unserer Musikkritiker: Eine repräsentative Auswahl bisher unveröffentlichter Aufnahmen, die aber bereits alle Namen enthält, die für Guldas späteres Repertoire bedeutend werden sollten: Mozart, Beethoven, Debussy, Ravel, Chopin. -
Cimf20201520program20lr.Pdf
CONCERT CALENDAR See page 1 Beethoven I 1 pm Friday May 1 Fitters’ Workshop 6 2 Beethoven II 3.30 pm Friday May 1 Fitters’ Workshop 6 3 Bach’s Universe 8 pm Friday May 1 Fitters’ Workshop 16 4 Beethoven III 10 am Saturday May 2 Fitters’ Workshop 7 5 Beethoven IV 2 pm Saturday May 2 Fitters’ Workshop 7 6 Beethoven V 5.30 pm Saturday May 2 Fitters’ Workshop 8 7 Bach on Sunday 11 am Sunday May 3 Fitters’ Workshop 18 8 Beethoven VI 2 pm Sunday May 3 Fitters’ Workshop 9 9 Beethoven VII 5 pm Sunday May 3 Fitters’ Workshop 9 Sounds on Site I: 10 Midday Monday May 4 Turkish Embassy 20 Lamentations for a Soldier 11 Silver-Garburg Piano Duo 6 pm Monday May 4 Fitters’ Workshop 24 Sounds on Site II: 12 Midday Tuesday May 5 Mt Stromlo 26 Space Exploration 13 Russian Masters 6 pm Tuesday May 5 Fitters’ Workshop 28 Sounds on Site III: 14 Midday Wednesday May 6 Shine Dome 30 String Theory 15 Order of the Virtues 6 pm Wednesday May 6 Fitters’ Workshop 32 Sounds on Site IV: Australian National 16 Midday Thursday May 7 34 Forest Music Botanic Gardens 17 Brahms at Twilight 6 pm Thursday May 7 Fitters’ Workshop 36 Sounds on Site V: NLA – Reconciliation 18 Midday Friday May 8 38 From the Letter to the Law Place – High Court Barbara Blackman’s Festival National Gallery: 19 3.30 pm Friday May 8 40 Blessing: Being and Time Fairfax Theatre 20 Movers and Shakers 3 pm Saturday May 9 Fitters’ Workshop 44 21 Double Quartet 8 pm Saturday May 9 Fitters’ Workshop 46 Sebastian the Fox and Canberra Girls’ Grammar 22 11 am Sunday May 10 48 Other Animals Senior School Hall National Gallery: 23 A World of Glass 1 pm Sunday May 10 50 Gandel Hall 24 Festival Closure 7 pm Sunday May 10 Fitters’ Workshop 52 1 Chief Minister’s message Festival President’s Message Welcome to the 21st There is nothing quite like the Canberra International Music sense of anticipation, before Festival: 10 days, 24 concerts the first note is played, for the and some of the finest music delights and surprises that will Canberrans will hear this unfold over the 10 days of the Festival. -
Brass Chamber Ensembles David Scott, Director Abstract No
Path of Discovery (2005) Eric Morales (b. 1966) Trumpet Ensemble Katrina Smith and Steve Morics, trumpet and piccolo trumpet Jorge Araujo-Felix, Jake Ferntheil, Matthew Richards, Francisco Razo and Andrew Priester, trumpet Brass Chamber Ensembles David Scott, director Abstract No. 2 Robert Russell Arr. Wiff Rudd Friday, April 7, 2017 - 6 p.m. Trumpet Ensemble Frederick Loewe Performance Hall Jorge Araujo-Felix, Jake Ferntheil, Katrina Smith and Andrew Priester, trumpet Quintet for Brass No.1, Op. 73 (1961) Malcolm Arnold Francisco Razo and Matthew Richards, flugelhorn (1921-2006) Alpha Brass Quintet Back to the Fair (2002) Bill Reichenbach Katrina Smith and Jake Ferntheil, trumpets (b. 1949) Terrence Perrier, horn Julia Broome-Robinson, Jonathan Heruty, Joel Rangel, trombone Michelle Reygoza and Andrew Glendening, trombone Ross Woodzell, tuba Jackson Rice, Todd Thorsen and Joel Rangel, bass trombone Fantasy Ralph Martino Simple Gifts 19th Century Shaker tune (b. 1945) arr. by Eberhard Ramm Tuba Ensemble David Reyes and Andrew Will, euphonium Earle of Oxford’s Marche William Byrd Maggie Eronimous and Ross Woodzell, tuba (1540-1623) arr. by Gary Olson Cinq Miniatures Pour Quatres Cors Jan Kotsier Bravo Brass Quintet 1. Petite March (1911-2006) Matthew Richards and Andrew Priester, trumpet 2. Chant Sentimental Star Wasson, horn 5. Finale Jonathan Heruty, trombone Margaret Eronimous, tuba Frippery No. 14 “Something in Two” Lowell Shaw (b. 1930) Horn Ensemble Gregory Reust, Hannah Vagts, Terrence Perrier, Hannah Henry, Star Wasson and Sam Tragesser, horn Fanfares Liturgiques Henri Tomasi from his London Philharmonic Orchestra days is revealed by his expert i. Annonciation (1901-1971) use of the contrast of tone color and timbre of the brass family in different ii. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka
Columbus State University CSU ePress Theses and Dissertations Student Publications 5-2008 An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka Alisha Marie Wooley Columbus State University Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Education Commons Recommended Citation Wooley, Alisha Marie, "An Analytical and Educational Survey of Kenneth Hesketh's Vranjanka" (2008). Theses and Dissertations. 14. https://csuepress.columbusstate.edu/theses_dissertations/14 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/analyticaleducatOOwool The undersigned, appointed by the Schwob School of Music at Columbus State University, have examined the Graduate Music Project titled AN ANALYTICAL AND EDUCATIONAL SURVEY OF KENNETH HESKETFLS VRANJANKA presented by Alisha Marie Wooley a candidate for the degree of Master of Music in Music Education and hereby certify that in their opinion it is worthy of acceptance. Columbus State University AN ANALYTICAL AND EDUCATIONAL SURVEY OF KENNETH HESKETH'S VRANJANKA By Alisha Marie Wooley A MASTERS THESIS Submitted to the Faculty of Columbus State University in partial fulfillment of the requirements for the degree of Master of Music Education Columbus, Georgia -
EVELYN BARBIROLLI, Oboe Assisted by · ANNE SCHNOEBELEN, Harpsichord the SHEPHERD QUARTET
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DSpace at Rice University EVELYN BARBIROLLI, oboe assisted by · ANNE SCHNOEBELEN, harpsichord THE SHEPHERD QUARTET Wednesday, October 20, 1976 8:30P.M. Hamman Hall RICE UNIVERSITY Samuel Jones, Dean I SSN 76 .10. 20 SH I & II TA,!JE I PROGRAM Sonata in E-Flat Georg Philipp Telernann Largo (1681 -1767) Vivace Mesto Vivace Sonata in D Minor Johann Christoph Friedrich Bach Allegretto (1732-1795) ~ndante con recitativi Allegro Two songs Wolfgang Amadeus Mozart Das Lied der Trennung (1756-1791) _...-1 Vn moto di gioia mi sento (atr. Evelyn Rothwell) 71 u[J. 0...·'1. {) /llfil.A.C'-!,' l.raMc AI,··~ l.l. ' Les Fifres Jean Fra cois Da leu (1682-1738) (arr. Evelyn Rothwell) ' I TAPE II Intermission Quartet Massonneau Allegro madera to (18th Century French) Adagio ' Andante con variazioni Quintet in G Major for Oboe and Strings Arnold Bax Molto mo~erato - Allegro - Molto Moderato (1883-1953) Len to espressivo Allegro giocoso All meml!ers of the audiehce are cordially invited to a reception in the foyer honoring Lady Barbirolli following this evening's concert. EVELYN BARBIROLLI is internationally known as one of the few great living oboe virtuosi, and began her career th1-ough sheer chance by taking up the study qf her instrument at 17 because her school (Downe House, Newbury) needed an oboe player. Within a yenr, she won a scholarship to the Royal College of Music in London. Evelyn Rothwell immediately establis71ed her reputation Hu·ough performances and recordings at home and abroad. -
No. 8843 UNION of SOVIET SOCIALIST REPUBLICS, UNITED KINGDOM of GREAT BRITAIN and NORTHERN IRELAND, UMTED STATES of AMERICA
No. 8843 UNION OF SOVIET SOCIALIST REPUBLICS, UNITED KINGDOM OF GREAT BRITAIN AND NORTHERN IRELAND, UMTED STATES OF AMERICA, AFGHANISTAN, ARGENTINA, etc. Treaty on principles governing the activities of States in the exploration and use of outer space, including the moon and other celestial bodies. Opened for signature at Moscow, London and Washington, on 27 January 1967 Official texts: English, Russian, French, Spanish and Chinese. Registered by the Union of Soviet Socialist Republics, the United Kingdom of Great Britain and Northern Ireland and the United States of America on 30 November 1967. UNION DES RÉPUBLIQUES SOCIALISTES SOVIÉTIQUES, ROYAUME-UNI DE GRANDE-BRETAGNE ET D'IRLANDE DU NORD, ÉTATS-UNIS D'AMÉRIQUE, AFGHANISTAN, ARGENTINE, etc. Traité sur les principes régissant les activités des États en matière d'exploration et d'utilisation de l'espace extra atmosphérique, y compris la lune et les autres corps célestes. Ouvert à la signature à Moscou, Londres et Washington, le 27 janvier 1967 Textes officiels anglais, russe, français, espagnol et chinois. Enregistré par V Union des Républiques socialistes soviétiques, le Royaume- Uni de Grande-Bretagne et d'Irlande du Nord et les États-Unis d'Amérique le 30 novembre 1967. 206 United Nations — Treaty Series 1967 No. 8843. TREATY1 ON PRINCIPLES GOVERNING THE ACTIVITIES OF STATES IN THE EXPLORATION AND USE OF OUTER SPACE, INCLUDING THE MOON AND OTHER CELESTIAL BODIES. OPENED FOR SIGNATURE AT MOSCOW, LONDON AND WASH INGTON, ON 27 JANUARY 1967 The States Parties to this Treaty, Inspired -
Download Booklet
Classics Contemporaries of Mozart Collection COMPACT DISC ONE Franz Krommer (1759–1831) Symphony in D major, Op. 40* 28:03 1 I Adagio – Allegro vivace 9:27 2 II Adagio 7:23 3 III Allegretto 4:46 4 IV Allegro 6:22 Symphony in C minor, Op. 102* 29:26 5 I Largo – Allegro vivace 5:28 6 II Adagio 7:10 7 III Allegretto 7:03 8 IV Allegro 6:32 TT 57:38 COMPACT DISC TWO Carl Philipp Stamitz (1745–1801) Symphony in F major, Op. 24 No. 3 (F 5) 14:47 1 I Grave – Allegro assai 6:16 2 II Andante moderato – 4:05 3 III Allegretto/Allegro assai 4:23 Matthias Bamert 3 Symphony in G major, Op. 68 (B 156) 24:19 Symphony in C major, Op. 13/16 No. 5 (C 5) 16:33 5 I Allegro vivace assai 7:02 4 I Grave – Allegro assai 5:49 6 II Adagio 7:24 5 II Andante grazioso 6:07 7 III Menuetto e Trio 3:43 6 III Allegro 4:31 8 IV Rondo. Allegro 6:03 Symphony in G major, Op. 13/16 No. 4 (G 5) 13:35 Symphony in D minor (B 147) 22:45 7 I Presto 4:16 9 I Maestoso – Allegro con spirito quasi presto 8:21 8 II Andantino 5:15 10 II Adagio 4:40 9 III Prestissimo 3:58 11 III Menuetto e Trio. Allegretto 5:21 12 IV Rondo. Allegro 4:18 Symphony in D major ‘La Chasse’ (D 10) 16:19 TT 70:27 10 I Grave – Allegro 4:05 11 II Andante 6:04 12 III Allegro moderato – Presto 6:04 COMPACT DISC FOUR TT 61:35 Leopold Kozeluch (1747 –1818) 18:08 COMPACT DISC THREE Symphony in D major 1 I Adagio – Allegro 5:13 Ignace Joseph Pleyel (1757 – 1831) 2 II Poco adagio 5:07 3 III Menuetto e Trio. -
NATO As a Value Institution: Do Democracy and Human Rights Matter?
NATO as a Value Institution: Do Democracy and Human Rights Matter? The Spanish, Greek and Turkish Cases Georg Agnalt Edell Fall 2019 Master's thesis in Peace and Conflict Studies, Department of Political Science Word count: 24.734 Preface: I wrote this thesis in order to shed some light on a subject that came to fascinate me through my time in college. Are the rules regarding democracy and human rights in NATO just words on a page or do they carry any weight in real life too? As each alliance member have had different political trajectories and histories, I thought that the importance they put into these values should also differ. By focusing on a broader range of cases than other writers have done before me, this topic also enabled me to fill a knowledge-gap, something I put great value in doing. This thesis would not have been possible without the help, love and support of my fellow students, friends and family. A special acknowledgment should also be given to Janne Haaland Matlary, whose guidance and scholarship have been invaluable in writing this thesis. Lastly I would be remiss to not acknowledge my own effort and hard work. I thank you all from the bottom of my heart. 2 Table of Contents Abstract:.....................................................................................................................................................5 1.1: Introduction:........................................................................................................................................6 1.2: NATO and cooperation:......................................................................................................................7 -
'Colloquy' CD Booklet.Indd
Colloquy WORKS FOR GUITAR DUO BY PURCELL · PHILIPS · JOHNSON · VAUGHAN WILLIAMS DODGSON · PHIBBS · DOWLAND · MAXWELL DAVIES DUO GUITARTES RALPH VAUGHAN WILLIAMS (1872–1958) COLLOQUY 10. Fantasia on Greensleeves [5.54] JOSEPH PHIBBS (b.1974) Serenade HENRY PURCELL (1659–1695) 11. I. Dialogue [3.54] Suite, Z.661 (arr. Duo Guitartes) 12. II. Corrente [1.03] 1. I. Prelude [1.18] 13. III. Liberamente [2.48] 2. II. Almand [4.14] WORLD PREMIÈRE RECORDING 3. III. Corant [1.30] 4. IV. Saraband [2.47] PETER MAXWELL DAVIES (1934–2016) Three Sanday Places (2009) PETER PHILIPS (c.1561–1628) 14. I. Knowes o’ Yarrow [3.03] 5. Pauana dolorosa Tregian (arr. Duo Guitartes) [6.04] 15. II. Waters of Woo [1.49] JOHN DOWLAND (1563–1626) 16. III. Kettletoft Pier [2.23] 6. Lachrimae antiquae (arr. Duo Guitartes) [1.56] STEPHEN DODGSON (1924–2013) 7. Lachrimae antiquae novae (arr. Duo Guitartes) [1.50] 17. Promenade I [10.04] JOHN JOHNSON (c.1540–1594) TOTAL TIME: [57.15] 8. The Flatt Pavin (arr. Duo Guitartes) [2.08] 9. Variations on Greensleeves (arr. Duo Guitartes) [4.22] DUO GUITARTES STEPHEN DODGSON (1924–2013) Dodgson studied horn and, more importantly to him, composition at the Royal College of Music under Patrick Hadley, R.O. Morris and Anthony Hopkins. He then began teaching music in schools and colleges until 1956 when he returned to the Royal College to teach theory and composition. He was rewarded by the institution in 1981 when he was made a fellow of the College. In the 1950s his music was performed by, amongst others, Evelyn Barbirolli, Neville Marriner, the Philip Jones Brass Ensemble and the composer Gerald Finzi. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.